Witch Woman Quotes

Give me a man or woman who has read a thousand books and you give me an interesting companion. Give me a man or woman who has read perhaps three and you give me a very dangerous enemy indeed.

To me, a witch is a woman that is capable of letting her intuition take hold of her actions, that communes with her environment, that isn't afraid of facing challenges.

I heard the man and woman cry a warning as I frantically racked my brain for some sort of throat-repairing spell, which I was clearly about to need. Of course the only words that I actually managed to yell at the werewolf as he ran at me were, 'BAD DOG!' Then, out of the corner of my eye, I caught a flash of blue light on my left. Suddenly, the werewolf seemed to smack into an invisible wall just inches in front of me.... "You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me.

When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.

To be a woman is to be warbound, knowing all the odds are stacked against you.

The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told...

Every woman draws a circle around herself. Sometimes she has to be the only thing inside it.

Behind every witch is a woman wronged.

Ready for a harsh truth? Women don’t need your validation. We already have our own.

The Oracle rose. As one, the three witches bowed. "See?" Bran jerked his thumb at the three women. "That's how a woman should treat a man. Next time you see me, I want you to do just like them.

I smell pancakes," Al said as he jauntily smacked Pierce's hat back on the witch's head. "Did the runt make you breakfast?" Al said, leaning over the stove. "Quickest way to a woman's crotch is through her gullet, eh?" he said, leering at Pierce, who was now rinsing out the percolator. "Is it working? I'd be curious to know. I'd buy her a cake or something.

Cross a man and you struggle, one of you wins, you adjust and go on - or you lie there dead. Cross a woman and the universe is changed, once again, for cold anger requires an eternal vigilance in all matters of slight and offense

Her Kind I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind. I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned. A woman like that is misunderstood. I have been her kind. I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.

But what if the devil is just a woman who was banished to hell to stoke the flames as punishment for standing up to him?

I myself have seen this woman draw the stars from the sky; she diverts the course of a fast-flowing river with her incantations; her voice makes the earth gape, it lures the spirits from the tombs, send the bones tumbling from the dying pyre. At her behest, the sad clouds scatter; at her behest, snow falls from a summer's sky.

Because it's easy to ignore a woman." Juniper's lips twist in a feral smile. "But a hell of a lot harder to ignore a witch.

Dammit woman, stop trying to beat me. I'll sue you for domestic violence.

I bleed twelve weeks a year, so I know a thing or two about bloodstains.

The woman said something to Roman. He stopped, turned to her, and shook his staff. She crossed her arms. I couldn't see her face, but I read the body language well enough. I shake my magic stick at you!" "Let me tell you what you can do with your stick..."

Curves and fat and rolls are a colossal ‘fuck you’ to the patriarchy – our accidental rebellion.

Often a woman that doesn’t have any business being in a fight is there because their ego thinks it can mend what other people can’t. It’s either superiority or a second chance to heal a wound they have, by meddling on your battlefield.

Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –

There are two kinds of anger: hot and cold. Boys and girls experience both, but as they grow up the anger separates according to the sex. Boys need hot anger to survive. They need inclination to fight, the drive to sink the knife into the flesh, the energy and initiative of fury. It's a requirement of hunting, of defense, of pride. Maybe of sex too. And girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the sidestepping of compromise. They need to know when they say something that they will never back down, ever, ever. It's the compensation for a more limited scope in the world. Cross a man and you struggle, one of you wins, you would adjust and go on -- or you lie there dead. Cross a woman and the universe is changed, once again, for cold anger requires an eternal vigilance in all matters of slight and offense.

She is like a cat in the dark And then she is the darkness She rules her life like a fine skylark And when the sky is starless All your life you've never seen a woman Taken by the wind Would you stay if she promised you heaven? Will you ever win?

Womens, they ain't like men. A woman ain't gone beat you with a stick. Miss Hilly wouldn't pull no pistol on me. Miss Leefolt wouldn't come burn my house down. No, white womens like to keep they hands clean. They got a shiny little set of tools they use, sharp as witches' fingernails, tidy and laid out neat, like the picks on a dentist tray. They gone take they time with em.

Completely oblivious to either the angry mob around her or to her own nakedness, the woman walked right up to Roan and, in a voice that was both sultry and fragile said, “I have found her.

and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was—a woman.

NEVER FORGET THAT YOU ARE A WOMAN, AND THE GREATEST POWERS YOU CAN EMPLOY AS A WITCH ARE TOTALLY DEPENDENT UPON YOUR OWN SELF-REALIZATION THAT IN BEING A WOMAN YOU ARE DIFFERENT FROM A MAN AND THAT VERY DIFFERENCE MUST BE EXPLOITED!

Men find it easier to believe they have been swindled by a witch than outwitted by a woman” (115).

All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely pre-ambulations, yet daylight put an end to all these evils; and he would have passed a pleasent life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was - a woman.

It’s such a shame that you will finally have to learn that there are consequences to treating women like they’re nothing. You may have gotten to walk away, but a piece of me will follow you forever. Now, isn’t that romantic?

Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.

I needed to choose between the one thing that really filled m thoughts-my love for that woman-and losing my freedom and all the choices that the future promised me. To be honest, the decision was easy. -Lukas Jessen-Petersen

Women endure because we aren’t given any other choice.

To be woman is to be a sacrifice.

It's a risk just to be a woman, in my experience. No matter how healthy or hardworking she is.

What do you want? You can't want to be happy, because that's too easy and too boring. You can't want only to love, because that's impossible. What do you want? You want to justify your life, to live it as intensely as possible. That is at once a trap and a source of ecstasy. Try to be alert to that danger and experience the joy and the adventure of being that woman who is beyond the image reflected in the mirror.

The Witch's Life" When I was a child there was an old woman in our neighborhood whom we called The Witch. All day she peered from her second story window from behind the wrinkled curtains and sometimes she would open the window and yell: Get out of my life! She had hair like kelp and a voice like a boulder. I think of her sometimes now and wonder if I am becoming her.

to be a woman is to be warbound, k n o w i n g all the odds are stacked against you. - & never giving up in spite of it.

It was not hard to believe a beautiful woman capable of murder, Margret thought.As it says in the sagas, Opt er flago i fogru skinni. A witch often has fair skin.

Once upon a time there was a wicked witch and her name was Lilith Eve Hagar Jezebel Delilah Pandora Jahi Tamar and there was a wicked witch and she was also called goddess and her name was Kali Fatima Artemis Hera Isis Mary Ishtar and there was a wicked witch and she was also called queen and her name was Bathsheba Vashti Cleopatra Helen Salome Elizabeth Clytemnestra Medea and there was a wicked witch and she was also called witch and her name was Joan Circe Morgan le Fay Tiamat Maria Leonza Medusa and they had this in common: that they were feared, hated, desired, and worshiped.

And Peter became a tall and deep-chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgment. he was called King Edmund the Just. But as for Lucy, she was always gay and golden-haired, and all princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.

On a million hillsides the girl ran, on a million bridges the girl chose, on a million paths the woman stood... All different, all one. All she could do for all of them was be herself, here and now, as hard as she could.

Being nice to that woman is like feeding a baby shark so it can grow big enough to eat you.

Far away, I could hear them lapping up my brains. Like Macbeth's witches, the three lithe cats surrounded my broken head, slurping up that thick soup inside. The tips of their rough tongues licked the soft folds of my mind. And with each lick my consciousness flickered like a flame and faded away.

Someone will always pop up to say, "You would be more effective if you were nicer." "You would have a more receptive audience if you adjusted your tone." "You catch more flies with honey." Well, I don't want flies. The most likable woman in the world is crawling with fucking flies.

If you look at most female archetypes—the mother, the virgin, the whore—their power comes from their relation to men. But not the Witch. The Witch derives her power from nature. She calls forth her dreams with spells and incantations. With poetry. And I think that’s why we are frightened of them. What’s scarier to the world of men than a woman limited only by her imagination?

Some of the New York Radical Women shortly afterward formed WITCH (Women's International Terrorist Conspiracy from Hell) and its members, dressed as witches, appeared suddenly on the floor of the New York Stock Exchange. A leaflet put out by WITCH in New York said: WITCH lives and smiles in every woman. She is the free part of each of us, beneath the shy smiles, the acquiescence to absurd male domination, the make-up or flesh-suffocating clothes our sick society demands. There is no "joining" WITCH. If you are a woman and dare to look within yourself, you are a WITCH. You make your own rules.

All my life,I've been afraid of things, as a child and a woman must be. I lied about it naturally. I fancied myself a witch and walked in dark streets to punish myself for my doubts. But I knew what it meant to be afraid.

That temper will get you burnt at the damn stake, Mama Mags used to tell her. A wise woman keeps her burning on the inside.

If you are a woman and dare to look within yourself, you are a Witch. You make your own rules. You are free and beautiful. You

A witch is just a woman who wants too much

I just realized... maybe it's maturity or the wisdom that comes with age, but the witch in Hansel and Gretel -- she's very misunderstood. I mean, the woman builds her dream house and these brats come along and start eating it.

My name is unpronounceable in your tongue, woman,” it said. “I’ll be the judge of that,” warned Granny, and added, “Don’t call me woman.” “Very well. My name is WxrtHltl-jwlpklz,” said the demon smugly.

Once I was a stupid girl; now I am an angry woman.

Men find it easier to believe they have been swindled by a witch than outwitted by a woman.

Have you noticed her name?" Kit leaned sideways to see the letters painted jauntily on the transom. "The WITCH! How did you dare? Does Hannah know?" "Oh, she's not named after Hannah. I hadn't gone ten miles down the river that day before I knew I'd left the real witch behind.

One picture puzzle piece Lyin' on the sidewalk, One picture puzzle piece Soakin' in the rain. It might be a button of blue On the coat of the woman Who lived in a shoe. It might be a magical bean, Or a fold in the red Velvet robe of a queen. It might be the one little bite Of the apple her stepmother Gave to Snow White. It might be the veil of a bride Or a bottle with some evil genie inside. It might be a small tuft of hair On the big bouncy belly Of Bobo the Bear. It might be a bit of the cloak Of the Witch of the West As she melted to smoke. It might be a shadowy trace Of a tear that runs down an angel's face. Nothing has more possibilities Than one old wet picture puzzle piece.

Time’s Up   Who says that princesses cannot be wolves and that women must be light without a shadow? Maybe a witch is just a woman who knows how to harness her powerful voice. Who says you must be silent so that you can thrive? Silence is not the price you have to pay for your survival anymore. Speak. Scream. Roar.

this is an overdue love letter to each & every woman who walked these fields before me & made the path soft enough for me to walk through to get to the side they could never reach. for that, i owe you so much. - but i owe some things to myself, too.

Brother Ralston smiles fondly, only too willing to believe in my womanly frailty. If it weren’t to my advantage, I’d slap the smile from his face.

And remember: a witch, first and foremost, is a woman in her power.

After the woman left, I set my coffee down and opened the bag. Two muffins-double-chocolate and blueberry bran. I texted Adam a thank-you. I’d just started eating the chocolate muffin when he texted backPut that one down and eat the bran. It’s better foryou.

I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind.

Ancient moon priestesses were called virgins. ‘Virgin’ meant not married, not belong to a man - a woman who was ‘one-in-herself’. The very word derives from a Latin root meaning strength, force, skill; and was later applied to men: virle. Ishtar, Diana, Astarte, Isis were all all called virgin, which did not refer to sexual chasity, but sexual independence. And all great culture heroes of the past…, mythic or historic, were said to be born of virgin mothers: Marduk, Gilgamesh, Buddha, Osiris, Dionysus, Genghis Khan, Jesus - they were all affirmed as sons of the Great Mother, of the Original One, their worldly power deriving from her. When the Hebrews used the word, and in the original Aramaic, it meant ‘maiden’ or ‘young woman’, with no connotations to sexual chasity. But later Christian translators could not conceive of the ‘Virgin Mary’ as a woman of independent sexuality, needless to say; they distorted the meaning into sexually pure, chaste, never touched. When Joan of Arc, with her witch coven associations, was called La Pucelle - ‘the Maiden,’ ‘the Virgin’ - the word retained some of its original pagan sense of a strong and independent woman. The Moon Goddess was worshipped in orgiastic rites, being the divinity of matriarchal women free to take as many lovers as they choose. Women could ‘surrender’ themselves to the Goddess by making love to a stranger in her temple.

The Witch, however, is a woman who stands entirely on her own. She is more often than not an outsider, and her gift is transformation. She is a change agent, and her work is sparked by speech: an incantation, a naming, a blessing, a curse.

She’d been so taken by him, so seduced by the admiration in his eyes. But she should have known no man ever loved a woman’s strength—they only love the place where it runs out. They love a strong will finally broken, a straight spine bent.

No," she cried, "no, no, I'm not a harem, I'm not a woman, I'm not a person, no.

Woman! Come out! I have—" She looked down at the bloodless grass, embarrassed. "I have come to rescue you," she finally said, as if admitting that she were covered in boils.

a woman's wrath is nothing if not immortal

Once upon a time there lived an old woman, called Janet Gellatley, who was suspected to be a witch, on the infallible grounds that she was very old, very ugly, very poor, and had two sons, one of whom was a poet, and the other a fool, which visitation, all the neighbourhood agreed, had come upon her for the sin of witchcraft.

Every woman is never enough; she's always too much. We angered someone, somewhere, for our too muchness. If to be too much is to be a witch, then I am a witch, and we are all witches. I told this to the other girls, and I heard them all whisper back yes, because to be a witch means our too muchness serves a purpose: it gives us power.

Is This Happiness" High up in the Hollywood Hills taking violet pills Writing all of my songs about my cheap thrills You're a hard man to love and I'm A hard woman to keep track of You like to rage, don't do that You want your way, you make me so mad Got your gun, I've got my dad Is this happiness? Is this happiness? Is this happiness? Is this happiness? High up in the Hollywood Hills crushing violet pills You've been trying to write a novel about your cheap thrills You think you're Hunter S. Thompson I think you're fucking crazy as the day's long Man to man, heart to heart I love you but you drive me so far Wish you well on that star Is this happiness? Is this happiness? Is this happiness? Is this happiness? Witch Hazel, Witch Hazel Betrayal, betrayal One gun on the table Headshot if you're able Is this happiness? Is this happiness? Is this happiness? Is this happiness?

being referred to as a woman is a compliment, not a put-down. Women can handle all the banes of existence, including being called the bane of existence, and keep on trucking. Our fragile egos don’t cause war and famine.

Every woman is a mad ugly bad old witch somewhere in her heart.

Just like a man to suggest the most obvious thing in the world as though it might be revelation to a woman’s cottony mind. When it seems to me all the most obvious things in the world must be done by women, or else they wouldn’t get done.

God damn it, don’t you do this. You have no idea how badly I want you right now. I’d love nothing more than to bury myself inside you, and feel you lose yourself around me as you scream my name; the very idea of fucking the woman I love, finally, after ten thousand years – of having you feel just what it is you mean to me – is so hard to bear I’m all but fallen at your feet. But I’ll be damned if it happens here of all places. I’m not going to screw you in Hell, Mary. I gave in and took your blood, and God knows you have the power to bring me to my knees, but when I love-fuck you, I want to do it in my home. So do you think you could humour me just a little longer?” She gaped at him. “Did you just say, ‘love-fuck’?

Likability is a con, and we're falling for it[...] Is there such a thing as a likable woman? Can you think of one? And if she exists, could she be anything but the ultimate manifestation of everything we hate about the water we swim in, everything we're forced to be? Likability in a sexist, racist culture is not objective - it's compulsory femininity, the gender binary, invisible labor, whiteness, smallness, sweetness. It's letting them do it. If someone is universally likable, I don't trust that person.

Darling Daddy, This is Rose. So flames went all up the kitchen wall. Saffron called the fire brigade and the police came too to see if it was a trick and the police woman said to Saffron Here You Are Again because of when I got lost having my glasses checked. But I was with Tom whose grandmother is a witch on top of the highest place in town. Love, Rose.

But of all the women, Éowyn is the strongest, quite frankly, because of her weakness: she's only human. She has no special powers, no immortality, only her innate grit and drive to be something more than just a shield-maiden. And nothing whatsoever will stay her on her course. In the end, she, and her faithful companion Merry, take down the Witch King HIMSELF! She kills the one servant of Sauron that no man can kill; she kills Fear itself in what is arguably the most dramatic moment in the books. I think it is significant that the embodiment of Fear in The Lord of the Rings is slain by a woman. In fact, only a woman is capable of doing so.

Yet genius of a sort must have existed among women as it must have existed among the working classes. Now and again an Emily Bronte or a Robert Burns blazes out and proves its presence. But certainly it never got itself on paper. When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. […]any woman born with a great gift in the sixteenth century would certainly have gone crazed, shot herself, or ended her days in some lonely cottage outside the village, half witch, half wizard, feared and mocked at. For it needs little skill in psychology to be sure that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.

They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.

No one likes an angry woman. She is the worst kind of villain: a witch, obnoxious and ugly and full of spite and bitterness. Shrill. I do anything to avoid that feeling, anything to stop myself from being that woman. I try to make anything resembling anger seem spunky and charming and sexy. I fold it into something small, tuck it away.

Who was he to be so patient, while I spilled my blood? I was a woman grown. I was a goddess, and his elder by a thousand generations. I did not need his pity, his attention, anything. “Well?” I would demand. “Why don’t you say something?” “I am listening,” he would answer. “You see?” I said, when I was finished with the tale. “Gods are ugly things.” “We are not our blood,” he answered. “A witch once told me that.

THE WITCH. [dancing]. O I shall lose my wits, I fear, Do I, again, see Squire Satan here! MEPHISTOPHELES. Woman, the name offends my ear! THE WITCH. Why so? What has it done to you? MEPHISTOPHELES. It has long since to fable-books been banished; But men are none the better for it; true, The wicked one, but not the wicked ones, has vanished.

I once knew of a minstrel who bragged of having had a thousand women, one time each. He would never know what I knew, that to have one woman a thousand times, and each time find in her a different delight, is far better. I knew now what gleamed in the eyes of old couples when they stared at each other across a room...My familiarity with her was a more potent love elixir than any potion sold by a hedge-witch in the market.

But, stop and think. What does the word ‘witch’ truly mean?” “Why—” said Tom, and was stymied. “Wits,” said Moundshroud. “Intelligence. That’s all it means. Knowledge. So any man, or woman, with half a brain and with inclinations toward learning had his wits about him, eh? And so, anyone too smart, who didn’t watch out, was called—” “A witch!” said everyone. “And some of the smart ones, the ones with wits, pretended at magic, or dreamed themselves with ghosts and dead shufflers and ambling mummies. And if enemies dropped dead by coincidence, they took credit for it. They liked to believe they had power, but they had none, boys, none, sad and sorry, ’tis true. But

Am I witch? I don't know. That's what they call me. They say it's because I follow the rhythms of the earth, honor the seasons, dance under the moon and seek the ancient herbal wisdom of our ancestors. "Folk Lore, poppycock, myths," they say as they sneer at the rosemary in my cup, the comfrey brewing on the stove and turmeric stains on my hands. "Western medicine and science have replaced all that nonsense," they say. They make witches out to be evil and then call me a witch because I am seeking the knowledge & ancient wisdom that the world seems hell bent on forgetting. Well, they can call me what they like, but I know I am not evil. This is what I know: I am an intuitive woman who instinctively knows that this sacred earth holds healing that western medicine will never be able to replace. I will be here holding space. I will be their witch. So, here I am- A kitchen witch sipping her Rosemary tea, mixing up her herbal potion, dancing under the moon, and fighting for the knowledge & wisdom of our grandmothers to not be forgotten.

All my life,I've been afraid of things, as a child and a woman must be. I lied about it naturally. I fancied myself a witch and walked in dark streets to punish myself for my doubts. But I knew what it meant to be afraid. And now, in this darkness, I fear nothing. If you were to leave me here, I would feel nothing. I would walk as I am walking now. As a man, you can't know what I mean by what I say.You can't know a woman's vulnerability. You can't know the sense of power that belongs to me now.

Some called it a witch hunt, said she’s after him. I ask, starting when. Mark the day. Trace it back. I can almost guarantee that after the assault she tried to live her life. Ask her what she did the next day and she’d say, well, I went to work. She didn’t pick up a pitchfork, hire a lawyer. She made her bed, buttoned up her shirt, took shower after shower. She tried to believe she was unchanged, to move on until her legs gave out. Every woman who spoke out did so because she hit a point where she could no longer live another day in the life she tried to build. So she turned, slowly, back around to face it. Society thinks we live to come after him. When in fact, we live to live. That’s it. He upended that life, and we tried to keep going, but couldn’t. Each time a survivor resurfaced, people were quick to say what does she want, why did it take her so long, why now, why not then, why not faster. But damage does not stick to deadlines. If she emerges, why don’t we ask her how it was possible she lived with that hurt for so long, ask who taught her to never uncover it.

The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren’t about the women. They were about men, what men did, and what was important to men.

My dear.” Mamaw cupped Daffy’s face in her old hands. “A witch is not a pointy hat or a broom or warts. A witch is merely a woman who is punished for being wiser than a man. That’s why they burned her. They tried to burn away her power because a woman who says more than she’s supposed to say, and does more than she’s supposed to do, is a woman they’ll try to silence and destroy. But there are some things that not even fire can destroy. One of those things is the strength of a woman. Don’t you want to be a woman like that? A woman with power?

The sun rises and she approaches the edge. A forest devil, a witch, a young woman, with eyes like a starry night and teeth like cats, and thorny, flowering brambles tangled in her hair, littering white petals behind her. They’re waiting for her. Two of the hearts: one burning, one perfectly in tune. She smiles, lips parted over sharp but not too-sharp teeth. Instead of slowing, she leaps forward. She dives at them, throwing arms around both together. One hisses as some sharp piece of her body slices at his skin, and the other grunts because he catches most of her weight. Neither of them lets go.

You see, a witch has to have a familiar, some little animal like a cat or a toad. He helps her somehow. When the witch dies the familiar is suppose to die too, but sometimes it doesn't. Sometimes, if it's absorbed enough magic, it lives on. Maybe this toad found its way south from Salem, from the days when Cotton Mather was hanging witches. Or maybe Lafitte had a Creole girl who called on the Black Man in the pirate-haven of Barataria. The Gulf is full of ghosts and memories, and one of those ghosts might very well be that of a woman with warlock blood who'd come from Europe a long time ago, and died on the new continent. And possibly her familiar didn't know the way home. There's not much room for magic in America now, but once there was room. ("Before I Wake...")

The same is true of stories and legends that haunt urban space like superfluous or additional inhabitants. They are the object of a witch-hunt, by the very logic of the techno-structure. But [the extermination of proper place names] (like the extermination of trees, forests, and hidden places in which such legends live) makes the city a 'suspended symbolic order.' The habitable city is thereby annulled. Thus, as a woman from Rouen put it, no, here 'there isn't any place special, except for my own home, that's all...There isn't anything.' Nothing 'special': nothing that is marked, opened up by a memory or a story, signed by something or someone else. Only the cave of the home remains believable, still open for a certain time to legends, still full of shadows. Except for that, according to another city-dweller, there are only 'places in which one can no longer believe in anything.

I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. I know a charm that will heal with a touch. I know a charm that will turn aside the weapons of an enemy. I know another charm to free myself from all bonds and locks. A fifth charm: I can catch an arrow in flight and take no harm from it. A sixth: spells sent to hurt me will hurt only the sender. A seventh charm I know: I can quench a fire simply by looking at it. An eighth: if any man hates me, I can win his friendship. A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearths and their homes. A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. A fourteenth: I know the names of all the gods. Every damned one of them. A fifteenth: I had a dream of power, of glory, and of wisdom, and I can make people believe in my dreams. A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. A seventeenth, that no woman I want will ever want another. And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one know but you is the most powerful secret there can ever be.

It isn’t really possible for men to understand how much the world doesn’t want women to be complete people. The most important thing a woman can be, in our society—more important, even, than honest or decent—is identifiable. Even when Libby’s evil—perhaps most of all when she’s evil—she’s easy to categorize, to stick to a board with a pin like some scientific specimen. Those men in Stillwater are terrified of her because being terrified lets them know who she is—it keeps them safe. Imagine how much harder it would be to say, yes, she’s a woman capable of terrible anger and violence, but she’s also someone who’s tried desperately to be a nurturer, to be a good and constructive human being. If you accept all that, if you allow that inside she’s not just one or the other, but both, what does that say about all the other women in town? How will you ever be able to tell what’s actually going on in their hearts—and heads? Life in the simple village would suddenly become immensely complicated. And so, to keep that from happening, they separate things. The normal, ordinary woman is defined as nurturing and loving, docile and compliant. Any female who defies that categorization must be so completely evil that she’s got to be feared, feared even more than the average criminal—she’s got to be invested with the powers of the Devil himself. A witch, they probably would have called her in the old days. Because she’s not just breaking the law, she’s defying the order of things.

What is so often said about the solders of the 20th century is that they fought to make us free. Which is a wonderful sentiment and one witch should evoke tremendous gratitude if in fact there was a shred of truth in that statement but, it's not true. It's not even close to true in fact it's the opposite of truth. There's this myth around that people believe that the way to honor deaths of so many of millions of people; that the way to honor is to say that we achieved some tangible, positive, good, out of their death's. That's how we are supposed to honor their deaths. We can try and rescue some positive and forward momentum of human progress, of human virtue from these hundreds of millions of death's but we don't do it by pretending that they'd died to set us free because we are less free; far less free now then we were before these slaughters began. These people did not die to set us free. They did not die fighting any enemy other than the ones that the previous deaths created. The beginning of wisdom is to call things by their proper names. Solders are paid killers, and I say this with a great degree of sympathy to young men and women who are suckered into a life of evil through propaganda and the labeling of heroic to a man in costume who kills for money and the life of honor is accepting ordered killings for money, prestige, and pensions. We create the possibility of moral choice by communicating truth about ethics to people. That to me is where real heroism and real respect for the dead lies. Real respect for the dead lies in exhuming the corpses and hearing what they would say if they could speak out; and they would say: If any ask us why we died tell it's because our fathers lied, tell them it's because we were told that charging up a hill and slaughtering our fellow man was heroic, noble, and honorable. But these hundreds of millions of ghosts encircled the world in agony, remorse will not be released from our collective unconscious until we lay the truth of their murders on the table and look at the horror that is the lie; that murder for money can be moral, that murder for prestige can be moral. These poor young men and woman propagandized into an undead ethical status lied to about what is noble, virtuous, courageous, honorable, decent, and good to the point that they're rolling hand grenades into children's rooms and the illusion that, that is going to make the world a better place. We have to stare this in the face if we want to remember why these people died. They did not die to set us free. They did not die to make the world a better place. They died because we are ruled by sociopaths. The only thing that can create a better world is the truth is the virtue is the honor and courage of standing up to the genocidal lies of mankind and calling them lies and ultimate corruptions. The trauma and horrors of this century of staggering bloodshed of the brief respite of the 19th century. This addiction to blood and the idea that if we pour more bodies into the hole of the mass graves of the 20th century, if we pour more bodies and more blood we can build some sort of cathedral to a better place but it doesn't happen. We can throw as many young men and woman as we want into this pit of slaughter and it will never be full. It will never do anything other than sink and recede further into the depths of hell. We can’t build a better world on bodies. We can’t build peace on blood. If we don't look back and see the army of the dead of the 20th century calling out for us to see that they died to enslave us. That whenever there was a war the government grew and grew. We are so addicted to this lie. What we need to do is remember that these bodies bury us. This ocean of blood that we create through the fantasy that violence brings virtue. It drowns us, drowns our children, our future, and the world. When we pour these endless young bodies into this pit of death; we follow it.

Like Nycteris, she thought, and cringed. There was an old fairy tale called The History of Photogen and Nycteris that she still carried a copy of. The main character in it was a young woman who had been raised by a cruel witch, inside a cave beneath a castle. The girl had grown up knowing only darkness, which at the time hadn’t seemed much of an issue to child-Devon. But the general idea was that Nycteris’s world was narrow: she thought the lamp in her cave was a sun, and that the universe was just a tiny series of rooms. She knew nothing of society and had very few books. A relatable situation, for a book eater woman. One day, Nycteris escaped her cave by following a stray firefly. She ended up in the castle garden. But her reactions in the story were strange and unexpected. Upon espying the moon for the first time, Nycteris decided that it must be a giant lamp, akin to the one in her cave. She saw the sky, and likewise decided it must be another kind of roof. And when she looked at the horizon, she saw not a limitless world, but merely another room, albeit with distant walls. The concept of outside didn’t exist for one such as Nycteris, nor could it ever. Her upbringing had given her such a fixed perspective that, even when encountering something new, she could only process it along the lines already drawn for her. The story’s complexity had baffled Devon as a child, but she understood it well enough now. The truth was, Nycteris never really escaped. Oh, she got a prince and a castle and the cruel witch died at the end. But Nycteris could not ever leave the cave, because the cave was a place in her mind; it was the entire way she thought about reality. Princesses like that couldn’t be rescued.

Her womb from her body. Separation. Her clitoris from her vulva. Cleaving. Desire from her body. We were told that bodies rising to heaven lose their vulvas, their ovaries, wombs, that her body in resurrection becomes a male body. The Divine Image from woman, severing, immortality from the garden, exile, the golden calf split, birth, sorrow, suffering. We were told that the blood of a woman after childbirth conveys uncleanness. That if a woman's uterus is detached and falls to the ground, that she is unclean. Her body from the sacred. Spirit from flesh. We were told that if a woman has an issue and that issue in her flesh be blood, she shall be impure for seven days. The impure from the pure. The defiled from the holy. And whoever touches her, we heard, was also impure. Spirit from matter. And we were told that if our garments are stained we are unclean back to the time we can remember seeing our garments unstained, that we must rub seven substances over these stains, and immerse our soiled garments. Separation. The clean from the unclean. The decaying, the putrid, the polluted, the fetid, the eroded, waste, defecation, from the unchanging. The changing from the sacred. We heard it spoken that if a grave is plowed up in a field so that the bones of the dead are lost in the soil of the field, this soil conveys uncleanness. That if a member is severed from a corpse, this too conveys uncleanness, even an olive pit's bulk of flesh. That if marrow is left in a bone there is uncleanness. And of the place where we gathered to weep near the graveyard, we heard that planting and sowing were forbidden since our grieving may have tempted unclean flesh to the soil. And we learned that the dead body must be separated from the city. Death from the city. Wilderness from the city. Wildness from the city. The Cemetery. The Garden. The Zoological Garden. We were told that a wolf circled the walls of the city. That he ate little children. That he ate women. That he lured us away from the city with his tricks. That he was a seducer and he feasted on the flesh of the foolish, and the blood of the errant and sinful stained the snow under his jaws. The errant from the city. The ghetto. The ghetto of Jews. The ghetto of Moors. The quarter of prostitutes. The ghetto of blacks. The neighborhood of lesbians. The prison. The witch house. The underworld. The underground. The sewer. Space Divided. The inch. The foot. The mile. The boundary. The border. The nation. The promised land. The chosen ones.