Wit And Humour Quotes

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So you're a Shadowhunter,' Nate said. 'De Quincey told me that you lot were monsters.' 'Was that before or after he tried to eat you?' Will inquired.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
It is only a novel... or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language
Jane Austen (Northanger Abbey)
Two roads diverged in a wood, and I took the road less traveled by and they CANCELLED MY FRIKKIN' SHOW. I totally shoulda took the road that had all those people on it. Damn.
Joss Whedon
Being born in a stable does not make one a horse.
Arthur Wellesley
Someone once told me that we move when it becomes less painful than staying where we are".
Anne Hines (The Spiral Garden)
I didn't cross the line, you drew it in after I traversed it.
Russell Brand
Six a.m.!" Xander cried. "I know that's a number on my clock, but I've never actually been awake to personally witness it!
Alice Henderson (Buffy the Vampire Slayer, Vol. 1 (BTVS Collection, #1))
Anger gets you into trouble, ego keeps you in trouble.
Amit Kalantri (Wealth of Words)
It is a truth universally acknowledged that a sane employee in possession of his wits must be in want of a good manager.
Charles Stross (The Fuller Memorandum (Laundry Files, #3))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
I'm living so far beyond my means that we may almost be said to be living apart.
Saki (The Unbearable Bassington)
I suppose when you say you slept with him, it was more than just a nap?" Lillian shot her a withering glance. "Daisy, don’t be a pea wit.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
A man is made of emotions, largely, and intellect – wit, humour, rationale and that's it? No! A man is the rob that hides a soul
Alok Mishra (Moving for Moksha)
I may chance have some odd quirks and remnants of wit broken on me, because I have railed so long against marriage: but doth not the appetite alter? a man loves the meat in his youth that he cannot endure in his age. Shall quips and sentences and these paper bullets of the brain awe a man from the career of his humour? No, the world must be peopled. When I said I would die a bachelor, I did not think I should live till I were married.
William Shakespeare
To evade insanity and depression, we unconsciously limit the number of people toward whom we are sincerely sympathetic.
Mokokoma Mokhonoana
In my dictionary, romance is not maudlin, treacly sentiment. It is a curry, spiced with excitement, and humour, and a healthy dollop of cynicism.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
I am no novel-reader—I seldom look into novels—Do not imagine that I often read novels—It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
Jane Austen (Northanger Abbey)
He lies down next to me. He says, 'You know - you have a face to die for/' 'Well, don't die,' I say, "we just met.
Gwendoline Riley (Sick Notes)
Twelve dead?” I said. “Jesus.
Dennis Lehane (A Drink Before the War (Kenzie & Gennaro, #1))
Ever since I discovered that my god given male member was going to give me no peace, I decided to give it no rest in return.
Christopher Hitchens
In Brazil, every road, bridge and viaduct has been given a name, usually that of some long-forgotten personage who was once famous for doing something worthy. Honestly, every one of them; deeper into the country, I’ve even found unsurfaced dirt tracks given names. I’m never likely to have even five minutes of fame, but if I did, I don’t think I’d want to be remembered by a dirt track going from Nowhere Town to Obscure Village.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
And here, I believe, the wit is generally misunderstood. In reality, it lies in desiring another to kiss your a-- for having just before threatened to kick his; for I have observed very accurately, that no one ever desires you to kick that which belongs to himself, nor offers to kiss this part in another.
Henry Fielding (The History of Tom Jones, a Foundling)
It was possible she’d been too focused on her need for another cocktail to realize we were witnessing one of the portents of the apocalypse. ”The Luidaeg is singing Disney songs.
Seanan McGuire (The Brightest Fell (October Daye, #11))
Now kneel, fools, and witness my ascension to GODHOOD!” – Last words of Dread Empress Sinistra IV, the Erroneous
ErraticErrata (So You Want to Be a Villain? (A Practical Guide to Evil, #1))
My name is Mr Bread." He began writing his name neatly on the board. "But you can call me Peter." Suddenly there was quiet, as thirty little brains whirred. "Pita Bread!" proclaimed a ginger-haired boy from the back.
David Walliams (Billionaire Boy)
Has no one done my son a service and assassinated you yet?" "No assassins yet," Wit said, amused. "I guess I've already got too much ass sass of my own."..."Oh really, Wit" she said. "I thought that kind of humour was beneath you." "So are you technically," Wit said, smiling, from atop his high-legged stool.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
With a roof over his head he had ceased to work, living off his [war] pension and his wits, both hopelessly inadequate.
Spike Milligan
Well, well," said he, "do not make yourself unhappy. If you are a good girl for the next ten years, I will take you to a review at the end of them.
Jane Austen (Pride and Prejudice)
Instead of being regarded as intelligent or knowledgeable, many a woman would rather be regarded as beautiful or good in the kitchen; many a man, as handsome or good in bed.
Mokokoma Mokhonoana
He’s the thing my teenage fantasies were made of. Woodsy male scent. Muscular, yet trim frame. A quick wit that always finds a way to pull me into a debate.
Kendall Ryan (Hitched: Volume One (Imperfect Love, #1))
Graham's life is as tense as an overstretched simile.
Zane Stumpo (Schrodingers Caterpillar)
We rose from our chairs and bowed at each other, Japanese-style. The eight of them sat on the opposite side of the table to us, leaving the middle chair empty. All looking at us, no-one speaking a word. A long minute later, a very short, rather elderly lady – also dressed in funereal black – waddled in and seated herself in the empty chair in the middle of the row, directly facing us. She smiled; well, she attempted to twist her mouth. Too much effort. Her expression reverted to seriousness. Lin, sitting next to her, now spoke and introduced her as the Managing Director. She didn’t speak any English. Nor, it transpired, did any of the others – or if they did, we would never know, as either they weren’t brave enough to try or were inhibited by the business hierarchy. A scene that could have come out of Kafka.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Historical Re-creation, he thought glumly, as they picked their way across, under, over or through the boulders and insect-buzzing heaps of splintered timber, with streamlets running everywhere. Only we do it with people dressing up and running around with blunt weapons, and people selling hot dogs, and the girls all miserable because they can only dress up as wenches, wenching being the only job available to women in the olden days.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
Three,' reckoned the captain, 'ourselves make seven, counting Hawkins, here. Now, about honest hands?' Most likely Trelawney's own men," said the doctor; 'those he had picked up for himself, before he lit on Silver.' Nay,' replied the squire. 'Hands was one of mine.' I did think I could have trusted Hands,' added the captain.
Robert Louis Stevenson (Treasure Island)
She's fine," said Declan, defensive. "You're fine, right?" She gave him a look. "Peachy." "See? Both Alex and her astounding wit have made it here intact. Her sense of humour seems to be M.I.A, but I'm pretty sure that was a pre-existing condition.
Jena Leigh (Revival (The Variant Series, #1))
The Little Prince : What are you doing there? The Tippler : I am drinking. The Little Prince : Why are you drinking? The Tippler : So that I may forget. The Little Prince : Forget what? The Tippler : Forget that I am ashamed. The Little Prince : Ashamed of what? The Tippler : Ashamed of drinking!
Antoine de Saint-Exupéry (The Little Prince)
The questions appeared to be pre-rehearsed. The senior people spoke to the young one in Japanese, and he translated. I answered, and he translated back. Another one. Another one. And one more, that I felt needed a longer answer. Only then did I also notice that there was a clock on the wall opposite me, ticking past 11:59. I opened my mouth and began my answer. To my astonishment, mid-sentence, everyone just stood up, bowed, turned to their right and, in line, walked out of the room. Even while I was talking. They weren’t being rude. It’s just how meetings in Japan work.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Wit is a weapon. Jokes are a masculine way of inflicting superiority. But humour is the pursuit of a gentle grin, usually in solitude.
Frank Muir
Most unintelligent or foolish people do not regard themselves as that; they regard themselves as not-that-intelligent or not-that-wise.
Mokokoma Mokhonoana
Are you smarter than my chicken?” cried a weathered, wild-haired woman holding a nonplussed bird over her head. At her feet was a wooden board covered with numbers and arcane symbols. “Lay your bets! Test your wits against a trained fowl! One coppin a try! Are you smarter than my chicken? You might be in for a surprise!
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.
Jane Austen (Northanger Abbey)
It was one of those exuberant peaches that meet you halfway, so to speak, and are all over you in a moment.
Saki (The Chronicles of Clovis)
Help yourself with the state! It's on democracy!
Ljupka Cvetanova (The New Land)
If to raise malicious smiles at the infirmities or misfortunes of those who have never injured us be the province of wit or humour, Heaven grant me a double portion of dullness.
Richard Brinsley Sheridan (The School for Scandal)
Why did Juliet fall for Romeo? Well for one thing, with all due deference for Shakespeare, he happened to be the first man she had seen.
Agatha Christie (Dumb Witness (Hercule Poirot, #17))
At a mere five feet seven inches, Dan was a head shorter than most of the boys. His body sagged slightly where their muscles rippled, his teeth were crooked where theirs gleamed, and his brown hair was thick and unruly where theirs shone. To judge solely from appearances, it was difficult to believe he’d been accepted into this prestigious little clique. But to judge from appearances was to ignore Dan’s quick wit and effortless charm. These were the characteristics that each of the boys aspired to, and the fact that Dan possessed them in such abundance was a constant source of fascination to them. No matter that he looked so freakishly average. His sense of humour and charisma were the benchmarks toward which the entire group was working, and few within the circle were held in higher esteem.
Andy Marr (Hunger for Life)
Oh! it is only a novel! ... only Cecilia, or Camilla, or Belinda;' or, in short, only some work in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour are conveyed to the world in the best chosen language.
Jane Austen (Northanger Abbey)
I wouldn't do that," Silk advised. "Thinking about it isn't going to help, and it's only going to make you nervous." "Nervouser," Garion corrected. "I'm already nervous." "Is there such a word as "'nervouser'?" Silk asked Belgarath curiously. "There is now," Belgarath replied. "Garion just invented it." "I wish I could invent a word," Silk said admiringly to Garion.
David Eddings (Enchanters' End Game (The Belgariad #5))
Miss Taverner took the whip and reins in her hands, and mounted into the driving-seat, scorning assistance. "Take your orders from Miss Taverner, Henry," said the Earl, getting up beside his ward. "Me Lord, you are never going to let a female drive us?" said Henry almost tearfully. "What about my pride?" "Swallow it, Henry," replied the Earl amicably.
Georgette Heyer (Regency Buck (Alastair-Audley, #3))
Wit, after all, is a mighty tart, pungent ingredient, and much too acid for some stomachs; but honest good humour is the oil and wine of a merry meeting, and there is no jovial companionship equal to that where the jokes are rather small, and the laughter abundant.
Washington Irving (Old Christmas: From the Sketch Book of Washington Irving)
...our witness, one Edward Littleton, was as gay as Elton John's handbag.
Ann Somerville (Unnatural Selection (Unnatural Selection #1))
I am horribly poor—and very expensive. I must have a great deal of money.
Edith Wharton (The House of Mirth)
The Parisian is of all men the most sophisticated. Paris is a city of realists, unaffected by sentimentality; a city of industry and thrift; a city of irony, but rarely of laughter, of wit but never or humour, of superficial intolerance and yet of people who regard the rest of the world with more or less amiable contempt.
Sidney Dark (Paris)
And what are you reading, Miss?" "Oh!" it is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
Jane Austen (Northanger Abbey)
You judge very properly, and it is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are the result of previous study?
Jane Austen (Pride and Prejudice)
She then recovered her wits and averting her eyes from the wreck of her house she shook Babbington's hand, embraced Stephen tenderly, greeted all the officers, young gentlemen and seamen she knew, and said she would not get in their way - would go and sort her baggage and draw breath in one of the loose-boxes: there was nothing she preferred to a really commodious loose-box.
Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
Jane Austen (Northanger Abbey)
In the context of fiercely monolingual dominant cultures like that of the United States, code-switching lays claim to a form of cultural power: the power to own but not be owned by the dominant language...Code-switching is a rich source of wit, humour, puns, word play, and games of rhythm and rhyme.
Mary Louise Pratt
That as my sister-in-law at Colchester had said, beauty, wit, manners, sense, good humour, good behaviour, education, virtue, piety, or any other qualification, whether of body or mind, had no power to recommend; that money only made a woman agreeable; that men chose mistresses indeed by the gust of their affection, and it was requisite to a whore to be handsome, well-shaped, have a good mien and a graceful behaviour; but that for a wife, no deformity would shock the fancy, no ill qualities the judgment; the money was the thing; the portion was neither crooked nor monstrous, but the money was always agreeable, whatever the wife was.
Daniel Defoe (Moll Flanders)
Mrs. Henderson looked up at the sheriff and smiled pleasantly. "Is my husband still alive?" she asked. "Yes, ma'am. He's hanging in there," he replied. "Good," she said. "I hope he lives." The sheriff nodded. The old woman smiled. "Because I really want to stab him again." Wit that, Mrs. Henderson went back to reading the Bible.
Stephen King (Sleeping Beauties)
At the crisis of my fever, I besought Hollingsworth to let nobody else enter the room, but continually to make me sensible of his own presence… then he should be the witness how courageously I would encounter the worst. It still impresses me almost a matter of regret, that I did not die then, when I had tolerably made up my mind to do it
Nathaniel Hawthorne (The Blithedale Romance)
If water was beer I'd be a teetotaler
Benny Bellamacina (Philosophical Uplifting Quotes and Poems)
The best thing to learn from any government is that it does not get affacted by what other people talk or think about it.
Amit Kalantri
if he had an equal in his profession he had never acknowledged the fact.
Saki (The Chronicles of Clovis)
Salt waters shall be found in the sweet, and all friends shall destroy one another; then shall wit hide itself, and understanding withdraw itself into his secret chamber-
COMPTON GAGE
Frame everything and some of it will become art.
Benny Bellamacina (Philosophical Uplifting Quotes volume 2)
They seek him here. They seek him there. Those Frenchies seek him everywhere. Is he in Heaven? Or is he in Hell? That damned, illusive pimpernel.
Sir Peter Blackney "Scarlet Pimpernel"
She imagined how distraught her mother would be to witness such a thing—her daughter rubbing her bare ankle while alone in a strange place with a strange man
Marissa Meyer (Heartless)
Lady Fate, what is your greatest weapon?” Max frowned. “My extensive fucking vocabulary and razor-sharp wit!” I wanted to cry. This was so stupid.
E.V. Drake (Elves of Fate: Denial)
He was a corpulent man, with a gift for sly chaffing, which to the end of his life he exercised in his intercourse with his son, a little pityingly, as if upon a half-witted person.
Joseph Conrad (Typhoon)
Who are those depressed-looking young women who have just gone by?" asked the Baroness; "they have the air of people who have bowed to destiny and are not quite sure whether the salute will be returned.
Saki (The Chronicles of Clovis)
To me she said, "It's this stupid gotcha thing, they've been doing it for weeks now. Leaping out at each other and us, scaring the hell out of everyone." "It's a game of wits," Bert said to me. "Half-wits," Kristy added.
Sarah Dessen (The Truth About Forever)
Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
Jane Austen (Northanger Abbey)
she had been the eldest sister of a large family of self-indulgent children, and her particular form of indulgence had consisted in openly disapproving of the foibles of the others. Unfortunately the hobby had grown up with her.
Saki (The Chronicles of Clovis)
She used to be a tremendously affectionate and cooperative cat, perfectly happy for you to pick her up and carry her around on your shoulder like a parrot. Time was, you could even pop her on your head like a living fur hat and she’d stay there, content to grow fat on your loving brainwaves. Now, in her advanced years, she’s developed a certain coolness. Though there are, of course, limits to one’s cool when one looks like a not-particularly-sophisticated glove puppet.
Robert Wringham (Stern Plastic Owl)
And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language
Jane Austen (Northanger Abbey)
..... he had ridden right through the gates of the palace. Of course, people rode through the gates of the palace every day, but most of them needed the things to be opened first. The guards on the other side were rigid with fear, because they thought they had seen a ghost. They would have been far more frightened if they had known that a ghost was almost exactly what they hadn't seen. The guard outside the doors of the great hall had seen it happen too, but he had time to gather his wits, or such that remained, and raise his spear as Binky trotted across the courtyard. 'Halt,' he croaked. 'Halt. What goes where?' Mort saw him for the first time. 'What?' he said, still lost in thought. The guard ran his tongue over his dry lips, and backed away. Mort slid off Binky's back and walked forward. 'I meant, what goes there?' the guard tried again, with a mixture of doggedness and suicidal stupidity that marked him for early promotion. Mort caught the spear gently and lifted it out of the way of the door. As he did so the torchlight illuminated his face. 'Mort,' he said softly. It should have been enough for any normal soldier, but this guard was officer material. 'I mean, friend or foe?' he stuttered, trying to avoid Mort's gaze. 'Which would you prefer?' he grinned. It wasn't quite the grin of his master, but it was a pretty effective grin and didn't have a trace of humour in it. The guard sagged with relief, and stood aside. 'Pass, friend,' he said.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
[Ulysses] appears to have been written by a perverted lunatic who has made a speciality of the literature of the latrine… I have no stomach for Ulysses… James Joyce is a writer of talent, but in Ulysses he has ruled out all the elementary decencies of life and dwells appreciatively on things that sniggering louts of schoolboys guffaw about. In addition to this stupid glorification of mere filth, the book suffers from being written in the manner of a demented George Meredith. There are whole chapters of it without any punctuation or other guide to what the writer is really getting at. Two-thirds of it is incoherent, and the passages that are plainly written are devoid of wit, displaying only a coarse salacrity intended for humour.
Aramis (The Sporting Times)
When I was a little girl, I was the girl laughing at things that are actually funny. I wasn't one of them girls sitting in a circle giggling silently at stupid stuff. I LAUGHED and I laughed loud and wonderfully! I laughed at things that are funny and offensive and stirring and hilarious! Girls are raised to not have wit, to have no sense of humour, to only be quiet and sweet, and to be offended by everything! Girls are raised to not be people. I was born into this world determined to be a person! And I did it.
C. JoyBell C.
LADY BRACKNELL. I have always been of the opinion that a man who desires to be married should know either everything or nothing. Which do you know? JACK. [After some hesitation.] I know nothing, Lady Bracknell. LADY BRACKNELL. I am pleased to hear it. I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever.
Oscar Wilde (The Importance of Being Earnest)
Our age is so resolutely unheroic, and the employment opportunities for registered demigods are now so scarce, that all we can do, in our enfeebled state, is laugh with envy and disbelief at the memory of those who still had the wit and the wherewithal to live large.
Anthony Lane (Nobody's Perfect: Writings from The New Yorker)
Sometimes when a father has an ugly, loutish son, the love he bears him so blindfolds his eyes that he does not see his defects, or, rather, takes them for gifts and charms of mind and body, and talks of them to his friends as wit and grace. I, however—for though I pass for the father, I am but the stepfather to "Don Quixote"—have no desire to go with the current of custom, or to implore thee, dearest reader, almost with tears in my eyes, as others do, to pardon or excuse the defects thou wilt perceive in this child of mine. Thou art neither its kinsman nor its friend, thy soul is thine own and thy will as free as any man's, whate'er he be, thou art in thine own house and master of it as much as the king of his taxes and thou knowest the common saying, "Under my cloak I kill the king;" all which exempts and frees thee from every consideration and obligation, and thou canst say what thou wilt of the story without fear of being abused for any ill or rewarded for any good thou mayest say of it.
Miguel de Cervantes Saavedra (Don Quixote)
Women then are only children of a larger growth ; they have an entertaining tattle and sometimes wit , but for solid , reasoning good - sense , I never knew in my life one that had it , or who reasoned or acted consequentially for four -and-twenty hours together. Some little passion or humour always breaks in upon their best resolutions... No flattery is too high or low for them...
Philip Dormer Stanhope (LETTERS TO HIS SON (Annotated))
It was clear to me that my hosts too were feeling anything but comfortable, that their cheerfulness was forced, whether because they were inhibited by me, or else were out of sorts for some domestic reason. They only asked me questions it was impossible to give an honest answer to and, as a result, I had soon lied myself into such a corner that every word I uttered almost made me sick. Eventually in an effort to distract them, I started to tell them about the funeral I had witnessed that day, but I struck a wrong note. My attempts at humour did nothing to improve the general mood, and we were increasingly at odds with one another. Inside me, Steppenwolf was laughing and baring his teeth and, by the time dessert was served, we had all three fallen quite silent.
Hermann Hesse (Steppenwolf)
There are so many "tools for life" that you are going to hear about, every day. But obviously I tell my son what I believe in most of all. I always tell my son, "The wheels that are going to get you through daily life are two things: Humour and Wit. Add a cup of humour and a cup of wit to every hour of your life and these are the wheels that will keep you turning." Humour and Wit. Remember that.
C. JoyBell C.
John's particular talents hadn't gone unnoticed but they weren't his artistic talents. They were his talents for having his fellow students fall about with shocked, uncontrollable laughter at his wicked, disrespectful wit. His ability to disrupt a lecture had to be seen to be believed and John's appearance was even worse than his humour. I think he was the last stronghold of the Teddy Boys - totally aggressive and anti-establishment. My first impression of John, as he slouched reluctantly into the lettering class for the first time, was one of apprehension. I felt that I had nothing in common with this individual and as far as I was concerned I never would. In fact he frightened me to death. The only thing that John and I had in common was that we were both blind as bats without our glasses.
Cynthia Lennon (A Twist Of Lennon)
there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel-reader—I seldom look into novels—Do not imagine that I often read novels—It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
Jane Austen (Northanger Abbey)
Such is the common cant. “And what are you reading, Miss —?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste:
Jane Austen (Northanger Abbey [Illustrated])
Wit and high spirits and a sense of fun- yes, they're wonderful things. But a sense of humour- a real one- is a rarity and can be utter hell. Because it's immoral, you know, in the real sense of the word: I mean, it makes its own laws; and it possesses the person who has it like a demon. Fools talk about it as though it were the same thing as a sense of balance, but believe me, it's not. It's a sense of anarchy, and a sense of chaos. Thank God it's rare.
Robertson Davies (A Mixture of Frailties (Salterton Trilogy, #3))
The little stone Saint and the Goblin got on very well together, though they looked at most things from different points of view. The Saint was a philanthropist in an old fashioned way; he thought the world, as he saw it, was good, but might be improved. In particular he pitied the church mice, who were miserably poor. The Goblin, on the other hand, was of opinion that the world, as he knew it, was bad, but had better be let alone. It was the function of the church mice to be poor.
Saki (Reginald in Russia and Other Sketches)
LADY BRACKNELL. I have always been of the opinion that a man who desires to be married should know either everything or nothing. Which do you know? JACK. [After some hesitation.] I know nothing, Lady Bracknell. LADY BRACKNELL. I am please to hear it. I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever.
Oscar Wilde (The Importance of Being Earnest)
To me Society says: “You sit at your desk and write, that is all I want you to do.  You are not good for much, but you can spin out yards of what you and your friends, I suppose, call literature; and some people seem to enjoy reading it.  Very well: you sit there and write this literature, or whatever it is, and keep your mind fixed on that.  I will see to everything else for you.  I will provide you with writing materials, and books of wit and humour, and paste and scissors, and everything else that may be necessary to you in your trade; and I will feed you and clothe you and lodge you, and I will take you about to places that you wish to go to; and I will see that you have plenty of tobacco and all other things practicable that you may desire—provided that you work well.  The more work you do, and the better work you do, the better I shall look after you.  You write—that is all I want you to do.” “But,” I say to Society, “I don’t like work; I don’t want to work.  Why should I be a slave and work?” “All right,” answers Society, “don’t work.  I’m not forcing you.  All I say is, that if you don’t work for me, I shall not work for you.  No work from you, no dinner from me—no holidays, no tobacco.” And I decide to be a slave, and work.
Jerome K. Jerome (Diary of a Pilgrimage)
JACK. We must get married at once. There is no time to be lost. GWENDOLEN. Married, Mr. Worthing? JACK. Well... surely. You know that I love you, and you let me to believe, Miss Fairfax, that you were not absolutely indifferent to me. GWENDOLEN. I adore you. But you haven't proposed to me yet. Nothing has been said at all about marriage. The subject has not even been touched on. JACK. Well... may I propose to you now? GWENDOLEN. I think it would be an admirable opportunity. And to spare you any possible disappointment, Mr. Worthing, I think it only fair to tell you quite frankly beforehand that I am fully determined to accept you.
Oscar Wilde (The Importance of Being Earnest)
But Brandoch Daha laughed, and answered him, “To nought else may I liken thee, O Juss, but to the sparrow-camel. To whom they said, ‘Fly,’ and it answered, ‘I cannot, for I am a camel’; and when they said, ‘Carry,’ it answered, ‘I cannot, for I am a bird.’ ” “Wilt thou egg me on so much?” said Juss. “Ay,” said Brandoch Daha, “if thou wilt be assish.” “Wilt thou quarrel?” said Juss. “Thou knowest me,” said Brandoch Daha. “Well,” said Juss, “thy counsel hath been right once and saved us, for nine times that it hath been wrong, and my counsel saved thee from an evil end. If ill behap us, it shall be set down that it had from thy peevish will original.
E.R. Eddison (The Worm Ouroboros)
My studio team and I approached the creation of this series with enthusiasm, wit, sincerity and sometimes more than a dash of humour. Is the result just another foray into the clichés of Orientalism? I think not. For the most part the people photographed became co-conspirators in our elaborate game of recreating reality. They enjoyed chai with us and a morning samosa (we most always shoot in the early morning since it is the best time to utilize available light). Our models were indeed “posed and paid”, but they cooperated by suggesting so many things themselves… eagerly grasping the process we were undertaking and joining in the creation of what generally became more than just a photo shoot. Each session in the studio became an “event”…an episode of manufactured expression in which all participated and all remembered.
Waswo X. Waswo (Men of Rajasthan)
From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens—there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel-reader—I seldom look into novels—Do not imagine that I often read novels—It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.
Jane Austen (Northanger Abbey)
It is a revelation to compare the Don Quixote of Pierre Menard with that of Miguel de Cervantes. Cervantes, for example, wrote the following (Part I, Chapter IX): ...truth, whose mother is history, rival of time, depository of deeds, witness of the past, exemplar and adviser to the present, and the future's counselor. This catalog of attributes, written in the seventeenth century, and written by the "ingenious layman" Miguel de Cervantes, is mere rhetorical praise of history. Menard, on the other hand, writes: ...truth, whose mother is history, rival of time, depository of deeds, witness of the past, exemplar and adviser to the present, and the future's counselor. History, the mother of truth! - the idea is staggering. Menard, a contemporary of William James, defines history not as delving into reality but as the very font of reality. Historical truth, for Menard, is not "what happened"; it is what we believe happened. The final phrases - exemplar and adviser to the present, and the future's counselor - are brazenly pragmatic.
Jorge Luis Borges (Pierre Menard, autor del Quijote)
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
Virginia Woolf
You have heard your sentence. So you see, you’ll have to get used to going on listening to the radio music of life. It will do you good. You are uncommonly lacking in talent, my dear stupid chap, but by now I suppose even you have gradually realized what is being asked of you. You are to learn to laugh, that’s what is being asked of you. You are to understand life’s humour, the gallows humour of this life. But of course you are prepared to do anything on earth other than what is asked of you. You are prepared to stab girls to death; you are prepared to have yourself solemnly executed; you would no doubt also be prepared to spend a hundred years mortifying your flesh and scourging yourself. Or am I wrong? ‘No! With all my heart I’d be prepared to do so,’ I cried in my despair. Naturally! There isn’t a single stupid and humourless activity, anything pompous, serious and devoid of wit, that doesn’t appeal to you! But, you see, nothing of that sort appeals to me. I don’t give a fig for all your romantic desire to do penance. You must be berserk, wanting to be executed and have your head chopped off! You’d commit another ten murders to achieve this stupid ideal of yours. You want to die, you coward, but not to live. But to go on living, damn it, is precisely what you will have to do.
Hermann Hesse (Steppenwolf)
You have heard your sentence. So you see, you’ll have to get used to going on listening to the radio music of life. It will do you good. You are uncommonly lacking in talent, my dear stupid chap, but by now I suppose even you have gradually realized what is being asked of you. You are to learn to laugh, that’s what is being asked of you. You are to understand life’s humour, the gallows humour of this life. But of course you are prepared to do anything on earth other than what is asked of you. You are prepared to stab girls to death; you are prepared to have yourself solemnly executed; you would no doubt also be prepared to spend a hundred years mortifying your flesh and scourging yourself. Or am I wrong?’ ‘No! With all my heart I’d be prepared to do so,’ I cried in my despair. ‘Naturally! There isn’t a single stupid and humourless activity, anything pompous, serious and devoid of wit, that doesn’t appeal to you! But, you see, nothing of that sort appeals to me. I don’t give a fig for all your romantic desire to do penance. You must be berserk, wanting to be executed and have your head chopped off! You’d commit another ten murders to achieve this stupid ideal of yours. You want to die, you coward, but not to live. But to go on living, damn it, is precisely what you will have to do.
Hermann Hesse (Steppenwolf)