“
I am a great champion; when I ran the ground shook and the sky opened and mere mortals parted the way to victory, and I met my owner in the winners circle where he put a blanket of flowers on my back
”
”
Dreamerz
“
Something tugged inside him. A flutter of unease.
Do you sing? Those had been her first words to him, the day she had bought him.
A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason.
She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin remmembered seeing her hand in Javelin’s mane, curling into the coarse strands. This made him remember the almost freakish lenghth between her littlest finger and thumb as her hand spanned piano keys. The black star of the birth-mark. He saw her again in the imperial palace. Her music room. He’d seen that room only once. About a month ago, right before Firstsummer. Her blue sleeves were fastened at the wrist.
Something tugged inside him. A flutter of unease.
Do you sing? Those had been her first words to him, the day she had bought him. A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason. She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
It was easy to root for the winners. No, he liked the punch-drunk ones, half walking at mile twenty-three, tongues flapping like Labradors. Tumbling across the finish line by hook or by crook, feet pounded to bloody meat in their Nikes. The laggards and limpers who weren’t running the course but running deep into their character—down into the cave to return to the light with what they found. By the time they got to Columbus Circle, the TV crews have split, the cone cups of water and Gatorade litter the course like daisies in a pasture, and the silver space blankets twist in the wind. Maybe they had someone waiting for them and maybe they didn’t. Who wouldn’t celebrate that?
”
”
Colson Whitehead (The Nickel Boys)
“
Walker had broken what in his circles were important taboos: Inspire the rich to do more good, but never, ever tell them to do less harm; inspire them to give back, but never, ever tell them to take less; inspire them to join the solution, but never, ever accuse them of being part of the problem.
”
”
Anand Giridharadas (Winners Take All: The Elite Charade of Changing the World)
“
Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. —OSCAR WILDE,
”
”
Mikal Gilmore (Shot in the Heart: NATIONAL BOOK CRITICS CIRCLE AWARD WINNER)
“
Good wins over evil. Then Evil wins over good again. This circle goes on till eternity. Permanent winner is the awakened soul who becomes free from both.
”
”
Shunya
“
Rich nations are rich largely because they managed to develop inclusive institutions at some point during the past three hundred years. These institutions have persisted through a process of virtuous circles. Even if inclusive only in a limited sense to begin with, and sometimes fragile, they generated dynamics that would create a process of positive feedback, gradually increasing their inclusiveness.
”
”
Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
“
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
”
”
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
“
Winner doesn’t revolve themselves in the circle; they revolve the mind outside of the circle.
”
”
Mansur Almia
“
ONE BY ONE I HAD WATCHED THEM ALL DIE.
”
”
Mikal Gilmore (Shot in the Heart: NATIONAL BOOK CRITICS CIRCLE AWARD WINNER)
“
History isn't written by the winners - it's written by everyone - it's a jigsaw of facts from contradictory sources. But every once in a while, you unearth that one original document that no one can argue with...
”
”
Brad Meltzer (The Inner Circle (Culper Ring, #1))
“
You take one last look and think it would have been something to climb that silo and peek out the window before the interstate plowed through. To see the land unbroken. You are compelled, of course, to consider how the Ojibwe felt, returning to the campsites at Cotter Creek one day only to hear the sound of sawing and the lowing of oxen. Life will circle around on you. Also visible from the silo window is a gigantic billboard pointed at the interstate and advertising a casino owned by the Ojibwe. The billboard says, WINNERS, 24/7.
”
”
Michael Perry
“
The theme of the winner's circle is adaptability, but at the same time, staying true to your own unique frequency and that's the truth, not only in this competition, but in everything in life; taking those cues from the universe - and applying them - but without losing who you are.
”
”
RuPaul
“
But if they are serious, then my job is to be solely responsible for the running of all aspects of the resort and I’ll have to liaise with the head office and provide weekly reports. I’ve never had to “liaise” before. It sounds sexy and dangerous. Any job that tells me that I have to “liaise” with the big boys in the head office is a winner to me. I can picture myself all dolled up in a cocktail dress at a work “do” standing in a circle with the other “suits” speaking in hushed tones about graphs and pie charts and financial reports. If people ask us what we’re doing, I can say dismissively, “Oh don’t mind us, we’re just liaising…”
Ahern, Cecelia (2005-02-01). Love, Rosie (pp. 173-174). Hachette Books. Kindle Edition.
”
”
Cecelia Ahern (Love, Rosie)
“
Days are slow, but years are racing fast.
No matter how hard I try, my life is not going to last.
My social circle is becoming thinner.
Even after so many wins, why don’t I feel like a winner?
When I look at myself in the mirror,
I see an elderly staring at me with horror.
So much remains untold, but my brain is losing its hold.
Now that I have become so old, being alive is what I behold.
”
”
Shon Mehta
“
-The timekiller?!
-Who is the killer?
-The time?
-Or the killer?
The answer is like a king in a pathless position on the chessboard. The answer is an eternel looser. It's fate is sealed up in the testament of Hades. The killer is mortal and he can't testify forever, but the time is biased, one-sided, partial, because it is timeless and a constant winner.
So, the circle is closed.
The game is over-checkmate!
”
”
Hristo Krstevski (Timekiller: Short Stories)
“
A night breeze ruffled a curtain. Arin’s bedroom--she realized with soft surprise--had come to feel like her own. He was lazily tracing circles on her belly. It hypnotized her into a rare, pure unthinking.
He settled back on the bed, propped on one elbow. “It occurs to me that there is something we have never done.”
Her thoughts rushed back. She arched one brow.
He moved to whisper in her ear.
“Yes,” she laughed. “Let’s.”
“Now?”
“Now.”
So they reached for dressing robes and the bedside lamp, and padded barefoot through his suite, rushing slightly, and then through the silent house, suppressing giddy breaths. They couldn’t look each other in the face; a wild, loud joyousness threatened to break free if they did. They wound down the staircase and into the parlor.
They shut the door behind them, but still…
“We are going to wake the whole house,” Kestrel said.
“How should we do this?”
She led him to her piano. “Easy.”
He placed a palm on the instrument as if already feeling it vibrate with music. He cleared his throat. “Now that I think about it, I’m a little nervous.”
“You’ve sung for me before.”
“Not the same.”
“Arin. I’ve wanted to do this for a long time.”
Her words silenced him, steadied him.
Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. “Ready?”
He smiled. “Play.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
At least she was good at archaeology, she mused, even if she was a dismal failure as a woman in Tate’s eyes.
“She’s been broody ever since we got here,” Leta said with pursed lips as she glanced from Tate to Cecily. “You two had a blowup, huh?” she asked, pretending innocence.
Tate drew in a short breath. “She poured crab bisque on me in front of television cameras.”
Cecily drew herself up to her full height. “Pity it wasn’t flaming shish kebab!” she returned fiercely.
Leta moved between them. “The Sioux wars are over,” she announced.
“That’s what you think,” Cecily muttered, glaring around her at the tall man.
Tate’s dark eyes began to twinkle. He’d missed her in his life. Even in a temper, she was refreshing, invigorating.
She averted her eyes to the large grass circle outlined by thick corded string. All around it were make-shift shelters on poles, some with canvas tops, with bales of hay to make seats for spectators. The first competition of the day was over and the winners were being announced. A woman-only dance came next, and Leta grimaced as she glanced from one warring face to the other. If she left, there was no telling what might happen.
“That’s me,” she said reluctantly, adjusting the number on her back. “Got to run. Wish me luck.”
“You know I do,” Cecily said, smiling at her.
“Don’t disgrace us,” Tate added with laughter in his eyes.
Leta made a face at him, but smiled. “No fighting,” she said, shaking a finger at them as she went to join the other competitors.
Tate’s granitelike face had softened as he watched his mother. Whatever his faults, he was a good son.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
She can’t breathe, she’s gasping for air, trying to think away the blood and death on the floor in there and she needs to be strong for the child’s sake. But how do you do that? Where do you find the strength? She doesn’t have it. She’s certain she’s going to collapse on the ground in the snow when she feels two arms around her own shoulders. It’s her mother. Kira didn’t run toward the fire, she ran after the children. Behind her comes Tess and soon other women will come, from all directions, in red and green jackets, some even in black. They wrap their arms around each other, in circles, ring after ring, forming a wall around Alicia.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
There were three games that had been making the rounds at parties recently.
Daisy-chaining meant having sex like a conga line; you'd do it with a guy, who'd do it with some girl, who'd do it with another guy, and so on, until you made your way back to the beginning.
During Stoneface, a bunch of guys sat at a table with their pants pulled down and their expressions wiped clean of emotion while a girl huddled underneath giving one of them a blow job and they all had to try to guess the lucky recipient.
Rainbow was a combination of the two. A dozen or so girls were given different colored lipsticks before having oral sex with the guys, and the boy who sported the most colors at the end of the night was the winner.
”
”
Jodi Picoult (The Tenth Circle)
“
He needs to be talked to."
"This is funny, but I know how to talk, too."
Brian swore under his breath. "He prefers singing."
"Excuse me?"
"I said,he prefers singing."
"Oh." Keeley tucked her tongue in her cheek. "Any particular tune? Wait, let me guess. Finnegan's Wake?" Brian''s steely-eyed stare had her laughing until she had to lean weakly against the gelding.The horse responded by twisting his head and trying to sniff her pockets for apples.
"It's a quick tune," Brian said coolly, "and he likes hearing his name."
"I know the chorus." Gamely Keeley struggled to swallow another giggle. "But I'm not sure I know all the words.There are several verses as I recall."
"Do the best you can," he muttered and strode off.His lips twitched as he heard her launch into the song about the Dubliner who had a tippling way.
When he reached Betty's box, he shook his head. "I should've known. If there's not a Grant one place, there's a Grant in another until you're tripping over them."
Travis gave Betty a last pat on the shoulder. "Is that Keeley I hear singing?"
"She's being sarcastic, but as long as the job's done. She's dug in her heels about grooming Finnegan."
"She comes by it naturally.The hard head as well as the skill."
"Never had so many owners breathing down my neck.We don't need them, do we, darling?" Brian laid his hands on Beetty's cheek, and she shook her head, then nibbled his hair.
"Damn horse has a crush on you."
"She may be your lady, sir, but she's my own true love.Aren't you beautiful, my heart?" He stroked, sliding into the Gaelic that had Betty's ears pricked and her body shifting restlessly.
"She likes being excited before a race," Brian murmured. "What do you call it-pumped up like your American football players.Which is a sport that eludes me altogether as they're gathered into circles discussing things most of the time instead of getting on with it."
"I heard you won the pool on last Monday nights game," Travis commented.
"Betting's the only thing about your football I do understand." Brian gathered her reins. "I'll walk her around a bit before we take her down. She likes to parade.You and your missus will want to stay close to the winner's circle."
Travis grinned at him. "We'll be watching from the rail."
"Let's go show off." Brian led Betty out.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
...refusing to give in to his wretched stomach, which wanted to vomit up everything. He thought of the Excedrin in his pocket and decided to wait until his stomach had quieted a bit. No sense swallowing a painkiller if you were going to throw it right back up. Have to use your brain. The celebrated Jack Torrance brain. Aren't you the fellow who once was going to live by his wits? Jack Torrance, bestselling author. Jack Torrance, acclaimed playwright and winner of the New York Critics Circle Award. John Torrance, man of letters, esteemed thinker, winner of the Pulitzer Prize at seventy for his trenchant book of memoirs, My Life in the Twentieth Century. All any of that shit boiled down to was living by your wits. Living by your wits is always knowing where the wasps are.
”
”
Stephen King (The Shining (The Shining, #1))
“
He left his horse, dusting his hands free of the dirt from the animal’s hooves. When he came close, it felt as if she’d come in out of the cold and stood next to a fire. Arin touched the dagger at her hip and ran a thumb over the symbol on its hilt: the circle within a circle.
“The god of souls,” Kestrel said. “It’s his symbol.”
“Hers,” he corrected gently.
Kestrel wasn’t sure how long she’d known what the symbol meant. Maybe for a long time. Or maybe she’d only realized it last night. It was the kind of knowledge that, once it enters you, seems like it’s lived there forever.
His expression was soft and entranced and puzzled. “Do you feel changed? I feel changed.”
“Yes,” she whispered.
He smiled. “It’s strange.”
And so it was.
“We could reach Lerralen by nightfall,” she said, “if we press the horses. Will you come with me?”
“Ah, Kestrel, that’s something you never need to ask.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Yesterday while I was on the side of the mat next to some wrestlers who were warming up for their next match, I found myself standing side by side next to an extraordinary wrestler.
He was warming up and he had that look of desperation on his face that wrestlers get when their match is about to start and their coach is across the gym coaching on another mat in a match that is already in progress.
“Hey do you have a coach.” I asked him.
“He's not here right now.” He quietly answered me ready to take on the task of wrestling his opponent alone.
“Would you mind if I coached you?”
His face tilted up at me with a slight smile and said. “That would be great.”
Through the sounds of whistles and yelling fans I heard him ask me what my name was.
“My name is John.” I replied.
“Hi John, I am Nishan” he said while extending his hand for a handshake.
He paused for a second and then he said to me: “John I am going to lose this match”.
He said that as if he was preparing me so I wouldn’t get hurt when my coaching skills didn’t work magic with him today.
I just said, “Nishan - No score of a match will ever make you a winner. You are already a winner by stepping onto that mat.”
With that he just smiled and slowly ran on to the mat, ready for battle, but half knowing what the probable outcome would be.
When you first see Nishan you will notice that his legs are frail - very frail. So frail that they have to be supported by custom made, form fitted braces to help support and straighten his limbs.
Braces that I recognize all to well.
Some would say Nishan has a handicap.
I say that he has a gift.
To me the word handicap is a word that describes what one “can’t do”.
That doesn’t describe Nishan.
Nishan is doing.
The word “gift” is a word that describes something of value that you give to others.
And without knowing it, Nishan is giving us all a gift.
I believe Nishan’s gift is inspiration.
The ability to look the odds in the eye and say “You don’t pertain to me.”
The ability to keep moving forward.
Perseverance.
A “Whatever it takes” attitude.
As he predicted, the outcome of his match wasn’t great.
That is, if the only thing you judge a wrestling match by is the actual score. Nishan tried as hard as he could, but he couldn’t overcome the twenty-six pound weight difference that he was giving up to his opponent on this day in order to compete. You see, Nishan weighs only 80 pounds and the lowest weight class in this tournament was 106. Nishan knew he was spotting his opponent 26 pounds going into every match on this day. He wrestled anyway.
I never did get the chance to ask him why he wrestles, but if I had to guess I would say, after watching him all day long, that Nishan wrestles for the same reasons that we all wrestle for.
We wrestle to feel alive, to push ourselves to our mental, physical and emotional limits - levels we never knew we could reach.
We wrestle to learn to use 100% of what we have today in hopes that our maximum today will be our minimum tomorrow. We wrestle to measure where we started from, to know where we are now, and to plan on getting where we want to be in the future. We wrestle to look the seemingly insurmountable opponent right in the eye and say, “Bring it on. - I can take whatever you can dish out.”
Sometimes life is your opponent and just showing up is a victory.
You don't need to score more points than your opponent in order to accomplish that.
No Nishan didn’t score more points than any of his opponents on this day, that would have been nice, but I don’t believe that was the most important thing to Nishan. Without knowing for sure - the most important thing to him on this day was to walk with pride like a wrestler up to a thirty two foot circle, have all eyes from the crowd on him, to watch him compete one on one against his opponent - giving it all that he had. That is what competition is all about. Most of the times in wrestlin
”
”
JohnA Passaro
“
He kept his distance from the villa. It was too easy to slip in Kestrel’s presence.
One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread.
“Enai would like to see you,” Lirah said.
Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen.
“She’s very sick.”
Arin considered this, then nodded, following Lirah from the forge.
When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs.
The coughing subsided, then gave way to ragged breath.
“Someone should fetch a doctor,” Arin told Lirah.
“Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him.
Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire.
Although he knew he shouldn’t, Arin traced the braid with one fingertip.
“That’s not yours,” a voice said.
He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box.
“I doubt it,” she muttered, and told him to come near.
Arid did, slowly. He had the feeling he was not going to like this conversation.
“You spend a lot of time with Kestrel,” Enai said.
He shrugged. “I do what she asks.”
Enai held his gaze. Despite himself, he looked away first.
“Don’t hurt her,” the woman said.
It was a sin to break a deathbed promise.
Arin left without making one.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Making the most of an experience: Living fully is extolled everywhere in popular culture. I have only to turn on the television at random to be assailed with the following messages: “It’s the best a man can get.” “It’s like having an angel by your side.” “Every move is smooth, every word is cool. I never want to lose that feeling.” “You look, they smile. You win, they go home.” What is being sold here? A fantasy of total sensory pleasure, social status, sexual attraction, and the self-image of a winner. As it happens, all these phrases come from the same commercial for razor blades, but living life fully is part of almost any ad campaign. What is left out, however, is the reality of what it actually means to fully experience something. Instead of looking for sensory overload that lasts forever, you’ll find that the experiences need to be engaged at the level of meaning and emotion. Meaning is essential. If this moment truly matters to you, you will experience it fully. Emotion brings in the dimension of bonding or tuning in: An experience that touches your heart makes the meaning that much more personal. Pure physical sensation, social status, sexual attraction, and feeling like a winner are generally superficial, which is why people hunger for them repeatedly. If you spend time with athletes who have won hundreds of games or with sexually active singles who have slept with hundreds of partners, you’ll find out two things very quickly: (1) Numbers don’t count very much. The athlete usually doesn’t feel like a winner deep down; the sexual conqueror doesn’t usually feel deeply attractive or worthy. (2) Each experience brings diminishing returns; the thrill of winning or going to bed becomes less and less exciting and lasts a shorter time. To experience this moment, or any moment, fully means to engage fully. Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at least one genuine feeling. Tuning in to others is a circular flow: You send yourself out toward people; you receive them as they respond to you. Notice how often you don’t do that. You stand back and insulate yourself, sending out only the most superficial signals and receive little or nothing back. The same circle must be present even when someone else isn’t involved. Consider the way three people might observe the same sunset. The first person is obsessing over a business deal and doesn’t even see the sunset, even though his eyes are registering the photons that fall on their retinas. The second person thinks, “Nice sunset. We haven’t had one in a while.” The third person is an artist who immediately begins a sketch of the scene. The differences among the three are that the first person sent nothing out and received nothing back; the second allowed his awareness to receive the sunset but had no awareness to give back to it—his response was rote; the third person was the only one to complete the circle: He took in the sunset and turned it into a creative response that sent his awareness back out into the world with something to give. If you want to fully experience life, you must close the circle.
”
”
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
“
SOCIAL AND EMOTIONAL FUNCTIONING Another coexisting regulatory problem may be how the child feels about himself and relates to other people. • Poor adaptability: The child may resist meeting new people, trying new games or toys or tasting different foods. He may have difficulty making transitions from one situation to another. The child may seem stubborn and uncooperative when it is time to leave the house, come for dinner, get into or out of the bathtub, or change from a reading to a math activity. Minor changes in routine will readily upset this child who does not “go with the flow.” • Attachment problem: The child may have separation anxiety and be clingy and fearful when apart from one or two “significant olders.” Or, she may physically avoid her parents, teachers, and others in her circle. • Frustration: Struggling to accomplish tasks that peers do easily, the child may give up quickly. He may be a perfectionist and become upset when art projects, dramatic play, or homework assignments are not going as well as he expects. • Difficulty with friendships: The child may be hard to get along with and have problems making and keeping friends. Insisting on dictating all the rules and being the winner, the best, or the first, he may be a poor game-player. He may need to control his surrounding territory, be in the “driver’s seat,” and have trouble sharing toys. • Poor communication: The child may have difficulty verbally in the way she articulates her speech, “gets the words out,” and writes. She may have difficulty expressing her thoughts, feelings, and needs, not only through words but also nonverbally through gestures, body language, and facial expressions. • Other emotional problems: He may be inflexible, irrational, and overly sensitive to change, stress, and hurt feelings. Demanding and needy, he may seek attention in negative ways. He may be angry or panicky for no obvious reason. He may be unhappy, believing and saying that he is dumb, crazy, no good, a loser, and a failure. Low self-esteem is one of the most telling symptoms of Sensory Processing Disorder. • Academic problems: The child may have difficulty learning new skills and concepts. Although bright, the child may be perceived as an underachiever.
”
”
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
“
There is no right or wrong in war, only winners and losers. And you have shown your hand. No. She has shown her heart.
”
”
Sage Sask (The Circle: Taken)
“
Hey, we’ll let Huckleberry enjoy his lunch. Speaking of something, if you are in a better mood now, come with me to the Rainforest Room. I have something to show you. I wanted to wait until you calmed down because it means a lot to me, and I hoped you might be happy for me. Here, come with me.”
He led her back to the previous room, which had amazing, rare rainforest plants in it.
“Check this out!”
He tossed her a magazine that said Horticultural Digest on the cover. Holly neatly caught it and opened it up to the dog-eared page.
Blaring across the page in huge font was the title: WILLIAM SMITH, THE RAINMAKER OF SHELLESBY COLLEGE’S FAMOUS RAINFOREST ROOM. It was a five-page spread with big glossy photos of the Rainforest Room sprinkled throughout the article.
“Five, count ‘em, five pages! That’s my record. Until now, they’ve only given me four. Check it out: I’m the Rainmaker, baby! Let it rain, let it rainnnn!”
William stomped around in make-believe puddles on the floor. He picked up a garden hose lying along the side of the room and held it upright like an umbrella.
“I’m singing in the rain, just singing in the rain. What a glorious feeling. I’m happy again.”
Holly squealed with laughter and applauded.
William jumped up on a large over-turned pot and shifted the hose to now play air guitar while he repeated the verse.
“William, there is no air guitar in that song!”
“There is now, baby!”
Holly exploded again in laughter, clutching her sides.
After a few more seconds of air guitar, William jumped off the pot and lowered his voice considerably.
“Thank you, thank you very much,” William said in his Elvis impersonation.
He now held the garden hose like a microphone and said, “My next song is dedicated to my beagle, my very own hound dog, my Sweetpea. Sweetpea, girl, this is for youuuuuuu.”
He now launched into Elvis’s famous “Hound Dog.”
“You ain’t nothing but a hound dogggg.” With this, he also twirled the hose by holding it tight two feet from the nozzle, then twirling the nozzle in little circles above his head like a lasso.
“Work it, William! Work it!” Holly screamed in laughter.
He did some choice hip swivels as he sang “Hound Dog,” sending Holly into peals of laughter.
“William, stop! Stop! Where are you? I can’t see I’m crying so hard!”
William dropped his voice even lower and more dramatically.
In his best Elvis voice, he said, “Well, if you can’t find me darlin’, I’ll find you.” He dropped on one knee and gently picked up her hand.
“Thank you, thank you very much,” he said in Elvis mode.
“My next song, I dedicate to my one and only, to my Holly-Dolly. Little prickly pear, this one’s for youuuuuu.”
He now launched into Elvis’s famous “I Can’t Help Falling in Love with You.”
“Take my hand, take my whole life, too, for I can’t help falling in love with you.” With that, he gave her hand a soft kiss.
He then jumped up onto an empty potting table and spun around once on his butt, then pushed himself the length of the entire table, and slid off the far end.
“Loose, footloose!” William picked up his garden-hose microphone again and kept singing. “Kick off the Sunday shoes . . .”
He sang the entire song, and then Holly exploded in appreciative applause.
He was breathing heavily and had a million-dollar smile on his face.
“Hoo-wee, that was fun! I am so sweaty now, hoo-boy!”
He splashed some water on his face, and then shook his hair.
“William! When are you going to enter that karaoke contest at the coffee shop in town? They’re paying $1,000 to the winner of their contest. No one can beat you! That was unbelievable!”
“That was fun.” William laughed. “Are in a better mood now?”
“How can I not be? You are THE best!
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Kira Seamon (Dead Cereus)
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Q: Who are your influences?
I was lucky as a kid to get to meet Paul Conrad who lived in my hometown. He is a giant in editorial cartooning, winner of three Pulitzers and even more impressively he won a place on Nixon‘s enemies list. He was a huge influence.
Starting out I also spent a lot of time looking at Ron Cobb, an insane crosshatcher who drew for the alternative press in the ’60’s, as well as David Levine, Ed Sorel, and R. Crumb. I also love Steinberg‘s visual elegance and innately whimsical voice. Red Grooms is another guy who took cartooning wonderful places.
There are also a number of 19th-century cartoonists whose mad drawing skills and ability to create rich visual worlds always impressed me. A.B. Frost, T.S. Sullivant, Joseph Keppler are often overshadowed by Nast, but in many ways they were more adventurous graphically.
I also want to throw in here how great it is to work in D.C. There’s a great circle of cartoonists here and being in their orbit is a daily inspiration. Opening the Post to Toles and Richard Thompson (Richard’s Poor Almanac is the best and most original cartoon in the country and sadly known mostly only to those lucky enough to be in range of the Post;, Cul de Sac is pretty good too). And then there’s Ann Telnaes’ animations that appear in the Post online—-truly inspired and the wave of the future, as well as Beeler, Galifianakis, Bill Brown, and others. It raises one’s game to be around all these folks.
(2010 interview with Washington City Paper)
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Matt Wuerker
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Duality is the poison that keeps the player in the game, for the circle must complete itself, it is the law of nature, as within, so without. Neutrality is a state of perfect harmony, a level playing field without winners and losers. Neutrality is not without action and, it merely requires equal action and reaction. Only with neutrality can the circle not complete itself and the game can finally end – the players will now be able to find the answers deep within themselves without needing to win or lose the game. For their minds will be set free, duality will be broken and the circle will no longer be able to complete itself.
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Janine Helene (Heaven Bearers: The New Age of Deception)
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In all the years since then, I’ve never forgotten the lesson that Gary taught me,” said Lyden. “I have always told teachers, ‘Take all the steps that you’re capable of, and then take one more. If this were your kid, you would want people to keep reaching for him.
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Mikal Gilmore (Shot in the Heart: NATIONAL BOOK CRITICS CIRCLE AWARD WINNER)
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It’s not just Africa’s movie and music industry that is booming. African literature, led by the Young Lions, or rather, Lionesses, is seeing a revival, too. I mentioned Chimamanda Ngozi Adichie and her TED Talk about Africa’s “Single Story.” But Adichie, 37, is best known for writing, and her novels Half of a Yellow Sun (now a film directed by fellow Nigerian novelist Biyi Bandele) and Americanah, winner of the United States’ prestigious National Book Critics Circle Award in 2013, are international best sellers. Adichie is able to write in an authentic African voice and yet still connect with huge numbers of readers in the West. I have been told about other young African women who are taking the literary world by storm such as Zimbabwean NoViolet Bulawayo, who was long-listed for Britain’s Man Booker Prize, and her countrywoman, international trade lawyer Petina Gappah, a finalist for the United Kingdom’s prestigious Orwell Prize in 2010. These talented women are part of a confident, new, global Africa.
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Ashish J. Thakkar (The Lion Awakes: Adventures in Africa's Economic Miracle)
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Death catches everyone eventually, and I had never harbored any illusions about its ability to catch me. That it had hesitated so long to do so seemed born more of a desire to mock me than of any real inclination to wait. Death had tired of that game, and had finally moved in to collect what we all owe.
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Barry Eisler (Winner Take All (John Rain, #3))
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You have to understand something about girls, Mick. You see 'em in the winner's circle, but you'll never find horseshit on their shoes.
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Miles Watson (Cage Life)
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Did you?” “Your talent’s never been in question, has it?” I tried to ignore him, but he went on. “This will be good for business.” Just like that, the flush of pride and gratitude I’d felt after Dynasty’s win winked out of me. He was pouncing on my success. When Dynasty was led into the winner’s enclosure and one of the newspapermen asked for my name and a photo, Jock stepped in to spell out Purves carefully. His hand stayed on my elbow or the small of my back like an immovable tether, but none of it was about me. He was only thinking of what greater notice meant for the possibility of new grain contracts or additions to our bloodstock. Later
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Paula McLain (Circling the Sun)
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And the winner is,” he sings. He waits, opening the folded piece of paper slowly, drawing out the suspense. I can barely hear him over my own heartbeat, which is thumping like crazy. Is it too late to back out? Shit. I don’t want to do this. “The winner is the person who guessed twelve hundred and forty-eight!” The crowd is silent, and all the participants look to one another. But then I hear a thump, thump, thump, thump as someone comes up the stairs onto the platform. I see the baseball cap before I see the rest of him, and I hope to God that’s Sean’s cap. But Sean didn’t even buy a ticket. Not a single one. Yet it’s his brown gaze that meets mine. It’s his baseball cap, and they are his tattoos. They’re his broad shoulders and his long strides that eat up the distance between us. He turns his hat backward and looks down at me. He stops with less than an inch to spare between us. “Congratulations,” I squeak out. “You didn’t even buy a ticket. How did you…?” “I bought one hundred and forty-two tickets, dummy,” he says. My heart trips a beat. “You did?” All he had to buy was one. I put the winning number on the piece of paper I gave him. He nods, and he takes my face in his hands. His thumbs draw little circles on my cheeks as his fingers thread into the hair at my temples. “You didn’t look at the paper I gave you….” My heart is pounding like mad. “What paper?” he asks. His smile is soft and inviting, and I want to fall into him. “The one you put in your pocket.” His brow furrows. “Never mind,” I say, breathless. He spent 142 dollars for a kiss he already owned in more ways than one. If I loved this man any more, it would be dangerous. He looks down into my eyes, not moving. He’s going to kiss me, right? “What’s the plan here?” “I’m going to kiss my girl,” he says, smiling at me. My breath hitches. “But you have to say yes, first.” He hasn’t let me go. He’s holding me tightly, forcing me to meet his eyes. “This isn’t going to be a one-time thing.” I can’t even think, and he wants me to commit? “It’s not,” I breathe. “You promise?” His gaze searches mine like he’s going to find the secrets to the universe there. “I swear on your life,” I say. He chuckles. “My life?” I nod. His eyebrows draw together. “Aren’t you supposed to swear on your own life?” “My life means nothing if you’re not in it.” His hands start to tremble against my face, and he closes his eyes and takes a deep breath. Logan’s brothers start to chant, “Kiss, kiss, kiss, kiss…,” and the crowd joins in. “You better kiss me,” I say, “or they’re going to get restless.” A tear rolls down my cheek, and he brushes it back with his thumb, his gaze soft and warm. His eyes open, and he leans closer to me. I step onto my tiptoes to get to him because I can’t wait one more second. He stops a breath away from me, just like he did in the room. He waits. “You have to close the distance,” he says to me. He’s making me choose. I fall into him and press my lips to his. He freezes. But then he starts to kiss me. And all the fireworks at the state fair couldn’t compare to the ones that go off in my head.
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Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
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The synergies between extractive economic and political institutions create a vicious circle, where extractive institutions, once in place, tend to persist. Similarly, there is a virtuous circle associated with inclusive economic and political institutions.
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Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
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He left his horse, dusting his hands free of the dirt from the animal’s hooves. When he came close, it felt as if she’d come in out of the cold and stood next to a fire. Arin touched the dagger at her hip and ran a thumb over the symbol on its hilt: the circle within a circle.
“The god of souls,” Kestrel said. “It’s his symbol.”
“Hers,” he corrected gently.
Kestrel wasn’t sure how long she’d known what the symbol meant. Maybe for a long time. Or maybe she’d only realized it last night. It was the kind of knowledge that, once it enters you, seems like it’s lived there forever.
His expression was soft and entranced and puzzled. “Do you feel changed? I feel changed.”
“Yes,” she whispered.
He smiled. “It’s strange.”
And so it was.
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Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
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Most important perhaps, in most of these cases there were enormous benefits from holding power. These benefits both attracted the most unscrupulous men, such as Stevens, who wished to monopolize this power, and brought the worst out of them once they were in power. There was nothing to break the vicious circle. N
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Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
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In my twenties I was in Austin, Texas, finishing up yet another degree. I’d always loved hiking and, sick of the sedentary life of academia, I’d joined the orienteering club at the university. The sport, which originated in Sweden, is a competition in which you use a special map and a compass to navigate through wilderness you’ve never seen before, stopping at checkpoints to have a control card physically or electronically stamped. The first competitor to hit the “double circle”—the end of the route on the orienteering map—is the winner. I
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Jeffery Deaver (Edge)
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National Book Critics Circle Award Winner New York Times Bestseller A New York Times Notable Book of the Year A Washington Post Notable Nonfiction Book of the Year A Boston Globe Best Book of 2016 A Chicago Review of Books Best Nonfiction Book of 2016 A Globe and Mail Best Book of the Year A Dallas Morning News Top 10 of 2016
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Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
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The object of cognitive behavioral therapy is to break the vicious circle, thus transforming a wretched mouselike creature who barely dares leave his mouse hole into a go-getter who wins friends and influences people. It is not difficult to see the connection between these ideas and the modern pedagogic tendency to praise children for their efforts, however desultory. In case people think I am exaggerating, let me here remark that an eminent professor at one of Britain’s foremost institutions of higher learning, at which many Nobel Prize winners both studied and taught, informed me recently that he was not permitted to use red ink in marking his students’ essays (they still wrote them by hand, apparently, to cheat by computer being too easy for them) because red ink is deemed by those in charge of the students’ well-being to be too intimidating. The sight of red ink on the pages of their immortal prose might cause the little ones to lose their self-esteem, traumatize them, and mean a blighted life for ever after. Does one laugh? Does one cry? Does one despair? Does one leap for joy at such delectable absurdity? Or all or none of the above?
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Theodore Dalrymple (Admirable Evasions: How Psychology Undermines Morality)
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Celebrate your life every day. What a gift it is! The present is all we have. Yesterday is dead and gone, tomorrow is just a dream. Take your life by the horns and ride it like the champion of your life. One time around. Make it count all the way to the winner's circle.
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Brenda Rae Schoolcraft
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25. Practice Humility Practice humility and do not try to get ahead of each other. A winner requires a loser. Retribution provokes reprisal. What a foolish circle to be trapped within. We are born in humility and we die in humility. From beginning to end, it is a proven path.
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Ray Grigg (The Tao of Relationships: A Balancing of Man and Woman)
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Further concentrating those profits is the fact that AI naturally trends toward winner-take-all economics within an industry. Deep learning’s relationship with data fosters a virtuous circle for strengthening the best products and companies: more data leads to better products, which in turn attract more users, who generate more data that further improves the product. That combination of data and cash also attracts the top AI talent to the top companies, widening the gap between industry leaders and laggards.
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Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
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the iron law of oligarchy, the overthrow of a regime presiding over extractive institutions heralds the arrival of a new set of masters to exploit the same set of pernicious extractive institutions. The logic of this type of vicious circle is also simple to understand in hindsight: extractive political institutions create few constraints on the exercise of power, so there are essentially no institutions to restrain the use and abuse of power by those overthrowing previous dictators and assuming control of the state; and extractive economic institutions imply that there are great profits and wealth to be made merely by controlling power, expropriating the assets of others, and setting up monopolies.
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Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
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The U.S. experience in the first half of the twentieth century also emphasizes the important role of free media in empowering broad segments of society and thus in the virtuous circle.
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Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
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The solution to the economic and political failure of nations today is to transform their extractive institutions toward inclusive ones. The vicious circle means that this is not easy. But it is not impossible, and the iron law of oligarchy is not inevitable.
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Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
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the Golden Circle.” The why and how of what people do is, according to Sinek’s (incredibly controversial and highly oversimplified) brain theory, controlled by the limbic brain, while the what of what people do is controlled by the evolutionarily newer neocortex. The science may have been dubious, but it did sound fancy.
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Anand Giridharadas (Winners Take All: The Elite Charade of Changing the World)
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For example, the most consistent bit of irrational investment behavior is the commonplace observation that we are less likely to sell losers than winners. This is known in behavioral finance circles as “regret avoidance.” Holding onto a stock that has done poorly keeps alive the possibility that we will not have to confront the finality of our failure.
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William J. Bernstein (The Four Pillars of Investing: Lessons for Building a Winning Portfolio)
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There was a time, as the legal scholar Jedediah Purdy has observed, when we loved “public” enough to place our most elevated hopes in republics, and when “private” reminded us of its cousins “privation” and “deprived.” An achievement of modernity has been its gradual persuasion of citizens to expand the circle of their concern beyond family and tribe, to encompass the fellow citizen. Inequality was reversing that, eating away at Walker’s beloved country. Government still had the responsibility, but, more and more, the wealthy made the rules.
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Anand Giridharadas (Winners Take All: The Elite Charade of Changing the World)
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The vicious circle is based on extractive political institutions creating extractive economic institutions, which in turn support the extractive political institutions, because economic wealth and power buy political power.
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Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
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There should be no presumption that any critical juncture will lead to a successful political revolution or to change for the better. History is full of examples of revolutions and radical movements replacing one tyranny with another, in a pattern that the German sociologist Robert Michels dubbed the iron law of oligarchy, a particularly pernicious form of the vicious circle.
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Daron Acemoğlu (Why Nations Fail: FROM THE WINNERS OF THE NOBEL PRIZE IN ECONOMICS: The Origins of Power, Prosperity and Poverty)
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Confidence is within everyone’s reach, but three hurdles keep many people from ever getting there. Those hurdles are obsessing over others’ opinions, playing the victim, and wanting everyone to like you. Once you learn how to sail over those hurdles, there’s a clear path to the winners’ circle. Why stop now? Why not live your best life? My metaphor of running
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Matt Carroll (How to Adult and Build Unshakeable Confidence: The 7-Step Adulting Guide to Transform Insecurities, Overthinking, and People Pleasing Into a Self-Assured Life)