Wings To Fly High Quotes

Sensitive people are the most genuine and honest people you will ever meet. There is nothing they won’t tell you about themselves if they trust your kindness. However, the moment you betray them, reject them or devalue them, they become the worse type of person. Unfortunately, they end up hurting themselves in the long run. They don’t want to hurt other people. It is against their very nature. They want to make amends and undo the wrong they did. Their life is a wave of highs and lows. They live with guilt and constant pain over unresolved situations and misunderstandings. They are tortured souls that are not able to live with hatred or being hated. This type of person needs the most love anyone can give them because their soul has been constantly bruised by others. However, despite the tragedy of what they have to go through in life, they remain the most compassionate people worth knowing, and the ones that often become activists for the broken hearted, forgotten and the misunderstood. They are angels with broken wings that only fly when loved.

A man can't soar too high, when he flies with his own wings.

I keep thinking about a tale my nurse used to read to me about a bird whose wings are pinned to the ground. In the end, when he finally frees himself, he flies so high he becomes a star. My nurse said the story was about how we all have something that keeps us down.

Grace is what picks me up and lifts my wings high above and I fly! Grace always conquers! Be graceful in everything; in anger, in sadness, in joy, in kindness, in unkindness, retain grace with you!

I’ve never been certain whether the moral of the Icarus story should only be, as is generally accepted, ‘don’t try to fly too high,’ or whether it might also be thought of as ‘forget the wax and feathers, and do a better job on the wings.

In order to fly you have to create space in the open air so that your wings can really spread out. It’s like a parachute. They only work from a high altitude. To fly you have to begin taking risks. If you don’t want to, maybe the best thing is just to give up, and keep walking forever.

Wasn't there a spell for making yourself happy? Somebody must have invented one. How could he have missed it? Why didn't they teach it? Was it in the library, a flying book fluttering just out of reach, beating its wings against some high window?

Why give up before we try Feel the lows before the highs Clip our wings before we fly away I can't say I came prepared I'm suspended in the air Won't you come be in the sky with me

Let us see how high we can fly before the sun melts the wax in our wings.

At night I would lie in bed and watch the show, how bees squeezed through the cracks of my bedroom wall and flew circles around the room, making that propeller sound, a high-pitched zzzzzz that hummed along my skin. I watched their wings shining like bits of chrome in the dark and felt the longing build in my chest. The way those bees flew, not even looking for a flower, just flying for the feel of the wind, split my heart down its seam.

Let us see how high we can fly before the sun melts the wax in our wings.

Not cry. Fly. “I can’t fly,” Bran said. “I can’t, I can’t…” How do you know? Have you ever tried? The voice was high and thin. Bran looked around to see where it was coming from. A crow was spiraling down with him, just out of touch, following him as he fell. “Help me,” he said. I’m trying, the crow replied… The crow took to the air and flapped around Bran’s hand. “You have wings,” Bran pointed out. Maybe you do too. Bran felt along his shoulders, groping for feathers. There are different kinds of wings, the crow said… Bran was falling faster than ever. The grey mists howled around him as he plunged toward the earth below. “What are you doing to me?” he asked the crow, tearful. Teaching you how to fly. “I can’t fly!” You’re flying right now. “I’m falling!” Every flight begins with a fall, the crow said. Look down.

Whatever inspiration is, it's born from a continuous "I don't know."...That is why I value that little phrase "I don't know" so highly. It's small, but it flies on mighty wings. It expands our lives to include spaces within us as well as the outer expanses in which our tiny Earth hangs suspended...Poets, if they're genuine, must always keep repeating "I don't know.

Because I know a priceless truth: when someone has done everything in their power to mangle your wings beyond recognition, to slice them to shreds so that they can never be used, there is only one way to win. Fly.

Usually, when I dream of flying I am simply flapping my arms and somehow I lift off and glide through the sky. Last night was different. I missed you so much and my yearning was so powerful that I sprouted wings like a phoenix and soared to reach you. And now I finally understand: if you see lovers on a roof, do not worry. Surely, love has metamorphosed them.

Pain has been and grief enough and bitterness and crying, Sharp ways and stony ways I think it was she trod; But all there is to see now is a white bird flying, Whose blood-stained wings go circling high—circling up to God!

If I had wings I would fly, I'd soar on high where only eagles dare I'd let them rip, I'd let them tear, until all that remained was me bare.

Keep up your faith to go high and fly, even after so many pains and sorrow. You can turn from a caterpillar to a butterfly. Life gives you a second change: a call to grow.

Standing on the roof at night, beside the golden ship I look across the city and I dream a wild trip. The waves are high, the wind is strong, the moon is white and full. I smell the salt upon the sea, a strong magnetic pull. I shout into the endless dark, awaiting the reply: 'Away! Away' It says: 'Away! Now spread your wings and fly.

She flew across the turbulent gust. Her eyes fixed, her wings strong She flies and flies and flies along. To reach high, to open her wings to the breathing sun rise.

Awestruck, Flora stared at the dishevelled sisters with their blazing faces and radiant ragged wings, who smelled of no kin but the wild high air.

Just as the bird needs wings to fly, a leader needs useful information to flow. Leaders learn.

Dream high, beyond the sky; no matter wings so small, keep vision bright; just dare to learn, for you are born to fly.

You and I once fancied ourselves birds, and we were happy even when we flapped our wings and fell down and bruised ourselves, but the truth is that we were birds without wings. You were a robin ad I was a blackbird, and there were some who were eagles, or vultures, or pretty goldfinches, but none of us had wings. For birds with wings nothing changes; they fly where they will and they know nothing about borders and their quarrels are very small. But we are always confined to earth, no matter how much we climb to the high places and flap our arms. Because we cannot fly, we are condemned to do things that do not agree with us. Because we have no wings we are pushed into struggles and abominations that we did not seek, and then, after all that, the years go by, the mountains are levelled, the valleys rise, the rivers are blocked by sand and the cliffs fall into the sea.

I knew I was a grain of sand in the vast desert that never ended and he was a sparkling star in the sky. I was a fish who couldn’t breathe in air and had to stay in dark waters forever while he was a majestic bird who soared so high that he barely touched the ground. I did not deserve him. I could only watch him from down here and wish, wish that he could come here someday. That he could know that I existed. But for that, he had to fall. He had to drop to the ground but I could not let that happen. And then I thought, birds are meant to fly and stars are meant to shine and if someone takes it away from them, they can't be the same anymore. So, I just prayed that his wings never fail him, that the star never explodes. And I was at peace.

It is a bird’s imagination, not its wings, that determines how high it can fly.

Power is a tricky thing, mija. It can lift you up high on its wings and up into the sky where you feel invincible. But sometimes you forget the bigger thing that makes you fly. Without God, without love, you fall. You stop being grateful and humble, and you fall." pg. 230

That like I best that flies beyond my reach. Set me to scale the high pyramids And thereon set the diadem of France; I'll either rend it with my nails to nought, Or mount the top with my aspiring wings, Although my downfall be the deepest hell.

The eagle only knows how high it can fly when it spreads its wings.

It doesn't matter how high you fly with the biggest wings you have, but remember that your soul is still trapped in the roots in the ground where you fell and you were so small and so empty.

Today You Soar "Like the grand eagle, you spread your wings And put forth the effort to do great things. Looking skyward you dared to challenge the wind, Harnessing power to help you ascend. With an eye on the goal, fixed in flight, You climbed to an impressive height. Undaunted by gusts and unkind gails, You never gave up and would not fail. So now you’ve reached where few even try As the eagle high in a glorious sky. Not superior, but grand. Not proud, but sure. Not a cub, wolf, or bear but an eagle pure. Today you soar.

To be brutally truthful, the removal of your noodle from seeking other people’s futile approval to be you, is one of the most beautiful steps to flight, where wings flap to freedom from so many deadly traps.

I am, O Anxious One. Don't you hear my voice surging forth with all my earthly feelings? They yearn so high, that they have sprouted wings and whitely fly in circles round your face. My soul, dressed in silence, rises up and stands alone before you: can't you see? don't you know that my prayer is growing ripe upon your vision as upon a tree? If you are the dreamer, I am what you dream. But when you want to wake, I am your wish, and I grow strong with all magnificence and turn myself into a star's vast silence above the strange and distant city, Time.

Dream high, beyond the sky; no matter wings so small, keep vision bright; just dare to learn, for you are born to fly.

Don’t forget that birds with broken wings walking on the ground were once flying high up in the sky.

I am not an angel, Do not worship me, And filch my tiny little wings, I want to fly, up high, To clutch the colourful sky, My life has mission, To triumph over the world with my passion...

Swords, Lances, arrows, machine guns, and even high explosives have had far less power over the fates of nations than the typhus louse, the plague flea, and the yellow-fever mosquito. Civilizations have retreated from the plasmodium of malaria, and armies have crumbled into rabbles under the onslaught of cholera spirilla, or of dysentery and typhoid bacilli. Huge areas have bee devastated by the trypanosome that travels on the wings of the tsetse fly, and generations have been harassed by the syphilis of a courtier. War and conquest and that herd existence which is an accompaniment of what we call civilization have merely set the stage for these more powerful agents of human tragedy.

Love is the great intangible. In our nightmares, we can create beasts out of pure emotion. Hate stalks the streets with dripping fangs, fear flies down narrow alleyways on leather wings, and jealousy spins sticky webs across the sky. In daydreams, we can maneuver with poise, foiling an opponent, scoring high on fields of glory while crowds cheer, cutting fast to the heart of an adventure. But what dream state is love? Frantic and serene, vigilant and calm, wrung-out and fortified, explosive and sedate –love commands a vast army of moods. Hoping for victory, limping from the latest skirmish, lovers enter the arena once again. Sitting still, we are as daring as gladiators.

Because I know a priceless truth: when someone has done everything in their power to mangle your wings beyond recognition, to slice them to shreds so that they can never be used, there is only one way to win. Fly.

One was watching the other day a red-tailed hawk, high in the heavens, circling effortlessly, without a beat of the wing, just for the fun of flying, just to be sustained by the air-currents. Then it was joined by another, and they were flying together for quite a while. They were marvellous creatures in that blue sky, and to hurt them in any way is a crime against heaven. Of course there is no heaven; man has invented heaven out of hope, for his life has become a hell, an endless conflict from birth to death, coming and going, making money, working endlessly. This life has become a turmoil, a travail of endless striving. One wonders if man, a human being, will ever live on this earth peacefully. Conflict has been the way of his life - within the skin and outside the skin, in the area of the psyche and in the society which that psyche has created.

Mother do you think they'll drop the bomb? Mother do you think they'll like this song? Mother do you think they'll try to break my balls? Mother should I build the wall? Mother should I run for president? Mother should I trust the government? Mother will they put me in the firing line? Mother am I really dying? Hush now baby, baby, dont you cry. Mother's gonna make all your nightmares come true. Mother's gonna put all her fears into you. Mother's gonna keep you right here under her wing. She wont let you fly, but she might let you sing. Mama will keep baby cozy and warm. Ooooh baby ooooh baby oooooh baby, Of course mama'll help to build the wall. Mother do you think she's good enough -- to me? Mother do you think she's dangerous -- to me? Mother will she tear your little boy apart? Mother will she break my heart? Hush now baby, baby dont you cry. Mama's gonna check out all your girlfriends for you. Mama wont let anyone dirty get through. Mama's gonna wait up until you get in. Mama will always find out where you've been. Mama's gonna keep baby healthy and clean. Ooooh baby oooh baby oooh baby, You'll always be baby to me. Mother, did it need to be so high?

Now consider the tortoise and the eagle. The tortoise is a ground-living creature. It is impossible to live nearer the ground without being under it. Its horizons are a few inches away. It has about as good a turn of speed as you need to hunt down a lettuce. It has survived while the rest of evolution flowed past it by being, on the whole, no threat to anyone and too much trouble to eat. And then there is the eagle. A creature of the air and high places, whose horizons go all the way to the edge of the world. Eyesight keen enough to spot the rustle of some small and squeaky creature half a mile away. All power, all control. Lightning death on wings. Talons and claws enough to make a meal of anything smaller than it is and at least take a hurried snack out of anything bigger. And yet the eagle will sit for hours on the crag and survey the kingdoms of the world until it spots a distant movement and then it will focus, focus, focus on the small shell wobbling among the bushes down there on the desert. And it will leap… And a minute later the tortoise finds the world dropping away from it. And it sees the world for the first time, no longer one inch from the ground but five hundred feet above it, and it thinks: what a great friend I have in the eagle. And then the eagle lets go. And almost always the tortoise plunges to its death. Everyone knows why the tortoise does this. Gravity is a habit that is hard to shake off. No one knows why the eagle does this. There’s good eating on a tortoise but, considering the effort involved, there’s much better eating on practically anything else. It’s simply the delight of eagles to torment tortoises. But of course, what the eagle does not realize is that it is participating in a very crude form of natural selection. One day a tortoise will learn how to fly.

There comes a point in life When you are neither brittle nor bitter, And every time someone tries To break you like a glass, You only let all those splinters Develop wings and soar high In the sky, Finding tangy happiness In every flight!

If u are tree, i'll be your shadow, If you free, i'll be your hobbie, If you fly,i'll be your wings, If you cry,i'll be your tears, If you are high,i'll be Your wine, If you are mad,I'll be You Love, If You are Life,I'll Be your Soul! OctavE

Let me nurture my wings, for I was born to fly.

They said you are a bird, And birds should soar high. So I spread my wings, And decided to touch the sky. Foolish me -- for I am a penguin, And penguins can never fly.

...the wincing sunlight, the ragged gorse and the slow-blinking wings of the moths were witness to an epic Trade in Exotic Terms. Mosca’s opening offer was a number of cant words she had heard pedlars use, words for the drool hanging from a dog’s jaw, words for the greenish sheen on a mouldering strip of bacon. Eponymous Clent responded with some choice descriptions of ungrateful and treacherous women, culled from ballad and classic myth. Mosca countered with some from her secret hoard of hidden words, the terms used by smugglers for tell-alls, and soldiers’ words for the worst kind of keyholestooping spy. Clent answered with crushing and high-sounding examples from the best essays on the natural depravity of unguided youth. Mosca lowered the bucket deep, and spat out long-winded aspersions which long ago she had discovered in her father’s books, before her uncle had over-zealously burned them all. Clent stared at her. ‘This is absurd. I refuse to believe that you have even the faintest idea what an “ethically pusillanimous compromise” is, let alone how one would...’ Clent’s voice trailed away...

It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.

Someday you shall meet someone Who's gonna look at you in awe- Flying high, wings all spread, And wonder how it'd be like To clip those wings, Tie those feet down, And cage you forever... When you hit the ground, Remember to run

How many of us were tagged with “no ranking” in high school, or dismissed early in our careers, or are dismissed even now? What gifts and passions might we possess that haven’t yet been discovered but that could give us wings to fly?

Love has to be of the quality that gives freedom, not new chains for you; a love that gives you wings and supports you to fly as high as possible. Man and woman made as one by love, inseparable, indistinguishable, are verily entitled to the prize.

The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.

Daedalus said you shouldn’t fly too low. If you do, the water will fatally weigh down your wings and you will surely perish. Don’t fly too high either. The sun will melt the wax holding your wings together, and you will plunge to your death. So, moderation in all things. Always follow the middle course. How dull. Set your sights higher. Go as high as you can, all the way to the top. We are the people of the peaks, not the middle of the road.

I stretched my arms towards the sky like blades of tall grass The sun beat between my shoulders like carnival drums I sat still in hopes that it would help my wings grow So then I could really be fly And then she arrived Like day break inside a railway tunnel Like the new moon, like a diamond in the mines Like high noon to a drunkard, sudden She made my heart beat in a now-now time signature Her skinny canvas for ultraviolet brushstrokes She was the sun's painting She was a deep cognac color Her eyes sparkled like lights along the new city She lips pursed as if her breath was too sweet And full for her mouth to hold I said, "You are the beautiful, the stress of mathematics." I said, "For you, I would peel open the clouds like new fruit And give you lightning and thunder as a dowry I would make the sky shed all of it's stars, light and rain And I would clasp the constellations across your waist And I would make the heavens your cape And they would be pleased to cover you They would be pleased to cover you May I please, cover you, please

Sparrows soar on high; they are light and agile. They fly through the clouds unafraid and travel where the skeleton could never go. That is strength on little wings. And they fly about inside the tower, waiting for the sun to go down so they can open the windows and escape out into the night sky.” “And what do they do when they come out?” “They rain tiny blessings down on the Jews of Prague while we all are asleep. They shine light in the darkness.

I am the only one who can create the missing piece of the wing. I have created it, and now—I am whole. I now have both wings and I am preparing to fly. I am going to soar above your hate. I am soaring high and above your hurtful words. I have hold of my prey, which was your physical, mental, spiritual and emotional abuse, and took it with me when you let me drown. It is somewhere at the bottom of the ocean with the old me that will never be found again.

From above, the world looks orderly. That is one of the primary benefits of having wings. Being high shapes everything below into peaceful patterns. And even though you know there is chaos below, messiness everywhere, it is reassuring to sometimes think that it all eventually sorts itself out into something that looks elegant.

Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.

Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.

Stretching my arms out wide, I absorb the sun’s radiant energy and my soul soars very high. I am flying freely like a bird, fluttering my feathered wings, which beat with renewed hope. [Flying Free]

Destiny comes suddenly, bringing concern; she stares at you with horrible eyes and clutches you at the throat with sharp fingers and hurls you to the ground and tramples upon you with ironclad feet; then she laughs and walks away, but later regrets her actions and asks you through good fortune to forgive her. She stretches her silky hand and lifts you high and sings to you the Song of Hope and causes you to lose your cares. She creates in you a new zest for confidence and ambition. If your lot in life is a beautiful bird that you love dearly, you gladly feed to him the seeds of your inner self, and make your heart his cage and your soul his nest. But while you are affectionately admiring him and looking upon him with the eyes of love, he escapes from your hands and flies very high; then he descends and enters into another cage and never comes back to you. What can you do? Where can you find patience and condolence? How can you revive your hopes and dreams? What power can still your turbulent heart?

He ran from her suddenly, swift and quiet like a mountain cat among the high peeks of Eld mountain. She watched him dive in among the trees, and the autumn winds shoke suddenly at his heels. She sad down on a fallen trunk and dropped her head among the knees. A great soft warmth shiled her from the wind, and she looked up and saw into Gules Lyons quiet, golden eyes. What is it, white one? She knelt suddenly and flung his arms around the great mane, and burried her face against him. I wish that I had wings and could fly and fly and never come back. What has troubled you, Orams powerful child? What can trouble you? What can such a small one as Coren of Sirle say to touch you? For a long moment she did not answer. And then she said, her fingers tight around the gold tangeled fur. He has taken my heart and offered it back to me. And I thought he was harmless.

He watched their flight; bird after bird: a dark flash, a swerve, a flutter of wings. He tried to count them before all their darting quivering bodies passed: six, ten, eleven: and wondered were they odd or even in number. Twelve, thirteen: for two came wheeling down from the upper sky. They were flying high and low but ever round and round in straight and curving lines and ever flying from left to right, circling about a temple of air.

Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.

The Conqueror Worm Lo! 'tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And the angels sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.

The ravens play individually, in pairs, or in samll groups; they circle high, dive, fold their wings, and shoot up or down with one or several of their fellows. They chase and frolic, tarry, turn loops; they make croaks, high cries, and rattling sounds. They do anything but fly in formation. They remind you of a bunch of schoolboys wandering down a lonely road, kicking a ball along. The geese fly mechanically, calling unvaryingly and beating their wings at a steady disciplined rhythm like soldiers marching off.

The cicada lies in the earth for seventeen years. It is warm and dark there, it is soft and wet. Its little legs curl underneath it, and twitch only once in a little while. What does the cicada dream when it is folded into the soil? What visions travel through it, like snow flying fast? Its dreams are lightless and secret. It dreams of the leaves it will taste, it composes the concerto it will sing to its mate. It dreams of the shells it will leave behind, like self-portraits. All its dreams are drawn in amber. It dreams of all the children it will make. And then it emerges from the earth, shaking dust and damp soil from its skin. It knows nothing but its own passion to ascend - it climbs a high stalk of grass and begins to sing, its special concerto to draw the wing-pattern of its beloved near. And as it sings it leaves its amber skin behind, so that in the end, it has sung itself into a new body in which it will mate, and die. The cicadas leave their shells everywhere, like a child's lost buttons. The shells do not understand the mating dance that now occurs in the mountains above it. The shell knows nothing of who it has been, it does not remember the dreaming of self, that was warm in the earth. The song emptied it, and now it simply waits for the wind or the rain to carry it away. You are the cicada-in-the-earth. You are the shell-in-the-grass. You do not understand what you dream, only that you dream. And when you begin to sing, the song will separate you from your many skins. This is the lesson of the cicada's dream.

You are not a lost cause. You are a hawk who has had her wings clipped for so long that she had forgotten to fly. But when they fully heal and you are let out of the cage, you are going to soar, Alyssa, so high above everyone else that we will be just dots below, forever forgotten. ~Caleb

Socrates is flying. No, he is soaring. The wings behind him beat in a calming rhythm while the cool air rushes past. His wings are all that matter, snapping at the rushing wind like the sails of some great sea vessel, the feathery appendages all he is and all he will ever want to be. His back muscles flex with the effort that takes him high above the ground. He feels the effort, of course, but sweeping into the sky does not require much of one. The sensation is pleasurable, even exhilarating. With flight there is freedom beyond description, an ecstasy bordering on sexual. He has only one destination, and that is to soar higher, to no longer be a prisoner of the earth. Here destinations seem irrelevant, the world below small. Flying exceeds every pleasure he knows. In the immense forever of blue sky, all that matters is flight and his ability to climb higher. Up and up and up...

Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.

In vain you beg, in vain you ache, in vain you’ve opened your wrecked heart wide. Perhaps in heaven the rainclouds quake because we both have cried? This pain of ours is without a wing. The fainthearted cry can never fly. Weep and pray! What god is coming by the path of the stars up high? Abandon yourself to the dust and upon it fall in surrender. Our great mother is ever so just to every sinner who kisses her. Within a Hell of godless emptiness submit yourself ever more to sleep’s spell. All is a dream, all is nothingness: the flower of the world is the asphodel. (Trans. Michael Shindler)

-Part 2- Worry not about the future. You might not go there. Live not in the past. Its doors are locked. Its keys are in the skies. But remember this: Your heart is a castle. Guard it with a cage of gold. Only he who is destined to enter it will seek the key. Your mind is a kingdom of grace. Keep its gates high and mighty. Keep it guarded with your faith. Befriend silence. It never betrays you. You are the master of your journey. You are the owner of your path. You are a bird, but unless you fly, you are not free. Only after your wings are broken will you realize that freedom is in your hands. So be free.

Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

My wings are made from mistakes, tragedy, pain and the torture that we all exert over each other. My wings are strong and can lift me high above this chaos and fly me where ever I may choose. You can not hold me to the ground. If you try I will carry you with me so you can see how beautiful it all is and soon you will fly too...

This is what’s so terrible about grief: You relive the final moments of your beloved’s life for years and years and years. It’s like flying with one wing. You never become used to it. The shock might wear off, the images grow a little dimmer. But the panic creeps back while you sleep in the brightest part of the day. My dreams are drenched now with the pink foam of the cresting waves, waves pink with the blood of my Lil. The same pink as the ice flowers she had worn on our wingfast night, the pink of the garland she had draped over her head. I have a deep and abiding hatred of morning light now, of high noon, of anything that reminds me of the day my mate died.

The familiar tune returns, its drifting quality heightened in pitch, like the sound of a bird, free flying through the soft breeze. I allow myself to believe that I may just be that bird, taking a small adventure across my tiny island. I could have wings that soar, high above the red stained streets into a much calmer, brighter sky.

When one is much alone one’s vision becomes more extensive; from the tide-wrack rubbish-heap of small bones and dry, crumpled wings, relics of lesser lives, rise images the brighter for being unconfined by the physical eye. From some feathered mummy, stained and thin, soars the spinning lapwing in the white March morning; in the surface crust of rotting weed, where the foot explodes a whirring puff of flies, the withered fins and scales hold still, intrinsically, the sway and dart of glittering shoals among the tide-swung sea-tangle; smothered by the mad parabolic energy of leaping sand-hoppers the broken antlers of a stag re-form and move again high in the bare, stony corries and the October moonlight.

If you fly too high, the sun will melt your wings. If you fly too low, the sea’s dampness will weigh you down. The story rang true to Desmond. The market’s exuberance and implosion were in league with the allegory of Icarus, but so was life. People who flew too high—who lived beyond their means and ability—were bound for failure. As were those who never took a chance. Despite

91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge

When he found out his wife was unfaithful, Hector Castillo told his son to get in the car because they were going fishing. It was after midnight but this was nothing unusual. The Rickenbacker Bridge suspended across Biscayne Bay was full of night fishermen leaning on the railings, avoiding going home to their wives. Except Hector didn't bring any fishing gear with him. He led his son, Carlito, who'd just turned three, by the hand to the concrete wall, picked him up by his waist, and held him so that the boy grinned and stretched his arms out like a bird, telling his papi he was flying, flying, and Hector said, "Si, Carlito, tienes alas, you have wings." Then Hector pushed little Carlito up into the air, spun him around, and the boy giggled, kicking up his legs up and about, telling his father, "Higher, Papi! Higher!" before Hector took a step back and with all his might hoisted the boy as high in the sky as he'd go, told him he loved him, and threw his son over the railing into the sea.

Violet Sorrengail, for the record, please tell me the name of the dragon who chose you." I lift my chin. "Tairneanach." The woman grins, shaking her head as she writes down his name. "I can't believe he bonded. Violet, he's a legend." "Andarnaurram." The sweet, high voice of the golden fills my mind. "Andarna for short." I feel the blood rush from my face, and the edges of my vision sway as I pivot on my good ankle, staring back across the fields at where the golden dragon -Andarna- now stands between Tairn's front legs. "Excuse me?" "Violet, are you alright?" the redhead asks, and everyone around me, above me, leans in. "Tell her," the golden insists. "Tairn. What am I supposed to-" I think at him. "Tell the roll-keeper her name," Tairn echoes. "Violet?" the roll keeper repeats. "Do you need a mender?" I turn back to the woman and clear my throat. " And Andarnaurram," I whisper. Her eyes fly wide. "Both dragons?" She squeaks. I nod. And all hell breaks loose. Two dragons. I have...two dragons.

I am, O Anxious One. Don’t you hear my voice surging forth with all my earthly feelings? They yearn so high that they have sprouted wings and whitely fly in circles around your face. My soul, dressed in silence, rises up and stands alone before you: can’t you see? Don’t you know that my prayer is growing ripe upon your vision, as upon a tree? If you are the dreamer, I am what you dream. But when you want to wake, I am your wish, and I grow strong with all magnificence and turn myself into a star’s vast silence above the strange and distant city, Time.

I saw him assess the field ahead- and transform. The talons came first. Replacing fingers and feet. Then dark scales or perhaps feathers, I couldn't get a look at them, covered his legs, his arms, his chest. His body contorted, bones and muscles growing and shifting. The beast form Rhys had kept hidden. Never liked to unleash. Unless it was dire enough to do so. Before the Cauldron swept me away, I beheld what happened to his head, his face. It was a thing of nightmares. Nothing human or Fae in it. It was a creature that lived in black pits and only emerged at night to hunt and feast. That face... it was those creatures that had been carved into the rock of the Court of Nightmares. That made up his throne. The throne not only a representation of his power... but of what lurked within. And with the wings... Hybern soldiers began fleeing. Helion beheld what happened and ran, too- but towards Rhys. Shifting as well. If Rhys was a flying terror crafted from shadows and cold moonlight, Helion was his daytime equivalent. Gold feathers and shredding claws and feathered wings- Together, my mate and the High Lord of Day unleashed themselves upon Hybern.

Lo! ’tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly — Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama! — oh, be sure It shall not be forgot! With its Phantom chased forever more, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness and more of Sin And Horror the soul of the plot. But see, amid the mimic rout, A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes! — it writhes! — with mortal pangs The mimes become its food, And the seraphs sob at vermin fangs In human gore imbued. Out — out are the lights — out all! And over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, “Man,” And its hero the Conqueror Worm.

What's taking you so long in the privy, son?" "Nothing, mama." "If you stay in there much longer, a snake will come and bite you" "Yes, mama." I was thinking of you, Susana of the green hills. Of when we used to fly kites in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. "Help me, Susana." And soft hands would tighten on mine. "Let out more string." The wind made us laugh; our eyes followed the string running through our fingers after the wind until with a faint pop! it broke, as if it had been snapped by the wings of a bird. And high over head, the paper bird would tumble and somersault, trailing its rag tail, until it disappeared into the green earth. Your lips were moist, as if kissed by the dew. "I told you, son, come out of the privy now." "Yes, mama. I'm coming." I was thinking of you. Of the times you were there looking at me with your aquamarine eyes. He looked up and saw his mother in the doorway. "What's taking you so long? What are you doing in there?" "I'm thinking." "Can't you do it somewhere else? It's not good for you to stay in the privy so long. Besides, you should be doing something. Why don't you go help your grandmother shell corn?" "I'm going, mama. I'm going.

Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist. 'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms. Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.' The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold. 'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.' I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.' Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.' 'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.' There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken... Awoken on that couch, and then decided I wasn't returning home. Decided that, perhaps, the Spring Court might not be my home.

HOW SHOULD THE SOUL not take wings when from the Glory of God It hears a sweet, kindly call: "Why are you here, soul? Arise!" How should a fish not leap fast into the sea from dry land When from the ocean so cool the sound of the waves reaches its How should the falcon not fly back to his king from the hunt When from the falconer's drum it hears to call: "Oh, come back"? Why should not every Sufi begin to dance atom-like Around the Sun of duration that saves from impermanence? What graciousness and what beauty? What life-bestowing! What grace! If anyone does without that, woe- what err, what suffering! Oh fly , of fly, O my soul-bird, fly to your primordial home! You have escaped from the cage now- your wings are spread in the air. Oh travel from brackish water now to the fountain of life! Return from the place of the sandals now to the high seat of souls! Go on! Go on! we are going, and we are coming, O soul, From this world of separation to union, a world beyond worlds! How long shall we here in the dust-world like children fill our skirts With earth and with stones without value, with broken shards without worth? Let's take our hand from the dust grove, let's fly to the heavens' high, Let's fly from our childish behaviour and join the banquet of men! Call out, O soul, to proclaim now that you are rules and king! You have the grace of the answer, you know the question as well!

Andarnaurram.” The sweet, high voice of the golden fills my mind. “Andarna for short.” I feel the blood rush from my face, and the edges of my vision sway as I pivot on my good ankle, staring back across the field at where the golden dragon—Andarna—now stands between Tairn’s front legs. “Excuse me?” “Violet, are you all right?” the redhead asks, and everyone around me, above me, leans in. “Tell her,” the golden insists. “Tairn. What am I supposed to—” I think at him. “Tell the roll-keeper her name,” Tairn echoes. “Violet?” the roll-keeper repeats. “Do you need a mender?” I turn back to the woman and clear my throat. “And Andarnaurram,” I whisper. Her eyes fly wide. “Both dragons?” she squawks. I nod. And all hell breaks loose.

Bar-tailed godwits flying with curlew, with knot, with plover; seldom alone, seldom settling; snuffling eccentrics; long-nosed, loud-calling sea-rejoicers; their call a snorting, sneezing, mewing, spitting bark. Their thin upcurved bills turn, their heads turn, their shoulders and whole bodies turn, their wings waggle. They flourish their rococo flight above the surging water. Screaming gulls corkscrewing high under cloud. Islands blazing with birds. A peregrine rising and falling. Godwits ricocheting across water, tumbling, towering. A peregrine following, swooping, clutching. Godwit and peregrine darting, dodging; stitching land and water with flickering shuttle. Godwit climbing, dwindling, tiny, gone: peregrine diving, perching, panting, beaten.

certain type of person focuses their energies on correcting and criticising others. Avoid becoming one of them. They are usually individuals who possess limited authority but use it excessively. This can lead to unnecessary outrage over imperfectly sharpened pencils, inadequately washed coffee cups, or enquiries about who ignited the photocopier. They often end their days with only the power to proscribe how far their window is opened. Their entire world will then revolve around the window being opened either too much or too little. As for you, cease denying your own power, jump out of the window while you still can, and fly, my darling.  Fly high, fly free. Spread your wings for the pure joy of it. Finding your Inner Fire: How to Claim your True Self by Peggy Hwybon

BOOKS AND SUCCESS. Ignorance is the curse of God, Knowledge the wing wherewith we fly to heaven. —Shakespeare. Prefer knowledge to wealth; for the one is transitory, the other perpetual. —Socrates. If a man empties his purse into his head, no man can take it away from him. An investment in knowledge always pays the best interest. —Franklin. My early and invincible love of reading, I would not exchange for the treasures of India. —Gibbon. If the crowns of all the kingdoms of the empire were laid down at my feet in exchange for my books and my love of reading, I would spurn them all. —Fénelon. Who of us can tell What he had been, had Cadmus never taught The art that fixes into form the thought,— Had Plato never spoken from his cell, Or his high harp blind Homer never strung? —Bulwer.

Joseph Andreas Epp. Epp told us that German scientists had secret UFOs’ facilities in Germany and Poland. He particularly mentioned the UFOs’ hangars located in Letow, Breslau and Dresden, which was reduced to ashes by Allied aerial carpet bombings. He stated that 15 UFOs prototypes were built and flew successfully. He added that the early German UFOs were based upon blueprints and instructions given by Maria Ostric’s Vril Society. Epp in his own words, describing the UFO mode of operation: The circular wing blades rotated independently and smoothly around the external body (Chassis) of the machine as the craft moved forward in a centrifugical manner (Auto-gyrocopter), and the craft took off vertically in a spiral mode. It reached a high altitude at an incredible speed…close to a supersonic speed.

PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.

Passing alone to those realms The object erst of thine exalted thought, I would rise to infinity: then I would compass the skill Of industries and arts equal to the objects. [18] There would I be reborn: there on high I would foster for thee Thy fair offspring, now that at length cruel Destiny hath run her whole course Against the enterprise whereby I was wont to withdraw to thee. Fly not from me, for I yearn for a nobler refuge That I may rejoice in thee. And I shall have as guide A god called blind by the unseeing. May Heaven deliver thee, and every emanation Of the great Architect be ever gracious unto thee: But turn thou not to me unless thou art mine. Escaped from the narrow murky prison Where for so many years error held me straitly, Here I leave the chain that bound me And the shadow of my fiercely malicious foe Who can [19] force me no longer to the gloomy dusk of night. For he who hath overcome the great Python [20] With whose blood he hath dyed the waters of the sea Hath put to flight the Fury that pursued me. [21] To thee I turn, I soar, O my sustaining Voice; I render thanks to thee, my Sun, my divine Light, For thou hast summoned me from that horrible torture, [22] Thou hast led me to a goodlier tabernacle; [23] Thou hast brought healing to my bruised heart. Thou art my delight and the warmth of my heart; [24] Thou makest me without fear of Fate or of Death; Thou breakest the chains and bars Whence few come forth free. Seasons, years, months, days and hours -- The children and weapons of Time -- and that Court Where neither steel nor treasure [25] avail Have secured me from the fury [of the foe]. Henceforth I spread confident wings to space; I fear no barrier of crystal or of glass; I cleave the heavens and soar to the infinite. And while I rise from my own globe to others And penetrate ever further through the eternal field, That which others saw from afar, I leave far behind me. [26]

Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.

No dragon was safe in the Sky Palace, but the ones in the most danger by far were the daughters of Queen Scarlet. Or was it now daughter, singular? Ruby hadn’t seen her sister, Tourmaline, in three days. Not since the night they went flying together and, high in the starlit sky, glowing in the light of two of the moons, Tourmaline had whispered that she was almost ready. “Don’t be an idiot. You’re only ten, and furthermore, you’ll never be ready,” Ruby had whispered back. “She killed her mother plus all three of her sisters and eleven of ours. There’s no way to defeat her.” “She can’t be queen forever,” Tourmaline said. “She has been queen forever,” Ruby argued. “Twenty-four years is a long time but not that long,” said Tourmaline. “Queen Oasis was queen longer than that, and look what happened to her.” “Are you planning to throw a scavenger at Mother?” Ruby asked. “Because I’m sure she’d appreciate a snack before she kills you.” “It’s always going to be like this,” Tourmaline hissed. She flicked clouds away with her dark orange wings. “Until one of us challenges her and wins. You and I are the only ones left now — the only hope the SkyWings have of a decent queen. Ruby, if I defeat her and become queen, we can get out of this war.” Ruby wasn’t so sure about that. She’d met Burn, and she suspected the SandWing wouldn’t let her allies go that easily. But it didn’t matter — there was no way Tourmaline could win a battle with their mother. “The prophecy will take care of the war,” she argued. “The brightest night is in four days … ” “Right.” Tourmaline rolled her eyes. “I’ll just wait for a bunch of eggs that haven’t even hatched yet to save us. Ruby, I don’t want to wait for things to happen to me. I want to make them happen.” “I don’t want to watch you die,” Ruby growled. Her sister hovered in front of her for a moment. Stars glittered in her eyes, searching Ruby’s. She’s wondering if I want the throne for myself, Ruby thought. She thinks I’m trying to talk her out of it because I’m planning something. Like I’m that stupid. “Well, don’t worry, I won’t do it yet,” Tourmaline promised. “Another few months of training, maybe. I’m feeling really strong, though. I beat Vermilion in a fight the other day. Want to hear about it?” Ruby

The two fragments from Marks and Spencer which, as Fenchurch rose now into the misty body of the clouds, Arthur removed very, very slowly, which is the only way it's possible to do it when you're flying and also not using your hands, went on to create considerable havoc in the morning in, respectively, counting from top to bottom, Isleworth and Richmond. They were in the cloud for a long time, because it was stacked very high, and when finally they emerged wetly above it, Fenchurch spinning like a starfish lapped by a rising tide pool, they found that above the clouds is where the night gets seriously moonlit. The light is darkly brilliant. There are different mountains up there, but they are mountains with their own white Arctic snows. They had emerged at the top of the high-stacked cumulonimbus, and now began lazily to drift down its contours, as Fenchurch eased Arthur in turn from his clothes, pried him free of them till all were gone, winding their surprised way down into the enveloping whiteness. She kissed him, kissed his neck, his chest, and soon they were drifting on, turning slowly, in a kind of speechless T-shape, which might have caused even a Fuolornis Fire Dragon, had one flown past, replete with pizza, to flap its wings and cough a little.

It is a painful irony that silent movies were driven out of existence just as they were reaching a kind of glorious summit of creativity and imagination, so that some of the best silent movies were also some of the last ones. Of no film was that more true than Wings, which opened on August 12 at the Criterion Theatre in New York, with a dedication to Charles Lindbergh. The film was the conception of John Monk Saunders, a bright young man from Minnesota who was also a Rhodes scholar, a gifted writer, a handsome philanderer, and a drinker, not necessarily in that order. In the early 1920s, Saunders met and became friends with the film producer Jesse Lasky and Lasky’s wife, Bessie. Saunders was an uncommonly charming fellow, and he persuaded Lasky to buy a half-finished novel he had written about aerial combat in the First World War. Fired with excitement, Lasky gave Saunders a record $39,000 for the idea and put him to work on a script. Had Lasky known that Saunders was sleeping with his wife, he might not have been quite so generous. Lasky’s choice for director was unexpected but inspired. William Wellman was thirty years old and had no experience of making big movies—and at $2 million Wings was the biggest movie Paramount had ever undertaken. At a time when top-rank directors like Ernst Lubitsch were paid $175,000 a picture, Wellman was given a salary of $250 a week. But he had one advantage over every other director in Hollywood: he was a World War I flying ace and intimately understood the beauty and enchantment of flight as well as the fearful mayhem of aerial combat. No other filmmaker has ever used technical proficiency to better advantage. Wellman had had a busy life already. Born into a well-to-do family in Brookline, Massachusetts, he had been a high school dropout, a professional ice hockey player, a volunteer in the French Foreign Legion, and a member of the celebrated Lafayette Escadrille flying squad. Both France and the United States had decorated him for gallantry. After the war he became friends with Douglas Fairbanks, who got him a job at the Goldwyn studios as an actor. Wellman hated acting and switched to directing. He became what was known as a contract director, churning out low-budget westerns and other B movies. Always temperamental, he was frequently fired from jobs, once for slapping an actress. He was a startling choice to be put in charge of such a challenging epic. To the astonishment of everyone, he now made one of the most intelligent, moving, and thrilling pictures ever made. Nothing was faked. Whatever the pilot saw in real life the audiences saw on the screen. When clouds or exploding dirigibles were seen outside airplane windows they were real objects filmed in real time. Wellman mounted cameras inside the cockpits looking out, so that the audiences had the sensation of sitting at the pilots’ shoulders, and outside the cockpit looking in, allowing close-up views of the pilots’ reactions. Richard Arlen and Buddy Rogers, the two male stars of the picture, had to be their own cameramen, activating cameras with a remote-control button.

It is no surprise, then, that the earth deities of the Old Religion were demonized or co-opted. A typical task for Greek heroes was to rid the civilized world of those “earth-born bogeys.” The Gorgon Medusa, whose gaze turned men to stone, became an obvious target. Nevertheless, on the periphery of the Greek world, there is evidence that She was venerated in her ancient powers. During the 6th century BCE on the island of Corfu, an eight-foot-high full-bodied sculpture of Medusa was placed at the highest point on the pediment of the temple of Artemis. This Medusa is not raging, but is radiant in her full potency. Snakes with open jaws extend from each side of her head and two copulating serpents encircle her waist, carrying the potential for both death and new life. She wears winged sandals, her great wings are fully extended, sheltering her two children, and her bent-knee posture suggests that she is flying. All shamanic dimensions are Hers—the Great Above, the Great Below, the Primordial Waters, and the entire expanse of the Earth. She is flanked by great felines, just as the Phrygian Mountain Goddess Cybele and the seated Ancestral Mother from Çatalhöyük before her.'' ''The establishment of the Greek patriarchal world shifted the previous cultural valence from the egalitarian continuity of the Old Religion to the extreme imposition of male dominance and the cult of the hero. Under this new world order, all challenges to male hegemonic systems were to be crushed. As the classicist Eva Keuls emphasizes, “the suppression of women, the military expansionism and the harshness in the conduct of civic affairs all sprang from a common aggressive impulse.” That impulse was the expression of “male supremacy and the cult of power and violence.