Wine Lover Quotes

We've searched our database for all the quotes and captions related to Wine Lover. Here they are! All 100 of them:

A WOMAN SHOULD HAVE .... enough money within her control to move out and rent a place of her own even if she never wants to or needs to... A WOMAN SHOULD HAVE .... something perfect to wear if the employer or date of her dreams wants to see her in an hour... A WOMAN SHOULD HAVE ... a youth she's content to leave behind.... A WOMAN SHOULD HAVE .... a past juicy enough that she's looking forward to retelling it in her old age.... A WOMAN SHOULD HAVE ..... a set of screwdrivers, a cordless drill, and a black lace bra... A WOMAN SHOULD HAVE .... one friend who always makes her laugh... and one who lets her cry... A WOMAN SHOULD HAVE .... a good piece of furniture not previously owned by anyone else in her family... A WOMAN SHOULD HAVE .... eight matching plates, wine glasses with stems, and a recipe for a meal that will make her guests feel honored... A WOMAN SHOULD HAVE .... a feeling of control over her destiny... EVERY WOMAN SHOULD KNOW... how to fall in love without losing herself.. EVERY WOMAN SHOULD KNOW... HOW TO QUIT A JOB, BREAK UP WITH A LOVER, AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP... EVERY WOMAN SHOULD KNOW... when to try harder... and WHEN TO WALK AWAY... EVERY WOMAN SHOULD KNOW... that she can't change the length of her calves, the width of her hips, or the nature of her parents.. EVERY WOMAN SHOULD KNOW... that her childhood may not have been perfect...but it's over... EVERY WOMAN SHOULD KNOW... what she would and wouldn't do for love or more... EVERY WOMAN SHOULD KNOW... how to live alone... even if she doesn't like it... EVERY WOMAN SHOULD KNOW... whom she can trust, whom she can't, and why she shouldn't take it personally... EVERY WOMAN SHOULD KNOW... where to go... be it to her best friend's kitchen table... or a charming inn in the woods... when her soul needs soothing... EVERY WOMAN SHOULD KNOW... what she can and can't accomplish in a day... a month...and a year...
Pamela Redmond Satran
Anni, amori e bicchieri di vino, nun se contano mai.”’ ‘“Years, lovers and glasses of wine; these things must not be counted.
Anthony Capella (The Food of Love)
Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long.
Shirley Jackson (The Haunting of Hill House)
A bottle of wine begs to be shared; I have never met a miserly wine lover
Clifton Fadiman
I need COFFEE to help me change the things I can... and WINE to help me accept the things I can't!
Tanya Masse
Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires. And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a vein about to break, and the glass of wine a mirror in which the sky, the road, the world keep changing. Don’t leave now that you’re here— Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.
Faiz Ahmad Faiz (100 Poems by Faiz Ahmed Fiza)
You have had me spinning for days, for I am drunk off the words that flow endlessly from your deep red lips that taste of wine.
Karen Quan (Write like no one is reading 2)
I do have some leftover chicken and pasta. (Grace) And wine?...That’s acceptable (Julian) Look, buster, I’m not your cooking wench. Mess with me and I’ll feed you Alpo. (Grace)
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
Come, lovers. Come join us. Bring your empty cups and sit by the fire. Let Khayyam and Hafez reveal to you what you feel. Rumi will pour the wine and I will listen.
Kamand Kojouri
Some people when they see cheese, chocolate or cake they don't think of calories.
Amit Kalantri (Wealth of Words)
I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them.
Lily King (Euphoria)
I am sitting at my kitchen table waiting for my lover to arrive with lettuce and tomatoes and rum and sherry wine and a big floury loaf of bread in the fading sunlight. Coffee is percolating gently, and my mood is mellow. I have been very happy lately, just wallowing in it selfishly, knowing it will not last very long, which is all the more reason to enjoy it now. I suppose life always ends badly for almost everybody. We must have long fingers and catch at whatever we can while it is passing near us.
Tennessee Williams (Notebooks)
Heart’s blood and bitter pain belong to love, And tales of problems no one can remove; Cupbearer, fill the bowl with blood, not wine - And if you lack the heart’s rich blood take mine. Love thrives on inextinguishable pain, Which tears the soul, then knits the threads again. A mote of love exceeds all bounds; it gives The vital essence to whatever lives. But where love thrives, there pain is always found; Angels alone escape this weary round - They love without that savage agony Which is reserved for vexed humanity.
عطار نیشابوری (The Conference of the Birds)
She didn't drink wine, and even if she did, I didn't know if red or white was appropriate for telling a woman that you want to kill her former lover. Do they have greeting cards for that sort of thing?
Elliott James (Charming (Pax Arcana, #1))
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
André Aciman (Call Me by Your Name)
For at the end of the day, what matters is never the wine, it's always the moment; it's always the people.
Olivier Magny (Into Wine: An Invitation to Pleasure)
WINE! Because these problems aren’t going to forget THEMSELVES!
Tanya Masse
We got quiet. The garden was combing her hair and putting on earrings. The house was full of dancing creatures, not male and female but both, two lovers in one body. The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leather covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hand like a fish.
Francesca Lia Block (Wasteland)
Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities. "You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.
Anaïs Nin (Delta of Venus)
One sip of this wine and you will go mad with drunkenness. You will drop your masks and tear your clothes — destroying everything that separates you from the Lover. Once you taste the fruit of this vine, you will be kicked out of the city of yourself. You will forget the world. You will forget yourself. I tell you: you will become a madman who wanders the streets looking for the Lover once you drink this Wine of Love.
Kamand Kojouri
The touch of your fingers grazing mine delicate as a single drop of wine in a crystal goblet. Rolling it round, I savor it on my tongue, try to make it last forever. The words I love you form in the air and melt. Your palm against my cheek, light as a snowflake.
Eve Merriam
May this marriage be blessed. May this marriage be as sweet as milk and honey. May this marriage be as intoxicating as old wine. May this marriage be fruitful like a date tree. May this marriage be full of laughter and everyday a paradise. May this marriage be a seal of compassion for here and hereafter. May this marriage be as welcome as the full moon in the night sky. Listen lovers, now you go on, as I become silent and kiss this blessed night.
Jalal ad-Din Muhammad ar-Rumi
One of the rarest and most beautiful things in this world is to meet someone who has the ability to intoxicate you. Every moment with her was exhilarating, and every moment without her was spent captivated by thoughts about her. She was like the finest of wines. And I was getting drunk.
Richie Singh (Chasing Butterflies)
The lover drinks and the cup-bearer pours. The lover thinks but the cup-bearer knows: love begets love. Since this wine is love, then this cup is love, then this tavern is love, then this life is love.
Kamand Kojouri
Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent. When she came to my bed and begged me with sighs not to tempt her towards passion nor actions unwise, I told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise. While our bodies were nude bathed in candlelight fine I devoured her mouth, tender lips divine; and I drank through her thighs her feminine wine. Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent.
Roman Payne
One realizes the immortality of true love only after the lover dies
Kanza Javed (Ashes, Wine and Dust)
Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine.
Shirley Jackson (The Haunting of Hill House)
Both Fen & Helen needed me to choose, to be their one & only when I didn’t want a one & only. I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them.
Lily King (Euphoria)
When some people talk about money They speak as if it were a mysterious lover Who went out to buy milk and never Came back, and it makes me nostalgic For the years I lived on coffee and bread, Hungry all the time, walking to work on payday Like a woman journeying for water From a village without a well, then living One or two nights like everyone else On roast chicken and red wine.
Tracy K. Smith (Life on Mars: Poems)
Let us drink wine to remember what kind of mystical beauties life offers us and to comprehend what sort of magic potions existence has!
Mehmet Murat ildan
Love is more potent than wine; one drop can intoxicate you for a lifetime.
Matshona Dhliwayo
Your love has wrested me away from me, You’re the one I need, you’re the one I crave. Day and night I burn, gripped by agony, You’re the one I need, you’re the one I crave. I find no great joy in being alive, If I cease to exist, I would not grieve, The only solace I have is your love, You’re the one I need, you’re the one I crave. Lovers yearn for you, but your love slays them, At the bottom of the sea it lays them, It has God’s images-it displays them; You’re the one I need, you’re the one I crave. Let me drink the wine of love sip by sip, Like Mecnun, live in the hills in hardship, Day and night, care for you holds me in its grip, You’re the one I need, you’re the one I crave. Even if, at the end, they make me die And scatter my ashes up to the shy, My pit would break into this outcry: You’re the one I need, you’re the one I crave. “Yunus Emre the mystic” is my name, Each passing day fans and rouses my flame, What I desire in both worlds in the same: You’re the one I need, you’re the one I crave.
Yunus Emre
Happiness There's just no accounting for happiness, or the way it turns up like a prodigal who comes back to the dust at your feet having squandered a fortune far away. And how can you not forgive? You make a feast in honor of what was lost, and take from its place the finest garment, which you saved for an occasion you could not imagine, and you weep night and day to know that you were not abandoned, that happiness saved its most extreme form for you alone. No, happiness is the uncle you never knew about, who flies a single-engine plane onto the grassy landing strip, hitchhikes into town, and inquires at every door until he finds you asleep midafternoon as you so often are during the unmerciful hours of your despair. It comes to the monk in his cell. It comes to the woman sweeping the street with a birch broom, to the child whose mother has passed out from drink. It comes to the lover, to the dog chewing a sock, to the pusher, to the basket maker, and to the clerk stacking cans of carrots in the night. It even comes to the boulder in the perpetual shade of pine barrens, to rain falling on the open sea, to the wineglass, weary of holding wine.
Jane Kenyon
Come, let's scatter roses and pour wine in the glass... We'll shatter heaven's roof and lay a new foundation, If sorrow raises armies to shed the blood of lovers... I'll join with the wine bearer so we can overthrow them, With a sweet string at hand, play a sweet song, my friend, So we can clap and sing a song and lose our heads in dancing.
null
Brother Fox looked in. He saw two people. He saw them raise their glasses of wine to him, liquid that for him was suspended in the air, as if by a miracle.
Alexander McCall Smith (Friends, Lovers, Chocolate (Isabel Dalhousie, #2))
There must be always wine and fellowship or we are truly lost.
Ann Fairbairn
Wine is to women as duct tape is to men, it fixes EVERYTHING!
Tanya Masse (Stripping Away the Insanity of Life and Parenthood!)
Kitchen solace—the feeling that a delicious meal is simmering on the kitchen stove, misting up the windows, and that at any moment your lover will sit down to dinner with you and, between mouthfuls, gaze happily into your eyes. (Also known as living.)” RECIPES THE CUISINE of Provence is as diverse as its scenery: fish by the coast, vegetables in the countryside, and in the mountains lamb and a variety of staple dishes containing pulses. One region’s cooking is influenced by olive oil, another’s is based on wine, and pasta dishes are common along the Italian border. East kisses West in Marseilles with hints of mint, saffron and cumin, and the Vaucluse is a paradise for truffle and confectionery lovers. Yet
Nina George (The Little Paris Bookshop)
Give me the strongest cheese, the one that stinks best; and I want the good wine, the swirl in crystal surrendering the bruised scent of blackberries, or cherries, the rich spurt in the back of the throat, the holding it there before swallowing. Give me the lover who yanks open the door of his house and presses me to the wall in the dim hallway, and keeps me there until I’m drenched and shaking, whose kisses arrive by the boatload and begin their delicious diaspora through the cities and small towns of my body. To hell with the saints, with martyrs of my childhood meant to instruct me in the power of endurance and faith, to hell with the next world and its pallid angels swooning and sighing like Victorian girls. I want this world. I want to walk into the ocean and feel it trying to drag me along like I’m nothing but a broken bit of scratched glass, and I want to resist it. I want to go staggering and flailing my way through the bars and back rooms, through the gleaming hotels and weedy lots of abandoned sunflowers and the parks where dogs are let off their leashes in spite of the signs, where they sniff each other and roll together in the grass, I want to lie down somewhere and suffer for love until it nearly kills me, and then I want to get up again and put on that little black dress and wait for you, yes you, to come over here and get down on your knees and tell me just how fucking good I look. - “For Desire
Kim Addonizio
Let's offer flowers, pour a cup of libation, split open the skies and start anew on creation. If the forces of grief invade our lovers' veins, cupbearer and I will wash away this temptation. With rose water we'll mellow crimson wine's bitter cup; we'll sugar the fire to sweeten smoke's emanation. Take this fine lyre, musician, strike up a love song; let's dance, sing all night, go wild in celebration. As dust, 0 West Wind, let us rise to the Heavens, floating free in Creator's glow of elation. If mind desires to return while heart cries to stay, here's a quarrel for love's deliberation. Alas, these words and songs go for naught in this land; come, Hafez, let's create a new generation.
null
A lover has four streams inside, of water, wine, honey, and milk. Find those in yourself, and pay no attention what so-and-so says about such-and-such. The rose does not care if someone calls it a thorn, or a jasmine. Ordinary eyes categorize human beings, That one is a Zoroastrian. This one, Muslim. Walk instead with the other vision given you, your first eyes.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
The beauty of God is in the wind, in the movement of the ocean, it is in the eyes of a woman gazing at her lover, pouring the deep red wine of love from her eyes like two crystal cups. There is a God who dances and who loves and who longs to sing of love...And I mean that God is music; all inclusive, benevolent and life-affirming, unashamed human emotion.
Jeff Buckley (Jeff Buckley: His Own Voice)
Wine knows that having passion for life is an art itself.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
It is my second morning in Hill House, and I am unbelievably happy. Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long. Abandoning a lifelong belief that to name happiness is to dissipate it, she smiled at herself in the mirror and told herself silently, You are happy, Eleanor, you have finally been given a part of your measure of happiness. Looking away from her own face in the mirror, she thought blindly, Journeys end in lovers meeting, lovers meeting.
Shirley Jackson (The Haunting of Hill House)
The world may or may not need another cookbook, but it needs all the lovers – amateurs – it can get. It is a gorgeous old place, full of clownish graces and beautiful drolleries, and it has enough textures, tastes, and smells to keep us intrigued for more time than we have. Unfortunately, however, our response to its loveliness is not always delight: It is, far more often than it should be, boredom. And that is not only odd, it is tragic; for boredom is not neutral – it is the fertilizing principle of unloveliness. In such a situation, the amateur – the lover, the man who thinks heedlessness is a sin and boredom a heresy – is just the man you need. More than that, whether you think you need him or not, he is a man who is bound, by his love, to speak. If he loves Wisdom or the Arts, so much the better for him and for all of us. But if he loves only the way meat browns or onions peel, if he delights simply in the curds of his cheese or the color of his wine, he is, by every one of those enthusiasms, commanded to speak. A silent lover is one who doesn't know his job.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
I do know I can lie awake all night and it feels as if someone is cutting out my stomach the pain of having lost her is so awful. And I am angry that I was made to choose, that both Fen & Helen needed me to choose, to be their one & only when I didn’t want a one & only. I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them. It was unfair, the way I had to decide one way or another in Marseille. Perhaps I made the conventional choice, the easy way for my work, my reputation, and of course for a child. A child that does not come.
Lily King (Euphoria)
Language-lovers know that there is a word for every fear. Are you afraid of wine? Then you have oenophobia. Tremulous about train travel? You suffer from siderodromophobia. Having misgivings about your mother-in-law is pentheraphobia, and being petrified of peanut butter sticking to the roof of your mouth is arachibutyrophobia. And then there’s Franklin Delano Roosevelt’s affliction, the fear of fear itself, or phobophobia.
Steven Pinker (How the Mind Works)
I have become intoxicated again. You are such a potent wine, my friend. To escape your withdrawal effects, tomorrow I will drink in excess. Alas, why make me love? I was aware, conscious, and sensible before. I am ill by cause of this illusion. The devil plays tricks on me more and more. I was a harp you immaculately plucked at will. Your score, the nightingale song within notes composed to imprison and bear me wings. Oh, if only they could hear how it sings! I am now beyond parched. My strings left untouched. You are no longer an oasis, my friend, but a mirage soon coming to an end.
Kamand Kojouri
when it is but it ain't Some of us love badly. Sometimes the love is the type of love that implodes. Folds in on itself. Eats its insides. Turns wine to poison. Behaves poorly in restaurants. Drinks. Kisses other people. Comes back to your bed at 4am smelling like everything outside. Asks about your ex. Is jealous of your ex. Thinks everyone a rival. Some of us love others badly, love ourselves worse. Some of us love horrid, love beastly. Love sick love anti light. Sometimes the love can’t go home at night, can’t sleep with itself, cannot contain itself, catches fire, destroys the stomach, strips buildings, goes missing. Punches. Smashes heirlooms. Tells lies. The best lies. F*s around. Writes poems, impresses people. Chases lovers into corners. Leaves them longing. Sea sick. Says yes. Means anything but. Tricks the body. Kills the body. Dances wild and walks away, smiling.
Yrsa Daley-Ward
She dreamed of Venice. However, it wasn’t a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile.
Pamela Allegretto (Bridge of Sighs and Dreams)
This is good,” he told her. 
She gave him a slow blink. “You like wine?” 
“Doesn’t everyone?” 
“You strike me as a beer-from-the-can kind of guy.” 
“I am.”

Jessica Lemmon (If You Dare)
People should have fun with wine. A bottle should sit on your dinner table like all of the other condiments.
Andre Hueston Mack
Water IS the most important element on the face of the earth, because without water, there would be no WINE and without WINE I would be living in a PADDED CELL!
Tanya Masse
Going through a dead parent's memorabilia is a hazardous undertaking; there is a fine line between pleasure and pain.
Anne Fadiman (The Wine Lover's Daughter: A Memoir)
To nature lovers, the season of new beginnings is the spring, but to people who excel in school, it's the fall.
Anne Fadiman (The Wine Lover's Daughter: A Memoir)
Enjoy the wine, don’t spill the night…
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
The Artist started painting the Ancient Fire, inhaling the wine in search of philosophical beginnings…
Talismanist Giebra
Best wines with character have abyss within.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Saying goodbye to a lover is like giving them the last wine drop in a glass about to break.
Farid F. Ibrahim
I used to think in my Russian-novel days, that I would cherish a lover who managed through thick and thin, snow and sleet, to have a bunch of Parma violets on my breakfast tray each morning--also rain or shine, Christmas or August, and onward into complete Neverland. Later, I shifted my dream plan--a split of cold champagne one half hour before the tray! Violets, sparkling wine, and trays themselves were as nonexistent as the lover(s), of course, but once again, Why not?
M.F.K. Fisher (Love in a Dish . . . and Other Culinary Delights)
Look, Fernand, your eyes are better than mine. I believe I see double. You know wine is a deceiver; but I should say it was two lovers walking side by side, and hand in hand. Heaven forgive me, they do not know that we can see them, and they are actually embracing!
Alexandre Dumas (The Count of Monte Cristo (Great Illustrated Classics))
Then kill me now. He was across the room in a flash, scooping up a fallen dagger as he went, forcing it into her hand. Gripping her fingers tight over the hilt and then pressing it to his throat. Do it," he repeated azure eyes liquid bright. "But know that my father will lift a cup of wine in your honor for ridding him of me.
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
WINE!Because these problems aren’t going to forget THEMSELVES!
Tanya Masse
Usually, the coldest of days and nights were my favorite. The perfect time to curl up before a roaring fire and sip tea with a book or guzzle wine with a lover.
Ella Fields (A King so Cold (Royals, #1))
The better a wine, the harder it is to describe, and the best are beyond words.
Neel Burton (The Concise Guide to Wine and Blind Tasting: Combined Edition)
In such a situation, the amateur—the lover, the man who thinks heedlessness a sin and boredom a heresy—is just the man you need. More than that, whether you think you need him or not, he is a man who is bound, by his love, to speak. If he loves Wisdom or the Arts, so much the better for him and for all of us. But if he loves only the way meat browns or onions peel, if he delights simply in the curds of his cheese or the color of his wine, he is, by every one of those enthusiasms, commanded to speak. A silent lover is one who doesn’t know his job.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection)
The moon splits open. We move through, waterbirds rising to look for another lake. Or say we are living in a love-ocean, where trust works to caulk our body-boat, to make it last a little while, until the inevitable shipwreck, the total marriage, the death-union. Dissolve in friendship, like two drunkards fighting. Do not look for justice here in the jungle where your animal soul gives you bad advice. Drink enough wine so that you stop talking. You are a lover, and love is a tavern where no one makes much sense. Even if the things you say are poems as dense as sacks of Solomon's gold, they become pointless.
Jalal ad-Din Muhammad ar-Rumi (Bridge to the Soul: Journeys Into the Music and Silence of the Heart)
To the bankrupt poet, to the jilted lover, to anyone who yearns to elude the doubt within and the din without, the tidal strait between Manhattan Island and her favorite suburb offers the specious illusion of easy death. Melville prepared for the plunge from the breakwater on the South Street promenade, Whitman at the railing of the outbound ferry, both men redeemed by some Darwinian impulse, maybe some epic vision, which enabled them to change leaden water into lyric wine. Hart Crane rejected the limpid estuary for the brackish swirl of the Caribbean Sea. In each generation, from Washington Irving’s to Truman Capote’s, countless young men of promise and talent have examined the rippling foam between the nation’s literary furnace and her literary playground, questioning whether the reams of manuscript in their Brooklyn lofts will earn them garlands in Manhattan’s salons and ballrooms, wavering between the workroom and the water. And the city had done everything in its power to assist these men, to ease their affliction and to steer them toward the most judicious of decisions. It has built them a bridge.
Jacob M. Appel (The Biology of Luck)
I also got into difficulties by first calling Eurycleia “Eurynome” and then forgetting and using her real name; so that later on I had to pretend that there were two of her. And I forgot, in my account of the massacre, that Penelope’s lovers—whom I make her suitors because the legend, as Phemius used to tell it, disgusts any decent audience—could have armed themselves with the twelve long axes through which Odysseus shot, and used them as maces to hack him and his men in little pieces. But Homer, I am sure, went equally wrong at times, and I flatter myself that my story is interesting enough to blind Phemius’s listeners to its faults, even if he has a cold, or the banquet is badly cooked, or the good dark wine runs short.
Robert Graves (Homer's Daughter)
Albert Graeme It was an English ladye bright, (The sun shines fair on Carlisle wall) And she would marry a Scottish knight, For Love will still be lord of all. Blithely they saw the rising sun When he shone fair on Carlisle wall; But they were sad ere day was done, Though Love was still the lord of all. Her sire gave brooch and jewel fine, Where the sun shines fair on Carlisle wall; Her brother gave but a flask of wine, For ire that Love was lord of all. For she had lands both meadow and lea, Where the sun shines fair on Carlisle wall, For he swore her death, ere he would see A Scottish knight the lord of all. That wine she had not tasted well (The sun shines fair on Carlisle wall) When dead, in her true love's arms, she fell, For Love was still the lord of all! He pierced her brother to the heart, Where the sun shines fair on Carlisle wall, So perish all would true love part That Love may still be lord of all! And then he took the cross divine, Where the sun shines fair on Carlisle wall, And died for her sake in Palestine; So Love was still the lord of all. Now all ye lovers, that faithful prove, (The sun shines fair on Carlisle wall) Pray for their souls who died for love, For Love shall still be lord of all! -- Canto 6
Walter Scott (The Lay of the Last Minstrel 1805 (Revolution and Romanticism, 1789-1834))
I am not separate from you, my neighbour. If you are my enemy then I am my own enemy. If you are my friend then I am my own friend. Today, I have stripped off my masks and come to know myself. I am Christian. I am Jew. I am Muslim and Hindu. I am European and African. Asian and South American. I am man. I am woman. I am intersexed. I am homosexual. I am heterosexual and asexual. I am abled. I am disabled. I am all these things because you are, and you are all these things because we are. I exist in relation to each of you, this is what gives my being meaning. Why must I label myself like a bottle of wine? When I am the bottle, the wine, and the drunkenness. Why must I label myself at all? When I am the flesh, the light, and the shadow. When I am the voice, the song, and the echo. Tell me why I must label myself when I am the lover, the beloved, and love. I am not separate from you, my neighbour. And you are not separate from humanity. We are all mirrors, reflecting one another in perpetuity.
Kamand Kojouri
The waiter uncorked the bottle and poured the first taste. Pierre swirled and then lifted the glass to his nose to inhale the bouquet, the aroma of France, his homeland, He savored the taste of familiar tannins and metals, the acidity a bittersweet reminder of the laughter of children in the fields, of adults cheering long summer evenings, of long-buried emotions, Claire alive in his mouth, Pierre swallowed the wine and approved with a nod the waiter´s choice of bottle, the wine, like him, a survivor in a far-flung place.
Margareth Stewart (Open/Pierre´s journey after war)
ROSES UNDERFOOT The sound of salaams rising as waves diminish down in prayer, hoping for some trace of the one whose trace does not appear. If anyone asks you to say who you are, say without hesitation, soul withing soul within soul. There's a pearl diver who does not know how to swim! No matter. Pearls are handed him on the beach. We lovers laugh to hear, "This should be more that and that more this,"coming from people sitting in a wagon tilted in a ditch. Going in search of the heart, I found a huge rose under my feet, and roses under all our feet! How to say this to someone who denies it? The robe we wear is the sky's cloth. Everything is soul and flowering. --------------------------------- I open and fill with love and other objects evaporate. All the learning in books stays put on the shelf. Poetry, the dear words and images of song, comes down over me like mountain water. ---------------------------------- Any cup I hold fills with wine that lovers drink. Every word I say opens into mystery. Any way I turn I see brilliance.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
I thought leaving home would be a liberation. I thought university would be a dance party. I thought I would live in a room vined with fairy lights; hang arabesque tapestries up on the wall. I thought scattered beneath my bed would be a combination of Kafka, coffee grounds, and a lover’s old boxer shorts. I thought I would spend my evenings drinking cheap red wine and talking about the Middle East. I thought on weekends we might go to Cassavetes marathons at the independent cinema. I thought I would know all the good Korean places in town. I thought I would know a person who was into healing crystals and another person who could teach me how to sew. I thought I might get into yoga. I thought going for frozen yogurt was something you would just do. I thought there would be red cups at parties. And I thought I would be different. I thought it would be like coming home, circling back to my essential and inevitable self. I imagined myself more relaxed—less hung up on things. I thought I would find it easy to speak to strangers. I thought I would be funny, even, make people laugh with my warm, wry, and only slightly self-deprecating sense of humor. I thought I would develop the easy confidence of a head girl, the light patter of an artist. I imagined myself dancing in a smoky nightclub, spinning slackly while my arms floated like laundry loose on the breeze. I imagined others watching me, thinking, Wow, she is so free.
Lara Williams (Supper Club)
Let's get it over with, so I can stop wondering. How many have there been?" Lauren stared at him."How many what?" "Lovers," he clarified bitterly. She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared. Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?" "Right," he said grimly, glowering at the ice cubes in his glass. "You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-" "Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you." Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-" "I know what I said," he snapped tersely. "Now,how many?" She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one." Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?" "I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork. "All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her. "Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork. "I will...after a while." "What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-" "I know what I said,dammit!" "Then why do you look so angry? You didn't lie to me,did you?" "I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time." "Why?" she goaded. "Because it was convenient to believe it," he bit out. "I was not in love with you then." Lauren loved him more at that moment than ever. "Would you like me to tell you about him?" "No," he said coldly. Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-" "Dammit, stop it!" Nick grated in genuine fury. "His name is John." Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!" "John Nicholas Sinclair," Lauren clarified.
Judith McNaught (Double Standards)
Shimrod gave the boy a copper penny. 'Bring me now a goblet of good tawny wine.' By a sleight of magic Shimrod augmented the acuity of his hearing, so that the whispers of two young lovers in a far corner were now clearly audible, as were the innkeeper's instructions to Fonsel in regard to the watering of Shimrod's wine.
Jack Vance (Madouc (Lyonesse, #3))
Disheveled hair, sweaty, smiling, drunken, and With a torn shirt, singing, the jug in hand Narcissus loudly laments, on his lips, alas, alas! Last night at midnight, came and sat right by my bed-stand Brought his head next to my ears, with a sad song Said, O my old lover, you are still in dreamland The lover who drinks this nocturnal brew Infidel, if not worships the wine's command Go away O hermit, fault not the drunk Our Divine gift from the day that God made sea and land Whatever He poured for us in our cup, we just drank If it was a cheap wine or heavenly brand The smile on the cup's face and Beloved's hair strand Break many who may repent, just as Hafiz falsely planned
Hafiz: Tongue of the Hidden: A Selection of Ghazals from his Divan
Arrive before your Husband. Not that I can See quite what good arriving first will do; But still arrive before him. When he's taken His place upon the couch and you go too To sit beside him, on your best behavior Stealthily touch my foot, and look at me, Watching my nods, my eyes, my face's language; Catch and return my signals secretly. I'll send a wordless message with my eyebrows; You'll read my fingers' words, words traced in wine. When you recall our games of love together, Your finger on rosy cheeks must trace a line. If in your silent thoughts you wish to chide me, Let your hand hold the lobe of your soft ear; When, darling, what I do or say gives pleasure, Keep turning to an fro the ring you wear. When you wish well-earned curses on your husband, Lay your hand on the table, as in prayer. If he pours you wine, watch out, tell him to drink it; Ask for what you want from the waiter there. I shall take next the glass you hand the waiter And I'll drink from the place you took your sips; If he should offer anything he's tasted, Refuse whatever food has touch his lips. Don't let him plant his arms upon your shoulders, Don't let him rest your gentle head on his hard chest, Don't let your dress, your breasts, admit his fingers, And--most of all--no kisses to be pressed! You kiss--and I'll reveal myself your lover; I'll say 'they're mine'; my legal claim I'll stake. All this, of course I'll see, But what's well hidden under your dress--blind terror makes me quake.
Ovid (The Love Poems)
I didn’t see it.” “Didn’t see what?” “How talking about the shitty things that happened could possibly make it better.” I waited. “But it’s not just the bad things,” he continued swirling the wine in his own glass. “It’s talking about the light in the darkness. The moments that make the pain something you want to feel—because it means they were there, that you loved and were loved.
Heather Long (Legacy and Lovers (Untouchable, #11))
Sick of body, unable to rise up, vehemently intoxicated without wine . . . And it is as though she who visits me were filled with modesty, For she does not pay her visits save under cover of darkness, I freely offered her my linen and my pillows, But she refused them, and spent the night in my bones. My skin is too contracted to contain both my breath and her, So she relaxes it with all sorts of sickness. When she leaves me, she washes me As though we had retired apart for some forbidden action. It is as though the morning drives her away, And her lachrymal ducts are flooded in their four channels. I watch for her time without desire, Yet with the watchfulness of the eager lover. And she is ever faithful to her appointed time, but faithfulness is an evil When it casts thee into grievous sufferings.
أبو الطيب المتنبي
Whatever you do in life, do it to the best of your ability. That inner voice inside of you, trust it… it’s your intuition. It will guide you in the right direction. Try to be positive, ignore negativity, but if you see somethin’ ain’t right, that somethin’ is goin’ wrong, speak up. Live your life to the fullest! Cherish it… respect it. Live it till the wheels fall off! Write things down! Take pictures, pick roses with the thorns still attached so you can feel pain and see beauty all at one time… Eat chocolate cake ’till you’re sick, travel abroad, get to know folks who are totally different from you. Respect one another, too. Be the change you wanna see in others. Drink Gin Fizz and white wine with strawberries but most of all, the most important of all, ladies and gentlemen… don’t ever be afraid to fall in love…
Tiana Laveen (Cancer: Mr. Intuitive (The Zodiac Lovers #7))
Oh, this smells fantastic.” She slid up onto one of the stools. “Italian. And you said you could only make one thing.” “Yeah, I really slaved over this.” He turned toward the oven with a flourish and removed a flat pan with… Ehlena burst out laughing. “French-bread pizza.” “Only the best for you.” “DiGiorno?” “Of course. And I splurged on the supreme kind. I figured you could pick off what you don’t like.” He used a pair of sterling-silver tongs to transfer the pizzas onto the plates and then put the baking sheet back on the top of the stove. “I have red wine, too.” As he came over with the bottle, all she could do was stare up at him and smile. “You know,” he said as he poured some into her glass, “I like the way you’re looking at me.” She put her hands over her face. “I can’t help it.” “Don’t try. It makes me feel taller.” “And you’re not small to begin with.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
For your sake poets sequester themselves, gather images to churn the mind, journey forth, ripening with metaphor, and all their lives they are so alone... And painters paint their pictures only that the world, so transient as you made it, can be given back to you, to last forever. All becomes eternal. See: In the Mona Lisa some woman has long since ripened like wine, and the enduring feminine is held there through all the ages. Those who create are like you. They long for the eternal. They say, Stone, be forever! And that means: be yours. And lovers also gather your inheritance. They are the poets of one brief hour. They kiss an expressionless mouth into a smile as if creating it anew, more beautiful. Awakening desire, they make a place where pain can enter; that’s how growing happens. They bring suffering along with their laughter, and longings that had slept and now awaken to weep in a stranger’s arms.
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
Henry James (Adina)
A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..." Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing. It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass. The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century. And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold! People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation! "And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!
Samih Al-Qasim (Sadder than Water: New and Selected Poems)
I’ve been around the world twice, talked to everyone once, seen two whales fuck, been to three world fairs, and I even know a man in Thailand with a wooden cock. Push more peter, more sweeter and more completer than any other peter pusher around. I’m a hard bodied, hairy chested, rootin, tootin, shootin, parachutin, demolition double cap crimping, Frogman. “There ain’t nothing I can’t do, no sky too high, no sea to rough, no muff too tough. “Learnt a lot of lessons in my life, never shoot a large calibre man with a small calibre bullet. Drive all kinds of truck 2 bys, 4 bys, 6 bys, those big motherfuckers that bend and go tshhhh, tshhhh, when you step on the breaks. Anything in life worth doing, is worth overdoing, moderation is for cowards. I’m a lover, I’m a fighter, I’m a UDT Navy Seal Diver, I wine, dine, intertwine and sneak out the back door when the revealing is done. So, if you’re feeling froggy you better jump because this Frogman’s been there, done that, and is going back for more. Cheers Boys!
Stephen Makk (The Iranian Blockade (USS Stonewall Jackson #4))
I kissed you," Finlay said roughly. "for the very simple reason that you are irresistible." "I think that is what is known as serendipity," Isabella replied, "for it's the very same reason I kissed you back." "Serendipity," Finlay said, sliding his arm around her waist. "I've always wondered what it tasted like." "Strawberries, and lavender, and vintage wine, I believe is how you described it." "No," he said decidedly. "It tastes of nothing other than essence of you. The most intoxicating and delicious taste imaginable.
Marguerite Kaye (The Soldier's Rebel Lover (Comrades in Arms, #2))
Timeless Days without rhythm Without bottom or top In the arms of my lover Time seems to stop. Days become months Which flow into years Love’s hourglass measures Just two kinds of tears. The first kind is cheery, It sweetens the cheek; The other burns bleary It’s black and it’s bleak. This Sunday or Friday, I’m not quite sure when, I’m going to turn thirty, Or twenty, or ten? It’ll be my love’s birthday Or was it just mine? I doesn’t much matter There’s plenty of wine. Should she go to heaven, I dread to know when, I’ll count every second Till we meet again.
Beryl Dov
On New Year's Eve, when the children had gone up the hill to be with their father, I went to a Mensa party in San Francisco, but returned home relatively early, wanting to face the first few hours of the new year away from the noise and lurching of people who had drunk too much. I stood outside on the deck, in darkness, looking up at the star-frosted sky, letting myself feel without censoring the ache and hope that belonged to that night, and I sent out prayer for connection with someone who would be --finally -- the person I'd needed to be with all my life, someone who would have gone through his own changes and wars of the spirit and emerged a true adult. A grown-up man. Who wouldn't mind my being a grandmother, for Pete's sake. A man somewhat like Shura Borodin -- or what Shura seemed to be. I cried a bit because the wanting was so very intense and the clear night sky so very indifferent, and everything I was in body and soul might yet grow old without a lover and friend who could be to me what I was capable of being to him. I toasted myself, hope, the new year and the magnificent cold stars with a bit of wine, then went to bed.
Ann Shulgin (Pihkal: A Chemical Love Story)
Just like literature, wine takes time to learn. Before having access to the emotion of a stunning poem or to the vigor of a captivating novel, we all had to go through a long initiation. First, we need to learn the alphabet, the sound of each letter. In wine, that would be learning about the grapes and their characteristics. Then, once we master our letters, we need to learn the arrangements of letters, the pronunciation, the grammar, the structure of sentences. Now we can read. In wine, that would be the stage when we start noticing differences between two reds. You no longer drink wine: you start drinking this wine.
Olivier Magny
Imagine such a happiness. Like drinking wine your whole life, instead of water. Like having Achilles to run your errands.” I did not know the name. His voice rolled like a bard’s: Achilles, prince of Phthia, swiftest of all the Greeks, best of the Achaian warriors at Troy. Beautiful, brilliant, born from the dread nereid Thetis, graceful and deadly as the sea itself. The Trojans had fallen before him like grass before the scythe, and the mighty Prince Hector himself perished at his ash-spear’s end. “You did not like him,” I said. Some inward amusement touched his face. “I appreciated him, in his way. But he made a terrible soldier, however many men he could bleed. He had a number of inconvenient ideas about loyalty and honor. Every day was a new struggle to yoke him to our purpose, keep him straight in his furrow. Then the best part of him died, and he was even more difficult after that. But as I said, his mother was a goddess, and prophecies hung on him like ocean-weed. He wrestled with matters larger than I will ever understand.” It was not a lie, but it was not truth either. He had named Athena as his patron. He had walked with those who could crack the world like eggs. “What was his best part?” “His lover, Patroclus. He didn’t like me much, but then the good ones never do. Achilles went mad when he died; nearly mad, anyway.
Madeline Miller (Circe)
It wasn't tuna ventresca that drew diners to this community over others, nor was it heritage beef. It was the final bottle of a 1985 Cannonau, salt-crusted from its time on the Sardinian coast. Each diner had barely a swallow. My employer bid us not to swallow, not yet, but hold the wine at the back of the throat till it stung and warmed to the temperature of blood and spit, till we wrung from it the terroir of fields cracked by quake and shadowed by smog; only then, swallowing, choking, grateful, did we appreciate the fullness of its flavor. His face was ferocious and sublime in this moment, cracked open; I saw it briefly behind the mask. He was a man who knew the gradations of pleasure because he knew, like me, the calculus of its loss. To me that wine was fig and plum; volcanic soil; wheat fields shading to salt stone; sun; leather, well-baked; and finally, most lingering, strawberry. Psychosomatic, I'm sure, but what flavor isn't? I raised my glass to the memory of my drunk in the British market. I imagined him sat across the table, calmed at last, sane among the sane. He would have tasted in that wine the starch of a laundered sheet, perhaps, or the clean smooth shot of his dignity. My employer decanted these deepest longings, mysterious to each diner until it flooded the palate: a lost child's yeasty scalp, the morning breath of a lover, huckleberries, onion soup, the spice of a redwood forest gone up in smoke. It is easy, all these years later, to dismiss that country's purpose as decadent, gluttonous. Selfish. It was those things. But it was, also, this connoisseurship of loss.
C Pam Zhang (Land of Milk and Honey)
Love, he said, is not a god, for a god cannot want anything; but one of those great spirits who are messengers between gods and men. He does not visit fools, who are content with their low condition, but those who aware of their own need and desire, by embracing the beautiful and good, to beget goodness and beauty; for creation is man’s immortality and brings him nearest to the gods. All creatures, he said, cherish the children of their flesh; yet the noblest progeny of love are wisdom and glorious deeds, for mortal children die, but these live forever; and these are begotten not of the body but the soul. Mortal passion sinks us in mortal pleasure, so that the wings of the soul grow weak; and such lovers may rise to the good indeed, but not to the very best. But the winged soul rises from love to love, from the beautiful that is born and dies, to beauty is only a moving shadow flung upon a wall.
Mary Renault (The Last of the Wine)
The Princeton economist and wine lover Orley Ashenfelter has offered a compelling demonstration of the power of simple statistics to outdo world-renowned experts. Ashenfelter wanted to predict the future value of fine Bordeaux wines from information available in the year they are made. The question is important because fine wines take years to reach their peak quality, and the prices of mature wines from the same vineyard vary dramatically across different vintages; bottles filled only twelve months apart can differ in value by a factor of 10 or more. An ability to forecast future prices is of substantial value, because investors buy wine, like art, in the anticipation that its value will appreciate. It is generally agreed that the effect of vintage can be due only to variations in the weather during the grape-growing season. The best wines are produced when the summer is warm and dry, which makes the Bordeaux wine industry a likely beneficiary of global warming. The industry is also helped by wet springs, which increase quantity without much effect on quality. Ashenfelter converted that conventional knowledge into a statistical formula that predicts the price of a wine—for a particular property and at a particular age—by three features of the weather: the average temperature over the summer growing season, the amount of rain at harvest-time, and the total rainfall during the previous winter. His formula provides accurate price forecasts years and even decades into the future. Indeed, his formula forecasts future prices much more accurately than the current prices of young wines do. This new example of a “Meehl pattern” challenges the abilities of the experts whose opinions help shape the early price. It also challenges economic theory, according to which prices should reflect all the available information, including the weather. Ashenfelter’s formula is extremely accurate—the correlation between his predictions and actual prices is above .90.
Daniel Kahneman (Thinking, Fast and Slow)
The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!
Andrew Marvell (Miscellaneous Poems)
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
Who has not known you, O deep joys of wine? Whoever has had some remorse to appease, a memory to evoke, a sorrow to drown, a castle to build in Spain, in fact all men have invoked you, mysterious god concealed in the tendrils of the vine. Wine is like man himself: one never knows to what extent one may esteem or despise him, love or hate him, nor of what sublime actions or monstrous crimes he is capable. Let us not then be crueller towards wine than towards ourselves, let us treat him as an equal. Sometimes I think I can hear wine speak (he speaks with his soul, the spiritual voice heard only by the spirit) and he says: “Man, my beloved, I would pour out for you, in spite of my prison of glass and fetters of cork, a song full of brotherhood, a song full of joy, light and hope. I am no ingrate; I know that I owe you my life. I know what it cost you in toil, your back under the burning sun. You gave me life and I shall reward you for it. I am the soul of your country. I am half-lover, half-soldier. I shall light up your aged wife’s eyes, the old companion of your everyday cares and your oldest hopes. I shall soften her glance and drop into the pupil of her eye the lightning-flash of her youth. Our close reunion will create poetry. Between us we shall make a god. This is what wine sang in its mysterious language.
Charles Baudelaire (On Wine and Hashish (Hesperus Classics))
Lysistrata: [...] I will not allow either lover or husband - Myrrhine: I will not allow either lover or husband - Lysistrata: - to approach me in a state of erection. Go on! Myrrhine: - to approach me in - a state of - erection [...] Lysistrata: And I will live at home in unsullied chastity - Myrrhine: And I will live at home in unsullied chastity - Lysistrata: - wearing my saffron gown and my sexiest make-up Myrrhine: - wearing my saffron gown and my sexiest make-up Lysistrata: - to inflame my husband's ardour. Myrrhine: - to inflame my husband's ardour. Lysistrata: But I will never willingly yield myself to him. Myrrhine: But I will never willingly yield myself to him. Lysistrata: And should he rape me by force against my will - Myrrhine: And should he rape me by force against my will - Lysistrata: - I will submit passively and will not thrust back. Myrrhine: - I will submit passively and will not thrust back. Lysistrata: I will not raise my slippers towards the ceiling. Myrrhine: I will not raise my slippers towards the ceiling. Lysistrata: I will not adopt the lioness-on-a-cheesegrater position. Myrrhine: I will not adopt the lioness-on-a-cheesegrater position. Lysistrata: If I abide by this oath, may I drink from this [wine] cup. Myrrhine: If I abide by this oath, may I drink from this [wine] cup. Lysistrata: But if I break it, may the cup be filled with water. Myrrhine: But if I break it, may the cup be filled with water.
Aristophanes (Lysistrata)
He danced well, as if it were natural and joyous in him to dance... Gertrude herself was rather contemptuous of dancing: she had not the slightest inclination towards that accomplishment, and had never learned even a Roger de Coverley... Therefore the dusky, golden softness of this man's sensuous flame of life, that flowed from off his flesh like the flame from a candle, not baffled and gripped into incandescence by thought and spirit as her life was, seemed to her something wonderful, beyond her. He came and bowed above her. A warmth radiated through her as if she had drunk wine. "Now do come and have this one wi' me," he said, caressively. "It's easy, you know. I'm pining to see you dance." She had told him before she could not dance. She glanced at his humility, and smiled. Her smile was very beautiful. It moved the man so that he forgot everything. "No, I won't dance," she said softly. Her words came clean and ringing. Not knowing what he was doing - he often did the right thing, by instinct - he sat beside her, inclining reverentially. "But you mustn't miss your dance," she reproved. "Nay, I don't want to dance that - it's not one as I care about." "Yet you invited me to it." He laughed very heartily at this. "I never thought o' that. Tha'rt not long in taking the curl out of me." It was her turn to laugh quickly. "You don't look as if you'd come much uncurled," she said. "I'm a pig's tail, I curl because I canna help it," he laughed - rather boisterously.
D.H. Lawrence (Sons and Lovers)