Windy Afternoon Quotes

Have you ever noticed how many silences there are Gilbert? The silence of the woods....of the shore....of the meadows....of the night....of the summer afternoon. All different because the undertones that thread them are different.

I closed my eyes and I thought of the lash of her skirt snapping around her as she danced one evening in a bar on the South Side to a jukebox that was playing “Barefootin’,” of the downy slope of her neck and the declivity in her nightgown as she bent to wash her face in the bathroom sink, of a tuna salad sandwich she’d handed me one windy afternoon as we sat at a picnic table in Lucia, California, and looked out for the passage of whales, and I felt that I loved Emily insofar as I loved those things – beyond reason, and with a longing that made me want to hang my head – but it was a love that felt an awful lot like nostalgia.

Have you ever noticed how many different silences there are, Gilbert? The silence of the woods...of the shore...of the meadows...of the night...of the summer afternoon. All different because all the undertones that thread are different. I'm sure if I were totally blind and insensitive to heat and cold I could easily tell just where I was by the quality of the silence about me.

Have you ever noticed how many silences there are, Gilbert? The silence of the woods...of the shore...of the meadows...of the night...of the summer afternoon. All different because all the undertones that thread them are different. I'm sure if I were totally blind and insensitive to heat and cold I could easily tell just where I was by the quality of the silence about me.

Sunday Morning V She says, "But in contentment I still feel The need of some imperishable bliss." Death is the mother of beauty; hence from her, Alone, shall come fulfilment to our dreams And our desires. Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet. She causes boys to pile new plums and pears On disregarded plate. The maidens taste And stray impassioned in the littering leaves. VI Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly. VII Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source. Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward. They shall know well the heavenly fellowship Of men that perish and of summer morn. And whence they came and whither they shall go The dew upon their feet shall manifest. VIII She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering. It is the grave of Jesus, where he lay." We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsored, free, Of that wide water, inescapable. Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Ambiguous undulations as they sink, Downward to darkness, on extended wings

In the villages and small towns around Czernovitz all the Jews had been murdered. In Bessarabia there had been devastating pogroms. It seemed that the authorities were not going to leave us untouched. On Simchat Torah, October 11, 1941, on a cold, windy Saturday morning, there appeared notices, ordinances, pasted on buildings and lampposts, to the effect that every Jew was ordered to move into a certain section of town, formerly mostly populated by poor Jews. That section was designated as the Ghetto. By 5 o'clock on that afternoon, no Jew was allowed to reside in town any longer everybody had to reside within the confines of the Ghetto. Noncompliance was punishable by death, execution on the spot.

For Wrieto-San, every building at Taliesin was in a state of flux. When he accidentally set fire to the theater at Hillside one windy afternoon in the thirties (brush, kerosene, poor judgment), he took me aside with a wink and a nod and told me he’d been looking for an excuse to renovate the shoddy old thing for years.

An afternoon spent at a bookstore where I’m casually browsing the shelves, appearing effortless and academic. When all the sudden, a handsome man down the aisle makes eye contact, shyly smiles, then holds up the same book that’s in my hands. Specific, but yes, I have an outfit for that too.

Frau Heinchen, was the elderly woman with her dog, who talked to me on the windy hillside overlooking Überlingen on Sunday afternoon, December 1, 2002. She recalled the Polish and Russian prisoners, whom she called Cossacks, and vividly remembered the hanging of the Russian soldier, described in “Suppressed I Rise”. According to her, it was the farmer’s wife Clarissa who was raped by the Russian soldier and later, bore his child. She remembered the lager (warehouse) that was used to house the prisoners, saying that it was located on a field near the municipal hospital. She also told us the location of where the one room schoolhouse had been. For the limited time that we talked, she glowed and became twenty-one years young again.

Monsieur Alfred Backert, a resident of Bischoffsheim, lived near the village center. He recalled the war years in Alsace-Lorraine and remembered the women from Mannheim who were sent to Bischoffsheim, ostensibly for their safety by the Nazi Regime. He later served in the French army and was stationed in Germany for a number of years. Frau Heinchen, the elderly woman with her dog, who talked to me on the windy hillside overlooking Überlingen on Sunday afternoon, December 1, 2002. She recalled the Polish and Russian prisoners, whom she called Cossacks, and vividly remembered the hanging of the Russian soldier, described in this book. According to her, it was the farmer’s wife Clarissa who was raped by the Russian soldier and later, bore his child. She remembered the lager (warehouse) that was used to house the prisoners, saying that it was located on a field near the municipal hospital. She also told us the location of where the one room schoolhouse had been. For the limited time that we talked, she glowed and became twenty-one years young again.

Miss Elton, who found the conversation increasingly distressing, got up, murmured a quick good night . . . and went to her room. During the bellicose talk in the lounge, the ghosts of Frank Durrant, Madeleine, Arvid and Mr. Sorenius seemed to be slipping further and further away with their own receding world. And what was one offered in exchange for this world of the dead? A future in which all signposts pointed to war and the ruin of all those useless little things which made life worth living. And then, as if provoked by the contrast of the speeches and ideas to which she had just been listening, a flood of images, each of them a small part of her life at Ashleigh Place, swept through her mind with an overwhelming suddenness—a walk on a windy autumn afternoon to the farm with a message about eggs, cartloads of logs coming before Christmas to be stacked in the stables, the remodelling of the rose-garden, with Mrs. Durrant setting the new labels in their places, two swans which spent a season on the little River Mene at the foot of the western slope, and the sudden appearance of a kingfisher by those fitful waters, the endless cooing of wood-pigeons in the trees round the house, the catch whistled by the baker's boy as he jumped out of his bright little van, the tick of the huge grandfather clock in the darkest corner of the hall, the pattern of the old-fashioned tiles in the bathroom which she had used, cockchafers beating against the windows on hot summer nights, the scent of the tobacco plants in the round bed near the drawing-room, an expedition to the woods on a grey day to cut mistletoe. . . .