β
An ordinary beginning, something that would have been forgotten had it been anyone but her. But as he shook her hand and met those striking emerald eyes, he knew before he'd taken his next breath that she was the one he could spend the rest of his life looking for but never find again. She seemed that good, that perfect, while a summer wind blew through the trees.
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
β
β
Edgar Allan Poe
β
The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
β
β
Daphne du Maurier (Rebecca)
β
The wind blew my words away from you. So while I told you I love you, the phrase was carried in the opposite direction and landed 333 miles away in the ears of a confused farmer. He was nice, though. He sent me a kind letter saying that while he was flattered, I wasnβt really his type.
β
β
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
β
Once upon a time, the sky knew the weight of angel armies on the move, and the wind blew infernal with the fire of their wings.
β
β
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
β
We sat out there in silence for a minute and then Gus said, " I wish we had that swing set sometimes."
"The one from my backyard?"
"Yeah. My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched."
"Nostalgia is a side effect of cancer," I told him.
"Nah, nostalgia is a side effect of dying," he answered. Above us, the wind blew and the branching shadows rearranged themselves on our skin. Gus squeezed my hand. "It is a good life, Hazel Grace.
β
β
John Green (The Fault in Our Stars)
β
You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
The autumn leaves blew over the moonlit pavement in such a way as to make the girl who was moving there seem fixed to a sliding walk, letting the motion of the wind and the leaves carry her forward. [...] The trees overhead made a great sound of letting down their dry rain.
β
β
Ray Bradbury (Fahrenheit 451)
β
Above us, the wind blew and the branching shadows rearranged themselves on our skin. Gus squeezed my hand. "It is a good life, Hazel Grace.
β
β
John Green (The Fault in Our Stars)
β
Will!β
He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind β she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him.
His own heart leaped up at the sight of her. βTess,β he called. But she was still such a distance away β she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest.
At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her β
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Be still:
There is no longer any need of comment.
It was a lucky wind
That blew away his halo with his cares,
A lucky sea that drowned his reputation.
β
β
Thomas Merton
β
If I could make you stay, I would,β he shouted. βIf I had to beat you, chain you, starve youβif I could make you stay, I would.β He turned back into the room; the wind blew his hair. He shook his finger at me, grotesquely playful. βOne day, perhaps, you will wish I had.
β
β
James Baldwin (Giovanniβs Room)
β
It was a pleasure to burn.
It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.
β
β
Ray Bradbury (Fahrenheit 451)
β
There's an east wind coming all the same, such a wind as never blew on England yet. It will be cold and bitter, Watson, and a good many of us may wither before its blast. But it's God's own wind none the less and a cleaner, better stronger land will lie in the sunshine when the storm has cleared.
β
β
Arthur Conan Doyle (His Last Bow (Sherlock Holmes, #8))
β
And so they stood on the walls of the City of Gondor, and a great wind rose and blew, and their hair, raven and golden, streamed out mingling in the air.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
I didn't mean to come here...
And I didn't mean to stay...
It's just where the sea wind blew me
One accidental day...
β
β
Cressida Cowell
β
I won't let that night ruin you forever." But it did, it broke me into a million pieces and blew them away in the wind, like crumbled leaves.
β
β
Jessica Sorensen (The Secret of Ella and Micha (The Secret, #1))
β
Not everything about the Wind was bad. Sometimes it blew through the little voids and crevices of the Statues and caused them to sing and whistle in surprising ways; I had never known the Statues to have voices before and it made me laugh for sheer delight.
β
β
Susanna Clarke (Piranesi)
β
Fringe winds from Hurricane Lori rushed in, carrying dust and debris. It blew through the highceilinged, chandeliered lobby and back into the wide open doors of the elegant and intimate dining room. White linen tablecloths fluttered and napkins flew in the air, sending plates and silverware crashing to the floor.
β
β
Behcet Kaya (Murder on the Naval Base)
β
So when the blue smoke of brittle leaves was in the air and the wind blew the wet laundry stiff on the line I decided to come back home.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
I sang of leaves, of leaves of gold, and leaves of gold there grew:
Of wind I sang, a wind there came and in the branches blew.
Beyond the Sun, beyond the Moon, the foam was on the Sea,
And by the strand of Ilmarin there grew a Golden Tree.
Beneath the stars of Ever-eve in Eldamar it shone,
In Eldamar beside the walls of Elven Tirion.
There long the golden leaves have grown upon the branching years,
While here beyond the Sundering Seas now fall the Elven-tears.
O LΓ³rien! Too long I have dwelt upon this Hither Shore
And in a fading crown have twined the golden elanor.
But if of ships I now would sing, what ship would come to me,
What ship would bear me ever back across so wide a Sea?
β
β
J.R.R. Tolkien (The Lord of the Rings)
β
She was as forthright and simple as the winds that blew over Tara and the yellow river that wound around it.
β
β
Margaret Mitchell (Gone with the Wind)
β
Now itβs high watermark
and floodtide in the heart
and time to go.
The sea-nymphs in the spray
will be the chorus now.
Whatβs left to say?
Suspect too much sweet-talk
but never close your mind.
It was a fortunate wind
that blew me here. I leave
half-ready to believe
that a crippled trust might walk
and the half-true rhyme is love.
β
β
Seamus Heaney (The Cure at Troy: A Version of Sophocles' Philoctetes)
β
Franz Kafka is Dead
He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.
That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.
They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
β
β
Nicole Krauss (The History of Love)
β
But I'll have to ask you to wait a long time, Anne," said Gilbert sadly. "It will be three years before I'll finish my medical course. And even then there will be no diamond sunbursts and marble halls."
Anne laughed.
"I don't want sunbursts and marble halls. I just want YOU. You see I'm quite as shameless as Phil about it. Sunbursts and marble halls may be all very well, but there is more `scope for imagination' without them. And as for the waiting, that doesn't matter. We'll just be happy, waiting and working for each other -- and dreaming. Oh, dreams will be very sweet now."
Gilbert drew her close to him and kissed her. Then they walked home together in the dusk, crowned king and queen in the bridal realm of love, along winding paths fringed with the sweetest flowers that ever bloomed, and over haunted meadows where winds of hope and memory blew.
β
β
L.M. Montgomery (Anne of the Island)
β
So drive away quick, drive away while the last of the light slips away, drive away from Derry, from memory...but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night.
Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand.
All the rest is darkness.
β
β
Stephen King (It)
β
One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."
The Fog Horn blew.
β
β
Ray Bradbury (The Fog Horn (Classics Stories of Ray Bradbury))
β
We talked for hours. He talked and I listened.
It was like wind and sunlight. It blew all the cobwebs away.
β
β
John Fowles
β
Munro reached out towards Raimund and took the orb from him, clasping it between his hands. As soon as the orb was covered, the red fire died. The girlsβ chanting reached a crescendo. Munro squeezed his hands together, and as he did so a sudden wind blew from the west. The shadow from the single stone reached out to touch Munroβs shoulder.
β
β
Robert Reid (The Thief (The Emperor, the Son and the Thief, #3))
β
But then in middle school science, Mr. Martinez asked who among us had ever fantasized about living in the clouds, and everyone raised their hand. Then Mr. Martinez told us that up in the clouds the wind blew one hundred and fifty miles an hour and the temperature was thirty below zero and there was no oxygen and weβd all die within seconds.β
βSounds like a nice guy.β
βHe specialized in the murder of dreams, Hazel Grace.let me tell you. You think volcanoes are awesome? Tell that to the ten thousand screaming corpses at Pompeii. You still secretly believe that there is an element of magic to this world? Itβs all just soulless molecules bouncing against each other randomly. Do you worry about who will take care of you if your parents die? As well you should, because they will be worm food in the fullness of time.
β
β
John Green (The Fault in Our Stars)
β
And suddenly everything around me seemed to grow quiet, as if he were the wind that blew and I were just a cloud carried upon it.
β
β
Arthur Golden (Memoirs of a Geisha)
β
External heat and cold had little influence on Scrooge. No warmth could warm, no wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty.
β
β
Charles Dickens (A Christmas Carol)
β
When the railroad trains moaned, and river-winds blew, bringing echoes through the vale, it was as if a wild hum of voices, the dear voices of everybody he had known, were crying: "Peter, Peter! Where are you going, Peter?" And a big soft gust of rain came down.
He put up the collar of his jacket, and bowed his head, and hurried along.
β
β
Jack Kerouac (The Town and the City)
β
And beyond the timeless meadows and emerald pastures, the rabbit holes and moss-covered oak and rowan trees and the "slippy sloppy" houses of frogs, the woodland-scented wind rushed between the leaves and blew around the gray veil that dipped below the fells, swirling up in a mist, blurring the edges of the distant forest.
(View from Windermere in the Lake District)
β
β
Susan Branch (A Fine Romance: Falling in Love with the English Countryside)
β
It was golden hour in Tarrytown. An incandescent sun cast long shadows that pointed in unison toward nightfall. Birds sang. But their melodies were drowned out by crescendos of cicadasβ chattering.
Not to be outdone, the wind came and went in gusts, rising up and across the hills from the lake below. As it did, it blew through the trees agitating the millions of leaves in the canopy, the rustle and crackle of which drew the eyes upward, where an infinite canvas of burnt orange and purple was visible through the branches of proud oaks.
β
β
J.K. Franko (The Trial of Joe Harlan Junior (Talion #0.5))
β
Good old Watson! You are the one fixed point in a changing age. There's an east wind coming all the same, such a wind as never blew on England yet. It will be cold and bitter, Watson, and a good many of us may wither before its blast. But it's God's own wind none the less, and a cleaner, better, stronger land will lie in the sunshine when the storm has cleared.
β
β
Arthur Conan Doyle (His Last Bow (single story))
β
So are you moving on now? Is that what brought you to the grand metropolis of Valladolid?β
βNo. The wind just blew me here.β
βWhat? Like a plastic bag?β
βI prefer to think of myself as a ship. Like a sailboat.
β
β
Gayle Forman (Just One Year (Just One Day, #2))
β
George: 'Ringo would always say grammmatically incorrect phrases and we'd all laugh. I remember when we were driving back to Liverpool from Luton up the M1 motorway in Ringo's Zephyr, and the car's bonnet hadn't been latched properly. The wind got under it and blew it up in front of the windscreen. We were all shouting, 'Aaaargh!' and Ringo calmly said, 'Don't worry, I'll soon have you back in your safely-beds.
β
β
George Harrison (The Beatles Anthology)
β
Where we are, there is light.β The wind blew hard from the east and the trees rustled their branches. βFrom where Iβm standingβ¦ it is warm enough.
β
β
K. Ancrum (The Wicker King (The Wicker King, #1))
β
I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in theΒ snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.
β
β
Susanna Clarke (Piranesi)
β
I was born upon the prairie, where the wind blew free and there was nothing to break the light of the sun. I was born where there are no enclosures and where everything drew a free breath. I want to die there and not within walls. I know every stream and every wood between the Rio Grande and the Arkansas. I have hunted and lived over that country. I lived like my fathers before me, and, like them, I lived happily.
Para-Wa-Samen (Ten Bears) of the Tamparika Comanches
β
β
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
β
We were back where I had started: on the hill top inside a circle of trees burdened down with red berries that blew in the wind as if determined to remind me how much blood a body had in it and how the worst place to see it was flying through the air in droplets.
β
β
Aaron D. Key (Damon Ich (The Wheel of Eight Book 2))
β
The north wind and the sun were disputing which was the stronger, and agreed to acknowledge as the victor whichever of them could strip a traveler of his clothing. The wind tried first. But its violent gusts only made the man hold his clothes tightly around him, and when it blew harder still the cold made him so uncomfortable that he put on an extra wrap. Eventually the wind got tired of it and handed him over to the sun. The sun shone first with moderate warmth, which made the man take off his topcoat. Then it blazed fiercely, till, unable to stand the heat, he stripped and went off to a bathe in a nearby river. Persuasion is more effective than force.
β
β
Aesop
β
Do you remember the time we met?
The wind blew the snow about on the outside, the train moved, stopped, and then moved some more.
It took us five hours to reach Tokyo, but I wasn't bored one bit.
I didn't really get to hear so much about Nana.
But I knew I would have loved...
To hear what Nana had to say about herself.
- Nana Komatsu
β
β
Ai Yazawa
β
None of it was important now. The wind blew it out of his head.
β
β
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
β
He loved the desert because there the wind blew out one's footsteps like candle flames.
β
β
Lawrence Durrell
β
I recall the months and years I spent as the intimate of someone whose affections have now faded like cherry blossoms scattering even before a wind blew.
β
β
Yoshida KenkΕ
β
Its whole expanse was covered with tall, juicy grass, and when the wind blew, great waves passed over it with a sound like troubled water. (The Grassy Ocean)
β
β
Michael Ende (The Neverending Story)
β
The real magic - the magic we'd lived with all our lives, my mother's magic of charms and cantrips, of salt by the door and a red silk sachet to placate the little gods - had turned sour on us that summer, somehow, like a spider that turns from good luck to bad at the stroke of midnight, spinning its web to catch our dreams. And for every little spell of charm, for every card dealt and every rune cast and every sign scratched against a doorway to divert the path of malchance, the wind just blew a little harder, tugging at our clothes, sniffing at us like a hungry dog, moving us here and moving us there.
β
β
Joanne Harris (The Lollipop Shoes (Chocolat, #2))
β
The cafe door opened. A young man in dusty white leathers entered, and the wind blew in empty crisp packets and newspapers and ice cream wrappers in with him. They danced around his feet like excited children, then fell exhausted to the floor.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
A light wind blew through here that carried with it scents of sadness and loss, not recognizable odors but smells that corresponded to nothing, chimerical fragrances able to evoke melancholic memories.
β
β
Bentley Little (The Vanishing)
β
The wind had blown off, leaving a loud, bright night, with wings beating in the treas and a persistent organ sound as the full bellows of the earth blew the frogs full of life.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
(Djinn are essentially vapor.)
"I blew him away.
β
β
Rachel Caine (Ill Wind (Weather Warden, #1))
β
Nobody moved.
Everybody sat in the dark cellar, suspended in the suddenly frozen task of this October game; the wind blew outside, banging the house, the smell of pumpkins and apples filled the room with smell of the objects in their fingers while one boy cried, βI'll go upstairs and look!β and he ran upstairs hopefully and out around the house, four times around the house, calling, βMarion, Marion, Marion!β over and over and at last coming slowly down the stairs into the waiting breathing cellar and saying to the darkness, βI can't find her.β
Then... some idiot turned on the lights.
("The October Game")
β
β
Ray Bradbury (Long After Midnight)
β
She still took my breath away with how beautiful she was. βHei, Poppymin,β I said and sat on the edge of her bed.
βHey, baby,β she replied, her voice now barely above a whisper. I brought my hand to hers and pressed a kiss to her mouth.
Poppy smiled and melted my heart. A loud gust of wind blew past the window, whistling against the glass. Poppy inhaled sharply. I turned to see what she was seeing.
A mass of blossom petals went sailing in the wind.
βTheyβre leavingβ¦,β she said.
I closed my eyes briefly. It was apt that Poppy left the same day that the cherry blossoms lost their petals too.
They were guiding her soul home.
β
β
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
β
With the passage of days in this godly isolation [desert], my heart grew calm. It seemed to fill with answers. I did not ask questions any more; I was certain. Everything - where we came from, where we are going, what our purpose is on earth - struck me as extremely sure and simple in this God-trodden isolation. Little by little my blood took on the godly rhythm. Matins, Divine Liturgy, vespers, psalmodies, the sun rising in the morning and setting in the evening, the constellations suspended like chandeliers each night over the monastery: all came and went, came and went in obedience to eternal laws, and drew the blood of man into the same placid rhythm. I saw the world as a tree, a gigantic poplar, and myself as a green leaf clinging to a branch with my slender stalk. When God's wind blew, I hopped and danced, together with the entire tree.
β
β
Nikos Kazantzakis
β
There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
β
β
Daphne du Maurier (Rebecca)
β
As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper.
β
β
Salman Rushdie
β
External heat and cold had little influence on Scrooge. No warmth could warm, no wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn't know where to have him. The heaviest rain, and snow, and hail, and sleet could boast of the advantage over him in only one respect. They often "came down" handsomely and Scrooge never did.
β
β
Charles Dickens (A Christmas Carol)
β
But he would come if she needed him. All she had to do was stand in her garden and speak his name into the wind, and he would come when the whisper on the breeze found him. When he recognized her voice within it, whether the wind blew from the north, the south, the east, or the west. Sometimes it took hours for him to arrive, but he always faithfully answered.
β
β
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
β
The wind blew southwards, through knotted forests, over shimmering plains and toward lands unexplored. This wind, it was not the ending. There are no endings, and never will be endings, to the turning of the Wheel of Time.
But it was an ending.
β
β
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
β
Sheep used to have wings. One flew into the sky and all the others followed. They took their wings off while feeding in the warm sun but the wind blew away their wings so they couldn't fly anymore. They had to return to earth by drifting to where the sky curves down and touches the land, and then walk round the long way.. i like that..
β
β
Richard Adams (The Plague Dogs)
β
His daughters watched in the rain. The prettiest, shyest one hid far back in the field to watch and she had good reason because she was absolutely the most beautiful girl Dean and I ever saw in all our lives. She was about sixteen, and had Plains complexion like wild roses, and the bluest eyes, the most lovely hair, and the modesty and quickness of a wild antelope. At every look from us she flinched. She stood there with the immense winds that blew clear down from Saskatchewan knocking her hair about her lovely head like shrouds, living curls of them. She blushed and blushed... 'Oh a girl like that scares me,' I said. 'I'd give up everything and throw myself on her mercy and if she didn't want me I'd just as simply go and throw myself off the edge of the world'.
β
β
Jack Kerouac
β
He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock perched upon his spindle neck to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.
β
β
Washington Irving (The Legend of Sleepy Hollow)
β
in until ten, not even on Mardi Gras nights. No one except the girl in the black silk dress, the thin little girl with the short, soft dark hair that fell in a curtain across her eyes. Christian always wanted to brush it away from her face, to feel it trickle through his fingers like rain. Tonight, as usual, she slipped in at nine-thirty and looked around for the friends who were never there. The wind blew the French Quarter in behind her, the night air rippling warm down Chartres Street as it slipped away toward the river, smelling of spice and fried oysters and whiskey and the dust of ancient bones stolen and violated.
β
β
Poppy Z. Brite (Lost Souls)
β
No one can tell me,
Nobody knows,
Where the wind comes from,
Where the wind goes.
It's flying from somewhere
As fast as it can,
I couldn't keep up with it,
Not if I ran.
But if I stopped holding
The string of my kite,
It would blow with the wind
For a day and a night.
And then when I found it,
Wherever it blew,
I should know that the wind
Had been going there too.
So then I could tell them
Where the wind goes...
But where the wind comes from
Nobody knows.
β
β
A.A. Milne
β
Up home we loved a good storm coming, weβd fly outdoors and run up and down to meet it,β her mother used to say. βWe children would run as fast as we could go along the top of that mountain when the wind was blowing, holding our arms right open. The wilder it blew the better we liked it.
β
β
Eudora Welty (The Optimist's Daughter)
β
England was alive, throbbing through all her estuaries, crying for joy through the mouths of all her gulls, and the north wind, with contrary motion, blew stronger against her rising seas. What did it mean? For what end are her fair complexities, her changes of soil, her sinuous coast? Does she belong to those who have moulded her and made her feared by other lands, or to those who have added nothing to her power, but have somehow seen her, seen the whole island at once, lying as a jewel in a silver sea, sailing as a ship of souls, with all the brave world's fleet accompanying her towards eternity?
β
β
E.M. Forster (Howards End)
β
Lucy swayed in shock. A gust of wind moaned through the conservatory and blew out all but one of her candles. Simon must have done this. Heβd destroyed his fairyland conservatory. Why? She sank to her knees, huddled on the cold floor, her one remaining
flame cradled in her numb palms. Sheβd seen how tenderly Simon had cared for his plants. Remembered the look of pride when sheβd first discovered the dome and fountain. For him to have smashed all this . . .
He must have lost hope. All hope.
β
β
Elizabeth Hoyt (The Serpent Prince (Princes Trilogy, #3))
β
Put your affairs in order, mortals,β she boomed, as a gust of windβyes, wind inside my shopβblew their hair back. βI will feast on your hearts tonight for the offense you gave me. So swears the Morrigan.β I thought it was a bit melodramatic, but one does not critique a death goddess on her oratory delivery.
β
β
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
β
And all at once the heavy night
Fell from my eyes and I could see, --
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and thrust
Into my face a miracle
Of orchard-breath, and with the smell, --
I know not how such things can be! --
I breathed my soul back into me.
Ah! Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky
β
β
Edna St. Vincent Millay (Collected Poems)
β
I only know what it is that's wrong with him; not why it is."
And what is it?" asked Lucy fearfully, expecting some harrowing tale.
The old trouble; things won't fit."
What things?"
The things of the universe. It's quite true. They don't."
Oh Mr. Emerson, whatever do you mean?"
In his ordinary voice, so that she scarcely realized he was quoting poetry, he said:
"'From far, from eve and morning,
And yon twelve-winded sky,
The stuff of life to knit me
Blew hither: here am I."
George and I both know this, but why does it distress him? We know that we come from the winds, and that we shall return to them; that all of life is perhaps a knot, a tangle, a blemish in the eternal smoothness. But why should this make us unhappy? Let us rather love one another, and work and rejoice. I don't believe in this world of sorrow.
β
β
E.M. Forster (A Room with a View)
β
Every piece of wood in your houseβfrom the windowsills to the furniture to the raftersβwas once part of a living being, thriving in the open and pulsing with sap. If you look at these wooden objects across the grain, you might be able to trace out the boundaries of a couple of rings. The delicate shape of those lines tells you the story of a couple of years. If you know how to listen, each ring describes how the rain fell and the wind blew and the sun appeared every day at dawn.
β
β
Hope Jahren (Lab Girl)
β
I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maximβs grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, βWell, that clears my conscience for three monthsβ? Did she ever think about Manderley? Did she remember sitting at the dining room table, where I sat? Did she too have tea under the chestnut tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold? I wished that I could lay my hands upon her face and take the years away. I wished I could see her young, as she was once, with color in her cheeks and chestnut hair, alert and active as Beatrice by her side, talking as she did about hunting, hounds, and horses. Not sitting there with her eyes closed while the nurse thumped the pillows behind her head. βWeβve got a treat today, you know,β said the nurse, βwatercress sandwiches for tea. We love watercress, donβt we?
β
β
Daphne du Maurier (Rebecca)
β
It stood in the middle of a vast yard behind the terribly strange house. And this tree rose up some one hundred feet in the air, taller than the high roofs and full and round and well branched, and covered all over with rich assortments of red and brown and yellow autumn leaves.
"But," whispered Tom, "oh, look. What's up in that tree!"
For the Tree was hung with a variety of pumpkins of every shape and size and a number of tints and hues of smoky yellow or bright orange."
"A pumpkin tree," someone said.
"No," said Tom.
The wind blew among the high branches and tossed their bright burdens, softly.
"A Halloween Tree," said Tom.
And he was right.
β
β
Ray Bradbury (The Halloween Tree)
β
A wind blew, and the sand around his drawing scattered. He wrapped his fingers inside his wife's, and Father Time rekindled a connection he had only ever had with her. He surrendered to that sensation and felt the final drops of their lives touch one another, like water in a cave, top meets bottom, Heaven meets Earth.
As their eyes closed, a different set of eyes opened, and they rose from the ground as a shared south, up and up, a sun and a moon in a single sky.
β
β
Mitch Albom (The Time Keeper)
β
The wind rose high and free, to soar in an open sky with no clouds. It passed over a broken landscape scattered with corpses not yet buried. A landscape covered, at the same time, with celebrations. It tickled the branches of trees that had finally begun to put forth buds.
The wind blew southward, through knotted forests, over shimmering plains and toward lands unexplored. This wind, it was not the ending. There are no endings, and never will be endings, to the turning of the Wheel of Time.
But it was an ending.
β
β
Brandon Sanderson (A Memory of Light (The Wheel of Time, #14))
β
He rolled her onto her back, not breaking his amazing kiss. βYou blew my mind,β he whispered back before pulling away and stroking her mouth with his fingers. βThese lips,β he said. βAre all mine.β The winded words came with a shake of his head. βI will not share them or any other part of you. Ever. I am so very possessive.β He licked and sucked at her lips making her dizzy. βDo you know what that means, do you understand?
β
β
Lucian Bane (Desecrating Solomon (Desecration #1))
β
One of the worst incidents of that era caused no complaints at all: this was a sort of good-natured firepower demonstration, which occured one Sunday morning about three-thirty. For reasons that were never made clear, I blew out my back windows with five blasts of a 12 gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter, and crashing glass. Yet the neighbors reacted with total silence. For a while I assumed that some freakish wind pocket had absorbed all the noise and carried it out to sea, but after my eviction I learned otherwise. Every one of the shots had been duly recorded on the gossip log. Another tenant in the building told me the landlord was convinced, by all the tales he'd heard, that the interior of my apartment was reduced to rubble by orgies, brawls, fires, and wanton shooting. He had even heard stories about motorcycles being driven in and out the front door.
β
β
Hunter S. Thompson (Hell's Angels)
β
Sometimes in those moments of greatest abandonment when we feel utterly deserted a sign appears where we least expect it and shows us the way. Those who dare to advance into darkness, expecting nothing, will at last find their shining goal. On a page torn from a book, which an autumn wind blew around my feet, I read the words that showed me I was on the right path: βThe initiate who sets out in good faith to find the Truth, only to find, on all sides, the inexorable barrier that throws him back into the βordinary tumult,β will hear the Master say: βWatch out, there is a wall.β βBut is this wall temporary?β asks the restless soul, βcan I pass through it or demolish it? Is it an adversary? Is it a friend?β βI cannot tell you. You must discover it for yourself.
β
β
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
β
I watched bulls bred to cows, watched mares foal, I saw life come from the egg and the multiplicative wonders of mudholes and ponds, the jell and slime of life shimmering in gravid expectation. Everywhere I looked, life sprang from something not life, insects unfolded from sacs on the surface of still waters and were instantly on prowl for their dinner, everything that came into being knew at once what to do and did it, unastonished that it was what it was, unimpressed by where it was, the great earth heaving up bloodied newborns from every pore, every cell, bearing the variousness of itself from every conceivable substance which it contained in itself, sprouting life that flew or waved in the wind or blew from the mountains or stuck to the damp black underside of rocks, or swam or suckled or bellowed or silently separated in two.
β
β
E.L. Doctorow (Lives of the Poets: A Novella and Six Stories)
β
In his ordinary voice, so that she scarcely realized he was quoting poetry, he said:
"'From far, from eve and morning,
And yon twelve-winded sky,
The stuff of life to knit me
Blew hither: here am I'
George and I both know this, but why does it distress him? We know that we come from the winds, and that we shall return to them; that all life is perhaps a knot, a tangle, a blemish in the eternal smoothness. But why should this make us unhappy? Let us rather love one another, and work and rejoice. I don't believe in this world sorrow.
β
β
E.M. Forster (A Room with a View)
β
The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea. The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
The door is cracked
We used to meet
like water does land
no
not that
more like when skin touches skin
kissing fingertips
or when air escapes a lung
and is felt across the world
I've leapt over cracks in sidewalks
and swallowed away troublesome back pains
that could only be fixed with someone else's pills
We met by your house one stray day
and you drove me to the bay
where we sat and kissed like it was yesterday
And here you told me that you loved me
and that you always loved me
and that you would always love me
the wind blew and I held you
You rested your head on my shoulder
and the wind blew warm
Later, in your big red truck, we smoked some green
and I kissed you harder
and held your breasts, and felt between your legs
and with a gasp
you told me you were in love with me
And then you drove me back
and we promised it wouldn't be the end
not this time
The quill and inkwell on your foot
I'm a writer and you are my greatest art
I returned to my hell and dreamt of you once more
β
β
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
β
Songs of the Soul
On a dark night,
Inflamed by love-longing -
O exquisite risk! -
Undetected I slipped away.
My house, at last, grown still.
Secure in the darkness,
I climbed the secret ladder in disguise -
O exquisite risk! -
Concealed by the darkness.
My house, at last, grown still.
That sweet night: a secret.
Nobody saw me;
I did not see a thing.
No other light, no other guide
Than the one burning in my heart.
This light led the way
More clearly than the risen sun
To where he was waiting for me
- The one I knew so intimately -
In a place where no one could find us.
O night, that guided me!
O night, sweeter than sunrise!
O night, that joined lover with Beloved!
Lover transformed in Beloved!
Upon my blossoming breast,
Which I cultivated just for him,
He drifted into sleep,
And while I caressed him,
A cedar breeze touched the air.
Wind blew down from the tower,
Parting the locks of his hair.
With his gentle hand
He wounded my neck
And all my senses were suspended.
I lost myself. Forgot myself.
I lay my face against the Beloved's face.
Everything fell away and I left myself behind,
Abandoning my cares
Among the lilies, forgotten.
β
β
Juan de la Cruz (Dark Night of the Soul (Illustrated))
β
Aubade "
There was one summer
that returned many times over
there was one flower unfurling
taking many forms
Crimson of the monarda, pale gold of the late roses
There was one love
There was one love, there were many nights
Smell of the mock orange tree
Corridors of jasmine and lilies
Still the wind blew
There were many winters but I closed my eyes
The cold air white with dissolved wings
There was one garden when the snow melted
Azure and white; I couldnβt tell
my solitude from loveβ
There was one love; he had many voices
There was one dawn; sometimes
we watched it together
I was here
I was here
There was one summer returning over and over
there was one dawn
I grew old watching
β
β
Louise GlΓΌck (Poems, 1962-2012)
β
The Words, Kaladin. That was Sylβs voice. You have to speak the Words!
I FORBID THIS.
YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM!
βI will protect even those I hate,β Kaladin whispered through bloody lips. βSo long as it is right.β
A Shardblade appeared in Moashβs hands.
A distant rumbling. Thunder.
THE WORDS ARE ACCEPTED, the Stormfather said reluctantly.
βKaladin!β Sylβs voice. βStretch forth thy hand!β She zipped around him, suddenly visible as a ribbon of light.
βI canβtβ¦β Kaladin said, drained.
βStretch forth thy hand!β
He reached out a trembling hand. Moash hesitated.
Wind blew in the opening in the wall, and Sylβs ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand.
Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length.
Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out.
For a moment, they stood in darkness.
Then Kaladin exploded with Light.
It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes.
Pain evaporated like mist on a hot day. Kaladinβs grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings.
Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin.
βThe Knights Radiant,β Kaladin said softly, βhave returned.
β
β
Brandon Sanderson (The Way of Kings: Book One of the Stormlight Archive)
β
Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed.
Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.
β
β
Johanna Spyri (Heidi)
β
Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland.
For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city.
When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. "I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. "It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left."
In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna.
β
β
Joseph Heller (Catch-22)
β
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea."
"It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
β
β
Edgar Allan Poe
β
Little gusts of sunshine blew, strangely bright, and lit up the celandines at the wood's edge, under the hazel-rods, they spangled out bright and yellow. And the wood was still, stiller, but yet gusty with crossing sun. The first windflowers were out, and all the wood seemed pale with the pallor of endless little anemones, sprinkling the shaken floor. 'The world has grown pale with thy breath.' But it was the breath of Persephone, this time; she came out of hell on a cold morning. Cold breaths of wind came, and overhead there was an anger of entangled wind caught among the twigs. It, too, was caught and trying to tear itself free, the wind, like Absalom. How cold the anemones looked, bobbing their naked white shoulders over crinoline skirts of green. But they stood it. A few first bleached little primroses too, by the path, and yellow buds unfolding themselves.
β
β
D.H. Lawrence (Lady Chatterleyβs Lover)
β
She hardly knew what to do, it had been so long since such strong feelings had borne down on her. It was like carrying another creature inside her, and nothing so benign and natural as a baby. Undamped, untamed, the pain and exultation of her attachment to them blew through Liga like a storm-wind carrying sharp leaves and struggling birds. How long she had known her daughters, and how well, and in what extraordinary vividness and detail! How blithely she had done the work of rearing them - it seemed to her now that she had had cause for towering, disabling anxieties about them; that what had seemed little plaints and sorrows in their childhoods were in fact off-drawings from much greater tragedies, from which she had tried to keep them but could not. And the joys she had had of them, too, their embraces and laughter - it was all too intense to be endured, this connection with them, which was a miniature of the connection with the forces that drove planet and season - the relentlessness of them, the randomness, the susceptibility to glory, to accident, to disaster. How soft had been her life in that other place, how safe and mild! And here she was, back where terrors could immobilize her, and wonders too; where life might become gulps of strong ale rather than sips of bloom-tea. She did not know whether she was capable of lifting the cup, let alone drinking the contents.
β
β
Margo Lanagan (Tender Morsels)
β
This afternoon I walked through the city, making for a cafΓ© where I was to meet Raphael. It was about half-past two on a day that had never really got light. It began to snow. The low clouds made a grey ceiling for the city; the snow muffled the noise of the cars until it became almost rhythmical; a steady, shushing noise, like the sound of tides beating endlessly on marble walls. I closed my eyes. I felt calm. There was a park. I entered it and followed a path through an avenue of tall, ancient trees with wide, dusky, grassy spaces on either side of them. The pale snow sifted down through bare winter branches. The lights of the cars on the distant road sparkled through the trees: red, yellow, white. It was very quiet. Though it was not yet twilight the streetlights shed a faint light. People were walking up and down on the path. An old man passed me. He looked sad and tired. He had broken veins on his cheeks and a bristly white beard. As he screwed up his eyes against the falling snow, I realised I knew him. He is depicted on the northern wall of the forty-eighth western hall. He is shown as a king with a little model of a walled city in one hand while the other hand he raises in blessing. I wanted to seize hold of him and say to him: In another world you are a king, noble and good! I have seen it! But I hesitated a moment too long and he disappeared into the crowd. A woman passed me with two children. One of the children had a wooden recorder in his hands. I knew them too. They are depicted in the twenty-seventh southern hall: a statue of two children laughing, one of them holding a flute. I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in theΒ snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.
β
β
Susanna Clarke (Piranesi)
β
It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion.
I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all.
The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE...
Far-off, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy awoke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred morns had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods:
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?
Out of sight is out of mind:
Long have man and woman-kind,
Heavy of will and light of mood,
Taken away our wheaten food,
Taken away our Altar stone;
Hail and rain and thunder alone,
And red hearts we turn to grey,
Are true till time gutter away.
... the common people are always ready to blame the beautiful.
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W.B. Yeats (The Secret Rose and Rosa Alchemica)
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Best not to look back. Best to believe there will be happily ever afters all the way around- and so there may be; who is to say there will to be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious questionβ¦ And if you spare a last though, maybe itβs ghosts you wonder aboutβ¦ the ghosts of children standing in the water at sunset, standing in a circle, standing with their hands joined together, their faces young, sure, but toughβ¦ tough enough, anyway, to give birth to the people they will become, tough enough understand, maybe, that the people they will become must necessarily birth the people they were before they can get on with trying to understand simple morality. The circle closes, the wheel rolls, and thatβs all there is. You donβt have to look back to see those children; part of you mind wills them forever, live with them forever, love with them forever. They are not necessarily the best part of you, but were once the repository of all you could become. Children I love you. I love you so much. So drive away quick, drive away while the last of the light slips away,drive away from Derry, from memoryβ¦ but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can and all the belief you can muster. Be true, be brave, stand. All the rest is darkness.
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Stephen King (It)
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At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:
Arise, arise, Riders of Theoden!
Fell deeds awake: fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!
With that he seized a great horn from Guthlaf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains.
Ride now, ride now! Ride to Gondor!
Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Eomer rode there, the white horsetail on his helm floating in his speed, and the front of the first eored roared like a breaker foaming to the shore, but Theoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Orome the Great in the battle of the Valar when the world was young. his golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
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J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
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In Rome on the Campo dei Fiori
Baskets of olives and lemons,
Cobbles spattered with wine
And the wreckage of flowers.
Vendors cover the trestles
With rose-pink fish;
Armfuls of dark grapes
Heaped on peach-down.
On this same square
They burned Giordano Bruno.
Henchmen kindled the pyre
Close-pressed by the mob.
Before the flames had died
The taverns were full again,
Baskets of olives and lemons
Again on the vendors' shoulders.
I thought of the Campo dei Fiori
In Warsaw by the sky-carousel
One clear spring evening
To the strains of a carnival tune.
The bright melody drowned
The salvos from the ghetto wall,
And couples were flying
High in the cloudless sky.
At times wind from the burning
Would drift dark kites along
And riders on the carousel
Caught petals in midair.
That same hot wind
Blew open the skirts of the girls
And the crowds were laughing
On that beautiful Warsaw Sunday.
Someone will read as moral
That the people of Rome or Warsaw
Haggle, laugh, make love
As they pass by martyrs' pyres.
Someone else will read
Of the passing of things human,
Of the oblivion
Born before the flames have died.
But that day I thought only
Of the loneliness of the dying,
Of how, when Giordano
Climbed to his burning
There were no words
In any human tongue
To be left for mankind,
Mankind who live on.
Already they were back at their wine
Or peddled their white starfish,
Baskets of olives and lemons
They had shouldered to the fair,
And he already distanced
As if centuries had passed
While they paused just a moment
For his flying in the fire.
Those dying here, the lonely
Forgotten by the world,
Our tongue becomes for them
The language of an ancient planet.
Until, when all is legend
And many years have passed,
On a great Campo dei Fiori
Rage will kindle at a poet's word.
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CzesΕaw MiΕosz
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I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow.
As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass.
I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
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John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
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At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter.
The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself.
Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen!
You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world.
At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972.
A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'?
I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!"
They asked me to play the record over and over again.
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Jung Chang (Wild Swans: Three Daughters of China)