Window Seat And Music Quotes

While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way. From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW. Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.” There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.” Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?” Without replying, Ronan climbed out of the car and slammed the door. Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah. Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.

He went to the window seat, picked up a harp, and ran his fingers lightly over its silvery strings. Sweet sadness filled the room as man and wife and babe faded like the morning mist, only the music lingering behind to speed her on her way.

She clicked open the door and glided into the back seat like a summer breeze through an open window on the highway. "Where are you heading?", His Southern twang reminded her of home, but her eyes showed him no familiarity. She stared at him, void of expression, her thoughts racing. "Miss?", he persisted. "Anywhere. Please. Just drive.", she replied tersely, not sure if she even wanted her mind to join her in the back seat. The driver stared into her eyes and somehow understood, he started the engine and on they went. Two strangers, a blur of yellow, in pursuit of nowhere.

In the passenger seat, Nahil is all questions. Was Kabul safe? How was the food? Did he [Idris] get sick? Did he take pictures and videos of everything? He does his best. He describes for her the shell-blasted schools, the squatters living in roofless buildings, the beggars, the mud, the fickle electricity, but it's like describing music. He cannot bring it to life. Kabul's vivid, arresting details--the bodybuilding gym amid the rubble, for instance, a painting of Schwarzenegger on the window. Such details escape him now, and his descriptions sound to him generic, insipid, like those of an ordinary AP story.

Kestrel didn’t see why carriage seats had to face each other. Why couldn’t they have been designed for moments like these, when all she wanted to do was hide? She took one look at Arin. She had given no order for the carriage lamps to be lit, but the moonlight was strong. Arin was silvered by it. He was staring out the window at the governor’s palace dwindling as the carriage trundled toward home. Then he tore his gaze from the window with a sharp turn of the head and sagged against his seat, face filled with something that looked like shocked relief. Kestrel felt a flicker of instinctive curiosity. Then she reminded herself bitterly that this was what curiosity had bought her: fifty keystones for a singer who refused to sing, a friend who wasn’t her friend, someone who was hers and yet would never be hers. Kestrel looked away from Arin. She swore to herself that she would never look back. Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.

Very carefully he put up his hands and took off his hat saying CHIEF and while everyone watched he walked slowly down the steps and over to the fire engine and set his hat down on the front seat. Then he bent down, searching thoughtfully, and finally, while everyone watched, he took up a rock. In complete silence he turned slowly and then raised his arm and smashed the rock through one of the great tall windows of our mother's drawing room. A wall of laughter rose and grew behind him and then, first the boys on the steps and then the other men and at last the women and the smaller children, they moved like a wave at our house... I heard Constance's harp go over with a musical cry, and a sound which I knew was a chair being smashed against the wall.

I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.

It was delicious in the garden. The storm had passed over long since, and it was still and warm; the sweetness of the stocks and roses filled the air with the peculiar intensity of fragrance of flowers after rain - in the evening light they had the unnatural shadowy vividness of a coloured photograph. The rain had stirred up the nightingales too - near and far, their bubbling ecstasy welled out from the dark shelter of ilexes and cypresses, and through the open windows of the villa there came presently the cool elusive sequences of Debussy's music - ghosts of melody rather than melodies, evocations rather than statements; gleams on water and pale lights in spring skies, a single star, slow waves beating in mist on a deserted shore. Grace leant back in the corner of her seat, listening, watching the leaves of the buckthorns, like little curved pencils, against the sky above her head; in the relaxation of fatigue her attention was fixed on nothing, but some part of her was profoundly aware of all these things - the scent of the flowers, the song of the nightingales, the cool western music, with its memories of her own Atlantic shores.

Eventually, the men’s talk of politics turned to poetry. The recitations could begin with a quatrain from Omar Khayyam’s Rubaiyat: I need a jug of wine and a book of poetry, Half a loaf for a bite to eat, Then you and I, seated in a deserted spot, Will have more wealth than a Sultan’s realm. To which a voice might answer with a poem by Rumi: My arrow of love has arrived at the target I am in the house of mercy and my heart is a place of prayer. These gatherings went on for hours, with one guest after another reciting poems of the Persian masters—Rumi, Khayyam, Sa’adi, snd Hafez. That my father, the Colonel, who could make us cower with a single sidelong glance, produced the most skillful recitations both bewildered and fascinated me. His voice had a deep timbre perfectly suited to reciting verse, and the frequent cries of “Lovely!” and “Exquisite!” roused him to ever more passionate declamation. I listened from behind the window, enraptured by the music of a language that can sometimes sound like susurrations of a lover and sometimes like the reed’s plaintive song. The words hooked into me and wouldn’t let me go. Rivers, oceans, and deserts, the nightingale and the rose—the perennial symbols of Persian poetry first grew familiar to me through these late-night scenes in the garden, and even though I was still a young girl, only just a child, the verses called me away to different lands.

With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.

She meets my eyes and offers me a little wave as she goes to her seat, and my mouth gets all weird and dry. All the feelings of being at peace and at one with the music are out the window as she breezes by me. I don't believe in fairy tales and love at first sight and all that, but for just a second, I think this girl and those eyes and the way her freckles dot the entire expanse of her face are cute enough to make a believer out of me. When Gabi elbows me again though, I snap out of it. She mouths, Definitely a secret agent. And yeah, my best friend might be a little unhinged, but I have to get real. Fast. After all, Lightys don't get fairy tales. -

That was just one of many weird things we have done. Even weirder to me than that, was the fact that we all talked about- like how it would be for one of us to die… if we would. Sex, drinking, and death were the main topics most nights. Yet that nightfall I do not remember how it came up in the conversations, other than Kenneth complaining that I got to sit in the front seat- aka ‘shotgun’ with Jenny after the party I guess I was where he thought he should be, and you know that wearing a seatbelt is for pussies. I do remember us talking about what a bucket let would be, yet to me, I thought mine was almost complete. The rap music was so loud, that we were yelling at one other just to overhear. Jenny kept going through her I-phone to change the song and text her other friends and boys, her phone was in her right hand in her lap. One reason I sat there is that- I was the one that was meant to pick the music so she could drive. I remember hearing the lyric- ‘To the window to the walls…’ the song was ‘Get Low!’ However, Jenny was so high, and Maddie was singing in the back to the words making her hands go in-between the front seats, and that was comical because she is as white as they come. I remember that is when we started shouting our theory on death and the afterlife, or if there is one. I thought there was… yet I was not sure. We were all gathering what those would be. Jenny was bitching about how it could be and going to be, in the ground, and like her beautiful body is going to be eaten away overtime in her sealed casket. That made my skin crawl. We were all like you’re going to die you’re not going to feel anything dumb ass. Then Maddie said my dying wish is to hook up with Lizzy, Sam, and others all at the same time and never stop. Hey, why not they were both very sexy hot girls. I could see that fantasy of doing it until death. I was a little pissed that I was not one of the girls in that scenario but it's her death wish not mine. Yet this is kind of surprising to me because Maddie was never that way at all. Like she has a boyfriend of two years. However, their love life was always on again and off again. The makeup hookups are all that kept them together… I think...? (#- Hashtag: Wcw- Women crush Wednesday)

It is in this spirit that I feel I should introduce Thomas Nightingale before we, figuratively, meet him on that fateful spring morning so that you, the reader, may have a better understanding of the plot, and in consequence have a heightened appreciation of the music. Otherwise the story might stray into those overlong digressions that are the bane of the modern novel. He was a tall cove with a chiselled jaw, blue eyes and brown hair that, while cut short at the sides, had a tendency towards unruly behaviour up top. That, and a smooth chin, meant that while he was a good four years older than I, he could, when the mood took him, look younger. He could appear as languid and as carefree as the next young blade. But I had it on good authority that he had dealt with some pretty dicey situations both at home and abroad. Looking at him taking his ease at my window seat and perusing my copy of the New York Herald Tribune, I knew trouble. Even when it was wearing a rather fine tweed travelling suit.

It was to be the longest flight I had ever made in my young life and one of the most interesting. Having always been interested in the magic of aviation I knew that the DC-6B, I boarded was an approximately 75 seat, trans-ocean, Pan Am Clipper. It would also be the last long distance propeller driven commercial airliner. The only difference between it and the DC-6A was that it didn’t have a large cargo door in its side, and it was also approximately 5 feet longer than the DC-6A. 1955 was a good year and people felt relatively safe with Dwight D. Eisenhower in the White House. “I like Ike” had been his political motto since before he assumed office on January 20, 1953, even many Democrats held him in high esteem for his military service and winning the war in Europe. Eisenhower obtained a truce in Korea and worked diligently trying to ease the tensions of the Cold War. He did however fail to win over Georgy Malenkov, or Nikolai Bulganin who succeeded him, as Premier of the Soviet Union in February of 1955. As a moderate Conservative he left America, as the strongest and most productive nation in the world, but unfortunately because of his lack of diplomacy and love of golf, failed to prevent Cuba from slipping into the communist camp. WFLA inaugurated its broadcasting in the Tampa Bay area on February 14, 1955. The most popular music was referred to as good music, and although big bands were at their zenith in 1942, by 1947 and music critics will tell you that their time had passed. However, Benny Goodman was only 46 in 1955, Tommy Dorsey was 49 and Count Basie was 51. So, in many sheltered quarters they were still in vogue and perhaps always will be. I for one had my Hi-Fidelity 33 1/3 rpm multi stacked record player and a stash of vinyl long play recordings shipped to Africa. For me time stood still as I listened and entertained my friends. Some years later I met Harry James at the Crystal Ballroom in Disneyland. Those were the days…. Big on the scene was “Rhythm in Blues,” an offshoot of widespread African-American music, that had its beginnings in the ‘40s. It would soon become the window that Rock and Roll would come crashing through.

They live their day to day existence in their confined environment by passing the time either sitting around the dayroom, reading, drawing, painting, watching television, listening to music, doing puzzles, or sleeping in the dormitory. Quite often patients sit near the windows and stare outside to a world that seems both foreign and out of reach to them. Some just sit on the floor, while leaning against the wall, due to a limited amount of proper seating.

I went into the bar and sank into a leather bar seat packed with down. Glasses tinkled gently, lights glowed softly, there were quiet voices whispering of love, or ten per cent, or whatever they whisper about in a place like that. A tall fine-looking man in a gray suit cut by an angel suddenly stood up from a small table by the wall and walked over to the bar and started to curse one of the barmen. He cursed him in a loud clear voice for a long minute, calling him about nine names that are not usually mentioned by tall fine-looking men in well cut gray suits. Everybody stopped talking and looked at him quietly. His voice cut through the muted rhumba music like a shovel through snow. The barman stood perfectly still, looking at the man. The barman had curly hair and a clear warm skin and wide-set careful eyes. He didn’t move or speak. The tall man stopped talking and stalked out of the bar. Everybody watched him out except the barman. The barman moved slowly along the bar to the end where I sat and stood looking away from me, with nothing in his face but pallor. Then he turned to me and said: “Yes, sir?” “I want to talk to a fellow named Eddie Prue.” “So?” “He works here,” I said. “Works here doing what?” His voice was perfectly level and as dry as dry sand. “I understand he’s the guy that walks behind the boss. If you know what I mean.” “Oh. Eddie Prue.” He moved one lip slowly over the other and made small tight circles on the bar with his bar cloth. “Your name?” “Marlowe.” “Marlowe. Drink while waiting?” “A dry martini will do.” “A martini. Dry. Veddy, veddy dry.” “Okay.” “Will you eat it with a spoon or a knife and fork?” “Cut it in strips,” I said. “I’ll just nibble it.” “On your way to school,” he said. “Should I put the olive in a bag for you?” “Sock me on the nose with it,” I said. “If it will make you feel any better.” “Thank you, sir,” he said. “A dry martini.” He took three steps away from me and then came back and leaned across the bar and said: “I made a mistake in a drink. The gentleman was telling me about it.” “I heard him.” “He was telling me about it as gentlemen tell you about things like that. As big shot directors like to point out to you your little errors. And you heard him.” “Yeah,” I said, wondering how long this was going to go on. “He made himself heard—the gentleman did. So I come over here and practically insult you.” “I got the idea,” I said. He held up one of his fingers and looked at it thoughtfully. “Just like that,” he said. “A perfect stranger.” “It’s my big brown eyes,” I said. “They have that gentle look.” “Thanks, chum,” he said, and quietly went away. I saw him talking into a phone at the end of the bar. Then I saw him working with a shaker. When he came back with the drink he was all right again.

You don't want a cigarette. You want a moment. And it was true. That was exactly what I wanted. A picture perfect Hollywood moment. The classical music, the window seat with its cold marble perch, the two of us, naked and without words, just our cigarettes and our gazes and our glasses of fine water, on a late Roman night.

Hours later Nancy was seated with Ned on a bench outside the gaily lighted porch of the yacht club. Lively music and singing came pulsing out the wide open doors and windows. “On a hunch I brought something for the chemistry expert,” she said, and handed him the envelope containing the bits of paper she had picked up in the woods. “I’m no expert,” he protested. Ned’s eyes filled with mischief. “You don’t expect me to look at this, do you, when I could be looking at you?” Nancy blushed and laughed. She was wearing a simple rose-colored formal and her hair was piled high with a gardenia tucked in it.

My dad loved to drive, but more than that he hated to stop. This made him at best a questionable tour guide. The hours would drone on as we crisscrossed the country in the dank and ever more malodorous car. The four of us would grow restless and cramped in the backseat, perennially arguing with each other and inventing games to fight off the monotony. My dad would press forward relentlessly, trying to make six hundred miles a day, every now and then invoking the three shut-ups rule and lashing out into the noise and cramped restlessness of the backseat. In the front seat my mom would patiently act as his navigator, reading the map, periodically making Wonder Bread and lunchmeat sandwiches, and now and then twisting the dial on the radio to try to find some music and local news. I finally figured it out. My dad’s mind had been shaped by flying a B-29 bomber on long-range missions. As he drove, my mother became the navigator, and we were the crew, although it wasn’t clear whom he wanted to bomb. You could see the business in his eyes. He smoked constantly, the strong odors of his Camel or self-rolled cigarettes or of his weird metal-stemmed pipe piercing our nostrils and often bringing the rear windows down, even in the most brutal heat of the day. His eyes were intent, never leaving the road in front of us. But every now and then an alert for a coming historical marker would pop up along the side of the road, causing my dad to suddenly snap out of his trance and remember that this was not actually his air crew sitting in the backseat. A teachable moment had arrived, giving him a quick opportunity to exercise his parenting skills and a chance to shower us with some much-needed cultural immersion. “Okay, guys, historical marker coming up on the right. I’m going to slow down to forty-five miles an hour. There it is, here it comes! Jim, read the SIGN!” I

Her eyes were closed to the sunlight flickering past the window, her ears plugged with tiny white buds, slender fingers tapping a steady moderato beat at odds with the easy sway in her shoulders. I couldn't hear the music, but as I watched, her body coiled around a deep breath, and the rhythm accelerated through the flat of her hand, and then her hips rocked to four powerful chords, and her head dropped loose on her shoulders, and she squeezed her knees together and drew in her feet, her calf muscles tautening and her ankle bones turning and then tendons in the back of her hand thumping time and the cords of her neck pulling the skin tight over her collarbones as her body snaked through what I heard in my head as Hugh Burns's guitar solo in "Baker Street" clear as day. And though confined to her seat, she danced unselfconsciously and without restraint, and every small movement in every small part of her—the life in her—was the most beautiful thing I thought I'd ever seen. I wanted to cup her gently in my hands and carry her home and keep her forever but, mindful of the probability that she might have other ideas, instead I closed my eyes and turned up the music in my head and, in spirit if not quite in body, danced with her instead.

Smiling to myself, I pictured our family one sunny afternoon last fall. It had been a warm day, and we were on our way to the city aquarium. Dad had the car windows rolled down, and I recalled the feel of the wind in my hair and the scent of Mom’s perfume wafting from the seat in front of me. Mom and Dad were chatting and I was scrolling through my Instagram feed. But the moment the song sounded on the radio, I squealed. “Turn it up!” I said, leaning forward in my seat, enough that the belt tightened across my chest. As soon as Dad reached over and turned the knob, I started singing the lyrics aloud. Both Mom and Dad joined in. With the wind in my hair and the music filling the car, a warmth had filled my insides, almost as if I were wrapped in my favorite fuzzy blanket. The memory was fresh in my mind and I could still see Mom’s head bob up and down as she sang while Dad tapped his fingers on the steering wheel. “Come on, Dad!” I said, giggling. “Sing with us.” He glanced over his shoulder at me. “I’m waiting for my favorite part. I don’t want to stretch my singing muscles.” “What singing muscles?” Mom smiled at him. He put a finger in the air for her to wait. “Here we go.” When the chorus of the song began, Dad screeched out the lyrics in a really high voice. He was trying to mimic the singer’s voice but he wasn’t even close and the sound he made was terrible. I burst out laughing. He ignored me and continued to sing, all the while, waving a hand through the air with wide flourishes, as if conducting an orchestra. He tilted his head back and belted out the high notes. When we pulled up at a red traffic light and the car slowed to a stop, Dad was oblivious of the carload of people alongside us watching him. The passengers of the other car had their windows open too and I stared at them in horror. Their eyes were glued to Dad and they shook their heads and rolled their eyes. “Dad!” I called to him. “Those people are watching you.” But he didn’t hear me and continued to sing. I sank into my seat, my cheeks flushing. He finally realized he had an audience but instead of being embarrassed, he waved to them. “Hello, there!” he said. “Did you enjoy my singing?” The light turned green, and the carload of people cracked up laughing as their car lurched forward in their hurry to escape the weird man in the car next to theirs. Dad shrugged. “I guess not.’ Mom and I burst out laughing too, unable to hold it in any longer. Dad waved a dismissive hand. “They wouldn’t know good music if it hit them in the face.” Tears sprang from my eyes because I was laughing so hard. My dad could be so embarrassing sometimes, but that day, it didn’t bother me at all. Dad had always managed to make me laugh at the silliest things. He had a way of making me feel happy, regardless of what mood I was in. Deep down I thought he was a really cool dad. My friends thought so too. He wasn’t boring and super strict like their dads. He was fun to be around and everyone loved him for it, including my friends. Our little family was perfect, and I wouldn’t have changed it for the world.

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