Wind Up Bird Chronicle Quotes

We've searched our database for all the quotes and captions related to Wind Up Bird Chronicle. Here they are! All 100 of them:

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Is it possible, in the final analysis, for one human being to achieve perfect understanding of another? We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Spend your money on the things money can buy. Spend your time on the things money can’t buy.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Memories and thoughts age, just as people do. But certain thoughts can never age, and certain memories can never fade.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I realize full well how hard it must be to go on living alone in a place from which someone has left you, but there is nothing so cruel in this world as the desolation of having nothing to hope for.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I'm not so weird to me.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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In a place far away from anyone or anywhere, I drifted off for a moment.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Have you ever had that feelingβ€”that you’d like to go to a whole different place and become a whole different self?
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Haruki Murakami (The Wind-Up Bird Chronicle)
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For both of us, it had simply been too enormous an experience. We shared it by not talking about it. Does this make any sense?
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I'd be smiling and chatting away, and my mind would be floating around somewhere else, like a balloon with a broken string.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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When you are used to the kind of life -of never getting anything you want- you stop knowing what it is you want.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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To know one’s own state is not a simple matter. One cannot look directly at one’s own face with one’s own eyes, for example. One has no choice but to look at one’s reflection in the mirror. Through experience, we come to believe that the image is correct, but that is all.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Here's what I think, Mr. Wind-Up Bird," said May Kasahara. "Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person. But I can't seem to do it. They just don't get it. Of course, the problem could be that I'm not explaining it very well, but I think it's because they're not listening very well. They pretend to be listening, but they're not, really. So I get worked up sometimes, and I do some crazy things.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Results aside, the ability to have complete faith in another human being is one of the finest qualities a person can possess.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there's no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Tell me, Doctor, are you afraid of death?" "I guess it depends on how you die.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I could disappear from the face of the earth, and the world would go on moving without the slightest twinge. Things were tremendously complicated, to be sure, but one thing was clear: no one needed me.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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What we see before us is just one tiny part of the world. We get in the habit of thinking, this is the world, but that's not true at all. The real world is a much darker and deeper place than this, and much of it is occupied by jellyfish and things.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Nothing so consumes a person as meaningless exertion
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Hatred is like a long, dark shadow. Not even the person it falls upon knows where it comes from, in most cases. It is like a two-edged sword. When you cut the other person, you cut yourself. The more violently you hack at the other person, the more violently you hack at yourself. It can often be fatal. But it is not easy to dispose of. Please be careful, Mr.Okada. It is very dangerous. Once it has taken root in your heart, hatred is the most difficult think in the world to shake off.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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This person, this self, this me, finally, was made somewhere else. Everything had come from somewhere else, and it would all go somewhere else. I was nothing but a pathway for the person known as me.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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You might think you made a new world or a new self, but your old self is always gonna be there, just below the surface, and if something happens, it'll stick its head out and say 'Hi.' You don't seem to realize that. You were made somewhere else.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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There is nothing so cruel in this world as the desolation of having nothing to hope for.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I don't know -- maybe the world has two different kinds of people, and for one kind the world is this completely logical, rice pudding place, and for the other it's all hit-or-miss macaroni gratin.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Kumiko and I felt something for each other from the beginning. It was not one of those strong, impulsive feelings that can hit two people like an electric shock when they first meet, but something quieter and gentler, like two tiny lights traveling in tandem through a vast darkness and drawing imperceptibly closer to each other as they go. As our meetings grew more frequent, I felt not so much that I had met someone new as that I had chanced upon a dear old friend.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I'm going to take you out of here ... I'm going to take you home, to the world where you belong, where cats with bent tails live, and there are little backyards, and alarm clocks ring in the morning.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Some things, you know, if you say them, it makes them not true?
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Haruki Murakami (The Wind-Up Bird Chronicle)
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From the moment of my birth, I lived with pain at the center of my life. My only purpose in life was to find a way to coexist with intense pain.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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A person’s destiny is something you look back at afterwards, not something to be known in advance.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Now all you can do is wait. It must be hard for you, but there is a right time for everything. Like the ebb and flow of tides. No one can do anything to change them. When it is time to wait, you must wait.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Living like an empty shell is not really living, no matter how many years it may go on. The heart and flesh of an empty shell give birth to nothing more than the life of an empty shell.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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In terms of evolutionary history, it was only yesterday that men learned to walk around on two legs and get in trouble thinking complicated thoughts. So don't worry, you'll burn out.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Maybe she thought the garbage and rocks in your head were interesting. But finally, garbage is garbage and rocks are rocks.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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So this was how secrets got started, I thought to myself. People constructed them little by little.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I laughed. β€œYou’re too young to be so … pessimistic,” I said, using the English word. β€œPessi-what?” β€œPessimistic. It means looking only at the dark side of things.” β€œPessimistic … pessimistic …” She repeated the English to herself over and over, and then she looked up at me with a fierce glare. β€œI’m only sixteen,” she said, β€œand I don’t know much about the world, but I do know one thing for sure. If I’m pessimistic, then the adults in this world who are not pessimistic are a bunch of idiots.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I was enveloped in numbness, and absence of feeling so deep the bottom was lost from view.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Somewhere, far, far away, there's a shitty island. An island without a name. An island not worth giving a name. A shitty island with a shitty shape. On this shitty island grow palm trees that also have shitty shapes. And the palm trees produce coconuts that give off a shitty smell. Shitty monkeys live in the trees, and they love to eat these shitty-smelling coconuts, after which they shit the world's foulest shit. The shit falls on the ground and builds up shitty mounds, making the shitty palm trees that grown on them even shittier. It's an endless cycle.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The little things are important, Mr. Wind-Up Bird,
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Haruki Murakami (The Wind-Up Bird Chronicle)
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A girl doesn't always want to go out, you know, Mr. Wind-Up Bird. Sometimes she feels like being nasty--like, if the guy's gonna wait, let him really wait.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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All right, then, I thought: here I am in the bottom of a well.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Curiosity can bring guts out of hiding at times, maybe even get them going. But curiosity usually evaporates. Gust have to go for the long haul. Curiosity's like a fun friend you can't really trust. It turns you on and then it leaves you to make it on your own - with whatever guts you can muster
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Haruki Murakami (The Wind-Up Bird Chronicle)
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It’s like when you put instant rice pudding mix in a bowl in the microwave and push the button, and you take the cover off when it rings, and there you’ve got ricing pudding. I mean, what happens in between the time when you push the switch and when the microwave rings? You can’t tell what’s going on under the cover. Maybe the instant rice pudding first turns into macaroni gratin in the darkness when nobody’s looking and only then turns back into rice pudding. We think it’s only natural to get rice pudding after we put rice pudding mix in the microwave and the bell rings, but to me, that is just a presumption. I would be kind of relieved if, every once in a while, after you put rice pudding mix in the microwave and it rang and you opened the top, you got macaroni gratin. I suppose I’d be shocked, of course, but I don’t know, I think I’d be kind of relieved too. Or at least I think I wouldn’t be so upset, because that would feel, in some ways, a whole lot more real.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Thanks to the long days of rain, the blades of grass glowed with a deep-green luster, and they gave off the smell of wildness unique to things that sink their roots into the earth.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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That’s all I think about these days. Must be because I have so much time to kill every day. When you don’t have anything to do, your thoughts get really, really far out-so far out you can’t follow them all the way to the end.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to to forget all that. Don't you agree? Two-thirds of earth's surface is ocean, and all we can see with the naked eye is the surface: the skin.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I closed my eyes and tried to sleep. But it was not until much later that I was able to get any real sleep. In a place far away from anyone or anywhere, I drifted off for a moment.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The ocean was one of the greatest things he had ever seen in his lifeβ€”bigger and deeper than anything he had imagined. It changed its color and shape and expression according to time and place and weather. It aroused a deep sadness in his heart, and at the same time it brought his heart peace and comfort.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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A life without pain: it was the very thing I had dreamed of for years, but now that I had it, I couldn’t find a place for myself within it. A clear gap separated me from it, and this caused me great confusion. I felt as if I were not anchored to this world - this world that I had hated so passionately until then; this world that I had continued to revile for its unfairness and injustice; this world where at least I knew who I was. Now the world ceased to be the world, and I had ceased to be me.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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We were young, and we had no need for prophecies. Just living was itself an act of prophecy.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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You are entering a phase of your life in which many different things will occur...bad things that seem good at first and good things that seem bad at first.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I was dying. Like all the other people who live in this world.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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But knowing what I don’t want to do doesn’t help me figure out what I do want to do. I could do just about anything if somebody made me. But I don’t have an image of the one thing I really want to do. That’s my problem now. I can’t find the image.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The passage of time will usually extract the venom of most things and render them harmless
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Between the end of that strange summer and the approach of winter, my life went on without change. Each day would dawn without incident and end as it had begun. It rained a lot in September. October had several warm, sweaty days. Aside from the weather, there was hardly anything to distinguish one day from the next. I worked at concentrating my attention on the real and useful. I would go to the pool almost every day for a long swim, take walks, make myself three meals. But even so, every now and then I would feel a violent stab of loneliness. The very water I drank, the very air I breathed, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Sometimes, when one is moving silently through such an utterly desolate landscape, an overwhelming hallucination can make one feel that oneself, as an individual human being, is slowly being unraveled. The surrounding space is so vast that it becomes increasingly difficult to keep a balanced grip on one's own being. The mind swells out to fill the entire landscape, becoming so diffuse in the process that one loses the ability to keep it fastened to the physical self. The sun would rise from the eastern horizon, and cut it's way across the empty sky, and sink below the western horizon. This was the only perceptible change in our surroundings. And in the movement of the sun, I felt something I hardly know how to name: some huge, cosmic love.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Whenever an occasion arose in which she needed an opinion on something in the wider world, she borrowed her husband's. If this had been all there was to her, she wouldn't have bothered anyone, but as is so often the case with such women, she suffered from an incurable case of of pretentiousness. Lacking any internalized values of her own, such people can arrive at a standpoint only by adopting other people's standards or views. The only principle that governs their minds is the question "How do I look?
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Once a guy starts using a wig, he has to keep using one. It's, like, his fate. That's why wig makers make such huge profits. I hate to say it, but they're like drug dealers.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Spending plenty of time on something can be the most sophisticated form of revenge.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The better you were able to imagine what you wanted to imagine, the farther you could flee from reality.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Of course, they're not clowning around trying to make me laugh. They're doing their best to live very serious lives, and they just happen to fall down sometimes. I think that's cool.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The heavy smell of flower petals stroked the walls of my lungs.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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We can never comprehend the depths of gloom of night in the light of day".
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Matthew Strecher (Haruki Murakami's The Wind-up Bird Chronicle: A Reader's Guide (Continuum Contemporaries))
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No matter what you tell me, no matter how legitimate your reasons, I can never just forget about you, I can never push the years we spent together out of my mind. I can't do it because it really happened, they are part of my life, and there is no way I can just erase them. That would be the same as erasing my own self.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Pero, en este mundo, nada hay tan cruel como la desolaciΓ³n de no desear nada.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Why do you like jellyfish so much?" I asked. "I don't know. I guess I think they're cute," she said. "But one thing did occur to me when I was really focused on them. What we see before us is just one tiny part of the world. We get into the habit of thinking, This is the world, but that's not true at all. The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to forget all that. Don't you agree? Two thirds of the earth's surface is ocean, and all we can see of it with the naked eye is the surface: the skin. We hardly know anything about what's beneath the skin.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Not being bored means not having to think about a lot of stupid stuff.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I’m not very good at giving people orderly explanations of things.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Then she took my hand and touched it to the wound beside her eye. I caressed the half-inch scar. As I did so, the waves of her consciousness pulsed through my fingertips and into me - a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something. "Goodbye, Mr. Wind-Up Bird. See you again sometime.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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How can I put this? There's a king of gap between what I think is real and what's really real. I get this feeling like some kind of little something-or-other is there, somewhere inside me... like a burglar is in the house, hiding in a wardrobe... and it comes out every once in a while and messes up whatever order or logic I've established for myself. The way a magnet can make a machine go crazy.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Eleven o'clock had come and gone. I had to find a way to bring this conversation to a successful conclusion and get out of there. But before I could say anything, she suddenly asked me to hold her. 'Why?' I asked, caught off guard. 'To charge my batteries,' she said. 'Charge your batteries?' 'My body has run out of electricity. I haven't been able to sleep for days now. The minute I get to sleep I wake up, and then I can't get back to sleep. I can't think. When I get like that, somebody has to charge my batteries. Otherwise, I can't go on living. It's true.' I peered into her eyes, wondering if she was still drunk, but they were once again her usual cool, intelligent eyes. She was far from drunk.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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If something came out of the deal, it couldn’t make things any worse for us than they already were, I thought. But I couldn’t have been more wrong. Hell has no true bottom.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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There's a special feeling you get on a veranda that you just can't get anywhere else.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I have come to think that life is a far more limited thing than those in the midst of its maelstorm realize. That light shines into the act of life for only the briefest moment-perhaps only a matter of seconds. Once it is gone and failed to grasp its offered revelation, there is no second chance. One may have to live the rest of one's life in hopeless depth of loneliness and remorse. In that twilight world, one can no longer look forward to anything. All that such a person holds in his hands is the withered corpse of what should have been.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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And in the movement of the sun, I felt something I hardly know how to name: some huge, cosmic love.Β 
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I know exactly what I'm doing, but I just can't stop. That's my greatest weakness.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Well, finally, the events I've been through have been tremendously complicated. All kinds of characters have come on the scene, and strange things have happened one after another, to the point where, if I try to think about them in order, I lose track.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Maybe it's been like that for you till now. But you're not a kid anymore. You have the right to choose your own life. You can start again. If you want a cat, all you have to do is choose a life in which you can have a cat. It's simple. It's your right... right?
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Haruki Murakami
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Spend your money on the things money can buy. Spend your time on the things money can’t buy
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Haruki Murakami (The Wind-Up Bird Chronicle)
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You always look so cool, like no matter what happens, it’s got nothing to do with you, but you’re not really like that. In your own way, you’re out there fighting as hard as you can, even if other people can’t tell by looking at you.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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No, I don't think I've been defiled. But I haven't been saved, either. There's nobody who can save me right now, Mr. Wind-Up Bird. The world looks totally empty to me. Everything I see around me looks fake. The only thing thay isn't fake is that gooshy thing inside me.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it-even if the person himself wants to stop it.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The law presides over things of this world, finally. The world where shadow is shadow and light is light, yin is yin and yang is yang, I'm me and he's him. 'I am me and / He is him/ Autumn eve.' But you don't belong to that world, sonny. The world you belong to is above that or below that." Which is better?" I asked, out of simple curiosity. "Above or below?" It's not that either one is better," he said. After a brief coughing fit, he spat a glob of phlegm onto a tissue and studied it closely before crumpling the tissue and throwing it into a wastebasket. "It's not a question of better or worse. The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there is no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness. 'I am he and/ He is me:/ Spring nightfall.' Abandon the self, and there you are.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The majority of people dismiss those things that lie beyond the bounds of their own understanding as absurd and not worth thinking about. I myself can only wish that my stories were, indeed, nothing but incredible fabrications. I have stayed alive all these years clinging to the frail hope that these memories of mine were nothing but a dream or a delusion. I have struggled to convince myself that they never happened. But each time I tried to push them into the dark, they came back stronger and more vivid than ever. Like cancer cells, these memories have taken root in my mind and eaten into my flesh.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Anyway, it seems to me that the way most people go on living (I suppose there are a few exceptions), they think that the world of life (or whatever) is this place where everything is (or is supposed to be) basically logical and consistent.... It's like when you put instant rice pudding mix in a bowl in the microwave and push the button, and you take the cover off when it rings, and there you've got rice pudding. I mean, what happens in between the time when you push the switch and when the microwave rings? You can't tell what's going on under the cover. Maybe the instant rice pudding first turns into macaroni gratin in the darkness when nobody's looking and only then turns back into rice pudding. We think it's natural to get rice pudding after we put rice pudding mix in the microwave and the bell rings, but to me that's just a presumption. I would be kind of relieved if, every once in a while, after you put rice pudding mix in the microwave and it rang and you opened the top, you got macaroni gratin.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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if people lived forever - if they never got any older - if they could just go on living in this world, never dying, always healthy - do you think they'd bother to think hard about things the way we're doing now? i mean, we thing about just about everything, more or less - philosophy, psychology, logic. religion. literature. i kinda think, if there were no such thing as death, that complicated thoughts and ideas like that would never come into the world... ...people have to think seriously about what it means for them to be alive here and now because they know they're going to die sometime. right? who would think about what it means to be alive if they were just going to go on living forever? why would they have to bother? or even if they should bother, they'd probably just figure, 'oh, well, i've got plenty of time for that. i'll think about it later.' but we can't wait till later. we've got to think about it right this second...nobody knows whats going to happen. so we need death to make us evolve...death is this huge, bright thing, and the bigger and brighter it is, the more we have to drive ourselves crazy thinking about things.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Noboru Wataya is a person who belongs to a world that is the exact opposite of yours... In a world where you are losing everything, Mr.Okada, Noboru Wataya is gaining everything. In a world where you are rejected, he is accepted. And the opposite is just as true. Which is why he hates you so intensely.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Maybe the world was like a revolving door, it occurred to him as his consciousness was fading away. And which section you ended up in was just a matter of where your foot happened to fall...And there was no logical continuity from one section to another. And it was because of this lack of logical continuity that choices really didn't mean very much.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Everybody burns out in this world; amateur, pro, it doesn't matter, they all burn out, they all get hurt, the OK guys and the not-OK guys both. That's why everybody takes out a little insurance. I've got some too, here at the bottom of the heap. That way, you manage to survive if you burn out. If you're all by yourself and don't belong anywhere, you go down once, and you're out. Finished.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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When you sneak into somebody’s backyard, it does seem that guts and curiosity are working together. Curiosity can bring guts out of hiding at times, maybe even get them going. But curiosity usually evaporates. Guts have to go for the long haul. Curiosity’s like a fun friend you can’t really trust. It turns you on and then it leaves you to make it on your own-with whatever guts you can muster.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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As he rose to his feet he noticed that he was neither dripping nor panting for breath as anyone would expect after being under water. His clothes were perfectly dry. He was standing by the edge of a small poolβ€”not more than ten feet from side to side in a wood. The trees grew close together and were so leafy that he could get no glimpse of the sky. All the light was green light that came through the leaves: but there must have been a very strong sun overhead, for this green daylight was bright and warm. It was the quietest wood you could possibly imagine. There were no birds, no insects, no animals, and no wind. You could almost feel the trees growing. The pool he had just got out of was not the only pool. There were dozens of othersβ€”a pool every few yards as far as his eyes could reach. You could almost feel the trees drinking the water up with their roots. This wood was very much alive.
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C.S. Lewis (The Magician's Nephew (Chronicles of Narnia, #6))
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I clicked the gate shut and slipped down the alley. Through one fence after another, I caught glimpses of people in their dining rooms and living rooms, eating and watching TV dramas. Food smells drifted into the alley through kitchen windows and exhaust fans. One teenaged boy was practicing a fast passage on his electric guitar, with the volume turned down. In a second floor window, a tiny girl was studying at her desk, an earnest expression on her face. A married couple in a heated argument sent their voices out to the alley. A baby was screaming. A telephone rang. Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I decided to make spaghetti for lunch again. Not that I was the least bit hungry. But I couldn't just go on sitting on the sofa, waiting for the phone to ring. I had to move my body, to begin working toward some goal. I put water in a pot, turned on the gas, and until it boiled I would make tomato sauce while listening to an FM broadcast. The radio was playing an unaccompanied violin sonata by Bach. The performance itself was excellent, but there was something annoying about it. I didn't know whether this was the fault of the violinist or of my own present state of mind, but I turned off the music and went on cooking in silence. I heated the olive oil, put garlic in the pan, and added minced onions. When these began to brown, I added the tomatoes that I had chopped and strained. It was good to be cutting things and frying things like this. It gave me a sense of accomplishment that I could feel in my hands. I liked the sounds and the smells.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Anyhow, I took every stitch of clothing off and got out of bed. And I got down on my knees on the floor in the white moonlight. The heat was off and the room must have been cold, but I didn’t feel cold. There was some kind of special something in the moonlight and it was wrapping my body in a thin, skintight film. At least that’s how I felt. I just stayed there naked for a while, spacing out, but then I took turns holding different parts of my body out to be bathed in the moonlight. I don’t know, it just seemed like the most natural thing to do. The moonlight was so absolutely, incredibly beautiful that I couldn’t not do it. My head and shoulders and arms and breasts and tummy and bottom and, you know, around there: one after another, I dipped them in the moonlight, like taking a bath.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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I rarely suffer lengthy emotional distress from contact with other people. A person may anger or annoy me, but not for long. I can distinguish between myself and another as beings of two different realms. It's a kind of talent (by which I do not mean to boast: it's not an easy thing to do, so if you can do it, it is a kind of a talent - a special power). When someone gets on my nerves, the first thing I do is transfer the object of my unpleasant feelings to another domain, one having no connection with me. Then I tell myself, Fine, I'm feeling bad, but I've put the source of these fellings into another zone, away from here, where I can examine it and deal with it later in my own good time. In other words, I put a freeze on my emotions. Later, when I thaw them out to perform the examination, I do occasionally find my emotions in a distressed state, but that is rare. The passage of time will usuallly extract the venom from most things and render them harmless. Then sooner or later, I forget about them.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Can I be honest with you, Mr. Wind-Up Bird? I mean, really, really, really honest? Sometimes I get sooo scared! I’ll wake up in the middle of the night all alone, hundreds of miles away from anybody, and it’s pitch dark, and I have absolutely no idea what’s going to happen to me in the future, and I get so scared I want to scream. Does that happen to you, Mr. Wind-Up Bird? When it happens, I try to remind myself that I am connected to othersβ€”other things and other people. I work as hard as I can to list their names in my head. On that list, of course, is you, Mr. Wind-Up Bird. And the alley, and the well, and the persimmon tree, and that kind of thing. And the wigs that I’ve made here with my own hands. And the little bits and pieces I remember about the boy. All these little things (though you’re not just another one of those little things, Mr. Wind-Up Bird, but anyhow…) help me to come back β€œhere” little by little.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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Do you know the story of the monkeys of the shitty island?" I asked Nobory Wataya. He shook his head, with no sign of interest. "Never heard of it". "Somewhere, far, far away, there's a shitty island. An island without a name. An island not worth giving a name. A shitty island with shitty shape. On this shitty island grow palm trees that also have shitty shapes. And the palm trees produce coconuts that give off a shitty smell. Shitty monkeys live in the trees, and they love to eat these shitty-smelling coconuts,after which they shit the world's foulest shit. The shit falls on the ground and builds up shitty mounds, making the shitty palm trees that grow on them even shittier. It's an endless cycle." I drank the rest of my coffee. "As I sat here looking at you," I continued, " I suddenly remembered the story of this shitty island. What I'm trying to say is this. A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passed a certain point, no one can stop it -even if the person himself want to stop it.
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Haruki Murakami (The Wind-Up Bird Chronicle)
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The well bottom is like the bottom of the sea. Things down here stay very still, keeping their original forms, as if under tremendous pressure, unchanged from day to day. A round slice of light floats high above me: the evening sky. Looking up at it, I think about the October evening world, where "people" must be going about their lives. Beneath that pale autumn light, they must be walking down streets, going to the store for things, preparing dinner, boarding trains for home. And they think - if they think at all - that these things are too obvious to think about, just as I used to do (or not do). They are the vaguely defined "people," and I used to be a nameless one among them. Accepting and accepted, they live with one another beneath that light, and whether it lasts forever or for a moment, there must be a kind of closeness while they are enveloped in the light. I am no longer one of them, however. They are up there, on the face of the earth; I am down here, in the bottom of a well. They possess the light, while I am in the process of losing it. Sometimes I feel that I may never find my way back to that world, that I may never again be able to feel the peace of being enveloped in the light, that I may never again be able to hold the cat's soft body in my arms. And then I feel a dull ache in the chest, as if something inside there is being squeezed to death.
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Haruki Murakami (The Wind-Up Bird Chronicle)