William T Spears Quotes

When the stars threw down their spears And watered heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee? - The Tyger

Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare sieze the fire? And what shoulder, & what art. Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain? In what furnace was thy brain? What the anvil? what dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And watered heaven with their tears, Did he smile his work to see? Did he who made the Lamb make thee? Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry?

And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the Countenance Divine Shine forth upon our clouded hills? And was Jerusalem builded here, Among these dark Satanic Mills? Bring me my Bow of burning gold: Bring me my Arrows of desire: Bring me my Spear: O clouds unfold! Bring me my Chariot of fire! I will not cease from Mental Fight, Nor shall my Sword sleep in my hand, Till we have built Jerusalem In England's green & pleasant Land.

Step 6: Stop enjoying things ironically. Just enjoy them Know what? I love Britney Spears and Forever 21. And I could pretend like it’s this whole meta thing where I’m not actually enjoying it but rather just making this esoteric statement on lowbrow culture, but (insert handjob motion here). The truth is that I love trashy dance pop and the garments that are its clothing equivalent. You don’t need to make your tastes a self-conscious statement about who you are. Just unapologetically like the things you like.

In the heart of hate is nothing dear. The spear grips the hand that grips the spear. Temper the armor, steady the shield. The weapon to fear is the one that you wield, for a Kingdom of Blood is a desolate thing, a dire crown for a dire king.

I dried my tears, and armed my fears With ten-thousand shields and spears

Bring me my bow of burning gold Bring me my arrows of desire Bring me my spear— o'clouds, unfold! Bring me my chariot of fire

Yes, I do think William is serious. But you don’t need to be worried, dear. No one is going to hurry you, least of all William himself. He is a very fine young man. Of course you feel like strangers now. But I think you’ll find sufficient to talk about before long.

And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp! When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see?

Nobody in Faha could remember when it started. Rain there on the western seaboard was a condition of living. It came straight-down and sideways, frontwards, backwards and any other wards God could think of. It came in sweeps, in waves, sometimes in veils. It came dressed as drizzle, as mizzle, as mist, as showers, frequent and widespread, as a wet fog, as a damp day, a drop, a dripping, and an out-and-out downpour. It came the fine day, the bright day, and the day promised dry. It came at any time of the day and night, and in all seasons, regardless of calendar and forecast, until in Faha your clothes were rain and your skin was rain and your house was rain with a fireplace. It came off the grey vastness of an Atlantic that threw itself against the land like a lover once spurned and resolved not to be so again. It came accompanied by seagulls and smells of salt and seaweed. It came with cold air and curtained light. It came like a judgment, or, in benign version, like a blessing God had forgotten he had left on. It came for a handkerchief of blue sky, came on westerlies, sometimes—why not?—on easterlies, came in clouds that broke their backs on the mountains in Kerry and fell into Clare, making mud the ground and blind the air. It came disguised as hail, as sleet, but never as snow. It came softly sometimes, tenderly sometimes, its spears turned to kisses, in rain that pretended it was not rain, that had come down to be closer to the fields whose green it loved and fostered, until it drowned them.

King. O THOU to whose fury the nations are But as dust! maintain thy servant’s right. Without thine aid, the twisted mail, and spear, And forged helm, and shield of seven times beaten brass, Are idle trophies of the vanquisher.

William seemed to find nothing lacking in those evenings. For him it was enough simply to sit across the room and look at her. It was flattering, she had to admit. The most eligible bachelor in Wethersfield and handsome, actually, in his substantial way. Sometimes, as she sat knitting, aware that William’s eyes were on her face, she felt her breath tightening in a way that was strange and not unpleasant. Then, just as suddenly, rebellion would rise in her. He was so sure! Without even asking, he was reckoning on her as deliberately as he calculated his growing pile of lumber.

Even though great were this cruelty, oppression, and tyranny, though numerous were the oft-victorious clans of the many-familied Erinn; though numerous their kings, and their royal chiefs, and their princes; though numerous their heroes and champions, and their brave soldiers, their chiefs of valour and renown and deeds of arms; yet not one of them was able to give relief, alleviation, or deliverance from that oppression and tyranny, from the numbers and multitudes, and the cruelty and the wrath of the brutal, ferocious, furious, untamed, implacable hordes by whom that oppression was inflicted, because of the excellence of their polished, ample, treble, heavy, trusty, glittering corslets; and their hard, strong, valiant swords; and their well-riveted long spears, and their ready, brilliant arms of valour besides; and because of the greatness of their achievements and of their deeds, their bravery, and their valour, their strength, and their venom, and their ferocity, and because of the excess of their thirst and their hunger for the brave, fruitful, nobly-inhabited, full of cataracts, rivers, bays, pure, smooth-plained, sweet grassy land of Erinn"—(pp. 52-53).

Torka extended a conciliatory hand and laid it upon the old man’s shoulder. “Umak, Manaravak, Dak, and Tankh and Chuk will walk at my side. We will miss your strength, courage, and wisdom, but a man in possession of these qualities is needed here”. They left Grek standing at the edge of camp with his spear in hand and his pack frame on his back. As Torka walked on without looking back he wondered if he had ever done anything in his life as difficult as that. ”You had no choice.” Umak came to walk beside him with Dak and Companion at his side. Manaravak and the two boys trotted on ahead. Torka eyed Dak and Umak without slowing his step. “Do you two imagine that you will never be old?” Dak replied with his usual curtness. “When I am old, I will have sense enough to know when it is time to step aside and let younger men take my place on the hunt”. "It would seem the best thing to do,” Torka agreed. “But will you know when you are old? Or will your years sneak up on you like hunters tracking caribou… one after the other, each looking just the same until the stalking cloaks fall away and the spears of truth come out to wound you… until one day you are a young man trapped and rattling around in an old man’s skin, still believing that your old bones can do all the things they once did in your youth and trying to prove it even if it kills you?

Geographically, Jess's backside was a mountain range. The sun rose over it -eventually. Huge birds of prey nested on its craggy heights and hunted in its shadows. It wouldn't have been so bad if Jess's bum had been balanced by a nice big bosom. Jennifer Lopez, Britney Spears, and Serena Williams were designed with this pleasing sense of balance. But geographically, Jess's boobs could not balance her bum at all. Her chest was the kind of featureless plain upon which airports are constructed.

Wanting to disappear, I found myself living in New York City alone for months, in a four-story NoHo apartment that Cher used to live in. It had tall ceilings, a terrace with a view of the Empire State Building, and a working fireplace much fancier than the one that had been in the living room of our house in Kentwood. It would have been a dream apartment to use as a home base to explore the city, but I hardly ever left the place. One of the only times I did, a man behind me on an elevator said something that made me laugh; I turned around and it was Robin Williams.

Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat. What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp. Dare its deadly terrors clasp? When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?

Your Sunny decided to show off for you?” Axel asked with a laugh. “She doesn’t know I’m here,” he grated, keeping the binoculars trained on her. His heart raced. He’d known she enjoyed fighting demons, but he’d never seen her wage war. Despite fear for her safety, his chest puffed with pride. The woman had skill, boundless grace and lethal precision. She was an angel of death, wielding a spear, toppling demons three by three. Magnificent. Of course, he hardened at the sight of her. Not just hardened. Burned. For the first time in centuries, William felt truly demonic. Watching his female lay waste to the enemy, his every savage instinct clambered for attention. Sunny’s companions paused to cheer her on, and a glorious smile lit her face. Killing demons, having fun. “What is she?” Axel asked, sounding awed. What else? “My greatest torment.

Vanity 6’s most famous song, ‘Nasty Girl’, may be less well-known than Prince’s greatest hits, but it’s among the most influential songs Prince has written. It’s easy to trace a line from Madonna, who in her earliest incarnation could have been a fourth member of the band, on to Janet Jackson, whose 1986 song ‘Nasty’ (produced by two former members of The Time) reverses the gender from ‘nasty girls’ to ‘nasty boys’, to Britney Spears, who claimed that the track ‘Boys’, from her 2001 album Britney, had ‘a kinda Prince feel to it’, but actually lifts directly from ‘Nasty Girl’ (the song is produced by The Neptunes, and its remixed version, ‘Boys (The Co-Ed Remix)’, features vocals from Pharrell Williams, a producer and rapper and diehard Prince fanatic). Britney’s ‘Let’s turn this dance floor into our own little nasty world’, and repeated invocations to ‘get nasty’, are clear Xeroxes of Vanity’s ‘my own little nasty world’ and ‘dance nasty girls’.

Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolf Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person… or, more properly, as a Person. Here are some people who have not written books, telling what they did… and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.

Here are some people who have written books, telling what they did and why they did those things: John Dean. Henry Kissinger. Adolph Hitler. Caryl Chessman. Jeb Magruder. Napoleon. Talleyrand. Disraeli. Robert Zimmerman, also known as Bob Dylan. Locke. Charlton Heston. Errol Flynn. The Ayatollah Khomeini. Gandhi. Charles Olson. Charles Colson. A Victorian Gentleman. Dr. X. Most people also believe that God has written a Book, or Books, telling what He did and why—at least to a degree—He did those things, and since most of these people also believe that humans were made in the image of God, then He also may be regarded as a person . . . or, more properly, as a Person. Here are some people who have not written books, telling what they did . . . and what they saw: The man who buried Hitler. The man who performed the autopsy on John Wilkes Booth. The man who embalmed Elvis Presley. The man who embalmed—badly, most undertakers say—Pope John XXIII. The twoscore undertakers who cleaned up Jonestown, carrying body bags, spearing paper cups with those spikes custodians carry in city parks, waving away the flies. The man who cremated William Holden. The man who encased the body of Alexander the Great in gold so it would not rot. The men who mummified the Pharaohs. Death is a mystery, and burial is a secret.

William was only one year old, and his mother was proud of him, he was so pretty... He was a joy to her, the twining wisps of hair clustering round his head. Mrs Morel lay listening, one Sunday morning, to the chatter of the two. Then she dozed off. When she came downstairs... seated in his armchair, against the chimney piece, sat Morel, rather timid: and standing between his legs, the child - cropped like a sheep, with such an odd round poll - looking wondering at her: and on a newspaper spread out upon the hearth rug, a myriad of crescent-shaped curls, like the petals of a marigold scattered in the reddening firelight. Mrs Morel stood still. It was her first baby. She went very white, and was unable to speak. "What dost think on 'im?" Morel laughed uneasily. She gripped her two fists, lifted them, and came forward. Morel shrank back... Her lip trembled, her face broke, and, snatching up the child, she buried her face in his shoulder and cried painfully. She was one of those women who cannot cry: whom it hurts as it hurts a man. It was like the ripping something out of her, her sobbing... She went about her work with closed mouth and very quiet... She spoke to him civilly, and never alluded to what he had done. But he felt something final had happened. ...But she knew, and Morel knew, that that act had caused something momentous to take place in her soul. She remembered that scene all her life, as one in which she had suffered the most intensely. This act of masculine clumsiness was a spear through the side of her love for Morel.

sometimes stood up and speared, and

Then on April 30th 1945, Hitler and Eva Braun commited suicide as an American Lieutenant Walter William Horn took possession of it. He gave it to American General George S Patton. The rest of the story you all know from the vignette. It was returned by the Americans and today resides back at the Hofburg museum in Vienna, Austria.

The columbine and iris bowed down to make way for bolder sprays of red valerian, and a mingled profusion of clustered Canterbury bells and sweet william, pale blues and pinks intertwined, danced at the feet of more stately spears of deep-purple foxglove and monkshood.

When the stars threw down their spears And watered heaven with their tears - William Blake

1628 a theologian compiling a list of the best English poets (Geoffrey Chaucer, Edmund Spenser, Michael Drayton, and so on) added, in Latin, “that well-known poet who takes a name from shaking and spear.” The phrase immediately jumps out from the list of other names. Why not simply give him as “William Shakespeare,” like the others? The conspicuous difference suggests something conspicuously different about Shakespeare.

As the bloody Jews and Roman soldiers exercised their cruelty on every part almost of Christ’s body, crowning his head with thorns, goring his side with a spear, and fastening his hands and feet with nails; so the despairing sinner deals with the whole name of God.

William Shakespeare was age 46 when the Bible was translated in England. Look at Psalms: 46 the 46th word is "shake" and count back 46 words from the end, and the word is "spear.

It is for this reason that socially unacceptable behavior is more likely after a stressful day at work (e.g., Repetti, 1989), while dieting (e.g., Werner & Crick, 1999), while ill (e.g., Mangelli et al., 2006), while trying to avoid spending money (e.g., Spears, 2011), or after trying to impress others (e.g., Vohs, Baumeister, &

The Tiger Tiger! Tiger! Burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? and what dread feet? What the hammer? what the chain? In what furnace was thy brain? What the anvil? what dread grasp? Dare its deadly terrors clasp? When the stars threw down their spears, And watered heaven with their tears, Did He smile His work to see? Did He who made the Lamb, make thee? Tiger! Tiger! Burning bright In the forests of the night, What immortal hand or eye, Dare frame thy fearful symmetry? William Blake