William Shakes Quotes

We've searched our database for all the quotes and captions related to William Shakes. Here they are! All 100 of them:

Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And too often is his gold complexion dimm'd: And every fair from fair sometimes declines, By chance or natures changing course untrimm'd; By thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.
William Shakespeare (Shakespeare's Sonnets)
O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death!
William Shakespeare (Romeo and Juliet)
A phenomenon that a number of people have noted while in deep depression is the sense of being accompanied by a second self — a wraithlike observer who, not sharing the dementia of his double, is able to watch with dispassionate curiosity as his companion struggles against the oncoming disaster, or decides to embrace it. There is a theatrical quality about all this, and during the next several days, as I went about stolidly preparing for extinction, I couldn't shake off a sense of melodrama — a melodrama in which I, the victim-to-be of self-murder, was both the solitary actor and lone member of the audience.
William Styron (Darkness Visible: A Memoir of Madness)
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
William Goldman (The Princess Bride)
His voice rose under the black smoke before the burning wreckage of the island; and infected by that emotion, the other little boys began to shake and sob too. And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of mans heart, and the fall through the air of the true, wise friend called Piggy.
William Golding (Lord of the Flies)
Come, you spirits That tend on mortal thoughts! Unsex me here, And fill me from the crown to the toe top full Of direst cruelty; make thick my blood, Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman’s breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature’s mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor Heaven peep through the blanket of the dark, To cry "Hold, hold!
William Shakespeare (Macbeth)
Blow, winds, and crack your cheeks! Rage! Blow! You cataracts and hurricanoes, spout Till you have drenched our teeples, drowned the cocks! You sulphurour and thought-executing fires, Vaunt-couriers to oak-cleaving thunderbolts, Singe my white head! And thou, all-shaking thunder, Strike flat the thick rotundity o' the world! Crack nature's molds, all germens spill at once That make ingrateful man!
William Shakespeare (King Lear)
That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou seest the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire Consumed with that which it was nourish'd by. This thou perceivest, which makes thy love more strong, To love that well which thou must leave ere long.
William Shakespeare (Shakespeare's Sonnets)
Don't worry about me babe. I've seen so many backs walking away from me that this is old hat," he said, shrugging like this wasn't killing him like it was me. "Say it," he said, his voice shaking.
Nicole Williams (Crash (Crash, #1))
Shall I compare thee to a summer's day? E'en in Australia art thou still more hot Rough winds do shake the darling buds of May (Since that's your winter it don't mean a lot) Sometimes too bright the eye of heaven shines And bushfires start through half of New South Wales Just so, when I do see thy bosom's lines A fire consumes me and my breathing fails But thine eternal summer shall not fade This is in no way due to global warming; Nay, from thy breasts shall verses fair be made So damn compulsive they are habit-forming So long as men can read and eyes can see So long lives this, thou 34DD (Based on an idea by William Shakespeare. I'm sure he'd agree that I've improved it)
Manny Rayner
We use concepts like "consciousness"---"mind"---"personality," but we don't really know yet what these things are.' He was shaking his head. 'Not really. Not at all.
William Peter Blatty (The Exorcist (The Exorcist, #1))
My thought, whose murder yet is but fantastical, Shakes so my single state of man That function is smothered in surmise, And nothing is but what is not.
William Shakespeare (Macbeth)
You can survive alone, or you can *live* together. I know which option William would chose—has chosen,” he said, shaking me as if he wished he could shake some sense into me. “You have to make your choice.
Nicole Williams (Fallen Eden (Eden Trilogy, #2))
Ay, to the proof, as mountains are for winds, that shakes not, though they blow perpetually.
William Shakespeare (The Taming of the Shrew)
I bit my cheek and tried not to smile. It didn't matter what I threw at the guy; I couldn't shake that darn sunny attitude of his. Worse of all, I was afraid it might be contagious. "Just so I'm prepared... are all cowboys like you?" I asked, stepping up into Old Bessie. Jessie stepped between the door and me before I could close it. His body took up almost the entire door frame. "There's no other cowboy like me," he said with a smile.
Nicole Williams (Lost & Found (Lost & Found, #1))
There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do.
William Goldman
God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.
W.B. Yeats (The Land of Heart's Desire)
BELOVED, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with merry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee. There the Loves a circle go, The flaming circle of our days, Gyring, spiring to and fro In those great ignorant leafy ways; Remembering all that shaken hair And how the wingèd sandals dart, Thine eyes grow full of tender care: Beloved, gaze in thine own heart. Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while; For there a fatal image grows That the stormy night receives, Roots half hidden under snows, Broken boughs and blackened leaves. For all things turn to barrenness In the dim glass the demons hold, The glass of outer weariness, Made when God slept in times of old. There, through the broken branches, go The ravens of unresting thought; Flying, crying, to and fro, Cruel claw and hungry throat, Or else they stand and sniff the wind, And shake their ragged wings; alas! Thy tender eyes grow all unkind: Gaze no more in the bitter glass. - The Two Trees
W.B. Yeats
Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites, and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm’d The noontide sun, call’d forth the mutinous winds, And ‘twixt the green sea and the azured vault Set roaring war: to the dread rattling thunder Have I given fire and rifted Jove’s stout oak With his own bolt; the strong-based promontory Have I made shake and by the spurs pluck’d up The pine and cedar: graves at my command Have waked their sleepers, oped, and let ‘em forth By my so potent art. But this rough magic I here abjure, and, when I have required Some heavenly music, which even now I do, To work mine end upon their senses that This airy charm is for, I’ll break my staff, Bury it certain fathoms in the earth, And deeper than did ever plummet sound I’ll drown my book.
William Shakespeare (The Tempest)
...kind of kid who seems to be always shaking hands with trouble.
William Kent Kruger
Shake off this downy sleep, death’s counterfeit, And look on death itself!
William Shakespeare (Macbeth)
Poor naked wretches, whereso'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these? O, I have ta'en Too little care of this! Take physic, pomp; Expose thyself to feel what wretches feel, That thou mayst shake the superflux to them, And show the heavens more just.
William Shakespeare (King Lear)
The white cat symbolizes the silvery moon prying into corners and cleansing the sky for the day to follow. The white cat is "the cleaner" or "the animal that cleans itself," described by the Sanskrit word Margaras, which means "the hunter who follows the track; the investigator; the skip tracer." The white cat is the hunter and the killer, his path lighted by the silvery moon. All dark, hidden places and beings are revealed in that inexorably gentle light. You can't shake your white cat because your white cat is you. You can't hide from your white cat because your white cat hides with you.
William S. Burroughs (The Cat Inside)
The Devil answer'd: bray a fool in a morter with wheat, yet shall not his folly be beaten out of him; if Jesus Christ is the greatest man, you ought to love him in the greatest degree; now hear how he has given his sanction to the law of ten commandments: did he not mock at the sabbath, and so mock the sabbaths God? murder those who were murder'd because of him? turn away the law from the woman taken in adultery? steal the labor of others to support him? bear false witness when he omitted making a defense before Pilate? covet when he pray'd for his disciples, and when he bid them shake off the dust of their feet against such as refused to lodge them? I tell you, no virtue can exist without breaking these ten commandments; Jesus was all virtue, and acted from impulse, not from rules.
William Blake (The Marriage of Heaven and Hell)
Who is the best marshal they have?' The sheriff thought on it for a minute. He said, 'I would have to weigh that proposition. There is near about two hundred of them. I reckon William Waters is the best tracker. He is a half-breed Comanche and it is something to see, watching him cut for sign. The meanest one is Rooster Cogburn. He is a pitiless man, double-tough, and fear don't enter into his thinking. He loves to pull a cork. Now L.T. Quinn, he brings his prisoners in alive. He may let one get by now and then but he believes even the worst of men is entitled to a fair shake. Also the court does not pay any fees for dead men. Quinn is a good peace officer and a lay preacher to boot. He will not plant evidence or abuse a prisoner. He is straight as a string. Yes, I will say Quinn is about the best they have.' I said, 'Where can I find this Rooster?
Charles Portis (True Grit)
Many a man's tongue shakes out his master's undoing.
William Shakespeare (All's Well That Ends Well)
Chrissy shakes her head. “Listen, sometimes you don’t know a person’s whole story.” She swats at a curl. “Sometimes we keep secrets from the people we care about. Because we’re trying to protect them. Or protect ourselves.
Ismée Amiel Williams (This Train Is Being Held)
Yes, and shall do till the pangs of death shake him. Infirmity, that decays the wise, doth ever make the better fool.
William Shakespeare (Twelfth Night (The Modern Shakespeare: The Original Play with a Modern Translation))
Just because you can doesn't mean you should
William C. Taylor (Practically Radical: Not-So-Crazy Ways to Transform Your Company, Shake Up Your Industry, and Challenge Yourself)
Never shake thy gory locks at me.
William Shakespeare (Macbeth)
Hi, I’m Jude Ryder Jamieson,” he began, extending his hand. I took it, shaking it. He held onto it when I tried to pull it back. “My mom left when I was thirteen. My dad’s serving a life sentence for killing a young kid. I spent the last five years in a boys’ home being bullied, beat, and abused by the kids, the staff, and even the goddamn dog. I sold drugs. I did drugs. I got arrested. A lot. I screwed a lot of faceless women.” He paused, sucking in a breath. “And then I met one whose face I couldn’t forget. I fell in love with her. I hurt her because I fell in love with her and was afraid she was going to leave me the way everyone else had.” He lifted his other hand, cradling mine between his. “I still love her.
Nicole Williams
I love books. They connect you with the past and the present, with original minds and noble spirits, with what living has been and meant to others. They instruct, inspire, shake you up, make you laugh and weep, think and dream. But while they do enhance experience, they are not a substitute for it.
William L. Shirer (The Start, 1904-1930: Twentieth Century Journey Vol. I (William Shirer's Twentieth Century Journey))
This tune goes manly. Come, go we to the King. Our power is ready; Our lack is nothing but our leave. Macbeth Is ripe for shaking, and the powers above Put on their instruments. Receive what cheer you may. The night is long that never finds the day. They exit.
William Shakespeare (Macbeth)
They that stand high have many blasts to shake 275 them, 276 And if they fall, they dash themselves to pieces.
William Shakespeare (Richard III)
Unlike the rest of you, I cheerfully admit to my own utter selfishness. I am self-made, self-absorbed, self-serving, self-referential, even self-deprecating, in a charming sort of way. In short, I am all the selfs except selfless. Yet every so often I run across a force of nature that shakes my sublime self-centeredness to its very roots. Something that tears through the landscape like a tornado, leaving nothing but ruin and reexamination in its wake.
William Lashner (Falls the Shadow (Victor Carl, #5))
A part of me wanted to hate her for making me fall in love, but hating her was damn near impossible. Despite the damage she did to me, it was all my fault. And despite how lonely and terrible I felt, I couldn’t shake her. Like now, her blue eyes were haunting me in my sleep.
Shanora Williams, 100 Proof
Nation after nation, when at the zenith of its power, has proclaimed itself invincible because its army could shake the earth with its tread and its ships could fill the seas, but these nations are dead, and we must build upon a different foundation if we would avoid their fate.
William Jennings Bryan
In the aftermath of the recent wave action in the Indian Ocean, even the archbishop of Canterbury, Dr. Rowan Williamson [sic], proved himself a latter-day Voltairean by whimpering that he could see how this might shake belief in a friendly creator. Williamson is of course a notorious fool, who does an almost perfect imitation of a bleating and frightened sheep, but even so, one is forced to rub one's eyes in astonishment. Is it possible that a grown man could live so long and still have his personal composure, not to mention his lifetime job description, upset by a large ripple of seawater?
Christopher Hitchens
Funerals weren't just about the dead. They were about the dead leaving this world to reside with God, someone Mother wasn't seeing eye to eye with at the moment, if she ever had, and I couldn't shake the concern that in the middle of the service she would spring from her pew and find some way to spite him.
William Kent Krueger (Ordinary Grace)
CAMILLO                                              Swear his thought over By each particular star in heaven and By all their influences, you may as well Forbid the sea for to obey the moon As, or by oath remove, or counsel shake The fabric of his folly, whose foundation Is pil'd upon his faith, and will continue The standing of his body.
William Shakespeare (The Winter's Tale)
And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last!
William Shakespeare
There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey.
William Goldman (The Princess Bride)
I could not shake my point of view, infected as it was, and I took up their study with a manly passion.
William H. Gass (In the Heart of the Heart of the Country: And Other Stories (NYRB Classics))
You know my opinion on rumors?” he said a minute later. I was capable of nothing more than shaking my head. “That they’re started by haters. Spread by fools. And accepted by idiots.
Nicole Williams (Stealing Home)
I turn off my cell phone and reluctantly slide it down my pocket. My hands are shaking. A large knife appears in his hand.” William Wilson in the short story 'Metro' by Steen Langstrup
Steen Langstrup (Metro)
Most of us probably fall several times a day into a fit somewhat like this: The eyes are fixed on vacancy, the sounds of the world melt into a confused unity, the attention is dispersed so that the whole body is felt, as it were, at once, and the foreground of consciousness is filled, if by anything, by a sort of solemn sense of surrender to the empty passing of time. In the dim background of our mind we know meanwhile what we ought to be doing: getting up, dressing ourselves, answering the person who has spoken to us, trying to make the next step in our reasoning. But somehow we cannot start; the pensée de derrière la tête [thought at the back of the head] fails to pierce the shell of lethargy that wraps our state about. Every moment we expect the shell to break, for we know no reason why it should continue. But it does continue, pulse after pulse, and we float with it, until—also without reason that we can discover—an energy is given, something—we know not what—enables us to gather ourselves together, we wink our eyes, we shake our head, the background ideas become effective, and the wheels of life go round again.
William James (Psychology: The Briefer Course)
Oh, you sweet summer child.” Gideon shakes his head. “There’s no introducing when it comes to Ramon. I can guarantee you, if William Larkin is on the roundtable agenda, Ramon already knows more about his case than you ever will.
Karen M. McManus (Nothing More to Tell)
The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty! make thick my blood, Stop up th’ access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between Th’ effect and it! Come to my woman’s breasts, And take my milk for gall, your murd’ring ministers, Wherever in your sightless substances You wait on nature’s mischief! Come, thick night, And pall thee in the dunnest smoke of hell That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark To cry, “Hold, hold!
William Shakespeare
KENNA ROWAN’S PLAYLIST 1) “Raise Your Glass”—P!nk 2) “Dynamite”—BTS 3) “Happy”—Pharrell Williams 4) “Particle Man”—They Might Be Giants 5) “I’m Good”—The Mowgli’s 6) “Yellow Submarine”—The Beatles 7) “I’m Too Sexy”—Right Said Fred 8) “Can’t Stop the Feeling!”—Justin Timberlake 9) “Thunder”—Imagine Dragons 10) “Run the World (Girls)”—Beyoncé 11) “U Can’t Touch This”—MC Hammer 12) “Forgot About Dre”—Dr. Dre featuring Eminem 13) “Vacation”—Dirty Heads 14) “The Load Out”—Jackson Browne 15) “Stay”—Jackson Browne 16) “The King of Bedside Manor”—Barenaked Ladies 17) “Empire State of Mind”—JAY-Z 18) “Party in the U.S.A.”—Miley Cyrus 19) “Fucking Best Song Everrr”—Wallpaper. 20) “Shake It Off”—Taylor Swift 21) “Bang!”—AJR
Colleen Hoover (Reminders of Him)
Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion, A great-sized monster of ingratitudes: Those scraps are good deeds past; which are devour'd As fast as they are made, forgot as soon As done: perseverance, dear my lord, Keeps honour bright: to have done is to hang Quite out of fashion, like a rusty mail In monumental mockery. Take the instant way; For honour travels in a strait so narrow, Where one but goes abreast: keep then the path; For emulation hath a thousand sons That one by one pursue: if you give way, Or hedge aside from the direct forthright, Like to an enter'd tide, they all rush by And leave you hindmost; Or like a gallant horse fall'n in first rank, Lie there for pavement to the abject rear, O'er-run and trampled on: then what they do in present, Though less than yours in past, must o'ertop yours; For time is like a fashionable host That slightly shakes his parting guest by the hand, And with his arms outstretch'd, as he would fly, Grasps in the comer: welcome ever smiles, And farewell goes out sighing. O, let not virtue seek Remuneration for the thing it was; For beauty, wit, High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time.
William Shakespeare (Troilus and Cressida)
If his charge connection is cut off cold, the Oblique Addict falls into such violent electric convulsions that his bones shake loose, and he dies with the skeleton straining to climb out of its unendurable flesh and run in a straight line to the nearest cemetery.
William S. Burroughs (Naked Lunch: The Restored Text)
Rubella, Talipes, Amsterdam dwarfism, Austism, Asthma, Eczema, Epilepsy - the Sacred Disease. Moth madness, Papa calls it. Said Daniel. The Epilepsy, Papa used to say I was his little papillon de nuit - because of how I fluttered and got the shakes. Butterfly of the night. It suited him.
Emma Henderson (Grace Williams Says It Loud)
When you saved that girl, I told you that you’d received a gift. The gift is like this star at the center of the cottonwood. It’s inside you now. Someday, when you need it, it will come out, like the stars when the wind shakes the cottonwood trees, and it will shine for you, well and truly.” The boy
William Kent Krueger (The River We Remember)
Day by day the numbness crept upon him until at last the numbness seemed to be himself. He felt himself to be like the land, without identity or shape; sometimes one of the men would look at him, look through him, as if he did not exist; and he had to shake his head sharply and move an arm or a leg and glance at it to assure himself that he was visible.
John Williams (Butcher's Crossing)
John Wulgaru, she thought when she got back. Her hands were shaking. Is that his name, then? Am I the only person who knows that? Or the only person still alive?
Tad Williams (Sea of Silver Light (Otherland, #4))
Mom, my bed was shaking.
William Peter Blatty (The Exorcist)
...'tis our fast intent To shake all cares and business from our age, Conferring them on our younger strengths, while we Unburdened crawl toward death.
William Shakespeare (King Lear)
I am ashamed That thou hast power to shake my manhood thus; That these hot tears, which break from me perforce, Should make thee worth them.
William Shakespeare (King Lear)
Prime Intellect was an uncertain god. It had acted because it had to, but if it had been human its hand would be shaking on the controls.
Roger Williams (The Metamorphosis of Prime Intellect)
Ay, every inch a king: When I do stare, see how the subject quakes. I pardon that man's life. What was thy cause? Adultery? Thou shalt not die: die for adultery! No: The wren goes to 't, and the small gilded fly Does lecher in my sight. Let copulation thrive; for Gloucester's bastard son Was kinder to his father than my daughters Got 'tween the lawful sheets. To 't, luxury, pell-mell! for I lack soldiers. Behold yond simpering dame, Whose face between her forks presages snow; That minces virtue, and does shake the head To hear of pleasure's name; The fitchew, nor the soiled horse, goes to 't With a more riotous appetite. Down from the waist they are Centaurs, Though women all above: But to the girdle do the gods inherit, Beneath is all the fiends'; There's hell, there's darkness, there's the sulphurous pit, Burning, scalding, stench, consumption; fie, fie, fie! pah, pah! Give me an ounce of civet, good apothecary, to sweeten my imagination: there's money for thee.
William Shakespeare (King Lear)
shiver she couldn’t shake. Maybe this was just her burden, to carry the weight of missing him forever. Because who knew when he’d feel stable enough to be with her in a complete way? The reality was he might never get there.
Tia Williams (Seven Days in June)
Who uses them?" I was ready now to have the fight I'd shied from just minutes earlier. "The poor. People who work at the Covered Market. Women. Which is why they're not written down and why they've been excluded. Though sometimes they have been written down, but they're still left out because they are not used in polite society." I felt exhausted, but defiant. My hands were still shaking, but I was ready to go on. I looked him in the eye. "They're important.
Pip Williams (The Dictionary of Lost Words)
He was laughing, chin up, and shaking his head. God the Father was exploding in his face with a glory of sunlight through painted glass, a glory that moved with his movements to consume and exalt Abraham and Isaac and then God again.
William Golding (The Spire)
His legs bestrid the ocean: his rear’d arm Crested the world: his voice was propertied As all the tuned spheres, and that to friends; But when he meant to quail and shake the orb, He was as rattling thunder. For his bounty, There was no winter in’t; an autumn ’twas That grew the more by reaping: his delights Were dolphin-like; they show’d his back above The element they lived in: in his livery Walk’d crowns and crownets; realms and islands were As plates dropp’d from his pocket.
William Shakespeare
Wow...Just, wow...” She shakes her head. “How much longer do you think you’ll be able to keep doing this?” “Keep doing what?” “Chatting someone up for a week, f**king her, and moving on to the next. How much longer?” “Until my dick stops working.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
have the syndrome, Mrs. MacNeil. For example, the untidiness; the pugnacity; behavior that’s socially embarrassing; the automatism; and of course, the seizures that made the bed shake. Usually, that’s followed by either wetting the bed or vomiting, or both,
William Peter Blatty (The Exorcist)
o here will i set of my everlasting rest and shake the yoke of innauspicious stars from this world wearied flesh eyes look your last arms take your last embrace and lips all you the doors of breath seal with a righteous kiss a dateless bargain to engrossing death
William Shakespeare
A hundred hands wanted shaking, a hundred tongues expressed their condolences. Thank you, said William, and Kind of you, endlessly. Between his uncle and the helpfulness of the Misses Young and all these other people, William was never alone, not for an hour, except to sleep. He went to bed with the distant, certain expectation that overnight the world would put itself right. He slept for long hours: endless, dreamless sleep, which did not refresh, and when he woke the world bewildered him by persisting in its wayward course. He felt weighted down and dreary. A fog settled between him and his own thoughts, and behind it, unformulated, unexamined, was this: How long before things go back to normal? His mother was dead: he had seen the body; yet this knowledge refused to find a settled place in his mind. It came and went, surprised him every time he chanced upon it, and there were a million reasons not to believe it. His mother was dead, but look: here were her clothes and here her tea cups, here her Sunday hat on the shelf over the coat hook. His mother was dead, but hark: the garden gate! Any moment now she would come through the door.
Diane Setterfield (Bellman & Black)
Funerals weren’t just about the dead. They were about the dead leaving this world to reside with God, someone Mother wasn’t seeing eye to eye with at the moment, if she ever had, and I couldn’t shake the concern that in the middle of the service she would spring from her pew and find some way to spite him.
William Kent Krueger (Ordinary Grace)
How fares the thumb, boy? well? Aye, merry, ’tis the sign of the penis. With the women, look you, observe the ear. The parts appear and come together. So obesity and malice. So grumbling and nagging. So gossip, envy, spite, and avarice. Slowly settling into. So feminine weakness. Heartless piety. Savage morals. They come together. No more goody geedge. Ruthless, lifelong revenge. Zrrr. Grease in a cold pan. Stay off from gingerly lobed and delicately whorled ones. Thus appear the parts. Mind your uncle, boy, who knows. And the men then. Lewd speech and slovenly habits. And the peasant’s suspicion, his cruelty and rancor, his anger, drunkenness, pig-headed ignorance and bestiality. Inevitable they should be parts. Hoolyhoohoo. All in the normal course of nature. And they were saying we had evolved. What did it mean? But, he said in a voice that was clearly audible, I protest this world of unilluminated cocks. He caught the sense of his own words—so absurd—and his body began to shake—half in laughter, half in despair.
William H. Gass (Omensetter's Luck)
What was the Right in Bavaria at this chaotic time? It was the Regular Army, the Reichswehr; it was the monarchists, who wished the Wittelbachs back. It was a mass of conservatives who despised the democratic Republic established in Berlin; and as time went on it was above all the great mob of demobilized soldiers for whom the bottom had fallen out of the world in 1918, uprooted men who could not find jobs or their way back to the peaceful society they had left in 1914, men grown tough and violent through war who could not shake themselves from ingrained habit and who, as Hitler, who for a while was one of them, would later say, “became revolutionaries who favored revolution for its own sake and desired to see revolution established as a permanent condition.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
Mrs. Annie Duitscher from Baltimore came by. In 1882, when she was eleven years old, she saw President [William] McKinley going up the street and moved forward to shake hands him. Her father said 'We're just common folks. You can't shake hands with the president.' And now she's 106 years old and came by to shake hands with me. She's very lively and witty, and I enjoyed meeting with her.
Jimmy Carter (White House Diary)
The wagon wound and jolted between the slow and shifting yet constant walls from beyond and above which the wilderness watched them pass, less than inimical now and never to be inimical again since the buck still and forever leaped, the shaking gun-barrels coming constantly and forever steady at last, crashing, and still out of his instant of immortality the buck sprang, forever immortal
William Faulkner (Go Down, Moses)
If every person is to be banished from society who runs into debt and cannot pay—if we are to be peering into everybody's private life, speculating upon their income, and cutting them if we don't approve of their expenditure—why, what a howling wilderness and intolerable dwelling Vanity Fair would be! Every man's hand would be against his neighbor in this case, my dear sir, and the benefits of civilization would be done away with. We should be quarreling, abusing, avoiding one another. Our houses would become caverns, and we should go in rags because we cared for nobody. Rents would go down. Parties wouldn't be given any more. All the tradesmen of the town would be bankrupt. Wine, wax-lights, comestibles, rouge, crinoline-petticoats, diamonds, wigs, Louis-Quatorze gimcracks, and old china, park hacks, and splendid high-stepping carriage horses—all the delights of life, I say,—would go to the deuce, if people did but act upon their silly principles and avoid those whom they dislike and abuse. Whereas, by a little charity and mutual forbearance, things are made to go on pleasantly enough: we may abuse a man as much as we like, and call him the greatest rascal unhanged—but do we wish to hang him therefore? No. We shake hands when we meet. If his cook is good we forgive him and go and dine with him, and we expect he will do the same by us. Thus trade flourishes—civilization advances; peace is kept; new dresses are wanted for new assemblies every week; and the last year's vintage of Lafitte will remunerate the honest proprietor who reared it.
William Makepeace Thackeray (Vanity Fair)
It’s not like you have anything to lose anymore.” My fingers stop at my thumb ring while Sienna’s words echo in my head. Do I have anything to lose? I mean, after all I did, everything I fought against. I slowly turn the ring on my thumb. This simple band has, like all of my rings, one word engraved on it. Will anything change if I go to him? After all, I did lose everything that is important. It’s funny, actually, after the months I spent pushing him away. I thought, like the silly girl I probably am, that if I didn’t give myself to him, I’d be safe, that as long as I didn’t sleep with him, I wouldn’t lose my heart. Shouldn’t I have this one last memory to take home with me? So lost…I came here lost and I’ll go home lost. How convenient, and so utterly pathetic I want to give myself one strong shake to snap out of this.
Anna B. Doe (Lost & Found: Anabel & William #1 (New York Knights, #1))
William paid little heed to what was said, his own attention distracted by the sight of two slender white figures that hovered ghostlike among the bushes at the outer edge of the yard. Two capped white heads drew together, then apart. Now and then, one turned briefly toward the porch in what looked like speculation. “ ‘And for his vesture, they cast lots,’ ” his father murmured, shaking his head. “Eh?” “Never mind.” His father smiled,
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander / Dragonfly in Amber / Voyager / Drums of Autumn / The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone)
Wine, wax-lights, comestibles, rouge, crinoline-petticoats, diamonds, wigs, Louis-Quatorze gimcracks, and old china, park hacks, and splendid high-stepping carriage horses⁠—all the delights of life, I say⁠—would go to the deuce, if people did but act upon their silly principles and avoid those whom they dislike and abuse. Whereas, by a little charity and mutual forbearance, things are made to go on pleasantly enough: we may abuse a man as much as we like, and call him the greatest rascal unhanged⁠—but do we wish to hang him therefore? No. We shake hands when we meet. If his cook is good we forgive him and go and dine with him, and we expect he will do the same by us. Thus trade flourishes⁠—civilization advances; peace is kept; new dresses are wanted for new assemblies every week; and the last year’s vintage of Lafitte will remunerate the honest proprietor who reared it.
William Makepeace Thackeray (Vanity Fair)
this passion for wanting to meet the latest poet, shake hands with the latest novelist, get hold of the latest painter, devour... what is it? What is it they want from a man that they didn't get from his work? What do they expect? What is there left of him when he's done his work? What's any artist, but the dregs of his work? the human shambles that follows it around. What's left of the man when the work's done but a shambles of apology.
William Gaddis (The Recognitions)
Maslow used an apt term for this evasion of growth, this fear of realizing one's own fullest powers. He called it the "Jonah Syndrome." He understood the syndrome as the evasion of the full intensity of life: We are just not strong enough to endure more! It is just too shaking and wearing. So often people in...ecstatic moments say, "It's too much," or "I can't stand it," or "I could die"....Delirious happiness cannot be borne for long. Our organisms are just too weak for any large doses of greatness.... The Jonah Syndrome, then, seen from this basic point of view, is "partly a justified fear of being torn apart, of losing control, of being shattered and disintegrated, eve of being killed by the experience." And the result of this syndrome is what we would expect a weak organism to do: to cut back the full intensity of life: For some people this evasion of one's own growth, setting low levels of aspiration, the fear of doing what one is capable of doing, voluntary self-crippling, pseudo-stupidity, mock-humility are in fact defenses against grandiosity... It all boils down to a simple lack of strength to bear the superlative, to open oneself to the totality of experience-an idea that was well appreciated by William James and more recently was developed in phenomenological terms in the classic work of Rudolf Otto. Otto talked about the terror of the world, the feeling of overwhelming awe, wonder, and fear in the face of creation-the miracle of it, the mysterium tremendum et fascinosum of each single thing, of the fact that there are things at all. What Otto did was to get descriptively at man's natural feeling of inferiority in the face of the massive transcendence of creation; his real creature feeling before the crushing negating miracle of Being.
Ernest Becker (The Denial of Death)
Any Morning Just lying on the couch and being happy. Only humming a little, the quiet sound in the head. Trouble is busy elsewhere at the moment, it has so much to do in the world. People who might judge are mostly asleep; they can’t monitor you all the time, and sometimes they forget. When dawn flows over the hedge you can get up and act busy. Little corners like this, pieces of Heaven left lying around, can be picked up and saved. People won’t even see that you have them, they are so light and easy to hide. Later in the day you can act like the others. You can shake your head. You can frown.
William Stafford (Ask Me: 100 Essential Poems of William Stafford)
Sounds of The Fleetwoods singing, “Come Softly to Me” and Robin Luke singing “Susie Darlin” and Little Anthony popping the vocal on “I Ran All the Way Home.” Were they all hits in that summer of 1960? Yes and no. Mostly yes. In the long purple evenings when rock and roll from WLAM blurred into night baseball from WCOU, time shifted. I think it was all 1960 and that the summer went on for a space of years, held magically intact in a web of sounds: the sweet hum of crickets, the machine-gun roar of playing-cards riffling against the spokes of some kid’s bicycle as he pedaled home for a late supper of cold cuts and iced tea, the flat Texas voice of Buddy Knox singing “Come along and be my party doll, and I’ll make love to you, to you,” and the baseball announcer’s voice mingling with the song and with the smell of freshly cut grass: “Count’s three and two now. Whitey Ford leans over ... shakes off the sign ... now he’s got it ... Ford pauses ... pitches ... and there it goes! Williams got all of that one! Kiss it goodbye! RED SOX LEAD, THREE TO ONE!” Was Ted Williams still playing for the Red Sox in 1960? You bet your ass he was—.316 for my man Ted. I remember that very clearly. Baseball
Stephen King (Different Seasons)
It was a mass of conservatives who despised the democratic Republic established in Berlin; and as time went on it was above all the great mob of demobilized soldiers for whom the bottom had fallen out of the world in 1918, uprooted men who could not find jobs or their way back to the peaceful society they had left in 1914, men grown tough and violent through war who could not shake themselves from ingrained habit and who, as Hitler, who for a while was one of them, would later say, “became revolutionaries who favored revolution for its own sake and desired to see revolution established as a permanent condition.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
What is America to do about the rising tide of horror? Visitors from Europe or Japan shake their heads in wonder at the squalor and barbarity of America’s cities. They could be forgiven for thinking that the country had viciously and deliberately neglected its poor and its blacks. Of course, it has not. Since the 1960s, the United States has poured a staggering amount of money into education, housing, welfare, Medicaid, and uplift programs of every kind. Government now spends $240 billion a year to fight poverty,1278 and despite the widespread notion that spending was curtailed during Republican administrations, it has actually gone up steadily, at a rate that would have astonished the architects of the Great Society. Federal spending on the poor, in real 1989 dollars, quadrupled from 1965 to 1975, and has nearly doubled since then.1279 As the economist Walter Williams has pointed out, with all the money spent on poverty since the 1960s, the government could have bought every company on the Fortune 500 list and nearly all the farmland in America.1280 What do we have to show for three decades and $2.5 trillion worth of war on poverty? The truth is that these programs have not worked. The truth that America refuses to see is that these programs have made things worse.
Jared Taylor (Paved With Good Intentions: The Failure of Race Relations in Contemporary America)
I know wot it is,’ said Mrs. Kemp, shaking her head; ‘the fact is, you ain’t used ter drinkin’, an’ of course it’s upset yer. Now me, why I’m as fresh as a disy. Tike my word, there ain’t no good in teetotalism; it finds yer aht in the end, an’ it’s found you aht.’ Mrs. Kemp considered it a judgment of Providence. She got up and mixed some whisky and water. ‘‘Ere, drink this,’ she said. ‘When one’s ‘ad a drop too much at night, there’s nothin’ like havin’ a drop more in the mornin’ ter put one right. It just acts like magic.’ ‘Tike it awy,’ said Liza, turning from it in disgust; ‘the smell of it gives me the sick. I’ll never touch spirits again.
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
MACDUFF Confusion now hath made his masterpiece! Most sacrilegious murder hath broke ope The Lord’s anointed temple, and stole thence The life o’ the building. MACBETH 235 What is’t you say? the life? LENNOX Mean you his majesty? MACDUFF Approach the chamber, and destroy your sight With a new Gorgon:—do not bid me speak; See, and then speak yourselves. [Exeunt MACBETH and LENNOX.] 240 Awake, awake!— Ring the alarum-bell:—murder and treason!— Banquo and Donalbain! Malcolm! awake! Shake off this downy sleep, death’s counterfeit, And look on death itself! up, up, and see 245 The great doom’s image! Malcolm! Banquo! As from your graves rise up, and walk like sprites, To countenance this horror!
William Shakespeare (Macbeth)
And I guess what was bothering me the most was that he had blasted away the fiction with which I had justified the weakness in myself that seemed to stay my hand whenever I was finally reaching for the life I so desired. Sure I always had my reasons, failure always does, but underlying the hesitancy was a belief I somehow couldn't shake. We are what we are, we can't transform ourselves, the die is cast and we play out our fates. I might hit upon the million-dollar case, I might stumble upon the love of my life, something hard and clean might fall into my lap and change everything, but it really wouldn't change anything. I'd still be Victor Carl, I'd still be second tier and second class, I'd still be less than I ever hoped to be.
William Lashner (Marked Man (Victor Carl, #6))
Before the game, he [Vin Scully] waxed poetic about Wrigley Field: She stands alone at the corner of Clark and Addison, this dowager queen, dressed in basic black and pearls, seventy-five years old, proud head held high and not a hair out of place, awaiting yet another date with destiny, another time for Mr. Right. She dreams as old ladies will of men gone long ago. Joe Tinker. Johnny Evers. Frank Chance. And of those of recent vintage like her man Ernie. And the Lion [Leo Durocher]. And Sweet Billy Williams. And she thinks wistfully of what might have been, and the pain is still fresh and new, and her eyes fill, her lips tremble, and she shakes her head ever so slightly. And then she sighs, pulls her shawl tightly around her frail shoulders, and thinks, This time, this time it will be better.
George F. Will (A Nice Little Place on the North Side: Wrigley Field at One Hundred)
If we were going to determine what was broken in the radios, we needed a power source. With no electricity, this meant batteries. [...] we'd walk to the trading center and look for used cells that had been tossed in the waste bins. [...] First we'd test the battery to see if any juice was left in it. We'd attach two wires to the positive and negative ends and connect them to a torch bulb. The brighter the bulb, the stronger the battery. Next we'd flatten the Shake Shake carton and roll it into a tube, then stack the batteries inside, making sure the positives and negatives faced in the same direction. Then we'd run wires from each end of the stack to the positive and negative heads inside the radio, where the batteries normally go. Together, this stack of dead batteries usually contained enough juice to power a radio.
William Kamkwamba (The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope)
He was right. At the heart of the branch was a dark, five-pointed star. “Your people have a story about this,” he said to Mose. “They say that all the stars in the sky are actually made inside the earth. Then they seek out the roots of cottonwood trees and slip into the wood, where they wait, real patient. Inside the cottonwood, they’re dull and lightless, like you see here. Then, when the great spirit of the night sky decides that more stars are needed, he shakes the branches with his wind and releases the stars. They fly up and settle in the sky, where they shine and sparkle and become the luminous creations they were always meant to be.” He looked at the star in that cottonwood branch with a kind of reverence. “And we’re like that, too. Dreams shook loose. You boys and me and everybody else on God’s earth. Your people, Geronimo, they got a lot of wisdom
William Kent Krueger (This Tender Land)
There had been three of them once: James, then a sister named Fonsiba, then Lucas, children of Aunt Tomey's Turl, old Carother McCaslin's son, and Tennie Beauchamp, whom Edmonds' great-uncle Amodeus McCaslin won from a neighbor in a poker game in 1859. . .But James, the eldest, ran away before he became of age and didn't stop until he had crossed the Ohio River and they never heard from or of him again at all––that is, that his white kindred ever knew. It was as though he had not only. . .put running water between himself and the land of his grandmother's betrayal and his father's nameless birth, but he had interposed latitude and geography too, shaking from his feet forever the very dust of the land where his white ancestor could acknowledge or repudiate him from one day to another, according to his whim, but where he dared not even repudiate the white ancestor save when it met the white man's humor of the moment.
William Faulkner (Go Down, Moses)
You know, Micah, that first night, when I saw you on Bridge Street, I wanted to kill you. I wanted to cut your throat and watch your blood soak into the dirt. I wanted to wrap a strangle cord around your neck and throttle you while you kicked and messed yourself." "I'm shaking in my boots," Micah said, looking Han dead in the eyes. Han stood and took a step toward him. "I'm what's hiding in the side street when you walk home from The Four Horses," he said. "I'm the shadow in Greystone Alley when you go out to take a piss. I'm the foot pad in the corridor when you visit the girlie at Grievous Hall." Micah's eyes narrowed, his self-assurance wilting a bit. Han could tell he was going back over a hundred suspicious sights and sounds. "You've been following me?" "I can come and go from your room, any time I want," Han said. "I can tell you what you say when you talk in your sleep. I know what your down low girlie whispers in your ear." He laughed... Michah licked his lips. "Perhaps you take some kind of perverse pleasure in stalking me...
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
Lament for the Makaris (Makers) I who enjoyed good health and gladness am overwhelmed now by life’s terrible sickness and enfeebled with infirmity ... how the fear of Death dismays me! our presence here is mere vainglory; the false world is but transitory; the flesh is frail; the Fiend runs free ... how the fear of Death dismays me! the state of man is changeable: now sound, now sick, now blithe, now dull, now manic, now devoid of glee ... how the fear of Death dismays me! no state on earth stands here securely; as the wild wind shakes the willow tree, so wavers this world’s vanity ... how the fear of Death dismays me! Death leads the knights into the field (unarmored under helm and shield) sole Victor of each red mêlée ... how the fear of Death dismays me! that strange, despotic Beast tears from its mother’s breast the babe, full of benignity ... how the fear of Death dismays me! He takes the champion of the hour, the captain of the highest tower, the beautiful damsel in her tower ... how the fear of Death dismays me! He spares no lord for his elegance, nor clerk for his intelligence; His dreadful stroke no man can flee ... how the fear of Death dismays me! artist, magician, scientist, orator, debater, theologist, must all conclude, so too, as we: “how the fear of Death dismays me!” in medicine the most astute sawbones and surgeons all fall mute; they cannot save themselves, or flee ... how the fear of Death dismays me! i see the Makers among the unsaved; the greatest of Poets all go to the grave; He does not spare them their faculty ... how the fear of Death dismays me! i have seen the Monster pitilessly devour our noble Chaucer, poetry’s flower, and Lydgate and Gower (great Trinity!) ... how the fear of Death dismays me! since He has taken my brothers all, i know He will not let me live past the fall; His next prey will be — poor unfortunate me! ... how the fear of Death dismays me! there is no remedy for Death; we all must prepare to relinquish breath so that after we die, we may be set free from “the fear of Death dismays me
William Dunbar
Nothing seemed to have merged. They all sat separate. And the whole of the effort of merging and flowing and creating rested on her. Again she felt, as a fact without hostility, the sterility of men, for if she did not do it nobody would do it, and so, giving herself a little shake that one gives a watch that has stopped, the old familiar pulse began beating, as the watch begins ticking—one, two, three, one, two, three. And so on and so on, she repeated, listening to it, sheltering and fostering the still feeble pulse as one might guard a weak flame with a news-paper. And so then, she concluded, addressing herself by bending silently in his direction to William Bankes—poor man! who had no wife, and no children and dined alone in lodgings except for tonight; and in pity for him, life being now strong enough to bear her on again, she began all this business, as a sailor not without weariness sees the wind fill his sail and yet hardly wants to be off again and thinks how, had the ship sunk, he would have whirled round and round and found rest on the floor of the sea. “Did
Virginia Woolf (To the Lighthouse)
The twenty-fourth baron of Aisling,” answered Sydney. “But we just call him Big Bill.” “It was thought that the twenty-third baron had no surviving relatives,” said Mother. “But, right before he passed away, a successful industrialist and distant cousin named William Maxwell was discovered living in Los Angeles. As the only heir, he inherited all of this.” “If he inherited it, why are we here?” asked Sara. “He didn’t want to leave sunny California for gloomy Scotland,” said Sydney. “And since he was already rich, he decided to use his inheritance to create the Foundation for Atmospheric Research and Monitoring. That’s how an old Scottish manor house become a state-of-the-art weather station and research center.” “You’ll have to memorize all this for the tours,” said Mother. “Tours?” “Weather Weirdos,” Sydney said, shaking her head. “They knock on the door at all hours and ask to look around.” “I prefer the term ‘meteorology enthusiasts,’ ” said Mother. “And we’re happy to welcome them. It’s all part of our mission as defined by the baron. He thought the study of ocean and weather patterns was vitally important. The fact that this house overlooks the North Sea made it an ideal location to do both.
James Ponti (City Spies (City Spies, #1))
CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.
W.B. Yeats
What's that?" he asked. "A balance sheet," I said. "To keep track of your payments." He asked whether Pop had written it or me. When I answered truthfully, he handed the paper back like the useless thing it was. "Thank you," he said. "I won't be needing this." Which took me by surprise and set me stammering how it was proof he was making his payments, and how he should take it because it was the right and proper way to do business. "The rules aren't the same for me as they are for you," Joseph replied, shaking his head. "Don't you know that, Will?" Which put my nose out of joint so bad that I told him he was being rude, and that I was only trying to do him a favor at no small risk to myself. Joseph's face went blank as the cloudless sky overhead. He eyed the receipt. Said, "Thank you, Mr. William. But I can't accept." And got back on his bicycle. "That all you got to say?" I near shouted, frustrated at how easily he'd turned my good intentions into a fool's errand. And the quickest flash of hate you ever did see danced across the dark of his eyes. I stood there, feeling awkward and a fool. Joseph put one foot on a pedal and said, real quiet, "If you'll excuse me, I've a funeral to attend." Only then did I notice the band of mourning black around his upper arm. "Who died?" I asked stupidly. Joseph's eyes were flat. "Nobody important, Mr. William. Only a Negro boy like me.
Jennifer Latham (Dreamland Burning)
Because we were raised in a bigoted and hate-filled home, we simply assumed that calling someone a “cheap Jew” or saying someone “Jewed him down” were perfectly acceptable ways to communicate. Or at least we did until the day came when I called one of the cousins, a Neanderthal DeRosa boy, “a little Jew,” and he told me he wasn’t the Jew, that I was the Jew, and he even got Helen and Nana to confirm it for him. It came as a shock to me to find out we were a part of this obviously terrible tribe of skinflint, trouble-making, double-dealing, shrewdly smart desert people. When Denny found out, he was crestfallen because he had assumed that being Jewish meant, according to what his former foster family the Skodiens had taught him, a life behind a desk crunching numbers. “And I hate math,” he said, shaking his head. So here we were, accused Jews living in a hotbed of anti-Semitism. Not a good situation. Walter’s father was the worst. Learning about our few drops of Jewish blood seemed to ignite a special, long-held hatred in him. He became vile over nothing, finding any excuse to deride the Jews in front of us until Helen made him stop. We didn’t know what to make of it, except to write it off as another case of Wozniak-inspired insanity, but as young as we were, we could tell that at some point in his life he had crossed swords with a Jew someplace and came out on the losing end and we were going to pay for it. But because we really didn’t feel ourselves to be Jews, it didn’t sink in that he intended to hurt us with his crazy tirades. As I said, it’s hard to insult somebody when they don’t understand the insult, and it’s equally hard to insult them when they out and out refuse to be insulted. Word got around quickly.
John William Tuohy
The front door swung open and a gust of wind rushed inside. Boots scuffled along the floor, and Camille turned to see what pig had shown up at Daphne’s so early in the day. Her heart thumped as the door slammed. Stuart McGreenery tucked his arched captain’s hat under his arm and pulled off his white gloves. “A charming establishment,” he said. He turned up his nose, and sniffed the air. “Is that desperation I smell?” Oscar threw his fork and knife on the table and kicked back his chair. “Did you decide to join us for breakfast?” McGreenery lunged forward and Oscar rose to his feet. “I came to see what you know about the hole in the hull of my ship, you insolent whelp,” McGreenery said. Oscar’s cheek twitched with pleasure. “Why not just have me escorted down to it with a knife in my back?” Camille stood and inserted herself between the two men. Daphne sat in the corner of the parlor rolling cigars, her wide eyes darting from McGreenery to Oscar. “We heard the explosion,” Camille said. “What makes you think we had anything to do with it?” McGreenery retreated one small step and stared down the slope of his nose at her. This time he kept his icy stare level with her eyes. “Because it was not an accident. The explosion was set in a deliberate attempt to keep me from departing for Port Adelaide.” Camille tried to subdue the shake of her knees. “We certainly didn’t see it. Oscar and I were in our room.” McGreenery cocked his head. “I heard you were sharing a room.” He glanced at Oscar. “I doubt William would be fond of that.” “You don’t have the right to even speak his name,” Oscar said, strangling each word. McGreenery gracefully removed the hat out from under his arm and slipped it back on. “It doesn’t matter. Nothing will stop me from reaching the stone, least of all a little girl and her trained monkey.” Camille rushed forward, ready to smack McGreenery across the cheek. Oscar grabbed her around the waist and held her back. McGreenery bowed slightly, grinning with pleasure, and then whisked out the front door. She shrugged out form Oscar’s grasp and watched through the windows as McGreenery sauntered down the street toward the Stealth, where she could hear the echo of repairs already under way. “One day that prick is going to get what he deserves,” Oscar muttered. “I just hope I’m the one who gets to give it to him.
Angie Frazier (Everlasting (Everlasting, #1))
Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.
Meghan Quinn (The Lineup)
We so horridly shake our disposition with thoughts beyond the reaches of our soul>
William Shakespeare