William Rowe Quotes

Honey, a girl can’t keep a man like that as a friend. He’s a lover or an ex-lover, but never a friend. Men like that weren’t created to be a woman’s friend – they were created to make a woman hit high C three times in row.

The Lake Isle of Innisfree I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core.

Whoa,” a stunned voice said, whistling a row below me. “You’re the girl Jude Ryder’s going to marry and make baby superheroes with?

Lou didn't need to tell me, Luce," he said, looking between me and the field. "I don't need someone to tell me when my girl's in the stands. I could pick you out even if I was playing in the Superdome and you were tucked into the back row.

The worst part, the worst part, was that Lord de Worde was never wrong. It was not a position he understood in relation to his personal geography. People who took an opposing view were insane, or dangerous, or possibly even not really people. You couldn't have an argument with Lord de Worde. Not a proper argument. An argument, from arguer, meant to debate and discuss and persuade by reason. What you could have with William's father was a flaming row.

As I've gotten older, I realize I'm certain of only two things. Days that begin with rowing on a lake are better than days that do not. Second, a man's character is his fate. And as a student of history, I find this hard to refute. For most of us our stories can be written long before we die. There are exceptions among the great men of history, but they are rare..

In the notseeing and the hardknowing as though in a cave he seemed to see a diminishing row of suavely shaped urns in moonlight, blanched.

These hedge-rows, hardly hedge-rows, little lines / Of sportive wood run wild

The Last Words of My English Grandmother There were some dirty plates and a glass of milk beside her on a small table near the rank, disheveled bed-- Wrinkled and nearly blind she lay and snored rousing with anger in her tones to cry for food, Gimme something to eat-- They're starving me-- I'm all right--I won't go to the hospital. No, no, no Give me something to eat! Let me take you to the hospital, I said and after you are well you can do as you please. She smiled, Yes you do what you please first then I can do what I please-- Oh, oh, oh! she cried as the ambulance men lifted her to the stretcher-- Is this what you call making me comfortable? By now her mind was clear-- Oh you think you're smart you young people, she said, but I'll tell you you don't know anything. Then we started. On the way we passed a long row of elms. She looked at them awhile out of the ambulance window and said, What are all those fuzzy looking things out there? Trees? Well, I'm tired of them and rolled her head away.

Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops. His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it. Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.

As the years pass by, we’ll glance at faded photographs recalling memories shared with special friends and family, never wanting it to end. Memories are the only thing left within the end.” Judy

1) There exist instances of intense suffering which an omnipotent, omniscient being could have prevented without thereby losing some greater good or permitting some evil equally bad or worse. 2) An omniscient, wholly good being would prevent the occurrence of any intense suffering it could, unless it could not do so without thereby losing some greater good or permitting some evil equally bad or worse. 3) (Therefore) There does not exist an omnipotent, omniscient, wholly good being.

History is boring, unless you see it from the right perspective. perspective is important. Corn growing in a field appears orderless, till one turns the corner and sees the rows line up. a pixelized photo is unrecognizable, till one zooms out. All the the numbers are on a combination lock but it will not open till they are in the right sequence. So it is with history - all the names, dates and places are there, but it is not until they are seen from the right perspective that lessons become clear. history is boring, until it comes into focus.

I read somewhere that the boatman who rowed King William back across the river after the Battle of the Boyne is supposed to have asked the King which side won … To which the King replied: “What’s it to you? You’ll still be a boatman.

The ship's surgeon was a spotty unshaven little man whose clothes, arrayed with smudges, drippings, and cigarette burns, were held about him by an extensive network of knotted string, The buttons down the front of those duck trousers had originally been made, with all of false economy's ingenious drear deception, of coated cardboard. After many launderings they persisted as a row of gray stumps posted along the gaping portals of his fly. Though a boutoniere sometimes appeared through some vacancy in his shirt-front, its petals, too, proved to be of paper, and he looked like the kind of man who scrapes foam from the top of a glass of beer with the spine of a dirty pocket comb, and cleans his nails at table with the tines of his salad fork, which things, indeed, he did. He diagnosed Camilla's difficulty as indigestion, and locked himself in his cabin. that was the morning.

unlikely tan on one of Lonny Zone’s whores and the crisp naval uniform of a tall African whose cheekbones were ridged with precise rows of tribal

an unlovely gaggle of contrary old codgers".

Shouldn't a real city have at least one building with an elevator?

...to rows of refrigerated lockers, to the dreamless cabinet used for the filing of sightless eyes.

...and I'll have two of those plump ones, luv." "You saucy beast", was the automatic response, before his attention was drawn to a row of chickens laid out in a row before him.

A person should go out on the water on a fine day to a small distance from a beautiful coast, if he would see Nature really smile. Never does she look so delightful, as when the sun is brightly reflected by the water, while the waves are gently rippling, and the prospect receives life and animation from the glancing transit of an occasional row-boat, and the quieter motion of a few small vessels. But the land must be well in sight; not only for its own sake, but because the immensity and awfulness of a mere sea-view would ill accord with the other parts of the glittering and joyous scene.

My God, don’t they know? This stuff is simulacra of simulacra of simulacra. A diluted tincture of Ralph Lauren, who had himself diluted the glory days of Brooks Brothers, who themselves had stepped on the product of Jermyn Street and Savile Row, flavoring their ready-to-wear with liberal lashings of polo knit and regimental stripes. But Tommy surely is the null point, the black hole. There must be some Tommy Hilfiger event horizon, beyond which it is impossible to be more derivative, more removed from the source, more devoid of soul. Or so she hopes, and doesn’t know, but suspects in her heart that this in fact is what accounts for his long ubiquity.

I cracked one over a row a trailers that bordered the outfield fence- hit it so hard that Ted Williams came running out from the clubhouse wanting to know who it was that could a bat sound that way when it struck a baseball.

It stood on the east side of Ten Broeck Street, a three-block street in Arbor Hill named for a Revolutionary War hero and noted in the 1870s and 1880s as the place where a dozen of the city’s arriviste lumber barons lived, all in a row, in competitive luxury.

The thousands of black bodies incarcerated on death row are one legacy of lynching. The highest rates of execution in the United States can be correlated with those states where lynching was most prevalent. America’s practice of lynching morphs rather than dies.

McGrath briefly notes Bertrand Russell's Why I am not a Christian, and J. J. C. Smart gets a single mention, as does Adolf Grünbaum, but the other major defenders of philosophical atheism of the last half-century do not even merit a nod. His index contains no listings for Antony Flew, Wallace Matson, Kai Nielsen, Richard Gale, William L. Rowe, Michael Martin, J. L. Mackie, Daniel Dennett, Evan Fales, Michael Tooley, Quentin Smith, Jordan Howard Sobel, Robin Le Poidevin, Theodore Drange, Walter Sinnott-Armstrong, Nicholas Everitt, J. L. Schellenberg, or Graham Oppy.

The most solid thing was the light. It smashed through the rows of windows in the south aisle, so that they exploded with colour, it slanted before him from right to left in an exact formation, to hit the bottom yard of the pillars on the north side of the nave. Everywhere, fine dust gave these rods and trunks of light the importance of a dimension. He blinked at them again, seeing, near at hand, how the individual grains of dust turned over each other, or bounced all together, like mayfly in a breath of wind. He saw how further away they drifted cloudily, coiled, or hung in a moment of pause, becoming, in the most distant rods and trunks, nothing but colour, honey-colour slashed across the body of the cathedral. Where the south transept lighted the crossways from a hundred and fifty foot of grisaille, the honey thickened in a pillar that lifted straight as Abel’s from the men working with crows at the pavement.

George meanwhile, with his hat on one side, his elbows squared, and his swaggering martial air, made for Bedford Row, and stalked into the attorney’s offices as if he was lord of every pale-faced clerk who was scribbling there. He ordered somebody to inform Mr. Higgs that Captain Osborne was waiting, in a fierce and patronizing way, as if the pekin of an attorney, who had thrice his brains, fifty times his money, and a thousand times his experience, was a wretched underling who should instantly leave all his business in life to attend on the Captain’s pleasure. He did not see the sneer of contempt which passed all round the room, from the first clerk to the articled gents, from the articled gents to the ragged writers and white-faced runners, in clothes too tight for them, as he sate there tapping his boot with his cane, and thinking what a parcel of miserable poor devils these were. The miserable poor devils knew all about his affairs. They talked about them over their pints of beer at their public-house clubs to other clerks of a night. Ye gods, what do not attorneys and attorneys’ clerks know in London! Nothing is hidden from their inquisition, and their families mutely rule our city.

To an Isle in the Water Shy one, shy one, Shy one of my heart, She moves in the firelight Pensively apart. She carries in the dishes, And lays them in a row. To an isle in the water With her would I go. She carries in the candles, And lights the curtained room, Shy in the doorway And shy in the gloom; And shy as a rabbit, Helpful and shy. To an isle in the water With her would I fly.

Southern California showed that fasting cycles can be used to build a fresh immune system. Remarkably, they showed that fasting two to four days in a row forces the human body to go into a recycling mode, which gets rid of the older, worn-out immune cells. Then, when food is started again, it jump-starts the hematopoietic stem cells in your bone marrow to start regenerating fresh immune cells thus rebuilding the immune system.6

I did become homesick, and whenever that happened, I'd hide away in the school library, where the books filled rows and rows of shelves. I'd find a chair and study my lesson books in geography, social studies, biology, and math. I'd lose myself in American and African history, and within the colorful maps of the world. No matter how foreign and lonely the world was outside, the books always reminded me of home, sitting under the mango tree.

Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.

The worst part, the worst part, was that Lord de Worde was never wrong. It was not a position he understood in relation to his personal geography. People who took an opposing view were insane, or dangerous, or possibly even not really people. You couldn’t have an argument with Lord de Worde. Not a proper argument. An argument, from arguer, meant to debate and discuss and persuade by reason. What you could have with William’s father was a flaming row.

Because I said will I or won’t I when the sack was half-full because I said if the sack is full when we get to the woods it won’t be me. I said if it don’t mean for me to do it the sack will not be full and I will turn up the next row but if the sack is full, I cannot help it. It will be that I had to do it all the time and I cannot help it. And we picked on toward the secret shade and our eyes would drown together touching on his hands and my hands and I didn’t say anything.

what was that miraculous metal message we found somewhere along putnam avenue (or was it metropolitan?), back when we were defectors from museums & given to wandering the old brewer’s rows past midnight, now & then a silent mummer passing, a faint siren farther out & unfamiliar, a cold-body radiance lingering above the parapets of the glass factory? we tasted freedom in the silver-crystal air that night (my tongue has not forgotten), though all the words have been pulled apart.

As he breathed the black and grey air into his body he no longer thought of anything as lovely, the way the retiring trees of his boyhood had been; for everything was made up of dirt-clods; and you do construct a mountain from molehills or other over-codified facts. If only the cities had been dynamited before it was too late for him! -- That Pol Pot sure had the right idea, blowing down those ticky-tacky rice paper offices and illuminating the middlemen with bullets of vanguardist light so everyone could get back to the country, don’t you think? -- As things stood, even had Bug been able to cover the earth again with forests, after having lived so long in the excremental piles of cement and rusted steel he never could have seen trees as more than tedious identical dirty giant toothpicks unfit to be taken into the mouth’ his summer camp, as a dishwasher jail where you breathed in the steam of bad food; and the islands to which he had rowed, as sad unwholesome protuberances, polyps and land-cancers still in the stink of the outhouse -- and all the girls had long since grown up completely to make travesties of their lives, even though some inherited great riches as we used to reckon riches in those days. -- But surely this change in him was necessary, for without wretchedness and degradation of self one will never accomplish anything.

BLUE pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees, and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit—dumps, mopes, Mondays—all that’s dismal—low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like that blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that’s empty: blue bottles, bank accounts, and compliments, for instance, or, when the sky’s turned turtle, the blue-green bleat of ocean (both the same), and, when in Hell, its neatly landscaped rows of concrete huts and gas-blue flames; social registers, examination booklets, blue bloods, balls, and bonnets, beards, coats, collars, chips, and cheese . . . the pedantic, indecent and censorious . . . watered twilight, sour sea: through a scrambling of accidents, blue has become their color, just as it’s stood for fidelity.

I’d love to be William Wallace, leading the charge with a big sword in my hand,” sighed a friend. “But I feel like I’m the guy back there in the fourth row, with a hoe.” That’s a lie of the Enemy—that your place is really insignificant, that you aren’t really armed for it anyway. In your life you are William Wallace—who else could be? There is no other man who can replace you in your life, in the arena you’ve been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man. This is the next leg in the initiation journey, when God calls a man forward to the front lines. He wants to develop and release in us the qualities every warrior needs—including a keen awareness of the enemies we will face.

History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.

Covert Deception Masking true intentions of the dark persuader is another tactic a manipulator will use to get what they want. A dark persuader will disguise their true intentions from their victims and can use different approaches depending on their victims and the surrounding circumstances. One approach a dark persuader can use is using two requests consecutively because people find it hard to refuse two requests in a row. Take this example; a manipulator wants $500 from their victim. The dark persuader will begin by explaining why they are needed of $1000 while stating what will happen if they are not able to come up with that amount. The victim may feel some form of guilt or compassion, but will kindly explain to the manipulator that they cannot lend the amount because, quite frankly, it is more than they can manage to give. This is when the persuader will lessen the amount to $500, which was what they wanted from the beginning. They will attach the amount with some emotional reason where the victim will be unable to refuse the second request. The dark persuader walks away with the original sum, and the victim is left confused about what took place.

WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY

From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).

Jackaby was still engrossed in his examination when I came back inside. “Books. Books. Just books,” he was muttering. Jenny was hovering by the window. I joined her. “How did you manage it, by the way?” I asked. “All those Bibles, all across town? It is a remarkable feat.” “It looks more impressive than it is,” she said, still not meeting my eyes. “I borrowed Jackaby’s special satchel, the one that holds anything. The whole pile took just one trip. The real trick was keeping myself solid all the way home. That’s the bit I’m really proud of—” She turned to face me. “Oh, Abigail, it was amazing. People saw me!” “People saw you?” “I was in disguise, of course. I wore my long coat and gloves, and I had that floppy white hat on, so they didn’t see much, but still—people saw me and they didn’t gasp or make a scene. Someone even mumbled Good day to me as I was crossing the footbridge! It was exhilarating! I have never been so excited to have somebody see me—actually see me—and not care at all!” She glanced at Jackaby. “Although you would think I would be used to it by now.” “Jenny, that is absolutely amazing!” I said. “It is, isn’t it?” she said wistfully. “Just a little bit, at least? Oh, Abigail, I’m exhausted, I’m not ashamed to tell you. I had planned on setting my spoils out in nice triumphant rows when I got back, but it was all I could do to hold myself intact by then. Solidity is sort of like flexing a muscle, except the muscle is in your mind, and your mind is really just an abstract concept. I was basically flexing my entire body into existence the whole way home. But did it merit so much as a Good job, Jenny from that infuriating man?” Jackaby surfaced from his perusal and looked up at last. His cloud gray eyes found focus on Jenny. From his expression, I couldn’t tell if he had been following our conversation or not. “Completely unexceptional,” he said. “Nothing at all in this batch. We will need to scrutinize them more closely, of course, just to be sure. Oh, and Miss Cavanaugh . . .” She raised an eyebrow skeptically. “You performed . . . quite adequately,” he said, “despite expectations.” Jenny opened her mouth to reply, but then closed it again. Her face fluttered through a series of potential reactions. Finally she just threw up her hands and vanished from sight with a muffled whuph of air closing into the space where she suddenly wasn’t. “What in heaven’s name was all that?” said Jackaby. “Exquisite frustration, I believe, sir.” “Ah. Right.” He slumped into the desk chair and began to fidget absently with the spine of one of the Bibles. “Miss Cavanaugh is a singular and exceptional spirit, you know.” “Only a suggestion, sir, but that is precisely the sort of thing you might consider saying when she is still present and corporeal.

The Chronicle of Guillaume de Nangis, written by a monk at the Abbey of Saint-Denis, records their start in the middle of April. Other accounts have the storms arriving in Flanders around Pentecost, May 11. The abbot of Saint-Vincent, near Laon, noted that “it rained most marvelously and for so long.” So long, in fact, that it didn’t stop, except for a day or two, until August. By one count, it rained for 155 days in a row, virtually everywhere in Europe north of the Pyrenees and Alps, and west of the Urals: throughout France, Britain, the Baltic and German principalities, Poland, and Lithuania.

After sweating it out on death row for a decade, Ray Harris managed to get his sentence reduced to life imprisonment due to ineffective assistance of counsel. That same year, Vaughn’s boss Mick agreed to represent Harris pro bono and persuaded the Superior Court that Harris’s first attorney was so incompetent that his client deserved a new trial.

Why should Milton, Shakespeare, and Lord Bacon, and Sir Philip Sidney die? Perhaps yet they shall not wholly die. I am not contented to visit the house in Bread-Street where Milton was born, or that in Bunhill-Row where he died, I want to repair to the place where he now dwells. Some spirit shall escape from his ashes, and whisper to me things unfelt before. I am not satisfied to converse only with the generation of men that now happens to subsist; I wish to live in intercourse with the Illustrious Dead of All Ages. I demand the friendship of Zoroaster. Orpheus, and Linus, and Musaeus shall be welcome to me. I have a craving and an earnest heart, that can never be contented with anything in this sort, while something more remains to be obtained. And I feel that thus much at least the human race owes to its benefactors, that they should never be passed by without an affectionate remembrance. I would say, with Ezekiel, the Hebrew, in his Vision, ‘Let these dry bones live!’ Not let them live merely in cold generalities and idle homilies of morality; but let them live, as my friends, my philosophers, my instructors, and my guides! I would say with the moralist of old, ‘Let me act, as I would wish to have acted, if Socrates or Cato were the spectators of what I did!’ And I am not satisfied only to call them up by a strong effort of the imagination, but I would have them, and men like them, ‘around my path, and around my bed,’ and not allow myself to hold a more frequent intercourse with the living, than with the good departed.

Jewel and I come up from the field, following the path in single file. Although I am fifteen feet ahead of him, anyone watching us from the cottonhouse can see Jewel’s frayed and broken straw hat a full head above my own. The path runs straight as a plumb-line, worn smooth by feet and baked brick-hard by July, between the green rows of laidby cotton, to the cottonhouse in the center of the field, where it turns and circles the cottonhouse at four soft right angles and goes on across the field again, worn so by feet in fading precision. The cottonhouse is of rough logs, from between which the chinking has long fallen. Square, with a broken roof set at a single pitch, it leans in empty and shimmering dilapidation in the sunlight, a single broad window in two opposite walls giving onto the approaches of the path. When we reach it I turn and follow the path which circles the house. Jewel, fifteen feet behind me, looking straight ahead, steps in a single stride through the window. Still staring straight ahead, his pale eyes like wood set into his wooden face, he crosses the floor in four strides with the rigid gravity of a cigar store Indian dressed in patched overalls and endued with life from the hips down, and steps in a single stride through the opposite window and into the path again just as I come around the corner. In single file and five feet apart and Jewel now in front, we go on up the path toward the foot of the bluff. Tull’s wagon stands beside the spring, hitched to the rail, the reins wrapped about the seat stanchion. In the wagon bed are two chairs. Jewel stops at the spring and takes the gourd from the willow branch and drinks. I pass him and mount the path, beginning to hear Cash’s saw. When I reach the top he has quit sawing. Standing in a litter of chips, he is fitting two of the boards together. Between the shadow spaces they are yellow as gold, like soft gold, bearing on their flanks in smooth undulations the marks of the adze blade: a good carpenter, Cash is. He holds the two planks on the trestle, fitted along the edges in a quarter of the finished box. He kneels and squints along the edge of them, then he lowers them and takes up the adze. A good carpenter. Addie Bundren could not want a better one, a better box to lie in. It will give her confidence and comfort. I go on to the house, followed by the                                     Chuck.   Chuck.   Chuck.of the adze.

Write a short story every week. It’s not possible to write 52 bad short stories in a row.” Ray Bradbury, Science Fiction Author

To me, the board has always been profoundly three-dimensional, an effect enhanced by the chalk dust which drifts up from the tray, or is inadequately removed when the slate is washed, so that its normal blue-black monochrome is full of subtle variations, grays which suggest faraway galaxies or a nebula's gaseous clouds. And when I begin to draw a line across a freshly cleaned section, my hand follows the chalk in, as though like fish it swam there, and then, in the curve of an encircled word, it returns toward its source, and the simpler surface of the classroom world. That may be one reason why I lose my way while spelling the most common terms, for the letters will not remain in a row on the same plane as they do on the page, but sink or rise or float away, becoming curlicues and bows of string, whorls of suspended weed in which I lose all sense of the word's original identity.

1 A word that I coined in 1969 in The Age of Discontinuity (New York: Harper & Row; London: William Heinemann).

The cornfield seemed darker toward its center. Light entered at the rows’ end, ran like liquid down the middles, getting shallower and shallower. There seemed at the convergence of the rows some mass of shadows light could not defray.

Lost in the corn rows, I remember feeling just another stalk, and thus this country takes me over in the way I occupy myself when I am well . . . completely - to the edge of both my house and body. No one notices, when they walk by, that I am brimming in the doorways.

Bauer’s sad row house. The exterior of the three-story structure is beat-up brick. The house has a wooden porch, its green paint dirty and starting to peel. Flowerpots adorn the porch and the top step, but the plants are dead. Half a dozen newspapers, still in their plastic wrappers, are scattered about. Celine Bauer has clearly stopped caring

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. I mentioned I’d been in contact with her mother. “Oh crikey, that sounds dangerous!” “She’s a feisty woman, isn’t she?” William giggled. “Granny’s great fun after a few gin and tonics.” “Sh, William,” Diana said, giggling too. “My mother’s been a tremendous source of support to me. She never talks publicly; she’s just there for me.” “And what about William’s other granny?” “I have enormous respect for the Queen; she has been so supportive, you know. People don’t see that side of her, but I do all the time. She’s an amazing person.” “Has she been good over the divorce?” “Yes, very. I just want it over now so I can get on with my life. I’m worried about the attacks I will get afterward.” “What attacks?” “I just worry that people will try and knock me down once I am out on my own.” This seemed unduly paranoid. People adored her. I asked William how he was enjoying Eton. “Oh, it’s great, thanks.” “Do you think the press bother you much?” “Not the British press, actually. Though the European media can be quite annoying. They sit on the riverbank watching me rowing with their cameras, waiting for me to fall in! There are photographers everywhere if I go out. Normally loads of Japanese tourists taking pictures. All saying “Where’s Prince William?’ when I’m standing right next to them.” “How are the other boys with you?” “Very nice. Though a boy was expelled this week for taking ecstasy and snuff. Drugs are everywhere, and I think they’re stupid. I never get tempted.” “Does matron take any?” laughed Diana. “No, Mummy, it gives her hallucinations.” “What, like imagining you’re going to be king?” I said. They both giggled again. “Is it true you’ve got Pamela Anderson posters on your bedroom wall?” “No! And not Cindy Crawford, either. They did both come to tea at the palace, though, and were very nice.” William had been photographed the previous week at a party at the Hammersmith Palais, where he was mobbed by young girls. I asked him if he’d had fun. “Everyone in the press said I was snogging these girls, but I wasn’t,” he insisted. Diana laughed. “One said you stuck your tongue down her throat, William. Did you?” “No, I did not. Stop it, Mummy, please. It’s embarrassing.” He’d gone puce. It was a very funny exchange, with a flushed William finally insisting: “I won’t go to any more public parties; it was crazy. People wouldn’t leave me alone.” Diana laughed again. “All the girls love a nice prince.” I turned to more serious matters. “Do you think Charles will become king one day?” “I think he thinks he will,” replied Diana, “but I think he would be happier living in Tuscany or Provence, to be honest.” “And how are you these days--someone told me you’ve stopped seeing therapists?” “I have, yes. I stopped when I realized they needed more therapy than I did. I feel stronger now, but I am under so much pressure all the time. People don’t know what it’s like to be in the public eye, they really don’t.

Doesn’t that look like Mr. Mason from behind?” Henry grabbed the glasses. “I think it is him. I recognize the red hat he had on yesterday. If he had a motorboat, why did Hilda tell us they didn’t have time to go to the hardware store?” Jessie found the towel she’d packed and shared it with Henry. “The sun will have to dry off the rest of us,” she said. “If you ask me, those two are trying to keep us away from Cousin Charlotte’s property.” “Well, they can’t,” Henry said. “Hop in, everybody. We’re going to follow Mr. Mason back to Skeleton Point.” But Henry couldn’t follow the motorboat to Skeleton Point. It sped right past there without stopping. “He must be docking someplace else,” Jessie said. “That gives me an idea. Instead of going back to Skeleton Point, let’s row to that cove we passed not too far from the general store. We’ll hike up from there. If Hilda and William don’t spot our boat coming in, we’ll have a chance to see what they’re up to before they expect us back.” Henry didn’t need to think twice about Jessie’s good suggestion. He dipped one oar into the water and headed for the deserted cove. The Mystery at Skeleton Point

Tertullian, a Christian Father of the second and third centuries, writing to the Pagans, says: "The origin of your gods is derived from figures moulded on a cross. All those rows of images on your standards are the appendages of crosses; those hangings on your standards and banners are the robes of crosses." [198:4] We have it then, on the authority of a Christian Father, as late as A. D. 211, that the Christians "neither adored crosses nor desired them," but that the Pagans "adored crosses," and not that alone, but "a cross with a man upon

Kahnawake August 1704 Temperature 75 degrees “It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?” Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear. Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face. Mercy stumbled back from him. Her bear grease stained his clothing. “Mercy,” he said, turning away from her, “go cover yourself.” Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet. Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping. She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked. Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.” No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back. On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.” Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.” Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--” The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.” Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?” “Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?” Joseph swallowed and wet his lips. “No.” He could barely get the syllable out. Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed. “Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?

He was like Tennessee Williams, shooting three bull’s-eyes in a row, all with his blind eye.

Three Sisters. Corn, beans and squash. Each one complemented the other. Since the beans needed tall poles to grow on, they were planted next to the corn. In turn, the bean roots captured nitrogen helping to enrich the soil for the corn. The squash was then planted between the rows of corn and beans. The shade from their leaves helped the corn’s very shallow roots and kept the ground moist, which in turn favored the growth of the beans. A perfectly circular system.

The legal codes, such as the Turim (“Rows” composed on the structure of the rows of stones on the Priestly Breastplate) and the Shulchan Arukh (“Prepared Table” presenting the code of Jewish law for everyday life), summarized the Biblical and rabbinical rules and regulations to be followed by the Jew, in the government of his conduct. Every literary effort was expended in the production of such works, which helped to familiarize Jews with ritualistic enactments, to promote ecclesiastical unity and solidarity, despite their world-wide dispersion, and to rescue them from a carefully planned annihilation.

80 percent of death row inmates in the U.S. are products of the juvenile justice system.

Every few years, in the world of sport, someone ascends to the most rarefied of all levels—the one at which it becomes news not when they win, but when they lose. It must have been like that in the early Fifties, when a tubby Italian called Alberto Ascari was stitching together nine Grand Prix wins in a row, a record not even Fangio, Clark or Senna could match. Or when the great Real Madrid side of Alfredo Di Stefano and Ferenc Puskas won the first five European Cup finals, between 1956 and 1960. Or when Martina Navratilova dominated Wimbledon's Centre Court, winning nine ladies' singles titles in thirteen years. The current Australian cricket team is in just such a run at present, having just completed nine consecutive victories, putting them four wins away from establishing an all-time record. And then there is Tiger Woods.

He blinked and then smiled at my attempt as a joke. My stomach twisted. Good grief. It was the first time he had smiled properly. I was lucky I was sitting down. The experience transformed his face and revealed a row of perfect white teeth. Those golden brown eyes glowed and a series of laughter lines creased his face. They were the sort of lines that did funny things to a woman's stomach, not to mention other places.

[1]  I do not want to sound as though I am in any way blaming Judy Nilan for what happened to her, but I want to say something here to any female reading this book. If you are a jogger/walker, I beg of you to take a different route each time you head out for a run, even if you change it up just a little bit. No matter where you live, no matter how safe you think you are, there could be a psychopath like Scott Deojay lurking in the shadows, watching you run/walk by his house or place of employment every single day, and as each day passes, he might become more and more obsessed with you to the point where he needs to act out on the twisted fantasies flowing through his mind. Don’t give him that satisfaction. Take a different route. And also, please check the sex offender’s registry in your area with a quick Google search and find out where the sex offenders in your neighborhood live. Believe me, no matter where you live, there are sex offenders near you. Again, I am in no way blaming Judy Nilan for what happened to her by saying this, but let us learn something from Judy’s brutal murder.

the classes themselves, which were prim and undemanding, bored me in a way school never had before. . .So I passed the class hours slouched in the back rows, keeping an eye on the trees outside for signs of wind direction and strength, drawing page after page of surfboards and waves.

Most powerful men, and all critics, secretly hated poets because the poets' ability to deliver the muse's merchandise made them noble as gods. The dismal fools can't imagine what it's like to thank God at the end of an endless night for a short row of words that come vaguely close to what you had hoped to say the day before.

The comparison has become so commonplace that it can even be expanded and reversed. “Leonard Cohen is John Donne to Bob Dylan’s Shakespeare” declared a headline in The Guardian. Donne is considered later, making this quote from the biography The Ballad of Bob Dylan all the more intriguing: “For two years Zimmerman sat in the front row of Rolfzen’s class, third seat from the door, transfixed by the teacher’s lively Donne and Shakespeare.

her throat a single row of humble seed pearls. ‘Bertie gave me these.’ Tenderly she fingered the hard cream-coloured pearls. A tear shone proud in her eye. ‘I might have married again after him.’ A sadness scarred her voice. ‘If anyone had asked. But no one ever did. None of them did.’ Trailing a slim hand over the long grey plait that hung gracefully over one shoulder, she moved away, her eyes now fixed on the small, circular table by the window. Peter had placed it there, at the furthest distance from her bed. Another little ploy to make her life more difficult. A few more steps and she was there. Softly, she picked up the receiver. With trembling fingers she began to dial, saying the numbers aloud as she did so. ‘Three, four, six . . .’ Here she paused, momentarily unsure, before going on again: ‘Two, one.’ After a series of ringing tones there was a click at the other end, then a man’s voice, authoritative and crisp. ‘Carter here!’ Realising that her son might come into the room at any minute, Ada lost no time. ‘There’s something I want you to do,’ she told her solicitor. ‘Right away!’ Attentive as always, he remained silent while she outlined her plan. Downstairs, Peter Williams held the receiver to his ear. Careful not to breathe too loudly, or make a sound, he listened intently; his dark eyes tightly closed, his handsome face contorting with rage as he followed the conversation. After a while, Ada brought the exchange to a close. ‘My son knows nothing of this,’ she warned. ‘It must remain a secret between you and me, for now at least.’ ‘Of course.’ The solicitor was an old friend. ‘You can rely on me.’ Shaken by what he had heard, Peter Williams softly replaced the receiver. The conversation only confirmed what he had long suspected. For a time he paced the floor, his mind unsettled. Presently, he stopped by the window, his face a mask of loathing. ‘I’m sorry, Mother.’ He smiled, a not unpleasant smile – unlike his thoughts. ‘I can’t allow it,’ he murmured. ‘It simply won’t do.

Truth is the blood of art. Without truth a piece of art fails to touch the human spirit.” Someone in the back row grunts their approval, and Bill continues. “Now let’s look at the other side of this definition, the imaginary part. Imagination is pivotal for actors because everything we do, every piece of our craft takes place in the world of imagination.

Back to School As surreal as being a grown adult in high school was, it was also brief: in only one semester I had completed enough credits to obtain my diploma. From there I went directly to the “Adult Entry Program” at my local university and enrolled. I would spend one semester in remedial classes to catch up on missing prerequisites and then college would begin in earnest. One might imagine that by now I would have learned that being a good student takes significant effort, but I continued to coast my first semester, missing classes, and skipping homework. Then, one time after missing a few days in a row, I returned to discover the professor handing back a midterm exam –– one that I had not written! Apparently, I had skipped class that day. Although it would not lead to me failing the class (and as a remedial class it would not affect my overall grade,) it did require a “mercy pass” on the part of the instructor to get me through. The approach I’d been following all along simply wasn’t working. I had the right goals now but evidently I still lacked the right approach. As I think it might be for many people, the fundamental shift in how I went about things came with the realization that I was not going to school because I had to. No one was making me go. I was there of my own accord, for my own purposes and reasons. This understanding completely transformed the way I went about school; from that point forward, I treated it as something I wanted for myself, and I worked accordingly. By the end of my next semester, I was on the academic Dean’s List, and I would graduate with Great Distinction from the Honors program four years later.

Of course, eyes were also on the other family members. In stark contrast to a robed Prince William, who, as the next in line, kneeled before his father and pledged his loyalty “as your liege man of life and limb” (from a cue card, naturally) with a hand on Charles’s right shoulder and a kiss on his left cheek, Charles’s other son sat among guests four rows back. With Meghan at home in California, Prince Harry’s solo attendance was a striking reminder of the missed opportunity the monarch had to bring his entire family together before the public witnessed this royal milestone. It wasn’t for lack of effort on Harry’s side, who made it clear to his father after the January release of his memoir that he hoped to have a proper conversation about events of the past, a chance for both sides to take accountability where necessary. Instead, Charles was stubbornly hard to pin down.

Many times over I found that my success depended on others. It was the simplest of lessons, one I had been taught in basic SEAL training rowing my little rubber boat. And every success I had from that moment on had been because someone helped me.

In 1709 a playwright named Nicholas Rowe sought more reliable information on Shakespeare to introduce a new edition of the plays. As Rowe explained, “knowledge of an Author may sometimes conduce to the better understanding his Book.” Rowe’s publisher placed advertisements in the London Gazette and the Daily Courant, requesting anyone with “serviceable” materials to come forward. No one seems to have done so, for Rowe’s introduction, “Some Account of the life &c. Of Mr. William Shakespeare,” is largely a critical appreciation of the plays dotted with a few biographical statements. Many of these statements proved to be either inaccurate or unverifiable, but they were repeated for the next 150 years, entrenching a Shakespearean mythos.

One time, at the final hockey game of his senior year, against rival Beverly at the hockey rink in Lynn, the score was tied at two after regulation. Jack had scored both goals for Salem. The game went into overtime, but shortly thereafter, Jack’s team lost. It was the team’s seventh loss in a row. Jack was pissed. He threw his hockey stick in anger, then skated to get the stick and marched off to the locker room. Next thing he knew, his mother was in the locker room, too. She bounded right up to him, oblivious to the fact that the guys around her were in various states of undress. She grabbed him by the jersey in front of everyone. “You punk,” she yelled at him. “If you don’t know how to lose, you’ll never know how to win. If you don’t know this, you don’t belong anywhere.” He paused for a moment, recalling the memory. “She was a powerhouse,” he said. “I loved her beyond comprehension.

In Response to a Question: ”What Does the Earth Say?” The earth says have a place, be what that place requires; hear the sound the birds imply and see as deep as ridges go behind each other. (Some people call their scenery flat, their only pictures framed by what they know: I think around them rise a riches and a loss too equal for their chart - but absolutely tall.) The earth says every summer have a ranch that’s minimum: one tree, one well, a landscape that proclaims a universe - sermon of the hills, hallelujah mountain, highway guided by the way the world is tilted, reduplication of mirage, flat evening: a kind of ritual for the wavering. The earth says where you live wear the kind of color that your life is (grey shirt for me) and by listening with the same bowed head that sings draw all things into one song, join the sparrow on the lawn, and row that easy way, the rage without met by the wings within that guide you anywhere the wind blows. Listening, I think that’s what the earth says.

George burrowed into a side of the hill, building a dugout, the first home. He married a fellow Volga German, Hanna Weis, put in rows of wheat and corn on 160 acres, raised a few cows for milk. He also started breeding horses. The Ehrlichs had a girl, then another baby girl, then a third girl, and a fourth girl—each of them barely one year apart—before they moved out of the dugout. George built a frame house. They had yet two more girls. The seventh child was a boy—William George Ehrlich, who was called Willie. Then came two other girls, and a second boy, George Ehrlich, Jr. Now there were ten children.

It’s going to be a long row to hoe to bring the white South to any sense of shame, or to make them wake up to the brute fact that the golden age they hark back to and are fighting tooth and nail to perpetuate was a slave-holding, slave-breeding, slave-driving, slave-hunting hell on earth. The crime of the white South is centered in their racist unity of loyalty which blinds them to the real state of their society and its discontents

Scars" They tell how it was, and how time came along, and how it happened again and again. They tell the slant life takes when it turns and slashes your face as a friend. Any wound is real. In church a woman lets the sun find her cheek, and we see the lesson: there are years in that book; there are sorrows a choir can't reach when they sing. Rows of children lift their faces of promise, places where the scars will be. William Stafford, Americans’ Favorite Poems edited by Maggie Dietz and Robert Pinsky (W. W. Norton & Company; 1st edition, November 1, 1999)

As Devon accompanied her to the second floor, Kathleen became aware of strange ethereal music floating through the air. The delicate notes didn’t come from a piano. “What is that sound?” she asked. Devon shook his head, looking perplexed. They entered the drawing room, where Helen, Cassandra and Pandora had gathered around a small rectangular table. The twins’ faces glowed with excitement, while Helen’s was blank. “Kathleen,” Pandora exclaimed, “it’s the most beautiful, clever thing you’ve ever seen!” She saw a music box that was at least three feet long and a foot tall. The shining rosewood box, decorated with gold and lacquer inlay, rested upon its own matching table. “Let’s try another,” Cassandra urged, opening a drawer in the front of the table. Helen reached into the box to withdraw a brass cylinder, its surface bristling with hundreds of tiny pins. Several more cylinders lay in a gleaming row in the drawer. “You see?” Pandora said to Kathleen excitedly. “Each cylinder plays a different piece of music. You can choose what you want to hear.” Kathleen shook her head, marveling silently. Helen placed a new cylinder in the box and flipped a brass lever. The brisk, jaunty melody of the William Tell Overture poured out, making the twins laugh. “Swiss-made,” Devon remarked, staring at a plaque on the interior of the lid. “The cylinders are all opera overtures. Il Bacio, Zampa,,,” “But where did it come from?” Kathleen asked. “It seems to have been delivered today,” Helen said, her voice oddly subdued. “For me. From…Mr. Winterborne.

The passageway leads to a spiraling staircase. Back on Earth I wouldn’t be able to climb anything so steep. But ability is contextual. Whatever we’re able to do—and whatever meaning we make of that—changes from one environment to another. We make all of our own environments now. To design a place that others can’t possibly move through or inhabit is the same as raising up a drawbridge, dropping down a toothy portcullis, or punching a row of murder holes through a ceiling. It writes down a clear, solid message in the language of architecture: You are not welcome here. You don’t even have the right to exist here. Please cease to exist as soon as possible. That’s what the stairs would have said to me, back on Earth. But we aren’t on Earth. I bound up that staircase, which cannot object.

Winter reveals the massive, complex, muscular organization of the ancient oak. Like an old man stripped of his Savile Row, tailored suit - no less impressive in his mature nakedness.

But the pull of newspapering was strong. Eighteen months later, Grozier moved to New York and became personal secretary to Joseph Pulitzer, the Hungarian-born editor of the New York World and a journalism legend in the making. Pulitzer pioneered a formula of compelling human-interest stories, social justice crusades, and sensational battles with William Randolph Hearst and the New York Journal. Under Pulitzer, the World became the most profitable and most copied newspaper in the nation. Edwin Grozier had a front-row seat, and he was in thrall to Pulitzer: “I never saw anyone to equal him. His mind was like a flash of lightning, illuminating the dark places.