William Petersen Quotes

We've searched our database for all the quotes and captions related to William Petersen. Here they are! All 18 of them:

A smart person is not one that knows the answers, but one who knows where to find them...
William Petersen (Underground)
Writing is a vessel...with readers the ocean and authors as its sails...
William Petersen
To turn black women into objectified others was to underline their difference; they may be beautiful, but they are of another kind, separate from the dominant understanding of attractiveness.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
Writing lets other people know just how much fun it is in your head...
William Petersen
If you can get passed my grammatical ineptitude, my meandering thoughts and the obvious insanity that runs rampant in my mind...there is a story underneath.
William Petersen
Grace will complete what grace begins. God does not abandon his work in an incomplete state.” WILLIAM JONES
William J. Petersen (The One Year Book of Psalms)
I love to write...and so I do...
William Petersen
A manually-powered trenching instrument is still a shovel...
William Petersen
Serena’s body isn’t built to emulate the look of the model in an Ann Taylor shift dress. It’s built – through an exacting and grueling regimen – to decimate her opponents. And his suggestion that the body, too, is beautiful and sexy – in spite of, or even because of, its threat to the norms of white femininity – will continue to be threatening until the standards of beauty are decentered from those of the white upper class.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
Revelation, which is often associated with the end of things, also speaks of new beginnings—a new name (2:17); a new Jerusalem (3:12); a new heaven and a new earth (21:1); and all things new (21:5). It reads like a description of New Year’s Eve. Ring out the old; ring in the new!
William J. Petersen (The One Year Book of Psalms)
Unlike other players – who arrived at the sport because their class and place in society afforded them the possibility – the Williamses fought their way in. Any victory from that point forward would not be out of luck, or proximity to privilege, or pedigree. It would be through sheer strength, work, and will.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
But that lie – whose purpose was to allow white people to continue to think they weren’t racist, even when their actions and words indicated otherwise – was one in which the Williams sisters, like their father, refused to participate. They rejected the idea that they would assimilate to the white codes of the tennis world. Instead, they posed the question of their difference over and over again – in every clack of their densely beaded hair, in every powerful serve.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
Williams’s trashiness is the opposite of the tennis image: to be sexy, to admit you have a body, to wear things that are flashy or sparkly, all of it flies in the face of the traditional tennis idea, which corresponds with that of upper-class America.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
Put differently, the rhetoric of Williams’ different body isn’t just sexist – it’s profoundly racist.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
The Williams sisters had something else: each other, and their absolute dominance.
Anne Helen Petersen
But every step of Williams’s career has been shadowed with the sort of resentment that emerges whenever someone unsettles the status quo in an effective and unapologetic way. Put differently, when she stirred the pot, a whole lot of bullshit rose to the surface – and her refusal to try to perfume its smell has made her unruliness all the more potent.
Anne Helen Petersen (Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman)
The fatally wounded president was carried across the street to a boardinghouse owned by William Petersen.
David Fisher (Bill O'Reilly's Legends and Lies: The Civil War)
In 1885, Carl Boberg, a twenty-six-year-old preacher, wrote a poem titled in Swedish, “O Store Gud.” Translated into English, it’s “O Great God.” Boberg had no thought of his poem’s becoming a hymn, so a few years later he was surprised to hear his poem sung to the tune of an old Swedish melody. A generation later, in the early 1920s, English missionaries Stuart Hine and his wife were ministering in Poland, where they learned the Russian version of Boberg’s poem sung to the Swedish melody. Later, Hine created English words for it and arranged the Swedish melody to fit. This is the hymn we now know as “How Great Thou Art.
William J. Petersen (The Complete Book of Hymns: Inspiring Stories about 600 Hymns and Praise Songs)