William Camden Quotes

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Five hours' New York jet lag and Cayce Pollard wakes in Camden Town to the dire and ever-circling wolves of disrupted circadian rhythm.
William Gibson (Pattern Recognition (Blue Ant, #1))
Even their contemporaries felt that the relationship of Elizabeth and Robert transcended the details on practicality. There had to be some explanation for their lifelong fidelity, and those contemporaries put it down to 'synaptia', a hidden conspiracy of the stars, whose power to rule human lives no-one doubted: 'a sympathy of spirits between them, occasioned perhaps by some secret constellation', in the words of the historian William Camden, writing at the beginning of the seventeenth century. Theirs was a relationship already rooted in history and mythology. And that moment when Elizabeth heard she had come to the throne encapsulated much about their story. If our well-loved picture of Elizabeth's accession is something of a fantasy - if the reality is on the whole more interesting - you might say the same about our traditional picture of her relationship with Robert Dudley.
Sarah Gristwood (Elizabeth & Leicester: Power, Passion, Politics)
There had been an attempt over the summer to mix that Camden Lock lot with this Caldwell lot, but Keisha Blake did not especially care for Baudelaire or Bukowski or Nick Drake or Sonic Youth or Joy Division or boys who looked like girls or vice versa or Anne Rice or William Burroughs of Kafka's Metamorphosis or CND or Glastonbury or the Situationists or Breathless or Samuel Beckett or Andy Warhol or a million other Camden things, and when Keisha brought a wondrous Monie Love 7-inch to play on Leah's hi-fi there was something awful in the way Leah blushed and conceded it was probably OK to dance to. They had only Prince left, and he was wearing thin.
Zadie Smith (NW)
Eleanor plucked his sleeve. “But you know society just as I do. Blanche Harrington is one of the few genuinely nice women in town. There are so many vultures out there! I hated society when I was forced to come out. I can’t begin to tell you how many English ladies looked down on me because I am Irish. Worse, even though I am an earl’s daughter, the rakes in the ton were conscienceless.” She made sure not to grin, although she thought her eyes probably danced. He scowled. “I will protect Amanda from any rogue who dares give her a single glance,” he said tersely. “No one will dare pursue her with any intention other than an honorable one.” Eleanor tried not to laugh. “You do take this guardianship very seriously,” she said, maintaining an innocent expression. “Of course I do,” he snapped, appearing vastly annoyed. Then he nodded at the document in her hand. “Is that for me?” Eleanor simply could not prevent a grin. “It is the list of suitors.” Cliff looked at her as if she had spoken Chinese. “Don’t you want to see who is on it?” He snatched the sheet from her hand and she tried not to chuckle as his brows lifted. “There are only four names here!” “It is only the first four names I have thought of,” she said. “Besides, although you are providing her with a dowry, you are not making her a great heiress. We can claim an ancient Saxon family tree, but we have no proof. I am trying to find Amanda the perfect husband. You do want her to be very happy and to live in marital bliss, don’t you?” He gave her a dark look. “John Cunningham? Who is this?” She became eager, smiling. “He is a widower with a title, a baronet. He has a small estate in Dorset, of little value, but he is young and handsome and apparently virile, as his first wife had two sons. He—” “No.” She feigned surprise, raising both brows. “I beg your pardon?” “Who is next?” “What is wrong with Cunningham? Truthfully, he is openly looking for a wife!” “He is impoverished,” Cliff spat. “And he only wants a mother for his sons. Next?” “Fine,” she said, huffing. “William de Brett. Ah, you will like him! De Brett has a modest income of twelve hundred a year. He comes from a very fine family—they are of Norman descent, as well, but he has no title. However—” “No. Absolutely not.” Eleanor stared, forcing herself to maintain a straight face. “Amanda can live modestly but well on twelve hundred a year and I know de Brett. The women swoon when he walks into a salon.” His gaze hardened. “The income is barely acceptable, and he has no title. She will marry blue blood.” “Really?” His smile was dangerous. “Really. Who is Lionel Camden?
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
between 1586 and 1607, the historian William Camden wrote that the “small market-town” of Stratford-upon-Avon owed “all its consequences to two natives of it. They are John de Stratford, later archbishop of Canterbury, who built the church, and Hugh Clopton, later mayor of London, who built the Clopton Bridge across the Avon.” Camden was clearly aware of the poet Shakespeare—he referred to him elsewhere as one of “the most pregnant wits of our time”—but he apparently did not regard Stratford as the poet’s origin.
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
The playwright Christopher Marlowe was born into similar circumstances—his father was a shoemaker—but Marlowe’s early signs of genius did not go unnoticed, and he won a scholarship to the King’s School, followed by another scholarship to Cambridge. Other playwrights, such as Thomas Nashe, George Peele, and Robert Greene, earned university scholarships, too. Ben Jonson, who attended the Westminster School, wrote an epigram acknowledging his debt to William Camden
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
In 1543 the historian John Leland wrote, for example: A Stately place for rare and glorious shew There is, which Tamis with wandring stream doth dowse; Times past, by name of Avon men it knew: Here Henrie, the Eighth of that name, built a house So sumptuous, as that on such an one (Seeke through the world) the bright Sunne never shone. Leland’s words were quoted in the exhaustive history of Britain published by William Camden, Ben Jonson’s tutor. So the description would certainly have been known to Jonson. In another work, Leland explained that “Avon” was a shortening of the Celtic-Roman name “Avondunum,” meaning a fortified place (dunum) by a river (avon), which “the common people by corruption called Hampton.” Raphael Holinshed similarly wrote in his sprawling 1577 book of British history, Chronicles, that “we now pronounce Hampton for Avondune.” William Lambarde in his Topographical and Historical Dictionary of England affirmed that Hampton Court is “corruptly called Hampton for Avondun or Avon, an usual
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
He was very debilitated as time went on by the series of strokes that had come to him so prematurely, then near the end by bladder problems, constipation, failing eyesight. Near death, he was in a wheelchair, then mostly in the chair and bed in the bedroom of the small house he’d bought in Camden. He complained of becoming more sensitive to the cold. His room, though, was apparently knee-deep in paper, those unanswered letters, notes for poems, scribbled manuscripts—pleasant to think of him afloat on it all. He never had much money, and when contributions came to him from wealthy friends and admirers, of which he had quite a few, he saved it up for his grand cemetery monument.
C.K. Williams (On Whitman (Writers on Writers Book 8))