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alluding to Lange’s pathography , which rejected all productive influence of mental illness and only underscored its destructive effects: “Catatonia on the other hand completely diminished or destroyed his abilities; Hölderlin’s ‘madness’ has nothing to do with his genius” (Lange 1909, p. 216 f). While Lange essentially sought to apply psychiatric categories to apprehend the formally and linguistically unusual nature of Hölderlin’s art as an expression of alterity, Jaspers wanted to learn from the philologists. He was inspired not only by Hellingrath but also by Wilhelm Dilthey, whose 1906 collected volume Poetry and Experience included an essay on Hölderlin (Dilthey 1916). Jaspers describes this as the “most brilliant” interpretation of Hölderlin he had encountered
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