Wildlife Beauty Quotes

Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would.

Those who have never seen a leopard under favourable conditions in his natural surroundings can have no conception of the grace of movement, and beauty of colouring, of this the most gracefuL and the most beautiful of all animales in our Indian jungles.

We live in a shockingly beautiful world. We are walking through the living kingdom of heaven every day; the colours, the sound, the love of others, the potential to create, the plants, wildlife, nature, music, all sensations and life...but if we refuse to see colour and beauty we may as well be in Hell. Maybe an animated band was the best way of announcing this.

The future of wildlife and the habitat that they depend on is being destroyed. It is time to make nature and all the beauty living within it our priority.

It seems everything in nature that has beauty, also has a price. Let the value of our planets wildlife be to nature and nature alone.

To make a difference in the world, you don't have to be perfect, clever or beautiful. You just need to be kind.

Awestruck, Flora stared at the dishevelled sisters with their blazing faces and radiant ragged wings, who smelled of no kin but the wild high air.

You are trying to capture the fog, and no one can do that.

The future of wildlife and the habitat that they depend on is in being destroyed. It is time to make nature and all the beauty living within it our priority.

I've often thought about how all these different life forms occupy the same space as me during a given moment and how easy it can be to get so wrapped up in your own world you forget you're part of something larger and marvelous.

I believe that Human Kindness, Compassion and Caring towards all life, will always prevail. No matter how cruel the night, the dawn will break and Africa will still be here along with all its wild beauty.

We like to romanticize the wild, raw, majestic beauty of nature. But when you take a closer look, nature is really just a giant fuckfest. That beautiful bird chirping? It's a mating call. That pretty little bird is trying to get laid. And why does the peacock have such beautiful feathers? To attract females. Because he's trying to get laid.

The long fight to save wild beauty represents democracy at its best. It requires citizens to practice the hardest of virtues--self-restraint. Why cannot I take as many trout as I want from a stream? Why cannot I bring home from the woods a rare wildflower? Because if I do, everybody in this democracy should be able to do the same. My act will be multiplied endlessly. To provide protection for wildlife and wild beauty, everyone has to deny himself proportionately. Special privilege and conservation are ever at odds.

The beauty of Africa is not man made, it is natures gift to humanity.

Seek and see beauty in the watery world.

You don't need beautiful weather to enjoy the evening. You only need a beautiful heart.

He drew in a breath and all the seasons were in it; spring greenness in the grass, and somewhere a dog-rose blooming; the secretive scent of fungus clinging to the oak, and underneath it all something sharper waiting in a promise of winter.

This is an ode to life. The anthem of the world. For as there are billions of different stars that make up the sky so, too, are there billions of different humans that make up the Earth. Some shine brighter but all are made of the same cosmic dust. O the joy of being in life with all these people! I speak of differences because they are there. Like the different organs that make up our bodies. Earth, itself, is one large body. Listen to how it howls when one human is in misery. When one kills another, the Earth feels the pang in its chest. When one orgasms, the Earth craves a cigarette. Look carefully, these animals are beauty spots that make the Earth’s face lovelier and more loveable. These oceans are the Earth’s limpid eyes. These trees, its hair. This is an ode to life. The anthem of the world. I will no longer speak of differences, for the similarities are larger. Look even closer. There may be distances between our limbs but there are no spaces between our hearts. We long to be one. We long to be in nature and to run wild with its wildlife. Let us celebrate life and living, for it is sacrilegious to be ungrateful. Let us play and be playful, for it is sacrilegious to be serious. Let us celebrate imperfections and make existence proud of us, for tomorrow is death, and this is an ode to life. The anthem of the world.

What you will see are things that caught my eye and made me stop in my tracks to take a closer look.

Nature, with its paradoxical twin firmaments of breathtaking beauty and extreme cruelty, never explains itself and cares even less for our admiration and acceptance.

When pressed, hunters who claim that they just want “to be out in the wilderness,” will admit that the kill is essential—or at least the hope of a kill. As it turns out, there is no correlation between hunting and hiking, climbing, backpacking, kayaking, or any other outdoor activity. Hunters do not purposefully linger in the woods after a kill, but quickly begin the process of preparing to head home with the corpse. For hunters, the kill is the climax—the most important moment. They are not driving into the woods (or sometimes actually walking) for the sake of beauty, but in the hope of a kill.

They’ve been lying from the start. From the first time we read the words ‘once upon a time,’ we’re fed the idea that these girls—these gorgeous, demure, singing-with-the-wildlife girls—get a happy ending. And I get it. Poor thing had to do some chores around the house, fine. But the idea that she needs a magic old lady to come down and skim off the dirt so the prince will see her beauty? That’s ridiculous. Maybe she should have been working on her lockpicking skills instead of serenading squirrels. She could have busted out, hitched a ride to the castle, and impressed the prince with her safe-cracking prowess. Sorry, magic-fairy lady. She didn’t need your help.

Imagination is haunted by the swiftness of the creatures that live on the mountain - eagle and peregrine falcon, red deer and mountain hare. The reason for their swiftness is severely practical: food is so scarce up there that only those who can move swiftly over vast stretches of ground may hope to survive. The speed, the whorls and torrents of movement, are in plain fact the mountain's own necessity. But their grace is not necessity. Or if it is - if the swoop, the parabola, the arrow-flight of hooves and wings achieve their beauty by strict adherence to the needs of function - so much the more is the mountain's integrity vindicated. Beauty is not adventitious but essential.

Your garden is a protest. It is a place of defiant compassion. It is a space to help sustain wildlife and ecosystem function while providing an aesthetic response that moves you. For you, beauty isn’t just petal-deep but goes down into the soil, farther down into the aquifer and back up into the air and for miles around on the backs and legs of insects. You don’t have to see microbes in action, birds eating seeds, butterflies laying eggs, ants farming aphids….Your garden is a protest for all the ways in which we deny our life by denying other lives. Plant some natives. Be defiantly compassionate.

Life is beautiful, not for everyone.

I want to be happy every time, So I want to take beautiful pictures, That's why I want to fly around this world.

Life is beautiful, not for all.

Stop and unplug,” say I; “look around you, at the vastness and greatness of the natural world.” Some stop. Others need binoculars to tie their shoelaces.

Every sunset gives me a hope to live. It reminds me, You have capture more with your heart. It reminds me you are not alone, surrounded by a beautiful world, always there for you.

Let us consider Elfland as a great national park, a vast and beautiful place where a person goes by himself, on foot, to get in touch with reality in a special, private, profound fashion. But what happens when it is considered merely as a place to "get away to"? Well, you know what has happened to Yosemite. Everybody comes, not with an ax and a box of matches, but in a trailer with a motorbike on the back and a motorboat on top and a butane stove, five aluminum folding chairs, and a transistor radio on the inside. They arrive totally encapsulated in a secondhand reality. And then they move on to Yellowstone, and it's just the same there, all trailers and transistors. They go from park to park, but they never really go anywhere; except when one of them who thinks that even the wildlife isn't real gets chewed up by a genuine, firsthand bear. The same sort of thing seems to be happening to Elfland, lately.

I wrote MARCH FARM because I fell in love with the farms of Bethlehem when I moved here in 2000. I became passionate about preserving farms for many reasons: to secure the open spaces vital for wildlife habitat, to support my community by maintaining its rural beauty, and to honor a way of life that has deep roots in our cultural psyche.

I've been thinking about what it means to bear witness. The past ten years I've been bearing witness to death, bearing witness to women I love, and bearing witness to the [nuclear] testing going on in the Nevada desert. I've been bearing witness to bombing runs on the edge of the Cabeza Prieta Wildlife Refuge, bearing witness to the burning of yew trees and their healing secrets in slash piles in the Pacific Northwest and thinking this is not so unlike the burning of witches, who also held knowledge of heading within their bones. I've been bearing witness to traplines of coyotes being poisoned by the Animal Damage Control. And I've been bearing witness to beauty, beauty that strikes a chord so deep you can't stop the tears from flowing. At places as astonishing as Mono Lake, where I've stood knee-deep in salt-water to watch the fresh water of Lee Vining Creek flow over the top like water on vinegar....It's the space of angels. I've been bearing witness to dancing grouse on their leks up at Malheur in Oregon. Bearing witness to both the beauty and pain of our world is a task that I want to be part of. As a writer, this is my work. By bearing witness, the story that is told can provide a healing ground. Through the art of language, the art of story, alchemy can occur. And if we choose to turn our backs, we've walked away from what it means to be human.

An immaculate garden is a hostile place to most wildlife. Beautifully weeded borders, with every fallen leaf and twig gathered and disposed of, hedges kept constantly crisp and grass mown to within a fraction of its life may make a certain sort of gardener glow with pride but will provide little comfort for most of our birds, mammals and insects.

She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.

Always, during both the low points and high points in our lives, if we needed to escape, we went bush. We were so lucky to share a passion for wildlife experiences. Tasmania, the beautiful island state off the southern coast of Australia, became one of our favorite wildlife hot spots. We so loved Tassie’s unique wildlife and spectacular wilderness areas that we resolved to establish a conservation property there. Wes and Steve scouted the whole island (in between checking out the top secret Tasmanian surf spots), looking for just the right land for us to purchse. Part of our motivation was that we did not want to see the Tasmanian devil go the way of the thylacine, the extinct Tasmanian tiger. A bizarre-looking animal, it was shaped like a large log, with a tail and a pouch like a kangaroo. It had been pushed off of the Australian mainland (probably by the dingo) thousands of years ago, but it was still surviving in Tasmania into the 1930s. There exists some heartbreaking black-and-white film footage of the only remaining known Tassie tiger in 1936, as the last of the thylacines paces its enclosure. Watching the film is enough to make you rededicate your life to saving wildlife.

It was taking too long to get Malina to Australia, so I needed to get her more permanent housing in the States. Fortunately, I had fantastic friends at Wildlife Images near Grants Pass, Oregon. This wildlife rehabilitation facility was the best in the country, run by a family totally dedicated to helping wildlife. They agreed to take Malina and house her in a beautiful enclosure, complete with shady trees and grass under her feet. Steve came with me to Oregon, and we filmed her move to the new luxury accommodations. Sadly, Malina never made it to Australia. About a year after her move to Wildlife Images, she got sick. She was taken to a vet and sedated for a complete examination. It turned out her kidneys were shutting down. It could have been a genetic problem, or just old age. Either way, she never woke up.

She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.

Unlike Kate, by then I’d had a job. In fact, I’d had sixteen jobs, not including the years I worked as a babysitter before I could legally be anyone’s employee. They were janitor’s assistant (humiliatingly, at my high school), fast-food restaurant worker, laborer at a wildlife refuge, administrative assistant to a Realtor, English as a Second Language tutor, lemonade cart attendant, small town newspaper reporter, canvasser for a lefty nonprofit, waitress at a Japanese restaurant, volunteer coordinator for a reproductive rights organization, berry picker on a farm, waitress at a vegetarian restaurant, “coffee girl” at an accounting firm, student-faculty conflict mediator, teacher’s assistant for a women’s studies class, and office temp at a half a dozen places that by and large did not resemble offices and did not engage me in work that struck me as remotely “officey,” but rather involved things such as standing on a concrete floor wearing a hairnet, a paper mask and gown, goggles, and plastic gloves and—with a pair of tweezers—placing two pipe cleaners into a sterile box that came to me down a slow conveyor belt for eight excruciating hours a day.

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Every morning and evening at Lakefield, the fruit bats would come and go from the trees near our campsite. During the day, you could hear them in the distance as they squabbled over territory. Each fruit bat wanted to jockey for the best position on a branch. But when evening came, as if by silent agreement, all the bats knew to fly off at the same time. Steve grabbed me and the kids one evening just at dusk, and we went out into the river to watch the bats. I would rank that night as one of the most incredible experiences of my life, right up there with catching crocs and swimming with manatees. Sitting at dusk with the kids in the boat, all of a sudden the trees came alive. The bats took flight, skimming over the water to delicately dip for a drink, flying directly over our heads. It was as if we had gone back in time and pterodactyls flew once again. It was such an awe-inspiring event that we all fell quiet, the children included. The water was absolutely still, like an inky mirror, almost like oil. Not a single fish jumped, not a croc moved. All we heard were the wings of these ancient mammals in the darkening sky. We lay quietly in the bottom of the boat, floating in the middle of this paradise. We knew that we were completely and totally safe. We were in a small dinghy in the middle of some of the most prolifically populated crocodile water, yet we were absolutely comfortable knowing that Steve was there with us. “One day, babe,” Steve said softly to me, “we’ll look back on wildlife harvesting projects and things like croc farming the same way we look back on slavery and cannibalism. It will be simply an unbelievable part of human history. We’ll get so beyond it that it will be something we will never, ever return to.” “We aren’t there yet,” I said. He sighed. “No, we aren’t.” I thought of the sign Steve had over his desk back home. It bore the word “warrior” and its definition: “One who is engaged in battle.” And it was a battle. It was a battle to protect fragile ecosystems like Lakefield from the wildlife perpetrators, from people who sought to kill anything that could turn a profit. These same people were out collecting croc eggs and safari-hunting crocodiles. They were working to legalize a whole host of illicit and destructive activities. They were lobbying to farm or export everything that moved, from these beautiful fruit bats we were watching, to magpie geese, turtles, and even whales.

There was plenty of wildlife to film: water pythons, venomous snakes, numerous beautiful birds, koalas, possums, and all kinds of lizards. But the big croc remained elusive. Finally we found him. But something was wrong. As we approached, he failed to submerge. We were horrified to discover that the poachers had beaten us--and shot him. It was likely that he had been killed some time ago. Crocs often take a long while to die. They have the astonishing ability to shut off blood supply to an injured part of their body. The big croc had shut down and gone to the bottom of the river, at last, to succumb to his wound. He was huge, some fifteen feet long, fat and in good shape. Steve was beside himself; he felt as if the croc’s death was a personal failure. We filmed the croc and talked about what had happened. But eventually, Steve simply had to walk away. When I went to him, there were tears in his eyes. Steve had a genuine love for crocodiles and appreciated each individual animal. This croc could have been fifty years old, with mates, a family, and a history as king of this river. His death wasn’t abstract to Steve. It was personal, as though he had lost a friend, and it fueled his anger toward the poacher who had killed such a magnificent animal. Steve knew there was another croc in the area that was also in potential danger. “Maybe if we save that one,” Steve said, with resolve, “we can salvage something out of this trip.” He didn’t give up. That night we cruised Cattle Creek again to film the trap sites. It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet.

One day, babe,” Steve said softly to me, “we’ll look back on wildlife harvesting projects and things like croc farming the same way we look back on slavery and cannibalism. It will be simply an unbelievable part of human history. We’ll get so beyond it that it will be something we will never, ever return to.” “We aren’t there yet,” I said. He sighed. “No, we aren’t.” I thought of the sign Steve had over his desk back home. It bore the word “warrior” and its definition: “One who is engaged in battle.” And it was a battle. It was a battle to protect fragile ecosystems like Lakefield from the wildlife perpetrators, from people who sought to kill anything that could turn a profit. These same people were out collecting croc eggs and safari-hunting crocodiles. They were working to legalize a whole host of illicit and destructive activities. They were lobbying to farm or export everything that moved, from these beautiful fruit bats we were watching, to magpie geese, turtles, and even whales.

As much as he influenced her, Bindi changed Steve, too. After our Florida trip, Bindi and I went home, while Steve flew off to the Indonesian island of Sumatra. We couldn’t accompany him because of the malaria risk, so we kept the home fires burning instead. At one point, Steve was filming with orangutans when his newfound fatherhood came in handy. A local park ranger who had worked with the national park’s orangutans for twenty-five years accompanied Steve into the rain forest, where they encountered a mother and baby orangutan. The rangers keep a close eye on the orangutans to prevent poaching, and the ranger recognized a lot of the animals by sight. “She reminds me of Bindi,” Steve exclaimed, seeing the infant ape. It was a mischievous, happy baby, clinging to her mother way up in the top branches of a tree. “This will be great to film,” Steve said. “I’ll climb into the tree, and then you can get me and the orangutans in the same shot.” The ranger waved his hands, heading Steve off. “You absolutely can’t do that,” the ranger said. “The mother orangutans are extremely protective. If you make a move anywhere near that tree, she’ll come down and pull your arms off.” Steve paused to listen. “They are very strong,” the ranger said. “She won’t tolerate you in her tree.” “I won’t climb very close to her,” Steve said. “I’ll just go a little way up. Then the camera can shoot up at me and get her in the background.” The ranger looked doubtful. “Okay, Steve,” he said. “But I promise you, she will come down out of that tree and pull your head off.” “Don’t worry, mate,” Steve said confidently, “she’ll be right.” He climbed into the tree. Down came the mother, just as the ranger had predicted. Tugging, pulling, and dragging her baby along behind her, she deftly made her way right over to Steve. He didn’t move. He sat on his tree limb and watched her come toward him. The crew filmed it all, and it became one of the most incredible shots in documentary filmmaking. Mama came close to Steve. She swung onto the same tree limb. Then she edged her way over until she sat right beside him. Everyone on the crew was nervous, except for Steve. Mama put her arm around Steve’s shoulders. I guess the ranger was right, Steve thought, wondering if he would be armless or headless in the very immediate future. While hanging on to her baby, Mama pulled Steve in tight with her other arm, looked him square in the face, and…started making kissy faces at him. The whole crew busted up laughing as Mama puckered up her lips and looked lovingly into Steve’s eyes. “You’ve got a beautiful little baby, sweetheart,” Steve said softly. The baby scrambled up the limb away from them, and without taking her eyes off Steve, the mother reached over, grabbed her baby, and dragged the tot back down. “You’re a good mum,” Steve cooed. “You take good care of that little bib-bib.” “I have never seen anything like that,” the park ranger said later. I had to believe that the encounter was further evidence of the uncanny connection Steve had with the wildlife he loved so much, as well as one proud parent recognizing another.

We got back on the road, heading west. I remember my thoughts as we ventured into the Simpson Desert. There’s nothing out here. The landscape was flat and lifeless. Except for the occasional jump-up--a small mesa that rose twenty or thirty feet above the desert floor-it just looked like dirt, sticks, and dead trees. The Simpson Desert is one of the hottest places on earth. But Steve brought the desert to life, pointing out lizards, echidnas, and all kinds of wildlife. He made it into a fantastic journey. In the middle of this vast landscape were the two of us, the only people for miles. Steve had become adept at eluding the film crew from time to time so we could be alone. There was a local cattle station about an hour-and-a-half drive from where we were filming, a small homestead in the middle of nowhere. The owners invited the whole crew over for a home-cooked meal. Steve and I stayed in the bush, and Bob and Lyn headed to one of their favorite camping spots. After having dinner, the crew couldn’t locate us. They searched in the desert for a while before deciding to sleep in the car. What was an uncomfortable night for them turned out to be a brilliant night for us! Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.

I knew the one thing I wanted to do more than anything was to get to Steve. I needed to bring my kids home as fast as possible. I didn’t understand what had been going on in the rest of the world. Steve’s accident had occurred at eleven o’clock in the morning. The official time of death was made at twelve noon, the exact time that Bindi had looked at her watch and said, for no apparent reason, “It’s twelve o’clock.” Now I had to go out to the car and tell Bindi and Robert what had happened to their daddy. How do you tell an eight-year-old child that her father has died? A two-year-old boy? The person they loved most in the world was gone, the person they looked up to, relied on, and emulated, who played with them in the bubble bath and told them stories about when he was a naughty little boy, who took them for motorbike rides and got them ice cream, went on croc-catching adventures and showed them the world’s wildlife. I had to tell them that they had lost this most important person, on this most beautiful day. Emma came in and I told her what had happened. Suddenly I felt very sick. I didn’t know if I could stand up, and I asked to use the restroom. Then I realized this was the exact time for me to be strong. For years I had counted on Steve’s strength. At six feet tall and two hundred pounds, he was a force to be reckoned with. But he always told me there were different kinds of strength. Steve said he could count on me to be strong when times were hard. I thought about that, and I suddenly understood there must be a reason that I was here and he was gone. I needed to help his kids, to be there for our children. All I wanted to do was run, and run, and run. But I had to stay. With Emma at my side, I went outside and climbed into the car. Bindi had opened up the raspberries again. I put them away and sat her down. She knew instantly by my face that something was wrong. “Did something happen to one of the animals at the zoo?” she asked. “Something happened to Daddy,” I said. “He was diving, and he had an accident.” I told her everything that I knew about what had happened. She cried. We all cried. Robert still slept.

You don't need beautiful weather to enjoy the evening. You only need a beautiful heart, which already I know you have, my dear. Good evening, my sweetheart.

The camera connects me to the raw beauty of nature.

Each day, nature paints the sky with ephemeral masterpieces - a fleeting beauty that beckons photographers to capture its essence.

The catch, of course, is that there’s usually a defect in discarded goods, no matter how good they look. In the case of upholstered furniture, everyone knows you have to turn it over and check for squirrels. Evaluating a new manuscript is like that. On the surface, in the form of a paper printout, it can appear to be beautiful and trouble-free—but look carefully at the electronic files, and any manner of wildlife could be lurking. My favorite example is a manuscript that consisted of over 300 separate MS Word files: the writer had started a new one every time he reached the bottom of a page.

January 2013 Andy’s Message   Hi Young, I’m home after two weeks in Tasmania. My rowing team was the runner-up at the Lindisfarne annual rowing competition. Since you were so forthright with your OBSS experiences, I’ll reciprocate with a tale of my own from the Philippines.☺               The Canadian GLBT rowing club had organised a fun excursion to Palawan Island back in 1977. This remote island was filled with an abundance of wildlife, forested mountains and beautiful pristine beaches.               It is rated by the National Geographic Traveller magazine as the best island destination in East and South-East Asia and ranked the thirteenth-best island in the world. In those days, this locale was vastly uninhabited, except by a handful of residents who were fishermen or local business owners.               We stayed in a series of huts, built above the ocean on stilts. These did not have shower or toilet facilities; lodgers had to wade through knee-deep waters or swim to shore to do their business. This place was a marvellous retreat for self-discovery and rejuvenation. I was glad I didn’t have to room with my travelling buddies and had a hut to myself.               I had a great time frolicking on the clear aquiline waters where virgin corals and unperturbed sea-life thrived without tourist intrusions. When we travelled into Lungsodng Puerto Princesa (City of Puerto Princesa) for food and a shower, the locals gawked at us - six Caucasian men and two women - as if we had descended from another planet. For a few pesos, a family-run eatery agreed to let us use their outdoor shower facility. A waist-high wooden wall, loosely constructed, separated the bather from a forest at the rear of the house. In the midst of my shower, I noticed a local adolescent peeping from behind a tree in the woods. I pretended not to notice as he watched me lathe and played with himself. I was turned on by this lascivious display of sexual gratification. The further I soaped, the more aroused I became. Through the gaps of the wooden planks, the boy caught glimpses of my erection – like a peep show in a sex shop, I titillated the teenager. His eyes were glued to my every move, so much so that he wasn’t aware that his friend had creeped up from behind. When he felt an extra hand on his throbbing hardness, he let out a yelp of astonishment. Before long, the boys were masturbating each other. They stroked one another without mortification, as if they had done this before, while watching my exhibitionistic performance carefully. This concupiscent carnality excited me tremendously. Unfortunately, my imminent release was punctured by a fellow member hollering for me to vacate the space for his turn, since I’d been showering for quite a while. I finished my performance with an anticlimactic final, leaving the boys to their own devices. But this was not the end of our chance encounter. There is more to ‘cum’ in my next correspondence!               Much love and kisses,               Andy

Steve felt determined to focus on the positive aspects of his experience. Humpback whales came up to the side of the boat, lifting their huge heads out of the water, having a look around. There was no need to go searching for them--the natural curiosity of the humpbacks made them come to you. Steve donned his dry suit to do some filming in the water. The whales approached. Because Steve’s dry suit had a small leak in it, he climbed up on a growler--a small iceberg--and was able to hang on to complete the filming. The resulting footage represented what Steve was all about. He was able to bring his experience with these beautiful whales into people’s living rooms. This is why he did what he did--to get wildlife into our hearts.

The controversy highlighted the way wildlife is prioritized. Steve and I believed that in the modern age, wildlife competes for headlines with politics and sports. Watching wildlife on the long lens (“See that little dot on the center of that iceberg?”) just won’t work anymore. It won’t put wildlife into people’s hearts or give them a priority in the press, which is where they have to be to have any chance of survival. Steve had such genuine love for wildlife and was so skilled and gifted, he was able to share the animals’ beauty without using restraining devices. For example, whales spend a tenth of their lives at the surface of the ocean. Whale watching doesn’t harm whales. But it is highly effective in getting people to take whales into their hearts. More than that, Steve wanted everyone watching to feel like they were sharing the experience and not just viewing it. “I want you in there with me, mate,” Steve told his audiences. “I’m taking you right in there with me.” He wanted everyone to come with him on his journey of discovery and to connect with wildlife as he did. In the end, the investigation determined that Steve had done nothing wrong on the Antarctic documentary trip. Once again, the thoughts and prayers of ordinary people around the world who believed in Steve sustained us. I wouldn’t have blamed him if he had thrown it all in. “I’m closing the gates,” he could have said. “I’m going to quit struggling.” But he wasn’t willing to give up or give in. Steve kept fighting, but not since he’d lost his mother had I seen him so low. He had taken two hits in quick succession: first Baby Bob, then the Antarctica allegations. “Crocodiles are easy,” Steve said. “They try to kill and eat you. People are harder. Sometimes they pretend to be your friend first.

Steve had such genuine love for wildlife and was so skilled and gifted, he was able to share the animals’ beauty without using restraining devices. For example, whales spend a tenth of their lives at the surface of the ocean. Whale watching doesn’t harm whales. But it is highly effective in getting people to take whales into their hearts. More than that, Steve wanted everyone watching to feel like they were sharing the experience and not just viewing it. “I want you in there with me, mate,” Steve told his audiences. “I’m taking you right in there with me.” He wanted everyone to come with him on his journey of discovery and to connect with wildlife as he did.

I knew the one thing I wanted to do more than anything was to get to Steve. I needed to bring my kids home as fast as possible. I didn’t understand what had been going on in the rest of the world. Steve’s accident had occurred at eleven o’clock in the morning. The official time of death was made at twelve noon, the exact time that Bindi had looked at her watch and said, for no apparent reason, “It’s twelve o’clock.” Now I had to go out to the car and tell Bindi and Robert what had happened to their daddy. How do you tell an eight-year-old child that her father has died? A two-year-old boy? The person they loved most in the world was gone, the person they looked up to, relied on, and emulated, who played with them in the bubble bath and told them stories about when he was a naughty little boy, who took them for motorbike rides and got them ice cream, went on croc-catching adventures and showed them the world’s wildlife. I had to tell them that they had lost this most important person, on this most beautiful day.

Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.

One evening Steve and I didn’t feel like cooking, and we had ordered a pizza. I noticed that I was a bit leaky, but when you are enormously pregnant, all kinds of weird things happen with your body. I didn’t pay any particular attention. The next day I called the hospital. “You should come right in,” the nurse told me over the phone. Steve was fairly nearby, on the Gold Coast south of Brisbane, filming bull sharks. I won’t bother him, I thought. I’ll just go in for a quick checkup. “If everything checks out okay,” I told them at the hospital, “I’ll just head back.” The nurse looked to see if I was serious. She laughed. “You’re not going anywhere,” she said. “You’re having a baby.” I called Steve. He came up from the Gold Coast as quickly as he could, after losing his car keys, not remembering where he parked, and forgetting which way home was in his excitement. When he arrived at the hospital, I saw that he had brought the whole camera crew with him. John was just as flustered as anyone but suggested we film the event. “It’s okay with me,” Steve said. I was in no mood to argue. I didn’t care if a spaceship landed on the hospital. Each contraction took every bit of my attention. When they finally wheeled me into the delivery room at about eight o’clock that night, I was so tired I didn’t know how I could go on. Steve proved to be a great coach. He encouraged me as though it were a footy game. “You can do it, babe,” he yelled. “Come on, push!” At 9:46 p.m., a little head appeared. Steve was beside himself with excitement. I was in a fog, but I clearly remember the joy on his face. He helped turn and lift the baby out. I heard both Steve and doctor announce simultaneously, “It’s a girl.” Six pounds and two ounces of little baby girl. She was early but she was fine. All pink and perfect. Steve cut the umbilical cord and cradled her, gazing down at his newborn daughter. “Look, she’s our little Bindi.” She was named after a crocodile at the zoo, and it also fit that the word “bindi” was Aboriginal for “young girl.” Here was our own young girl, our little Bindi. I smiled up at Steve. “Bindi Sue,” I said, after his beloved dog, Sui. Steve gently handed her to me. We both looked down at her in utter amazement. He suddenly scooped her up in the towels and blankets and bolted off. “I’ve got a baby girl!” he yelled, as he headed down the hall. The doctor and midwives were still attending to me. After a while, one of the midwives said nervously, “So, is he coming back?” I just laughed. I knew what Steve was doing. He was showing off his beautiful baby girl to the whole maternity ward, even though each and every new parent had their own bundle of joy. Steve was such a proud parent. He came back and laid Bindi beside me. I said, “I couldn’t have done it if you hadn’t been here.” “Yes, you could have.” “No, I really needed you here.” Once again, I had that overwhelming feeling that as long as we were together, everything would be safe and wonderful. I watched Bindi as she stared intently at her daddy with dark, piercing eyes. He gazed back at her and smiled, tears rolling down his cheeks, with such great love for his new daughter. The world had a brand-new wildlife warrior.

The name of the zoo was the Queensland Reptile and Fauna Park. As I crossed the parking area, I prepared myself for disappointment. I am going to see a collection of snakes, lizards, and miserable creatures in jars, feel terribly sorry for them, and leave. It was October 1991. I was Terri Raines, a twenty-seven-year-old Oregon girl in Australia on an unlikely quest to find homes for rescued American cougars. A reptile park wasn’t going to be interested in a big cat. I headed through the pleasant spring heat toward the park thinking pessimistic thoughts. This is going to be a big waste of time. But the prospect of seeing new species of wildlife drew me in. I walked through the modest entrance with some friends, only to be shocked at what I found on the other side: the most beautiful, immaculately kept gardens I had ever encountered. Peacocks strutted around, kangaroos and wallabies roamed freely, and palm trees lined all the walkways. It was like a little piece of Eden.

The crowd began to murmur in the indistinguishable syllables of backstage banter. As the ball ascended, so did the volume of the murmurs. Words could be made out. Then phrases. “Lovely golf stroke.” “Super golf shot.” “Beautiful golf shot.” “Truly fine golf stroke.” They always said golf stroke, like someone might mistake it for a swim stroke, or—as Myron was currently contemplating in this blazing heat—a sunstroke. “Mr. Bolitar?” Myron took the periscope away from his eyes. He was tempted to yell “Up periscope,” but feared some at stately, snooty Merion Golf Club would view the act as immature. Especially during the U.S. Open. He looked down at a ruddy-faced man of about seventy. “Your pants,” Myron said. “Pardon me?” “You’re afraid of getting hit by a golf cart, right?” They were orange and yellow in a hue slightly more luminous than a bursting supernova. To be fair, the man’s clothing hardly stood out. Most in the crowd seemed to have woken up wondering what apparel they possessed that would clash with, say, the free world. Orange and green tints found exclusively in several of your tackiest neon signs adorned many. Yellow and some strange shades of purple were also quite big—usually together—like a color scheme rejected by a Midwest high school cheerleading squad. It was as if being surrounded by all this God-given natural beauty made one want to do all in his power to offset it. Or maybe there was something else at work here. Maybe the ugly clothes had a more functional origin. Maybe in the old days, when animals roamed free, golfers dressed this way to ward off dangerous wildlife. Good

Beyond the harm to local wildlife, any chemicals we used in our garden might end up polluting our well, or run off the property. In a heavy rainstorm, this runoff may end up in nearby Beaver Creek, a tributary to the Brandywine Creek, which runs into the Delaware River, which flows into the Atlantic Ocean. These kinds of direct connections with the outside world exist in every garden, which is why I think we should always aim, in our gardening practices, to do the least harm and the greatest good.

Humans evolved in nature. Our sense of beauty evolved to attract us to environments in which our ancestors thrived, such as grasslands with trees and water, where herbivores are plentiful, or the ocean’s edge, with its rich marine resources. The great evolutionary biologist E.O. Wilson said that humans are ‘biophilic’, by which he meant that humans have ‘the urge to affiliate with other forms of life’. This is why people travel to wondrous natural destinations.

In the wilderness, the heart learns the language of silence, where the soul remembers its primal song. It is here, in the raw beauty of untamed land, that the wild heart stirs awake, unafraid of its own depths. The wilderness does not ask us to conquer it, but to yield to its mystery, to let it shape us as the wind shapes the trees.

anmarke.art 01/31/2024 If we could appreciate the unassuming beauty of snowdrops and the rhythmic devotion of nature, perhaps we would find a deeper, more fulfilling way to exist—one where the magic of the world around us becomes the true currency of our happiness.

You begin to find comfort in simple and essential stuff as your soul expands, but you create apathy for a repetitive career, a toxic relationship, fake human relationships, etc. I don't suggest you give up your simple life in order to awaken your spirit. It's nice to have healthy relationships and love-filled interactions with others, but you may find yourself challenging other issues about your identity, relationships and laws created by society at the beginning of soul awakening. You find yourself in a bond with nature  When you felt alive in the vicinity of nature and felt grateful for seeing the landscapes, plants, wildlife, stars, mountains, etc., you may have developed a rare and precious connection with nature. It is no wonder that knowledge has been raised by those who find peace in existence. Such people know their priorities in life and are grateful to God for creating this beautiful world. You may also become more conscious of the rights of climate and animals. You might want to plant trees and live in a place to breathe in the fresh air.

Though rarely acknowledged as such, LBJ is arguably the patriarch of our contemporary environmental movement, as Theodore Roosevelt was of an earlier environmental crusade. LBJ put plenty of laws on the books: Clean Air, Water Quality, and Clean Water Restoration Acts and Amendments, Solid Waste Disposal Act, Motor Vehicle Pollution Control Act, Aircraft Noise Abatement Act, and Highway Beautification Act. The 1968 Wild and Scenic Rivers Act protects more than two hundred rivers in thirty-eight states;19 the 1968 Trail System Act established more than twelve hundred recreation, scenic, and historic trails covering fifty-four thousand miles.20 These laws are critical to the quality of the water we drink and swim in, the air we breathe, and the trails we hike. Even more sweeping than those laws is LBJ’s articulation of the underlying principle for a “new conservation” that inspires both today’s environmentalists and the opponents who resist their efforts: The air we breathe, our water, our soil and wildlife, are being blighted by the poisons and chemicals which are the by-products of technology and industry. . . . The same society which receives the rewards of technology, must, as a cooperating whole, take responsibility for control. To deal with these new problems will require a new conservation. We must not only protect the countryside and save it from destruction, we must restore what has been destroyed and salvage the beauty and charm of our cities.21

If we design our gardens to be regenerative, the result will be functional, beautiful spaces full of life and vigour, robust enough to face the challenges of the future and elegant enough to beguile all those who walk among them.

Sculpture is about process, and this process is often fragmented. In a way, our lives are like that. A lot of people have trouble with transitions, with discontinuity. But this is what makes us grow. It’s mysterious. You shift to a new platform and see things from a different perspective. Art does that. Wildlife does that. Wildlife and art reveal these transitions and demand we experience them.

Our path to the Arctic National Wildlife Refuge took us directly over the Gates of the Arctic National Park, which is home to the largest intact forest remaining in the United States. The pristine landscape below us was filled with jagged mountains, serpentine rivers, and boreal forests stretching for as far as the eye could see. I heard it was staggeringly beautiful. But I slept through it.

I am always learning and growing as a photographer. I am always looking for new ways to improve my skills and capture even more beautiful images.

I am always looking for new ways to capture the beauty of the natural world. I want my photographs to inspire people to appreciate nature and take action to protect it.

Wildlife photography is more than just taking pictures. It is about connecting with nature and understanding the beauty of the natural world.

At the park’s dedication ceremony, President Harry Truman promised the crowd that “in this park we shall preserve tarpon and trout, pompano, bear, deer, crocodiles and alligators—and rare birds of great beauty. We shall protect hundreds of all kinds of wildlife which might otherwise soon be extinct.

We must not forget that humans also have relationships with the landscapes around them. Fully functional residential landscapes must meet the physical, cultural, and aesthetic needs of humans while generating ecosystem services required by diverse other species. We may use ferns even though they contribute little to local food webs because they provide cover for wildlife, are beautiful, are durable ground covers, help replenish atmospheric oxygen, aid in hydrologic recharge, and can be the vegetational backbone of soil ecosystems. We may use splashes of colorful plants even if they are not indigenous to our region because they are beautiful and they will draw us into our gardens to experience the life around us. And we will not skimp on the core group of plants that support most of the biodiversity vital to ecosystem function.

GIVING A VOICE “Julian Starks compassionately depicts animals who can only dream of the life they may have had if not for the thoughtless and cruel behavior of humans. We hope his beautiful images will inspire people to get active in whatever ways they can to help wildlife, from boycotting circuses with animal acts to refusing to have their photos taken with tiger cubs while on vacation. From talented photographers like Julian who document animals' plight to families who take the time to educate themselves before they buy that ticket, we can all make a difference for animals.

Likewise, a home garden can be designed to serve a variety of environmental functions: • recharge groundwater • replenish atmospheric oxygen • sequester carbon • furnish shelter/cover for wildlife • promote a stable food web for wildlife • support pollinator communities • provide the right conditions for natural hybridization and the continuing development of biodiversity

3 Reasons Why You Should Visit Galapagos Islands Are you have been planning to spend their vacation in most of the beautiful place in the world. Then the Galapagos Islands is one of the most beautiful places in the world. The famous archipelago in the Pacific Ocean is a demand and desired destination for travelers all around the world. The Galapagos isn’t probably the easiest and cheapest accessible place in the world but still attracts huge numbers of visitors, although there is a limit on how many people can arrive in the Galapagos. These are not budget-friendly travel destination Islands, but there are some ways how to arrange your week in paradise from cruising the living onboard and archipelago to making the day trip from one of the islands. You have most already heard or read all superlatives Galapagos Island can offer many visitors. But if you hesitate if the time and money will be worth it, we’ve put a list of three reasons why we should visit the Galapagos Islands. After reading these reasons, we believe that there won’t be any hesitation. The Galapagos Legend should be on every traveler. Pristine beaches You come to Galapagos Island to see fantastic wildlife but firstly mention the beaches. The stretches of fine white sand are on every island, and although you won’t have that much time to relax and lay down here just because of that there is so much to do, so we are looking at you sea lions only walking on those beaches from one to another end is a great unforgettable experience. Never expect deck chairs, bars, or umbrellas beaches on the Galapagos have nothing familiar with those touristy and crowded places form travel catalogs. Wildlife When we think and talk about the Galapagos Islands, we have a suspicion that the wildlife would be something marvelous and unique. What we never know was that these superlatives would get a new dimension on the Galapagos. All the wildlife animal species from iguanas, birds, tortoises, sea lions crabs to fish are incredible, and nothing can make you on their natural behavior that is dissimilar from the animal's behavior we know from our countries. The Galapagos animals never feel fear human at all, so you can get close to them and take images of a lifetime. Island hikes There are many designed ways on islands of Galapagos that will help you to walk through a unique landscape and will also help you to understand the evaluation process better, evaluation of not only the islands but also of the flora and fauna which live here in unbelievable symbiosis. The hikes are short, so visitors are allowed to walk on the island on their own so that you want a certified guide to show you around. Hikes were one of the best activities we did on the Galapagos as it combined the exploration of almost barren volcanic islands and watching wildlife. Galapagos Legend help you plan the trip you have dreamed about. You can choose onshore activities that cater to your interests, from a wildlife safari to a side trip to the fabulous annual Carnival in Rio, Brazil. As you stay on shore before and after your trip, you have the option of staying at a delightful boutique-style hotel or in a 5-star hotel setting.

You don't need beautiful weather to enjoy the nature. You only need a beautiful heart.

A beautiful photograph is like a poem, when you are happy you see the beauty, when you are sad you feel the beauty.

A beautiful photograph is a poem.

photography's beauty is to find beauty even in ugly situations.

These actions are stressing the wildlife. When people get too close, it will always be the animal that pays the price. If the animal is a bear, it will be hazed with noisy cracker shells from a twelve-gauge shotgun to startle it, or shot with non-lethal rubber bullets or beanbag rounds, or relocated from the area where it wants to live—and all because park visitors are unable to control themselves.

The beauty of Photography is not in what you see, its art lies in your dreams.

The fierce beauty and proud independence of this great bird symbolizes the strength and freedom of America. But as latter-day citizens we shall fail our trust if we permit the eagle to disappear.

The key with wildlife especially is to take a lot of shots. You never know which moment is going to be the special one that stands out, so I click like mad,” she explained as she did just that. “This is the perfect time of day. We call it the golden hour. It refers to the two windows of time just after the sun rises and before the sun sets, when there’s this soft, beautiful, golden wash over everything…like nature’s filter, if you will.

120 stunning color combination ideas - We take you through the basics of combining colors and offer 120 stunning color combinations inspired by nature, wildlife, food & drink, and travel. Your choice of colors can set the tone of your entire project, so choosing wisely is crucial. After all, you don’t want your colors conveying a mood that is opposite to what the project calls for and you certainly don’t want a color combination that is off-putting or confusing to the eye. We briefly explain the science behind choosing the right mix of colors, and then give you 120 beautiful color combinations that you can start using immediately. Let’s jump right in! The science of combining colors Believe it or not, there’s a science to creating color combinations and it’s actually not complicated to grasp. All you need is the color wheel, and an understanding of five different combination styles that each has its own place in your bag of tricks. Complementary color combination Complementary refers to a 2-color combination where the colors are opposite from each other on the color wheel. The two colors complement each other through their contrast, which allows each color to stand out. Monochromatic color combination Monochromatic refers to a combination of different shades, tones and tints of the same color, by adding black, white or grey to the original color. A monochromatic color combination is traditional and subtle. Triadic color combination Triadic colors refers to a 3-color combination that forms a perfect triangle on the color wheel. There’s not as much contrast as there is with complementary colors, but there’s enough to let each color do its thing. Analogous color combination Analogous is another 3-color combination, this time colors that are adjacent to each other on the colour wheel. With this color combination, it’s best to make one color dominant and use the others as accents. Tetradic color combination Tetradic refers to a 4-color combination where the colors are placed in a perfect square around the color wheel (essentially two pairs of complementary colors). To achieve balance with so many colors, it’s best to keep one color dominant and use the rest as accents. Color combination based on nature Sometimes nature knows best. If you find a color combination that appears somewhere in nature, chances are it’s a winning combination, as you can see from the examples in many of the examples that follow.

Australia is a strange place. I’m struck by the massive open space, the endless sky, the life-giving yet oppressively scorching light. Everything is more alive there, the food, the wildlife, the ocean. But it feels foreboding, like every beautiful thing has a meanness to it that will kill you, take you down, leave you as dusty bones. When I walk its bush trails, I’m uplifted and intoxicated by the smells, the silent and watchful animals, yet always alert that I could be killed by some kind of spidersnakemonster, or have my throat slit by a lunatic zapped by too much of that bright light, too much space and time to let his maniac mind wheels spin.

Deer are the sad sacks of American wildlife, so beautiful, so defenseless, so numerous, so dim. Their chief predator is cars.

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