Wild And Wonderful Whites Quotes

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Can they feel, I wonder, those white silent people we call the dead?
Oscar Wilde (The Picture of Dorian Gray)
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
The purple butterflies fluttered about with gold dust on their wings, visiting each flower in turn; the little lizards crept out of the crevices of the wall, and lay basking in the white glare; and the pomegranates split and cracked with the heat, and showed their bleeding red hearts. Even the pale yellow lemons, that hung in such profusion from the mouldering trellis and along the dim arcades, seemed to have caught a richer colour from the wonderful sunlight, and the magnolia trees opened their great globe-like blossoms of folded ivory, and filled the air with a sweet heavy perfume.
Oscar Wilde (The Birthday of the Infanta)
And now, let us go out on the terrace where 'droops the milk-white peacock like a ghost,' while the evening star 'washes the dusk with silver.' At twilight nature becomes a wonderfully suggestive effect, and is not without loveliness, though perhaps its chief use is to illustrate quotations from the poets.
Oscar Wilde
He was twenty years old, and he had fallen in love with Rosa Saks, in the wild scholastic manner of twenty-year-old men, seeing, in the tiniest minutiae, evidence of the systematic perfection of the whole and proof of a benign creation.... The two dozen commonplace childhood photographs -- snowsuit, pony, tennis racket, looming fender of a Dodge -- were an inexhaustible source of wonder for him, at her having existed before he met her, and of sadness for his possessing nothing of the ten million minutes of that black-and-white scallop-edged existence save these few proofs.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Strange, that my first passionate love-letter should have been addressed to a dead girl. Can they feel, I wonder, those white silent people we call the dead?
Oscar Wilde (The Picture Of Dorian Gray)
So, there was this beautiful princess. She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long. The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there. One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls. And it was pretty clear that no prince was showing up, or at least that he was really late. So the only thing was to jump. The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair. The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know? She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower. And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.
Scott Westerfeld (Pretties (Uglies, #2))
It was unearthly, and the men were--No, they were not inhuman. Well, you know, that was the worst of it--this suspicion of their not being inhuman. It would come slowly to one. They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity--like yours--the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you--you so remote from the night of first ages--could comprehend. And why not? The mind of man is capable of anything--because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valor, rage--who can tell?--but truth--truth stripped of its cloak of time. Let the fool gape and shudder--the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff--with his own inborn strength. Principles? Principles won't do. Acquisitions, clothes, pretty rags--rags that would fly off at the first good shake. No; you want a deliberate belief. An appeal to me in this fiendish row--is there? Very well; I hear; I admit, but I have a voice too, and for good or evil mine is the speech that cannot be silenced. Of course, a fool, what with sheer fright and fine sentiments, is always safe. Who's that grunting? You wonder I didn't go ashore for a howl and a dance? Well, no--I didn't. Fine sentiments, you say? Fine sentiments, be hanged! I had no time. I had to mess about with white-lead and strips of woolen blanket helping to put bandages on those leaky steam-pipes--I tell you.
Joseph Conrad (Heart of Darkness)
That ride was perhaps the most wonderful thing that happened to them in Narnia. Have you ever had a gallop on a horse? Think of that; and then take away the heavy noise of the hoofs and the jingle of the bit and imagine instead the almost noiseless padding of the great paws. Then imagine instead of the black or grey or chestnut back of the horse the soft roughness of golden fur, and the mane flying back in the wind. And then imagine you are going about twice as fast as the fastest racehorse. But this is a mount that doesn't need to be guided and never grows tired. He rushes on and on, never missing his footing, never hesitating, threading his way with perfect skill between tree trunks, jumping over bush and briar and the smaller streams, wading the larger, swimming the largest of all. And you are riding not on a road nor in a park nor even on the downs, but right across Narnia, in spring, down solemn avenues of beech and across sunny glades of oak, through wild orchards of snow-white cherry trees, past roaring waterfalls and mossy rocks and echoing caverns, up windy slopes alight with gorse bushes, and across the shoulders of heathery mountains and along giddy ridges and down, down, down again into wild valleys and out into acres of blue flowers.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Jen's Mum Will Write Jen's mum writes advertising copy. She specializes in white goods: washing machines, dryers, fridges, freezers, dishwashers. She hates these appliances hulking in corners, power-hungry and fractious. One day, she will have a wood stove, and she'll write about things that matter- she will write about birth and death, about love and the absence of love, about fathers and children, about mothers and daughters, about lovers and friends. She'll write about the whole goddamn wonderful, awful business of loving and being loved
Margaret Wild (Jinx)
The sun is touching every door and making wonder of the wheat. The first wine is pink in colour, is sweet with the sweetness of a child, the second wine is able-bodied, strong like the voice of a sailor, the third wine is a topaz, is a poppy and a fire in one. My house has both the sea and the earth, my woman has great eyes the colour of wild hazelnut, when night comes down, the sea puts on a dress of white and green...
Pablo Neruda (On the Blue Shore of Silence: Poems of the Sea)
So,” Riley asked, “what have you got for me?” Taking his hand, she placed it palm-down over her heart. It would hurt like a bitch, she thought, but he was hers to protect as much as she was his. “Me.” And she opened up her soul, laid herself bare. The mating bond shoved through her body like white lightning, hot and wild and right. Incredibly, wonderfully right. His energy was different from hers—wolf, not leopard—but it laced itself with her own until their combined strength was far greater than either would’ve ever been alone. “Wow.” He blinked, swaying on his feet. “Damn.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
Our garden was large and beautiful as that garden in the Bible - the tree of life grew there. But it had gone wild. The paths were overgrown and a smell of dead flowers mixed with the fresh living smell. Underneath the tree ferns, tall as forest tree ferns, the light was green. Orchids flourished out of reach or for some reason not to be touched. One was snaky looking, another like an octopus with long thing brown tentacles bare of leaves hanging from a twisted root. Twice a year the octopus orchid flowered - then not an inch of tentacle showed. It was a bell-shaped mass of white, mauve, deep purples, wonderful to see. The sent was very sweet and strong. I never went near it.
Jean Rhys (Wide Sargasso Sea)
In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
Barry Pain (Ghostly By Gaslight)
a wet Sunday, an uncouth Christian in a mackintosh, a ring of sickly white faces under a broken roof of dripping umbrellas, and a wonderful phrase flung into the air by shrill, hysterical lips
Oscar Wilde (The Picture of Dorian Gray)
... Feral, from the Latin adjective ferus, wild, via bestia fear, wild animal. Generally held to mean having escaped from domestication, and having devolved back to a natural state. Turner said, "It's like you've been sanded down to nothing but yes and no, and you and them, and black and white, and live or die. It makes me wonder, what does that to a person?" "Life," Reacher said. "Mine, anyway." "You're like a predator. Cold, and hard. Like this whole thing. You have it all mapped out. The four guys in the car, and their bosses. You're swimming toward them, right now, and there's going to be blood in the water. Yours or theirs, but there's going to be blood.
Lee Child (Never Go Back (Jack Reacher, #18))
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
Christine Feehan (Dark Magic (Dark, #4))
He saw her see him. A stillness fell over her, despite the lolling of the ship beneath her feet. Then she laughed—a wild, whooping laugh that rolled over the water to Yule like summertime thunder—removed several layers of dirt-colored clothing, and dove into the shallow waves beneath her ship without a trace of hesitation. Yule had half a second in which to wonder precisely what manner of half-wild madwoman he had been questing for twelve years, and to doubt his sufficiency for the task, before he was splashing out to meet her, laughing and dragging his white scholar's robes through the waves.
Alix E. Harrow (The Ten Thousand Doors of January)
The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region ; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Yan Tassel's, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major Andre was taken, and which stood in the neighborhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favorite spectre of Sleepy Hollow, the headless horseman, who had been heard several times of late, patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard.
Washington Irving (The Legend of Sleepy Hollow)
I wanted to meet octopuses who lived in the wild ocean. In the shower, I began to repeat in my head the first words of the Fisherman's Prayer, the words to which John F. Kennedy kept on his desk at the White House: "Oh God, Thy sea is so great and my boat is so small...."I fervently longed to get out of that boat and enter the Creator's great ocean, if only for an hour at a time, as a breathing, swimming sea creature.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes 'with collars of real emeralds growing on their backs.' There was a gem in the brain of the dragon, Philostratus told us, and 'by the exhibition of golden letters and a scarlet robe' the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her color. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspirates, that, according to Democritus, kept the wearer from any danger by fire.
Oscar Wilde (The Picture of Dorian Gray)
There was a nice brown egg, lightly boiled, for each of them, and then sardines on toast, and then buttered toast, and then toast with honey, and then a sugar-topped cake. And when Lucy was tired of eating, the Faun began to talk. He had wonderful tales to tell of life in the forest. He told about the midnight dances and how the Nymphs who lived in the wells and the Dryads who lived in the trees came out to dance with the Fauns; about long hunting parties after the milk-white stag who could give you wishes if you caught him; about feasting and treasure-seeking with the wild Red Dwarfs in deep mines and caverns far beneath the forest floor; and then about summer when the woods were green and old Silenus on his fat donkey would come to visit them, and sometimes Bacchus himself, and then the streams would run with wine instead of water and the whole forest would give itself up to jollification for weeks on end.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness. Lazily soaping himself, he gave examples. When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of dead-looking snow. It had taken him some time to get back to his usual equanimity. He slid down in the warm, foamy water until just his face and his knobby white knees were exposed. Once he had read Wuthering Heights over a weekend and gone to school susceptible to any heroine, only to have the girl who sat in front of him, whom he had admired for some months, emit a loud fart which had murdered him in a small way and kept him from speaking a word to anyone the whole week following. He had laughed at a very funny joke about a Negro when Irwin told it at a party, and then the following day had seen some white men lightly kicking a Negro man in the pants, and temporarily he had questioned laughter altogether. He had gone to several universities with the vague exaltation of Old Man Axelrod and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness. He had come to take shallower breaths, and the two had become mercifully mixed into melancholy contentment. He wondered how pain would breach that low-level strength. "I'm a small man of definite limitations," he declared to himself, and relaxed in the admission.
Edward Lewis Wallant (The Tenants of Moonbloom)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
He smiled and pulled the ugly white fichu from her neck. She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?" He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you." "I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?" "I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin. She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap. And underneath... "Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free. "Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair. He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers. He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill. Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist. "Wonderful," he murmured, taking it in both hands and lifting it.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
As the dawn was just breaking he found himself close to Covent Garden. The darkness lifted, and, flushed with faint fires, the sky hollowed itself into a perfect pearl. Huge carts filled with nodding lilies rumbled slowly down the polished empty street. The air was heavy with the perfume of the flowers, and their beauty seemed to bring him an anodyne for his pain. He followed into the market, and watched the men unloading their wagons. A white-smocked carter offered him some cherries. He thanked him, and wondered why he refused to accept any money for them, and began to eat them listlessly. They had been plucked at midnight, and the coldness of the moon had entered into them. A long line of boys carrying crates of striped tulips, and of yellow and red roses, defiled in front of him, threading their way through the huge, jade-green piles of vegetables.
Oscar Wilde (The Picture of Dorian Gray)
He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3
Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
I know he’s had his problems in the past… “He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!” “I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.” “What does he get for a reward?” he asked insolently. She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.” “Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!” “You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why. He searched her enthusiastic eyes. “You really do love Native American history, don’t you?” She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.” “Most whites never come close to understanding us, no matter how hard they try.” “I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.” He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before. Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him. He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard. “Now, isn’t that interesting?” he said to himself in a low, deep whisper. “Wh…what?” she stammered. His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period. He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her. “Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
Diana Palmer (Paper Rose (Hutton & Co. #2))
At last they came to the lower slopes of the great mountains. Here she met a wild and bedraggled boy. He stumbled across her when she had stopped to rest and suckle the baby. The boy stared at the unlikely pair for a moment, then seated himself on the ground at a respectful distance, obviously preparing to converse. He was the strangest looking boy she had ever seen. Evidently a changeling like herself, for he was tall and straight with long slender limbs, but his hair was golden like the sun and his eyes a deep blue like the sky. He looked to be about fifteen years old, not quite a man, yet man enough to survive. She guessed he must have originated from the fabled district of Shor, in the far south, where it was rumoured that all the people were changelings, and all golden-haired. Astelle tensed, fully expecting Torking to deliver one of his pain bolts to the curious boy, but the child seemed unperturbed, and simply carried on suckling. This boy's attention was obviously not deemed as a threat. She relaxed and smiled at the youth. He returned the smile, white teeth startling against his tanned and dirty face. ‘Why are you travelling all alone?’ he asked. Encouraged by Torking's mindwhispers, Astelle managed to concoct a story very close to the truth. ‘As you can see, my child is rather unusual,’ she explained. ‘I could not bear to raise him among mortals who would constantly deride and insult him – and his father has left me, so I had no choice but to run from my tribe.’ Sympathy appeared in the deep blue eyes. ‘I understand that very well,’ he said. ‘I am an escaped slave. I was captured in infancy, and have no memory of my own people, but all my life I have been mocked and abused because I am different. My name is Bren. I would like to travel with you, if you don't mind. I could take care of you both.’ ‘Keep him,’ Torking mindwhispered. ‘He will be useful to fish and hunt for us. But do not tell him that I speak to you.’ Astelle smiled. ‘Thank you Bren,’ she said. ‘I will be glad of your company. I am called Astelle.’ ‘A Faen name...’ he said wonderingly. They began to climb the mountains of Clor.
Bernie Morris (The Fury of the Fae)
Kee Li Tong was one of my favorite chocolatiers in New York. Years earlier, I had a fleeting addiction to her otherworldly crème brûlée truffle, a dainty yet dangerous homemade bonbon that you have to pop into your mouth whole, or suffer the consequences of squirting eggy custard all over your blouse. Now, I discovered, she was handcrafting macarons in wild and wonderful flavors like blood orange, sesame, and rose. How did she create her recipes? What inspired her expanded repertoire? And how did hers compare to Paris's best? Emboldened as I was by my new French history lessons, I asked Kee in her Soho boutique: why macarons? "Because they're so pretty!" Kee laughed. "They're so dainty. I think it's the colors." And, standing as we were above the glass display case, I had to agree. Her blueberry macarons were as bright as the September sky. The lotus flower was the kind of soft pink that's the perfect shade of blush. Kee's favorite flavor, passion fruit, was a snappy corn husk yellow. These were surrounded by greens (lulo and jasmine green tea) and purples (lavender, which was dotted with purple sugar crystals) and some neutral shades as well (white truffle oil and mint mocha).
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
My father played the melodion Outside at our gate; There were stars in the morning east; And they danced to his music. Across the wild bogs his melodion called To Lennons and Callans. As I pulled on my trousers in a hurry I knew some strange thing had happened. Outside in the cow-house my mother Made the music of milking; The light of her stable-lamp was a star And the frost of Bethlehem made it twinkle. A water-hen screeched in the bog, Mass-going feet Crunched the wafer-ice on the pot-holes, Somebody wistfully twisted the bellows wheel. My child poet picked out the letters On the grey stone, In silver the wonder of a Christmas townland, The winking glitter of a frosty dawn. Cassiopeia was over Cassidy's hanging hill, I looked and three whin bushes rode across The horizon - the Three Wise Kings. An old man passing said: "Can't he make it talk" - The melodion, I hid in the doorway And tightened the belt of my box-pleated coat. I nicked six nicks on the door-post With my penknife's big blade - There was a little one for cutting tobacco. And I was six Christmases of age. My father played the melodion, My mother milked the cows, And I had a prayer like a white rose pinned On the Virgin Mary's blouse
Patrick Kavanagh (The Complete Poems)
AND TREMBLING, James stood alone out in the open, wondering what to do. The night was all around him now, and high overhead a wild white moon was riding in the sky. There was not a sound, not a movement anywhere. Most people—and especially small children—are often quite scared of being out of doors alone in the moonlight. Everything is so deadly quiet, and the shadows are so long and black, and they keep turning into strange shapes that seem to move as you look at them, and the slightest little snap of a twig makes you jump. James felt exactly like that now. He stared straight ahead with large frightened eyes, hardly daring to breathe. Not far away, in the middle of the garden, he could see the giant peach towering over everything else. Surely it was even bigger tonight than ever before? And what a dazzling sight it was! The moonlight was shining and glinting on its great curving sides, turning them to crystal and silver. It looked like a tremendous silver ball lying there in the grass, silent, mysterious, and wonderful. And then all at once, little shivers of excitement started running over the skin on James’s back. Something else, he told himself, something stranger than ever this time, is about to happen to me again soon. He was sure of it. He could feel it coming.
Roald Dahl (James and the Giant Peach)
He played with the idea and grew wilful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat’s black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes.
Oscar Wilde (The Picture of Dorian Gray)
WHEN YOU CROW UP IN KANSAS WEARING VERY LARGE SHORTS, thinking not very much of yourself, thinking mainly of your knees, looking mainly at your knees, your face a frisbee that cant fly, your teeth buck, your eyebrows rectangles, your forehead more than half of your face, your shirts shapeless, your shape shapeless, your Kansas shapeless, your lust absent, your legs bowed, your arches flat, your chest flat, your ears your only curves, your ears never pierced, your denim never dazzled, your sneakers white, your socks white, your teeth turquoise with rubber bands, your cheese orange, your milk whole, your bread wonder, your luxury a tuna casserole, your pale a neon pale, your fantasy to race a Mario Kart over the desert and into the final oasis, your earthly oasis a salted pretzel, your solitude total, your urges not even visible to you on the clearest days at the farthest horizons, your blank magnificent, your inertia wild and authentic, your nothing your preference, and then into it somebody walks, a Joan, this sudden hero can really take control. You’re susceptible first to idolatry, then to study, to apprenticeship, and finally to a kind of patient love that makes fun of itself and believes in itself without limit. Imagine being a pudding cup of a person and encountering a confident, elegant, powerful scholar who knows what to do with her shoulders. Imagine encountering you.
Rebecca Dinerstein Knight (Hex)
A region of the brain becomes mature when it settles down into a lean, functionally well-organized system. A good proxy for neural pruning in the brain is the relative density of gray versus white matter in a given region. Gray matter, the neuron-rich part of the brain that does the bulk of the computational work, decreases in density as a region matures. As gray matter density decreases, the density of white matter—the myelinated axons that transmit information, the outputs of the computational work done by gray matter—increases, resulting in greater efficiency and speed but less flexibility. One way to envision this is to see an immature, gray-matter-rich region as an undeveloped, open field, where one can wander in many directions unconstrained, but not very efficiently. In order to get to that wonderful blackberry bush to harvest some fruit, I have to bushwhack my way through vegetation and ford streams. The gradual replacement of gray matter by white matter reflects the development of this field: As roads are laid and bridges are built, I can move around more easily and quickly, but now I’m going to tend to move only along these established pathways. The new paved road to the blackberry bush makes gathering blackberries much more convenient, but rushing along on the new road I will miss the delicious wild strawberries I would have otherwise stumbled upon in the brush. There is a trade-off between flexibility and efficiency, between discovery and goal achievement.
Edward Slingerland (Drunk: How We Sipped, Danced, and Stumbled Our Way to Civilization)
What would have happened, I wondered, if Clover and Jotter never ran the river—if they had listened to the critics and doomsayers, or to their own doubts? They brought knowledge, energy, and passion to their botanical work, but also a new perspective. Before them, men had gone down the Colorado to sketch dams, plot railroads, dig gold, and daydream little Swiss chalets stuck up on the cliffs. They saw the river for what it could be, harnessed for human use. Clover and Jotter saw it as it was, a living system made up of flower, leaf, and thorn, lovely in its fierceness, worthy of study for its own sake. They knew every saltbush twig and stickery cactus was, in its own way, as much a marvel as Boulder Dam—shaped to survive against all the odds. In the United States, half of all bachelor’s degrees in science, engineering, and mathematics go to women, yet these women go on to earn only 74 percent of a man’s salary in those fields. A recent study found that it will be another two decades before women and men publish papers at equal rates in the field of botany, a field traditionally welcoming to women. It may take four decades for chemistry, and three centuries for physics. Stereotypes linger of scientists as white-coated, wild-haired men, and they limit the ways in which young people envision their futures. In a famous, oft-replicated study, 70 percent of six-year-old girls, asked to draw a picture of a scientist, draw a woman, but only 25 percent do so at the age of sixteen.
Melissa L. Sevigny (Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon)
• “Arthur’s whole demeanor shifted as he gestured with so much animation he nearly spilled his drink. “Did you see him fight? Oh, he is magnificent. I have longed to declare a tournament for him, but the problem with rule of law is that you have to abide by your own silly ideas.” P.73 “There was a dangerous magic in pretending… But when Arthur looked across the room and his entire being lit up with happiness at seeing her, she forgot again. She beamed at him as he rushed to her and gave her an exaggerated, silly bow. In the space of crossing the floor, he had transformed from conquering king commanding men twice his age to … Arthur.” P.83 “Iron bites, but it does not kill. And I am accustomed to pain.” P.319 “You cannot let her rise. You know what it would mean.” “A return to nature. A return to the wild magic at the heart of this country. Do you know who carved Camelot out of the mountain? It was not men. Men came in and claimed it, because that is what men do.” He held his sword and stared at how it caught the moonlight. “I do not want men to die. But they need to be reminded of their place in this world. Someone has to stop them claiming everything worth having. Stop them claiming everyone worth having.” He held a hand out to Guinevere. “You do not belong in Camelot.” P.320 “Guinevere understood Mordred’s anger. She felt it herself. Everything wondrous was being unmade, and it was terrible beyond comprehension. But wonder, too, was terrible.” P.321 “She looked into Arthur’s warm eyes. The boy king. He carried the weight of a kingdom. She nodded. “Do it.” Arthur held her gaze. And then the king disappeared, leaving only her friend. Her Arthur. He sheathed his sword.” P.325
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
To be honest? I'd thought myself above them. What a nasty little counter-culture snob I was. There they were, doing their fucking best, trying to have a life, trying to bring up their children decently, struggling to make the payments on the little house, wondering where their youth had gone, where love had gone, what was to become of them and all I could do was be a snotty, judgmental cow. But it was no good. I couldn't be like them. I'd seen too much, done too much that was outside anything they knew. I wasn't better than them, but I was different. We had no point of contact other than work. Even then, they disapproved of my attitude, my ways of dealing with the clients. Many's the time I'd ground my teeth as Andrea or Fran had taken the piss out of some hapless, useless, illiterate get they were assigned to; being funny at the expense of their stupidity, their complete inability to deal with straight society. Sure, I knew it was partly a defence mechanism; they did it because it was laugh or scream, and we were always told it wasn't good to let the clients get too close. But all too often - not always, but enough times to make me seethe with irritation - there was an ingrained, self-serving elitism in there too. Who'd see it better than me? They sealed themselves up in their white-collar world like chrysalides and waited for some kind of reward for being good girls and boys, for playing the game, being a bit of a cut above the messy rest - a reward that didn't exist, would never come and that they would only realise was a lie when it was far too late. Now I would be one of the Others, the clients, the ones who stood outside in the cold and, shivering, looked in at the lighted windows of reason and middle-class respectability. I would be another colossal fuck-up, another dinner party story. But my sin was all the greater because I'd wilfully defected from the right side to the hopelessly, eternally wrong side. I was not only a screw-up, I was a traitor.
Joolz Denby (Wild Thing)
His ears caught feebly from below the tremendous din of gongs and drums; the wild shouts of the crowd reached him in bursts of faint roaring. A lot of streamers made a flutter as of little white, red, yellow birds amongst the brown ridges of roofs. “You must have enjoyed it,” I murmured, feeling the stir of sympathetic emotion. ‘“It was . . . it was immense! Immense!” he cried aloud, flinging his arms open. The sudden movement startled me as though I had seen him bare the secrets of his breast to the sunshine, to the brooding forests, to the steely sea. Below us the town reposed in easy curves upon the banks of a stream whose current seemed to sleep. “Immense!” he repeated for a third time, speaking in a whisper, for himself alone. ‘Immense! No doubt it was immense; the seal of success upon his words, the conquered ground for the soles of his feet, the blind trust of men, the belief in himself snatched from the fire, the solitude of his achievement. All this, as I’ve warned you, gets dwarfed in the telling. I can’t with mere words convey to you the impression of his total and utter isolation. I know, of course, he was in every sense alone of his kind there, but the unsuspected qualities of his nature had brought him in such close touch with his surroundings that this isolation seemed only the effect of his power. His loneliness added to his stature. There was nothing within sight to compare him with, as though he had been one of those exceptional men who can be only measured by the greatness of their fame; and his fame, remember, was the greatest thing around for many a day’s journey. You would have to paddle, pole, or track a long weary way through the jungle before you passed beyond the reach of its voice. Its voice was not the trumpeting of the disreputable goddess we all know — not blatant — not brazen. It took its tone from the stillness and gloom of the land without a past, where his word was the one truth of every passing day. It shared something of the nature of that silence through which it accompanied you into unexplored depths, heard continuously by your side, penetrating, far-reaching — tinged with wonder and mystery on the lips of whispering men.
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
Annie Dillard
At that moment Elizabeth would have said or done anything to reach him. She could not believe, actually could not comprehend that the tender, passionate man who had loved and teased her could be doing this to her-without listening to reason, without even giving her a chance to explain. Her eyes filled with tears of love and terror as she tried brokenly to tease him. “You’re going to look extremely silly, darling, if you claim desertion in court, because I’ll be standing right behind you claiming I’m more than willing to keep my vows.” Ian tore his gaze from the love in her eyes. “If you aren’t out of this house in three minutes,” he warned icily, “I’ll change the grounds to adultery.” “I have not committed adultery.” “Maybe not, but you’ll have a hell of a time proving you haven’t done something. I’ve had some experience in that area. Now, for the last time, get out of my life. It’s over.” To prove it, he walked over and sat down at his desk, reaching behind him to pull the bell cord. “Bring Larimore in,” he instructed Dolton, who appeared almost instantly. Elizabeth stiffened, thinking wildly for some way to reach him before he took irrevocable steps to banish her. Every fiber of her being believed he loved her. Surely, if one loved another deeply enough to be hurt like this…It hit her then, what he was doing and why, and she turned on him while the vicar’s story about Ian’s actions after his parents’ death seared her mind. She, however, was not a Labrador retriever who could be shoved away and out of his life. Turning, she walked over to his desk, leaning her damp palms on it, waiting until he was forced to meet her gaze. Looking like a courageous, heartbroken angel, Elizabeth faced her adversary across his desk, her voice shaking with love. “Listen carefully to me, darling, because I’m giving you fair warning that I won’t let you do this to us. You gave me your love, and I will not let you take it away. The harder you try, the harder I’ll fight you. I’ll haunt your dreams at night, exactly the way you’ve haunted mine every night I was away from you. You’ll lie awake in bed at night, wanting me, and you’ll know I’m lying awake, wanting you. And when you cannot stand it anymore,” she promised achingly, “you’ll come back to me, and I’ll be there, waiting for you. I’ll cry in your arms, and I’ll tell you I’m sorry for everything I’ve done, and you’ll help me find a way to forgive myself-“ “Damn you!” he bit out, his face white with fury. “What does it take to make you stop?” Elizabeth flinched from the hatred in the voice she loved and drew a shaking breath, praying she could finish without starting to cry. “I’ve hurt you terribly, my love, and I’ll hurt you again during the next fifty years. And you are going to hurt me, Ian-never, I hope, as much as you are hurting me now. But if that’s the way it has to be, then I’ll endure it, because the only alternative is to live without you, and that is no life at all. The difference is that I know it, and you don’t-not yet.” “Are you finished now?” “Not quite,” she said, straightening at the sound of footsteps in the hall. “There’s one more thing,” she informed him, lifting her quivering chin. “I am not a Labrador retriever! You cannot put me out of your life, because I won’t stay.” When she left, Ian stared at the empty room that had been alive with her presence but moments before, wondering what in hell she meant by her last comment.
Judith McNaught (Almost Heaven (Sequels, #3))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
The last decade has filled so many of us with a growing sense of unreality. We seem trapped in a grind of constant change without ever getting the chance to integrate it. Those rolling news cycles, the chatter on social media, the way that our families have split along partisan lines: it feels as though we've undergone a halving, then a quartering, and now we are some kind of social rubble. If there were a spirit of this age, it would look a lot like fear. For years now we've been running like rabbits. We glimpse a flas hof white tail, read the danger signal, and run, flashing our own white tail behind us. It's a chain reaction, a river of terror surging incoherently onwards, gathering up other wild, alert bodies who in turn signal their own danger. There is no one predator from which to escape; there are many. We are in the business of running now. It is all so urgent. Every year, it seems we must run harder. There is no other solution. We can only run, and panic, and chatter out our fears to others, who will mirror them back to us.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Maybe it was just a spur-of-the-moment, “why not?” wild kind of thing that spontaneous people like him often do. I could easily see that: you’re sitting in the kitchen amid the smells of stale food, in the dark glow of a White Night, surrounded by dirty utensils and half-empty glasses and empty wine bottles. You look around morosely—and the window is ajar. Slowly you get up off your stool—there were no chairs in that kitchen when I was there—and walk to the window. Then, of course, this “why not?” thing can’t help crossing your mind. It occurs to you that this is something that you have never done before: life has already happened to you, but not death. Because of the uncertain light and the nauseatingly sweet wine in your blood, everything is slow, like in a dream sequence where the action takes place above the clouds on a gray day. So you just do it. A second before you’re on the win-dowsill, a second after you’re nowhere, leaving it to someone else to wonder about the fragility of his own life. The instant is like a membrane: you prick it with a pin and the balloon explodes, the phone stops working, you become deaf, and you know that your heart, too, may explode unpredictably, and that your body can burst with a cancer that it has been nurturing for months, and your plane can come apart high in the sky.
Mikhail Iossel (Every Hunter Wants to Know)
Meals are occasions to share with family and friends. The ingredients are often simple, but the art lies in orchestrating the sun-warmed flavors. Courses follow in artful and traditional succession, but the showpiece of the meal is tender, juicy meat; this often means lamb or goat grilled or roasted on a spit for hours. Souvlaki--melting pieces of chicken or pork tenderloin on skewers, marinated in lemon, olive oil, and a blend of seasonings--are grilled to mouthwatering perfection. Meze, the Greek version of smorgasbord, is a feast of Mediterranean delicacies. The cooks of the Greek Isles excel at classic Greek fare, such as spanakopita--delicate phyllo dough brushed with butter and filled with layers of feta cheese, spinach, and herbs. Cheeses made from goat’s milk, including the famous feta, are nearly ubiquitous. The fruits of the sun--olive oil and lemon--are characteristic flavors, reworked in myriad wonderful combinations. The fresh, simple cuisine celebrates the waters, olive groves, and citrus trees, as well as the herbs that grow wild all over the islands--marjoram, thyme, and rosemary--scenting the warm air with their sensuous aromas. Not surprisingly, of course, seafood holds pride of place. Sardines, octopus, and squid, marinated in olive oil and lemon juice, are always popular. Tiny, toothsome fried fish are piled high on painted ceramic dishes and served up at the local tavernas and in homes everywhere. Sea urchins are considered special delicacies. Every island has its own specialties, from sardines to pistachios to sesame cakes. Lésvos is well-known for its sardines and ouzo. Zakinthos is famous for its nougat. The Cycladic island of Astypalaia was called the “paradise of the gods” by the ancient Greeks because of the quality of its honey. On weekends, Athenians flock to the nearby islands of Aegina, Angistri, and Evia by the ferryful to sample the daily catch in local restaurants scattered among coastal villages. The array of culinary treats is matched by a similar breadth of local wins. Tended by generation after generation of the same families, vineyards carpet the hillsides of many islands. Grapevines have been cultivated in the Greek Isles for some four thousand years. Wines from Rhodes and Crete were already renowned in antiquity, and traders shipped them throughout the Greek Isles and beyond. The light reds and gently sweet whites complement the diverse, multiflavored Greek seafood, grilled meats, and fresh, ripe fruits and vegetables. Sitting at a seaside tavern enjoying music and conversation over a midday meze and glass of retsina, all the cares in the world seem to evaporate in the sparkling sunshine reflected off the brightly hued boats and glistening blue waters.
Laura Brooks (Greek Isles (Timeless Places))
Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck. He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her. Hunter grew amused, watching Loretta. When she threw him an accusing glance, he noted that her pupils had flared until her irises were almost black. Crimson rode her cheeks, and a rosy flush colored her slender throat. He wondered if her entire body was pink and wish they were alone so he could find out. Soon. Tonight he would build a fire so she couldn’t hide in shadows, and he would learn every inch of her, slowly.
Catherine Anderson (Comanche Moon (Comanche, #1))
You like?” “I--um, yes, he’s wonderful. His left ear isn’t notched like so many of the others. Why is that?” “The notched ear says a horse is gentled. He is not. If another puts hands upon him, he fights the big fight.” “Then how can I ride him?” “You will be his good friend. Come close.” Loretta stepped back instead. “But he’s wild.” Tightening his hold on her hand, Hunter tugged her forward. “He is friend to me and no other, eh? He carries me because he wishes it. Now, he will carry you.” With that explanation, which fell far short of reassuring her, he reclaimed the line and lifted her onto the stallion’s back. Loretta looked down. “I-I’m not too sure this is a good idea.” “It is good. You will trust, eh? I have said words to him. He accepts. Lie forward along his neck and whisper your heart into his ear. Run your hands over him. Tighten your legs around him.” Heart in her throat, Loretta did as he told her. She whispered, “Please, horse, don’t get mad and kill me.” The stallion nickered and sniffed her bare foot, the whites of his eyes rolling. Hunter chuckled. “He smells your fear and asks if there is danger, eh? He should run like the wind? He should stand? He is sure enough nuhr-vus, like the little blue-eyes is nuhr-vus when she thinks I will eat her and pick my teeth with her bones. You will say to him as I say to you--it is well.” Loretta jerked her foot back, afraid the horse might bite. “He m-may not understand. He’s a Comanche horse, isn’t he?” “Toquet, it is well. Whisper your heart. The words are in your touch. Be easy and make him easy.” She ran her hands over the stallion’s sleek coat, her fingers splaying on the powerful muscles in his neck and shoulders. When she began to believe the horse wouldn’t rear, she relaxed. The stallion lowered his head and began to graze. Hunter handed Loretta his line. “Let him carry you, eh? Whisper to him. Teach him your hands bring no pain--only good things. He will find sweet grass and listen.” “He’s so beautiful, Hunter.” “Say this to him.” Loretta did. The stallion flickered his ears and nickered. While he grazed, she petted him. Just when she began to feel confident, Hunter lifted her off his back. When he took the stallion’s line from her, he captured her hand as well, his long fingers curling warmly around hers. “He is now your good friend.” He looped his free arm over the stallion’s shoulders. “If you share breath with him often, you can paint yourself and wear leaves on your head, and he will still know you. For always.
Catherine Anderson (Comanche Moon (Comanche, #1))
You will walk backward in your footsteps and go forward a new way?” “I--” He slid her hand upward so it rested on his shoulder, forcing her closer. His height was such that she had to tip her head back to see his face. If he had been a white man, she would have been worrying that he planned to kiss her. But he wasn’t a white man. And she doubted gentle persuasion was what he had in mind. He seemed a yard wide at the shoulders, a looming wall of muscle. There was heat in the depths of his eyes as he studied her, a heat that had never been there before. “I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length.
Catherine Anderson (Comanche Moon (Comanche, #1))
By far, though, the best celebrity encounter either of us ever had belonged to Barbara. She met LeBron James at the Beijing Olympics, and after some joking around, he passed along his number. Henry and I had visions of a Bush-James basketball dynasty. We could see ourselves living comfortably in their guesthouse . . . But just like Justin Timberlake unplugged at the White House, it was not to be. Or, to quote U2, “I still haven’t found what I’m looking for.
Jenna Bush Hager (Sisters First: Stories from Our Wild and Wonderful Life)
As they rode into the Lucky Star ranch yard an hour later, Liv wished she hadn’t mentioned Temo to Dayna. She’s going to tease him about me, for sure, Liv thought and he’ll be embarrassed and think I’m a dumb little kid. Liv remembered the first time she had seen Temo. He was more handsome than Shane, she decided, with chiseled lips, a straight nose and flashing dark eyes full of laughter. Where Shane was thin as a desert fence post, Temo was solid--strong, but tender underneath. She remembered how he had risked his job at the Silver Spur to help them save their grandparents’ horses, how he had brought them blankets and food when they were hiding on the ranch, how he smiled when he called her muchacha, little girl, how he rode like the wind on his black-and-white paint horse, so at home in this big wild country. She wondered about his life--why he stayed on working for Sam Regis when he didn’t like or respect him. His family worked there; that was part of the reason, she knew. She had been hoping to find out more about him at lunch today. “I’m glad we didn’t have to stay for lunch.” Sophie slipped from Cisco’s saddle in front of the low wooden barn. “I didn’t want to face Dayna’s father again.” Liv dismounted with a sigh. As usual, she and Sophie had been thinking about the same thing in totally different ways. Sophie hated the thought of lunch at the Silver Spur, while Liv was longing for the chance to see Temo and his family. It was as if she and Sophie were two sides of the same coin.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
Nine hundred species of native plants. I have a feeling you’re someone who will appreciate that we grow the real beauties here,” Eudora said. “Not the gaudy sun perennials that want to flash everything they’ve got like cheap hookers. You have to look hard to find the pockets of beauty in my garden.” “Your garden?” But Eudora was no longer listening. She strode ahead, slowing down when they entered an intimate fairy-tale forest. The path narrowed and switched to pale stone. Crazy paving, Tom would have called it—stone slabs haphazardly slotted together in a way that defied time, feet, and the extremes of weather. The formal, structured sweep of the Historic Gardens was replaced by a hint of controlled but wild beauty. Above the towering hemlocks, the clouds broke apart to reveal slashes of blue sky. Eudora was right—so many pockets of beauty if you looked hard enough: trailing catkins and clusters of reddish pitcher plants that looked like rhubarb stalks with curling ends. (Such fascination he’d had for carnivorous plants after Tom had shown him a picture of a Venus flytrap in Encyclopædia Britannica.) A dead stick jutted up through the leaves; the sign next to it read “Northern Catalpa.” He would research that on the Web when he got to the office. See if he could find a picture of it in full leaf. “Here, smell this.” Eudora had stopped by a small, unimpressive tree, but as Felix moved close, he spotted tiny pom-poms of reddish blooms. He had never seen anything quite so weird or wonderful. Ella should definitely plant one of those. “Hmm.” “Witch hazel.
Barbara Claypole White (The Perfect Son)
Angry tears stung her eyes. Tension built and boiled inside her. Her cheeks grew hot with suppressed anger, her movements became jerky and abrupt. She shoved an errant strand of hair out of her face, stormed to the washstand — And collided with her husband. He had been coming toward her with a piece of wet linen and a bowl half-filled with water. As he and Juliet bounced off each other, some of the water spilled onto the carpet, the rest down the front of his waistcoat. Ignoring it, Gareth held out the damp rag like a truce offering. "Here." "What's that for?" "She needs washing, doesn't she?" "What do you know about babies?" "Come now, Juliet. I am not entirely lacking in common sense." "I wonder," she muttered, spitefully. He summoned a polite though confused smile — and that only stoked Juliet's temper all the more. She did not want him to be such a gentleman, damn it!  She wanted a good, out-and-out row with him. She wanted to tell him just what she thought of him, of his reckless spending, of his carefree attitude toward serious matters. Oh, why hadn't she married someone like Charles — someone capable, competent, and mature? "What is wrong, Juliet?" "Everything!" she fumed. She plunged the linen in the bowl of water and began swabbing Charlotte's bottom. "I think Perry was right. We should go straight back to your brother, the duke." "You should not listen to Perry." "Why not? He's got more sense than you and the rest of your friends combined. We haven't even been married a day, and already it's obvious that you're hopelessly out of your element. You have no idea what to do with a wife and daughter. You have no idea where to go, how to support us — nothing. Yet you had to come charging after us, the noble rescuer who just had to save the day. I'll bet you didn't give any thought at all to what to do with us afterward, did you? Oh!  Do you always act before thinking? Do you?" He looked at her for a moment, brows raised, stunned by the force of her attack. Then he said dryly, "My dear, if you'll recall, that particular character defect saved your life. Not to mention the lives of the other people on that stagecoach." "So it did, but it's not going to feed us or find us a place to live!"  She lifted Charlotte's bottom, pinned a clean napkin around the baby's hips, and soaped and rinsed her hands. "I still cannot believe how much money you tossed away on a marriage license, no, a bribe, this morning, nor how annoyed you still seem to be that we didn't waste God-knows-how-much on a hotel tonight. You seem to have no concept of money's value, and at the rate you're going, we're going to have to throw ourselves on the mercy of the local parish or go begging in the street just to put food in our bellies!" "Don't be ridiculous. That would never happen." "Why wouldn't it?" "Juliet, my brother is the Duke of Blackheath. My family is one of the oldest and richest in all of England. We are not going to starve, I can assure you." "What do you plan to do, then, work for a living? Get those pampered, lily-white hands of yours dirty and calloused?
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
The day before Christmas came. Mama made her clove apple and began baking pies. Papa brought in a fresh pine tree and they decorated it with the beautiful apples. But to Katrina it just didn’t feel like Christmas. Even when she went to bed on Christmas Eve, Papa was still sawing away at the apple tree. On Christmas morning their stocking were filled with oranges, wild hickory nuts, black walnuts, and peppermint sticks. Josie gave Papa and Mama their scarves, and Katrina gave Mama the pincushion. But it still didn’t feel like Christmas to Katrina. Then Papa said, “Now my little ones, turn around and close your eyes. No peeking.” First Katrina heard Papa ask Mama to help him. Then she heard him hammering something to the beam, then he dragged something across the floor. “All right, you can look now,” said Mama. They whirled around. There, hanging from the beam, was Josie’s swing, the very same vine swing from the apple tree. Sitting on the swing was a little rag doll that Mama had made. Near the swing was a drawing board made from the very same limb that had been Katrina’s studio. On the drawing board were real charcoal paper and three sticks of willow charcoal. Katrina softly touched the drawing board. She wanted to say, How wise and wonderful you are, Papa and Thank you, Papa and I’ll always love you, Papa. But all she could say was, “Oh, Papa.” Papa didn’t say anything either. He just handed her the three sticks of charcoal. Josie began to swing with her doll and Katrina started to draw. Now she could see how beautiful Mama’s clove apple looked on the white tablecloth and how shiny red the apples were on the Christmas tree. Now she could smell the fresh winter pine tree and the warm apple pies. Now it felt like Christmas. Katrina gave her first drawing to Papa. It was a picture of the day when Papa picked the apples and Mama made apple butter and Katrina and Josie sorted the apples. In the corner Papa wrote: This picture was drawn by Katrina Ansterburg on Christmas Day 1881. Then he hung it in his woodshop and there it stayed for many long years.
Trinka Hakes Noble (Apple Tree Christmas)
For a moment, Stuart and Helen stood silent, just watching Lyric darting in and out of the white-fringed brine. Helen wondered if perhaps the child was smiling, maybe just a tiny bit, but her back was to them and it was difficult to get a glimpse of her face. But this Helen knew—the only times this strange, quiet child seemed to find any shard of peace was when she was close to water. The waves seemed thrilled to see her, and together they reared up like wild horses greeting each other before the waves crashed down on the stony shore with their hooves. When smaller waves came, the girl closed her eyes and slowly let her arms sway from side to side, as though listening to some music that the others could not hear. It made Helen’s ears prick up and strain, but it was lost to her.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
It was rumoured of him once that he was about to join the Roman Catholic communion, and certainly the Roman ritual had always a great attraction for him. The daily sacrifice, more awful really than all the sacrifices of the antique world, stirred him as much by its superb rejection of the evidence of the senses as by the primitive simplicity of its elements and the eternal pathos of the human tragedy that it sought to symbolize. He loved to kneel down on the cold marble pavement and watch the priest, in his stiff flowered dalmatic, slowly and with white hands moving aside the veil of the tabernacle, or raising aloft the jewelled, lantern-shaped monstrance with that pallid wafer that at times, one would fain think, is indeed the “panis cælestis,” the bread of angels, or, robed in the garments of the Passion of Christ, breaking the Host into the chalice and smiting his breast for his sins. The fuming censers that the grave boys, in their lace and scarlet, tossed into the air like great gilt flowers had their subtle fascination for him. As he passed out, he used to look with wonder at the black confessionals and long to sit in the dim shadow of one of them and listen to men and women whispering through the worn grating the true story of their lives.
Oscar Wilde (The Picture of Dorian Gray and Selected Stories)
The garden awoke in spring, glorious. Rhubarb, bellwort, bloodroot, blue squill; violets carpeted the earth, and in the woods, trilliums, twayblade, cowslips, cress, lady's slipper, wild iris, wild ginger, wild pussy willows, wild, wild everything. Robert Trout and his fiancée, Lavender, walked often there, and by the river. Her mother's old haunts. All of it a wonder to Robert, for his constant travels over the past years had begun to render most landscapes an indistinct blur. He'd not attended closely to the earth's springtime bounties; there was never time. Now he was like a boy, exclaiming over each tender sprout, each clump of new moss, and "Look, here's one with a thousand tiny white stars." Lavender told him the names of the many early blooms. And their meanings. It was her school of flowers, she quipped. "And here is one named especially for you, Robert---a trout lily. For us." They stopped. She showed him its lovely mottled leaves, creamy belled petals. "And see," she continued, "how it bows its head, as if too bashful to reveal its face. And like we humans, these beauties sleep at night and open themselves in morning's light.
Jeanette Lynes (The Apothecary's Garden)
Chapter 5 Eyebright For Eye Strain The other night, I took a break from writing and went for a walk. It was dark, but the moon was bright giving me the light I needed to see my way up the road and back. When I returned I could see a few lights on in the house, but what really stood out was my laptop that I had left open; it’s bright white light standing out. I thought, “man, I stare at that light for hours at a time!” No wonder my eyes feel tired so often. Many people do this for eight or more hours every day. When we are viewing the screens of our devices, we blink less than normal which can cause dryness and soreness. The intense focus can also be the root of headaches and other eye related symptoms. Relief can be achieved by taking frequent ‘eye breaks’ which involve looking at something in the distance every twenty minutes or so (there are even apps to remind you!), and making sure your screen is just below eye level. But the reality is many of us are spending a lot of time focusing intently on electronic devices and straining our eyes. Symptoms of eye strain range from dry, sore, or itchy eyes, to headaches, light sensitivity and blurred vision. Mother Nature in her infinite wisdom has provided us with a wild herb that works directly to reduce the discomforts of eye strain and many other eye issues. Eyebright, a tiny flowered, weedy looking herb found wild in Europe, Asia and North America can be used to treat all eye disorders. Eyebright’s tannin content, which acts as an astringent, and its anti-inflammatory and antibacterial properties, combine to make the perfect eye wash. Its 3 major antioxidant vitamins bring in eye-specific support as well:  Vitamin C, in conjunction with Eyebright’s high content of Quercetin, assists in reducing swelled and runny eyes; Vitamin E has been shown to help improve visual sharpness; and Vitamin A protects the cornea and prevents dry eyes. Eyebright is the perfect solution for eyestrain symptoms, but it can also be used for many other eye disorders including conjunctivitis and itchy or runny eyes caused by allergies. Traditionally it has been used to improve memory and treat vertigo and epilepsy. Harvesting and drying Eyebright is easy. The high tannin content makes it a fast-drying herb. Simply cut the flowering tops of the plant and dry for a day or two in an oven with just the pilot light on, or in an airy spot out of the sun for several days. The dried herb will have retained its colors, though the flowers will have diminished considerably in size. How To Use Eyebright How to make an eye bath:   Boil 2 cups of water and pour over 1 cup of dried or fresh herb and let sit for 20 minutes or more. Strain well using cheesecloth or an unbleached coffee filter, store in a sterile glass jar (just dip in the boiling water before adding the herbs and let stand, open side up), cool, lid tightly and place in refrigerator for up to a week. When you wash your face in the morning or evening, use a sterile eyecup or other small sterile container to ‘wash’ your eyes with this herbal extract. If you are experiencing a painful eye condition, it is better to warm the eye bath liquid slightly before use. You can also dip cotton balls in the solution and press one on each eye (with lid closed) as a compress. Eyebright Tea: Using the same method for making an eye bath, simply drink the tea for relief of eye symptoms due to eyestrain, colds and allergies.
Mary Thibodeau (Ten Wild Herbs For Ten Modern Problems: Facing Today's Health Challenges With Holistic Herbal Remedies)
Using the delicate cloth like a handkerchief to protect the brittle pages, she opened the first book she had unearthed: On Dragons. "Oh, how wonderful!" she murmured to herself, gazing at the wildly colored illustrations of giant reptiles, winged and breathing fire. The Chaucerian English was going to take some work to decipher. She would have to see what reference texts she could find in the collection to help her work out the captions, but for now, the pictures fascinated her. The next page showed a silver-armored knight astride a galloping white steed. Armed with a lance, he was shown charging at the hideous, horned dragon that loomed over him, its black, batlike wings outstretched. The knight in the picture had a winged ally of his own, however. In the sky above him hovered none other than St. Michael the Archangel again, her old friend from the duke's family chapel. Come to think of it, she mused, wasn't that white Maltese cross on the little knight's pennant another detail she had noticed in the chapel? She turned the page and stopped at the next colorful picture of a dragon holding its egg in its claws. Some sort of curious symbol was depicted inside the rounded contours of the egg. Kate furrowed her brow and leaned closer, studying the symbol on the dragon's egg. A tingle of faint recognition ran down her spine. I've seen this before. The symbol showed an eight-spoked wagon wheel, with a flaming torch in the center. Beneath the wheel was the Latin motto, Non serviam. Easy enough to translate: "I will not serve.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
the white tents. 17. Two views of The Wild West in Paris, igo5. Colonel Cody, a Hawkeye by birth, is personally lionized by the Parisians, and his unique exhibition, so full of historical and dramatic interest, made a wonderful impression upon the susceptible French public. The twenty lessons I took in French, at the Berlitz School of Languages, London, only gave me a faint idea of what the language was like, but as I was required to make my lectures and announcements in French, I had my speeches translated, and was coached in their delivery by Monsieur Corthesy, editeur, le journal de Londres. Well, I got along pretty fair, considering that I did not know the meaning of half the words I was saying. Anyway it amused them, so I was satisfied. I honestly believe that more people came in the side show in Paris to hear and laugh at my "rotten" French than anything else, and when I found that a certain word or expression excited their risibilities, I never changed it. I can look back now and see where some of my own literal translations were very funny. Colonel Cody's exhibition is unique in many ways, and might justly be termed a polyglot school, no less than twelve distinct languages being spoken in the camp, viz.: Japanese, Russian, French, Arabic, Greek, Hungarian, German, Italian, Spanish, Holland, Flemish, Chinese, Sioux and English. Being in such close contact every day, we were bound to get some idea of each other's tongue, and all acquire a fair idea of English. Colonel Cody is, therefore, entitled to considerable credit for disseminating English, and thus preserving the entente cordiale between nations. 18. Entrance to the Wild West, Champs de Mars, Paris, Igo5. The first place of public interest that we visited in Paris was the Jardin des Plantes (botanical and zoological garden) and le Musee d'Histoire Naturelle. The zoological collection would suffer in comparison with several in America I might mention, but the Natural History Museum is very complete, and is, to my notion, the most artistically arranged of any museum I have visited. Le Palais du Trocadero, which was in sight of our grounds and facing the
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
No, don't," Evie said urgently, as St. Vincent reached for the ties once more. She grappled with him, her fingers tangling with his. And then suddenly his mouth was on hers, and he pushed her against the side of building, anchoring her with his own body. His free hand caught the nape of her neck, beneath the weight of her damp hair. The lush pressure of his mouth caused a shock of response in every part of her body, all at once. She didn't know how to kiss, what to do with her mouth. Bewildered and shaking, she urged her closed lips back against his, while her heart thumped wildly and her limbs went weak. He wanted things that she didn't know how to give. Sensing her confusion, he drew back and possessed her mouth with small, persistent kisses, the bristle on his face scraping gently against hers. His fingers came to the fragile structure of her jaw, tilting her chin, his thumb coaxing her lower lip apart from the upper. The instant he gained an opening, he sealed his mouth over hers. She could taste him, a subtle and alluring essence that effected her like some exotic drug. His tongue pushed inside her, exploring in caressing strokes.... sliding deeper as she offered no resistance. After a luxuriously probing kiss, he eased back and their mouths were barely touching, their breath mingling in steamy puffs that were visible in the chilled night air. He brushed a half-open kiss against her lips, and another, his soft exhalations filling her mouth. The light kisses strayed across her cheek to the intricate hollow of her ear, and she gasped shakily as she felt his tongue trace the fragile rim, just before his teeth caught softly at the tiny lobe. She writhed in response, sensation streaking down to her breasts and farther, gathering low in intimate places. Straining against him, she searched blindly for his hot, teasing mouth, the silken stroke of his tongue. He gave it to her, his kiss gentle but sure. She curled her free arm around his neck to keep from falling, while he kept the other wrist pressed against the wall, their pulses throbbing hard together beneath the wrapping of white ribbon. Another deep kiss, somehow raw and soothing at the same time... he ate at her mouth, tasted and licked inside her... the pleasure of it threatened to blot out her consciousness. No wonder... she thought dizzily. No wonder so many women had succumbed to this man, had thrown away their reputations and their honor for him... had even, if rumor could be believed, threatened to kill themselves when he left them. He was sensuality incarnate. As St. Vincent lifted his body away from hers, Evie was surprised that she didn't crumple bonelessly to the ground. He was breathing as hard as she, harder, his chest rising and falling steadily.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
On the third day, a sail crept over the waves, full-bellied and perfectly white. Yule watched the ship lumbering closer, awkward and squarish in the water, until his eyes burned from salt and sun. There was a single figure aboard, facing the island with a challenging, prideful stance and a flaxen tangle of hair whipping around her head. Yule felt a hysterical desire to dance or scream or faint, but instead he simply stood and raised one arm into the air. He saw her see him. A stillness fell over her, despite the lolling of the ship beneath her feet. Then she laughed—a wild, whooping laugh that rolled over the water to Yule like summertime thunder—removed several layers of dirt-colored clothing, and dove into the shallow waves beneath her ship without a trace of hesitation. Yule had half a second in which to wonder precisely what manner of half-wild madwoman he had been questing after for twelve years, and to doubt his sufficiency for the task, before he was splashing out to meet her, laughing and dragging his white scholar’s robes through the waves. And so, in the late spring of the year 1893 in your world, which was the year 6920 in that one, Yule Ian Scholar and Adelaide Lee Larson found one another in the noonday tides surrounding the City of Plumm. They were never willingly parted again.
Alix E. Harrow (The Ten Thousand Doors of January)
There are moments in life where I wonder whether things can get worse. I'm on a plane, with my new husband, whose enthusiasm for this whole thing seems to be flagging, and it's in this deep moment of self-pity that I register–with absolute horror–that I've also just started my period. I look down at my white jeans and stifle a sob...
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
As he stood, a single red petal fell from his black velvet cloak. “I’m glad you came out of your room. I hope to see you at supper.” Luca unfastened the cloak from around his neck and handed it to her. “Here. It’s getting dark. You might get cold.” Cass accepted the cloak and draped it across her front like a blanket. A square of white cotton fell out of the pocket and she reached down and picked it up. Luca’s handkerchief. Her fingers stroked the embroidered initials--LdP. She thought back to her conversation with Madalena about dropping handkerchiefs. It seemed like the exchange had happened in another lifetime. She tucked the square of fabric back into the pocket of his cloak. Luca smiled. “Thanks,” he said. “I manage to lose more of those than you can imagine.” He turned back toward the house. The air turned cool as the stars came out, but Luca’s cloak kept Cass surprisingly warm. A blurry face appeared at one of the windows. Cass recognized Agnese’s favorite white cap. Cass gave her aunt a hesitant wave and the face vanished. Cass wondered if everyone had been worrying about her. She remembered the cautious way Luca had approached her, as if she were a wild horse that might spook and run off.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
The very next morning It was Valentine’s Day! They grabbed all their cards and went on their way. The classroom was decked out in red, pink, and white, with balloons and streamers, so festive and bright. Someone dropped by with a giant bouquet addressed to the teacher, who blushed right away. The card was signed “From a secret admirer,” but everyone knew it was Mr. O’Meyer! They played pin the heart and won goofy toys, and girls ran away from kissy-face boys. The art teacher came and painted kids’ faces. She put hearts on cheeks and sillier places! At last it was time to deliver the cards. Look! One for Lisa, Jim, and Bernard. They opened them up, read them and smiled, and laughed at the cards that were totally wild. Then they ate goodies, sweet cherries, and grapes, and drank punch with ice cubes in little heart shapes. And just when they thought the party was done, a knock on the door came at quarter past one. When what to their wondering eyes should appear, but the principal himself dressed in full Cupid gear! His arrows--how golden! His bow--curved and tight! The wig that he wore was a comical sight. He spoke not a word and was gone in a minute, leaving a present behind. Now what could be in it? They read Cupid’s note as he leapt down the hall: “Happy Valentine’s Day-- to one and to all!
Natasha Wing (The Night Before Valentine's Day (Reading Railroad Books))
Thanksgiving following Powerball held a different vibe than years past. When Gooch arrived with a wine case mixed with whites and reds—part of a massive purchase to restock Pogo’s cellar—Indian Leo was there to greet him. “I see Powerball changes everything! Your first Thanksgiving with us!” “Show me where to set this down, then let’s talk. I have a proposal for you.” Leo waved Gooch to follow. “And giving orders like a rich man!” The two wound up huddled behind a brandy still in a far, dark corner of the barn, invisible to those gathering for the feast. After hitting the bowl Leo had passed to him, Gooch laid out the consortium’s plan, talked about hidden caves and the promise he’d made to his father. Despite a niggling disrespect for Leo, Gooch grudgingly admired the Nindian’s life experience, competence, and wisdom that arose unexpectedly—usually when it was needed most. “I can see the merit in this. I think it’s providence, what you propose. I’ll chant on this tonight and then you’ll have my answer.” The darkness between them was interrupted by the embers glowing from the pull on his pipe. Flynn and The Don watched their friends return from the barn’s shadows, curious as to what the Nindian’s answer would be. Leo’s weed was famous throughout the Rockies—his “Butter Rum Snatch” and “Shush Kush” particularly popular with skiers wanting to find themselves either landing in soft pillows or navigating slopes of cerebral adventure. Getting Leo on board with tending the grow would be a real coup. After swatting away the buzzing fly that was Toothless Don, The Don heaped his plate pheasant, yams, globs of Jello-fruit-Cool-Whip, green bean casserole, then told Flynn that Gooch made the best choice for the operation’s gardener. Pointing forked roasted bird to rafters, he declared, “Leo goes for it. Why wouldn’t he? His autonomy? As a grower? Methinks this shit expands his trip.” “Everything I’ve smoked up here is primo. If that’s the guy growing it? I’m down.” Satisfied with his own plate, Flynn watched Whisper pull Leo aside as Gooch slapped some skin all around then jogged his way to the buffet. Gooch opted for duck, ladling gravy over scooped out mashed potatoes, slopping down collard greens and grabbing two Hawaiian sweet rolls. After pounding a few mouthfuls of food, he looked to his friends for affirmation. “Leo’s weed lasts what? Two months up here? And then, we’re stuck with ditchweed or expensive shit from Paonia or wherever. With our operation, he’ll do what he does and make tons more money. Because he won’t be limited by seasons. And we’ll have kine bud, like, whenever. I think he’s our gardener.” “Where did that come from, squire?” The Don waved his fork, wild-rice stuffing sprayed within the wake of his gestures. “Thinking. Out loud. Wondering if Leo is good for this or if he isn’t going to start doing fucking tours down in the caves.” Pulling meat from his plate and chewing on what he’d snagged, Gooch’s brow drooped to darken his eyes. “You know how he is.” Flynn didn’t know. “How do you mean?” Gooch cast a glance at Flynn’s plate where none of the food touched, meat, starch and veggies divided neatly into discrete nutritional piles. “The man has secrets. I mean, we all have secrets, but he more than most. Which tells me he won’t go blabbing about this, our thing.” “Cosa nostra,” The Don mumbled his Godfather impression. Seated and filling their faces, the three found other table conversations focused entirely on the winners, what they were planning to do with all that money—the winners, everyone meant—and how it was great for the town, especially for the winners. A rubber ball of a topic that kept bouncing back, no matter how hard lottery winners tried to send the trajectory in another direction.
James R McQuiggin
Like a boat on a maiden voyage, we have been cast into the world, we marvel at the genius the masterpiece found in the endless universe, and wonder how we cannot put into words the world around us and life, we are shocked that nothing lives forever, our greatest prize the capacity to think, there are always more questions than answers and still we don’t know the answer to life, thousands of years of interpretations found in books of faith and wisdom leaves us empty asking more questions then we have been given answers to, the marriage between life and death between love and hate, between joy and grief, between the sky and lands, and everything churns, boils, bubbles simmers and swirls. like the white foaming of crashing waves, and everything moves and twists like our thoughts and beliefs, while busy making memories, we remember old memories some good and happy some sad, we are just spirits sailing through life trying to make sense of everything, every day new advancements new discoveries new fashion new ideas new trends, the morning sunrise says it’s a beautiful day but everything changes so slowly and we are caught up in the perfection, accomplishments, excellence fulfillment of social heredity and we crown everything that is out of sync and call it high-mindedness, the dogs are barking, and the pony mare and stallions are running wild on the range where the rivers wind and twist on their way to the ocean, the kingdom of earth is life we have the use of everything around us, and nothing belongs to us, and we make fuss about everything as if our very life depended on it, what a show, what a spectacle, and so many interpretation, and people fighting over who is right and who is wrong, while I’m just living in the confinement of time, just living in the world what we call life. Living in the world we call home
Kenan Hudaverdi
We go on and on about wild berries versus cultivated ones, about what constitutes good white chocolate and if it matters what kind of butter you use. According to Dolores, butter with low moisture and high butterfat makes all the difference. She suggests Amish block butter or something called Plugrá, a bastardization of the French phrase plus gras, meaning "more fat." Only the French, I think, would add fat to their butter. I can't believe I care about butter. Before cooking class I wouldn't have given a tinker's dam, yet here I am wondering whether I can sneak over to Whole Foods to buy some for tonight. Dolores says it's fantastic on French bread, with a good Pinot Noir. "Ooh," I hiss, licking my lip. Then the awful truth hits me. I have become a foodie!
Sarah Strohmeyer (Sweet Love)
Know you? I wonder do I know you? Before I could answer that, I should have to see your soul.' 'To see my soul!' muttered Dorian Gray, starting up from the sofa and turning almost white from fear. 'Yes,' answered Hallward, gravely, and with deep-toned sorrow in his voice—'to see your soul. But only God can do that.' A bitter laugh of mockery broke from the lips of the younger man. 'You shall see it yourself, tonight!
Oscar Wilde (The Picture of Dorian Gray)