Wig Cap Quotes

The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.

When Chloe tries to explain what she loves so much about high school theater, even though she'll probably never set foot on another stage after graduation, she always ends up at this: the chaos of backstage. Sitting on the dressing room floor in a sweaty wig cap eating a box of McNuggets someone's mom dropped off, accidentally catching a glimpse of a cute lead's underwear when they're quick-changing behind a towel in the wings, ranking the smelliest character shoes in the chorus, and the delirious, unsupervised hours between the morning and evening shows on a Saturday.

Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me

Rose sat all alone in the big best parlor, with her little handkerchief laid ready to catch the first tear, for she was thinking of her troubles, and a shower was expected. She had retired to this room as a good place in which to be miserable; for it was dark and still, full of ancient furniture, somber curtains, and hung all around with portraits of solemn old gentlemen in wigs, severe-nosed ladies in top-heavy caps, and staring children in little bobtailed coats or short-waisted frocks. It was an excellent place for woe; amd the fitful spring rain that pattered on the windowpane seemed to sob,"Cry away; I'm with you.

As I watched him, he turned it curiously, then pressed a button on the side of the case. The crystal kitty head popped up to reveal a hidden compact mirror. “I think it’s you,” I chirped. Ben wheeled around and smiled approvingly. “I like it. Very Japanese.” “Thank you,” I said. “I also got something for you.” “I’m not wearing a wig.” “You’re such a downer.” I handed him a baseball cap, then took off my camera case and slung it around his neck. “There: Generic American Tourist. No one will look twice at you.” “I’ll choose not to take that as an insult.

She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?

The men standing on deck now were not surprised by the order to abandon ship. They had been called up and assembled for it. There were only about twenty-five Terrors present this morning; the rest were at Terror Camp two miles south of Victory Point or sledging materials to the camp or out hunting or reconnoitering near Terror Camp. An equal number of Erebuses waited below on the ice, standing near sledges and piles of gear where the Erebus gear-and-supply tents had been pitched since the first of April when that ship had been abandoned. Crozier watched his men file down the ice ramp, leaving the ship forever. Finally only he and Little were left standing on the canted deck. The fifty-some men on the ice below looked up at them with eyes almost made invisible under low-pulled Welsh wigs and above wool comforters, all squinting in the cold morning light. “Go ahead, Edward,” Crozier said softly. “Over the side with you.” The lieutenant saluted, lifted his heavy pack of personal possessions, and went down first the ladder and then the ice ramp to join the men below. Crozier looked around. The thin April sunlight illuminated a world of tortured ice, looming pressure ridges, countless seracs, and blowing snow. Tugging the bill of his cap lower and squinting toward the east, he tried to record his feelings at the moment. Abandoning ship was the lowest point in any captain’s life. It was an admission of total failure. It was, in most cases, the end of a long Naval career. To most captains, many of Francis Crozier’s personal acquaintance, it was a blow from which they would never recover. Crozier felt none of that despair. Not yet. More important to him at the moment was the blue flame of determination that still burned small but hot in his breast—I will live.

Jane passed by the library. There in a corner sat Inflexibility. He raised his eyes when he heard her footfalls. “Oh,” said Jane, antsy with embarrassment. “Good morning, Mr. Nobley.” “You weren’t at breakfast,” he said. “I’m off.” She indicated her bonnet and spencer jacket. “Just saying good-bye to the house. It’s a lovely old house.” “New, actually. Built in 1809.” “Right.” His insistence on maintaining the charade chafed her. She had a surging and ridiculous desire to plop down beside him and shake him and make him talk to her like a real person. “Well, since I ran into you, I can thank you in person for a great vacation. I feel sort of sheepish that it didn’t turn out differently.” Mr. Nobley shrugged, and she was surprised to detect anger in his eyes. Still playing the jilted man? Or had she wounded his actor’s ego? Maybe he was denied a paycheck bonus for not getting engaged. “It has been a pleasure to have you here, Miss Erstwhile. I might miss you, actually.” “Really?” “It is possible.” “Hey, I’ve been wondering something…What is Mr. Nobley’s first name?” “William. You know, you are the first person to ask.” Any further awkwardness was cut off by the sound of an approaching carriage. Jane stepped out the front door for the last time, and she and Amelia, gratefully and mournfully, took their leave. Aunt Saffronia stood by the door, waving her handkerchief and shedding rather impressive tears. Colonel Andrews strolled out to wave good-bye with the stately line of house servants in their white caps and white wigs. Captain East smiled knowingly, his eyes earnest with whatever fake promises he and Amelia had made. Mr. Nobley didn’t bother to join the farewell.

The Conveyor Belt Conceived, carried, cut out, torn, born, slapped, named, numbered, needled, drugged, stodged, stuffed, shod, shorn, collared, tied, capped, herded, classed, seated, schooled, brought up, put down, labelled a sinner, smacked, caned, loved, deceived, cuffed, suited, sorted, thwarted, broken, tamed, healed, polished, ironed, worked, used, taxed, mortgaged, owned, chiselled, chained, oiled, tanned, plastered, tempted, failed, wired, subscribed, registered, addicted, hitched, kidded, hounded, feared, poisoned, sickened, pilled, nipped, tucked, wigged, bedded, heart attacked. Freed! Buried, burned, mourned and forgotten.. Next Please!

He knew she must’ve said some real fly shit that ticked his mother off. Nice let V lean her body weight on him as he walked her out the front door. When he looked down at her he was trying his hardest not to laugh but his Aunt was rocking the jail house cornrows under a stocking cap and her wig was halfway on her head. Nice tried to get her back right and fix her wig the best way he could. He was trying to save her dignity and not have her out here looking crazier than she already did when she stepped out of the house that morning with that wig on. Nice put the pedal to the medal to drive V back to her house as she cried and blubbered drunkenly in the passenger seat about Cathy doing her dirty.

What is the meaning of all this?" in the same breath inquired the father and son. Cap slapped her hands on her hips, tossed her head back, and whirling around, replied : "It means, your worships' excellencies, that–you–can't come it! it's no go! this chicken won't fight. It means that the fat's in the fire, and the cat's out of the bag! It means confusion! distraction! perdition! and a tearing off of our wigs! It means the game's up, the play's over, villainy is about to be hanged and virtue about to be rewarded, and the curtain is going to drop and the principal performer–that's I–is going to be called out amid the applause of the audience!" Then, suddenly changing her mocking tone to one of great severity, she said: "It means that you have been outwitted by a girl! It means that your purposed victim has fled, and is by this time in safety! It means that you two, precious father and son, would be a pair of knaves if you had sense enough; but, failing in that, you are only a pair of fools!

When Chloe tries to explain what she loves so much about high school theater, even though she’ll probably never set foot on another stage after graduation, she always ends up at this: the chaos of backstage. Sitting on the dressing room floor in a sweaty wig cap eating a box of McNuggets someone’s mom dropped off, accidentally catching a glimpse of a cute lead’s underwear when they’re quick-changing behind a towel in the wings, ranking the smelliest character shoes in the chorus, and the delirious, unsupervised hours between the morning and evening shows on a Saturday.