Why We Ride Motorcycles Quotes

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A motorcycle is a vehicle of change, after all. It puts the wheels beneath a midlife crisis, or a coming-of-age saga, or even just the discovery of something new, something you didn't realize was there. It provides the means to cross over, to transition, or to revitalize; motorcycles are self-discovery's favorite vehicle.
Lily Brooks-Dalton (Motorcycles I've Loved: A Memoir)
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
Richard Lederer
Hey, you,” a voice calls out. I turn to look, and find Bob Caster perched on a gleaming motorcycle with wide, shiny handlebars. I point to myself and ask, “Who? Me?” “Yes, you,” he says. He squints at me like he’s trying to look inside me. I cross my arms under my breasts to block his piercing gaze, and his eyes drop down to my boobs. He licks his lips ever so slowly, and then his eyes travel back up. Heat creeps up my cheeks, but I refuse to fidget on my feet. I stare straight at him. “You want to take a ride with me?” he asks. He revs the bike. I point a finger. “On that?” He grins that sideways grin again. “Well, I wasn’t offering my personal services.” He glances down at his button fly, and then he laughs. He runs a hand lovingly down the shiny chrome handlebar, his touch reverent and respectful. “Of course on this.” I point to the center of my chest and then at the bike. “You want to take me for a ride on that?” He stares at me. I finally let that feet fidget thing happen and want to kick myself. “Is it safe?” He shakes a cigarette out of a pack and takes his time lighting it. He inhales deeply and holds it for a moment. Then he blows it out and says, “I won’t let you get hurt.” I look at my car and then at him. He revs the engine again. “Where are we going?” “For a ride,” he says with a shrug. “When will we be back?” I step closer to him and his eyes light up a little. And I like it. “When we get done.” Be still my heart. He flicks his cigarette into the grass. “Are you coming or what?” “Okay,” I say. He looks surprised. “Yeah?” “Yes.” He takes the helmet off his head and holds it out to me. I pull my ponytail free and tug the helmet on. He reaches out to buckle the strap for me, his fingers gentle. “How old are you?” he asks, his voice strong but quiet. “Nineteen.” “Good.” He grins. He motions for me to climb on behind him and I do, my thighs spread around his hips. He lifts my feet and shows me where to put them. “Why is that good?” I ask close to his ear. He looks back over his shoulder. “Because I don’t want to go back to jail.” He doesn’t wait. He hits the gas and I shriek as we take off through the parking lot and onto the open road. He reaches back with one hand and puts my hand on his waist, and I automatically follow with the other. I hold on tightly to the man who just told me he doesn’t want to go back to jail, and I wonder what the heck I just got myself into.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.” I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors. I should be terrified. Then I remember how he was with Shelley yesterday. To hell with it. I shift my book bag around to my back and straddle his motorcycle. “Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter. He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into? As we speed away from the school parking lot, I grab Alex’s rock-hard abs tighter. The sped of the motorcycle scares me. I feel light-headed, like I’m riding a roller coaster with no lap bar. The motorcycle stops at a red light. I lean back. I hear him chuckle when he guns the engine once more as the light turns green. I clutch his waist and bury my face in his back. When he finally stops and puts the kickstand down, I survey my surroundings. I’ve never been on his street. The homes are so…small. Most are one level. A cat can’t fit in the space between them. As hard as I try to fight it, sorrow settles in the pit of my stomach. My house is at least seven, maybe even eight or nine times Alex’s home’s size. I know this side of town is poor, but… “This was a mistake,” Alex says. “I’ll take you home.” “Why?” “Among other things, the look of disgust on your face.” “I’m not disgusted. I guess I feel sorry--” “Don’t ever pity me,” he warns. “I’m poor, not homeless.” “Then are you going to invite me in? The guys across the street are gawking at the white girl.” “Actually, around here you’re a ‘snow girl.’” “I hate snow,” I say. His lips quirk up into a grin. “Not for the weather, querida. For your snow-white skin. Just follow me and don’t stare at the neighbors, even if they stare at you.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” “I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.” I cross my arms over my chest. “I’m jokin’. We’re takin’ my cousin’s car.” We get in a black Camry parked across the street. After driving a few minutes he pulls a cigarette from a pack lying on the dashboard. The click of the lighter makes me cringe. “What?” he asks, the lit cigarette dangling from his lips. He can smoke if he wants. This might be an official date, but I’m not his official girlfriend or anything. I shake my head. “Nothing.” I hear him exhale, and the cigarette smoke burns my nostrils more than my mom’s perfume. As I lower my window all the way, I suppress a cough. When he stops at a stoplight, he looks over at me. “If you’ve got a problem with me smokin’, tell me.” “Okay, I’ve got a problem with you smoking,” I tell him. “Why didn’t you just say so?” he says, then smashes it into the car’s ashtray. “I can’t believe you actually like it,” I say when he starts driving again. “It relaxes me.” “Do I make you nervous?” His gaze travels from my eyes to my breasts and down to where my dress meets my thighs. “In that dress you do.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
When we’re outside, I hear Brittany take a deep breath. I swear it sounds as if she’s holding herself together by a thin thread. Not the way it’s supposed to go down: bring girl home, kiss girl, mom insults girl, girl leaves crying. “Don’t sweat it. She’s just not used to me bringin’ girls in the house.” Brittany’s expressive blue eyes appear remote and cold. “That shouldn’t have happened,” she says, throwing back her shoulders in a stance as stiff as a statue’s. “What? The kiss or you likin’ it so much?” “I have a boyfriend,” she says as she fidgets with the strap on her designer book bag. “You tryin’ to convince me, or yourself?” I ask her. “Don’t turn this around. I don’t want to upset my friends. I don’t want to upset my mom. And Colin…I’m just really confused right now.” I hold out my hands and raise my voice, something I usually avoid because like Paco says, it means I actually care. I don’t care. Why should I? My mind says to shut the fuck up at the same time words spout from my mouth. “I don’t get it. He treats you like you’re his damn prize.” “You don’t even know what it’s like with me and Colin…” “Tell me, dammit,” I say, unable to hide the edge to my voice. Initially I hold myself back from what I really want to say, but I can’t resist and tell it to her straight up. “’Cause that kiss back there…it meant somethin’. You know it as well as I do. I dare you to tell me bein’ with Colin is better than that.” She looks away hastily. “You wouldn’t understand.” “Try me.” “When people see Colin and me together, they comment on how perfect we are. You know, the Golden Couple. Get it?” I stare at her in disbelief. That is beyond fucked up. “I get it. I just can’t believe I’m hearin’ it. Does bein’ perfect mean that much to you?” There’s a long, brittle silence. I catch a flicker of sadness in those sapphire eyes, but then it’s gone. In an instant her expression stills and grows serious. “I haven’t been doing a bang-up job at it lately, but yes. It does,” she finally admits. “My sister isn’t perfect, so I have to be.” That is the most pathetic shit I’ve ever heard. I shake my head in disgust and point to Julio. “Get on and I’ll take you back to school to get your car.” Silently, Brittany straddles my motorcycle. She holds herself so far away from me I can barely feel her behind me. I almost take a detour to make the ride last longer. She treats her sister with patience and adoration. God knows I wouldn’t be able to spoon-feed one of my brothers and wipe his mouth. The girl I once accused of being self-absorbed is not one-dimensional. Dios mío, I admire her. Somehow, being with Brittany brings something to my life that’s missing, something…right. But how am I going to convince her of that?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Come here,” he says, pulling me against him. “I don’t want to go to the wedding anymore. I’d rather have you all to myself.” “No way,” I say, running a slow finger along the side of his jaw. “You’re a tease.” I love this playful side of Alex. It makes me forget all about those demons. “I came to see a Latino wedding, and I expect to see one,” I tell him. “And here I thought you were comin’ to be with me.” “You’ve got a big ego, Fuentes.” “That’s not all I’ve got.” He backs me against my car, his breath warming my neck more than the midday sun. I close my eyes and expect his lips on mine, but instead I hear his voice. “Give me your keys,” he says, reaching around and taking them from my hand. “You’re not going to throw them into the bushes, are you?” “Don’t tempt me.” Alex opens my car door and slides into the driver’s seat. “Aren’t you going to invite me in?” I ask, confused. “No. I’m parkin’ your car in the shop so it doesn’t get jacked. This is an official date. I’m drivin’.” I point to his motorcycle. “Don’t think I’m getting on that thing.” His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?” “Julio? You named your motorcycle Julio?” “After my great uncle who helped my parents move here from Mexico.” “I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.” He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.” I cross my arms over my chest. “I’m jokin’. We’re takin’ my cousin’s car.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Seems like we have to spend a lot of our time distracting ourselves from the ugliness of life, doesn’t it? Like I’ve done just now. That’s why we attend plays, go to movies, read books, watch TV…and ride motorcycles: to connect with something that reveals some of the beauty of life and reminds us of what it could be like if we would all focus on these pleasurable joys instead of thinking up more creative ways to torture and harm and kill each other.
John Russell (Riding with Ghosts, Angels, and the Spirits of the Dead)