“
A flood of emotions rushes into me. Pain and anger. Sadness and pity. But most surprising of all, hope.
”
”
Jay Asher (Thirteen Reasons Why)
“
Oh, so that's why you're up here. For a pity party."
"This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress.
He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
why can't we love the right people? what is so wrong with us that we rush into situations to which we are manifestly unsuited, which will hurt us and others? why are we given emotions which we cannot control and which move in exact contradiction to what we really want? we are walking conflicts, internal battles on legs.
”
”
Marian Keyes (The Other Side of the Story)
“
Bluestar blinked. "There are cats who would argue that there should never have been a fifth Clan in the forest at all. Why are there four oaks at Fourtrees, if not to stand for the four Clans?"
Firestar gazed up at the massive oak trees, then back at Bluestar. Fury pure as a lighting flash rushed through his body. "Are you mouse-brained?" he snarled. "Are you telling me SkyClan had to leave because there weren't enough trees?
”
”
Erin Hunter (Firestar's Quest (Warriors Super Edition, #1))
“
I wish I were a girl again, half savage and hardy, and free; and laughing at injuries, not maddening under them! Why am I so changed? why does my blood rush into a hell of tumult at a few words?
”
”
Emily Brontë (Wuthering Heights)
“
The shame that tormented me was all the more corrosive for having no very clear origin: I didn't know why I felt so tainted, and worthless, and wrong-only that I did, and whenever I looked up from my books I was swamped by slimy waters rushing in from all sides.
”
”
Donna Tartt (The Goldfinch)
“
Please don't go."
He let out an uneven breath. "You'll be fine without me. You always have been."
Maybe once, but not now. "How can I convince you to stay?"
"You can't."
She threw down the torch. "Do you want me to beg, is that it?"
"No-never."
"Then tell me-"
"What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.”
“But why? Why can’t you let it go?”
He grabbed her shoulders and shook her. “Because I love you!”
Her mouth fell open.
“I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
“You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
Come on, let's get you a drink. How's your love life, anyway?
Oh God. Why can't married people understand that this is no longer a polite question to ask? We wouldn't rush up to them and roar, "How's your marriage going? Still have sex?
”
”
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
“
Why are you in such a rush?" Sophia asked, and her grandmother answered that it was a good idea to do things before you forgot that they had to be done.
”
”
Tove Jansson (The Summer Book)
“
Why aren’t red traffic lights heart-shaped? Probably because it’s not like rush hour can get any more romantic.
”
”
Jarod Kintz (This Book is Not for Sale)
“
The Robin and the Sparrow"
Said the robin to the sparrow,
“I should really like to know,
Why these anxious human beings
Rush about and worry so.”
Said the sparrow to the robin,
“Friend I think that it must be,
That they have no Heavenly Father,
Such as cares for you and me.
”
”
Elizabeth Cheney
“
Ty laughed, a carefree, boyish sound, and glanced to his side, distracted by what he saw. “You moved the rug.”
“I kitty-cornered it.”
“Why would you do that?” Ty asked, aghast.
“To see you lose your shit when you got home.” Zane leaned closer, grinning evilly. “There are other things out of order too. Books not alphabetized. Coffee mug handles facing different directions.” He lowered his voice to a whisper as Ty’s eyes widened in horror. “The closet isn’t color coded.”
“You’re just watching the world burn, huh?”
Zane laughed.
“God I missed you.” Ty said in a rush of breath.
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
So you want to know all about me. Who
I am.
What chance meeting of brush and canvas painted
the face
you see? What made me despise the girl
in the mirror
enough to transform her,turn her to into a stranger,
only not.
So you want to hear the whole story. Why
I swerved
off the high road,
hard left to nowhere,
recklessly
indifferent to those coughing my dust,
picked up speed
no limits,no top end,
just a high velocity rush
to madness.
”
”
Ellen Hopkins (Crank (Crank, #1))
“
Everest silences you...when you come down, nothing seems worth saying, nothing at all. You find the nothingness wrapping you up, like a sound. Non-being. You can't keep it up, of course. the world rushes in soon enough. What shuts you up is, I think, the sight you've had of perfection: why speak if you can't manage perfect thoughts, perfect sentences? It feels like a betrayal of what you've been through. But it fades; you accept that certain compromises, closures, are required if you're to continue.
”
”
Salman Rushdie (The Satanic Verses)
“
the warmth
in my mouth.
that rush
through my veins
making my heartache
my pulse quicken
my head-
just a bit dizzy.
my legs-
just a bit numb.
my tongue
years for more
more of you
right now.
now.
i can't wait anymore.
this is torture.
seriously.
i'm in hell.
waiting for you.
i just want to shout
to this giant crowd of people
"how hard is it to make a latte, fuckers?"
i love you, coffee.
”
”
Pamela Ribon (Why Girls Are Weird)
“
Sometimes they are just undifferentiated hobbies just like what many others have but we forget to see that in our entrepreneurial rush of excitement.
”
”
Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
“
Don’t rush. Don’t lose your focus. Believe in your vision and your action plan. Wait for some time before you think of making any big change in your idea.
”
”
Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
“
And what is the most terrible thing about boredom? Why do we rush to dispel it? Because it is a distraction-free state which soon enough reveals underlying unpalatable truths about existence—our insignificance, our meaningless existence, our inexorable progression to deterioration and death.
”
”
Irvin D. Yalom (The Schopenhauer Cure)
“
ISABEL: Sorry I missed my session Monday.
DR. RUSH: Would you like to tell me why?
ISABEL: I was depressed.
DR. RUSH: That's a good reason to come to therapy.
”
”
Lisa Lutz (Revenge of the Spellmans (The Spellmans, #3))
“
But why? Why can't you let it go?"
He grabbed her shoulders and shook her. "Because I love you!"
Her mouth fell open.
"I love you," he repeated, shaking her again. "I have for years. And he hurt you and made me watch because he's always known how I felt, too. But if I asked you to pick, you'd choose Arobynn, and I. Can't. Take. It."
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
"You're a damned idiot," she breathed, grabbing the front of his tunic. "You're a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
I could see why Archimedes got all excited. There was nothing finer than the feeling that came rushing through you when it clicked and you suddenly understood something that had puzzled you. It made you think it just might be possible to get a handle on this old world after all.
”
”
Jeannette Walls (Half Broke Horses)
“
I talk to my inner lover, and I say, why such rush?
We sense that there is some sort of spirit that loves
birds and animals and the ants--
perhaps the same one who gave a radiance to you
in your mother's womb.
Is it logical you would be walking around entirely orphaned now?
The truth is you turned away yourself,
and decided to go into the dark alone.
Now you are tangled up in others, and have forgotten
what you once knew,
and that's why everything you do has some weird sense of failure in it.
”
”
Kabir
“
You know why there's a Second Amendment? In case the government fails to follow the first one.
”
”
Rush Limbaugh
“
..and why the winter suns so rush to bathe themselves in the sea
and what slows down the nights to a long lingering crawl...
”
”
Virgil (The Aeneid)
“
Who was your first kiss?” Heat rushed into my face. I flattered myself by thinking maybe he wanted to kiss me. I wished he wanted to kiss me. “I haven’t …” Squeezing my eyes closed, I began again. “I haven’t been kissed. Yet.” “Why?” I rolled my eyes at his innocence.
“You obviously know I’m not like other girls. I’m shy and I don’t spend time with boys. My father is strict and—” “That’s not why.” He thought he knew me so well.
“Fine. You tell me why I haven’t been kissed.”
I regretted the words and my tone instantly. What if he told me what I already knew? That I was lacking. Not interesting or pretty enough. “You were waiting.
”
”
Gwen Hayes (Falling Under (Falling Under, #1))
“
It is necessary to find one's own way in New York. New York City is not hospitable. She is very big and she has no heart. She is not charming. She is not sympathetic. She is rushed and noisy and unkempt, a hard, ambitious, irresolute place, not very lively, and never gay. When she glitters she is very, very bright, and when she does not glitter she is dirty. New York does nothing for those of us who are inclined to love her except implant in our hearts a homesickness that baffles us until we go away from her, and then we realize why we are restless. At home or away, we are homesick for New York not because New York used to be better and not because she used to be worse but because the city holds us and we don't know why.
”
”
Maeve Brennan
“
Oh, I’m burning! I wish I were out of doors! I wish I were a girl again, half savage and hardy, and free . . . and laughing at injuries, not maddening under them! Why am I so changed? Why does my blood rush into a hell of tumult at a few words? I’m sure I should be myself were I once among the heather on those hills. Open the window again wide: fasten it open!
”
”
Emily Brontë (Wuthering Heights)
“
As soon as she was close, she whispered, "you've got to get out of here."
"No, you've got to get out of here," he told her. "Go downstairs. Go now."
"No," she countered. "You go."
"Why?" he asked.
"You tell me first."
But before they could say another word, the last elevator slid slowly open and two men in masks rushed out. From the opposite side of the of the ballroom, shots rang out, rapid fire, piercing the ceiling, plaster falling onto the dance floor like snow.
And then Hale and Macey whispered in unison, "Because of that.
”
”
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
“
Why do they call it rush hour when it lasts days and nobody can rush anywhere?
”
”
J.D. Robb (Salvation in Death (In Death, #27))
“
But here is a question that is troubling me: if there is no God, then, one may ask, who governs human life and, in general, the whole order of things on earth?
– Man governs it himself, – Homeless angrily hastened to reply to this admittedly none-too-clear question.
– Pardon me, – the stranger responded gently, – but in order to govern, one needs, after all, to have a precise plan for a certain, at least somewhat decent, length of time. Allow me to ask you, then, how can man govern, if he is not only deprived of the opportunity of making a plan for at least some ridiculously short period, well, say, a thousand years , but cannot even vouch for his own tomorrow? And in fact, – here the stranger turned to Berlioz, – imagine that you, for instance, start governing, giving orders to others and yourself, generally, so to speak, acquire a taste for it, and suddenly you get ...hem ... hem ... lung cancer ... – here the foreigner smiled sweetly, and if the thought of lung cancer gave him pleasure — yes, cancer — narrowing his eyes like a cat, he repeated the sonorous word —and so your governing is over! You are no longer interested in anyone’s fate but your own. Your family starts lying to you. Feeling that something is wrong, you rush to learned doctors, then to quacks, and sometimes to fortune-tellers as well. Like the first, so the second and third are completely senseless, as you understand. And it all ends tragically: a man who still recently thought he was governing something, suddenly winds up lying motionless in a wooden box, and the people around him, seeing that the man lying there is no longer good for anything, burn him in an oven. And sometimes it’s worse still: the man has just decided to go to Kislovodsk – here the foreigner squinted at Berlioz – a trifling matter, it seems, but even this he cannot accomplish, because suddenly, no one knows why, he slips and falls under a tram-car! Are you going to say it was he who governed himself that way? Would it not be more correct to think that he was governed by someone else entirely?
”
”
Mikhail Bulgakov (The Master and Margarita)
“
I mean it. I can't go alone. And I really can't go with Levana."
"Well, there are about 200,000 single girls in this city who would fall over themselves to have the privilege."
A hush passed between them...
"Cinder."
She couldn't help it. She looked at him...
"200,000 single girls," he said. "Why not you?"
Cyborg. Lunar. Mechanic. She was the last thing he wanted.
She opened her lips, and the elevator stopped. "I'm sorry. But trust me---you don't want to go with me."
The doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator.
"Come to the ball with me."
She froze. Everyone in the hallway froze.
Cinder turned back. Kai was still standing in elevator B one hand propping open the door.
Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with.
Flirting.
Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
”
”
Marissa Meyer
“
Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it."
Showing her teeth, she began to roll up her sleeves.
"What," Roarke asked from the doorway that connected their work areas, "is that?"
"The former bane of my existence. The Antichrist of technology. Do we have a hammer?"
Studying the pile on the floor, he walked in. "Several, I imagine, of various types."
"I want all of them. Tiny little hammers, big, wallbangers, and everything in between."
"Might one ask why?"
"I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip."
"Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?"
"Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good."
Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open.
"Hey! Hey! What're you doing?"
"I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired."
When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it."
"Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research."
"No. Uh-uh. I have to bust it apart. What if it breeds?
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
Junction nineteen! Una, she came off at Junction nineteen! You've added an hour to your journey before you even started. Come on, let's get you a drink. How's your love life, anyway?"
Oh GOD. Why can't married people understand that this is no longer a polite question to ask? We wouldn't rush up to THEM and roar, "How's your marriage going? Still having sex?" Everyone knows that dating in your thirties is not the happy-go-lucky free-for-it-all it was when you were twenty-two and that the honest answer is more likely to be, "Actually, last night my married lover appeared wearing suspenders and a darling little Angora crop-top, told me he was gay/a sex addict/a narcotic addict/a commitment phobic and beat me up with a dildo," than, "Super, thanks.
”
”
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
“
Blinking hard, she watched two Toltec nobles disembark from the aircraft and rush up the steps. One of them argued with the priest who had
proclaimed her death sentence. The taller of the two, wearing what she
dimly registered as the uniform of the Generals Council, demanded the
keys to her shackles.
Securing them, he walked behind the post. A curious mixture of anticipation and confusion filled Helen. Although she did not know him, a tenuous sense of hope stirred deep within her simply because he was there with her.
She turned her head from side to side, trying to watch him as he
worked to free her. “Who are you, my lord? Why are you here?”
“You sent me a lecture not long ago about your duty as a healer,
Lieutenant,” he replied, on one knee behind her to unlock the manacles
around her ankles. “I am your father.
”
”
Candace L. Talmadge (Stoneslayer: Book One Scandal)
“
I’m fairly certain, Captain,” she said, “that the more you discover about me, the more you will dislike me. Therefore, let’s cut to the chase and acknowledge that we don’t like each other. Then we won’t have to bother with the in-between part.”
She was so bloody frank and practical about the whole thing that Christopher couldn’t help but be amused.
“I’m afraid I can’t oblige you.”
“Why not?”
“Because when you said that just now, I found myself starting to like you.”
“You’ll recover,” she said.
Her decisive tone made him want to smile. “It’s getting worse, actually,” he told her. “Now I’m absolutely convinced that I like you.”
Beatrix gave him a patently skeptical stare. “What about my hedgehog? Do you like her, too?”
Christopher considered that. “Affection for rodents can’t be rushed.”
“Medusa isn’t a rodent. She’s an erinaceid.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Why are we so scared of each other right now, Rush?”
“Because when you finally accept that you found the one, it’s terrifying that you might lose them and then there’d never be another.
”
”
Vi Keeland (Rebel Heir (Rush Duet, #1))
“
I am me. And that should be enough, it always has been enough. I was the one who didn’t get that. And now I do. I’m an actor, I’m a writer. I’m a person. And a good one at that. I want good things for myself, and others, and I can continue to work for these things. There is a reason I’m still here. And figuring out why is the task that has been put in front of me. And it will be revealed. There is no rush, no desperation. Just the fact that I am here, and I care about people, is the answer. Now when I wake up, I wake up curious, wondering what the world has in store for me, and I for it. And that’s enough to go on.
”
”
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
“
Jesus Christ came not to condemn you but to save you, knowing your name, knowing all about you, knowing your weight right now, knowing your age, knowing what you do, knowing where you live, knowing what you ate for supper and what you will eat for breakfast, where you will sleep tonight, how much your clothing cost, who your parents were. He knows you individually as though there were not another person in the entire world. He died for you as certainly as if you had been the only lost one. He knows the worst about you and is the One who loves you the most.
If you are out of the fold and away from God, put your name in the words of John 3:16 and say, “Lord, it is I. I’m the cause and reason why Thou didst on earth come to die.” That kind of positive, personal faith and a personal Redeemer is what saves you. If you will just rush in there, you do not have to know all the theology and all the right words. You can say, “I am the one He came to die for.” Write it down in your heart and say, “Jesus, this is me—Thee and me,” as though there were no others. Have that kind of personalized belief in a personal Lord and Savior.
”
”
A.W. Tozer (And He Dwelt Among Us: Teachings from the Gospel of John)
“
We knew the pain of winter rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other...
”
”
Jeffrey Eugenides
“
We had enough years in front of us to be serious and grown-up and respectable. Why rush it? But on the other hand we always complained when teachers and other adults treated us as kids. In fact there was nothing that annoyed me more. So it was a frustrating situation. What we needed was a two-sided badge that said 'Mature' on one side and 'Childish' on the other. Then at any moment we could turn it to whatever side we felt like being and the adults could treat us accordingly.
”
”
John Marsden (Darkness, Be My Friend (Tomorrow, #4))
“
As a child, she’d thought all the noise and commotion was the most wild, wonderful game, but as she’d grown older, she understood why everyone rushed around so: they were chasing a story.
”
”
Jennifer Donnelly (These Shallow Graves)
“
Another train will come. Why rush? Why worry? Why go crazy? Another train will come. And sure enough, another train going my way was pulling into the station. My bad mood evaporated. I entered the car smiling, certain that there would be more missed trains in my life, more closed doors in my face, but there would always be another train rumbling down the tracks in my direction.
”
”
Esmeralda Santiago (The Turkish Lover: A Memoir (A Merloyd Lawrence Book))
“
It's ironic that we rush through being "single" as if it's some disease or malady to get rid of or overcome. The truth is, most likely, one day you will meet someone and it will be gone. And once it's gone, it's really gone! Why does no one tell us how important it is to enjoy being single and being by yourself? That time is defining and amazing and nothing to "sure". It is being alone that will actually set you up the best for being with someone else.
”
”
Drew Barrymore (Wildflower)
“
I’m well aware that this—that I—am the first man to ever do this to her. And yes, as a guy, that
fact makes it even better.
You know who Neil Armstrong is, don’t you?
Now tell me who the second guy was. Hell, tell me any other guy you know who made it to the
moon after him. You can’t, can you? That’s why this is such a rush.
She’ll never forget this.
She’ll always remember…me.
Maybe that’s chauvinistic and egotistical, but it’s the truth.
-Drew Evans
”
”
Emma Chase (Tangled (Tangled, #1))
“
Chase rushed after her in pursuit. The woman lost one of her high-heeled shoes and Chase took advantage of her lack of balance to tackle her. They crashed to the ground.
“Why are you running from the ball, Cinderella?” he asked.
”
”
Stefania Mattana (Into the Killer Sphere (Chase Williams detective stories #1))
“
But the one great shocking occasion, when tens or hundreds or thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes, millions would have been sufficiently shocked—if, let us say, the gassing of the Jews in ’43 had come immediately after the ‘German Firm’ stickers on the windows of non-Jewish shops in ’33. But of course this isn’t the way it happens. In between come all the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next. Step C is not so much worse than Step B, and, if you did not make a stand at Step B, why should you at Step C? And so on to Step D.
And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying ‘Jewish swine,’ collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose. The world you live in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.
”
”
Milton Sanford Mayer (They Thought They Were Free: The Germans 1933-45)
“
Connor: [about Sidda and Connor's wedding] Vivi, it's taken years to nail down a date. She's always said, "What's the rush, when things are so good?" I don't know what the hell she's so afraid of - it's like she's always waiting for the bottom to drop out. Vivi: You know why she thinks that, don't ya, honey? Because it did. It always did.
”
”
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
“
When we are harassed and reach the limit of our own strength, many of us then turn in desperation to God-"There are no atheists in foxholes." But why wait till we are desperate? Why not renew our strength every day? Why wait even until Sunday? For years I have had the habit of dropping into empty churches on weekday afternoons.
When I feel that I am too rushed and hurried to spare a few minutes to think about spiritual things, I say to myself: "Wait a minute, Dale Carnegie, wait a minute. Why all the feverish hurry and rush, little man? You need to pause and acquire a little perspective." At such times, I frequently drop into the first church that I find open.
Although I am a Protestant, I frequently, on weekday afternoons, drop into St. Patrick's Cathedral on Fifth Avenue, and remind myself that I'll be dead in another thirty years, but that the great spiritual truths that all churches teach are eternal. I close my eyes and pray. I find that doing this calms my nerves, rests my body, clarifies my perspective, and helps me revalue my values. May I recommend this practice to you?
”
”
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
“
I should write about why he left.
But there are different versions of truth. If we meet each other in the street, glance away and look back, we might look the same, feel the same, think the same, but the subatomic particles, the smallest parts of us that make every other part, will have rushed away, been replaced at impossible speeds. We will be completely different people. Everything changes all the time.
Truth changes.
Here are three truths.
”
”
Nathan Filer (The Shock of the Fall)
“
I watch my loved ones weep with sorrow,
death's silent torment of no tomorrow.
I feel their hearts breaking, I sense their despair,
United in misery, the grief that they share.
How do I show that, I am not gone...
but the essence of life's everlasting song
Why do they wee? Why do they cry?
I'm alive in the wind and I am soaring high.
I am sparkling light dancing on streams,
a moment of warmth in the fays of sunbeams.
The coolness of rain as it falls on your face,
the whisper of leaves as wind rushes with haste.
Eternal Song, a requiem by Avian of Celieria
from Crown of Crystal Flame by C.L. Wilson
”
”
C.L. Wilson (Crown of Crystal Flame (Tairen Soul, #5))
“
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them.
"Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years."
"Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?"
"That's right."
"OK, I got one word to ask you, a one word question, ready?"
"Uh huh."
"Dinosaurs."
You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point:
And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!"
"I'm sure gonna mention this in my book," Luke said.
"Well, I'm sure gonna mention it in my book," Matthew said.
But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!"
Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes:
"God put those here to test our faith."
"I think God put you here to test my faith, dude. I think I've figured this out."
Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter:
"Did you believe in dinosaurs?"
"Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!"
"You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!"
"It seemed so plausible, aaaaaahh!"
"Enjoy the lake of fire, fucker!"
They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it.
Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet.
"Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
”
”
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
“
The common denominator of all jokes is a path of expectation that is diverted by an unexpected twist necessitating a complete reinterpretation of all the previous facts — the punch-line…Reinterpretation alone is insufficient. The new model must be inconsequential. For example, a portly gentleman walking toward his car slips on a banana peel and falls. If he breaks his head and blood spills out, obviously you are not going to laugh. You are going to rush to the telephone and call an ambulance. But if he simply wipes off the goo from his face, looks around him, and then gets up, you start laughing. The reason is, I suggest, because now you know it’s inconsequential, no real harm has been done. I would argue that laughter is nature’s way of signaling that "it’s a false alarm." Why is this useful from an evolutionary standpoint? I suggest that the rhythmic staccato sound of laughter evolved to inform our kin who share our genes; don’t waste your precious resources on this situation; it’s a false alarm. Laughter is nature’s OK signal.
”
”
V.S. Ramachandran (A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers)
“
From out of nowhere, Phury felt an overwhelming tide of guilt, like someone had popped the lid off all
his deepest concerns and his fears for the future of the race. He had to respond to it, couldn't bear the
pressure.
Riding the wave, he found himself saying in a rush, "We live and die for our kind. The species is our first
and only concern. We fight every night and count the jars of thelessers we kill. Stealth is the way we
protect the civilians. The less they know about us, the safer they are. That is why we disappeared.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?”
They were silent. Samuel looked at Lindsey.
“Buckley,” my father called from the adjoining room, “come play Monopoly with me.”
My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.
“See this shoe?” my father said.
Buckley nodded his head.
“I want you to listen to everything I say about it, okay?”
“Susie?” my brother asked, somehow connecting the two.
“Yes, I’m going to tell you where Susie is.”
I began to cry up in heaven. What else was there for me to do?
“This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.”
“Is that a dog?”
“Yes, that’s a Scottie.”
“Mine!”
“Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?”
“The shoe?” Buckley asked.
“Right, and I’m the car, your sister’s the iron, and your mother is the cannon.”
My brother concentrated very hard.
“Now let’s put all the pieces on the board, okay? You go ahead and do it for me.”
Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.
“Let’s say the other pieces are our friends?”
“Like Nate?”
“Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?”
“They can’t play anymore?”
“Right.”
“Why?” Buckley asked.
He looked up at my father; my father flinched.
“Why?” my brother asked again.
My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back.
“Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?”
Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.
My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand.
Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
”
”
Alice Sebold (The Lovely Bones)
“
We became acquainted with starry skies the girls had gazed at while camping years before, and the boredom of summers traipsing from back yard to front to back again, and even a certain indefinable smell that arose from toilets on rainy nights, which the girls called "sewery." We knew what it felt like to see a boy with his shirt off, and why it made Lux write the name Kevin in purple Magic Marker all over her three-ring binder and even on her bras and panties, and we understood her rage coming home one day to find that Mrs. Lisbon had soaked her things in Clorox, bleaching all the "Kevins" out. We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
Cherry"
Love
I said real love, it's like feeling no fear
When you're standing in the face of danger
'Cause you just want it so much
A touch
From your real love
It's like heaven taking the place of something evil
And lettin' it burn off from the rush
Yeah, yeah
(Fuck)
Darlin', darlin', darlin'
I fall to pieces when I'm with you, I fall to pieces
My cherries and wine, rosemary and thyme
And all of my peaches (are ruined)
Love, is it real love?
It's like smiling when the firing squad's against you
And you just stay lined up
Yeah
(Fuck)
Darlin', darlin', darlin'
I fall to pieces when I'm with you, I fall to pieces (bitch)
My cherries and wine, rosemary and thyme
And all of my peaches (are ruined, bitch)
My rose garden dreams, set on fire by fiends
And all my black beaches (are ruined)
My celluloid scenes are torn at the seams
And I fall to pieces (bitch)
I fall to pieces when I'm with you
(Why?)
'Cause I love you so much, I fall to pieces
My cherries and wine, rosemary and thyme
And all of my peaches (are ruined, bitch)
Are ruined (bitch)
Are ruined (fuck)
”
”
Lana Del Rey
“
You look different." His words, normally crisp,are now sluggish.
"So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?"
"Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea."
"No,it isn't" I'm not sure I like Four this way.There's something unsettling about it.
"Didn't know you had a tattoo," he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath.
"Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way."
I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand.
"What way?" I ask. "Drunk?
"Yeah...well,no." His voice softens. "Real,I guess."
"I'll pretend I didn't."
"Nice of you." He puts his lips next to my ear and says, "You look good, Tris."
His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?"
"Of course." He winks at me.
I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends.
Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot.
"Come on,little girl," he says, "I'm taking you to dinner."
I rest my elbows on Al's back and wave at Four as he carries me away.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
And yet we continue not to do anything to stop it, because the things that are causing it, the things we’re doing that are making it worse – building buildings, taking planes, driving cars, eating meat, buying stuff, having children! – these are the very things that make us us. So we seem to be faced with an impossible dilemma: if we don’t want to be killed by climate change, we have to stop being ourselves. You can see why people aren’t exactly rushing to man the barricades. The thought of addressing it actually seems in some ways worse to us than being killed by it. Or put it another way, the thought of no longer being ourselves is harder for us to get our head around than the thought of being dead.
”
”
Paul Murray (The Bee Sting)
“
I think that I shall never know
Why I am thus, and I am so.
Around me, other girls inspire
In men the rush and roar of fire,
The sweet transparency of glass,
The tenderness of April grass,
The durability of granite;
But me- I don't know how to plan it.
The lads I've met in Cupid's deadlock
Were- shall we say?- born out of wedlock.
They broke my heart, they stilled my song,
And said they had to run along,
Explaining, so to sop my tears,
First came their parents or careers.
But ever does experience
Deny me wisdom, calm, and sense!
Though she's a fool who seeks to capture
The twenty-first fine, careless rapture,
I must go on, till ends my rope,
Who from my birth was cursed with hope.
A heart in half is chaste, archaic;
But mine resembles a mosaic-
The thing's become ridiculous!
Why am I so? Why am I thus?
”
”
Dorothy Parker
“
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear
so suddenly last night? It’s not like you to simply vanish without saying—”
“I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.”
Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask.
“Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea.
“Doing what?” Daisy asked blankly.
Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she
was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
As for us, we behave like a herd of deer. When they flee from the huntsman's feathers in affright, which way do they turn? What haven of safety do they make for? Why, they rush upon the nets! And thus they perish by confounding what they should fear with that wherein no danger lies. . . . Not death or pain is to be feared, but the fear of death or pain. Well said the poet therefore:—
Death has no terror; only a Death of shame!
”
”
Epictetus (The Golden Sayings of Epictetus)
“
How I'm rushing through this! How much each sentence in this brief story contains. "The stars are made of the same atoms as the earth." I usually pick one small topic like this to give a lecture on. Poets say science takes away from the beauty of the stars—mere globs of gas atoms. Nothing is "mere." I too can see the stars on a desert night, and feel them. But do I see less or more ? The vastness of the heavens stretches my imagina-tion—stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern—of which I am a part—perhaps my stuff was belched from some forgotten star, as one is belching there. Or see them with the greater eye of Palomar, rushing all apart from some common starting point when they were perhaps all together. What is the pattern, or the meaning, or the why ? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined! Why do the poets of the present not speak of it ? What men are poets who can speak of Jupiter if he were like a man, but if he is an immense spinning sphere of methane and ammonia must be silent?
”
”
Richard P. Feynman (The Feynman Lectures on Physics)
“
We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
What - what - what are you doing?" he demanded.
"I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. "It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. "It's called a charango. I am planning to become a charanguista!"
"I wouldn't call that an instrument of music," Ragnor observed sourly. "An instrument of torture, perhaps."
Magnus cradled the charango in his arms as if it were an easily offended baby. "It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell."
"That explains the sound you're making," said Ragnor. "Like a lost, hungry armadillo."
"You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself."
"Oh, I am positively green with envy," Ragnor snapped.
"Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion."
Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune.
They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm.
"Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. "From the sound of it, the poor creature must be direly sick. You have to help me find it!"
Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch.
"You are conspiring against me and my art," he declared. "You are a pack of conspirators."
He began to play again. Catarina stopped him by putting a hand on his arm.
"No, but seriously, Magnus," she said. "That noise is appalling."
Magnus sighed. "Every warlock's a critic."
"Why are you doing this?"
"I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections."
"If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured.
Catarina, however, was smiling.
"I see," she said.
"Madam, you do not see."
"I do. I see it all most clearly," Catarina assured him. "What is her name?"
"I resent your implication," Magnus said. "There is no woman in the case. I am married to my music!"
"Oh, all right," Catarina said. "What's his name, then?"
His name was Imasu Morales, and he was gorgeous.
”
”
Cassandra Clare (The Bane Chronicles)
“
Our city, these streets, I don't know why it makes me so depressed. That old familiar gloom that befalls the city dweller, regular as due dates, cloudy as mental Jell-O. The dirty facades, the nameless crowds, the unremitting noise, the packed rush-hour trains, the gray skies, the billboards on every square centimeter of available space, the hopes and resignation, irritation and excitement. And everywhere, infinite options, infinite possibilities. An infinity, and at the same time, zero. We try to scoop it all up in our hands, and what we get is a handful of zero.
”
”
Haruki Murakami
“
[Philip's death was] beyond comparison the most afflicting of my life.... He was truly a fine youth. But why should I repine? It was the will of heaven and he is now out of the reach of the seductions and calamities of a world full of folly, full of vice, full of danger, of least value in proportion as it is best known. I firmly trust also that he has safely reached the haven of eternal repose and felicity. (Alexander Hamilton letter to Benjamin Rush about the death of his 19-year old son from mortal wounds inflicted from a duel.)
”
”
Ron Chernow (Alexander Hamilton)
“
Quick, think of a marvelous excuse he’ll totally swallow. Aha!“To practice. Unlike you guys, I haven’t tried my particular talent since Granny May signed me up for belly-dancing classes when I was fifteen.”And, by the way, why the hell did I consent to that? Or decide I loved it? Never mind, he’s buying it. In fact, he seems to be hot on the idea. Are his eyes glowing? And is Cole’s tongue hanging out? This is why I didn’t want to dance in the first place! “Anyway,” I rushed on. “I’m going to find a private place where nobody can see to laugh at me while you beat this tent”—or, more likely, these two idiots—“into submission.
”
”
Jennifer Rardin
“
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
I will never fully understand why things happen the way they do on this planet. Too many people hold their tongue here. Too many people hide their true feelings. And at the end of the day, that does nothing but hurt someone. The men and women of Tamaran were always taught to live by their emotions, to trust that first reaction, as it is the most pure. Cyborg argues that you need time to make the proper decision. I argue that time blurs the true intent. To Earth standards, I may appear brash and rushed. I never hide what I think. Perhaps that is why Tamaran was a target for so many invasions. Our captors may have enjoyed seeing what pain they inflicted upon us, for our tears were never hidden either.
”
”
Geoff Johns (Teen Titans, Vol. 1: A Kid's Game)
“
When I’m rich,” Jesper said behind him. “I’m going somewhere I never have to see snow again. What about you, Wylan?”
“I don’t know exactly.”
“I think you should buy a golden piano-”
“Flute.”
“And play concerts on a pleasure barge. You can park it in the canal right outside your father’s house.”
“Nina can sing,” Inej put in,
“We’ll duet,” Nina amended. “Your father will have to move.”
She did have a terrible singing voice. He hated that he knew that, but he couldn’t resist glancing over his shoulder. Nina’s hood had fallen back, and the thick waves of her hair had escaped her collar.
Why do I keep doing that? He thought in a rush of frustration. It had happened aboard the ship, too.
He’d tell himself to ignore her, and the next thing he knew his eyes would be seeking her out.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I let out a huff and forced a smile. “You’re a vampire.”
I stated.
Dean tilted his chin up and smiled. “I have no fangs.”
He said through his teeth.
I examined the glistening white canines. They were
normal, just like mine. “You retract them when you don’t
need them.” I said.
Dean moved across the table and put his face up to
mine. His mouth was a torturous breath away from my
own. “Then why haven’t I sucked your blood Lina?” He
whispered right before pressing his soft lips against mine.
Then he inched towards my neck and lingered his lips on
my pulse. His soft breathing tickled my skin and triggered
a chill that shot up my spine. My blood jumped to a rush
and began to throb for him. If he were a vampire, I swear
I’d let him suck me. “Why aren’t I biting you right now?”
He whispered. It took everything I had in me not to melt
into the seat and land as a puddle on the ground.
-Mindy-
”
”
E.M. Jade (Captivated (Affliction, #1))
“
Lena.” Alex’s voice is stronger, more forceful now, and it finally stops me.
He turns so that we’re face-to-face. At that moment my shoes skim off the sand
bottom, and I realize that the water is lapping up to my neck. The tide is coming
in fast. “Listen to me. I’m not who—I’m not who you think I am.”
I have to fight to stand. All of a sudden the currents tug and pull at me. It’s
always seemed this way. The tide goes out a slow drain, comes back in a rush.
“What do you mean?”
His eyes—shifting gold, amber, an animal’s eyes—search my face, and
without knowing why, I’m scared again. “I was never cured,” he says. For a
moment I close my eyes and imagine I’ve misheard him, imagine I’ve only
confused the shushing of the waves for his voice. But when I open my eyes he’s
still standing there, staring at me, looking guilty and something else—sad,
maybe?—and I know I heard correctly. He says, “I never had the procedure.”
“You mean it didn’t work?” I say. My body is tingling, going numb, and I
realize then how cold it is. “You had the procedure and it didn’t work? Like what
happened to my mom?”
“No, Lena. I—” He looks away, squinting, says under his breath, “I don’t
know how to explain.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
To belong to a clan, to a tight group of people allied by blood and loyalties and the mutual ownership of closeted skeletons. To see the family vices and virtues in a dozen avatars instead of in two or three. To know always, whether you were in Little Rock or Menton, that there was one place to which you belonged and to which you would return. To have that rush of sentimental loyalty at the sound of a name, to love and know a single place, from the newest baby-squall on the street to the blunt cuneiform of the burial ground . . .
Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations. Why remain in one dull plot of earth when Heaven was reachable, was touchable, was just over there? The whole race was like the fir tree in the fairy-tale which wanted to be cut sown and dressed up with lights and bangles and colored paper, and see the world and be a Christmas tree.
Well, he said, thinking of the closed banks, the crashed market that had ruined thousands and cut his father’s savings in half, the breadlines in the cities, the political jawing and the passing of the buck. Well, we’ve been a Christmas tree, and now we’re in the back yard and how do we like it?
”
”
Wallace Stegner
“
Pulling her eyes away, she figured it was best to keep such questions to herself. “You could have just, you know, asked me out instead,” she offered, though she wasn’t sure why.
John let out a soft chuckle. “Very true. I guess I just…I wanted to keep you safe.”
“Safe? From what?” Evangeline suddenly felt heat rush her face. Was this man just paranoid or what? “Safe from this? Or from you?”
He looked up, placing his fork down on the plate. His stare was expressionless and she suddenly regretted her brazen accusation. “Both.” His reply had been simple, direct, stern. “Those people who did this to me, they’ll do worse to you if they think that we’re involved…if they think that their message wasn’t clear enough.
”
”
Shawn Maravel (Know Thy Neighbor)
“
Something else gets under your skin, keeps you working days and nights at the sacrifice of your sleeping and eating and attention to your family and friends, something beyond the love of puzzle solving. And that other force is the anticipation of understanding something about the world that no one has ever understood before you.
Einstein wrote that when he first realized that gravity was equivalent to acceleration -- an idea that would underlie his new theory of gravity -- it was the "happiest thought of my life." On projects of far smaller weight, I have experienced that pleasure of discovering something new. It is an exquisite sensation, a feeling of power, a rush of the blood, a sense of living forever. To be the first vessel to hold this new thing.
All of the scientists I've known have at least one more quality in common: they do what they do because they love it, and because they cannot imagine doing anything else. In a sense, this is the real reason a scientist does science. Because the scientist must. Such a compulsion is both blessing and burden. A blessing because the creative life, in any endeavor, is a gift filled with beauty and not given to everyone, a burden because the call is unrelenting and can drown out the rest of life.
This mixed blessing and burden must be why the astrophysicist Chandrasekhar continued working until his mid-80's, why a visitor to Einstein's apartment in Bern found the young physicist rocking his infant with one hand while doing mathematical calculations with the other. This mixed blessing and burden must have been the "sweet hell" that Walt Whitman referred to when he realized at a young age that he was destined to be a poet. "Never more," he wrote, "shall I escape.
”
”
Alan Lightman
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Kiyo, what would you do if all of a sudden I weren't here any more?' Satoko asked, her words coming in a rushed whisper.
This was a long-standing trick of Satoko's for disconcerting people. Perhaps she achieved her effects without conscious effort, but she never allowed the slightest hint of mischief into her tone to put her victim at ease. Her voice would be heavy with pathos at such times, as though confiding the gravest of secrets.
Although he should have been inured to this by now, Kiyoaki could not help asking: 'Not here any more? Why?'
Despite all his efforts to indicate a studied disinterest, Kiyoaki's reply betrayed his uneasiness. It was what Satoko wanted.
'I can't tell you why,' she answered, deftly dropping ink into the clear waters of Kiyoaki's heart...
”
”
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
“
What I'd like to read is a scientific review, by a scientific psychologist--if any exists--of 'A Scientific Man and the Bible'. By what route do otherwise sane men come to believe such palpable nonsense? How is it possible for a human brain to be divided into two insulated halves, one functioning normally, naturally and even brilliantly, and the other capable only of such ghastly balderdash which issues from the minds of Baptist evangelists? Such balderdash takes various forms, but it is at its worst when it is religious. Why should this be so? What is there in religion that completely flabbergasts the wits of those who believe in it? I see no logical necessity for that flabbergasting. Religion, after all, is nothing but an hypothesis framed to account for what is evidentially unaccounted for. In other fields such hypotheses are common, and yet they do no apparent damage to those who incline to them. But in the religious field they quickly rush the believer to the intellectual Bad Lands. He not only becomes anaesthetic to objective fact; he becomes a violent enemy of objective fact. It annoys and irritates him. He sweeps it away as something somehow evil...
”
”
H.L. Mencken (American Mercury)
“
You know when you send a text message to someone and you don't get a response right away, you feel depressed? You send a text message to someone you really like and you get a response right away you feel happy? You feel happy, the body, it creates the chemical dopamine, the dopamine, it goes through your blood and you become addicted to that dopamine rush, and you associate that dopamine rush with the happy feeling of receiving the text, and that's why you got people sending 3,000 fucking text messages a day, right, we're not even paying attention to what we're saying anymore it's just like a, like a morphine drip, right, it's like a dopamine drip! HAPPY BUTTONS! HAPPY BUTTONS! HAPPY BUTTONS! TIME TO PLAY WITH THE HAPPY BUTTONS!
”
”
Tom Green
“
Cry Out in Your Weakness
A dragon was pulling a bear into its terrible mouth.
A courageous man went and rescued the bear.
There are such helpers in the world, who rush to save
anyone who cries out. Like Mercy itself,
they run toward the screaming.
And they can’t be bought off.
If you were to ask one of those, “Why did you come
so quickly?” He or she would say, “Because I heard
your helplessness.”
Where lowland is,
that’s where water goes. All medicine wants
is pain to cure.
And don’t just ask for one mercy.
Let them flood in. Let the sky open under your feet.
Take the cotton out of your ears, the cotton
of consolations, so you can hear the sphere-music. . . .
Give your weakness
to One Who Helps.
Crying out loud and weeping are great resources.
A nursing mother, all she does
is wait to hear her child.
Just a little beginning-whimper,
and she’s there.
God created the child, that is, your wanting,
so that it might cry out, so that milk might come.
Cry out! Don’t be stolid and silent
with your pain. Lament! And let the milk
of Loving flow into you.
The hard rain and wind
are ways the cloud has
to take care of us.
Be patient.
Respond to every call
that excites your spirit.
Ignore those that make you fearful
and sad, that degrade you
back toward disease and death.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
Hey,Dad, remember earlier this week, when I got stabbed?"
"I have a hazy recollection, yes."
"Is it worth it? Being head of the Council? I mean, if people are always gunning for you, why not hand it over to someone else? You could go on vacation.Have a life.Date."
I waited for Dad to embrace his inner Mr. Darcy again and get all huffy, but if anything,he just looked rueful. "One,I made a solemn vow to use my powers to help the Council. Two, things are turbulent now, but that won't always be the case. And I have faith that you'll make a wonderful head of the Council someday,Sophie."
Yeah,except for that whole sleeping with enemy part,I thought.Wait, not that I would actually be sleeping with...I mean,it's a metaphor. There would only be metaphorical sleeping.
My face must have reflected some of the weirdness happening in my brain, because Dad narrowed his eyes at me before continuing, "As for dating, theres no point."
"Why?"
"Because I'm still in love with your mother."
Whoa.Okay, not exactly the answer I was expecting.
Before I could even process that, Dad rushed on, saying, "Please don't let that get your hopes up. There is no way your mother and I could or will ever reunite."
I held up my hand. "Dad,relax. I'm not twelve, and this isn't The Parent Trap.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Ian nodded. Do not question her, he told himself. Not when she is in a state like this.
Still, it was a pity to attack them with such force. Especially the girl, Amy. He'd never met anyone like her. Shy. Gentle. With an exciting edge of hostility. So unlike the girls back home, who flung themselves at him so often that his chauffeurs traveled with first-aid kits.
Doesn't she know better? Isn't she smart enough to stop the hunt?
It was the boy and the au pair. He was a pint-sized hothead. She was a collection of piercings and piggishness. If only Amy and Dan had stayed trapped in the cave in Seoul, at least long enough to get discouraged. Why did they antagonize Mother?
They don't know what it's like to live with her.
"Right you are," Ian said. "They're asking for it. Heaven forbid they listen to the brains of the outfit."
"And that would be–?" Isabel asked.
Ian looked away. "Well, the sister, I'd say. Amy."
He felt a smile inching across his face.
"Ian?" His mother grabbed his wrist. "If you are having the inkling of a shadow of a thought..."
"Mother!" Ian could feel the blood rushing to his face. "How could you suspect for a moment...?
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
You've passed like three stores that sell batteries," she says. "We need to get one now in case it's too late on our way back."
“You don’t need a battery. Your battery is fine,” I say.
I avoid looking over at her but I can see her watching me, waiting for more explanation.
I don’t immediately respond. I flick the blinker on and turn onto my grandparent’s street. When I pull into their driveway, I turn the car off and tell her the truth. What harm could it do at this point?
“I unhooked your battery cable before you tried to leave today.” I don’t wait for her reaction as I get out of the car and slam the door. I’m not sure why I slam the car door. I’m not mad at her, I’m just frustrated. Frustrated that she doubts me after all this time.
“You what!?” she yells. When she gets out of the car, she slams her door intentionally.
I keep walking, shielding the wind and snow with my jacket until I reach the front door. She rushes after me. I almost walk inside without knocking but remember how it feels, so I knock.
“I said I unhooked your battery cable. How else was I going to convince you to ride with me?”
"That's real mature, Will.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Peony…” Cinder shifted closer to the netscreen. “That’s why the android wanted her chip. You’re telling me it would have ended up inside one of them?”
“Spoken with true derision for our canine friends,” said Thorne.
Cinder massaged her temple. “I’m sorry, Wolf. I don’t mean you.” She hesitated. “Except…I do, though. Anyone. She was my little sister. How many people have died from this disease, only to have their identities violated like this? Again, no offense.”
“It’s all right,” said Wolf. “You loved her. I would feel the same if someone wanted to erase Scarlet’s identity and give it to Levana’s army.”
Scarlet stiffened, heat rushing into her cheeks. He certainly wasn’t insinuating…
“Aaaaw,” squealed Iko. “Did Wolf just say that he loves Scarlet? That’s so cute!”
Scarlet cringed. “He did not—that wasn’t—” She balled her fists against her sides. “Can we get back to these soldiers that are being rounded up, please?”
“Is she blushing? She sounds like she’s blushing.”
“She’s blushing,” Thorne confirmed, shuffling the cards. “Actually, Wolf is also looking a little flustered—”
“Focus, please,” said Cinder, and Scarlet could have kissed her.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.”
Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked.
“But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.”
“Twice?” Hyacinth echoed, wondering why this was important.
“Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ”
A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise.
“And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.”
Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence.
For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.”
Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child.
“In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.”
“Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years?
"They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims."
"You bought their pianos?"
"We may even have bought their pianos. Yes, of course we bought them."
Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf.
"But when you were deported, what was it for? What was the charge?"
"Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary."
"And what about your husband? Who was he?"
"Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks."
“…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.
”
”
Aleksandr Solzhenitsyn (Cancer Ward)
“
When I got to school the next morning I had stepped only
one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least
bit about the scene he was creating.
The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe.
“Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.”
“I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You
had your mother worried sick!”
“My mother?” I questioned sarcastically.
Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he
looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of
how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students,
where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You
can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller!
“Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute.
“I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more.
I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I
tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop.
Look, I will be your friend. I want to be your friend. But that’s it.
We can’t be anything more. It’ll never work.”
Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.”
It was hopeless.
“Fine!” I snapped. “I’ll be your stupid girlfriend!”
Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the
harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually
laughed at my request. “No promises.”
Stupid, cocky boyfriend.
“You’re crazy. You know that, right?”
Ryan got this big cheesy smile on his face and said, “Crazy about you.”
“Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?”
“Because I like you.”
His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that?
“I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.”
“You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked
a smile despite myself. “You really are crazy,” I muttered.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
That maybe I’m the answer,’ I blurted. ‘To healing your heart. I could … you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like … yeah.’ I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of ‘You’re a Grand Old Flag’. Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse – Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask, What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a riverbed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree and looked at her dogs as if to share the joke. ‘Oh … my … gods,’ she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. ‘You. Me? HA-HA-HA-HA-HA-HA-HA.
”
”
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
“
You are protected, in short, by your ability to love!" said Dum-bledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mir-ror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not! But he knows it now. You have flitted into Lord Voldemort's mind without damage to yourself, but he cannot possess you with-out enduring mortal agony, as he discovered in the Ministry. I do not think he understands why, Harry, but then, he was in such a hurry to mutilate his own soul, he never paused to understand the incomparable power of a soul that is untarnished and whole."
"But, sir," said Harry, making valiant efforts not to sound argu-mentative, "it all comes to the same thing, doesn't it? I've got to try and kill him, or —"
"Got to?" said Dumbledore. "Of course you've got to! But not because of the prophecy! Because you, yourself, will never rest until you've tried! We both know it! Imagine, please, just for a moment,
that you had never heard that prophecy! How would you feel about Voldemort now? Think!"
Harry watched Dumbledore striding up and down in front ol him, and thought. He thought of his mother, his father, and Sinus. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat.
"I'd want him finished," said Harry quietly. "And I'd want to do it."
"Of course you would!" cried Dumbledore. "You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal. ... In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you . . . which makes it certain, really, that —"
"That one of us is going to end up killing the other," said Harry. "Yes."
But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumble-dore knew — and so do I, thought Harry, with a rush of fierce pride, and so did my parents — that there was all the difference in the world.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair.
“Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us.
“Good evening, ladies,” he said, stepping aside to let us enter.
Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.”
He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.”
I swear, Bailey was blushing so hard I could feel the heat radiating from her body.
“Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—”
“Whitley!”
I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!”
I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it.
“Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
Todd:I had him!
His throat was there beneath my hand.
No, I had him!
His throat was there and now he'll never come again.
Mrs. Lovett: Easy now, hush love hush
I keep telling you, Whats your rush?
Todd: When? Why did I wait?
You told me to wait -
Now he'll never come again.
There's a hole in the world like a great black pit
And it's filled with people who are filled with shit
And the vermin of the world inhabit it.
But not for long...
They all deserve to die.
Tell you why, Mrs. Lovett, tell you why.
Because in all of the whole human race
Mrs. Lovett, there are two kinds of men and only two
There's the one staying put in his proper place
And the one with his foot in the other one's face
Look at me, Mrs Lovett, look at you.
No, we all deserve to die
Even you, Mrs Lovett, even I!
Because the lives of the wicked should be made brief
For the rest of us death will be a relief
We all deserve to die.
And I'll never see Johanna
No I'll never hug my girl to me - finished!
Alright! You sir, how about a shave?
Come and visit your good friend Sweeney.
You sir, too sir? Welcome to the grave.
I will have vengenance.
I will have salvation.
Who sir, you sir?
No ones in the chair, Come on! Come on!
Sweeney's. waiting. I want you bleeders.
You sir! Anybody!
Gentlemen now don't be shy!
Not one man, no, nor ten men.
Nor a hundred can assuage me.
I will have you!
And I will get him back even as he gloats
In the meantime I'll practice on less honorable throats.
And my Lucy lies in ashes
And I'll never see my girl again.
But the work waits!
I'm alive at last!
And I'm full of joy!
ps. love the movie the performance that Johnny Depp did was amazing and he sang amazing.
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on."
"So the wife has to be all those things?"
"No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said."
Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me."
"And did you think he would?"
Momentarily Meggie was taken aback. "Well, yes."
"Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together."
Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
”
”
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
“
As it moves closer, Galen can make out smaller bodies within the mass. Whales. Sharks. Sea turtles. Stingrays. And he knows exactly what’s happening.
The darkening horizon engages the full attention of the Aerna; the murmurs grow louder the closer it gets. The darkness approaches like a mist, eclipsing the natural snlight from the surface.
An eclipse of fish.
With each of his rapid heartbeats, Galen thinks he can feel the actual years disappear from his life span. A wall of every predator imaginable, and every kind of prey swimming in between, fold themselves around the edges of the hot ridges. The food chain hovers toward, over them, around them as a unified force.
And Emma is leading it.
Nalia gasps, and Galen guesses she recognizes the white dot in the middle of the wall. Syrena on the outskirts of the Arena frantically rush to the center, the tribunal all but forgotten in favor of self-preservation. The legion of sea life circles the stadium, effectively barricading the exits and any chance of escaping.
Galen can’t decide if he’s proud or angry when Emma leaves the safety of her troops to enter the Arena, hitching a ride on the fin of a killer whale. When she’s but three fin-lengths away from Galen, she dismisses her escort. “Go back with the others,” she tells it. “I’ll be fine.”
Galen decides on proud. Oh, and completely besotted. She gives him a curt nod to which he grins. Turning to the crowd of ogling Syrena, she says, “I am Emma, daughter of Nalia, true princess of Poseidon.”
He hears murmurs of “Half-Breed” but it sounds more like awe than hatred or disgust. And why shouldn’t it? They’ve seen Paca’s display of the Gift. Emma’s has just put it to shame.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
You going to the game tonight?"
I was about to answer,but another voice rang out from just behind me.
"She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it.
"Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever.
But now he was here. It was my waist he held. It didn't seem real.
"I can't carry the team to victory without you," he said. "You're my rabbit's foot."
I craned my neck around to look at him. "I've always dreamed of some guy saying that to me."
He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered.
"It doesn't take much. We're in the middle of the hallway."
"You want to know what else I love?" His tone was playful.
"No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered.
"That."
I could feel his smile against my ear. Jack was always smiling.It was what made him so likable.
By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk.
Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us.
"Uh-oh," I said.
Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback.
"Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?"
I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal.
We hadn't even been together then.
It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing.
Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Those clothes are Susie's,' my father said calmly when he reached him.
Buckley looked down at my blackwatch dress that he held in his hand.
My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked.
I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red.
Why can't I use them?' he asked.
It landed in my father's back like a fist.
Why can't I use those clothes to stake my tomatoes?'
My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?'
You have to choose. It's not fair,' my brother said.
Buck?' My father held my clothes against his chest.
I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death.
I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?'
Is Keesha a girl at school?'
Yes!'
My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility.
I'm sorry. When did this happen?'
That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot.
Buck, stop!' my father cried.
My brother turned.
You don't get it, Dad,' he said.
I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.'
...
You act like she was yours only!'
Tell me what you want to say. What's this about your friend Keesha's dad?'
Put the clothes down.'
My father laid them gently on the ground.
It isn't about Keesha's dad.'
Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.'
She's dead.'
It never ceased to hurt. 'I know that.'
But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.'
She will,' my father said.
But what about us?'
Who?'
Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.'
Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said.
I didn't say anything.'
Let go. Let go. Let go.
I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go.
My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him.
Dad?'
Son.' There was a quaver in his voice and a grasping outward toward my brother.
I'll get Grandma.' And Buckley ran.
My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
”
”
Alice Sebold
“
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly.
“Yes,” she said simply.
“I see,” he said tightly.
“Would you like a specific date?”
“You are teasing me,” he realized suddenly.
“No, I’m dead serious. I have an exact date in mind.”
Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief.
“What date is that? And why are you thinking of pink elephants?”
“The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.”
Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body.
“You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?”
“Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!”
“But . . . he healed you just a few days ago! Why not tell you then?”
“Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.”
“Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden.
He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse.
So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere.
“That is not funny,” he grumbled indignantly.
“Yeah? You should see what you look like from over here,” she teased.
“If you laugh at me I swear I am going to take you over my knee.”
“Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap.
“Did you ask . . . I mean, does he know what it is?”
“It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.”
“Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.
I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
”
”
Henry David Thoreau (The Journal, 1837-1861)
“
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh.
I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains.
Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school.
Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix.
Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons