Whose Line Is It Anyways Quotes

Of course a lot of guys were ashamed. Somebody said let's go out and fight for liberty and so they went out and got killed without ever once thinking of liberty. And what kind of liberty were they fighting for anyway? How much liberty and whose kind of liberty? Were they fighting for the liberty of eating free ice cream cones all their lives or for the liberty of robbing anybody they pleased whenever they wanted to or what? You tell a man he can't rob and you take away some of his liberty. You've got to. What the hell does liberty mean anyhow? It's a word like house or table or any other word. Only it's a special kind of word. A guy says house and he can point to a house to prove it. But a guy says come on let's fight for liberty and he can't show you liberty. He can't prove the thing he's talking about so how in the hell can he be telling you to fight for it? No sir anybody who went out and got into the front line trenches to fight for liberty was a goddamn fool and the guy who got him there was a liar.

The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear.

Anyway, I just love stories about faraway towns. I stash some of them away in my mind, like a bear preparing for hibernation. If I close my eyes, I can picture the streets, line them with dwellings, hear the voices of the residents. I can even feel the gentle yet unmistakable rhythms of their lives, distant people whose paths I may never cross

When Lone Star conducts an investigation, standard procedure is to tap the telecoms of everyone even peripherally involved with the subject of the investigation. That’s right, everyone, whether or not he or she is suspected of a crime. An infringement of personal rights? Morally and ethically speaking, you’ve got it, chummer. But according to the letter of the law, if not the spirit, it’s kosher. As long, that is, as Lone Star notifies everyone whose line has been tapped … within four months of the tap’s removal. But can’t Lone Star get around that restriction by leaving the tap in place forever? Again, you’ve got it, chummer. Lone Star officers are notoriously absent-minded when it comes to notification. Anyway,

It used to be that you could get a lot of recognition by writing about Canada, as long as it was about small towns and nature.' 'Really?' 'Yeah. You could have canoes and the prairies or, also, sad women, very sad women who were fat or whose husbands had left them or something. There was a lady who wrote about fucking a bear, which was like a union with the land. There was a lady who wrote about mystical experiences she had at a cottage in northern Ontario. I was never sure what that was about. They were very important at one time, very stern and important. I had to study them in school. Anyway, he was one of them. He concentrated on the prairies, with a lot of native names, and wise native people, like there's a young boy with an Ojibway grandmother who will teach him the ways of the forest, sort of thing, and there's a lot of history, like a lot of the Riel rebellion for example.' 'The what?' 'History. And there's a lot of disaster, on the prairies, like people having to rebuild their sod houses after floods and so on.' They drove on the humming highway for a while. Then Nicola said, 'So you haven't answered my question.' 'What question?' 'Do you think he's any good?' 'Oh. The thing is... it's not, it doesn't matter. It's important. So it doesn't matter if I think it's good or not.' 'Okay. So it doesn't matter. So I'm asking you. What you think. Do. You. Think. It's. Good.' She slapped her bare thigh. James paused for a long moment... He said, 'There's one Boben book, I think it's Cold Season, or maybe it's Comfort of Winter, which ends with the line, "a story which Canadians must never tire of telling." What do you think of that line? A story which Canadians must never tire of telling.' She shrugged. 'I have no idea.' 'I'll tell you what you think of it. You don't give a shit. I'll tell you what I think of it. I don't give a shit either. But I also think it's the worst bullshit I've ever heard. I think,' he said, accelerating, 'that Ludwig Boben is a fucking asshole.

(p.112-114) This past, the Negro's past, of rope, fire torture, castration, infanticide, rape; death and humiliation; fear by day and night, fear as deep as the marrow of the bone; doubt that he was worthy of life, since everyone around him denied it; sorrow for this women, for his kinfolk, for his children, who needed his protection, and whom he could not protect; rage, hatred, and murder, hatred for white men so deep that it often turned against him and his own, and made all love, all trust, all joy impossible - this past, this endless struggle to achieve and reveal and confirm a human identity, human authority, yet contains, for all its horror, something very beautiful. I do not mean to be sentimental about suffering - enough is certainly as good as a feast - but people who cannot suffer can never grow up, can never discover who they are. That man who is forced each day to snatch manhood, his identity, out of the fire of human cruelty that rages to destroy it knows, if he survives his effort, and even if he does not survive it, something about himself and human life that no school on earth - and indeed, no church - can teach. He achieves his own authority, and that is unshakable. This is because, in order to save his life, he is forced to look beneath appearances, to take nothing for granted, to hear the meaning behind the words. If one is continually surviving the worst that life can bring, one eventually ceases to be controlled by a fear of what life can bring; whatever it brings must be borne. And at this level of experience one's bitterness begins to be palatable, and hatred becomes too heavy a sack to carry. The apprehension of life here so briefly and inadequately sketched has been the experience of generations of Negroes, and it helps to explain how they have endured and how they have been able to produce children of kindergarten age who can walk through mobs to get to school. It demands great force and great cunning continually to assault the mighty and indifferent fortress of white supremacy, as Negroes in this country have done so long. It demands great spiritual resilience not to hate the hater whose foot is on your neck, and even greater miracle of perception and charity not to teach your child to hate. The Negro boys and girls who are facing mobs today come out of a long line of improbable aristocrats - the only genuine aristocrats this country has produced. I say "this country" because their frame of reference was totally American. They were hewing out of the mountain of white supremacy the stone of their individuality. I have great respect for that unsung army of black men and women who trudged down back lanes and entered back doors, saying "Yes, sir" and "No, Ma'am" in order to acquire a new roof for the schoolhouse, new books, a new chemistry lab, more beds for the dormitories, more dormitories. They did not like saying "Yes, sir" and "No Ma'am", but the country was in no hurry to educate Negroes, these black men and women knew that the job had to be done, and they put their pride in their pockets in order to do it. It is very hard to believe that they were in anyway inferior to the white men and women who opened those back doors. It is very hard to believe that those men and women, raising their children, eating their greens, crying their curses, weeping their tears, singing their songs, making their love, as the sun rose, as the sun set, were in any way inferior to the white men and women who crept over to share these splendors after the sun went down. ... I am proud of these people not because of their color but because of their intelligence and their spiritual force and their beauty. The country should be proud of them, too, but, alas, not many people in this country even know of their existence.

Tuesday and Wednesday flew by. Dylan from 5B came over on Thursday. I didn’t smoke any pot, but I let him hotbox my apartment so I was even more completely stoned than I was the time before, except this time my eyebrows remained intact. We watched three episodes of Whose Line Is It Anyway? and laughed our asses off. Dylan was actually pretty cute. He was tall and skinny and pale with buzzed hair, but he had these really blue eyes. That night he helped me carry my laundry to the basement. “Hey Kate, you wanna go to the skate park with me tomorrow night?” “I can’t, I have a date with a lesbian.” His eyes shot open. “Oh, cool.” “It’s not what you think.” He smiled and shrugged. “It’s your business. Aren’t you still dating that douche wad in 9A?” “Stephen? No, he dumped me last week. He’s dating someone else already.” “His loss.” He said it so quickly and nonchalantly that I almost believed him. We got to the basement door. Dylan pushed it open and walked in but paused in front of me. I leaned around his body and saw Stephen making out with a different girl than he had been with earlier that week. At first I didn’t recognize her, and then I saw her token pink scrunchie bobbing above her head. It was the bimbo from the sixth floor. Every time I saw her she was with a different guy. Stephen turned and spotted me. “Kate, I thought you did your laundry on Mondays?” I contemplated sharing my thoughts on women in their thirties who still wear colorful hair pretties, but I chose to take the high road. Anyway, one or both of them would undoubtedly have a venereal disease by the end of the week, and that was my silver lining. “Don’t talk to me, Stephen.” I coughed and mumbled, “Pencil dick” at the same time. Dylan stayed near the door. Everyone in the room watched me as I emptied my laundry bag into a washer. I added soap, stuck some quarters in, closed the lid, and turned to walk out. Just as I reached the opening, Dylan pushed me against the doorjamb and kissed me like he had just come back from war. I let him put on a full show until he moved his hand up and cupped my breast. I very discreetly said, “Uh-uh” through our mouths, and he pulled his hand away and slowed the kiss. When we pulled apart, I turned toward Stephen and the bimbo and shot them an ear-splitting smile. “Hey, Steve”—I’d never called him Steve—“Will you text me when the washer is done? I’ll be busy in my apartment for a while.” He nodded, still looking stunned. I grabbed Dylan’s hand and pulled him into the elevator. Once the doors were closed, we both burst into laughter. “You didn’t have to do that,” I said. “I wanted to. That asshole had it coming.” “Well, thank you. You live with your mom, right?” “Yeah.” “Please don’t tell her about this. I can’t imagine what she would think of me.” “I’m not that much younger than you, Kate.” He jabbed me in the arm playfully and smirked. “You need to lighten up. Anyway, my mom would be cool with it.” “Well, I hope I didn’t give you the wrong idea.” “Nah. We’re buddies, I get it. I’m kind of in love with that Ashley chick from the fourth floor. I just have to wait until next month when she turns eighteen, you know?” He wiggled his eyebrows. I laughed. “You two would make a cute couple.” If only it were that simple.

Not at all perturbed by the surprise arrival and very official-looking demeanor, and yet respectful of it all the same--he’d have done as much or more if some bloke was sniffing after his sister--he doffed his hat and stuck out his hand. “You must be Logan. Or should I call you Chief McCrae?” Logan McCrae hesitated a short moment, then took Cooper’s hand in a quick, firm shake. Cooper was also glad to see McCrae didn’t feel the need to resort to some kind of macho game of whose handshake is the firmest to prove who would control their little meeting. But then, he did have a gun strapped to his hip, Cooper noted, so possibly that was simply unnecessary. “Cooper Jax,” McCrae said, sidestepping his name query for now anyway. “I thought maybe we could take a quick walk if you have a few moments?” “Off a short pier?” Cooper replied, smile unwavering as he gestured for McCrae to lead the way through the courtyard. The bigger man’s dark gaze remained zeroed in, but the tight line of his square jaw relaxed, as did his shoulders. “That depends. We do have one or two.” Cooper knew a lot more about the oldest McCrae sib than he assumed McCrae knew about him, but from all that Kerry had said about her only brother, Cooper was predisposed to like the bloke. The hint of humor underlying McCrae’s words told him to trust that instinct. “I’ll do my best to keep both feet on the ground then.” “Good start,” McCrae replied, then headed through the courtyard.

Luxo Jr. was the breakthrough,” Steve told me many years later. If Steve ever was starstruck, it was by Lasseter, whose artistry seemed to be irrefutable evidence of what Steve believed to be the most important attribute of computers: that they were tools that could unleash and enhance human creativity. Despite his boyish ways (his office is stuffed with so many toys it could double as a Pixar museum, and his wardrobe consists exclusively of blue jeans and hundreds of loud, Hawaiian-style print shirts), Lasseter was a confident grown-up, and not persnickety in any way. While he never looked to Steve for creative advice on his short features, he calmly listened to his boss’s opinions, before going ahead with his own plans anyway. But he made compromises when needed, too, rather than insisting on perfection: when he couldn’t prepare a polished version of a short called Tin Toy in time for SIGGRAPH, he simply showed what he could and filled in the rest with line drawings. Lasseter

And as they came out, they found a man of Cyrene, Simon by name: him they compelled to bear his cross. —Matthew 27:32 (KJV) WEDNESDAY OF HOLY WEEK: GOD IS IN THE DETAILS Which cliché do you abide by: The devil is in the details or God is in the details? No matter; something extraordinary is in the details. Take for instance that single line about Simon of Cyrene. Maybe the Romans forced Simon to help; maybe he would’ve offered this small gift anyway. In either case, Jesus accepted. A cynic might note that Jesus didn’t have much choice, but that misses the point: Jesus had lots of choices. He could have wiggled out of the whole mess with Pilate. He could have chosen a quicker execution. He could have skipped the whole proceeding. He did not. Our youngest daughter, Grace, has talked about becoming a hospice worker when she grows up. She’s seen two grandparents die in hospices. She has seen the kind of people who work there: kind people. Maybe it’s a job; maybe economic circumstances compelled them to work there—does it matter? Fact is, they’re there, in someone’s time of need, to assist others on their journey, to make their passing less difficult. Are we compelled to help others or do we offer? I’m guessing that the person whose burden is suddenly lightened by our presence doesn’t really care what brought us to that moment. Those are just details…and I think God is, most assuredly, in the details. Lord, You said that what we do for the least of our brothers and sisters we do for You. Help us to see You in everything we do in our everyday lives, even in the tiniest details. —Mark Collins Digging Deeper: Ps 147:4–5; Lk 12:6–7

The Deliverator does not know for sure what happens to the driver in such cases, but he has heard some rumors. Most pizza deliveries happen in the evening hours, which Uncle Enzo considers to be his private time. And how would you feel if you bad to interrupt dinner with your family in order to call some obstreperous dork in a Burbclave and grovel for a late fucking pizza? Uncle Enzo has not put in fifty years serving his family and his country so that, at the age when most are playing golf and bobbling their granddaughters, he can get out of the bathtub dripping wet and lie down and kiss the feet of some sixteenyear- old skate punk whose pepperoni was thirty-one minutes in coming. Oh, God. It makes the Deliverator breathe a little shallower just to think of the idea. But he wouldn't drive for CosaNostra Pizza any other way. You know why? Because there's something about having your life on the line. It's like being a kamikaze pilot. Your mind is clear. Other people -- store clerks, burger flippers, software engineers, the whole vocabulary of meaningless jobs that make up Life in America -- other people just rely on plain old competition. Better flip your burgers or debug your subroutines faster and better than your high school classmate two blocks down the strip is flipping or debugging, because we're in competition with those guys, and people notice these things. What a fucking rat race that is. CosaNostra Pizza doesn't have any competition. Competition goes against the Mafia ethic. You don't work harder because you're competing against some identical operation down the street. You work harder because everything is on the line. Your name, your honor, your family, your life. Those burger flippers might have a better life expectancy -- but what kind of life is it anyway, you have to ask yourself. That's why nobody, not even the Nipponese, can move pizzas faster than CosaNostra. The Deliverator is proud to wear the uniform, proud to drive the car, proud to march up the front walks of innumerable Burbclave homes, a grim vision in ninja black, a pizza on his shoulder, red LED digits blazing proud numbers into the night: 12:32 or 15:15 or the occasional 20:43.

Anyway, fast-forward a decade and some change later, and my grandmother finally died. She was a hundred and one. There’s a line of poetry I always think of, though I can’t remember who said it. “The good die first / and they whose hearts are dry as summer dust / burn to the socket.

Lower Third demoed “The London Boys,” which they considered a standout song, but Hatch and Pye turned it down at their weekly sales meeting. According to Hatch, the main reason was not the downbeat subject matter or the references to pill popping but that “it takes too long to get going. It would never make a single.” Its replacement was far more concise, with a simple three-chord chorus once again lifted shamelessly from “Anyway, Anyhow, Anywhere.” But while “Can’t Help Thinking about Me” thieves exactly the same three-chord trick as “You’ve Got a Habit of Leaving,” it makes far better use of it, with that punchy chorus allied with a subtle verse whose minor-key chords perfectly match the foreboding lines of a “question time that says I brought dishonor.

I’m not suggesting that you juggle a dozen different guys and put your heart on the line, emotionally attaching yourself to every single one of them—far from it. You can play the field without trying to date the whole team! All I’m suggesting is that you try a bit to ease off the frantic search for happily ever after and start being happy right now. Allow yourself to date some “wrong” people. Spend time with people whose company you happen to enjoy, even if you don’t see yourself marching down the aisle with them tomorrow. Maintain a healthy perspective on dating and stop setting your heart, your soul, your emotions, and especially your self-worth out on the line with every single person you encounter. When the time is right, you will know, and the safeguards you’ve put in place will fall away naturally. But until then—relax! Have fun! Be yourself in an outfit you didn’t go out and buy specifically for the date. I have found, oddly enough, that most men tend to think women look a lot cuter in sweats and a ponytail than in a little black dress and Louboutins, anyway. (But ultimately, you should always dress for you and not for someone who may or may not end up becoming a significant part of your life.) Most of all, no more letting the swipe rule your life. Stop looking for any dating app or anyone you might meet on a dating app to bring you the happiness and completeness you should be giving yourself. Engage, converse, get out of your safe little comfort zone, and just get to know people with no other agenda than getting to know people. Approach dating from a place of, Do I like him? instead of always obsessing over, Does he like me? Sometimes we get so caught up in trying to make a good impression on someone we don’t even stop to ask ourselves if we are impressed with them. Finally, stop looking to every person to be the great love of your life, and allow dating to be a great adventure in your life. You’ll likely make some amazing friends out of it, you’ll definitely get some great stories out of it, and, who knows . . . having the time of your life just might lead you to the love of your life.

Because what would you rather read about: a swashbuckling starship captain? Or a being as incomprehensible to us as we are to an amoeba? To be fair, science fiction novels have been written about a future in which this transformation has occurred. And I could write one of these, as well. The problem is that for the most part, people like reading about other people. People who are like them. People who act and think like, you know . . . people. Even if we imagine a future society of omniscient beings, we wouldn’t have much of a story without conflict. Without passions and frailties and fear of death. And what kind of a story could an amoeba write about a man, anyway? I believe that after a few hundred years of riding up this hockey-stick of explosive technological growth, humanity can forge a utopian society whose citizens are nearly-omniscient and nearly-immortal. Governed by pure reason rather than petty human emotions. A society in which unrecognizable beings live in harmony, not driven by current human limitations and motivations. Wow. A novel about beings we can’t possibly relate to, residing on an intellectual plane of existence incomprehensible to us, without conflict or malice. I think I may have just described the most boring novel ever written. Despite what I believe to be true about the future, however, I have to admit something: I still can’t help myself. I love space opera. When the next Star Trek movie comes out, I’ll be the first one in line. Even though I’ll still believe that if our technology advances enough for starships, it will have advanced enough for us to have utterly transformed ourselves, as well. With apologies to Captain Kirk and his crew, Star Trek technology would never coexist with a humanity we can hope to understand, much as dinosaurs and people really didn’t roam the earth at the same time. But all of this being said, as a reader and viewer, I find it easy to suspend disbelief. Because I really, really love this stuff. As a writer, though, it is more difficult for me to turn a blind eye to what I believe will be the truth. But, hey, I’m only human. A current human. With all kinds of flaws. So maybe I can rationalize ignoring my beliefs long enough to write a rip-roaring science fiction adventure. I mean, it is fiction, right? And maybe dinosaurs and mankind did coexist. The Flintstones wouldn’t lie, would they?  So while the mind-blowing pace of scientific progress has ruined far-future science fiction for me, at least when it comes to the writing of it, I may not be able to help myself. I may love old-school science fiction too much to limit myself to near-future thrillers. One day, I may break down, fall off the wagon, and do what I vowed during my last Futurists Anonymous meeting never to do again: write far-future science fiction.  And if that day ever comes, all I ask is that you not judge me too harshly.