Who Sits At Your Table Quotes

We've searched our database for all the quotes and captions related to Who Sits At Your Table. Here they are! All 200 of them:

Life has no victims. There are no victims in this life. No one has the right to point fingers at his/her past and blame it for what he/she is today. We do not have the right to point our finger at someone else and blame that person for how we treat others, today. Don’t hide in the corner, pointing fingers at your past. Don’t sit under the table, talking about someone who has hurt you. Instead, stand up and face your past! Face your fears! Face your pain! And stomach it all! You may have to do so kicking and screaming and throwing fits and crying- but by all means- face it! This life makes no room for cowards.
C. JoyBell C. (The Sun Is Snowing: Poetry & Prose by C. Joybell C)
If I could go back, I'd coach myself. I'd be the woman who taught me how to stand up, how to want things, how to ask for them. I'd be the woman who says, your mind, your imagination, they are everything. Look how beautiful. You deserve to sit at the table. The radiance falls on all of us.
Lidia Yuknavitch (The Chronology of Water)
Hadley grabs the laminated safety instructions from the seat pocket in front of her and frowns at the cartoon men and women who seem weirdly delighted to be bailing out of a series of cartoon planes. Beside her, Oliver stifles a laugh, and she glances up again. “What?” “I’ve just never seen anyone actually read one of those things before,” “Well,” she says, “then you’re very lucky to be sitting next to me.” “Just in general?” She grins. “Well, particularly in case of an emergency.” “Right,” he says. “I feel incredibly safe. When I’m knocked unconscious by my tray table during some sort of emergency landing, I can’t wait to see all five-foot-nothing of you carry me out of here.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
There are things I didn't see before, like how nice it is to have someone around. Not the white knight whisking you away, but the fellow who sits at your table every night and tells you what he is thinking.
Paula McLain (The Paris Wife)
And when the Sadness catches up, tracks you down—when you return home one day, arms full of groceries, to find the Sadness sitting at the kitchen table, casually reading a paper as if it never left, eating a muffin as if this were all perfectly natural—when the Sadness looks up at you and says, “What did you think, buddy? What did you think was going to happen?”—when the Sadness smirks at you and says with a wry insistence that unravels you in an instant, “This is the real love story here, buddy, you and me”—when the Sadness reiterates that, sure, certain smaller sadnesses dull, but this Sadness, the Sadness, has seen you through it all; this Sadness, the Sadness, has never strayed from your side, not really, and why would you want it to now, this epitome of stability in an inconsistent world?—when that happens, you can put your groceries down and walk back out the door and close the door behind you.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
Well, Mr. Frankel, who started this program, began to suffer from the computer disease that anybody who works with computers now knows about. It's a very serious disease and it interferes completely with the work. The trouble with computers is you *play* with them. They are so wonderful. You have these switches - if it's an even number you do this, if it's an odd number you do that - and pretty soon you can do more and more elaborate things if you are clever enough, on one machine. After a while the whole system broke down. Frankel wasn't paying any attention; he wasn't supervising anybody. The system was going very, very slowly - while he was sitting in a room figuring out how to make one tabulator automatically print arc-tangent X, and then it would start and it would print columns and then bitsi, bitsi, bitsi, and calculate the arc-tangent automatically by integrating as it went along and make a whole table in one operation. Absolutely useless. We *had* tables of arc-tangents. But if you've ever worked with computers, you understand the disease - the *delight* in being able to see how much you can do. But he got the disease for the first time, the poor fellow who invented the thing.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
So Buck can enjoy sitting in a cell contemplating how he blew up his life. That dickwad hurt two people sitting at this table. And you’re worried about who’ll look bad if they tell? Screw that. Dean and D.J. and Kennedy and every frat boy on this campus can all go fuck themselves. Are we sisters or not?
Tammara Webber (Easy (Contours of the Heart, #1))
But there’s a reason. There’s a reason. There’s a reason for this, there’s a reason education sucks, and it’s the same reason that it will never, ever, ever be fixed. It’s never gonna get any better. Don’t look for it. Be happy with what you got. Because the owners of this country don't want that. I'm talking about the real owners now, the real owners, the big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners. They own you. They own everything. They own all the important land. They own and control the corporations. They’ve long since bought and paid for the senate, the congress, the state houses, the city halls, they got the judges in their back pockets and they own all the big media companies so they control just about all of the news and information you get to hear. They got you by the balls. They spend billions of dollars every year lobbying, lobbying, to get what they want. Well, we know what they want. They want more for themselves and less for everybody else, but I'll tell you what they don’t want: They don’t want a population of citizens capable of critical thinking. They don’t want well informed, well educated people capable of critical thinking. They’re not interested in that. That doesn’t help them. Thats against their interests. Thats right. They don’t want people who are smart enough to sit around a kitchen table to figure out how badly they’re getting fucked by a system that threw them overboard 30 fucking years ago. They don’t want that. You know what they want? They want obedient workers. Obedient workers. People who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and the vanishing pension that disappears the minute you go to collect it, and now they’re coming for your Social Security money. They want your retirement money. They want it back so they can give it to their criminal friends on Wall Street, and you know something? They’ll get it. They’ll get it all from you, sooner or later, 'cause they own this fucking place. It's a big club, and you ain’t in it. You and I are not in the big club. And by the way, it's the same big club they use to beat you over the head with all day long when they tell you what to believe. All day long beating you over the head in their media telling you what to believe, what to think and what to buy. The table is tilted folks. The game is rigged, and nobody seems to notice, nobody seems to care. Good honest hard-working people -- white collar, blue collar, it doesn’t matter what color shirt you have on -- good honest hard-working people continue -- these are people of modest means -- continue to elect these rich cocksuckers who don’t give a fuck about them. They don’t give a fuck about you. They don’t give a fuck about you. They don't care about you at all -- at all -- at all. And nobody seems to notice, nobody seems to care. That's what the owners count on; the fact that Americans will probably remain willfully ignorant of the big red, white and blue dick that's being jammed up their assholes everyday. Because the owners of this country know the truth: it's called the American Dream, because you have to be asleep to believe it.
George Carlin
My belief is that when you're telling the truth, you're close to God. If you say to God, "I am exhausted and depressed beyond words, and I don't like You at all right now, and I recoil from most people who believe in You," that might be the most honest thing you've ever said. If you told me you had said to God, "It is all hopeless, and I don't have a clue if You exist, but I could use a hand," it would almost bring tears to my eyes, tears of pride in you, for the courage it takes to get real-really real. It would make me want to sit next to you at the dinner table. So prayer is our sometimes real selves trying to communicate with the Real, with Truth, with the Light. It is us reaching out to be heard, hoping to be found by a light and warmth in the world, instead of darkness and cold. Even mushrooms respond to light - I suppose they blink their mushroomy eyes, like the rest of us. Light reveals us to ourselves, which is not always so great if you find yourself in a big disgusting mess, possibly of your own creation. But like sunflowers we turn toward light. Light warms, and in most cases it draws us to itself. And in this light, we can see beyond our modest receptors, to what is way beyond us, and deep inside.
Anne Lamott (Help Thanks Wow: The Three Essential Prayers)
My “Best Woman” speech Good evening everyone, my name is Rosie and as you can see Alex has decided to go down the non-traditional route of asking me to be his best woman for the day. Except we all know that today that title does not belong to me. It belongs to Sally, for she is clearly his best woman. I could call myself the “best friend” but I think we all know that today that title no longer refers to me either. That title too belongs to Sally. But what doesn’t belong to Sally is a lifetime of memories of Alex the child, Alex the teenager, and Alex the almost-a-man that I’m sure he would rather forget but that I will now fill you all in on. (Hopefully they all will laugh.) I have known Alex since he was five years old. I arrived on my first day of school teary-eyed and red-nosed and a half an hour late. (I am almost sure Alex will shout out “What’s new?”) I was ordered to sit down at the back of the class beside a smelly, snotty-nosed, messy-haired little boy who had the biggest sulk on his face and who refused to look at me or talk to me. I hated this little boy. I know that he hated me too, him kicking me in the shins under the table and telling the teacher that I was copying his schoolwork was a telltale sign. We sat beside each other every day for twelve years moaning about school, moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths on a Monday morning. Now Alex has that life and I’m so proud of him. I’m so happy that he’s found his best woman and his best friend in perfect little brainy and annoying Sally. I ask you all to raise your glasses and toast my best friend Alex and his new best friend, best woman, and wife, Sally, and to wish them luck and happiness and divorce in the future. To Alex and Sally!
Cecelia Ahern (Love, Rosie)
the other guineahen died of a broken heart and we came to New York. I used to sit at a table,drawing wings with a pencil that kept breaking and i kept remembering how your mind looked when it slept for several years,to wake up asking why. So then you turned into a photograph of somebody who’s trying not to laugh at somebody who’s trying not to cry
E.E. Cummings
She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.” The unconcerned expression didn’t flag. He said, “I’ll take care of it.” She echoed, “Take care of it?” “Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.” For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.” The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.” “That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.” To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.” “I feel you’re being condescending,” Blue said. In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince. “Dear God,” remarked Cell Phone boy. “I don’t know what else to say.” “Sorry,” she recommended. “I said that already.” Blue considered. “Then ‘bye.’” He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Syn may be too much of a gentleman to hit you, but I’m not. I’m not only ashamed to call you human, I’m completely disgusted that we share the same gender. You want to know the truth? The only filth in this room is you, and you’re the one who doesn’t deserve to breathe our air. Decent’s got nothing to do with birthright. It’s all about actions, and trust me, you’re the lowest form I’ve ever met and I’ve taken in the worst scum imaginable. But I’d rather sit at the table with them than you any day. (Shahara to Mara)
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?
Walt Whitman (Leaves of Grass)
If there's a feeling to home, it's this. A place where there are no secrets, where nothing stays buried; not the past and not yourself. Where you can be all the versions of you, see it all reflected back at you as you walk the same stairs, the same halls, the same rooms. Feel the ghost of your mother as you sit at the kitchen table, hear the words of your father circling round and round after dinner, and your brother stopping by, wishing you'd be a little better, a little stronger.... It's four walls echoing back everything you've ever been and everything you've ever done, and it's the people who stay despite it all. Through it all. For it all.
Megan Miranda (All the Missing Girls)
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
My therapist shared a theory she had come across, and I liked it. It held that before making your next journey in this life, your soul sits at a large, circular conference table and chooses the souls who are going to be a part of your life. As for which particular people would be chosen, I figured they would be individuals from previous lives with whom there was still unfinished business.
Melissa Gilbert (Prairie Tale)
That's who is waiting for me: an invisible man defined by a dotted line: the shape of an absence in your place at the table, sitting across from me, eating toast and eggs as usual or walking ahead up the drive, a rustling of the fallen leaves, a slight thickening of the air. It's you in the future, we both know that. You'll be here but not here, a muscle memory, like hanging a hat on a hook that's not there any longer.
Margaret Atwood (Dearly)
She drew herself up and crossed her arms over her chest. “So Buck can enjoy sitting in a cell contemplating how he blew up his life. That dickwad hurt two people sitting at this table. And you’re worried about who’ll look bad if they tell? Screw that. Dean and D.J. and Kennedy and every frat boy on this campus can all go fuck themselves. Are we sisters or not?
Tammara Webber (Easy (Contours of the Heart, #1))
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End, #1))
need instead to find people who are in sync with our beat and form a more perfect union with those who hear the same rhythm! It is time for us to find the thing we were created to do, the people we were meant to affect, and the power that comes from alignment with purpose. Having had unique opportunities to sit at the table
T.D. Jakes (Instinct: The Power to Unleash Your Inborn Drive)
Altogether bad,' the host concluded. 'As you will, but there's something not nice hidden in men who avoid wine, games, the society of charming women, table talk. Such people are either gravely ill or secretly hate everybody around them. True, there may be exceptions. Among persons sitting down with me at the banqueting table, there have been on occasion some extraordinary scoundrels! . . . And so, let me hear your business.
Mikhail Bulgakov (The Master and Margarita)
Fasting By Mevlana Jelaluddin Rumi (1207 - 1273) English version by Coleman Barks There's hidden sweetness in the stomach's emptiness. We are lutes, no more, no less. If the soundbox is stuffed full of anything, no music. If the brain and belly are burning clean with fasting, every moment a new song comes out of the fire. The fog clears, and new energy makes you run up the steps in front of you. Be emptier and cry like reed instruments cry. Emptier, write secrets with the reed pen. When you're full of food and drink, Satan sits where your spirit should, an ugly metal statue in place of the Kaaba. When you fast, good habits gather like friends who want to help. Fasting is Solomon's ring. Don't give it to some illusion and lose your power, but even if you have, if you've lost all will and control, they come back when you fast, like soldiers appearing out of the ground, pennants flying above them. A table descends to your tents, Jesus' table. Expect to see it, when you fast, this table spread with other food, better than the broth of cabbages.
Jalal ad-Din Muhammad ar-Rumi (The Illuminated Rumi)
She wished Michael had had a grandfather like this guy Morty, someone to tell him, "It's a rotten deal, the house always wins. Just sit at the table and play for all you're worth." Instead of one who showed him how to die.
Janet Fitch (Paint it Black)
Is that what we’re here for? To sit at kitchen tables, counting on our fingers the ones who died, those who left, and the others who were taken by the police, or by drugs or by illness or by other women? It makes no sense. Look at your skin, her mouth, these lips, those eyes, my God, listen to that laugh. The only darkness we should allow into our lives is the night, for even then, we have the moon.
Warsan Shire,Our Men Do Not Belong To Us
Gavriel and Fenrys were now sitting with Rolfe at the table in the back of the taproom, no sign of Aedion, both a bit wide-eyed as she swaggered in. She might have preened at the look, had Rowan not prowled in right behind her, already prepared to slit their throats. Rolfe shot to his feet. “What are you doing here?” “I would be very, very careful how you speak to her today, Captain,” Fenrys said with more wariness and consideration than she’d seen him use yesterday. His eyes were fixed on Rowan, who was indeed watching Rolfe as if he were dinner. “Choose your words wisely.” Rolfe glanced at Rowan, saw his face, and seemed to get it.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be. It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her. But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade. It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.
Haruki Murakami (Norwegian Wood)
Maybe we need to stop choosing people purely by résumés and rationales that have led us headfirst into disappointment. We need instead to find people who are in sync with our beat and form a more perfect union with those who hear the same rhythm! It is time for us to find the thing we were created to do, the people we were meant to affect, and the power that comes from alignment with purpose. Having had unique opportunities to sit at the table with champions in
T.D. Jakes (Instinct: The Power to Unleash Your Inborn Drive)
you even put into words the confession that you made a mistake, that you want to turn back time and try again? How do you say it without hurting the people who have been sitting across from you at the breakfast table for fifteen years, who know your Starbucks order and which side of the bed to leave you at a hotel?
Jodi Picoult (The Book of Two Ways)
Pessimistic thoughts will only yield trees unwilling to bear edible fruit. Optimistic thinking will always feed those who are willing to sit at your table".
Michaelson Williams
If I could go back, I’d coach myself. I’d be the woman who taught me how to stand up, how to want things, how to ask for them. I’d be the woman who says, your mind, you imagination, they are everything. Look how beautiful. You deserve to sit at the table. The radiance falls on all of us. I
Lidia Yuknavitch (The Chronology of Water)
We are honored by your presence, Head Prerogative Packers Foreman,” said the man sitting across from him at the table. The man who spoke was Second Prerogative Merltin Higgleswitch, whose position
Troy Hallewell (RazorsCut (After Civilization #3))
You know when you've got nothing in particular to do, nothing to stay awake for? When your life is just routine and it doesn't feel like it belongs to you, how you feel tired and listless and everything seems like too much effort? Well, it's like that, but it's much worse, because everything is much worse these days. Everything that's bad is worse, believe me. There are whole Neighborhoods out there where no one has anything to do all their lives. They're born, and from the moment they hit the table, there's nothing to do. They clamber to their feet occasionally, realize there's nothing to do and sit down again. They grow up, and there's nothing to do; they grow up, and there's still nothing. They spend their whole lives indoors, in armchairs, in bed, wondering who they are.
Michael Marshall Smith (Only Forward)
God is not merely at your fingertips but within your grasp. Live each day like a child digging through a treasure chest, rifling for the next discovery. Open your arms and your eyes to the God who stands in plain sight and works miracles in your midst. Look for him in your workdays and weekends, in your meeting-filled Mondays and your lazy Saturdays. Search for him in the snowy sunsets and Sabbaths, seasons of Lent and sitting at your table. Pray for—and expect—wonder. For when you search for God, you will discover him.
Margaret Feinberg (Wonderstruck: Awaken to the Nearness of God)
This is the “woman’s pluck” story, the dust-bowl story, the burying-your-child-on-the-trail story, the I-will-never-go-hungry-again story, the Mildred Pierce story, the story about how the sheer nerve of even professionally unskilled women can prevail, show the men; the story that has historically encouraged women in this country, even as it has threatened men. The dreams and the fears into which Martha Stewart taps are not of “feminine” domesticity but of female power, of the woman who sits down at the table with the men and, still in her apron, walks away with the chips. 2000
Joan Didion (Let Me Tell You What I Mean: An Essay Collection)
That's the thing," Jo says. "You think you know what you're in for. I mean, you tell yourself that, of course, it's not going to be wine and roses and all of that bullshit for the rest of your life, but then, one day, you wake up, and your fucking husband has morphed into someone whom you barely recognize. And you sit there and you stare at him while he scratches his balls through his underwear at the kitchen table, and you think, 'This is totally not what I signed up for. I mean, who knows if I even love this ball-scratching, foul-breathed man?' And then you wonder if you love him more out of habit than out of anything else." She chews the inside of her lip and considers. "And I guess from there, all bets are off.
Allison Winn Scotch (Time of My Life)
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
But there are some feelings that the English language just doesn’t fully capture. An emotion like grief spills over the confines of those five letters. The word joy feels too compact, stunted, for what it evokes. How can you even put into words the confession that you made a mistake, that you want to turn back time and try again? How do you say it without hurting the people who have been sitting across from you at the breakfast table for fifteen years, who know your Starbucks order and which side of the bed to leave you at a hotel?
Jodi Picoult (The Book of Two Ways)
You're probably wondering what you did in a past life to get stuck with us." Catherine says this as she drowns a fry in ketchup, her many rings glinting as she works her fingers. "Gee, thanks," Brendan murmurs. She gives him a look. "Don't be so sensitive. You know I adore you." I lower my mostly uneaten burger. "Of course not. Just glad for anyone who wants to be my friend." "Hey, Jacinda!" Nathan calls from his table, half rising. He waves and jerks his head, beckoning me over. Catherine's smile slips. She reaches for another fry, avoiding my gaze. "You've got plenty of people willing to be your friend. Go on. Sit with Nathan. He's a decent guy-unfortunate pink shirt and all.
Sophie Jordan (Firelight (Firelight, #1))
Both Becca and David looked stricken, but only David, who'd been sitting at a picnic table next to Jake and Gina, turned nearly as red as his own hair. He'd invited his "good friend" Shahbaz to be his plus one at my wedding, then made it clear to all of us that they were more than friends by kissing under some mistletoe at Debbie and Brad's house during Thanksgiving dinner. The Ackerman-Simon family did not shock easily, however. Brad had remarked only, "Dude, we get it, you're gay. Now pass the gravy.
Meg Cabot (Remembrance (The Mediator, #7))
I know.” He said it so matter-of-fact that I took a step back. “I’ve always known you’d never hurt me.” “Then why would you ask about Jeff, or think I was going to leave?” Morgan’s smile was subtle. “Because you’re the one who doesn’t trust. Me, yourself, even your faraway island. You doubt everything. And people who can’t trust, eventually run.” He took a step forward, and even though I didn’t mean to, I took a step back. “You don’t believe in yourself. You’re scared of getting lost. Getting hurt. Being trapped.” I bumped the coffee table, stumbled, and wound up sitting on my ass. Morgan pushed his way between my knees and cupped my face. He continued to hold my gaze. Never had he looked at me with so much knowledge of who I was shining in his eyes. “Love is easy.” He traced my eyebrow with his thumb. “Trust is what’s hard. Broken hearts can be fixed. Broken trust?” His touch followed a tear down my cheek to my lips. “Trust doesn’t heal. Your parents broke your trust when you were really young, it changed you, it took something away. Then the one time you let trust grow, you thought it had been broken again. That’s where it can be tricky, because sometimes trust feels broken when it’s only a little dented up. "But it still feels like you’re losing bits and pieces of yourself.” Closer, his exhale ghosted my lips. “Now you’re scared to trust me because you might lose everything you have left.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
MARRIAGE IS A FUNNY THING. THERE ARE SO MANY people in the world, and you decide to commit the rest of your life, the rest of your emotional energy, to just one. You assume that the mysterious connection that ties you to one another will hold. A connection that can’t be trusted, one that probably manifests in that same mystical space where stories come from. A place that allows you to suspend your disbelief. Marriage assumes that you will bend and twist and adjust to one another. It assumes that your desires will forever be interconnected by the placement of a piece of gold around a finger. For many people this is true. I envy those people who can dig deep and find that thing that originally allowed them to believe they could spend their entire lives sleeping in the same bed, sit across the table from one another day in and day out, make a family, make memories, good and bad.
Amanda Peters (The Berry Pickers)
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Representation matters. It matters that you sit in an audience and see yourself onstage. It matters that a company who sells to a multiethnic, multicultural world works to bring every voice in so that they consider as many perspectives as possible. Black, white, Latino, Asian, old, young, gay, straight, Christian, Jewish, Muslim, differently abled, plus-size, petite—everybody should be at your table. Everybody should be on your stage. Everybody should be on your staff. Everybody should be invited to your kid’s birthday party. Everybody should be welcome in your church. Everybody should be invited over for dinner. Every single woman you know and every single one you don’t could benefit from the truth that she is capable of something great. How is she ever going to believe that if nobody sets an example? How is she ever going to believe that if nobody cares enough to see it in her and speak the truth aloud?
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
And the first time you come down to dinner, and your son is sitting at the dining room table wearing your hatred on his shoulders, who is going to be the first to tell him it is finally time to take it off?
Sarah Kay (No Matter the Wreckage)
Sin rolled his eyes and sucked chocolate off his thumb, gesturing towards the unlit cigarette that had been sitting on the table for the better part of the last hour. "Cojelo suave, boss man, it's not even lit. We all know you're in charge, no need to start waving your dick around." The comment earned him a mildly startled look and the irritated expression cracked slightly. Carhart shook his head, hazel eyes moving to Boyd's face again. "Who told him how to speak that way?" "Not me," Boyd said, giving him an innocent look. "Likely he learned it at the night club." "I love how you people act like I never knew how to swear before going on that assignment," Sin said mildly, feeling rather insulted by the idea. What did Carhart think he was? An impressionable child? "I'll have you know I was quite fluent at it before.
Ais (Evenfall (In the Company of Shadows, #1))
Each big idea like that is an operating system upgrade," she says, smiling. Comfortable territory. "Writers are responsible for some of it. They say Shakespeare invented the internal monologue." Oh, I am very familiar with the internal monologue. "But I think the writers had their turn," she says, "and now it's programmers who get to upgrade the human operating system." I am definitely talking to a girl from Google. "So what's the next upgrade?" "It's already happening," she says. "There are all these things you can do, and it's like you're in more than one place at one time, and it's totally normal. I mean, look around." I swivel my head, and I see what she wants me to see: dozens of people sitting at tiny tables, all learning into phones showing them places that don't exist and yet are somehow more interesting...
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
1 I don't believe in omens or fear Forebodings. I flee from neither slander Nor from poison. Death does not exist. Everyone's immortal. Everything is too. No point in fearing death at seventeen, Or seventy. There's only here and now, and light; Neither death, nor darkness, exists. We're all already on the seashore; I'm one of those who'll be hauling in the nets When a shoal of immortality swims by. 2 If you live in a house - the house will not fall. I'll summon any of the centuries, Then enter one and build a house in it. That's why your children and your wives Sit with me at one table, - The same for ancestor and grandson: The future is being accomplished now, If I raise my hand a little, All five beams of light will stay with you. Each day I used my collar bones For shoring up the past, as though with timber, I measured time with geodetic chains And marched across it, as though it were the Urals. 3 I tailored the age to fit me. We walked to the south, raising dust above the steppe; The tall weeds fumed; the grasshopper danced, Touching its antenna to the horse-shoes - and it prophesied, Threatening me with destruction, like a monk. I strapped my fate to the saddle; And even now, in these coming times, I stand up in the stirrups like a child. I'm satisfied with deathlessness, For my blood to flow from age to age. Yet for a corner whose warmth I could rely on I'd willingly have given all my life, Whenever her flying needle Tugged me, like a thread, around the globe.
Arseny Tarkovsky (Life, Life: Selected Poems (European Writers))
When I’m sitting by my gay friends in church, I hear everything through their ears. When I’m with my recently divorced friend, I hear it through hers. This is good practice. It helps uncenter us (which is, you know, the whole counsel of the New Testament) and sharpens our eye for our sisters and brothers. It trains us to think critically about community, language, felt needs, and inclusion, shaking off autopilot and setting a wider table. We must examine who is invited, who is asked to teach, who is asked to contribute, who is called into leadership. It is one thing to “feel nice feelings” toward the minority voice; it is something else entirely to challenge existing power structures to include the whole variety of God’s people. This is not hard or fancy work. It looks like diversifying small groups and leadership, not defaulting to homogeny as the standard operating procedure. Closer in, it looks like coffee dates, dinner invites, the warm hand of friendship extended to women or families outside your demographic. It means considering the stories around the table before launching into an assumed shared narrative. It includes the old biblical wisdom on being slow to speak and quick to listen, because as much as we love to talk, share, and talk-share some more, there is a special holiness reserved for the practice of listening and deferring.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Because it’s not the “friends” or “followers” who stay by your side when you’re sick or when you get divorced or just feel lonely. They’re not sitting at the table with their neighbors—or even, in many cases, with their families.
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
There's hidden sweeteness in the stomach's emptiness. We are lutes, no more no less. If the soundbox is stuffed full of anything, no music. If the brain and the belly are burning clean with fasting, every moment a new song comes out of the fire. The fog clears, and new energy makes you run up the steps in front of you. Be emptier and cry like reed instruments cry. Emptier, write secrets with the reed pen. When you're full of food and drink, an ugly metal statue sits where your spirit should. When you fast, good habits gather like friends who want to help. Fasting is Solomon's ring. Don't give it to some illusion and lose your power, but even if you have, if you've lost all will and control, they come back when you fast, like soldiers appearing out of the ground, pennants flying above them. A table descends to your tents, Jesus' table. Expect to see it, when you fast, this table spread with other food, better than the broth of cabbages.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
Before you now it, you're in high school, wondering if you're the only one who actually read Brave New World, rather than it's summary on Wikipedia. Or you're sitting in the cafeteria, pondering the complexities of the latest Christopher Nolan film while the nearest table of cheerleaders discusses whatever reality TV show is popular that week, then argues over who gives the most efficient blow job. Surely, the real world would be different. But I'm beginning to wonder if the whole damn planet hasn't been Wikipedia'd
David Arnold (Mosquitoland)
Oh for Christ’s sake, give the ass-kissing a rest, Julian.” K.T. knocked back a slug of wine, then slapped her glass on the table. She actually snapped her fingers at one of the servers so he would deal with the refill. “Even your mouth ought to be tired of puckering up by now.” “We’re having a conversation,” Julian began. “Is that what you call it? You act like you and Marlo are the only ones in this goddamn vid, and the two people you’re trying so hard to mimic are the only ones who count. It’s insulting. So why don’t you give it a fucking rest, set up your threesome with Marlo and Dallas on your own time? Some of us are trying to eat.” In the beat of horrified silence, Eve studied K.T. down the length of the table. “Peabody?” “Yes, sir,” Peabody said, shoulders hunched. “You know how I occasionally mention the possibility of kicking your ass?” “I’d term that as regularly, but yes, sir, I do.” “You may get the chance to watch me kick your fake ass while you sit comfortably on your own. That’s an opportunity that doesn’t come around every day.
J.D. Robb (Celebrity in Death (In Death, #34))
My mother told me,” the boy replied, turning a page of the catalog. “Haven’t you seen Santa at the mall and all the kids who sit on his knee and tell him what they want for Christmas?” “My mother says they’re just men in Santa suits.” “Do you get presents on Christmas morning?” “Yes.” “And you don’t think Santa brings them.” “Nope. My mother brings them.” “What about the Easter Bunny?” “There’s no such thing as the Easter Bunny.” The two little girls at the table behind them heard this and started to cry. Their parents glared at Harriman and the boy
Billy Wells (In Your Face Horror- Volume 1)
My view is that you don't just talk to your friends. You talk to your enemies, as well. And the diplomacy involves talking to your enemies. You don't reward your enemies necessarily, by talking to them if you're tough and you know what you're doing. You don't appease them. Talking to an enemy is not, in my view, appeasement. I made 15 trips to Syria in 1990-1991 at a time when Syria was on the list of countries who are state sponsors of terrorism. And the 16th trip, guess what? Lo and behold, Syria changed 25 years of policy and agreed for the first time in history to come sit at the table with Israel, which is what Israel wanted at the time. And, thereby, implicitly recognized Israel's right to exist. Now, all I'm saying is that would never have happened if we hadn't been sufficiently dedicated that we were going to keep at it.
James Baker
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant. “Mr. Kadam, wait. I don’t understand.” Dining companion? What is he talking about? Maybe he’s confused. Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.” I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell. I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.” A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry. “Ren.” He smiled. “Who else?” He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly. He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one. I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes. He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him. Nervous and impatient, I asked, “Are you finished?” “Almost.” He was now staring at my strappy shoes. “Well, hurry up!” His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.” I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.” He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.” “I was being sarcastic, Ren.” He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it. He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.” I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.” “Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.” He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
Robert Jordan
He says, That’s great. My grace covers your guilt. My grace changes your shame. I want you to become a leader in My church. I want you to feed My sheep. I want you to be a part of My mission. I want you to love God and love other people in My name. You do not have to sit in the back row for the rest of your life. You do not have to live in the shadows. You don’t have to build protective walls around yourself. You don’t have to hide from the people who love you and care for you. They’ll help love you and restore your integrity, and your call is to help take My name to the world, and I want you in the front row on that mission. You are My chosen instrument to carry forth the plans and purposes of God. You are not going to live defined by shame or guilt. You are going to live defined by Me. Since you love Me, let’s not go backward. Let’s go forward, together.
Louie Giglio (Don't Give the Enemy a Seat at Your Table: It's Time to Win the Battle of Your Mind...)
The people you welcome into your home, who you allow to sit at your table, are those who will listen without judgment, without the immediate need to respond, criticize, or analyze. Those who practice, not just show, compassion. Those who, even when they disapprove of your actions or what led you here, will tell you “It must be so hard. I can’t begin to imagine feeling what you’re feeling.” Not people who will say things like “But how did you not see this or that?” or any statement that makes you feel your problem is nothing compared to what they or others are going through.
Najwa Zebian (Welcome Home: A Guide to Building a Home for Your Soul)
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
This actually did happen to a real person, and the real person is me. I had gone to catch a train. This was April 1976, in Cambridge, U.K. I was a bit early for the train. I’d gotten the time of the train wrong. I went to get myself a newspaper to do the crossword, and a cup of coffee and a packet of cookies. I went and sat at a table. I want you to picture the scene. It’s very important that you get this very clear in your mind. Here’s the table, newspaper, cup of coffee, packet of cookies. There’s a guy sitting opposite me, perfectly ordinary-looking guy wearing a business suit, carrying a briefcase. It didn’t look like he was going to do anything weird. What he did was this: he suddenly leaned across, picked up the packet of cookies, tore it open, took one out, and ate it. Now this, I have to say, is the sort of thing the British are very bad at dealing with. There’s nothing in our background, upbringing, or education that teaches you how to deal with someone who in broad daylight has just stolen your cookies. You know what would happen if this had been South Central Los Angeles. There would have very quickly been gunfire, helicopters coming in, CNN, you know… But in the end, I did what any red-blooded Englishman would do: I ignored it. And I stared at the newspaper, took a sip of coffee, tried to do a clue in the newspaper, couldn’t do anything, and thought, What am I going to do? In the end I thought Nothing for it, I’ll just have to go for it, and I tried very hard not to notice the fact that the packet was already mysteriously opened. I took out a cookie for myself. I thought, That settled him. But it hadn’t because a moment or two later he did it again. He took another cookie. Having not mentioned it the first time, it was somehow even harder to raise the subject the second time around. “Excuse me, I couldn’t help but notice…” I mean, it doesn’t really work. We went through the whole packet like this. When I say the whole packet, I mean there were only about eight cookies, but it felt like a lifetime. He took one, I took one, he took one, I took one. Finally, when we got to the end, he stood up and walked away. Well, we exchanged meaningful looks, then he walked away, and I breathed a sigh of relief and st back. A moment or two later the train was coming in, so I tossed back the rest of my coffee, stood up, picked up the newspaper, and underneath the newspaper were my cookies. The thing I like particularly about this story is the sensation that somewhere in England there has been wandering around for the last quarter-century a perfectly ordinary guy who’s had the same exact story, only he doesn’t have the punch line.
Douglas Adams
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...] "So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could. . ." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .' Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine."” "We went through the whole packet like this. Him, me, him, me . . ." "The whole packet?" "Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time." "Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling." "There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course. "As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ." "Yes?" "Were my biscuits." "What?" said Fenchurch. "What?" "True." "No!
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
Across from me at the kitchen table, my mother smiles over red wine that she drinks out of a measuring glass. She says she doesn’t deprive herself, but I’ve learned to find nuance in every movement of her fork. In every crinkle in her brow as she offers me the uneaten pieces on her plate. I’ve realized she only eats dinner when I suggest it. I wonder what she does when I’m not there to do so. Maybe this is why my house feels bigger each time I return; it’s proportional. As she shrinks the space around her seems increasingly vast. She wanes while my father waxes. His stomach has grown round with wine, late nights, oysters, poetry. A new girlfriend who was overweight as a teenager, but my dad reports that now she’s “crazy about fruit." It was the same with his parents; as my grandmother became frail and angular her husband swelled to red round cheeks, rotund stomach and I wonder if my lineage is one of women shrinking making space for the entrance of men into their lives not knowing how to fill it back up once they leave. I have been taught accommodation. My brother never thinks before he speaks. I have been taught to filter. “How can anyone have a relationship to food?" He asks, laughing, as I eat the black bean soup I chose for its lack of carbs. I want to tell say: we come from difference, Jonas, you have been taught to grow out I have been taught to grow in you learned from our father how to emit, how to produce, to roll each thought off your tongue with confidence, you used to lose your voice every other week from shouting so much I learned to absorb I took lessons from our mother in creating space around myself I learned to read the knots in her forehead while the guys went out for oysters and I never meant to replicate her, but spend enough time sitting across from someone and you pick up their habits that’s why women in my family have been shrinking for decades. We all learned it from each other, the way each generation taught the next how to knit weaving silence in between the threads which I can still feel as I walk through this ever-growing house, skin itching, picking up all the habits my mother has unwittingly dropped like bits of crumpled paper from her pocket on her countless trips from bedroom to kitchen to bedroom again, Nights I hear her creep down to eat plain yogurt in the dark, a fugitive stealing calories to which she does not feel entitled. Deciding how many bites is too many How much space she deserves to occupy. Watching the struggle I either mimic or hate her, And I don’t want to do either anymore but the burden of this house has followed me across the country I asked five questions in genetics class today and all of them started with the word “sorry". I don’t know the requirements for the sociology major because I spent the entire meeting deciding whether or not I could have another piece of pizza a circular obsession I never wanted but inheritance is accidental still staring at me with wine-stained lips from across the kitchen table.
Lily Myers
It was a pity that most people didn't actually go to libraries anymore, not when they could sit in the comfort of their own quarters and access files electronically. Want to read the new hot interstellar caper novel, or the latest issue of Beings holozine? Input the name, touch a control, and zip - it's in your datapad. . . . There were, of course, old-fashioned beings who would still actually trundle down to where the files were. On some worlds the most ancient libraries kept books - actual bound volumes of printed matter - lined up neatly on shelves, and readers would walk the aisles, take a volume down, sniff the musty-dusty odor of it, and then carry it to a table to leisurely peruse. There weren't many of those readers left, and they were growing rarer all the time . . . But there were some who still knew how to actually turn a page - and for those who were willing to do so, the rewards could be great indeed.
Michael Reaves (Star Wars: Death Star)
There is a hidden sweetness in the stomach’s emptiness. We are lutes, no more, no less. If the soundbox is stuffed full of anything, no music comes. But if brain and belly are burning clean with fasting, every moment a new song comes out of the fire. The fog clears and new energy makes you run up the steps in front of you. Be emptier, and cry like reed instruments cry. Emptier, write secrets with the reed pen. When you are full of food and drink, an ugly metal statue sits where your spirit should. When you fast, good habits gather like friends who want to help. Fasting is Solomon’s ring. Don’t give it to some illusion and lose your power, but even if you have, if you have lost all will and control, they come back when you fast, like soldiers appearing out of the ground, pennants flying above them. A table descends to your tents, Jesus’ table. Expect to see it when you fast, this table spread with other food, better than the broth of cabbages.
Jalal ad-Din Muhammad ar-Rumi (A Year With Rumi)
I got a book deal, I told Neil grumpily. I’m going to write a book about the TED talk. And all the…other stuff I couldn’t fit into twelve minutes. He was writing at the kitchen table and looked up with delight. Of course you did. They’re paying me an actual advance, I said. I can pay you back now. That’s wonderful, my clever wife. I told you it would all work out. But I’ve never written a book. How could they pay me to write a book? I don’t know how to write a book. You’re the writer. You’re hopeless, my darling, he said. I glared at him. Just write the book, Amanda. Do what I do: finish your tour, go away somewhere, and write it all down in one sitting. They’ll get you an editor. You’re a songwriter. You blog. A book is just…longer. You’ll have fun. Fine, I’ll write it, I said, crossing my arms. And I’m putting EVERYTHING in it. And then everyone will know what an asshole I truly am for having a best-selling novelist husband who covered my ass while I waited for the check to clear while writing the ridiculous self-absorbed nonfiction book about how you should be able to take help from everybody. You realize you’re a walking contradiction, right? he asked. So? I contain multitudes. Can’t you just let me cling to my own misery? He looked at me. Sure, darling. If that’s what you want. I stood there, fuming. He sighed. I love you, miserable wife. Would you like to go out to dinner to maybe celebrate your book deal? NO! I DON’T WANT TO CELEBRATE. IT’S ALL MEANINGLESS! DON’T YOU SEE? I give up, he said, and walked out of the room. GOOD! I shouted after him. YOU SHOULD GIVE UP! THIS IS A HOPELESS FUCKING SITUATION! I AM A TOTALLY WORTHLESS FRAUD AND THIS BOOK DEAL PROVES IT. Darling, he called from the other room, are you maybe expecting your period? NO. MAYBE. I DON’T KNOW! DON’T EVEN FUCKING ASK ME THAT. GOD. Just checking, he said. I got my period a few days later. I really hate him sometimes.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
To Himself" So you've come to me now without knowing why; Nor why you sit in the ruby plush of an ugly chair, the sly Revealing angle of light turning your hair a silver gray; Nor why you have chosen this moment to set the writing of years Against the writing of nothing; you who narrowed your eyes, Peering into the polished air of the hallway mirror, and said You were mine, all mine; who begged me to write, but always Of course to you, without ever saying what it was for; Who used to whisper in my ear only the things You wanted to hear; who comes to me now and says That it's late, that the trees are bending under the wind, That night will fall; as if there were something You wanted to know, but for years had forgotten to ask, Something to do with sunlight slanting over a table And chair, an arm rising, a face turning, and far In the distance a car disappearing over the hill. Mark Strand, Collected Poems. (Knopf; First Edition edition September 30, 2014)
Mark Strand (Collected Poems)
FUCK There are people who will tell you that using the word fuck in a poem indicates a serious lapse of taste, or imagination, or both. It’s vulgar, indecorous, an obscenity that crashes down like an anvil falling through a skylight to land on a restaurant table, on the white linen, the cut-glass vase of lilacs. But if you were sitting over coffee when the metal hit your saucer like a missile, wouldn’t that be the first thing you’d say? Wouldn’t you leap back shouting, or at least thinking it, over and over, bell-note riotously clanging in the church of your brain while the solicitous waiter led you away, wouldn’t you prop your shaking elbows on the bar and order your first drink in months, telling yourself you were lucky to be alive? And if you wouldn’t say anything but Mercy or Oh my or Land sakes, well then I don’t want to know you anyway and I don’t give a fuck what you think of my poem. The world is divided into those whose opinions matter and those who will never have a clue, and if you knew which one you were I could talk to you, and tell you that sometimes there’s only one word that means what you need it to mean, the way there’s only one person when you first fall in love, or one infant’s cry that calls forth the burning milk, one name that you pray to when prayer is what’s left to you. I’m saying in the beginning was the word and it was good, it meant one human entering another and it’s still what I love, the word made flesh. Fuck me, I say to the one whose lovely body I want close, and as we fuck I know it’s holy, a psalm, a hymn, a hammer ringing down on an anvil, forging a whole new world.
Kim Addonizio (What Is This Thing Called Love: Poems)
read a story about a Zen seeker who goes to the master and sits across the table at tea time. The Zen master holds a stick in his hand, and he says, “If you drink your tea, I will hit you with this stick. If you don’t drink your tea, I will hit you with this stick.” So what do you do? Well, I think I figured it out. Take away the stick.
Paul T. Mason (Stop Walking on Eggshells: Taking Your Life Back When Someone You Care About Has Borderline Personality Disorder)
They all bad. But she the worst of all.” “Ain’t they? You remember that time Miss Walter make you pay for the crystal glass you broke? Ten dollars out a your pay? Then you find out them glasses only cost three dollars apiece down at Carter’s?” “Mm-hmm.” “Oh, and you remember that crazy Mister Charlie, the one who always call you nigger to your face like he think it’s funny. And his wife, the one who make you eat lunch outside, even in the middle a January? Even when it snowed that time?” “Make me cold just thinking bout it.” “And what—” Aibileen is chuckling, trying to talk at the same time. “What about that Miss Roberta? Way she make you sit at the kitchen table while she try out her new hair
Kathryn Stockett (The Help)
I’m tired of these sophistries. I’m tired of these right-wing fuckers. They wouldn’t lift a finger themselves. They work contentedly in offices and banks. Yet now they sit pontificating in parliament, in papers, impugning our motives, questioning our judgements. And why? Because they themselves need to feel better by putting down everyone whose work is so much harder than theirs. You only have to say the words ‘social worker’…’probation officer’ … ‘counsellor’ … for everyone in this country to sneer. Do you know what social workers do? Every day? They try and clear out society’s drains. They clear out the rubbish. They do what no one else is doing, what no one else is willing to do. And for that, oh Christ, do we thank them? No, we take our own rotten consciences, wipe them all over the social worker’s face, and say ‘if…’ FUCK! ‘if I did the job, then of course if I did it…oh no, excuse me, I wouldn’t do it like that…’ Well I say: ‘OK, then, fucking do it, journalist. Politician, talk to the addicts. Hold families together. Stop the kids from stealing in the streets. Deal with couples who beat each other up. You fucking try it, why not? Since you’re so full of advice. Sure, come and join us. This work is one big casino. By all means. Anyone can play. But there’s only one rule. You can’t play for nothing. You have to buy some chips to sit at the table. And if you won’t pay with your own time…with your own effort…then I’m sorry. Fuck off!
David Hare (Skylight)
Parents want to give their kids an edge by putting them in all these activities. What they don’t seem to realize is that the best edge they can give them is gained by sitting down with them at the dinner table, just being with them, just hanging out as a family. Kids who are truly secure in themselves have the real edge. Ultimately that’s what’s going to make them a success.
Stacie Cockrell (Babyproofing Your Marriage: How to Laugh More and Argue Less As Your Family Grows – An Evenhanded Guide for Spouses to Stay Connected During the Early Parenting Years)
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
One time I sat down in a bath where there was a beautiful girl sitting with a guy who didn’t seem to know her. Right away I began thinking, “Gee! How am I gonna get started talking to this beautiful nude babe?” I’m trying to figure out what to say, when the guy says to her, “I’m, uh, studying massage. Could I practice on you?” “Sure,” she says. They get out of the bath and she lies down on a massage table nearby. I think to myself, “What a nifty line! I can never think of anything like that!” He starts to rub her big toe. “I think I feel it,” he says. “I feel a kind of dent—is that the pituitary?” I blurt out, “You’re a helluva long way from the pituitary, man!” They looked at me, horrified—I had blown my cover—and said, “It’s reflexology!” I quickly closed my eyes and appeared to be meditating. That’s just an example of the kind of things that overwhelm me. I also looked into extrasensory perception and PSI phenomena, and the latest craze there was Uri Geller, a man who is supposed to be able to bend keys by rubbing them with his finger. So I went to his hotel room, on his invitation, to see a demonstration of both mindreading and bending keys. He didn’t do any mindreading that succeeded; nobody can read my mind, I guess. And my boy held a key and Geller rubbed it, and nothing happened. Then he told us it works better under water, and so you can picture all of us standing in the bathroom with the water turned on and the key under it, and him rubbing the key with his finger. Nothing happened. So I was unable to investigate that phenomenon.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
Family life isn’t always easy, and complications are inevitable, and whether you like it or not, sometimes you’re going to get your feelings hurt. Sometimes you may even be the one who does the hurting. But you stay with it, and you get after it, and you love each other, and you forgive each other, and you keep coming back to the table. No matter what. You keep coming back to the table. And once you’re there, you sit down, and you settle in, and you remember. You share your stories.
Sophie Hudson (A Little Salty to Cut the Sweet)
But suppose my daughters had approached me as we often approach God. “Hey, Dad, glad you’re home. Here is what I want. More toys. More candy. And can we go to Disneyland this summer?” “Whoa,” I would have wanted to say. “I’m not a waiter, and this isn’t a restaurant. I’m your father, and this is our house. Why don’t you just climb up on Daddy’s lap and let me tell you how much I love you?” Ever thought God might want to do the same with you? Oh, he wouldn’t say that to me. He wouldn’t? Then to whom was he speaking when he said, “I have loved you with an everlasting love” (Jer. 31:3 NIV)? Was he playing games when he said, “Nothing . . . will ever be able to separate us from the love of God that is in Christ” (Rom. 8:39)? Buried in the seldom-quarried mines of the minor prophets is this jewel: The LORD your God is with you; the mighty One will save you. He will rejoice over you. You will rest in his love; he will sing and be joyful about you. (Zeph. 3:17) Don’t move too quickly through that verse. Read it again and prepare yourself for a surprise. The LORD your God is with you; the mighty One will save you. He will rejoice over you. You will rest in his love; he will sing and be joyful about you. (Zeph. 3:17) Note who is active and who is passive. Who is singing, and who is resting? Who is rejoicing over his loved one, and who is being rejoiced over? We tend to think we are the singers and God is the “singee.” Most certainly that is often the case. But apparently there are times when God wishes we would just be still and (what a stunning thought!) let him sing over us. I can see you squirming. You say you aren’t worthy of such affection? Neither was Judas, but Jesus washed his feet. Neither was Peter, but Jesus fixed him breakfast. Neither were the Emmaus-bound disciples, but Jesus took time to sit at their table. Besides, who are we to determine if we are worthy? Our job is simply to be still long enough to let him have us and let him love us.
Max Lucado (Just Like Jesus: A Heart Like His)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
I want to sit around a Gypsy campfire, eating freshly caught rabbit in the company of bare knuckle fighters, and listen to stories about their fights. I want to sit with King Arthur and the Knights of the Round Table after they’ve defeated the barbarians in battle. I want to be there when Arthur pulls Excalibur from the stone, and I want to be surrounded by dragons, wizards and sorcerers. I want to meet the Muslim leader, Saladin, who occupied Jerusalem in 1187, and despite the fact that a number of holy Muslim places had been violated by Christians, preferred to take Jerusalem without bloodshed. He prohibited acts of vengeance, and his army was so disciplined that there were no deaths or violence after the city surrendered. I want to sit around the desert campfire with him. I want to drink with Caribbean buccaneers of the 17th century and listen to their tales of preying on shipping and Spanish settlements. I want to witness Celtic Berserkers fighting in ritual warfare in a trance-like fury. I want to spend time working on a scrap cruise, the very last cruise before the ship’s due to be scrapped, so there’s no future in it, and it attracts all the mad faces of the Merchant Navy. Faces that are known in that industry, who couldn’t survive outside ‘the life’ and who for the most part are quite dangerous and mad themselves. I’d rather have one friend who’ll fight like hell over ten who’ll do nothing but talk shit. And I want to ride with highwaymen on ribbons of moonlight over the purple moor.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
The newspaper is a Bible which we read every morning and every afternoon, standing and sitting, riding and walking. It is a Bible which every man carries in his pocket, which lies on every table and counter, and which the mail, and thousands of missionaries, are continually dispersing. It is, in short, the only book which America has printed and which America reads. So wide is its influence. The editor is a preacher whom you voluntarily support. Your tax is commonly one cent daily, and it costs nothing for pew hire. But how many of these preachers preach the truth? I repeat the testimony of many an intelligent foreigner, as well as my own convictions, when I say, that probably no country was ever rubled by so mean a class of tyrants as, with a few noble exceptions, are the editors of the periodical press in this country. And as they live and rule only by their servility, and appealing to the worse, and not the better, nature of man, the people who read them are in the condition of the dog that returns to his vomit.
Henry David Thoreau (Civil Disobedience and Other Essays)
Then Richard did something surprising. He politely halted the conversation. In his flip flops, he climbed onto the table amid our plates and glasses. He then extended his hand to Kristina , who was sitting next to me, and helped her up onto the table. "Let's dance," he said. And they did. A beautiful slow dance right there in the middle of the feast while everyone else watched--surprised and amused--cutlery and wine glasses be damned. It was the perfect reminder that life is not all business. We're here in this brief span of time to be happy together.
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
The god of the prosperity gospelists is a pathetic doormat, a genie. The god of the cutesy coffee mugs and Joel Osteen tweets is a milquetoast doofus like the guys in the Austen novels you hope the girls don’t end up with, holding their hats limply in hand and minding their manners to follow your lead like a butler—or the doormat he stands on. The god of the American Dream is Santa Claus. The god of the open theists is not sovereignly omniscient, declaring the end from the beginning, but just a really good guesser playing the odds. The god of our therapeutic culture is ourselves, we, the “forgivers” of ourselves, navel-haloed morons with “baggage” but not sin. None of these pathetic gods could provoke fear and trembling. But the God of the Scriptures is a consuming fire (Deut. 4:24). “It is a fearful thing to fall into the hands of the living God” (Heb. 10:31). He stirs up the oceans with the tip of his finger, and they sizzle rolling clouds of steam into the sky. He shoots lightning from his fists. This is the God who leads his children by a pillar of cloud and a pillar of fire. This is the God who makes war, sends plagues, and sits enthroned in majesty and glory in his heavens, doing what he pleases. This is the God who, in the flesh, turned tables over in the temple as if he owned the place. This Lord God Jesus Christ was pushed to the edge of the cliff and declared, “This is not happening today,” and walked right back through the crowd like a boss. This Lord says, “No one takes my life; I give it willingly,” as if to say, “You couldn’t kill me unless I let you.” This Lord calms the storms, casts out demons, binds and looses, and has the authority to grant us the ability to do the same. The Devil is this God’s lapdog. And it is this God who has summoned us, apprehended us, saved us. It is this God who has come humbly, meekly, lowly, pouring out his blood in infinite conquest to set the captives free, cancel the record of debt against us, conquer sin and Satan, and swallow up death forever. Let us, then, advance the gospel of the kingdom out into the perimeter of our hearts and lives with affectionate meekness and humble submission. Let us repent of our nonchalance. Let us embrace the wonder of Christ.
Jared C. Wilson (The Wonder-Working God: Seeing the Glory of Jesus in His Miracles)
I do not know how long more I shall live. I am already an old man. But now that I have you, I want to enjoy every minute of my remaining life. I want to eat your Ambrosia & drink your Nectar till the last day of my life. I hope to live ten years longer to enjoy every minute of you to which I am entitled. If you treat me well & continue to make me happy, who knows, when I die, I might even leave the company to you. Imagine, you, my darling, as Chairman of the Board! Then you can sit at the Board Meeting: with your cup on the table & ask all the Directors to lick it1 Haw! Haw! Haw!"[MMT]
Nicholas Chong
But everyone likes dogs," Cassandra protested. "I don't dislike dogs. I just don't want one in my house." "Our house." She braced her elbows on the table and massaged her temples. "I've always had dogs. Pandora and I couldn't have survived our childhood without Napoleon and Josephine. If cleanliness is what worries you, I'll make certain the dog is bathed often, and accidents will be disposed of right away." That drew a grimace from him. "I don't want there to be accidents in the first place. Besides, you'll have more than enough to keep you busy- you won't have time for a pet." "I need a dog." Tom held the propelling pencil between his first and second fingers, and flipped it back and forth to make the ends tap on the table. "Let's look at this logically- you don't really need a dog. You're not a shepherd or a rat catcher. Household dogs serve no useful purpose." "They fetch things," Cassandra pointed out. "You'll have an entire staff of servants to fetch anything you want." "I want a companion who'll go on walks with me, and sit on my lap while I pet him." "You'll have me for that." Cassandra pointed to the contract. "Dog," she insisted. "I'm afraid it's nonnegotiable.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
Sarah Winman (Tin Man)
I think I might be ready to go upstairs,” she said. Suddenly it was too hard to be in his presence, too painful to know that he would belong to someone else. His lips quirked into a boyish smile. “Are you saying I might finally crawl out from under this table?” “Oh, goodness!” She clapped one of her hands to her cheek in a sheepish expression. “I’m so sorry. I stopped noticing where we were sitting ages ago, I’m afraid. What a ninny you must think me.” He shook his head, still smiling. “Never a ninny, Kate. Even when I thought you the most insufferable female creature on the planet, I had no doubts about your intelligence.” Kate, who had been in the process of scooting out from under the table, paused. “I just don’t know if I should feel complimented or insulted by that statement.” “Probably both,” he admitted, “but for friendship’s sake, let’s decide upon complimented.” She turned to look at him, aware that she presented an awkward picture on her hands and knees, but the moment seemed too important to delay. “Then we are friends?” she whispered. He nodded as he stood. “Hard to believe, but I think we are.” Kate smiled as she took his helping hand and rose to her feet. “I’m glad. You’re— you’re really not the devil I’d originally thought you.” One of his brows lifted, and his face suddenly took on a very wicked expression. “Well, maybe you are,” she amended, thinking he probably was every bit the rake and rogue that society had painted him. “But maybe you’re also a rather nice person as well.” “Nice seems so bland,” he mused. “Nice,” she said emphatically, “is nice. And given what I used to think of you, you ought to be delighted by the compliment.” He laughed. “One thing about you, Kate Sheffield, is that you are never boring.” “Boring is so bland,” she quipped. -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Pru shrugs. “I wasn’t sure how long they’d hold our reservation.” A sly grin spreads over her face. “I thought maybe you and Kiernan were just catching up on old times. Although I guess that might have been awkward with your new guy around.” Mom chokes on her tea and gives me a questioning look. I start to respond, but Trey beats me to it. “Perhaps,” he says in a level voice, staring directly at Pru. “But no more awkward than sitting across the table from the aunt who sneaked into her boyfriend’s bedroom.” Pru’s eyebrows rise gradually, and she does a slow clap, her grin widening. “Ooh, touché! After your rather
Rysa Walker (Time's Divide (The Chronos Files, #3))
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
In some ways it seemed wrong that he lived here now, in this solitary place. At least part of the time he ought to be walking into ballrooms and strolling into gardens in his superbly tailored black evening clothes, making feminine heartbeats triple. With a wan inner smile at her attempted impartiality, Elizabeth told herself men like Ian Thornton probably performed a great service to society-he gave them something to stare at and admire and even fear. Without men like him, ladies would have nothing to dream about. And much less to regret, she reminded herself. Ian had not so much as turned to glance her way, and so it was little wonder that she jumped in surprise when he said without looking at her, “It’s a lovely evening, Elizabeth. If you can spare the time from your letter, would you like to go for a walk?” “Walk?” she repeated, stunned by the discovery that he was evidently as aware of what she was doing as she had been aware of him, sitting at the table. “It’s dark out,” she said mindlessly, searching his impassive features as he arose and walked over to her chair. He stood there, towering over her, and there was nothing about the expression on his handsome face to indicate he had any real desire to go anywhere with her. She cast a hesitant glance at the vicar, who seconded Ian’s suggestion. “A walk is just the thing,” Duncan said, standing up. “It aids the digestion, you know.” Elizabeth capitulated, smiling at the gray-haired man. “I’ll just get a wrap from upstairs. Shall I bring something for you, sir?” “Not for me,” he said, wrinkling his nose. “I don’t like tramping about at night.” Belatedly realizing he was openly abdicating his duties as chaperon, Duncan added quickly, “Besides, my eyesight is not as good as it once was.” Then he spoiled that excuse by picking up the book he’d been reading earlier, and-without any apparent need for spectacles-he sat down in a chair and began reading by the light of the candles.
Judith McNaught (Almost Heaven (Sequels, #3))
And how to describe a London party? Candles in lustres of cut-glass are placed everywhere about the house in dazzling profusion; elegant mirrors triple and quadruple the light until night outshines day; many-coloured hot-house fruits are piled up in stately pyramids upon white-clothed tables; divine creatures, resplendent with jewels, go about the room in pairs, arm in arm, admired by all who see them. Yet the heat is over-powering, the pressure and noise almost as bad; there is nowhere to sit and scarce anywhere to stand. You may see your dearest friend in another part of the room; you may have a world of things to tell him – but how in the world will you ever reach him? If you are fortunate then perhaps you will discover him later in the crush and shake his hand as you are both hurried past each other. Surrounded by cross, hot strangers, your chance of rational conversation is equal to what it would be in an African desert. Your only wish is to preserve your favourite gown from the worst ravages of the crowd. Every body complains of the heat and the suffocation. Every body declares it to be entirely insufferable. But if it is all misery for the guests, then what of the wretchedness of those who have not been invited? Our sufferings are nothing to theirs! And we may tell each other tomorrow that it was a delightful party.
Susanna Clarke (Jonathan Strange & Mr Norrell)
God declines to sit atop an organizational flowchart. He is the organization. He is not interested in being president of the board. He is the board. And life doesn’t work until everyone else sitting around the table in the boardroom of your heart is fired. He is God, and there are no other applicants for that position. There are no partial gods, no honorary gods, no interim gods, no assistants to the regional gods. God is saying this not because he is insecure but because it’s the way of truth in this universe, which is his creation. Only one God owns and operates it. Only one God designed it, and only one God knows how it works. He is the only God who can help us, direct us, satisfy us, save us.
Kyle Idleman (Gods at War: Defeating the Idols that Battle for Your Heart)
I was sitting at the dressing table, brushing out my hair, when a loud, abrupt tattoo was pounded on my door. I smiled at myself in the mirror, and rose from the low stool. My bowl of pot-pourri was to hand: I was ready. “Who is it?” I called out. “Dinner is ready,” said Lord Pecus’ voice. It sounded as though he were speaking through clenched teeth. “You have five minutes.” “I’m not coming down,” I retorted. “Go away!” “Lady Farrah, if you’re not out of your room in the next few minutes, I’ll fetch you out.” I winced, but it had to be said. “You wouldn’t dare!” The puerility of it was embarrassing. Fortunately, Lord Pecus was too annoyed to notice. “Two minutes, Lady Farrah!” “I absolutely refuse to come out!
W.R. Gingell (Masque (Two Monarchies Sequence, #5))
What is the number of your days? I've counted them: Few and brief, and each one heavy with cares; With anguish about the inevitable night, When nothing saves you from yourself; With fear of the dawn that follows, With waiting for me, who wait for you, With me who (hopeless, hopeless to escape!) Will chase you to the ends of the earth, Riding your horse, Darkening the bridge of your ship With my little black shadow, Sitting at the table where you sit, Certain guest at every haven, Sure companion of your every rest. 'Till what was prophesied has been accomplished, Until your strength disintegrates, Until you too end Not with a bang but in silence, The way the trees go bare in November, The way one finds a clock stopped.
Primo Levi (The Survivor)
What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.” Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all. It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all. Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
Judith McNaught (Almost Heaven (Sequels, #3))
What little I knew of Marco outside of our time together mystified me. He got Cs in school and didn’t play a single sport. His mother and father never kept track of where he was. All he did was play guitar and try to get his band together in his garage to practice. I could barely imagine his world, and yet I could not stop trying. I liked the way he talked a lot but never said much. That he never took anything seriously. That nothing ever felt like a big deal. Sometimes, I pictured being with him outside that car. I pictured me sitting across the table from him at a restaurant and having him reach his hand out for mine. For other people to see that he chose me. “I’m just saying, if we wanted to, we could figure it out,” I said. “It’s not like you even have time to go to a party with me or do anything I want to do. You’re obsessed with tennis.” “I’m not obsessed with anything,” I said. “I’m dedicated to winning. And I work hard at that.” “Right,” Marco said. “And so let’s just keep doing what we’re doing.” I did not like his answer, but the next afternoon, I met him right back in that car with a smile on my face. Maybe Marco and I would never go out to dinner. Maybe I was not the sort of girl who became a girlfriend at all. Maybe I was the type of girl you kissed when no one was looking and that was it. If that was the case, then fine. I would not demean myself enough to want more. But that did not mean I could not have the rest, that my body did not deserve what he could give it.
Taylor Jenkins Reid (Carrie Soto Is Back)
A truce between Israel and Palestine? Imagine walking into a doctor’s office. You sit down, pick up a magazine, and begin to read. A few minutes later, a man walks in, the man who killed your wife, the man whose son you murdered. He sits down, picks up a magazine, and begins to read. A two-state solution to the problem between Israel and Palestine? Imagine walking into a doctor’s office. You sit down, pick up a magazine, and begin to read. Next door, a man walks into the restaurant, the man who killed your wife, the man whose son you murdered. He sits down at a table, orders a meal, and begins to eat. In either case, there is an intolerable tension that has resisted resolution by diplomacy, combat, sanctions, or segregation. Forgiveness is the only reasonable solution.
Ron Brackin
Here’s the simple practice: sit down at the table. Take a few deep breaths. Remind yourself that you work hard and do most things so you may enjoy a square meal. And, now that you have the meal in front of you, it’s time to savour every bite. Thank God or nature or the universe for providing you with food. There are hundreds of millions of people on our planet who go to bed hungry every night. Remind yourself how lucky you are. Take a couple of sips of water. Pacify your body and your breathing. Just imagine you are doing fire offerings to the divine digestive fire in your stomach. Imagine that every morsel is a part of nature and that you are about to absorb this in you. Eat slowly, chewing every bite – enjoy the rasa in every morsel. This doesn’t take more time; it simply takes awareness. Time
Om Swami (The Wellness Sense: A Practical Guide to Your Physical and Emotional Health Based on Ayurvedic and Yogic Wisdom)
He put his tray down across from Suzao, whose eyes ran up his arm like a skimming hand, counting the kill marks there. “Remember me?” Akos said. Suzao was smaller than him, now, but so broad through the shoulders it didn’t seem that way when he was sitting. His nose was spotted with freckles. He didn’t look much like Jorek, who took after his mother. Good thing, too. “The pathetic child I dragged across the Divide?” Suzao said, biting down on the tines of his fork. “And then beat to a pulp before we even made it to the transport vessels? Yeah. I remember. Now get your tray off my table.” Akos sat, folding his hands in front of him. A rush of adrenaline had given him pinhole vision, and Suzao was in the very center. “How are you feeling? A little sleepy?” he said as he slammed the vial down in front of him.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
1. "Ahem. I know you hate Mondays, madam, but you picked the absolutely wrong one to play hooky. Or be sick. Yes, I suppose it's vaguely possible that you are actually sick. Anyway, here we are at lunch, Sadie and I, witnessing total social disorder. Your friend Alexander Bainbridge is sitting at the usual table, but facing the room. Amanda Alstead is sitting at Table One. Or, should I say,sitting more or less on a Phillite senior boy, whose name is unimportant, at Table One. A very nice young lady at the next table over-you know, the one who writes about Mr. Darcy-has just informeed us that Amanda dumpled Alex over the break. On Thanksgiving Day,no less. By e-mail. No telling how much truth is there, but a lot more than a kernal, I would say. We have a large, seven-dollar bag o' movie popcorn here. Thought you'd like to know. Call me.
Melissa Jensen (The Fine Art of Truth or Dare)
Temperance Dews stood with quiet confidence, a respectable women who lived in the sewer that was St. Giles. Her eyes had widened at the sight of Lazarus, but she made no move to flee. Indeed, finding a strange man in her pathetic sitting room seemed not to frighten her at all. Interesting. “I am Lazarus Huntington, Lord Caire,” he said. “I know. What are you doing here?” He tilted his head, studying her. She knew him, yet did not recoil in horror? Yes, she’d do quite well. “I’ve come to make a proposition to you, Mrs. Dews.” Still no sign of fear, though she eyed the doorway. “You’ve chosen the wrong woman, my lord. The night is late. Please leave my house.” No fear and no deference to his rank. An interesting woman indeed. “My proposition is not, er, illicit in nature,” he drawled. “In fact, it’s quite respectable. Or nearly so.” She sighed, looked down at her tray, and then back up at him. “Would you like a cup of tea?” He almost smiled. Tea? When had he last been offered something so very prosaic by a woman? He couldn’t remember. But he replied gravely enough. “Thank you, no.” She nodded. “Then if you don’t mind?” He waved a hand to indicate permission. She set the tea tray on the wretched little table and sat on the padded footstool to pour herself a cup. He watched her. She was a monochromatic study. Her dress, bodice, hose, and shoes were all flat black. A fichu tucked in at her severe neckline, an apron, and cap—no lace or ruffles—were all white. No color marred her aspect, making the lush red of her full lips all the more startling. She wore the clothes of a nun, yet had the mouth of a sybarite. The contrast was fascinating—and arousing. “You’re a Puritan?” he asked. Her beautiful mouth compressed. “No.
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
Cordelia – “Why so rough?” Aral – “It’s very poor. It was the town center during the time Isolation. And it hasn’t been touched by renovation, minimal water, no electricity choked with refuse.” “Mostly human,” added Peoter tartly. “Poor?” Asked Cordelia bewildered. “No electricity? How can it be on the comm network?” “It’s not of course,” answered Vorkosigan. “Then how can anyone get their schooling?” Cordelia “They don’t.” Cordelia stared. “I don’t understand, how do they get their jobs?” “A few escape to the service, the rest prey on each other mostly.” Vorkosigan regarded her face uneasily. “Have you no poverty on Beta colony?” “Poverty? Well some people have more money than others, but no comm consuls…?” Vorkosigan was diverted from his interrogation. “Is not owning a comm consul the lowest standard of living you can imagine?” He said in wonder. “It’s the first article in the constitution! ‘Access to information shall not be abridged.’” “Cordelia, these people barely have access to food, clothing and shelter. They have a few rags and cooking pots and squat in buildings that aren’t economical to repair or tear down yet with the wind whistling through the walls.” “No air conditioning?” “No heat in the winter is a bigger problem here.” “I suppose so. You people don’t really have summer. How do they call for help when they are sick or hurt?” “What help?” Vorkosigan was growing grim. “If they’re sick they either get well or die.” “Die if we’re lucking” muttered Veoter. “You’re not joking.” She stared back and forth between the pair of them. “Why, think of all the geniuses you must missing!” “I doubt we must be missing very many from the Caravanceri.” Said Peoter dryly. “Why not? They have the same genetic compliment as you.” Cordelia pointed out the – to her -obvious. The Count went rigid. “My dear girl, they most certainly do not. My family has been Vor for nine generations.” Cordelia raised her eyebrows. “How do you know if you didn’t have the gene-typing until 80 years ago?” Both the guard commander and the footman were acquiring peculiar stuffed expressions. The footman bit his lip. “Besides,” she pointed out reasonably, “If you Vor got around half as much as those histories I’ve been reading imply. 90% of the people on this planet must have Vor blood by now. Who knows who your relatives are on your father’s side. Vorkosigan bit his napkin absently. His eyes gone crinkly with much the same expression as the footman and muttered, “Cordelia, you really can’t sit at the breakfast table and imply my ancestors were bastards. It’s a mortal insult here.” “Where should I sit? Oh I’ll never understand.
Lois McMaster Bujold (Barrayar (Vorkosigan Saga, #7))
Definitions What is time? Is it the ticking clock hanging on the wall or is it the way the sun rises and sets on the horizon in summer is it the way a child grows over the course of seasons or is it the hourglass on my table counting the seconds until who knows when So when you said you wanted me to “give you time” i brought you the clock from my wall and i took you to watch the sun rise and set i showed you photos of a child growing and i brought you my hourglass instead of leaving it on my table to count the seconds until forever so now when you say to “give you time” what am i supposed to do? because i would cross oceans to bring you what you want i will do anything for you except leave your side So when you told me you needed to be alone i told you that was the one thing i could not do because without you my clock stops ticking and my seasons stop changing and the hourglass sitting on my table stops counting seconds because for me, without you there is no forever
Mae Krell (All The Things I Never Said)
Around that time, Musk was asked by a user on Twitter if he was bipolar. “Yeah,” he answered. But he added that he had not been medically diagnosed. “Bad feelings correlate to bad events, so maybe the real problem is getting carried away for what I sign up for.” One day, when they were sitting in the Tesla conference room after one of Musk’s spells, McNeill asked him directly whether he was bipolar. When Musk said probably yes, McNeill pushed his chair back from the table and turned to talk to Musk eye to eye. “Look, I have a relative who is bipolar,” McNeill said. “I’ve had close experience with this. If you get good treatment and your meds dialed right, you can get back to who you are. The world needs you.” It was a healthy conversation, McNeill says, and Musk seemed to have a clear desire to get out of his messed-up headspace. But it didn’t happen. His way of dealing with his mental problems, he says when I ask, “is just take the pain and make sure you really care about what you’re doing.
Walter Isaacson (Elon Musk)
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Drake’s dead,” Astrid said. “Dead people don’t come back. Let’s not be ridiculous.” Howard made a derisive snort. “Okay. That’s as far as I go with you on this, Sammy boy.” He made a hand-washing gesture. Astrid slammed her palm on the table, surprising even herself. “Somebody better tell me what all these back-and-forth looks are about.” “Brittney,” Howard said, spitting the name out like it was poison. “She came back. Sam had her and stuck her with Brianna, and told me not to talk about it.” “Brittney?” Astrid said, confused. Howard said, “Yeah. You know, like dead-girl Brittney? Way dead? Dead a long time and buried a long time and suddenly she’s sitting in my house chatting? That Brittney.” “I’m still not…” “Well, Astrid,” Howard said, “I guess we just found the limits of your big old genius brain. Point is that someone who was very seriously dead is suddenly not so dead anymore.” “But…,” Astrid started. “But Drake…” “As dead as Brittney,” Howard said. “Which might be a slight problem, since Brittney isn’t exactly dead herself.
Michael Grant (Lies (Gone, #3))
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))
QUESTIONS TO IDENTIFY AND DIFFUSE DEAL-KILLING ISSUES Internal negotiating influence often sits with the people who are most comfortable with things as they are. Change may make them look as if they haven’t been doing their job. Your dilemma in such a negotiation is how to make them look good in the face of that change. You’ll be tempted to concentrate on money, but put that aside for now. A surprisingly high percentage of negotiations hinge on something outside dollars and cents. Often they have more to do with self-esteem, status, autonomy, and other nonfinancial needs. Think about their perceived losses. Never forget that a loss stings at least twice as much as an equivalent gain. For example, the guy across the table may be hesitating to install the new accounting system he needs (and you are selling) because he doesn’t want to screw anything up before his annual review in four months’ time. Instead of lowering your price, you can offer to help impress his boss, and do it safely, by promising to finish the installation in ninety days, guaranteed.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
YOU ARE THE BOSS. Hosting is not democratic, just like design isn’t. Structure helps good parties, like restrictions help good design. Introduce people to each other A LOT. But take your time with it. Be generous. Very generous with food, wine, and with compliments/introductions. If you have a reception before people sit, make sure there are some snacks so blood sugar level is kept high and people are happy. ALWAYS do placement. Always. Placement MUST be boy/girl/boy/girl, etc. And no, it does not matter if someone is gay. Seat people next to people who do different things but that those things might be complementary. Or make sure they have something else in common; a passion or something rare is best. And tell people what they have in common. Within each table, people should introduce themselves, but it must be short. Name, plus something they like or what they did on the weekend or maybe something that can relate to the gathering. For dessert, people can switch, but best to have it organized: tell every other person at the table to move to another seat.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
Okay, so I shouldn't have fucked with her on the introduction thing. Writing nothing except, Saturday night. You and me. Driving lessons and hot sex ... in her notebook probably wasn't the smartest move. But I was itching to make Little Miss Perfecta stumble in her introduction of me. And stumbling she is. "Miss Ellis?" I watch in amusement as Perfection herself looks up at Peterson. Oh, she's good. This partner of mine knows how to hide her true emotions, something I recognize because I do it all the time. "Yes?" Brittany says, tilting her head and smiling like a beauty queen. I wonder if that smile has ever gotten her out of a speeding ticket. "It's your turn. Introduce Alex to the class." I lean an elbow on the lab table, waiting for an introduction she has to either make up or fess up she knows less than crap about me. She glances at my comfortable position and I can tell from her deer-in-the-headlights look I've stumped her. "This is Alejandro Fuentes," she starts, her voice hitching the slightest bit. My temper flares at the mention of my given name, but I keep a cool facade as she continues with a made-up introduction. "When he wasn't hanging out on street corners and harassing innocent people this summer, he toured the inside of jails around the city, if you know what I mean. And he has a secret desire nobody would ever guess." The room suddenly becomes quiet. Even Peterson straightens to attention. Hell, even I'm listening like the words coming out of Brittany's lying, pink-frosted lips are gospel. "His secret desire," she continues, "is to go to college and become a chemistry teacher, like you, Mrs. Peterson." Yeah, right. I look over at my friend Isa, who seems amused that a white girl isn't afraid of giving me smack in front of the entire class. Brittany flashes me a triumphant smile, thinking she's won this round. Guess again, gringa. I sit up in my chair while the class remains silent. "This is Brittany Ellis," I say, all eyes now focused on me. "This summer she went to the mall, bought new clothes so she could expand her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets." It might not be what she wrote, but it's probably close enough to the truth. Unlike her introduction of me. Chuckles come from mis cuates in the back of the class, and Brittany is as stiff as a board beside me, as if my words hurt her precious ego. Brittany Ellis is used to people fawning all over her and she could use a little wake-up call. I'm actually doing her a favor. Little does she know I'm not finished with her intro. "Her secret desire," I add, getting the same reaction as she did during her introduction, "is to date a Mexicano before she graduates." As expected, my words are met by comments and low whistles from the back of the room. "Way to go, Fuentes," my friend Lucky barks out. "I'll date you, mamacita, " another says. I give a high five to another Latino Blood named Marcus sitting behind me just as I catch Isa shaking her head as if I did something wrong. What? I'm just having a little fun with a rich girl from the north side. Brittany's gaze shifts from Colin to me. I take one look at Colin and with my eyes tell him game on. Colin's face instantly turns bright red, resembling a chile pepper. I have definitely invaded his territory.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.
Judith McNaught (Almost Heaven (Sequels, #3))
Your grandmother thought--no, she believed, it was like a faith for her. She believed it the way some people believe in God or science. She believed that it was the rules that made her life so easy. She thought life was about the rules people make for it, as if life was some kind of a board game and if you had a little luck, and you kept to the rules, you'd end up winning. Or maybe she thought it was like a game of solitaire and once the cards had been shuffled and laid out, if you had a good draw you were safe, as if it was arranged for you to win. Or to lose, although Grandmother considered herself someone who had won, since all she had to do once she was born was follow the rules. But really, life's like a game of bridge: You're dealt a hand and it can be a winning hand or a losing one, but that doesn't necessarily mean that you'll win or lose because there are other people at the table, your partner for one, and the other ream for another, that's three people...playing too, and people make mistakes, multiply that times three too, or you can just be smarter than they are. And luckier too, because anybody who sits down to play bridge or life without figuring out how much luck is involved is making a Big Mistake. I don't want you girls doing that.
Cynthia Voigt (By Any Name)
Ho there, my fine fellow!” said the same man who had ordered the soldiers to halt. “Ho there, I say! Who are you to sit here this splendid morning, drinking and enjoying a merry game of chance, as if you hadn’t a care in the world? Do we not merit the courtesy of being met with drawn swords? Who are you, I say?” Slowly, as if he had just noticed the presence of the soldiers and considered it to be of little importance, Roran raised his gaze from the table to regard a small bearded man with a flamboyantly plumed helm who sat before him on an enormous black war-horse, which was heaving like a pair of bellows. “I’m nobody’s fine fellow, and certainly not yours,” Roran said, making no effort to conceal his dislike at being addressed in such a familiar manner. “Who are you, I might ask, to interrupt my game so rudely?” The long, striped feathers mounted atop the man’s helm bobbed and fluttered as he looked Roran over, as if Roran were an unfamiliar creature he had encountered while hunting. “Tharos the Quick is my name, Captain of the Guard. Rude as you are, I must tell you, it would grieve me mightily to kill a man as bold as yourself without knowing his name.” As if to emphasize his words, Tharos lowered the spear he held until it was pointing at Roran.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Everything felt like a stage set: she kept viewing herself as if from the outside. Instead of just acting, just doing, just running or speaking or playing or collecting, she would feel this sense of externalization: And so, a voice inside her head would comment, you are running. Do you need to run? Where are you going? You’re picking up that rock but do you want it, do you really need it, are you going to carry it home? Certain things she’d always loved, like lighting the dinner-table candles or stirring a cake mix alongside her mother or sitting up on the roof to play her accordion or decorating the Christmas tree or collecting the eggs in the morning, felt suddenly hollow, distant, staged. It was as if someone had dimmed the lights, as if she was viewing her existence from behind a glass wall. And her body! Some mornings she woke and it was as if lead weights had been attached to her limbs by some ill-meaning fairy. Even if she had the urge to walk across the paddock to feed the neighbors’ horses—which she hardly ever did anymore, she didn’t know why—she wouldn’t have the energy, the sap in her, to do it. She wanted it returned to her, Marithe did, that sense of security in her life, of certainty, of knowing who she was and what she was about. Would it ever come back?
Maggie O'Farrell (This Must Be the Place)
On our first night, while I was sitting at one of the plastic tables with Heba, watching our kids splashing in the water, a woman approached me. "I am sorry to bother you," she said. "I just never thought I would ever meet you in real life. My husband is doing to me now what your husband did." I reached for her hand as she continued with less composure. "And I just want to tell you that the mornings when I don't think I can get out of bed, I think of you. You have given me strength and I want to thank you for it." I had lost count of the women (and some men too) who had approached me with their stories of personal betrayal, their struggles to decide what to tolerate, whether to stay, when and how to leave, how to navigate this sometimes torturous thing called love. I looked over her shoulder, and saw her husband a short distance away, staring at us. He was a handsome man in a bathing suit, watching over a toddler with arm floaties splashing in the water. To any casual observer, they looked like the perfect family. The 2017 me wanted to tell her to run. Run as fast as she could. But I didn't. For whatever reason, this woman had made a choice to stay—a choice she felt was right for her, and I was not one to stand in judgment. "I am with you," I said before we each went back to our children.
Huma Abedin (Both/And: A Memoir)
they catch us, we’re going right back into the cell.” Roark went silent, and then dragged a chair out from the table. “Sit,” he ordered gently, moving away from it and taking the one on the opposite side. I sat down after a fraction of a second, and then looked at him expectantly. “It’s good that you’re thinking of us as a ‘we,’” he said, “because at this point we are, and we’re all in it together.” “Yes, but to what end? What purpose? What is your ultimate goal here?” I knew I came off as a bit angry, but the truth was I was frustrated. My patience was almost gone, and I was scared and tired—a dangerous combination that always led to emotional outbursts. For his part, Roark didn’t seem to mind my anger. In fact, his face looked almost vacant, lost in thought, and a bit sad. I leaned forward, concerned, but then his eyes flicked over to me and he began to speak. “Her name was Selka,” he said, and then paused. I bit back a sigh and leaned back. Why did everyone want to do this kind of storytelling with me, during which I had to participate and ask questions to coax the story forward? Why couldn’t anyone just be direct? “She was my wife,” he continued, just as I was about to ask the question, and I quickly closed my mouth, my frustration fading somewhat as I remembered Grey’s words. “She wasn’t
Bella Forrest (The Girl Who Dared to Think (The Girl Who Dared, #1))
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him. Ian opened the front door just as Jake came hurrying in from the back of the cottage. “I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.” “Couldn’t you have moved ‘em before they burned?” Jake burst out. “I cannot cook, sir.” “Can you smell?” Ian demanded. “Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.” “My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.” “Whaat?” Elizabeth burst out. “What? Why?” Jake echoed, looking balky. “Because selecting good female servants is best done by a woman. How far must we go?” If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“ “Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems. In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.” She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?” “Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
Judith McNaught (Almost Heaven (Sequels, #3))
If you’re going to give me the third degree,” she tells him, “let’s get it over with. Best to withhold food or water; water is probably best. I’ll get thirsty before I get hungry.” He shakes his head in disbelief. “Do you really think I’m like that? Why would you think that?” “I was taken by force, and you’re keeping me here against my will,” she says, leaning across the table toward him. She considers spitting in his face, but decides to save that gesture as punctuation for a more appropriate moment. “Imprisonment is still imprisonment, no matter how many layers of cotton you wrap it in.” That makes him lean farther away, and she knows she’s pushed a button. She remembers seeing those pictures of him back when he was all over the news, wrapped in cotton and kept in a bombproof cell. “I really don’t get you,” he says, a bit of anger in his voice this time. “We saved your life. You could at least be a little grateful.” “You have robbed me, and everyone here, of their purpose. That’s not salvation, that’s damnation.” “I’m sorry you feel that way.” Now it’s her turn to get angry. “Yes, you’re sorry I feel that way, everyone’s sorry I feel that way. Are you going to keep this up until I don’t feel that way anymore?” He stands up suddenly, pushing his chair back, and paces, fern leaves brushing his clothes. She knows she’s gotten to him. He seems like he’s about to storm out, but instead takes a deep breath and turns back to her. “I know what you’re going through,” he says. “I was brainwashed by my family to actually want to be unwound—and not just by my family, but by my friends, my church, everyone I looked up to. The only voice who spoke sense was my brother Marcus, but I was too blind to hear him until the day I got kidnapped.” “You mean see,” she says, putting a nice speed bump in his way. “Huh?” “Too blind to see him, too deaf to hear him. Get your senses straight. Or maybe you can’t, because you’re senseless.” He smiles. “You’re good.” “And anyway, I don’t need to hear your life story. I already know it. You got caught in a freeway pileup, and the Akron AWOL used you as a human shield—very noble. Then he turned you, like cheese gone bad.” “He didn’t turn me. It was getting away from my tithing, and seeing unwinding for what it is. That’s what turned me.” “Because being a murderer is better than being a tithe, isn’t that right, clapper?” He sits back down again, calmer, and it frustrates her that he is becoming immune to her snipes. “When you live a life without questions, you’re unprepared for the questions when they come,” he says. “You get angry and you totally lack the skills to deal with the anger. So yes, I became a clapper, but only because I was too innocent to know how guilty I was becoming.” ... “You think I’m like you, but I’m not,” Miracolina says. “I’m not part of a religious order that tithes. My parents did it in spite of our beliefs, not because of ii.” “But you were still raised to believe it was your purpose, weren’t you?” “My purpose was to save my brother’s life by being a marrow donor, so my purpose was served before I was six months old.” “And doesn’t that make you angry that the only reason you’re here was to help someone else?” “Not at all,” she says a little too quickly. She purses her lips and leans back in her chair, squirming a bit. The chair feels a little too hard beneath her. “All right, so maybe I do feel angry once in a while, but I understand why they did it. If I were them, I would have done the same thing.” “Agreed,” he says. “But once your purpose was served, shouldn’t your life be your own?” “Miracles are the property of God,” she answers. “No,” he says, “miracles are gifts from God. To calthem his property insults the spirit in which they are given.” She opens her mouth to reply but finds she has no response, because he’s right. Damn him for being right—nothing about him should be right! “We’ll talk again when you’re over yourself,” he says.
Neal Shusterman (UnWholly (Unwind, #2))
Only as a young man playing pool all night for money had he been able to find what he wanted in life, and then only briefly. People thought pool hustling was corrupt and sleazy, worse than boxing. But to win at pool, to be a professional at it, you had to deliver. In a business you could pretend that skill and determination had brought you along, when it had only been luck and muddle. A pool hustler did not have the freedom to believe that. There were well-paid incompetents everywhere living rich lives. They arrogated to themselves the plush hotel suites and Lear Jets that America provided for the guileful and lucky far more than it did for the wise. You could fake and bluff and luck your way into all of it. Hotel suites overlooking Caribbean private beaches. Bl*wj*bs from women of stunning beauty. Restaurant meals that it took four tuxedoed waiters to serve, with the sauces just right. The lamb or duck in tureen sliced with precise and elegant thinness, sitting just so on the plate, the plate facing you just so on the heavy white linen, the silver fork heavy gleaming in your manicured hand below the broad cloth cuff and mother of pearl buttons. You could get that from luck and deceit even while causing the business or the army or the government that supported you to do poorly at what it did. The world and all its enterprises could slide downhill through stupidity and bad faith. But the long gray limousines would still hum through the streets of New York, of Paris, of Moscow, of Tokyo. Though the men who sat against the soft leather in back with their glasses of 12-year-old scotch might be incapable of anything more than looking important, of wearing the clothes and the hair cuts and the gestures that the world, whether it liked to or not, paid for, and always had paid for. Eddie would lie in bed sometimes at night and think these things in anger, knowing that beneath the anger envy lay like a swamp. A pool hustler had to do what he claimed to be able to do. The risks he took were not underwritten. His skill on the arena of green cloth, cloth that was itself the color of money, could never be only pretense. Pool players were often cheats and liars, petty men whose lives were filled with pretensions, who ran out on their women and walked away from their debts. But on the table with the lights overhead beneath the cigarette smoke and the silent crowd around them in whatever dive of a billiard parlor at four in the morning, they had to find the wherewithal inside themselves to do more than promise excellence. Under whatever lies might fill the life, the excellence had to be there, it had to be delivered. It could not be faked. But Eddie did not make his living that way anymore.
Walter Tevis (The Color of Money (Eddie Felson, #2))
And don’t tell me again that you were ten years old. Your age has nothing to do with what I’m talking about. There are no big changes between ten and twenty—or ten and eighty, for that matter. You still can’t love a Jesus as much as you’d like to who did and said a couple of things he was at least reported to have said or done—and you know it. You’re constitutionally unable to love or understand any son of God who throws tables around. And you’re constitutionally unable to love or understand any son of God who says a human being, any human being—even a Professor Tupper—is more valuable to God than any soft, helpless Easter chick.” Franny was now facing directly into the sound of Zooey’s voice, sitting bolt upright, a wad of Kleenex clenched in one hand. Bloomberg was no longer in her lap. “I suppose you can,” she said, shrilling. “It’s beside the point whether I can or not. But, yes, as a matter of fact, I can. I don’t feel like going into it, but at least I’ve never tried, consciously or otherwise, to turn Jesus into St. Francis of Assisi to make him more ‘lovable’—which is exactly what ninety-eight per cent of the Christian world has always insisted on doing. Not that it’s to my credit. I don’t happen to be attracted to the St. Francis of Assisi type. But you are. And, in my opinion, that’s one of the reasons why you’re having this little nervous breakdown.
J.D. Salinger (Franny and Zooey)
He swore sharply, David Jones’s still-so-familiar voice coming out of that stranger’s body. “Do you have any idea how unbelievably hard it’s been to get you alone?” Had she finally started hallucinating? But he took off his glasses, and she could see his eyes more clearly and . . . “It’s you,” she breathed, tears welling. “It’s really you.” She reached for him, but he stepped back. Sisters Helen and Grace were hurrying across the compound, coming to see what the ruckus was, shading their eyes and peering so they could see in through the screens. “You can’t let on that you know me,” Jones told Molly quickly, his voice low, rough. “You can’t tell anyone—not even your friend the priest during confession, do you understand?” “Are you in some kind of danger?” she asked him. Dear God, he was so thin. And was the cane necessary or just a prop? “Stand still, will you, so I can—” “No. Don’t. We can’t . . .” He backed away again. “If you say anything, Mol, I swear, I’ll vanish, and I will not come back. Unless . . . if you don’t want me here—and I don’t blame you if you don’t—” “No!” was all she managed to say before Sister Helen opened the door and looked from the mess on the floor to Molly’s stricken expression. “Oh, dear.” “I’m afraid it’s my fault,” Jones said in a British accent, in a voice that was completely different from his own, as Helen rushed to Molly’s side. “My fault entirely. I brought Miss Anderson some bad news. I didn’t realize just how devastating it would be.” Molly started crying. It was more than just a good way to hide her laughter at that accent—those were real tears streaming down her face and she couldn’t stop them. Helen led her to one of the tables, helped her sit down. “Oh, my dear,” the nun said, kneeling in front of her, concern on her round face, holding her hand. “What happened?” “We have a mutual friend,” Jones answered for her. “Bill Bolten. He found out I was heading to Kenya, and he thought if I happened to run into Miss Anderson that she would want to know that a friend of theirs recently . . . well, passed. Cat’s out of the bag, right? Fellow name of Grady Morant, who went by the alias of Jones.” “Oh, dear,” Helen said again, hand to her mouth in genuine sympathy. Jones leaned closer to the nun, his voice low, but not low enough for Molly to miss hearing. “His plane went down—burned—gas tank exploded . . . Ghastly mess. Not a prayer that he survived.” Molly buried her face in her hands, hardly able to think. “Bill was worried that she might’ve heard it first from someone else,” he said. “But apparently she hadn’t.” Molly shook her head, no. News did travel fast via the grapevine. Relief workers tended to know other relief workers and . . . She could well have heard about Jones’s death without him standing right in front of her. Wouldn’t that have been awful?
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
You understand, Dimble? Your revolver in your hand, a prayer on your lips, your mind fixed on Maleldil. Then, if he stands, conjure him.” “What shall I say in the Great Tongue?” “Say that you come in the name of God and all angels and in the power of the planets from one who sits today in the seat of the Pendragon and command him to come with you. Say it now.” And Dimble, who had been sitting with his face drawn, and rather white, between the white faces of the two women, and his eyes on the table, raised his head, and great syllables of words that sounded like castles came out of his mouth. Jane felt her heart leap and quiver at them. Everything else in the room seemed to have been intensely quiet; even the bird, and the bear, and the cat, were still, staring at the speaker. The voice did not sound like Dimble’s own: it was as if the words spoke themselves through him from some strong place at a distance—or as if they were not words at all but present operations of God, the planets, and the Pendragon. For this was the language spoken before the Fall and beyond the Moon and the meanings were not given to the syllables by chance, or skill, or long tradition, but truly inherent in them as the shape of the great Sun is inherent in the little waterdrop. This was Language herself, as she first sprang at Maleldil’s bidding out of the molten quicksilver of the star called Mercury on Earth, but Viritrilbia in Deep Heaven.
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
On the train I had a lot of time to think. I thought how in the thirty years of my life I had seldom gotten on a train in America without being conscious of my color. In the South, there are Jim Crow cars and Negroes must ride separate from the whites, usually in a filthy antiquated coach next to the engine, getting all the smoke and bumps and dirt. In the South, we cannot buy sleeping car tickets. Such comforts are only for white folks. And in the North where segregated travel is not the law, colored people have, nevertheless, many difficulties. In auto buses they must take the seats in the rear, over the wheels. On the boats they must occupy the worst cabins. The ticket agents always say that all other accommodations are sold. On trains, if one sits down by a white person, the white person will sometimes get up, flinging back an insult at the Negro who has dared to take a seat beside him. Thus it is that in America, if you are yellow, brown, or black, you can never travel anywhere without being reminded of your color, and oft-times suffering great inconveniences. I sat in the comfortable sleeping car on my first day out of Moscow and remembered many things about trips I had taken in America. I remembered how, once as a youngster going alone to see my father who was working in Mexico, I went into the dining car of the train to eat. I sat down at a table with a white man. The man looked at me and said, "You're a nigger, ain't you?" and left the table. It was beneath his dignity to eat with a Negro child. At St. Louis I went onto the station platform to buy a glass of milk. The clerk behind the counter said, “We don't serve niggers," and refused to sell me anything. As I grew older I learned to expect this often when traveling. So when I went South to lecture on my poetry at Negro universities, I carried my own food because I knew I could not go into the dining cars. Once from Washington to New Orleans, I lived all the way on the train on cold food. I remembered this miserable trip as I sat eating a hot dinner on the diner of the Moscow-Tashkent express. Traveling South from New York, at Washington, the capital of our country, the official Jim Crow begins. There the conductor comes through the train and, if you are a Negro, touches you on the shoulder and says, "The last coach forward is the car for colored people." Then you must move your baggage and yourself up near the engine, because when the train crosses the Potomac River into Virginia, and the dome of the Capitol disappears, it is illegal any longer for white people and colored people to ride together. (Or to eat together, or sleep together, or in some places even to work together.) Now I am riding South from Moscow and am not Jim-Crowed, and none of the darker people on the train with me are Jim-Crowed, so I make a happy mental note in the back of my mind to write home to the Negro papers: "There is no Jim Crow on the trains of the Soviet Union.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Go away.” I stick my elbow in his ribs and force him to step back. “Sit on the couch and keep your hands to yourself,” I instruct, then follow him to the sofa and grab my Dating and Sex for Dummies books off the coffee table and shove them into my sock drawer while he laughs. “You’re making me miss my show,” I gripe as I toss things into the suitcase. “Your show? You sound like you’re eighty.” He glances at the TV behind me then back to me. “Murder on Mason Lane,” he says. “It was the neighbor. She was committing Medicare fraud using the victim’s deceased wife’s information. He caught on so she killed him.” I gasp. “You spoiler! You spoiling spoiler who spoils!” Then I shrug. “This is a new episode. You don’t even know that. It’s the daughter. She killed him. I’ve had her pegged since the first commercial break.” “You’re cute.” “Just you wait,” I tell him, very satisfied with myself. I’m really good at guessing whodunnit. “Sorry, you murder nerd, I worked on this case two years ago. It’s the neighbor.” “Really?” I drop my makeup bag into the suitcase and check to see if he’s teasing me. “I swear. I’ll tell you all the good shit the show left out once we’re on the plane.” I survey Boyd with interest. I do have a lot of questions. “I thought you were in cyber crimes, not murder.” “Murder isn’t a department,” he replies, shaking his head at me. “You know what I mean.” “Most crimes have a cyber component to them these days. There’s always a cyber trail.” Shit, that’s hot.
Jana Aston (Trust (Cafe, #3))
He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar. Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.” Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it. “Explain that,” she commanded, backing away and then waiting. “Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her. Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake. “Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?” When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!” Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.” “I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.” “Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously. With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.” “Do you deny you sent me a note?” she snapped. “Of course I deny it!” “Then what were you doing in the greenhouse?” she shot back at him. “I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.
Judith McNaught (Almost Heaven (Sequels, #3))
And of course if you ill-treat the body, it can throw you out of the house entirely, out of your body. It is like ill-treating objects. You know, objects are inanimate things; they lie about heavily, have no legs or wings, and people are often quite impatient with them. For instance, this book would like it very much better, I am sure, if it were lying near the center of the table where it is safe, but I have put it on the edge. It is an awkward position for that poor creature of a book. It may fall down and get injured. If I am impatient, if I touch them in an awkward way, it is a lamentable plight for the poor objects. Then they take their revenge on me. Because I illtreat them they turn against me and become contradictory in a peculiar way. I say, "Oh, these damned objects, dead things, despicable!"- and instantly they take on life. They begin to behave as if they were animated living things. You will then observe what the German philosopher tells about the die Tücke des Objekts. And the more you curse them, the more you use speech figures which insinuate life into them. For instance, "Where has that book hidden itself now? It has walked off and concealed itself somewhere." Or, "The devil is in that watch, where has it gone ?"Objects really take on dangerous qualities with people who are particularly impatient with them: they jump into your eyes, they bite your legs, they creep onto a chair and stick up a point upon which you sit-such things. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 351-352)
C.G. Jung (Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939 C.G. Jung)
Johnny, be a dear and bring me a vodka soda with lots of lemons.” She sits back at the piano bench and starts to play “When I Fall in Love.” John starts toward me and I point at him. “Stop right there, John Ambrose McClaren. Do you have my name?” “No! I swear I don’t. I have--I’m not saying who I have.” He pauses. “Wait a minute. Do you have mine?” I shake my head, innocent as a little lost lamb. He still looks suspicious, so I busy myself with making Stormy’s drink. I know just how she likes it. I drop in three ice cubes, an eight-second pour of vodka, and a splash of soda water. Then I squeeze three lemon slices and drop them in the glass. “Here,” I say, holding out the glass. “You can put it on the table,” he says. “John! I’m telling you, I don’t have your name!” He shakes his head. “Table.” I set the glass back down. “I can’t believe you don’t believe me. I feel like I remember you being a trusting kind of person who sees the good in people.” Sober as a judge, John says, “Just…stay on your side of the table.” Shoot. How am I supposed to take him out if he makes me stay ten feet away all night? Airily I say, “Fine by me. I don’t know if I believe you, either, so! I mean, this is a pretty big coincidence, you showing up here.” “Stormy guilted me into coming!” I snap my head in Stormy’s direction. She’s still playing the piano, looking over at us with a big smile. Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?” “You may,” I say. To John I warn, “Don’t you dare come close to me.” He throws his hands out like he’s warding me off. “Don’t you come close to me!
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
I sit down across from her at the table and put the vial of memory serum between us. “I came to make you drink this,” I say. She looks at the vial, and I think I see tears in her eyes, but it could just be the light. “I thought it was the only way to prevent total destruction,” I say. “I know that Marcus and Johanna and their people are going to attack, and I know that you will do whatever it takes to stop them, including using that death serum you possess to its best advantage.” I tilt my head. “Am I wrong?” “No,” she says. “The factions are evil. They cannot be restored. I would sooner see us all destroyed.” Her hand squeezes the edge of the table, the knuckles pale. “The reason the factions were evil is because there was no way out of them,” I say. “They gave us the illusion of choice without actually giving us a choice. That’s the same thing you’re doing here, by abolishing them. You’re saying, go make choices. But make sure they aren’t factions or I’ll grind you to bits!” “If you thought that, why didn’t you tell me?” she says, her voice louder and her eyes avoiding mine, avoiding me. “Tell me, instead of betraying me?” “Because I’m afraid of you!” The words burst out, and I regret them but I’m also glad they’re there, glad that before I ask her to give up her identity, I can at least be honest with her. “You…you remind me of him!” “Don’t you dare.” She clenches her hands into fists and almost spits at me, “Don’t you dare.” “I don’t care if you don’t want to hear it,” I say, coming to my feet. “He was a tyrant in our house and now you’re a tyrant in this city, and you can’t even see that it’s the same!” “So that’s why you brought this,” she says, and she wraps her hand around the vial, holding it up to look at it. “Because you think this is the only way to mend things.” “I…” I am about to say that it’s the easiest way, the best way, maybe the only way that I can trust her. If I erase her memories, I can create for myself a new mother, but. But she is more than my mother. She is a person in her own right, and she does not belong to me. I do not get to choose what she becomes just because I can’t deal with who she is. “No,” I say. “No, I came to give you a choice.” I feel suddenly terrified, my hands numb, my heart beating fast-- “I thought about going to see Marcus tonight, but I didn’t.” I swallow hard. “I came to see you instead because…because I think there’s a hope of reconciliation between us. Not now, not soon, but someday. And with him there’s no hope, there’s no reconciliation possible.” She stares at me, her eyes fierce but welling up with tears. “It’s not fair for me to give you this choice,” I say. “But I have to. You can lead the factionless, you can fight the Allegiant, but you’ll have to do it without me, forever. Or you can let this crusade go, and…and you’ll have your son back.” It’s a feeble offer and I know it, which is why I’m afraid--afraid that she will refuse to choose, that she will choose power over me, that she will call me a ridiculous child, which is what I am. I am a child. I am two feet tall and asking her how much she loves me. Evelyn’s eyes, dark as wet earth, search mine for a long time. Then she reaches across the table and pulls me fiercely into her arms, which form a wire cage around me, surprisingly strong. “Let them have the city and everything in it,” she says into my hair. I can’t move, can’t speak. She chose me. She chose me.
Veronica Roth (Allegiant (Divergent, #3))
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this. I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do. I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first. Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me. Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?" This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain. No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball. I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper? "You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically. I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it." Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
They don’t want people who are smart enough to sit around the kitchen table and figure out how badly they’re getting fucked by a system that threw them overboard thirty years ago. They want people who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all the increasingly shitty jobs with the less pay, reduced benefits, the end of overtime—and the vanishing pension that disappears the minute you come to collect it. And now they’re coming for your Social Security. They want your retirement money. They want it back so they can give it to their criminal Wall Street friends. And you know what? They’ll get it! They’ll get it all. They count on the fact that Americans will remain willfully ignorant.” The prophetic Mr. George Carlin “It’s just a ride. We can change it any time we want. It’s just a choice. No effort, no work, no job, no savings of money—a choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your door, buy guns, close yourself off. The eyes of love instead see all of us as one. Here’s what we can do to make this world a better ride. Take all the money we spend on weapons every year and use it to feed and clothe the poor of the world. There will be enough to help every person in the world, not one left out—and we can explore space, both inner and outer, together, in peace.” Bill Hicks “Try to learn to breathe deeply, really taste food when you eat, and when you sleep to really sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell. And when you get angry, get good and angry. Try to be alive. You will be dead soon enough.” William Saroyan
Carlin, Hicks, Saroyan
The Camera Eye (38) sealed signed and delivered all over Tours you can smell lindens in bloom it’s hot my uniform sticks the OD chafes me under the chin only four days ago AWOL crawling under the freight cars at the station of St. Pierre-des-Corps waiting in the buvette for the MP on guard to look away from the door so’s I could slink out with a cigarette (and my heart) in my mouth then in a tiny box of a hotel room changing the date on that old movement order but today my discharge sealed signed and delivered sends off sparks in my pocket like a romancandle I walk past the headquarters of the SOS Hay sojer your tunic’s unbuttoned (f—k you buddy) and down the lindenshaded street to the bathhouse that has a court with flowers in the middle of it the hot water gushes green out of brass swanheads into the whitemetal tub I strip myself naked soap myself all over with the sour pink soap slide into the warm deepgreen tub through the white curtain in the window a finger of afternoon sunlight lengthens on the ceiling towel’s dry and warm smells of steam in the suitcase I’ve got a suit of civvies I borrowed from a fellow I know the buck private in the rear rank of Uncle Sam’s Medical Corps (serial number . . . never could remember the number anyway I dropped it in the Loire) goes down the drain with a gurgle and hiss and having amply tipped and gotten the eye from the fat woman who swept up the towels I step out into the lindensmell of a July afternoon and stroll up to the café where at the little tables outside only officers may set their whipcord behinds and order a drink of cognac unservable to those in uniform while waiting for the train to Paris and sit down firmly in long pants in the iron chair an anonymous civilian
John Dos Passos (1919 (The U.S.A. Trilogy, #2))
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no. "I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets." My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me." She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?" Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?" "Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand." Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round. I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area. Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress. Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too. I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular. Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?" "Mom!" I screech. "No!" She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening. "Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples. "You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes. One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now. I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?" "What were you arguing about in the hall, then?" "I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
If you could be anyone else, who would you want to be?” I ask, because I’ve decided that I admire how David doesn’t self-censor. I should try it too. I think about this all the time. Waking up in the morning, looking in the mirror, and seeing someone wholly different staring back. These days I’d give anything to be the old me, the pre-accident me, who could sit at my old lunch table and chat about nothing. The pre-accident me who aspired to be more like Lauren Drucker, former benevolent ruler and social chair of Mapleview. I really wouldn’t mind being entirely full of shit, so long as I didn’t notice. “There’s this guy Trey who teaches me guitar,” David says. “He kind of pisses me off, actually, but he’s just the type of guy everyone likes. He always knows exactly what to say. Like has annoyingly pitch-perfect radio waves. So I guess him?” “I used to want my metaphorical radio waves to play music that was, like, quirky but also perfectly curated, you know? Something cool. But now I feel like I’ve become traffic on the hour.” “You are so not traffic on the hour,” he says, and to my dismay dabs at his chin with a napkin. “Though I wouldn’t mind even being that. Reliable, informative, albeit repetitive. At least people actually listen to it.” “I think your signal is in Morse code,” I say with a smile. “When I was eight, I taught myself Morse code. The clicks are highly irritating.” I lean over and for no reason I can think of—maybe because I have nothing smart to say, maybe because with David I feel like someone else entirely, I want to be someone else entirely—I take a lick of his ice cream. The vanilla part. He stares at my lips, as shocked as I am. “Sorry,” I say. “I liked your order better.” “The cold medicine is not for me. Just to be clear,” he says. “Wasn’t worried.
Julie Buxbaum (What to Say Next)
To Lillian’s surprise, she had been seated near the head of Lord Westcliff’s table, only three places away from his right hand. Occupying a place so close to the host was a mark of high favor, very seldom given to an unmarried girl with no rank. Wondering if the footman had make a mistake in seating her there, she glanced cautiously at the faces of those guests nearest her, and saw that they too were puzzled by her presence. Even the countess, who was being seated at the very end of the table, stared at her with a frown. Lillian gave Lord Westcliff a questioning glance as he took his place at the head of the table. One of his dark brows arched. “Is something amiss? You seem a bit perturbed, Miss Bowman.” The correct response would probably have been to blush and thank him for the unexpected honor. But as Lillian stared at his face, which was softened by the influence of candleglow, she found herself answering with brazen frankness. “I am wondering why I am sitting near the head of the table. In light of what happened this morning, I assumed you would have me seated all the way out on the back terrace.” There was a moment of utter silence as the guests around them registered shock that Lillian would so openly refer to the conflict between them. However, Westcliff astonished them all by laughing quietly, his gaze locked with hers. After a moment, the others joined in with forced chuckles. “Knowing of your penchant for trouble, Miss Bowman, I have concluded that it is safer to keep you in my sight, and within arm’s reach if possible.” His statement was delivered with matter-of-fact lightness. One would have to search very hard to find any innuendo in his tone. And yet Lillian felt a strange liquid ripple inside, sensation passing from one nerve to another like a flow of warm honey.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
THE INSTRUCTION OF PTAHHOTEP Part II If you are one among guests At the table of one greater than you, Take what he gives as it is set before you; Look at what is before you, Don’t shoot many glances at him, Molesting him offends the ka. Don’t speak to him until he summons, One does not know what may displease; Speak when he has addressed you, Then your words will please the heart. The nobleman, when he is behind food, Behaves as his ka commands him; He will give to him whom he favors, It is the custom when night has come. It is the ka that makes his hands reach out, The great man gives to the chosen man; Thus eating is under the counsel of god, A fool is who complains of it. If you are a man of trust, Sent by one great man to another, Adhere to the nature of him who sent you. Give his message as he said it. Guard against reviling speech, Which embroils one great with another; Keep to the truth, don't exceed it, But an outburst should not be repeated. Do not malign anyone, Great or small, the ka abhors it. If you plow and there’s growth in the field, And god lets it prosper in your hand, Do not boast at your neighbors’ side, One has great respect for the silent man: Man of character is man of wealth. If he robs he is like a crocodile in court. Don’t impose on one who is childless, Neither decry nor boast of it; There is many a father who has grief, And a mother of children less content than another; It is the lonely whom god fosters, While the family man prays for a follower. If you are poor, serve a man of worth, That all your conduct may be well with the god. Do not recall if he once was poor, Don’t be arrogant toward him For knowing his former state; Respect him for what has accrued to him. For wealth does not come by itself. It is their law for him whom they love, His gain, he gathered it himself ; It is the god who makes him worthy And protects him while he sleeps. Follow your heart as long as you live, Do no more than is required, Do not shorten the time of “follow-the-heart,” Trimming its moment offends the ka Don’t waste time on daily cares Beyond providing for your household; When wealth has come, follow your heart, Wealth does no good if one is glum! If you are a man of worth And produce a son by the grace of god, If he is straight, takes after you, Takes good care of your possessions. Do for him all that is good, He is your son, your ka begot him, Don’t withdraw your heart from him. But an offspring can make trouble: If he strays, neglects your counsel, Disobeys all that is said, His mouth spouting evil speech, Punish him for all his talk They hate him who crosses you, His guilt was fated in the womb; He whom they guide can not go wrong, Whom they make boatless can not cross. If you are in the antechamber, Stand and sit as fits your rank Which was assigned you the first day. Do not trespass — you will be turned back, Keen is the face to him who enters announced, Spacious the seat of him who has been called. The antechamber has a rule, All behavior is by measure; It is the god who gives advancement, He who uses elbows is not helped. If you are among the people, Gain supporters through being trusted The trusted man who does not vent his belly’s speech, He will himself become a leader, A man of means — what is he like ? Your name is good, you are not maligned, Your body is sleek, your face benign, One praises you without your knowing. He whose heart obeys his belly Puts contempt of himself in place of love, His heart is bald, his body unanointed; The great-hearted is god-given, He who obeys his belly belongs to the enemy.
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
He’s hot—and he’s FBI. Everyone knows you have that Fed fetish. I bet he owns handcuffs,” she adds, with a dramatic wink. “And there is no way he’s bad in bed. No way. You know how you can just tell sometimes by looking at a guy? Just by the way he moves? That’s what you need. A guy who knows what he’s doing in bed. And at the very least this guy is packing.” “Wait. Are you talking about my brother?” Sophie interjects. Sophie has a half-brother I’ve never met. “Obviously, Sophie. How many federal agents do I know?” Everly responds in a ‘duh’ tone of voice. “It’s actually a great idea, but please do not talk about my brother’s junk in front of me. It’s disgusting.” Sophie winces and rubs at her baby bump. “I think Boyd’s a bit of a player though. He’s never even introduced me to anyone he’s seeing. But good plan. You guys talk about it. I’m going to the restroom.” She pushes back her chair and stands, then immediately sits again, looking at us in a panic. “I think my water just broke.” “I’ve got this,” Everly announces, waving her hands excitedly as she flags down the waitress. “I’m gonna need a pot of boiling water, some towels and the check.” “Oh, my God,” Sophie mutters and digs her cell phone out of her purse. “Just the check,” I tell the waitress. I turn back to Everly as Sophie calls her husband. “You’re not delivering Sophie’s baby, Everly. Her water broke ten seconds ago and her husband—the gynecologist—is in their condo upstairs. So even if this baby was coming in the next five minutes, which it is not, you’re still not delivering it at a table in Serafina.” Everly slumps in her chair and shakes her head. “I’ve been watching YouTube videos on childbirth for months, just in case. What a waste.” She sighs, then perks up. “Can I at least be in the delivery room?” “No,” we all respond in unison.
Jana Aston (Trust (Cafe, #3))
Eastern Standard Time Poetry speaks to all people, it is said, but here I would like to address only those in my own time zone, this proper slice of longitude that runs from pole to snowy pole down the globe through Montreal to Bogota. Oh, fellow inhabitants of this singular band, sitting up in your many beds this morning— the sun falling through the windows and casting a shadow on the sundial— consider those in other zones who cannot hear these words. They are not slipping into a bathrobe as we are, or following the smell of coffee in a timely fashion. Rather, they are at work already, leaning on copy machines, hammering nails into a house-frame. They are not swallowing a vitamin like us; rather they are smoking a cigarette under a half moon, even jumping around on a dance floor, or just now sliding under the covers, pulling down the little chains on their bed lamps. But we are not like these others, for at this very moment on the face of the earth, we are standing under a hot shower, or we are eating our breakfast, considered by people of all zones to be the most important meal of the day. Later, when the time is right, we might sit down with the boss, wash the car, or linger at a candle-lit table, but now is the hour for pouring the juice and flipping the eggs with one eye on the toaster. So let us slice a banana and uncap the jam, lift our brimming spoons of milk, and leave it to the others to lower a flag or spin absurdly in a barber's chair— those antipodal oddballs, always early or late. Let us praise Sir Stanford Fleming the Canadian genius who first scored with these lines the length of the spinning earth. Let us move together through the rest of this day passing in unison from light to shadow, coasting over the crest of noon into the valley of the evening and then, holding hands, slip into the deeper valley of night.
Billy Collins (The Trouble With Poetry - And Other Poems)
He put his tray down across from Suzao, whose eyes ran up his arm like a skimming hand, counting the kill marks there. “Remember me?” Akos said. Suzao was smaller than him, now, but so broad through the shoulders it didn’t seem that way when he was sitting. His nose was spotted with freckles. He didn’t look much like Jorek, who took after his mother. Good thing, too. “The pathetic child I dragged across the Divide?” Suzao said, biting down on the tines of his fork. “And then beat to a pulp before we even made it to the transport vessels? Yeah. I remember. Now get your tray off my table.” Akos sat, folding his hands in front of him. A rush of adrenaline had given him pinhole vision, and Suzao was in the very center. “How are you feeling? A little sleepy?” he said as he slammed the vial down in front of him. The glass cracked, but the vial stayed in one piece, still wet from the sleeping potion he had poured in Suzao’s cup. Silence spread through the cafeteria, starting at their table. Suzao stared at the vial. His face got blotchier with every second. His eyes were glassy with rage. Akos leaned closer, smiling. “Your living quarters aren’t as secure as you’d probably like. What is this, the third time you’ve been drugged in the past month? Not very vigilant, are you?” Suzao lunged. Grabbed him by the throat, lifted, and slammed him hard into the table, right on top of his tray of food. Soup burned Akos through his shirt. Suzao drew his knife and held the point over Akos’s head like he was going to shove it in Akos’s eye. Akos saw spots. “I should kill you,” Suzao snarled, flecks of spit dotting his lips. “Go ahead,” he said, straining. “But maybe you should wait until you’re not about to fall over.” Sure enough, Suzao looked a little unfocused. He let go of Akos’s throat. “Fine,” he said. “Then I challenge you to the arena. Blades. To the death.” The man didn’t disappoint.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Finding a small grouping of chairs, the three friends sat together. Lillian’s shoulders slumped as she said glumly, “I think they’ve done it.” “Who’s done what?” Evie asked. “Daisy and Mr. Swift,” Annabelle murmured with a touch of amusement. “We’re speculating that they’ve had, er…carnal knowledge of each other.” Evie looked perplexed. “Why do we think that?” “Well, you were sitting at the other table, dear, so you couldn’t see, but at dinner there were…” Annabelle raised her brows significantly. “…undercurrents.” “Oh.” Evie shrugged. “It’s just as well I wasn’t at your table, then. I’m never any good at reading undercurrents.” “These were obvious undercurrents,” Lillian said darkly. “It couldn’t have been any clearer if Mr. Swift had leapt onto the table and made an announcement.” “Mr. Swift would never be so vulgar,” Evie said decisively. “Even if he is an American.” Lillian’s face scrunched in a ferocious scowl. “Whatever happened to ‘I could never be happy with a soulless industrialist’? What happened to ‘I want the four of us to be together always’? Curse it all, I can’t believe Daisy’s done this! Everything was going so well with Lord Llandrindon. What could have possessed her to sleep with Matthew Swift?” “I doubt there was much sleeping involved,” Annabelle replied, her eyes twinkling. Lillian gave her a slitted glare. “If you have the bad taste to be amused by this, Annabelle—” “Daisy was never interested in Lord Llandrindon,” Evie volunteered hastily, trying to prevent a quarrel. “She was only using him to provoke Mr. Swift.” “How do you know?” the other two asked at the same time. “Well, I-I…” Evie made a helpless gesture with her hands. “Last week I m-more or less inadvertently suggested that she try to make him jealous. And it worked.” Lillian’s throat worked violently before she could manage to speak. “Of all the asinine, sheep-headed, moronic—
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
As I sat down to dinner in the dining room in my accustomed place, with Maxim at the head of the table, I pictured Rebecca sitting in where I sat now, picking up her fork for the fish, and then the telephone ringing and Frith coming into the room and saying “Mr. Favell on the phone, Madam, wishing to speak to you,” and Rebecca would get up from her chair with a quick glance at Maxim, who would not say anything, who would go on eating his fish. And when she came back, having finished her conversation, and sat down in her place again, Rebecca would begin talking about something different, in a gay, careless way, to cover up the little cloud between them. At first Maxim would be glum, answering in monosyllables, but little by little she would win his humor back again, telling him some story of her day, about someone she had seen in Kerrith, and when they had finished the next course he would be laughing again, looking at her and smiling, putting out his hand to her across the table. “What the devil are you thinking about?” said Maxim. I started, the color flooding my face, for in that brief moment, sixty seconds in time perhaps, I had so identified myself with Rebecca that my own dull self did not exist, had never come to Manderley. I had gone back in thought and in person to the days that were gone. “Do you know you were going through the most extraordinary antics instead of eating your fish?” said Maxim. “First you listened, as though you heard the telephone, and then your lips moved, and you threw half a glance at me. And you shook your head, and smiled, and shrugged your shoulders. All in about a second. Are you practicing your appearance for the fancy dress ball?” He looked across at me, laughing, and I wondered what he would say if he really knew my thoughts, my heart, and my mind, and that for one second he had been the Maxim of another year, and I had been Rebecca. “You look like a little criminal,” he said, “what is it?” “Nothing,” I said quickly, “I wasn’t doing anything.” “Tell me what you were thinking?
Daphne du Maurier (Rebecca)
I rose on surprisingly steady knees. Felt all of them tense, Tamlin’s gaze like a brand as I walked toward the shadowsinger, my sparkling gown hissing along the floor behind me. As I put a tattooed hand on the hard, near-invisible curve of the shield and said, “Come, Azriel.” Azriel stopped. Eris gasped for air as those scarred hands loosened. As Azriel turned his face toward me— The frozen rage there rooted me to the spot. But beneath it, I could almost see the images that haunted him: the hand Mor had yanked away, her weeping, distraught face as she had screamed at Rhys. And now, behind us, Mor was shaking in her chair. Pale and shaking. I only offered my hand to Azriel. “Come sit beside me.” Nesta had already moved her seat, and an extra chair appeared beside mine. I didn’t let my hand tremble as I kept it extended. And waited. Azriel’s eyes slid to Eris, the High Lord’s son panting beneath him. And the shadowsinger leaned down to whisper something in his ear that made Eris blanch further. But the shield dropped. The shadows lightened into sunshine. Beron struck—only for his fire to bounce off a hard barrier of my own. I lifted my gaze to the High Lord of Autumn. “That’s twice now we’ve handed you your asses. I’d think you’d be sick of the humiliation.” Helion laughed. But my attention returned to Azriel, who took my stilloffered hand and rose. The scars were rough against my fingers, but his skin was like ice. Pure ice. Mor opened her mouth to say something to Azriel, but Cassian put a hand on her bare knee and shook his head. I led the shadowsinger to the empty chair beside mine—then walked to the table myself to pour him a glass of wine. No one spoke until I offered it to him and sat down. “They are my family,” I said at the raised brows I received for my waiting on him. Tamlin just shook his head in disgust and finally slid that claw back into his hand. But I met Eris’s fuming gaze, my voice as cold as Azriel’s face as I said, “I don’t care if we are allies in this war. If you insult my friend again, I won’t stop him the next time.
Sarah J. Maas
And what’s the solution of preventing this debacle? Plenty of ‘em! The Communists have a patent Solution they know will work. So have the Fascists, and the rigid American Constitutionalists—who call themselves advocates of Democracy, without any notion what the word ought to mean; and the Monarchists—who are certain that if we could just resurrect the Kaiser and the Czar and King Alfonso, everybody would be loyal and happy again, and the banks would simply force credit on small business men at 2 per cent. And all the preachers—they tell you that they alone have the inspired Solution. “Well, gentlemen, I have listened to all your Solutions, and I now inform you that I, and I alone, except perhaps for Walt Trowbridge and the ghost of Pareto, have the perfect, the inevitable, the only Solution, and that is: There is no Solution! There will never be a state of society anything like perfect! “There never will be a time when there won’t be a large proportion of people who feel poor no matter how much they have, and envy their neighbors who know how to wear cheap clothes showily, and envy neighbors who can dance or make love or digest better.” Doremus suspected that, with the most scientific state, it would be impossible for iron deposits always to find themselves at exactly the rate decided upon two years before by the National Technocratic Minerals Commission, no matter how elevated and fraternal and Utopian the principles of the commissioners. His Solution, Doremus pointed out, was the only one that did not flee before the thought that a thousand years from now human beings would probably continue to die of cancer and earthquake and such clownish mishaps as slipping in bathtubs. It presumed that mankind would continue to be burdened with eyes that grow weak, feet that grow tired, noses that itch, intestines vulnerable to bacilli, and generative organs that are nervous until the age of virtue and senility. It seemed to him unidealistically probable, for all the “contemporary furniture” of the 1930’s, that most people would continue, at least for a few hundred years, to sit in chairs, eat from dishes upon tables, read books—no matter how many cunning phonographic substitutes might be invented, wear shoes or sandals, sleep in beds, write with some sort of pens, and in general spend twenty or twenty-two hours a day much as they had spent them in 1930, in 1630.
Sinclair Lewis (It Can't Happen Here)
for later. Keep it safe. If the child has collapsed into a tantrum in a place where he might hurt himself, move him to an area where he will be safe—an open, carpeted area, away from the glass coffee table. A child in the midst of a tantrum often flails, grabs for things to throw, or reaches for people to hit. Keep the child away from everything, including your body.       Sometimes very young children feel totally out of control and will need you to contain them. Sit on the floor and gently but firmly hold your child’s back to your front, on the floor between your legs, both arms crossed in front of him. This is not an angry hold, but rather one that says I am keeping you safe. Soon (or maybe not so soon!) he will stop resisting you, relax a bit, and take it down a notch to crying. This hold should not become a physical battle. It is, instead, a form of support and safety that you provide for your child. Do not leave the child alone. There are those who believe in sending the child to his room to have the meltdown. I believe the child is better served by your not abandoning him to his out-of-control feelings and behavior. Stay close by. Even though you are not talking to him, he knows you are there, and your presence is comforting. He might command you to “Go away” or “Leave me alone,” but he doesn’t mean it. Sit in a chair across the room and pick up a magazine. If the child is holding on to your leg, try to ignore it. In fact, try to ignore him altogether as best as you can. You can say: “You are really angry right now. I will wait until you are done.” Or, “Let me know when you are done.”       If the child is trying to hurt you, hit you, or grab at you, stand up and step away. Tell him: “I will not let you hurt me. Let me know when you are done, and we can talk.”       When you are standing, your legs are the only target he can reach. He’ll wrap his arms around your calves in a death grip. Ignore it. It will end eventually, I promise. The End Save. You can usually tell when the tantrum is winding down. When you hear and see that your child is starting to come back down to earth—his crying has calmed to sobs, his breaths are broken and quick, he is sniffling a bit—it is a good time to step in and accompany him on his journey back. Scoop him up and say something diverting, like: “C’mon, Sam, let’s go see if there are any squirrels outside.” By this point, most children are ready to be saved. They just don’t know how to do so gracefully. A paradigm shift offers the child the chance to reenter the world and save face.
Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
Shrugging, I glanced at Judd who was watching someone in the corner. When I looked back at Cooper, he was studying the hair in my eyes. “You look tired,” he said, reaching out to brush away the hair. Cooper’s hand never reached my face before Judd grabbed his wrist and yanked it away. In that instant, everything shifted. The men stepped closer, eyeballing each other as the heat of their anger became palatable. I thought to step between them and calm things before violence broke out. Then, I remembered when I tried to break up a fight between my uncle’s dogs. If Farah hadn’t pulled me out of the way, I’d have been mauled. That day, I learned if predators wanted to fight, you let them while staying as far back as possible. “I’ll let this go because it’s your woman,” Cooper muttered, dark eyes still angry. “If you pull this shit again and it’s not your woman, you and I will have a problem.” Once Cooper walked away, Judd finally relaxed. I just stared at him as he led me to a booth because a group of old timers were at his table. Sitting next to him, I caressed his face, soothing him. He finally gave me a little grin. Suddenly, Vaughn appeared and took the spot across from us. “Why do you look so pissed off?” “He almost went feral on Cooper for trying to touch me.” Vaughn gave us a lazy grin. “So losing his balls makes a man stupid, eh? Good to know. Just another reason to keep mine attached.” Judd exhaled hard. “You wouldn’t want anyone touching your woman. One day, you’ll know that despite your love affair with your balls.” “A man should love his balls,” Vaughn said, still grinning. “What if I touch her?” he asked, his hand moving slowly towards my face. “I’ll stab you in the fucking eye.” Grinning, Vaughn put down his hand. “You’re pretty damn sexy when you go drama queen, O’Keefe.” “He is, isn’t he?” I said, sliding closer to Judd. “I wish we were naked right now.” Both men frowned at me, but I only smiled and Judd adjusted in the booth as his jeans grew too tight. “Stop,” he warned. “I’m not afraid of you.” “I could make a liar of you.” “You won’t though because you wish you were inside me.” Judd exhaled hard like a pissed bull and adjusted in the booth again. I just laughed and rested my head against his shoulder. “I so own you.” Vaughn nodded. “He’s a keeper. I remember how poetic he was when I asked him if he could imagine himself as an old man. He turned to me and grunted. Real profound grunt too. Oh, and once I asked if he ever imagined himself as a father. I kid you not, he burped. The man is fucking Shakespeare.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
She thought she was getting out of the Water Rising clean, because she didn’t see her father anywhere around: there was only Ash and Lillian sitting at a table, and a few other patrons at as much of a distance from Ash and Lillian as they could get. She made for the door, at which point Lillian caught her arm. “Where are you going?” “Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.” Lillian stared. “I beg your pardon?” “This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.” “I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.” “Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?” “I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.” She climbed off the stool and headed toward the group of people in the corner. Kami and Ash watched as they collectively shrank away. “Come on, quick,” said Kami, and as if summoned by some spirit warning him of his child’s intended reckless behavior, her dad appeared through the inn doors. He looked distracted. “Where’s Lillian?’ Kami checked over her shoulder. “Appears to be trying to wrest a screaming baby from the arms of her frightened mother in order to kiss it.” “Oh no no no,” murmured Jon, and raised his voice as he made his way over. “Libba, we’ve talked about this!” “The good news is the grown-ups are distracted by politics,” said Kami. You mean that your poor father is distracted by my awful mother, said Ash, who was far too polite to say such a thing out loud and looked vaguely embarrassed to be thinking it. Kami grinned. “Why quibble when we have the results we want!” I wish I could ask you what you’re planning, but I know what you’re planning, said Ash. Lucky me. I know this is important information, but going to Aurimere at all is a huge risk. “See, the thing is, if I ran a business it would probably be called Risky Business,
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner. He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before. “Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him. Apparently that had been the right thing to say because he smiled widely in response to it. “What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it. “Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.” “You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face. “I’m not sure if that’s a compliment or not.” “It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.” “Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully. He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...” He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do. “Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine. “Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.” I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.” “You haven’t taken back your royal name?” he asked in surprise. “I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted. You don’t know?” he asked in surprise. “Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased. He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.” “Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.
Meghan Quinn (The Lineup)
22. Giving up Distraction Week #4 Saturday Scripture Verses •Hebrews 12:1–2 •Mark 1:35 •John 1:14–18 Questions to Consider •What distracts you from being present with other people around you? •What distracts you from living out God’s agenda for your life? •What helps you to focus and be the most productive? •How does Jesus help us focus on what is most important in any given moment? Plan of Action •At your next lunch, have everyone set their phone facing down at the middle of the table. The first person who picks up their phone pays for the meal. •Challenge yourself that the first thing you watch, read, or listen to in the morning when you wake up is God’s Word (not email or Facebook). •Do a digital detox. Turn off everything with a screen for 24 hours. Tomorrow would be a great day to do it, since there is no “40 Things Devotion” on Sunday. Reflection We live in an ever connected world. With smart phones at the tip of our fingers, we can instantly communicate with people on the other side of the world. It is an amazing time to live in. I love the possibilities and the opportunities. With the rise of social media, we not only connect with our current circle of friends and family, but we are also able to connect with circles from the past. We can build new communities in the virtual world to find like-minded people we cannot find in our physical world. Services like Facebook, Twitter, YouTube, and Instagram all have tremendous power. They have a way of connecting us with others to shine the light of Jesus. While all of these wonderful things open up incredible possibilities, there are also many dangers that lurk. One of the biggest dangers is distraction. They keep us from living in the moment and they keep us from enjoying the people sitting right across the room from us. We’ve all seen that picture where the family is texting one another from across the table. They are not looking at each other. They are looking at the tablet or the phone in front of them. They are distracted in the moment. Today we are giving up distraction and we are going to live in the moment. Distraction doesn’t just come from modern technology. We are distracted by our work. We are distracted by hobbies. We are distracted by entertainment. We are distracted by busyness. The opposite of distraction is focus. It is setting our hearts and our minds on Jesus. It’s not just putting him first. It’s about him being a part of everything. It is about making our choices to be God’s choices. It is about letting him determine how we use our time and focus our attention. He is the one setting our agenda. I saw a statistic that 80% of smartphone users will check their phone within the first 15 minutes of waking up. Many of those are checking their phones before they even get out of bed. What are they checking? Social media? Email? The news of the day? Think about that for a moment. My personal challenge is the first thing I open up every day is God’s word. I might open up the Bible on my phone, but I want to make sure the first thing I am looking at is God’s agenda. When I open up my email, my mind is quickly set to the tasks those emails generate rather than the tasks God would put before me. Who do I want to set my agenda? For me personally, I know that if God is going to set the agenda, I need to hear from him before I hear from anyone else. There is a myth called multitasking. We talk about doing it, but it is something impossible to do. We are very good at switching back and forth from different tasks very quickly, but we are never truly doing two things at once. So the challenge is to be present where God has planted you. In any given moment, know what is the one most important thing. Be present in that one thing. Be present here and now.
Phil Ressler (40 Things to Give Up for Lent and Beyond: A 40 Day Devotion Series for the Season of Lent)
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
Virginia Woolf (To the Lighthouse)
The Blue Moon Wish Spell The “Blue Moon” is when there are 2 full moons in one month, it is in the horoscopic symbol of Pisces. To see the dates for the blue moon click here. It illuminates intuition, creativity, and compassion.  This is the time that you should start thinking about all your wishes and intentions. As a practitioner of witchcraft, you should make sure that you perform this ritual since such an astrological opportunity only occurs “once in a Blue Moon”.  Requirements a quartz crystal a cinnamon stick A blue pen a blue candle a sheet of parchment paper 3 safety pins a glass  of spring water or wine A piece silver cord or string, of a length of 24 inches a square of blue cloth Vial of success potion (not mandatory) 1 book of matches On the day before of the Blue Moon, collect all the above items and then set a specific time for performing the spell without any distractions.  Quietly sit down with all your items as listed above and place them before you on a table.  Shut your eyes and bring your mind to silence, after that, concentrate on your breathing.  The moment you feel clear and grounded, you can open your eyes and start the spell. While lighting the candle, think of 3 things that you would like to occur by the year’s end. You can also wish for something that takes place once in a blue moon. (rarely) Pat success oil on your, wrists, temple and your neck for a boost in case you have some. Envision one particular wish coming true while holding the quartz crystal in your hands. Vision yourself doing the thing you are wishing for, or clearly see something that you wish for happen before you. Pick your pen and paper up and start writing down your wishes as you keenly visualize them. Note them down in their order of importance to you.   After you note down the three wishes on your piece of parchment, separately tear them out Attach each of your wishes to the square piece of cloth using a safety pin Place the cinnamon stick in the middle of the cloth and then inwardly fold the sides of the cloth. After that, roll it up. Tightly seal your projections by wrapping the string around the cloth nine times and after that, tie steadily with a knot. Take your wishes and walk outside with them while holding the libation of your choice. Look up to the sky or the moon.  Lift up your glass and say the following words; “On this eve of the Blue Moon, out my intents go. I request they be received, and it is so” Place the cloth containing your wishes in a concealed place where you are the only one who can see it often all the way through the coming few months as a reminder to the wishes you have made.
Edith Yates (Wicca for Beginners: A Guide to Bringing Wiccan Magic,Beliefs and Rituals into Your Daily Life)
Diplomats sitting inside their cozy air-conditioned offices most profoundly utter, you must have patience to have peace on earth. To them I say, how dare you preach on peace, you ignorant snobs - tell that to the innocent little kids who are suffering in warzones, without any clue as to whether they'll live to see the next day - while the capitalist circle of the developed world keeps getting richer by getting the shallow masses hooked on nonessential technology, these children of war have one question in their mind - whether starvation will kill them first or explosives. Shame on you - shame on us - who despite having a roof over head and food on the table, have not the slightest bit of concern for these innocent lives forgotten by destiny. There is no time for patience - there is no time for diplomacy - there is no time for policies, legislations and meaningless paperwork. It's enough already. Either stand up and rush to the aid of these war-stricken communities through whichever means possible or keep your mouth shut for the rest of your life.
Abhijit Naskar (Hurricane Humans: Give me accountability, I'll give you peace)
I REGARD,” Chopper Jim said judiciously, “all forms of organized religion as a blight, an abomination and a public nuisance. It is the fifth horseman of the Apocalypse. I’m not talking about the guy who takes a vow of silence, or poverty, or celibacy”—he shivered—“and goes and sits on top of a mountain to meditate for the rest of his life.” He fixed Kate with a stern look. “It’s the people who follow him up that mountain, and then come back down and beat His word into their fellow man who annoy me.” She didn’t reply, and he forked up a french fry. Mutt, well aware of who was the soft touch at this table, sat pressed against his side, looking yearningly up into his face. He forked up another french fry and she took it delicately between her teeth, casting him a look of adoration in the process. “Most of those people—not all, I admit—but most of the people who subscribe to organized religion are too lazy and or too frightened to answer the hard questions themselves, and so hand their souls over for safe-keeping to a bunch of thieves and charlatans who know more about separating fools from their money than they do about God. Any God.” He took a bite of cheeseburger. “Religion is a crutch. You lean on it long enough, you forget how to walk on your own two feet.
Dana Stabenow (Play With Fire (Kate Shugak, #5))
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
he asked them. “Too long. Don’t be such a stranger. Stop by if you’re in our neighborhood. We would love to sit and chat. We can talk about the good old days and we got lots of pictures and stories from Tuscany.” “Will do. Enjoy the evening.” Jack turned and was face to face with their daughter, Patti. “Hi, Jack,” she whispered. “Great to see you again,” she said and kissed him on the cheek. “It was so good to talk with you the other day. It meant a lot to see you.” He watched her as she started to walk away and turned to him and say, “I wanted to let you know that after we talked I gave my husband a phone call. Eric and I decided to get back together. We’ve shared a lot of history, and we’re at least going to give it one last try to see if we can make it work. Thanks for everything, Jack. Bye.” She kissed him on the cheek. Jack saw Hope walking across the floor. “She’s pretty. Who was that?” glancing at Patti walk away. “An old and dear friend. Both Charley and I had a crush on her when we were younger. I’ll introduce you to her and her mom and dad later. You’ll like her.” More people filed inside to an already full hall. Soon it was standing room only. Jack turned to Hope and whispered, “I can’t believe this. We’ve had over twenty businesses make donations to the veterans’ fund to help support job training and for overseas servicemen’s wives and families. We also got money from the Yankee Bookshop, the Woodstock Inn, the Billings Farm Museum, the bank, and Bentleys Restaurant. They all donated money.” “That’s great,” she said excitedly. “And we’ve received over thirty new membership requests for the Veterans Post and that’s just yesterday. This is better than I ever expected. And four companies have committed to hiring more vets locally, including King Arthur Flour Company. They’re planning to build a new distribution center just west of town. I can’t believe all of this is happening.” “You should,” Hope said. “I remember you sat down right over there at that table and laid out what you wanted to see happen and you kept working on it until it did. I’m so proud of you.” He hugged her close and kissed her. He never wanted to let her go. The distinct fragrance of fresh balsam, pine, and holly filled
Bryan Mooney (Christmas in Vermont: A Very White Christmas)
If the players at your table were not actually playing with you, do you believe that anyone from the table across the room would recognize you?" she asked him. "Of course," he replied, his eyes crinkling with amusement. "Anything is possible, after all." "But I don't even know who you are, how do you expect anyone else to know you" she said, her brow furrowing in confusion. "You don't know me after all this time?" he asked, his tone incredulous. "We've been playing together for years!" "I swear I don't," she said, shaking her head. "You were always just sitting at the table, and I thought it was funny." "Funny?" he asked, his confusion deepening. "What do you mean?" "Nothing," she said, waving a hand dismissively. "What are they doing at the other table?" "Playing the same game as us," he answered. "Ok, what are we playing?" she asked. "You know what we are playing," he said, his voice hardening. "And you know I won, so don't play the fool." "I'm not playing the fool," she said, her eyes flashing. "I'm a fool.
Brandon Adams (Broke: A Poker Novel)
HOLMES, ON SPIRITUALISM A sitting room is not the proper setting for a spiritual awakening. As a horse forgets his shoes (he is not, after all, the one to nail them to his feet), so can a man forget his deceased wife despite previous adoration. Adoration: the sudden attention to such details (unbrushed coat, needlemark in the crook of an arm) in a lady’s appearance when these have not been marked before in one’s closest companion. When you assumed my death, you quit me after a quarter hour. I have trained you well in observation and distance. There are certain well-carved tables, excellent china, there are vessels for the quiet governesses of tragic good breeding who are pleased to rise from the dead and come back to their husbands for a justifiable fee. Come back. See, I am fond of charlatans. There is a certain amount of pleasure in disguise and the caught-breath escape from water and chains. The drowning or how it is imagined. If you had been watching closely? Then I could have returned sooner. Here I will differentiate between legerdemain and what meager love I have witnessed. What desire, to call back the dead to watch you take your tea.
Brittany Cavallaro (Unhistorical: Poems (Akron Series in Poetry))
Suppose that… you were sitting down at a table. The napkins are in front of you. Which napkin would you take? The one on your left or the one on your right? 'The left' is correct. But, in a larger sense of society, that is wrong. Perhaps I could even substitute society with the universe. The correct answer is that “it is determined by the one who takes his or her own napkin first. Yes? If the first one takes the napkin to their right, then there’s no choice but for the others to also take the napkin on their right. The same goes for the left. Everyone else will take the napkin to their left, because they have no other option. This is society… who are the ones who determine the price of land first? There must have been someone determined the value of money, first. The size of the rails on a train track? The magnitude of electricity? Laws and regulation? Who was the first one to determine those things? Did we all do it, because this is a republic? Or was it arbitrary? No! The one who took the napkin first determined all of these things! The rules of this world are determined by the same principle as “right or left?”! In a society like this table, a state of equilibrium, once one makes the first move, everyone must follow! In every era… this world has been operating by this napkin principle.
Funny Valentine
Who is going to be the first to remember that their grandfather suffered just as many broken windows, broken hearts, broken bones? And the first time you come down to dinner, and your son is sitting at the dining room table wearing your hatred on his shoulders, who is going to be the first to tell him it is finally time to take it off?
No Matter the Wreckage, Sarah Kay
You admired my necklace last night,” she says. “But you didn’t read the inscription.” I study her face while I lift the gold bar and turn it over. Etched into the gold is the inscription “My heart broke loose on the wind.” For a second, the space of a heartbeat, I can’t breathe. This means so much to me I literally cannot breathe. “When did you get this?” My voice is hushed, reverent with the thought of what that night on the Ferris wheel must have meant to her, too. “Months ago.” She cups one side of my face. “We didn’t even seem to be a possibility when I ordered this.” “But why . . . even then?” Months ago, Bristol was deep freezing me, so it’s hard to imagine that night was on her mind then. That I was on her mind then. “Even if we hadn’t gotten together, I was still going to wear this next to my heart because I knew I would never love anyone else that way.” She shakes her head, eyes bright with conviction. “Not the way I felt that night. That night was awesome, magical, but it was just a glimpse of the man you would become. And I knew even if I couldn’t have you, I’d carry this piece of you with me. This piece of your prophecy.” That poem inspired me in a way I have only ever put into words for one person. The woman sitting in my lap. The woman who has held my heart for years when I wasn’t sure she even wanted it. And the whole time, this night, these moments, burned in her memory like they did mine. I’m torn between spreading her on the table and having my appetizer before the pizza arrives, or kissing her until she’s limp in my arms.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
Naturally, we even made snow angels in the backyard as we stumbled around, and passed out. No one cared what we did really, thus far that was the fun of it all. Oh, and Kenneth was just the boy that only wanted one thing from Jenny. He had no personality to speak of… he would hit on me all the time, and sometimes he would get it from me too, or I would be out of the group by her if he said I was the one that wanted it from him. We could break widows out of old buildings and homes, and who would stop us. Sure, we got chased by the cops, yet that was the fun of it too. There is nothing else for us to do. I remember Maddie leaving her handprints in the wet mud, Jenny her butt, and some of her lady-ness, when the town thought it was time for new sidewalks. Yet we all did, something that would last forever, we thought. Maddie drew a few other things too. You can get the picture! All inappropriate… all there for life. She was just crazy like that, like squatting down pissing, and doing number two in the old man Jackups yard. She has more balls than most guys… I knew. Old man Jackups called us, ‘Mindless slutty hooligans’ So that was payback. At the time- I thought like what is wrong with that, we're just having some fun here… your old windbag, like go and sit on your cane! You know what I mean… I think? I remember being so smashed at my sweet sixteen too, that I don’t even remember it. Yet that is what having a good time was all about, so they say. Bumping and grinding on all the boys with loud music. And as the twinkling lights shine on your skin, that lights the way up to your bedroom. You know that your puffy dress is going to be pushed up a couple of times on that night. I just don’t remember how many times it was, and I didn’t remember who it was with, I am not even sure if I know them at all… all of them or not. All I know is I did it all and was happy to do whatever they asked me to do. But- but I thought I was having the time of my life. I was the birthday girl that had the rosiest pink lipstick on most boys at the party. I thought it was such a horror. In my mind at the time, I thought that I high-jacked the rainbow, and crashed into a pot of gold! All the girls my age did it, yet I was the best at it! I recall the time Liv and I went trick or treating. I was dressed as Hermione from the Harry Potter movies. Liv was a sexy witch! With the pointed hat. So, original…! That is what I told her. That was the night we scared the pants off of Ray in the not-so-scary haunted house. And before you ask, he was dressed as Harry. So, I wanted to play with his wand, that's why I dressed the way I did at the time. Liv was one of those good friends… I thought, which would tell everyone what you all did the day after, to all the girls at the lunch table. She can text faster than anyone I know. Anyways… we jumped out at him, and he nearly craps his nicely pressed pants. I am sure there was a skid mark on his tighty- whities or something. Yet he did yack on Liv’s chest, and that was hilarious to me. She was dancing around, and flapping her hands doing the funky chicken while yelling, ‘Ou- ou- ou- wah!’ As I dibble over in lather, I guess it was funnier when it doesn’t happen to you too many times.
Marcel Ray Duriez (Nevaeh Falling too You)
An unfamiliar kind of break survived at that table. The three of us, Marcel, Olivia, including myself hunkered down on the steep southerly end of the table. Now that is ‘superb’ and scarier (in Emmah's case, unquestionably.) The Natalie siblings had finished. We were gazing at them; they're so odd, Olivia and Marcel arranged not to seem quite so intimidating, and we did not sit here alone. My other compatriots, Lance, and Mikaela (who were in the uncomfortable post-breakup association phase,) Mollie and Sam (whose involvement had endured the summertime...) Tim, Kaylah, Skylar, and Sophie (though that last one didn't count in the friend category.) Completely assembled at the same table, on the other side of an interchangeable line. That line softened on sunshiny days when Marcel and Olivia continuously skipped school times before there was Karly, and then the discussion would swell out effortlessly to incorporate me. Marcel and Olivia didn't find this minor elimination fragmentary or dangerous the way I would hold. They scarcely noticed this at all. Characters always felt remarkably hostile at leisure with the Barn’s, around anxious for some purpose they couldn't justify to themselves. I implied a unique exemption to that precept. Seldom confused Marcel whence very satisfied I was withstanding adjacent to him. He deemed he was dangerous to my health-a feeling I rejected vehemently whenever he uttered that. The midday moved briskly. School completed, and Marcel walked me to my truck as he customarily prepared. Disregarding this time, he held the pilgrim entrance open for me. Olivia must have obtained it using his automobile home so that he could restrain me from making a charge for this. I wrapped my arms and performed no move to get out of the downpour. ‘It's my birthday, don't I get to drive?’ ‘I'm faking it's not your birthday, just as you yearned.’ ‘If it's not my birthday, then I don't have to proceed to your home later…
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Wishes Mindfulness is nevermore a good thing, as any other accident-prone fumbler would accept. No one wants a floodlight when they're likely to stumble on their face. Moreover, I would extremely pointedly be asked- well, ordered really-that no one gave me any presents this year. It seemed like Mr. Anderson and Ayanna weren't the only ones who had decided to overlook that. I would have never had much wealth, furthermore, that had never more disturbed me. Ayanna had raised me on a kindergarten teacher's wage. Mr. Anderson wasn't getting rich at his job, either; he was the police chief here in the tiny town of Pittsburgh. My only personal revenue came from the four days a week I worked at the local Goodwill store. In a borough this small, I was blessed to have a career, after all the viruses in the world today having everything shut down. Every cent I gained went into my diminutive university endowment at SNHU online. (College transpired like nothing more than a Plan B. I was still dreaming for Plan A; however, Marcel was just so unreasonable about leaving me, mortal.) Marcel ought to have a lot of funds I didn't even want to think about how much. Cash was involved alongside oblivion to Marcel or the rest of the Barns, like Karly saying she never had anything yet walked away with it all. It was just something that swelled when you had extensive time on your hands and a sister who had an uncanny ability to predict trends in the stock market. Marcel didn't seem to explain why I objected to him spending bills on me, why it made me miserable if he brought me to an overpriced establishment in Los Angeles, why he wasn't allowed to buy me a car that could reach speeds over fifty miles an hour, approximately how? I wouldn't let him pay my university tuition (he was ridiculously enthusiastic about Plan B.) Marcel believed I was being gratuitously difficult. Although, how could I let him give me things when I had nothing to retaliate amidst? He, for some amazing incomprehensible understanding, wanted to be with me. Anything he gave me on top of that just propelled us more out of balance. As the day went on, neither Marcel nor Olivia brought my birthday up again, and I began to relax a little. Then we sat at our usual table for lunch. An unfamiliar kind of break survived at that table. The three of us, Marcel, Olivia, including myself hunkered down on the steep southerly end of the table. Now that is ‘superb’ and scarier (in Emmah's case, unquestionably.) The Natalie siblings had finished. We were gazing at them; they're so odd, Olivia and Marcel arranged not to seem quite so intimidating, and we did not sit here alone. My other compatriots, Lance, and Mikaela (who were in the uncomfortable post-breakup association phase,) Mollie and Sam (whose involvement had endured the summertime...) Tim, Kaylah, Skylar, and Sophie (though that last one didn't count in the friend category.) Completely assembled at the same table, on the other side of an interchangeable line. That line softened on sunshiny days when Marcel and Olivia continuously skipped school times before there was Karly, and then the discussion would swell out effortlessly to incorporate me.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
—You can cut the sugar, Blondie. I know exactly who you are. —And who, pray tell, is that? —You’re the one who comes in through the lobby and goes out through the kitchen door. Pleased by his own poetry, Litsky smiled for the first time in a year. —Ooh, she replied. What big teeth you have, Grandma. Litsky raised his glass in the affirmative and emptied it in her honor. —You want to know what this town is like? he said. I’ll tell you what it’s like. It’s like a waiting room. It’s the largest waiting room in the world. We’re all sitting on wooden benches reading yesterday’s papers, eating yesterday’s lunch. But every now and then, the door to the platform opens and the conductor lets one of us through for a ride on the Payday Express. Sometimes, it’s some scribbler in a mailroom whose story’s found its way to a big oak desk. Sometimes, it’s a dainty damsel—like your friend—who gets plucked off the farm. But sometimes, it’s for an average Joe like me.
Amor Towles (Table for Two)
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them. With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new). All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established. You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went. You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it. Will it happen this time? You can never tell. Let’s see how it begins.
Italo Calvino (If on a Winter's Night a Traveler)
I'm not sure we'll have much to your liking, other than the roasted vegetables. We Southerners are all about refined sugar and flours." "You don't eat sugar or flour?" Sam's eyebrows reached his hairline. "God, what else is there? I mean, don't get me wrong, I'm a carnivore through and through, but I couldn't live without breads and desserts." "Sam!" Poppy gave him a disapproving look. Maybe she could polish my brother, although I doubted it. Javier ladled several scoops of chicken and dumplings onto his plate. "I try to eat clean. But it's not as if I don't ever splurge. I love a grain-free veggie pizza with no cheese." The table gasped. "Veggie pizza with no cheese!" Meemaw looked appalled. "That's not pizza! What's the point without the cheese?" Javy passed the tureen to Betsy, who scowled at her grandmother. "It's still pizza, Meemaw. I might try that sometime." Alex choked on a sip of tea. I elbowed him as Betsy leaned around Javy to glare at her cousin. "I agree that on occasion, you gotta splurge." Alex laughed under his breath. "Cheese is your favorite food group, Bets." The idea of Betsy eating clean really seemed to tickle his funny bone. He was lucky she wasn't sitting closer to him. He'd pay later. Her knuckles were white as she gripped her knife. "And yours is beer foam." The table went silent.
Kate Young (Southern Sass and a Crispy Corpse (Marygene Brown Mystery, #2))
Be careful who you let sit at your table, they might want to eat your food and your whole plate and smile about… snake style”…
Jennifer Pierre (Traveling Souls)
Be careful who you let sit at your table, they might want to eat your food and your whole plate and smile about it… snake style”…
Jennifer Pierre (Traveling Souls)
but before he can elaborate, that door which separates Emile’s kitchen from the rest of the world swings open. It is Andrey, as prompt as ever, with his Book in hand and a pair of spectacles resting on the top of his head. Like a brigand after a skirmish, Emile slips his chopper under the tie of his apron and then looks expectantly at the door, which a moment later swings again. With the slightest turn of the wrist the shards of glass tumble into a new arrangement. The blue cap of the bellhop is handed from one boy to the next, a dress as yellow as a canary is stowed in a trunk, a little red guidebook is updated with the new names of streets, and through Emile’s swinging door walks Count Alexander Ilyich Rostov—with the white dinner jacket of the Boyarsky draped across his arm. One minute later, sitting at the table in the little office overlooking the kitchen were Emile, Andrey, and the Count—that Triumvirate which met each day at 2:15 to decide the fate of the restaurant’s staff, its customers, its chickens and tomatoes. As was customary, Andrey convened the meeting by resting his reading glasses on the tip of his nose and opening the Book. “There are no parties in the private rooms tonight,” he began, “but every table in the dining room is reserved for two seatings.” “Ah,” said Emile with the grim smile of the commander who prefers to be outnumbered. “But you’re not going to rush them, eh?” “Absolutely not,” assured the Count. “We’ll simply see to it that their menus are delivered promptly and their orders taken directly.” Emile nodded in acknowledgment. “Are there any complications?” asked the Count of the maître d’. “Nothing out of the ordinary.” Andrey spun the Book so that his headwaiter could see for himself.
Amor Towles (A Gentleman in Moscow)
Am I the physical Being I see in the mirror each morning. Am I the soul living in this body that will move from body to body over many lifetimes? Is this life just an illusion? Defining this self by healthy bodily limits comes into question in a very simple experiment often performed in Psych 101 classes around the country. A person is asked to sit at a table with one hand above the table and one hand below it. On the table is a rubber hand place where the real person's hand would have been. The subject’s hand under the table is stroked with a feather while the rubber hand is being stroked. The subjects are confused about which hand is real. They feel the tickle of the feather in the rubber hand and sometimes try to pull it away. They perceive the rubber hand as the real hand. When the fingers of the rubber hand are bent backwards, these individuals fear pain and withdraw the real hand. The substitution in the subject's mind of the rubber hand for the real hand occurs because the brain creates an internal imaginary construct of what the body is and where its boundaries lie. To keep us from hurting ourselves, the brain needs to know where the body is at all times, and to do this relies especially on the senses of touch and vision. You need to know how far to extend your arm or withdraw in any task for emergency, but this construct created by the brain can be fooled by a rubber hand. Our definition of the self can get recreated rapidly by the brain. So that even the brain doesn't know who we are all the time.
Lee Lipsenthal (Author) (Enjoy Every Sandwich: Living Each Day as If It Were Your Last)
Edwards, who certainly did not lack for worldliness and even cynicism, was unsettled by the degree of rancor Duke could inspire. At a debate in front of the state convention of the American Association of Retired Persons, Edwards discovered how deep the Duke appeal went. Edwards promised improvements in services for seniors; the crowd wasn’t interested, but they gnashed at Duke’s red meat about the illegitimate birth rate and the welfare underclass. Edwards tried to appeal to facts: “A welfare mother only receives an extra $11 a week with each extra child she bears. Can you see a woman sitting around the kitchen table scheming to get pregnant to get another $11 a week?” The crowd shouted back, “Yes!” Edwards protested: “He’s appealing to your base emotions. Who is going to be next? The disabled? The old? You better think about it.” He was drowned out by boos. The Louisiana AARP endorsed Duke.
John Ganz (When the Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s)
One of those days we were in Maria Vostra getting weed; while we were sitting at the bar during some festive day—I think it was Three Kings' arrival in January—Marco, the 30 some years old Argentine founding member of that club and probably the kindest of the three, received a phone call from Buenos Aires. I didn't understand it much, nor did I pay too much attention, but the tall Marco, who was usually in a great mood, suddenly ran out of the bar crying after one or two minutes. Martina told me she heard him speaking in Rioplatense on the phone. Marco's best friend had been shot dead in broad daylight in Buenos Aires at the same time; in front of her seven-year-old daughter. He had been shot five times in the chest because a thief had tried to steal his scooter and he had tried to stop them; they then shot him dead and took off with his scooter. We were shocked, at least Marco and I while I tried to hide it - but Martina, who was only 20, wasn't. “That's how poor people are in Argentina, Tomas,” she said, pointing to her lips with her pinky as if it was a known secret. She wasn't fazed by death. I failed to realize what that meant. She must have seen people die before we met. Perhaps I was blindfolded because I had been with Sabrina, whom I knew had something to do with Timothy's death and had gotten away with it, leaving Canada - I was unsure as to when she left exactly, and why - and why she was really unable to visit little Joel in Canada. I was also aware that Adam had not been to Israel for over 10 years, probably because he had murdered someone or done something similar when he was younger. Perhaps I had become too accustomed to the presence of bad people; perhaps they had all become too familiar to me after all, two years after I had first met Sabrina, one year after I had first met Adam, and living in Barcelona for one and a half years at that time. “A scooter worth 200-300 Euros is such a great value there, imagine Tomas. It's so dangerous and poor country” she said. A few times in Urgell, Martina made a joyful noise of 'Oyyy', but she stopped because I laughed and she never said it again, no matter how much I asked her to. Perhaps the presence of the Polish workers at the other end of the place had something to do with it. Gucho and Damian spent time with us in the kitchen-living room area every night. We ate, we smoked, and we had a great time together. They were skilled at smoking out of a bowl to get the most from the least weed. I registered Martina at Club Marley, so if she was in the center and needed weed, she wouldn't have to go all the way up to Maria Vostra, a block from Urgell. Club Marley was mostly run by Argentine people, so I thought she would like them too. One of those nights I was sitting in Club Marley at a table with Martina. When she went to the bathroom, an elder dispensary budtender I knew, who I met daily, told me that he didn't want to be rude, but: “Be very, very careful with this girl, Tomas. With Latinas, there is love sweeter than honey and all you ever dreamed of, but it only lasts as long as you are successful as you are right now, as long as you’re the manager.” I said “thank you” and I meant it, but I had no time to reflect on it because he had to go. Martina was suddenly in my mind and by my side again: in love. I thought, “Yes, the guy may be right, but I trust Martina and have no reason not to.” I knew I was broke and I knew that Martina knew that too. Even though I was a manager and seemed successful to my customers, it did not make me rich yet nor was it the reason to make Martina want to be with me. I believe he must have caught sight of her looking at me or at another man when I wasn't paying attention. To me, she was one of a kind. I trusted her deeply and even told her about the guy's warning regarding Latinas. She showed no reaction. I didn't notice or pay attention to the fact that Martina never set foot in Club Marley again.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
This is my gift to you and your reward, Tom Mulligan, maker of ballads and journeyman worker in fine tales. 'Tis more than your wish was. Nayther you nor anyone who sits at your table, through all your life, will ever want a bite to ate or a sup to dhrink, nor yet a silver shilling to cheer him on his way. Good luck to all here and goodbye!" Even as they looked at the King he was gone, vanished like a light that's blown out-and they never saw him more. But the news spread. Musicianers, poets, and story-tellers, and jayniouses flocked to the ballad maker's cabin from all over Ireland. Any fine day in the year one might see them gather in dozen knots before his door and into as many little crowds about the stable. In each crowd, from morning till night, there was a chune being played, a ballad sung, or a story being tould. Always one could find there blacksmiths, schoolmasters, and tinkers, and all trades, but the greater number be far, av coorse, were beggarmen. Nor is that same to be wondhered at, bekase every jaynious, if he had his own way and could folly his own heart's desire'd start to-morrow at daybreak with the beggarman's staff and bag. But wherever they came from, and whatever their station, Tom Mulligan stumped on his wooden leg from crowd to crowd, the jovial, happy master of them all.
Herminie Templeton Kavanagh (Darby O'Gill and the Good People)
We tend to get distracted and disturbed over little things. They don’t feel little, of course—they feel like matters of life and death. Like when you are having trouble with your boss, who is a shady, under-the-table sort of guy. And all of a sudden, the meaning of life is about being right. It’s about you being promoted over your boss. You deserve the corner office, not him. And you get agitated and frustrated, and before you know it, you’ve lost the point of life. You think the point is proving your boss wrong and getting the corner office and doubling your income. So, finally, you prove your boss wrong. He gets demoted, and you get promoted. You get the corner office. You are earning twice what you used to. But you will still sit in that corner office and find something to be upset about. Now, instead of the boss, it’s the CEO you don’t like. And the cycle continues. If we really want to find what matters in this life, we will consider eternity. What matters most is what matters in eternity. And what matters in eternity is not income, or friendship, or fame, or pleasure. Those things are fine in themselves. God created them, and he loves to bless you with them. But they will not outlast death.
Judah Smith (Jesus Is ______: Find a New Way to Be Human)
Why won’t you give up this silly idea of homesteading?” Gertrude went on. Her tone of voice was moderate, but her blue eyes were snapping. “I can’t help thinking you’re just being stubborn, Lily. Caleb is well able to provide for you, I assure you. He comes from one of the finest families in Pennsylvania—I’ve known the Hallidays a long time.” Lily looked down at the floor for a moment, gathering her courage. “You wouldn’t understand,” she said softly. Gertrude sighed. “Do sit down,” she told Lily kindly, taking a chair herself. “Now what is it that I would find so difficult to understand?” “I love Caleb very much,” Lily began in a shaky voice, “but I’m not the woman for him.” Mrs. Tibbet raised her eyebrows. “Oh? And why not?” Lily leaned forward in her chair and lowered her voice to a whisper. “I think I may be like my mother.” “How so?” Mrs. Tibbet asked, smoothing her skirts. “She was—she drank. And there were men. Lots of men.” “Oh, dear,” said Mrs. Tibbet seriously. “And you drink?” Lily swallowed. “Well—no.” “Then there are men.” “Only Caleb,” Lily said quietly. “But he can make me do and say the most shameful things. I’m so afraid it’s because I’m—er—hot-blooded.” Mrs. Tibbet looked as though she might be trying to suppress a smile. “You wouldn’t be the first girl who’d given herself to a man before marriage, Lily. It isn’t a wise course of action, but it happens often enough.” Lily drew in a deep breath. “I suppose the drinking would come later,” she said, discounting Mrs. Tibbet’s remarks as mere kindness. “And then the men. No, I’m sure I’m better off going on with my life just as I’ve planned.” There was a rap at the door, and then Velvet put her head inside. “Pardon, missus, but dinner’s ready, and the men say they’re going to eat without you if you don’t hurry.” “We’ll be there in a moment,” Mrs. Tibbet answered. “And tell the men that if they don’t wait, they’ll have me to deal with.” “Yes, ma’am,” Velvet replied with a hint of laughter in her voice. The door closed with a click. Mrs. Tibbet turned back to her guest. “If you were my own daughter, Lily, I would tell you the same thing. You couldn’t do better than Caleb Halliday if you searched the world over for a man. Don’t throw away a chance at real happiness—it might be the only one you get.” Lily pushed herself out of her chair and went to stand at the window. From there she could see the moon rising above the roof of the house next door; it looked as though it had just squeezed out of the chimney. “Sometimes I think I know what I want. I’ll decide that I want to marry Caleb and forget all about having a homestead. But then I remember what Mama was like.” “Lily, you’re not your mother.” “No,” Lily agreed sadly, turning to face Mrs. Tibbet, her hands clasped in front of her. “But Mama was young and happy once, and she must have thought she was in love with my father. She married him, she had his children. And then something changed, and she began to drink. Papa went away—I don’t even remember him—and the men started coming around, one after the other …” Gertrude came to take Lily’s hands in her own. “Things will be different for you,” she said quietly. “You’re strong, and so is Caleb. Oh, Lily, don’t be afraid to take a chance.” At that moment the colonel thundered from the hallway that he was going to have his supper right then whether the women cared to come to the table or not, and Lily smiled. “I promise I’ll think things through very carefully, Mrs. Tibbet.” “Don’t take too long,” Gertrude answered, ushering her toward the door of the study. “Fate can take the strangest twists and turns, sealing us off from someone when we least expect it.” At
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s 3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Taki As a prolific author and journalist, Taki has written for many top-rated publications, including the Spectator, the London Sunday Times, Vanity Fair, National Review, and many others. Greek-born and American-educated, Taki is a well-known international personality and a respected social critic all over the world. In June 1987, I was an usher at the wedding of Harry Somerset, Marquis of Worcester, to Tracy Ward. The wedding and ensuing ball took place in the grand Ward country house, attended by a large portion of British society, including the Prince and Princess of Wales. Late in the evening, while I was in my cups, a friend, Nicky Haslam, grabbed my arm and introduced me to Diana, who was coming off the dance floor. We exchanged pleasantries, me slurring my words to the extent that she suddenly took my hand, looked at me straight in the face, and articulated, “T-a-k-e y-o-u-r t-i-m-e.” She mistook my drunken state for a severe speech impediment and went into her queen-of-hearts routine. Nicky, of course, ruined it all by pulling her away and saying, “Oh, let him be, ma’am; he’s drunk as usual.” We occasionally met after that and always had a laugh about it. But we never got further than that rather pathetic incident. In 1994, I began writing the “Atticus” column for the Sunday Times, the bestselling Sunday broadsheet in Britain. By this time Diana and Charles had separated, and Diana had gone on the offensive against what was perceived by her to be Buckingham Palace plotting. As a confirmed monarchist, I warned in one of my columns that her popularity was enough to one day bring down the monarchy. I also wrote that she was bonkers. One month or so later, at a ball given in London by Sir James Goldsmith and his daughter Jemima Khan, a mutual friend approached me and told me that Princess Diana would like to speak with me. As luck would have it, yet again I was under the weather. When I reached her table, she pulled out a seat for me and asked me to sit down. The trouble was that I missed the chair and ended up under the table. Diana screamed with laughter, pulled up the tablecloth, looked underneath, and asked me pointblank: “Do you really think I’m mad?” For once I had the right answer. “All I know is I’m mad about you.” It was the start of a beautiful friendship, as Bogie said in Casablanca.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Darren McGrady Darren McGrady was personal chef to Princess Diana until her tragic accident. He is now a private chef in Dallas, Texas, and a board member of the Pink Ribbons Crusade: A Date with Diana. His cookbook, titled Eating Royally: Recipes and Remembrances from a Palace Kitchen, will be released in August 2007 by Rutledge Hill Press. His website is located at theroyalchef. When she did entertain, always for lunch, the Princess made sure to keep the guest list small so that she could speak with everyone around the table. She believed in direct conversation and an informal atmosphere. But she didn’t wait for the world to come to her. I remember once she popped into the kitchen to ask for an early lunch. “I have to go and meet a little girl today that has AIDS, Darren,” she said. “Your Royal Highness”--I called her that until the day she died--“what do you say to a little girl with AIDS?” “Well, there is not a lot I can do or say,” she replied, “but if just by sitting with her and chatting with her, perhaps making her laugh at my bad jokes, I can take her mind off her pain for just that short time, then my visit will have been worth it.” Those words stuck with me and had an impact. After the Princess’s death, I moved to America as a personal chef and got heavily involved in charity work-and she was right.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s £3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
That’s how I met Griffin, you know.” “What, at the racetrack?” She gazed at him again for several long moments. “You must be really bored.” “I’m . . . interested in . . .” He took a deep breath. “The truth is, you’ve been handling all this shit really well, and I’m, well, curious about you. You’re tougher than I thought—smarter, too. Frankly, I just don’t get how someone like you got hooked up with Lamont and Trotta in the first place.” “Ah,” she said. “There’s that refreshing honesty again. It’s very appealing, Harry, the way you put all the cards out on the table for everyone to see.” Her voice hardened. “Except the last time you did that, you had an entire deck still up your sleeve. You can’t blame me for wondering what you’re hiding from me this time.” Alessandra was staring out the window again, her chin held self-righteously high. But it was just an act. She was working hard to hide her hurt. He could see it trembling in the corner of her mouth. It was there, too, lurking in her eyes. I thought you were special. “Jesus,” Harry said, hating the guilt that pressed down on him. “You want complete honesty? Sweetheart, I’m more than happy to give it to you. No secrets, no tactful white lies, just the hard truth—is that really what you want?” “Yes.” “Great,” he said. “Let’s see. We can start with the fact that I’m scared shitless about seeing my kids again. I don’t know if Emily’s going to recognize me—or worse, if I’m going to recognize her. I’m dreading talking to Marge, and I’m still worried about George. I knew a cop who was recovering nicely from a gunshot wound. One day he seemed fine. The next day he was back in the ICU with an infection. Day after, we were sitting shivah at his house. But I digress. When you sit that way, you look kind of like a beach ball with a head,” he continued. “Your haircut is really, really bad, I’m probably going to lose my job for helping you this way, and I’m dying to fuck you.” He glanced at her. “Honest enough for you?
Suzanne Brockmann (Bodyguard)
Alex whispers, “There’s a thin line between love and hate. Maybe you’re confusing your emotions.” I scoot away from him. “I wouldn’t bet on it.” “I would.” Alex’s gaze turns toward the door to the classroom. Through the window, his friend is waving to him. They’re probably going to ditch class. Alex grabs his books and stands. Mrs. Peterson turns around. “Alex, sit down.” “I got to piss.” The teacher’s eyebrows furrow and her hand goes to her hip. “Watch your language. And the last time I checked, you don’t need your books in order to go to the restroom. Put them back on the lab table.” Alex’s lips are tight, but he places the books back on the table. “I told you no gang-related items in my class,” Mrs. Peterson says, staring at the bandanna he’s holding in front of him. She holds out her hand. “Hand it over.” He glances at the door, then faces Mrs. Peterson. “What if I refuse?” “Alex, don’t test me. Zero tolerance. You want a suspension?” She wiggles her fingers, signaling to hand the bandana over immediately or else. Scowling, he slowly places the bandana in her hand. Mrs. Peterson sucks in her breath when she snatches the bandanna from his fingers. I screech, “Ohmygod!” at the sight of the big stain on his crotch. The students, one by one, start laughing. Colin laughs the loudest. “Don’t sweat it, Fuentes. My great-grandma has the same problem. Nothing a diaper won’t fix.” Now that hits home because at the mention of adult diapers, I immediately think of my sister. Making fun of adults who can’t help themselves isn’t funny because Shelley is one of those people. Alex sports a big, cocky grin and says to Colin, “Your girlfriend couldn’t keep her hands out of my pants. She was showin’ me a whole new definition of hand warmers, compa.” This time he’s gone too far. I stand up, my stool scraping the floor. “You wish,” I say. Alex is about to say something to me when Mrs. Peterson yells, “Alex!” She clears her throat. “Go to the nurse and…fix yourself. Take your books, because afterward you’ll be seeing Dr. Aguirre. I’ll meet you in his office with your friends Colin and Brittany.” Alex swipes his books off the table and exits the classroom while I ease back onto my stool. While Mrs. Peterson is trying to calm the rest of the class, I think about my short-lived success in avoiding Carmen Sanchez. If she thinks I’m a threat to her relationship with Alex, the rumors that are sure to spread today could prove deadly.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
In my peripheral vision I saw someone sit next to me at the table. I turned and saw a man with a stubble-covered shaved head. There were scars on the top of his skull. His skin was olive dark, and when he smiled I saw a gold tooth that matched the gold chain dangling from his neck, urban bling-bling style. Handsome probably, in a dangerous, bad-boy way. He wore a wifebeater white T under an unbuttoned gray short-sleeve shirt. His sweatpants were black. “Look under the table,” he said to me. “Are you going to show me your wee-wee?” “Look—or die.” His accent was not French—something smoother and more refined. Nearly British or maybe Spanish, almost aristocratic. I tilted my chair back and looked. He was holding a gun on me. I left my hands on the lip of the table and tried to keep my breath steady. My eyes lifted and met his. I checked the surroundings. There was a man with sunglasses standing on the corner for absolutely no reason, trying very hard to pretend that he wasn’t watching us. “Listen to me or I will shoot you dead.” “As opposed to alive?” “What?” “Shoot someone dead versus shoot someone alive,” I said. Then: “Never mind.” “Do you see the green vehicle on the corner?” I did—not far from the sunglassed man who was trying not to look at us. It looked like a minivan or something. Two men sat in the front. I memorized the license plate and began to plan my next move. “I see it.” “If you don’t want to be shot, follow my instructions exactly. We are going to get up slowly, and you are going to get in the back of the vehicle. You will not make a fuss—” And that was when I smashed the table into his face. The
Harlan Coben (Long Lost (Myron Bolitar, #9))
I fear I’m going to be next.” Eve waited to make this prediction until the footmen had left and the tea trays were on the low table before the sofa. Louisa looked up from her book—Louisa’s nose was always in a book—and frowned. “Next? Next as in what? We’re supposed to divine the context without any further clues, Evie?” She set the book aside and leaned forward in her chair. “Food is next, and about time too.” “What did you mean, dearest?” Jenny was sitting at the other end of the sofa, slippers off, back resting against the arm and her knees drawn up before her. “Next to get married.” Eve’s sisters were silent for a few moments, but they exchanged the most maddening of older-sister looks before Jenny leapt into the breach. “Is Mr. Trottenham your choice then? He’s a very pleasant fellow, I must agree.” “Not Trit-Trot,” Louisa said, picking up a chocolate tea cake. “He’s a ninnyhammer.” “He is a ninnyhammer.” Eve’s best decoys were always ninnyhammers. “I don’t know who. I just have a feeling I’d better choose someone, or Her Grace and His Grace will start nosing about, and then all is lost.” “Lost
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
The Bridges of Marin County harbor views back east never so panoramic but here driving the folds of mt tamalpais the whole picture smooth blue of the bay set like a table for dinner guests who seat themselves in berkeley oakland and san jose pass around delicate dishes of angel island ferry boats and alcatraz i'll save a spot for you in san francisco spread with your favorite dishes don't leave me hanging in marin dinner at eight and everyone else on time you said you'd bring the wine we waited as long as we could the food went cold witnesses said that you stood nearly an hour i imagine you crossing back and forth leaning tower to tower finally choosing the southern your wish to rest nearer the city than the driveway how long had you been letting your two selves push each other over the edge stuffing your pockets with secrets and shame weighing yourself down with cement shoes a gangster assuring your own silence i pay the toll daily wondering as the dark shroud of the bay smoothed over you that night who did you think your quiet splash was saving were you keeping yourself from the pleasures you found in the city boys in dark bars handsome men who loved you did they love you too did you wrestle with vertigo lose your sense of balance imagine yourself icarus dizzied by your own precarious perch glorious ride on flawed wings was it so impossible to live and love on both sides of the bay did you think i couldn't feel your love when it was there for me your distraction when desires divided history like the water smoothes over with half-truth story of good job and grieving widow but each time i cross this span i wonder about the men with whom i share the loss of you invisibly i sit unseen in a castro cafe wondering which men gave you what kinds of comfort delight satisfaction these men of leather metal tattoos did you know them how did you get their attention how did they get yours did you walk hand-in-hand with a man who looked like you the marlboro man double exposed did you bury a love of bondage dominance submission in the bay did you find friendship too would you and i have found the same men handsome where are you in this cafe crowd i want to love what you wouldn't show me dance with more than a slice of truth hold your halves together in my arms and rock the till i have mourned and honored the whole of you was it so impossible to cross that divide to live and love on both sides of the bay hey isn't that what bridges are for
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
Excusing myself to the restroom, I decide Coal could use a little fun in his life. Returning to the table, I’m nervous, thinking he may not like my surprise after all. Before I can think of a way to back out, though, the waitress comes out with two more following her and a whole pecan pie lit up with candles burning. Approaching our table, they begin to sing as Ice, Hammer, Coal, Des, and Morgan all look around in surprise. They sit the pie in front of Coal who looks wide-eyed. I give his thigh a squeeze, and his eyes meet mine. “Happy birthday,” I say barely above a whisper. “Today is your new day.” He smiles. A real, genuine smile crosses his face before a laugh escapes. “Pixie, what the fuck am I supposed to do with you?” I shrug. “Make a wish.” Coal laughs again, and I feel an invisible weight lift off my shoulders. When the waitresses leave, Hammer is the first to comment. “You two have obviously learned the art of silent communication.” “Ethan,” Des interrupts him. “What? They shared a look, and suddenly, Coal knows she got him good and laughed. Coal never fuckin’ laughs. They obviously got something goin’ on.” “Drop it,” Coal tells Hammer, and they share a look. Then I lick my lips and lean into him. Surprising even myself, I press my lips against his. With a slight opening, I slide my tongue in. Coal’s hands cup either side of my face as he takes control. He’s gentle in a way I didn’t imagine would come from a large man like him. Just when I think we will untangle ourselves from each other, we are somehow in deeper than before.
Chelsea Camaron (Coal (Regulators MC, #3))
I see so many situations where a child is in the midst of plenty, a virtual banquet spread out before him, but is suffering from psychological malnourishment because of attachment problems. You cannot feed someone who is not sitting at your table. All the love in the world would not be enough to take the child to the turning point — the umbilical cord needs to be hooked up for the nourishment to get through. It is impossible to satiate the attachment needs of a child who is not actively attaching to the person willing and able to provide for those needs. When a child replaces parents with peers as the primary attachment figures, it is to peers she will look for emotional nurturing. Plainly put, it is exceptional for peer attachments to ever satisfy that attachment hunger. The developmental shift of energy never occurs. Because there is no move from attachment to individuation, peer orientation and immaturity go hand and hand. Peer relationships connect immature beings. They are inherently insecure. They cannot allow a child to rest from the relentless foraging for approval, love, and significance. The child is never free from the pursuit of closeness. Instead of rest, peer orientation brings agitation. The more peer-oriented the child, the more pervasive and chronic the underlying restlessness becomes. No matter how much contact and connection exist with peers, proximity can never be taken for granted or held fast. A child feeding off his popularity with others—or suffering the lack of it — is conscious of every nuance, threatened by every unfavorable word, look, gesture. With peers, the turning point is never reached: the pursuit of closeness never shifts into venturing forth as a sepa-rate being. Owing to their highly conditional nature, peer relationships — with few exceptions — cannot promote the growth of the child's emerging self. One exception would be the friendship of children who are secure in their adult attachments; in such cases the acceptance and companionship of a peer can add to a child's sense of security. Feeling fundamentally safe in his adult relationships, such a child gets an extra glow from peer friendships — not having to depend on them, he need not feel threatened by their inherent instability.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Recognizing that parental responsibility is insufficient for successful child-rearing, but still not conscious of the role of attachment, many experts assume the problem must be in the parenting know-how. If parenting is not going well, it is because parents are not doing things right. According to this way of thinking, it is not enough to don the role; a parent needs some skill to be effective. The parental role has to be supplemented with all kinds of parenting techniques — or so many experts seem to believe. Many parents, too, reason something like this: if others can get their children to do what they want them to do but I can't, it must be because I lack the requisite skills. Their questions all presume a simple lack of knowledge, to be corrected by “how to” types of advice for every conceivable problem situation: How do I get my child to listen? How can I get my child to do his homework? What do I need to do to get my child to clean his room? What is the secret to getting a child to do her chores? How do I get my child to sit at the table? Our predecessors would probably have been embarrassed to ask such questions or, for that matter, to show their face in a parenting course. It seems much easier for parents today to confess incompetence rather than impotence, especially when our lack of skill can be conveniently blamed on a lack of training or a lack of appropriate models in our own childhood. The result has been a multibillion-dollar industry of parental advice-giving, from experts advocating timeouts or reward points on the fridge to all the how-to books on effective parenting. Child-rearing experts and the publishing industry give parents what they ask for instead of the insight they so desperately need. The sheer volume of the advice offered tends to reinforce the feelings of inadequacy and the sense of being unprepared for the job. The fact that these methodologies fail to work has not slowed the torrent of skill teaching. Once we perceive parenting as a set of skills to be learned, it is difficult for us to see the process any other way. Whenever trouble is encountered the assumption is that there must be another book to be read, another course to be taken, another skill to be mastered. Meanwhile, our supporting cast continues to assume that we have the power to do the job. Teachers act as if we can still get our children to do homework. Neighbors expect us to keep our children in line. Our own parents chide us to take a firmer stand. The experts assume that compliance is just another skill away. The courts hold us responsible for our child's behavior. Nobody seems to get the fact that our hold on our children is slipping. The reasoning behind parenting as a set of skills seemed logical enough, but in hindsight has been a dreadful mistake. It has led to an artificial reliance on experts, robbed parents of their natural confidence, and often leaves them feeling dumb and inadequate. We are quick to assume that our children don't listen because we don't know how to make them listen, that our children are not compliant because we have not yet learned the right tricks, that children are not respectful enough of authority because we, the parents, have not taught them to be respectful. We miss the essential point that what matters is not the skill of the parents but the relationship of the child to the adult who is assuming responsibility.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Where’s Marks? You didn’t mention her.” “She is well, but . . .” Win paused, obviously searching for words. “She had a small mishap today, and she’s rather upset. Of course, any woman would be, considering the nature of the problem. Therefore, Leo, I insist that you not tease her. And if you do, Merripen has already said that he will give you such a drubbing—” “Oh, please. As if I’d care enough to notice some problem of Marks’s.” He paused. “What is it?” Win frowned. “I wouldn’t tell you, except that the problem is obvious and you’ll notice immediately. You see, Miss Marks dyes her hair, which I never knew before, but apparently—” “Dyes her hair?” Poppy repeated in surprise. “But why? She’s not old.” “I have no idea. She won’t explain why. But there are some unfortunate women who start to gray in their twenties, and perhaps she’s one of them.” “Poor thing,” Poppy said. “It must embarrass her. She’s certainly taken great pains to keep it secret.” “Yes, poor thing,” Leo said, sounding not at all sympathetic. In fact, his eyes fairly danced with glee. “Tell us what happened, Win.” “We think the London apothecary who mixed her usual solution must have gotten the proportions wrong. Because when she applied the dye this morning, the result was . . . well, distressing.” “Did it fall out?” Leo asked. “Is she bald?” “No, not at all. It’s just that her hair is . . . green.” To look at Leo’s face, one would think it was Christmas morning. “What shade of green?” “Leo, hush,” Win said urgently. “You are not to torment her. It’s been a very trying experience. We mixed a peroxide paste to take the green out, and I don’t know if it worked or not. Amelia was helping her to wash it a little while ago. And no matter what the result is, you are to say nothing.” “You’re telling me that tonight, Marks will be sitting at the supper table with hair that matches the asparagus, and I’m not supposed to remark on it?” He snorted. “I’m not that strong.” “Please, Leo,” Poppy murmured, touching his arm. “If it were one of your sisters, you wouldn’t mock.” “Do you think that little shrew would have any mercy on me, were the situations reversed?” He rolled his eyes as he saw their expressions. “Very well, I’ll try not to jeer. But I make no promises.” Leo sauntered toward the house in no apparent hurry. He didn’t deceive either of his sisters. “How long do you think it will take him to find her?” Poppy asked Win. “Two, perhaps three minutes,” Win replied, and they both sighed.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
You, Reader I wonder how you are going to feel when you find out that I wrote this instead of you, that it was I who got up early to sit in the itchen and mention with a pen the rain-soaked windows, the ivy wallpaper, and the goldfish circling in its bowl. Go ahead and turn aside, bite your lip and tear out the page, but, listen– it was just a matter of time before one of us happened to notice the unlit candles and the clock humming on the wall. Plus, nothing happened that morning– a song on the radio, a car whistling along the road outside– and I was only thinking about the shakers of salt and pepper that were standing side by side on a place mat. I wondered if they had become friends after all these years or if they were still strangers to one another like you and I who manage to be known and unknown to each other at the same time– me at this table with a bowl of pears, you leaning in a doorway somewhere near some blue hydrageas, reading this.
Billy Collins (The Trouble With Poetry - And Other Poems)
So here’s the dealio; I was trying to think of what I could get for your birthday that would mean something, not just the usual Barbie crap. And I was thinking—you and me are Indian. Your mom’s not, but we are. And I’ve always liked Indian symbols. Know what a symbol is?” She shook her head. “Shit that stands for shit. So let’s see if I remember this right.” Sitting on the bed, he plucked the bird card out of her hand, turning it around in his fingers. “Okay, this guy is magic. He’ll protect you from bad spells and other kinds of weirdness you might not even be aware of.” Carefully he unwound the wire ties that attached the small charm to its plastic card and placed the bird on her bedside table. Then he picked up the teddy bear. “This fierce animal is a protector.” She laughed. “No, really. It may not look like it, but appearances can be deceiving. This dude is a fearless spirit. And with that fearless spirit, he signals bravery to those who require it.” He freed the bear from the card and set it on the table next to the bird. “All right. Now the fish. This one might be the best of all. It gives you the power to resist other people’s magic. How cool is that?” She thought
Christina Baker Kline (Orphan Train)
Date?” Paul glanced at Henry, who wore an equally puzzled expression.  “I heard Charlene talking about that once.  Sounds weird.” “Really?  You guys don’t date?”  I didn’t ask what they did to get to know a girl instead of dating. “No, we get invited to Introductions,” Paul said as if reading my mind. “What’s that?”  Sam hadn’t mentioned anything like that to me, and I wondered if I should add it to his list of omissions. “When a female comes of age, she’s brought to the Introduction room where she can meet werewolves she has never met before.  The Elders are there to make sure the girl is safe and to give the guys a few minutes to talk to her.  You know, to really get her scent.  When there’s a connection, a guy just knows and Claims her.  If not, the next group comes in for their chance.” I started to sweat as I sat there.  First, what did he mean by Claim?  Second, they kept a girl in a room while guys came in to look her over and smell her?  I reached for my water that sat on the coffee table in the center of our sitting arrangement.  My hands shook a little, and I tried really hard to calm down and not let my imagination run away. “Hey, Gabby, you okay?  Did Paul say something wrong?  Charlene said we could ask any questions we wanted...” They had no idea how foreign what they’d just said sounded to me. “Hey, Gabby, you don’t have to worry about Introductions if that’s what’s scaring you.”  Paul looked at me with concern.  “For you and Charlene, the attraction works different.  She explained it to us when she said that you were coming.  You guys have a level of appeal, or chemistry, with just about all werewolves.”  He is not helping, I thought while he continued.  “Because the level of attraction to you varies, it wouldn’t be safe to put you in an Introduction room.” “Yeah,” Henry agreed and, with a spark of excitement in his eyes, leaned forward in his chair.  “That’s when the mating duels happen.  It’s rare with a werewolf couple, but when Charlene was first brought here, I heard the guys went crazy because they didn’t know what was happening.  They fought over who had the strongest tie to her.  But you don’t have to worry about that with us.  Paul and I think you’re okay, and you smell good and everything, but we knew when we met you that you’re not right for either of us.  That’s why Charlene left you alone with us.” My stomach churned.  Werewolves were going to start fighting each other for me?  No thanks.  They both smiled at me encouragingly.  They probably thought their explanations helpful, but the information they threw at me stunned me. “What did you mean by ‘Claim’?”  My voice came out light and airy with anxiety, but I needed to know. “It’s when we bite our Mate.  The bite draws blood but doesn’t hurt,” Paul explained reassuringly. “What?” I nearly shouted.  My freak-o-meter bypassed meltdown. My head spun dizzily, and no doubt, all the color had drained from my face.  “Oh, not for you, Gabby,” Paul said, quickly leaning forward.  He made shushing motions with his hands.  “We can’t Claim humans like that.  When your Mate finds you, it’s up to you to Claim him.” So,
Melissa Haag (Hope(less) (Judgement of the Six #1))
Without allowing herself a moment to contemplate the matter further, she surged into motion, scooting around the first row of chairs and plopping to the floor directly behind Miss Griswold and right in between two young ladies, neither of whom Wilhelmina had ever been introduced to. “Pretend I’m not here,” she whispered to a young lady sporting a most unfortunate hairstyle, who looked down at her as if she’d lost her mind. The young lady blinked right before she smiled. “That might be a little difficult, Miss Radcliff, especially since you’re sitting on my feet.” “Goodness, am I really?” Wilhelmina asked, scooting off the feet in question even as she pushed aside a bit of ivory chiffon that made up the young lady’s skirt. “Shall we assume you’re hiding from someone?” the young lady pressed. “Indeed, but . . . don’t look over at the refreshment table. That might draw unwanted notice.” Unfortunately, that warning immediately had the young lady craning her neck, while the other young lady sat forward, peering over Miss Griswold’s shoulder in an apparent effort to get a better view of the refreshment table. “Who are you hiding from?” Miss Griswold asked out of the corner of her mouth, having the good sense to keep her attention front and center. “Mr. Edgar Wanamaker, the gentleman you were inquiring about,” Wilhelmina admitted. “Mr. Wanamaker’s here?” the young lady with the unfortunate hairstyle repeated as she actually stood up and edged around Wilhelmina, stepping on Wilhelmina’s hand in the process. “Is he the gentleman with the dark hair and . . . goodness . . . very broad shoulders . . . and the one now looking our way? Why, I heard earlier this evening that he’s returned to town with a fortune at his disposal—a fortune that, rumor has it, is certain to turn from respectable to impressive in the not too distant future.” “You don’t say,” Wilhelmina muttered as she tried to tug her hand out from underneath the lady’s shoe. “Miss Cadwalader, you’re grinding poor Miss Radcliff’s hand into the floor.” Looking up, Wilhelmina stopped her tugging as she met the gaze of the other young lady sitting in the second row of the wallflower section, a lady who was looking somewhat appalled by the fact she’d apparently spoken those words out loud. Without saying another word, the lady rose to her feet, shook out the folds of a gown that was several seasons out of date, whispered something regarding not wanting to be involved in any shenanigans, and then dashed straightaway. “I wasn’t aware Miss Flowerdew was even capable of speech,” the lady still standing on Wilhelmina’s hand said before she suddenly seemed to realize that she was, indeed, grinding Wilhelmina’s hand into the ground. Jumping to the left, she sent Wilhelmina a bit of a strained smile. “Do forgive me, Miss Radcliff. I fear with all the intrigue occurring at the moment, paired with hearing Miss Flowerdew string an entire sentence together, well, I evidently quite lost my head and simply didn’t notice I was standing on you.” She thrust a hand Wilhelmina’s way. “I’m Miss Gertrude Cadwalader, paid companion to Mrs. Davenport. Please do accept my apologies for practically maiming you this evening, although rest assured, it is an unusual event for me to maim a person on a frequent basis.” Taking the offered hand in hers—although she did so rather gingerly since her hand had almost been maimed by Miss Cadwalader—Wilhelmina gave it a shake, a circumstance she still found a little peculiar, but resisted when Miss Cadwalader began trying to tug her to her feet. “How fortunate for Mrs. Davenport that you don’t participate in maiming often,” she began. “But if you don’t mind, I prefer staying down here for the foreseeable future, since I have no desire for Mr. Wanamaker to take notice of me this evening.” “Ah,
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
You aren’t going to be shy with me, are you, Mrs. Seaton?” “Shy?” And just like that, she blushed, damn him. “Why ever would I…? Oh, shy. Of course not. A small, insignificant, forgivable indiscretion on the part of one’s employer is hardly cause to become discomposed.” “Glad you aren’t the type to take on, but I would not accost you where someone might come upon us,” the earl said, pouring himself a measure of lemonade. “My lord,” she shot back, “you will not accost me anywhere.” “If you insist. Some lemonade before you go out?” “You are attempting to be charming,” Anna accused. “Part of your remorse over your misbehavior last evening.” “That must be it.” He nodded. “Have some lemonade anyway. You will go marching about in the heat and find yourself parched in no time.” “It isn’t that hot yet,” Anna countered, accepting a glass of lemonade, “And a lady doesn’t march.” “Here’s to ladies who don’t march.” The earl saluted with his drink. “Now, about those muffins? Pericles is waiting.” “Mustn’t inconvenience dear Pericles,” Anna muttered loudly enough for the earl to hear her, but his high-handedness did not inspire blushes, so it was an improvement of sorts. She opened the bread box—where anybody would have known to look for the muffins—and selected the two largest. The earl was sitting on the wooden table and let Anna walk up to him to hand over the goodies. “There’s my girl.” He smiled at her. “See? I don’t bite, though I’ve been known to nibble. So what is in this batch?
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
No, they were," Avery said, clearly confusing her. As he waited for someone to answer the phone, he gave Janice his most cocky grin, a very clear watch-me-get-what-I-want expression. "La Bella Luna, can I help you?" The deep rich timbre turned him on instantly, and his gaze strayed to the corner of his desk, Janice completely forgotten. "Good Morning, this is Avery Adams. Who do I have the pleasure of speaking with?" He already knew the answer, he just wanted to hear Kane's voice again. Avery thought about Kane's hands and how competently he'd handled that bottle of wine. He imagined them using the same care as he picked up the phone from the cradle. The air in the room sizzled, his heartbeat picked up, and his body grew hard with need. He had never in his life been so immediately taken with another. Avery prayed Kane might be at least bi-sexual. Straight men were much harder to work into his bed—not impossible, but harder—and he definitely wanted Kane Dalton in his bed. "Hello, Mr. Adams. This Kane Dalton, would you prefer I transfer this call to someone else?" The soothing voice on the other end of the phone became tense. "No, you're who I was hoping to speak with. It seems you and I may have gotten off on the wrong foot, and I'd like to set things right between us," Avery said, adjusting his gaze to stare out the open window. "I have no issue with you, sir," Kane responded back immediately. "There's a large bouquet of rather expensive lilies sitting in my office that might say otherwise." He cut his eyes back to the flowers on the small conference table. Kane didn't respond this time, there was just silence. Good. Kane got a taste of his own medicine. "Listen, I'd like to book a regular table in your restaurant a couple of days a week. It doesn't have to be the same days each week, but I thoroughly enjoyed myself a few nights ago and got reacquainted with several families from my youth." He was met with more silence, then he heard the rustle of pages being turned. "Sir, I'm sorry, but I just don't have—" "I'll make it worth your while." Avery cut him off, his eyes still on the flowers, but seeing the man who sent them instead of the lovely blooms. "It's not that, sir. We're just incredibly booked." Kane started with the excuses again, but Avery wasn't taking no for an answer. "Please lose the sir. My name's Avery. I'd like you to use it." Avery's voice turned lower and huskier as he spoke from his deepest desires. "Avery," Kane said as if testing the word. "We don't have the space available. We're booked solidly for several months." "No one's that booked," Avery called him on the lie, and left it right there between them. After a long extended pause, Kane finally answered, "You're right, let's get you in Monday and Wednesday evenings. Does that suit you?" "You sure do," Avery said. Now that he'd managed a firm reservation, it was time to draw Kane in. Not surprisingly, he was met with silence. "I'll take whatever days you offer." In fact, I'll take whatever you are willing to give. As the thought faded, Avery realized those were actually terrible days to be seen out and about. "Seven o'clock?" Kane asked, ignoring everything he said. "Whatever works," Avery replied. "All right, would you like to come in tomorrow night?" Kane asked. His tone was back to all business. "Absolutely!
Kindle Alexander (Always (Always & Forever #1))
But she could make one decision- to change her environment. And if she could change her environment, she would be subject to a whole different set of cues and unconscious cultural influences. It's easier to change your environment than to change your insides. Change your environment and then let the new cues do the work. She spent the first part of eighth grade learning about the Academy, talking to students, asking her mother, and quizzing her teachers. One day in February, she heard that the board of the school had arrived for a meeting, and she decided in her own junior-warrior manner that she'd demand that they let her in. She snuck into the school when a group of kids came out the back door for gym class, and she made her way to the conference room. She knocked, and entered the room. There was a group of tables pushed toward the middle of the room, with about twenty-five adults sitting around the outside of them. The two Academy founders were sitting in the middle on the far side of the tables. "I would like to come to your school," she said loud enough for the whole room to hear. "How did you get in here?" somebody at the table barked. "May I please come to your school next year?" One of the founders smiled. "You see, we have a lottery system. If you enter your name, there is a drawing in April-" "I would like to come to your school," Erica interrupted, launching into the speech she had rehearsed in her head for months. "I tried to get into New Hope when I was ten, and they wouldn't let me. I went down to the agency and I told the lady, but she wouldn't let me. It took them three cops to get me out of there, but I'm thirteen now, and I've worked hard. I get good grades. I know appropriate behavior. I feel I deserve to go to your school. You can ask anyone. I have references." She held out a piece of binder paper with teachers' names on it. "What's your name?" the founder asked. "Erica." "You see, we have rules about this. Many people would like to come to the Academy, so we decided the fairest thing to do is to have a lottery each spring." "That's just a way of saying no." "You'll have as fair a chance as anyone." "That's just a way of saying no. I need to go to the Academy. I need to go to college." Erica had nothing more to say. She just stood there silently. She decided it would take some more cops to take her away. Sitting across from the founders was a great fat man. He was a hedge-fund manager who had made billions of dollars and largely funded the school. He was brilliant, but had the social graces of a gnat. He took a pen from his pocket and wrote something on a piece of paper. He looked at Erica one more time, folded the paper, and slid it across the table to the founders. They opened it up and read the note. It said, "Rig the fucking lottery." The founders were silent for a moment and looked at each other. Finally, one of them looked up and said in a low voice. "What did you say your name was?" "Erica." "Listen, Erica, at the Academy we have rules. We have one set of rules for everybody. Those rules we follow to the letter. We demand discipline. Total discipline. So I'm only going to say this to you once. If you ever tell anybody about bursting in here and talking to us like that, I will personally kick you out of our school. Are we clear about that?" "Yes, sir." "The write your name and address on a piece of paper. Put it on the table and I will see you in September".
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)