Whitman Romantic Quotes

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She didn’t believe there was anything like perfect, fairytale love. Most people were flawed and prone to mistakes. She thought herself a romantic but treated love with the same practicality she did most things. They’d had fall-outs and misunderstandings but she’d never been free to be herself like she was with Edward. She couldn’t imagine being with another person after him.
Myne Whitman (A Heart to Mend)
he was mainly a romantic comrade who had a series of intense relationships with young men, most of whom went on to get married and have children. Whatever the nature of his physical relationships with them, most of the passages about same-sex love in his poems were not out of keeping with then-current theories and practices that underscored the healthiness of such love.
David S. Reynolds (Walt Whitman's America: A Cultural Biography)
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet). I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part. But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off. I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery). Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother. The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
Such is a community of inviolable immunity, protected from tampering or harpooning mutiny. Every better thinker’s impulse to shrink us (at the shoreline from our lifeblood’s deep pulse) uses disparaging scrutiny to sink us.
Kristen Henderson
✓Art changes all the time, but it never "improves." It may go down, or up, but it never improves as technology and medicine improve. ✓Is it strange, then, that in a literature so concerned with realism and with personal liberation this refusal and impoverishment of the life of the spirit have always nourished the screamers, the eccentrics, the pseudo-Whitmans, the calculating terrorists? ✓History has become more important than ever because of the to unprecedented ability of the historical sciences to take in man's life on earth as a whole. ✓I had to admit that in his old-fashioned way O'Hara was still romantic about sex; like Scott Fitzgerald, he thought of it as an upper-class prerogative. ✓Altogether beautiful in the power of its feeling. As beautiful as anything in Thoreau or Hemingway. ✓I liked reading and working out my ideas in the midst of that endless crowd walking in and out of the (library) looking for something. I, too, was seeking fame and fortune by sitting at the end of a long golden table next to the sets of American authors on the open shelves ✓The conviction of tragedy that rises out of his [John Dos Passos's] work is the steady protest of a sensitive democratic conscience against the tyranny and the ugliness of society, against the failure of a complete human development under industrial capitalism. ✓If we practiced medicine like we practice education, wed look for the liver on the right side and left side in alternate years. ✓A year after Hemingway died on the front page, Faulkner went off after a binge, as if dying was nobody's business but his own.
Alfred Kazin
A realm that is beautiful and spiritual, sustaining and transforming- we take for granted those attitudes toward the wild, but they were all but unknown in the West before the Deists and Romantics. Instead the wild was generally seen as loathsome and hideous, fearsome and threatening, desolate and evil and devilish. Hence, romantic and deist thought represents a transformation in our relationship to the natural world so profound it is difficult now to imagine it. Alexander von Humboldt was an international superstar, and his hugely influential science dispensed with God or the divine and proposed that romantic awe in the face of sublime wilderness derives from our “communion with nature” as a magisterial presence, “a unity in diversity of phenomena; a harmony, blending together all created things, one great whole animated by the breath of life.” Humboldt’s revolutionary ideas…were transformative for Thoreau, and for Walt Whitman, who kept Humboldt’s books on his desk as he wrong “Song of Myself.
David Hinton (The Wilds of Poetry: Adventures in Mind and Landscape)
The literature of democracy was to ignore all extraordinary gifts of genius or virtue, all distinction drawn even from great passions or romantic adventures. In Whitman's works, in which this new literature is foreshadowed, there is accordingly not a single character nor a single story. His only hero is Myself, the "single separate person," endowed with the primary impulses, with health, and with sensitiveness to the elementary aspects of Nature. The perfect man of the future, the prolific begetter of other perfect men, is to work with his hands, chanting the poems of some future Walt, some ideally democratic bard. Women are to have as nearly as possible the same character as men: the emphasis is to pass from family life and local ties to the friendship of comrades and the general brotherhood of man. Men are to be vigorous, comfortable, sentimental, and irresponsible.
George Santayana (Interpretations of Poetry and Religion)
the ideas of evolution and natural selection became our catchall explanation of natural change—and our all-but-universal and therefore invisible metaphor for social change—the Romantic generation, from Goethe to Whitman, expressed its conception of the role of change in nature, quite detached from any notion of progress, in the idea of metamorphosis.
Robert D. Richardson Jr. (Henry Thoreau: A Life of the Mind)