White Rabbits Quotes

We've searched our database for all the quotes and captions related to White Rabbits. Here they are! All 100 of them:

Alice: How long is forever? White Rabbit: Sometimes, just one second.
Lewis Carroll
Gaea?” Leo shook his head. “Isn’t that Mother Nature? She’s supposed to have, like, flowers in her hair and birds singing around her and dear and rabbits doing her laundry.” “Leo, that’s Snow White,” Piper said.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Don't look now, but that's my ex over there." Surely I'm not the only one who takes "don't look now" as "there's no better time than now." I looked. "Bad, Ali!" Another slap to my arm. "Bad, bad, bad Ali! Have you no self control?
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Roses are red, violets are blue, I have five fingers, the middle one is for you.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
You are such a chick.” I widened my eyes in mock surprise. “No way. Are you sure?
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
What do you want to show me?" "Nothing, really. I just want to be alone with you for a minute." He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage. "Seriously?" she said. "That was so lame." "I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'" She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard. She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'" She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain. "I'll just say, 'Eleanor, follow me down this rabbit hole...'" He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
Rainbow Rowell (Eleanor & Park)
Should I pull on a shirt?" he asked with hint of amusement. I WILL NOT BLUSH. "No." He'd be doing the world a favor if he never wore a shirt again, but I wasn't going to tell him that part. "You're fine.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
My father was a strange combination of drill instructor and Alice’s white rabbit: he always had someplace important to go and enjoyed bossing everyone else around.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Truly living required risk.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
You don't think I'm crazy?" I asked hesitantly. "Like I'm one to judge another persons sanity.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Oh -- who's the Queen?" "Her, of course. The White Queen. You're just like Alice, you know. Down the rabbit hole with the Mad Hatter.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
He’s body slammed enough people to start a new country. And there could be a neighbouring city for the people he’s punched in the throat
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Cole chuckled, saying, “Fear of spiders is arachnophobia, and fear of tight spaces is claustrophobia, but fear of Ali Bell is just called logic.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Maybe there's nothing impossible tonight. We're down the hole to Wonderland, and no White Rabbit to guide us." If I remember correctly, the White Rabbit was an unreliable guide, anyway.
Dean Koontz (The Taking)
He was gorgeous, and I absolutely, no question, had to be drooling. After a quick and hopefully stealthy check – big show, I wasn’t!- I found myself wonder what color his eyes were. Brown maybe. Or even hazel. Either way…wow, just wow. Deer? Headlights? Hi, I’m Ali.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Life's too short to pretend and play games like that. I want to spend my time hanging out with people who make me feel good about myself. People who make me happy.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
He ignored me, thank God, saying to Kat, "Let go of Frosty's leash. You're choking the life out of him." Kat's eyes narrowed to tiny slits, a sure sign of her aggression. "He deserves to choke. He didn't keep little frosty in his pants this summer." the words snapped like a whip. "He did." Cole snapped back with unwavering confidence. "Not." "Did." "Not!" "Did," "Not, not, not!" she shouted with a stomp of her foot. "What are we five?" Cole said. "Six.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Yeah, okay. You're right. I was having dinner with Zombie Carl the other night. You know, steak, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn't tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend's yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night-dinner buffet, because having organs is SO last year.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Everyone at school seems to go by a nickname. Kat, Frosty, Bronx, Boo Bear, Jelly Bean, Freckles.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Why wouldn't I dance?' Uh, maybe because at first glance he looked like he ate puppies for breakfast and kittens for lunch?
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I looked around, counting the competition. Sixteen. To win, all I had to do was incapacitate each one, place my hand over their hearts and turn my palm into a flame. Easy. Yeah right.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I can't promise we'll ever use you for a hasty getaway," Cole said, "but with a little work, you might be able to race my grandmother-while she's on her scooter.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I’m not trying to—What do teenagers say nowadays?” he asked my grandmother.“Get all up in her biznez,” Nana said.Without cracking a smile.“That’s right,” he replied. “We’re not trying to get all up in your biznez, Ali.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Please, I'd love to meet the guy you couldn't handle, and give him and award.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I'm not mad, though," Kat said. "You lied to me, and I lied to you. We're even." Finally he lost the grin. "When did you lie?" She gave him a Sweet'N Low smile, as if his amusement had been poured into her. "Every time we messed around. I didn't actually enjoy myself, if you know what I mean.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Girl, he wants to dip you in Frosted Flakes and have you for breakfast. That's his favorite cereal, by the way." I...had no words for that.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I had faith, and if I had faith I couldn't worry.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Blood spurted from his nose. Okay, I couldn't help myself. I burst out laughing.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I've seriously got to stop turning my girlfriends gay, but like I can really help it. It's my animal appeal.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Of course.” She fluffed her hair. “I don’t want to brag, but I’m very high maintenance.” “Uh, I think low maintenance is what’s desirable.” “Low maintenance is what’s forgettable. You might want to write that down, underline it, circle it and put a star by it. It’s golden.” With barely a breath, she added, “Now let’s find out if we’re compatible, shall we?
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
A lot of people experience the world with the same incredulity as when a magician pulls a rabbit out of a hat.…We know that the world is not all sleight of hand and deception because we are in it, we are part of it. Actually we are the white rabbit being pulled out of the hat. The only difference beween us and the white rabbit is that the rabbit does not realize it is taking part in a magic trick.
Jostein Gaarder (Sophie’s World)
Roses are red Violets are blue Be very afraid We're coming for you.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
She's a skank. He's a player. He's cute but almost OD'd last year, so he's a bad bet. She's a two-faced, lying, cheating witch. That's right, Trina, I'm talking to you," she shouted. "By the way," she added just for me, "Trina cusses, which means cussing is trashy, which means my golden rule is to never cuss. I have class. Unlike Trina, the skank of Birmingham." The last part was, of course, shouted.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Is it sad that my first thought happened to be: Thank God I'm off the treadmill.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
You know,” Cole said. “My mom once told me a boy would know he’d become a man when he stopped putting himself first. She said a girl would come along and I wouldn’t be able to get her out of my mind. She said this girl would frustrate me, confuse me, and challenge me, but she would also make me do whatever was necessary to be a better man–the man she needed. With you, I want to be better. I want to be what you need. Tell me what you need.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
We can't spy on them if they aren't spying on us, now can we?" Warped logic, but okay.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
We are so not breaking out the violins and pity partying.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Are you trying to tell me that you've never been kissed?" I pressed my tongue to the roof of my mouth. He looked so dubious, and his tone had borderd on insulting. "Yeah. So?" "So, I'm shocked, that's all. You're...you." In-sul-ting."Me?" I asked stiffly. "Yeah. Hot," he said. Wait. Me? HOT? He laughed down at me."No one's told you that, either, have they?" I could only shake me head. "You've clearly been hanging around idiots.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Tumbling into a dark, Lewis Carroll labyrinth of filth, pursuing a white rabbit of smut!
Russell Brand (Scandalous)
Sometimes, the loneliness probably got to be too much and anyone seemed better than no one.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Ali Bell doesn't play hide-and-seek," Lucas said. "She plays hide-and-pray-I-don't-find-you." Mackenzie smiled. "When Ali Bell gives you the finger, she's telling you how many seconds you have to live." Cole chuckled, saying, "Fear of spiders is arachnophobia, and fear of tight spaces is claustrophobia, but fear of Ali Bell is just called logic." "Oh, oh." Kat clapped excitedly. "There used to be a street named after Ali Bell, but it was changed because nobody crosses Ali Bell and lives. True story.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Pops: How about you finish this sentence for me, Jason? When a girl says no she means... Justin, looking desperately at me: No? Nana: Are you sure? Justin, shifting uncomfortably: I'm sure. No means no. Nana: Well look at you. You got one right. Now here's another, even tougher sentence for you to finish. Premarital sex is... Me: Nana! I'm so sorry Justin. Nana: Unlike Pops, I'm not moving on. Justin? Pops: His name is Jason. Justin:Uh....uh.... Pops: While you think about that, why don't you tell me how you feel about drinking and driving? Justin: I'm totally against it, I swear! Nana: Methinks he protests too much.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Just so you know, you can call me anything you want—just as long as you always call me.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Hate is too mild of a word. But it's nothing personal, I don't think.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Kat, who sat beside us, shouted, "Rewind that!" and threw popcorn at the screen. "Mr. Holland's expression was all, like, oh, no, I'm going to need to my balls reattached, and Cole's was all, you're about to lose something else, sucka.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Cole, who had kissed me. Cole, who had refused to discuss it afterwards. Okay, fine. I had refused. Cole, who was driving me flipping crazy.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I put the fun in funeral.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Scars speak for you. They say you're strong, and you've survived something that might have killed others.
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
Your Grandpa was a boxer in his youth. Sexiest thing I'd ever seen, let me tell you. He wore these short little shorts, and was always dripping in sweat." There goes my appetite.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Do you know the definition of insanity? Doing the same thing over and over and expecting different results." "Wrong. That's the definition of determination.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
My Zombie Ate Your Honor Student
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Those we love, we can grow to hate. And life...life can be perfect one minute and in shambles the next.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Like a stage magician, the con artist misdirects suspicion. While everyone’s watching for him to pull a rabbit out of a hat, he’s actually sawing a girl in half. You think he’s doing one trick when he’s actually doing another. You think that I’m dying, but I’m laughing at you.
Holly Black (White Cat (Curse Workers, #1))
Are you suggesting I’m working with the zombies? That I paid them to pretend to attack me so that I’d trick you into letting me join you?”“Did you?” Mr. Holland demanded.“Yeah, okay,” I said in a sugar-sweet tone. “You’re right. I was having dinner with Zombie Carl the other night. You know, steaks, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn’t tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend’s yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night dinner buffet, because having organs is so last season.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I agree with you. Now let’s put on our big-girl panties and go convince Mr. Always Right that he’s seriously wrong.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Let’s play a little game I like to call Cole’s in Charge and Ali’s Not.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
You are such a chick." I widened my eyes in mock surprise. "No way. Are you sure?" Sighing again, he rubbed at the tattoos on his wrist. "Mackenzie was right. You aren't slayer material." Before he had time to register my intentions, I threw a punch. My sore, swollen knuckles slammed into his cheekbone, thrusting his head to the side. Pain shot up my arm, but I bit my tongue to stop a moan. "You were saying?" He popped his jaw, rubbed at the reddening skin-and slowly grinned. "Okay, so now I understand why Cole likes you. You're worse than Kat.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Let your light shine, never look back and live as if today is your last day...because it just might be.
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
So...have you ever thought about dyeing your hair punk-rocker-chick black? As I'm sure you've heard, I have a thing for brunettes and always avoid blondes." "I've heard. And no." "Too bad. Because you're making me rethink my stance about doing my friends' exes." I snorted, not even trying to hide my...incredulity? Surely I wasn't amused. "Your making me rethink my stance on cold-blooded homicide
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
For so long I'd wanted my life to be nothing more than a dream. Now, with emotions and sensations flooding me, I wanted this reality.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Never forget that evil is evil. You cannot change it. You cannot lead it to the light. But, if you let it, evil can lead you to the darkness.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Enjoy him while it lasts," I called. "Apparently he has Girlfriend ADD." She looked away, but not before I caught the blush staining her cheeks.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
You're making me rethink my stance on cold-blooded homicide.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
The on and off thing is kind of annoying, isn't it? First with Cole, now with Gavin. "Maybe you need a tune up." I rolled my eyes. "I'll just pop into the supernatural ability repair shop sometime tomorrow." He grinned, his fingers tracing the line of my jaw.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
I’d rather the world considered me crazy while I go down fighting than spend the rest of my life hiding from the truth.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
So you owe me.” “Exactly. I pay in kisses.” “Good thing I accept that currency.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
I'm usually a big fan of sexual tension, but this is like an X-rated kindergarten class, with two little jerks crushing on each other, both too stupid to admit it out loud.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Real love never fails, never fades, and the greatest expression of it is giving.
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
Though I'd wanted to wear sequinned flip-flops, I'd worn boots and switched the plain white ties for pink lace because, uh, the pink were sturdier.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I hated that anyone in the world could read those things and pity me.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Excuses are merely the cherry topping of an E.coli-infested sundae.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
We can't really spy on them if they aren't spying on us, now can we?" twisted logic, but okay.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
His frown was less dark and more confused."What's new for you? Dancing?" And so much more, but all I said was, "Yes." "And you let some strange college boy grind all over you for your first time? That's stupid, Ali." NOT GOING TO BE EMBARRASSED, NOT GOING TO BE EMBARRASSED."First, he wasn't grinding on me, and second, you're no better than him." A solid minute of silence, then "You are terrible for my ego, you know that?" I could say the same to him.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Have you ever seen a witness? That's what she called herself. Not a ghost, those don't exist, and not an angel, those do, but a witness." "No." "Ever heard the term?" "Outside of a legal trial, no.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Sweet pea, you are my favorite hello and my hardest goodbye, and I don't want to go a day without you. Consider that your official invitation
Gena Showalter (A Mad Zombie Party (White Rabbit Chronicles, #4))
I can’t promise we’ll ever use you for a hasty getaway,” Cole said, “but with a little work, you might be able to race my grandmother—while she’s on her scooter.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Here goes. See, my boyfriend and I decided to stay together for the summer, you know, even though he had to go visit some family in nowhereville. At least, that’s what he told me. Anyway, everything was fine at first, because you know, we talked every night, and then boom, he just stopped calling. So I called and texted him like the good girlfriend I am, and it wasn’t stalkerish, I swear, because I stopped after, like, the thirtieth time. A week goes by before he finally hits me back, and he was totally drunk and all, hey, baby, I miss you and what are you wearing, like no time had passed, and I was all, you so do not deserve to know.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
―get a reward for surviving,” Kat was saying. “You can start by taking off all you clothes and―” “I don’t need to hear this, Miss Parker,” Mr. Ankh snapped. “―showering,” she finished. “Alone. Of course. I like my men clean.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [...] On its back, clearly marked in blue ink, is the numeral 8. [...] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room... except we are together. We are close. We're having a meeting of the minds. [...] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy.
Stephen King (On Writing: A Memoir of the Craft)
Cheshire Cat: If I were looking for a white rabbit, I'd ask the Mad Hatter. Alice: The Mad Hatter? Oh, no no no... Cheshire Cat: Or, you could ask the March Hare, in that direction. Alice: Oh, thank you. I think I'll see him... Cheshire Cat: Of course, he's mad, too. Alice: But I don't want to go among mad people. Cheshire Cat: Oh, you can't help that. Most everyone's mad here. [laughs maniacally; starts to disappear] Cheshire Cat: You may have noticed that I'm not all there myself.
Lewis Carroll
The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.
Richard Adams (Watership Down (Watership Down, #1))
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot." I snorted. He was SUCH a guy. "My favorite band is-" "Let me guess," I interjected. "White Zombie? Slayer?" "Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer." "I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?" "You look so angelic." "And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness! "The hottest.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Running along the bank was a white rabbit wearing a waistcoat and looking worriedly at a clock. Appearing and disappearing at various points on both banks was a dark blue British police telephone booth, out of which a perplexed-looking man holding a screwdriver would periodically emerge. A group of dwarf bandits could be seen disappearing into a hole in the sky. "Time travelers," said Nobodaddy in a voice of gentle disgust. "They're everywhere these days.
Salman Rushdie (Luka and the Fire of Life (Khalifa Brothers, #2))
Gavin has started calling you the queen of zombie hearts,” Cole said. “And you know what, he’s right. It fits. Before you, I wasn’t really living. I was existing. Moving from girl to girl. Killing zombies. I was as good as dead, but you brought me back to life. And you are most definitely the queen of my heart.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
The snow lay thin and apologetic over the world. That wide grey sweep was the lawn, with the straggling trees of the orchard still dark beyond; the white squares were the roofs of the garage, the old barn, the rabbit hutches, the chicken coops. Further back there were only the flat fields of Dawson's farm, dimly white-striped. All the broad sky was grey, full of more snow that refused to fall. There was no colour anywhere.
Susan Cooper (The Dark Is Rising (The Dark is Rising, #2))
Well,” she said, getting more comfortable, “Here’s what I’ve got so far. I’m going to college and getting a Ph.D. in being awesome. That’s a thing, right? Everyone will call me Dr. Kitten and pay me megabucks to diagnose all their problems. Because, of course, I will have all the answers.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Cole,” she said, batting her lashes at him. “I’m seconds away from bringing your penis into this conversation. Are you sure you want to stick around for that?” He sighed. “You’re about to threaten it, aren’t you?” A new round of laughter from the girls. “Threaten?” Kat shook her head. “No, darling Cole. Remove? Yes.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
When I reached him, I anchored my hands on my hips and glared. "Do not get into anymore fights on my behalf." I didn't want him suspended-or worse. "Now give me your keys." He gently flicked the end of my nose. "Haven't you heard? I do what I want, when I want, and there's nothing anyone can do to stop me." I could knee him between the legs and simply steal his keys, proving otherwise, but all I said was, "Believe me, I've witnessed that firsthand," and held out my hands. "Now be a good boy and do what I want you to do." He lifted the sunglasses and I saw a bright gleam in those violet eyes. "And what is it, exactly, that Little Ali wants?" Little Ali. Ugh. "I said give me your keys." No reason to play nice. He certainly wasn't. "And if you call me Little Ali again, I'll smash your trachea the way I hear you like to to others." Suddenly suspicious, he snapped out a quick "Why?" "Because I hate it." "Not the name. The keys." "Hello. Because I want to stab you with them, why else?" "Why?"He insisted. Fine. "Because I need to practice my driving, and I promised my grandparents I would." "You're telling me..." The glasses slid back into place as he cupped the back of my neck and dragged me closer to him, peering down at me sternly. "That you Don't know how to drive?" "Of course I know how to drive. Now, if you ask me if I know how to drive well, the answer will be different." He choked out a laugh, but backed away and tossed me the keys. "Just wait until the parking lot is empty before putting my precious life in danger.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Her small pet spotted him first, barking out a sharp warning from where he stood on guard in the back doorway. Ivy appeared a second later, a broom in hand and her curls held back by a purple and white scarf. “I knew it was you,” she said with a slight smile. “You’ve now been downgraded from ‘deadly threat’ to ‘irritation that won’t go away’ in Rabbit’s bark vocabulary.
Nalini Singh (Shield of Winter (Psy-Changeling, #13))
I felt my hand curl into a fist. Felt my elbow draw back. Felt my arm dart forward, my knuckles crack into Cole's jaw. I couldn't stop myself. His head whipped to the side, and blood leaked from a cut in his lip. Behind me, gasps of shock abounded. "I'm recovered," I said. "Believe me now?" Those violet eyes slitted when they found me. "Assault and battery is illegal." "So have me arrested." He closed what little distance there was between us. Suddenly I could feel his warmth of his breath caressing my skin. "How about I put you over my lap and spank you instead?" "How about I knee your balls into your throat?" "If you're going to play with that particular area, I'd rather you use your hands." "My hands aren't going near that area ever again." A pause. Then, "I bet I could change your mind," he whispered huskily. "I bet I could bash yours." I drew back another fist, but he was ready and caught me midswing. His pupils dilated, a sign of arousal. Another sign: he began to pant. He was acting like I'd tried to unbuckle his jeans rather than smack fire out of him. "Hit me again," he said, still using the same whispered tone, "and I'll take it as an invitation." I was just as bad. I trembled with longing I couldn't control and struggled to catch my breath. "An invitation to do what?" His grip loosened, his fingers rubbing my skin. A caress, not a warning. "I guess we'll find out together.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?
John Updike (Rabbit, Run)
Do I believe in an old man in the clouds with a white beard judging us mortals with a moral code from one to ten? Good Lord no, my sweet Elly, I do not! I would have been cast out from this life years ago with my tatty history. Do I believe in a mystery; the unexplained phenomenon that is life itself? The greater something that illuminates inconsequence in our lives; that gives us something to strive for as well as the humility to brush ourselves down and start all over again? Then yes, I do. It is the source of art, of beauty, of love, and proffers the ultimate goodness to mankind. That to me is God. That to me is life. That is what I believe in.
Sarah Winman
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy Tomorrow or today. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the teacup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror, O look in your distress; Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbor With all your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.
W.H. Auden
You all know the argument from design: everything in the world is made just so that we can manage to live in the world, and if the world was ever so little different, we could not manage to live in it. That is the argument from design. It sometimes takes a rather curious form; for instance, it is argued that rabbits have white tails in order to be easy to shoot. I do not know how rabbits would view that application.
Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
To Summarize briefly: A white rabbit is pulled out of a top hat. Because it is an extremely large rabbit, the trick takes many billions of years. All mortals are born at the very tip of the rabbit's fine hairs. where they are in a position to wonder at the impossibility of the trick. But as they grow older they work themselves even deeper into the fur. And there they stay. They become so comfortable they never risk crawling back up the fragile hairs again. Only philosophers embark on this perilous expedition to the outermost reaches of language and existence. Some of the fall off, but other cling on desperately and yell at the people nestling deep in the snug softness, stuffing themselves with delicious food and drink. 'Ladies and gentlemen,' they yell, 'we are floating in space!' but none of the people down there care. 'What a bunch of troublemakers!' they say. And they keep on chatting: Would you pass the butter, please? How much have our stocks risen today? What is the price of tomatoes? Have you heard that Princes Di is expecting again?
Jostein Gaarder (Sophie’s World)
The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below.
Daphne du Maurier (Rebecca)
He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
Pops: Plans for the future? Justin: Not sure yet. Pops: Well, why not? You don't got much longer in school, boy. Now's the time to figure things out, not later. Didn't anyone ever tel you that you can't spell later without the word late? Justin: I promise you, I'm doing my best to figure things out. Pops: "Doing my best" is a phrase failures use. Why don't you buy a man card and finish figuring? Me: Pops! That's so rude. Justin, I'm so sorry. Pops: What? How is a valid question rude? But all right, fine, I'll move on since baby boy can't take the heat. How about you finish this sentence for me, Jason? When a girl says no, she means... Justin, looking desperately at me: No? Nana: Are you not sure? Justin, shifting uncomfortably: I'm sure. No means no. Nana: Well, look at you. You got no right. Now here's another, even tougher sentence for you to finish. Premarital sex is... Me: Nana! I'm so sorry, Justin. Nana: Unlike Pops, I'm not moving on, Justin? Pops: His name is Jason. Justin: Uh...uh... Pops: While you think about that, why don't you tell me how you feel about drinking and driving? Justin: I'm totatlly against it, I swear! Nana: Methinks he protests too much.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground. It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up. She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground. She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone. She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself. She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face. To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
Pamela Todd (The Blind Faith Hotel)
To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.
Umberto Saba