White Canary Quotes

All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool belt, Ray-Ban sunglasses, and a porkpie hat. “God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.” “Hey, shut up!” “I think he looks good,” said Coach Hedge. “’Course, I look better.” The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate. “Well,” Jason said, “at least your mom overlooked me.” Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s message was clear: This one needs no improvement. And Piper agreed.

The rooms hidden behind the multitude of tents in Le Cirque des Rêves are a stark contrast to the black and white of the circus. Alive with color. Warm with glowing amber lamps. The space kept by the Murray twins is particularly vivid. A kaleidoscope of color, blazing with carmine and coral and canary, so much so that the entire room often appears to be on fire, dotted with fluffy kittens dark as soot and bright as sparks.

The Indians did not like to see anything odd -- a white squirrel, for instance. . . . They thought such oddities were messages, were omens of evil. . . . And the Indians put a great deal of faith in dreams.

A sprawling North London parkland, composed of oaks, willows and chestnuts, yews and sycamores, the beech and the birch; that encompasses the city’s highest point and spreads far beyond it; that is so well planted it feels unplanned; that is not the country but is no more a garden than Yellowstone; that has a shade of green for every possible felicitation of light; that paints itself in russets and ambers in autumn, canary-yellow in the splashy spring; with tickling bush grass to hide teenage lovers and joint smokers, broad oaks for brave men to kiss against, mown meadows for summer ball games, hills for kites, ponds for hippies, an icy lido for old men with strong constitutions, mean llamas for mean children and, for the tourists, a country house, its façade painted white enough for any Hollywood close-up, complete with a tea room, although anything you buy there should be eaten outside with the grass beneath your toes, sitting under the magnolia tree, letting the white blossoms, blush-pink at their tips, fall all around you. Hampstead Heath! Glory of London! Where Keats walked and Jarman fucked, where Orwell exercised his weakened lungs and Constable never failed to find something holy.

He wore pink linen slacks, white sneakers and a canary yellow open-neck shirt. He evidently thought himself hot stuff.

today it is clear that Indigenous peoples everywhere are-and always have been-the miner's canary on a global scale. In a hyper-industrialized, super-exploitative world, what happens to indigenous peoples will eventually happen to everyone.

If Snow kept weaving around the corners, she would reach the center of the maze and her mother's beloved aviary. The two-story wrought iron dome looked like a giant birdcage. It was her mother's pride and joy and the first thing she had commissioned when she became queen. She'd always had a love of birds. Snow's mother kept several species inside the netted walls, and she patiently explained each bird's nature to Snow in detail. The two had spent countless hours watching the aviary, with Snow naming all of the creatures inside it. Her favorite was Snowball, a small white canary.

Quinces are ripe...when they are the yellow of canary wings in midflight. they are ripe when their scent teases you with the snap of green apples and the perfumed embrace of coral roses. but even then quinces remain a fruit, hard and obstinate--useless...until they are simmered, coddled for hours above a low, steady flame. add honey and water and watch their dry, bone-colored flesh soak-up the heat, coating itself in an opulent orange, not of the sunrises that you never see but of the insides of tree-ripened papayas, a color you can taste. to answer your question__love is not a bowl of quinces yellowing in a blue and white china bowl, seen but untouched__. ~The Book of Salt

I want to hear a million robins making a frightful racket. I sort of like birds." "All women are birds," he ventured. "What kind am I?"—quick and eager. "A swallow, I think, and sometimes a bird of paradise. Most girls are sparrows, of course—see that row of nurse-maids over there? They're sparrows—or are they magpies? And of course you've met canary girls—and robin girls." "And swan girls and parrot girls. All grown women are hawks, I think, or owls." "What am I—a buzzard?" She laughed and shook her head. "Oh, no, you're not a bird at all, do you think? You're a Russian wolfhound." Anthony remembered that they were white and always looked unnaturally hungry. But then they were usually photographed with dukes and princesses, so he was properly flattered. "Dick's

Among the many spots used by philosophers and astronomers over the centuries to mark the meridian for zero degrees longitude were Ferro, in the Canary Islands; Ujjain, in the Indian state of Madhya Pradesh; the “agonic line” (a line along which true north and magnetic north coincide, but not forever) that passed through the Azores; the Paris Observatory; the Royal Observatory at Greenwich; the White House; and the Church of the Holy Sepulcher in Jerusalem.

A cold moon rises over glittering cages & you fasten the lock on each silver door. The sparrows are nesting & I begin to count the buttons on your black wool coat. My eyes adrift along its luminous satin inlay. Now the night has been opened like a box of exotic blue canaries & I'm brushing feathers from my long dark sleeves. You smile as the song rises, hesitant, in my cool white throat— —Kristina Marie Darling, “Aviary,” The Body is a Little Gilded Cage: A Story in Letters and Fragments. (Gold Wake Press February 4, 2012)

Some people will tell you that Toronto, in the summer, is the nothing more than a cesspool of pollution, garbage, and the smells of a hundred ethnicities competing for top spot in a race won historically by curry, garlic, and the occasional cauldron of boiled cabbage. Take a walk down College Street West, Gerrard Street East, or the Danforth, and you'll see; then, they add—these people, complaining—that the stench is so pervasive, so incorrigible, nor merely for lack of wind, but for the ninety-nine percent humidity, which, after a rainstorm, adds an eradicable bottom-note of sweaty Birkenstocks and the organic tang of decaying plant life. This much is true; there is, however, more to the story. Take a walk down the same streets and you'll find racks of the most stunning saris—red with navy brocade, silver, canary, vermillion and chocolate; marts with lahsun and adrak, pyaz and pudina; windows of gelato, zeppole, tiramisu; dusty smoke shops with patio-bistros; you'll find dove-white statuary of Olympian goddesses, mobs in blue jerseys, primed for the World Cup—and more, still, the compulsory banter of couples who even after forty years can turn foul words into the bawdiest, more unforgettable laughter (and those are just the details). Beyond them is the container, the big canvas brushed with parks and valleys and the interminable shore; a backdrop of ferries and islands, gulls and clouds—sparkles of a million wave-tips as the sun decides which colours to leave on its journey to new days. No, Toronto, in the summer, is the most paradisiacal place in the world.

Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.

A dozen or so guests gathered in the conservatory for breakfast. The sweet scent of jasmine perfumed the air and an aviary of lemon yellow canaries sang for them. They drank fresh-squeezed juice that smelled like orange blossoms and spooned perfect bites of soft-boiled eggs from fragile shells. White sunlight poured through the glass dome above their heads like an affirmation from heaven, and a constant breeze blew over them as though fanned by invisible servants. Beyond the open doors stretched emerald lawn. Beyond the lawn, the ocean, blue as a robin's egg.

The white culture rewarded cruelty with honor and friendship.

Sometimes I almost believe her soul looks out of the photograph, almost clears the sill Of the eyes & comes near; though it does not ever Move, it holds me while I look at it. But even today, I can’t conceive of a soul Without seeing a woman’s body. Specifically, Yours, undoing the straps of an evening dress In a convertible, & then lying back, your breasts Holding that hint of dusk mixed with mint And the emptiness of dusk. Someone put it Crudely: to fuck is to know. If that is true, There’s a corollary: the soul is a canary sent Into the mines. The convertible is white, & parked Beneath the black trees shading the river, Mile after mile. Your dress is off by now, And when you come, both above & below me, When you vanish into that one cry which means Your body is no longer quite your own And when your face looks like a face stricken From this world, a saint’s face, your eyes closing On some final city made entirely Of light, & only to be unmade by light Again—at that moment I’m still watching You—half out of reverence & half because The scene is distant, like a landscape, & has Nothing to do with me. Beneath the quiet Of those trees, & that sky, I imagine I’m simply a miner in a cave; I imagine the soul Is something lighter than a girl’s ribbon I witnessed, one afternoon, as it fell—blue, Tossed, withered somehow, & singular, at A friend’s wedding—& then into the river And swirled away. Do I chip away with my hammer? Do I, sometimes, sing or recite? Even though I have to know, in such a darkness, all The words by heart, I sing. And when I come, My eyes are closed fast. I smile, under The earth. They loved fast horses. And someone else Will have to watch them, grazing on short tufts Of spring grass beside the riverbank, When we are gone, when we are light, & grass. . — Larry Levis, from “A Letter,” Winter Stars (University of Pittsburgh Press, 1985)

but before he can elaborate, that door which separates Emile’s kitchen from the rest of the world swings open. It is Andrey, as prompt as ever, with his Book in hand and a pair of spectacles resting on the top of his head. Like a brigand after a skirmish, Emile slips his chopper under the tie of his apron and then looks expectantly at the door, which a moment later swings again. With the slightest turn of the wrist the shards of glass tumble into a new arrangement. The blue cap of the bellhop is handed from one boy to the next, a dress as yellow as a canary is stowed in a trunk, a little red guidebook is updated with the new names of streets, and through Emile’s swinging door walks Count Alexander Ilyich Rostov—with the white dinner jacket of the Boyarsky draped across his arm. One minute later, sitting at the table in the little office overlooking the kitchen were Emile, Andrey, and the Count—that Triumvirate which met each day at 2:15 to decide the fate of the restaurant’s staff, its customers, its chickens and tomatoes. As was customary, Andrey convened the meeting by resting his reading glasses on the tip of his nose and opening the Book. “There are no parties in the private rooms tonight,” he began, “but every table in the dining room is reserved for two seatings.” “Ah,” said Emile with the grim smile of the commander who prefers to be outnumbered. “But you’re not going to rush them, eh?” “Absolutely not,” assured the Count. “We’ll simply see to it that their menus are delivered promptly and their orders taken directly.” Emile nodded in acknowledgment. “Are there any complications?” asked the Count of the maître d’. “Nothing out of the ordinary.” Andrey spun the Book so that his headwaiter could see for himself.

In the end, therefore, the successful prosecution of environmental crimes may not be so much about the complexity of the laws and the competence of those agencies struggling to enforce them, but rather about changing a fundamental reluctance in American society to accept white-collar criminals as true criminals. When that happens, they may start being treated as such.

white-collar crime costs the communities in which it occurs more money than common crimes, but because white-collar criminals steal with a pencil they get away with it, while the eighteen-year-old kid who steals with a gun goes to prison for a long time.

I could set from memory a replica of the perfect Still Life she laid out on the table each morning: the carefully folded Advertiser, the two canary yellow hemispheres of grapefruit in their bowls, separated by a more richly yellowed cube of butter; the sky blue milk-jug and matching sugar bowl filled to the brim with their differently textured whitenesses; the pot of tea snug in its knitted navy blue cosy, the steam that rose invisibly from its spout suddenly rendered visible, swirling, where it entered the slanting morning light.

In stark contrast were the white-collar criminals who appeared before Shoob. Most were the people about whom Kennedy spoke—people who had been given opportunities. Their crimes were those of the well educated and well heeled, crimes of greed, arrogance, and a blatant disregard for the rules that governed the rest of society—crimes that Uhlmann realized did arouse the anger in him. It pissed him off. When

he considered dental cavities the chronic-disease equivalent of the canary in the mine. If cavities are caused primarily by eating sugar and white flour, and cavities appear first in a population no longer eating its traditional diet, followed by obesity, diabetes, and heart disease, then the assumption, until proved otherwise, should be that the other diseases were also caused by these carbohydrates.

When someone, almost anyone, is asked to describe paradise, he or she tends to imagine natural settings--waves lapping gently upon a white-sand beach, birds singing softly, or imagines him or herself lying in a meadow of wild flowers and tall grasses, walking through an ancient forest, sitting on a rolling green hillside, or looking out over a vast ocean. They do not generally imagine AI-powered machines ruling their lives. They do not think of drones flying drones flying to and fro, filling the sky like so many menacing, swarming insects. They do not call to mind the sound of screeching bus brakes, crowded elevators, people walking around wearing masks, or driverless vehicles failing to stop for them at a crosswalk. The world being quickly shaped and imagined for us is what the average human would consider to be a dystopian nightmare--not a paradise. Why are we letting our world be turned into a cold, heartless cyberspace fit only for robots and cyborgs and not instead, creating a paradise for ourselves?

But I shall never forget an incident with a very pretty little house of a light pink colour. It was such a charming little brick house, it looked so hospitably at me, and so proudly at its ungainly neighbours, that my heart rejoiced whenever I happened to pass it. Suddenly last week I walked along the street, and when I looked at my friend I heard a plaintive, “They are painting me yellow!” The villains! The barbarians! They had spared nothing, neither columns, nor cornices, and my poor little friend was as yellow as a canary.

Their skin was olive—like the heathens of the Canary Islands, much lighter than the Guineans—and many had painted themselves with red, black, or white designs. Memories of the scant clothing of Canarians and Guineans flickered through his thoughts, and Cristóbal was satisfied that the distance of the naked peoples from his crews was sufficient for safety—so long as the crews remained alert. He overheard the people’s whispers and guessed that their language, as the Guineans’, would lack words common to the languages he knew. He grasped

White of snow or white of page is not" the white of your skin, for skin, except when truly albino, always has some other color sleeping within it—a hint of red maple leaf, a touch of the blue ice at the edge of a melting stream, a richness implied of its many layers, the deltas of cells and blood, that deep fecundity that lies within and makes the skin shed, not like a snake, but as a tree (one of those golden cottonwoods flaring just now at the edge of the river) that sheds its leaves each moment while an eternity of leaf remains. Oh, nothing seems to me as white as your skin, all your languid ease of being—one resting upon the other, the sliver of your shoulder against the black fabric—reminds me so of the lost realm of beauty that I am afraid of nothing, and only dazed (as I was that day at the aquarium when the beluga whales came swimming toward me—how white they were, slipping out of the darkness, radiant and buoyant as silence and snow, incandescent as white fire, gliding through the weight of water, and when they sang in that chamber as small as the chambers of the human heart, murky with exhaustion and captivity and the fragments of what they had consumed, I was almost in love with them; they seemed the lost children of the moon, carrying in their milky mammalian skins a hint of glacial ice and singing to each other of all the existences they had left behind, their fins like the wings of birds or angels, clicking and whistling like canaries of the sea: there was no darkness in their bodies, like clouds drifting through unkempt skies, they illuminated the room). So I did not think of you so much as I felt you drifting through my being, in some gesture that held me poised like a hummingbird above the scarlet blossoms of the trumpet vine, I kissed you above the heart, and by above I mean there, not that geometric center, the breastbone that so many use to divide the body in half and so mistake for the place where the heart lies, but the exact location, a little to the left, just on the crescent where the breast begins to rise; oh, I know all that drift of white implies, the vanished clothing, the disappearing room, that landscape of the skin and night that opens in imagination and in feeling upon a sea of snow, so that just one kiss above the heart is a kiss upon the heart, as if one could kiss the very pulse of being, light upon the head of that pin that pins us here, that tiny disk where angels were once believed to dance, and all that nakedness without could not have been except for all that burning deep within