Whistle Stop Quotes

We've searched our database for all the quotes and captions related to Whistle Stop. Here they are! All 100 of them:

Remember if people talk behind your back, it only means you are two steps ahead.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I wonder how many people don't get the one they want, but end up with the one they're supposed to be with.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You know, a heart can be broken, but it keeps on beating, just the same.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
The ones that hurt the most always say the least.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Face it girls. I'm older and I have more insurance.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
And it's the funniest thing: as soon as I see it, the whistling in my ears stops and the feeling of terror drains away, and I realize this whole time I haven't been falling at all. I've been floating.
Lauren Oliver (Before I Fall)
It's funny, when you're a child you think time will never go by, but when you hit about twenty, time passes like you're on the fast train to Memphis. I guess life just slips up on everybody. It sure did on me.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Are you a politician or does lying just run in your family?
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You never know what's in a person's heart until they're tested, do you?
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You're just a bee charmer, Idgie Threadgoode. That's what you are, a bee charmer.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I believe in God, but I don't think you have to go crazy to prove it.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
People cain't help being what they are any more than a skunk can help being a skunk. Don't you think if they had their choice they would rather be something else? Sure they would. People are just weak.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
No matter what you look like, there's somebody who's gonna think you're the handsomest man in the world.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
That's what I'm living on now, honey, dreams, dreams of what I used to do.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Oh it don't make no kind of sense. Big ol' ox like Grady won't sit next to a colored child. But he eats eggs- shoot right outta chicken's ass!
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
By the way, is there anything sadder than toys on a grave?
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
There are magnificent beings on this earth, son, that are walking around posing as humans.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You know, a heart can be broken, but it still keeps a-beating just the same.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
It's funny, most people can be around someone and they gradually begin to love them and never know exactly when it happened; but Ruth knew the very second it happened to her. When Idgie had grinned at her and tried to hand her that jar of honey, all these feelings that she had been trying to hold back came flooding through her, and it was at that second in time that she knew she loved Idgie with all her heart.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Tristan, dressed in all black with a long dagger in his hand, exited the den as Gabriel reached the main floor . Gabriel stopped whistling and paused. “Please tell me you’re going to a ninja convention.
Chelsea Fine (Anew (The Archers of Avalon, #1))
...nobody was ever really ready to turn off their mother's machine, no matter what they thought; to turn off the light of their childhood and walk away, just as if they were turning out a light and leaving a room.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
What was this power, this insidious threat, this invisible gun to her head that controlled her life . . . this terror of being called names? She had stayed a virgin so she wouldn't be called a tramp or a slut; had married so she wouldn't be called an old maid; faked orgasms so she wouldn't be called frigid; had children so she wouldn't be called barren; had not been a feminist because she didn't want to be called queer and a man hater; never nagged or raised her voice so she wouldn't be called a bitch . . . She had done all that and yet, still, this stranger had dragged her into the gutter with the names that men call women when they are angry.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I remember the rules, rules that were never spelled out but every woman knew: Don't open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don't stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don't turn to look. Don't go into a laundromat, by yourself, at night. I think about laundromats. What I wore to them: shorts, jeans, jogging pants. What I put into them: my own clothes, my own soap, my own money, money I had earned myself. I think about having such control. Now we walk along the same street, in red pairs, and not man shouts obscenities at us, speaks to us, touches us. No one whistles. There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
One gal drank a can of floor wax and topped it off with a cup of Clorox, trying to separate herself from the same world he was in.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I believe poor people are good people, except the ones that are mean . . .
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
It’s funny, when you’re a child you think time will never go by, but when you hit about twenty, time passes like you’re on the fast train to Memphis.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
When had she stopped being a child? The first time a guy whistled at her out of a car window when she was walking to school? The moment she started wondering how she looked when she ran, what jiggled or bounced, instead of the pace she was setting? The first time she'd kept from raising her hand because she didn't want to seem too smart or too eager? No one had sung? No one had told her how much she would lose until the time for grieving was long over.
Leigh Bardugo (Wonder Woman: Warbringer)
And so, as quietly as he had lived, he slipped out of town, leaving only a note behind: Well, that's that. I'm off, and if you don't believe I'm leaving, just count the days I'm gone. When you hear the phone not ringing, it'll be me that's not calling. Goodbye, old girl, and good luck. Yours truly, Earl Adcock P.S. I'm not deaf.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling--even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it.
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
If there is such a thing as complete happiness, it is knowing that you are in the right place.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
All those calm, adult discussions. When all she really wanted to do was scream for her momma, her sweet momma, the one person in the world who loved her better than anyone ever would or ever could.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
He had mourned each of those great trains as, one by one, they were pulled off the lines and left to rust in some yard, like old aristocrats, fading away; antique relics of times gone by.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Idgie smiled back at her and looked up into the clear blue sky that reflected in her eyes and she was as happy as anybody who is in love in the summertime can be.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I’m too young to be old and too old to be young.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
… but she never did cry. She was too hurt to cry.… You know, a heart can be broken, but it keeps on beating, just the same.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Just think, Ruth, I never did it for anybody else before. Now nobody in the whole world knows I can do that but you. I just wanted us to have a secret together, that's all.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
It was a stretch to imagine that Barbara Walters might want to give it all up for Ed Couch, but Evelyn tried her hardest. Of course, even though she was not religious, it was a comfort to know that the Bible backed her up in being a doormat.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Lokeij whistled. “Make the king’s warriors vanish if they come. . . what a deceitful turtledove you are.” Aly smiled at the sky. “Oh, don’t,”she replied in the tones of a flirtatious court lady. “Stop, I insist. Your flattery makes me blush.
Tamora Pierce (Trickster's Choice (Daughter of the Lioness, #1))
Like I say, it just creeps up on you. One day you're young and the next day your bosoms and your chin drops and you're wearing a rubber girdle. But you don't know you're old.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
When you stop to examine the way in which our words are formed and uttered, our sentences are hard-put to it to survive the disaster of their slobbery origins. The mechanical effort of conversation is nastier and more complicated than defecation. That corolla of bloated flesh, the mouth, which screws itself up to whistle, which sucks in breath, contorts itself, discharges all manner of viscous sounds across a fetid barrier of decaying teeth—how revolting! Yet that is what we are adjured to sublimate into an ideal. It's not easy. Since we are nothing but packages of tepid, half-rotted viscera, we shall always have trouble with sentiment. Being in love is nothing, its sticking together that's difficult. Feces on the other hand make no attempt to endure or grow. On this score we are far more unfortunate than shit; our frenzy to persist in ourpresent state—that's the unconscionable torture. Unquestionably we worship nothing more divine than our smell. All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in year out. This body of ours, this disguise put on by common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but 'us,' the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.
Louis-Ferdinand Céline (Journey to the End of the Night)
Quienes más sufren son quienes menos lo dicen.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
... a heart can be broken, but it keep on beating, just the same.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Evelyn stared into the empty ice cream carton and wondered where the smiling girl in the school pictures had gone.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I believe poor people are good people, except the ones that are mean … and they’d be mean even if they were rich.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You know, it’s funny what you’ll miss when you’re away from home. Now me, I miss the smell of coffee … and bacon frying in the morning.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
...Rejoice for a comrade deceased, Our loss is his infinite gain, A soul out of prison released, And free from its bodily chain." ~Smokey Lonesome
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Depression years come back to me now as the happy times, even though we were all struggling. We were happy and didn't know it.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
By the way, Boots died and Opal says she hopes you're satisfied.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
And her dumplings were so light they would float in the air and you'd have to catch 'em to eat 'em.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Albert and I would spend hours and hours looking at them. Cleo had this big magnifying glass on his desk, and we'd find centipedes and grasshoppers and beetles and potato bugs, ants . . . and put them in a jar and look at them. They have the sweetest little faces and the cutest expressions. After we'd looked at them all we wanted to, we'd put them in the yard and let them go on about their business.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning. “What bird are you calling?” I asked finally, when I couldn’t stand it any longer. The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth. “You.
Karen Russell (Swamplandia!)
She felt her heart open and fill with the pure wonder of being alive and making it through.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I believe in God, but I don’t think you have to go crazy to prove it.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I’m too young to be old and too old to be young. I
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
She forced herself to...turn and face him. It was easier with the width of the room between them. "I wanted to be able to take this relationship at face value, to enjoy it for what it was.... And I wanted to be sure I could walk away when it was over, completely unscathed. The problem is I can't. When you walked in this morning, all I could think was how much I'd wanted to see you, how much I'd missed you, how unhappy I'd because we were angry at each other." She stopped, straightened her shoulders. He was grinning at her, rocking back and forth on his heels. In a minute she was sure he'd be whistling. "I'd appreciate it if you'd take that smug look off your face. This isn't -" "I love you, Julia.
Nora Roberts (Genuine Lies)
This is the whistle-stop memoir of how a lower-middle-class girl from the north of England one day changed the way she lived her life and set off on a bumpy path that ultimately led her to her own slice of the happily-ever-after pie.
Tillie Cole (Eternally North (Eternally North, #1))
I brought a picture with me that I had at home, of a girl in a swing with a castle and pretty blue bubbles in the background, to hang in my room, but that nurse here said the girl was naked from the waist up and not appropriate. You know, I've had that picture for fifty years and I never knew she was naked. If you ask me, I don't think the old men they've got here can see well enough to notice that she's bare-breasted. But, this is a Methodist home, so she's in the closet with my gallstones.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
People didn't call blacks names anymore, at least not to their faces. Italians weren't wops or dagos, and there were no more kikes, Japs, chinks, or spics in polite conversation. Everybody had a group to protest and stick up for them. But women were still being called names by men. Why? Where was our group? It's not fair.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I just wonder how many people never get the one they want, and wind up with the one they’re supposed to be with.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Having children is no guarantee that you’ll get visitors … No, it isn’t.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
When the leaves began to fall, all the visitors were gone, and the whistle from the train passing through Orange gave a long, lonesome, shrill sound as it rolled through without stopping to let off any passengers.
Edna Lewis (The Taste of Country Cooking)
His idea of how the country was doing had been determined by the size of the butts he picked up off the sidewalk.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You know, life can be hard sometimes. And I sort of think animals are little gifts the good Lord sends to help us get through it. Lady sure did that for me.
Fannie Flagg (The Wonder Boy of Whistle Stop)
Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more. She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom. No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I wanted to be with her, like all the time. Eliminate the obstacles, the people and things in our lives that were keeping us apart: Brandi, Seth, Kirsten, society, me. Me? Make that my fear. What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn’t what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I’d have to surrender myself completely. I’d lose all control. Everything I knew, everything I was, the walls I’d built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music. (Chapter. 15)
Julie Anne Peters (Keeping You a Secret)
A year later we were in a coffee shop, the kind taking a last stand against Starbucks with its thrift-store chairs, vegan cookies, and over-promising teas with names like Serenity and Inner Peace. I was curled up with a stack of causes, trying to get in a few extra hours of work over the weekend, and Andrew sat with one hand gripping his mug, his nose in The New York Times; the two of us a parody of the yuppie couple of the new millennium. We sat silently that way, though there wasn't silence at all. On top of the typical coffee-shop sounds - the whir of an expresso machine, the click of the cash register, the bell above the door - Andrew was making his noises, an occasional snort at something he read in the paper, the jangle of his keys in his pocket, a sniffle since he was getting over a cold, a clearing of his throat. And as we sat there, all I could do was listen to those Andrew-specific noises, the rhythm of his breath, the in-out in-out, its low whistle. Snort. Jangle. Sniffle. Clear. Hypnotized. I wanted to buy his soundtrack. This must be what love is, I thought. Not wanting his noises to ever stop.
Julie Buxbaum (The Opposite of Love)
Mrs. Threadgoode laughed at the thought. “Oh honey, I’ve buried my share, and each one hurt as bad as the last one. And there have been times when I’ve wondered why the good Lord handed me so many sorrowful burdens, to the point where I thought I just couldn’t stand it one more day. But He only gives you what you can handle and no more … and I’ll tell you this: You cain’t dwell on sadness, oh, it’ll make you sick faster than anything in this world.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Mrs. Threadgoode pulled something out of the Cracker Jack box and all of a sudden her eyes lit up. “Oh Evelyn, look! Here’s my prize. It’s a little miniature chicken… just what I like!” and she held it out for her friend to see.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
it would just break your heart to see some of them waiting for their visitors. They get their hair all done up on Saturday, and on Sunday morning they get themselves all dressed and ready, and after all that, nobody comes to see them. I feel so bad, but what can you do? Having children is no guarantee that you’ll get visitors … No, it isn’t.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn't what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I'd have to surrender myself completely. I'd lose all control. Everything I knew, everything I was, the walls I'd built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music.
Julie Anne Peters
When you are a mature woman, the wolf-whistles from construction workers stop, and that's a scary thing.
Arianne Richmonde (Forty Shades of Pearl (The Pearl Trilogy, #1))
Quando sentirai il telefono che non suona, sarò io che non chiamo.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
You never know what’s in a person’s heart until they’re tested, do you?
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Buddy, night and day. We even started calling her Cupid. Idgie was
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Travel" Sometimes I know I love you better than all the others I kiss it’s funny but it’s true and I wouldn’t roll from one to the next so fast if you hadn’t knocked them all down like ninepins when you roared by my bed I keep trying to race ahead and catch you at the newest station or whistle stop but you are flighty about schedules and always soar away just as leaning from my taxicab my breath reaches for the back of your neck
Frank O'Hara (The Collected Poems of Frank O'Hara)
Nothing changed, in the aftermath of loss. Songs kept getting written. Books kept getting read. Wars didn't stop....Life renewed itself, over and over, without sympathy. Time surged on in its usual rhythms, those comings and goings, beginnings and ends, sensible progressions that fixed things in place, without a thought to the whistling in the woods on the outskirts of town....
Emma Stonex (The Lamplighters)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all. As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain. He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home. "I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close. Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her. "You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard. A streak of violet lightning split the sky, striking close behind them. The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open. "But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate. "You," he scarcely more than breathed, "are just like every. Body. Else." He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff. As he let her go. The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him. Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
Kelly Creagh (Enshadowed (Nevermore, #2))
A number of years ago I had some experience with being alone. For two succeeding years I was alone each winter for eight months at a stretch in the Sierra Nevada mountains on Lake Tahoe. I was the caretaker on a summer estate during the winter months when it was snowed in. And I made some observations then. As time went on I found that my reactions thickened. Ordinarily I am a whistler. I stopped whistling. I stopped conversing with my dogs, and I believe that the subtleties of feeling began to disappear until finally I was on a pleasure-pain basis. Then it occurred to me that the delicate shades of feeling, of reaction, are the result of communication, and without such communication they tend to disappear. A man with nothing to say has no words. Can its reverse be true- a man who has no one to say anything to has no words as he has no need for words? ... Only through imitation do we develop toward originality.
John Steinbeck (Travels with Charley: In Search of America)
What bird are you calling?' I ask, finally, when I can't stand it any longer. The bird man stops whistling. He grins, so that I can see all his pebbly teeth. He holds out a hand to me over the broth-thin water. 'You.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
Later on, still looking, she had tried to get involved with the Women's Community Center. She liked what they stood for but secretly wished they would wear just a little lipstick and shave their legs. She had been the only one in the room in full makeup, wearing pantyhose and earrings. She had wanted to belong, but when the woman suggested that next week they bring a mirror so they could all study their vaginas, she never went back.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I ripped the pages out of the book. I reversed the order, so the last one was first, and the first was last. When I flipped through them, it looked like the man was floating up through the sky. And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of. Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston. He would've taken the elevator to the street and pressed the button for the top floor. He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop. Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left. He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor. He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward. Then he would've gotten up again at the end of the night before the worst day. He would've walked backward to my room, whistling 'I Am the Walrus' backward. He would've gotten into bed with me. We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes. I'd have said 'Nothing' backward. He'd have said 'Yeah, buddy?' backward. I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward. He would have told me the story of the Sixth Borough, from the voice in the can at the end to the beginning, from 'I love you' to 'Once upon a time.' We would have been safe.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
After the boy at the supermarket had called her those names, Evelyn Couch had felt violated. Raped by words. Stripped of everything. She had always tried to keep this from happening to her, always been terrified of displeasing men, terrified of the names she would be called if she did. She had spent her life tiptoeing around them like something lifting her skirt stepping through a cow pasture. She had always suspected that if provoked, those names were always close to the surface, ready to lash out and destroy her.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“Anni fa era il più bel lago di Whistle stop. D’estate ci venivamo a nuotare e pescare e ci si poteva anche fare un giro in barca, volendo.” Idgie scosse tristemente la testa. “Sapesse quanto mi manca!” Smokey guardò il prato. “Come mai non c’è più? Si è prosciugato?” Lei accese una sigaretta e glie la porse. “Peggio. Un novembre, un enorme stormo di anatre, almeno una quarantina, andarono a posarsi proprio in mezzo al lago e nel pomeriggio, mentre nuotavano tranquillamente, successe quella cosa strana. La temperatura scese di colpo e l’acqua si ghiacciò. Divenne solida come pietra nel giro di tre secondi. Uno, due, tre. Così” Smokey la guardò stralunato. “Dice sul serio?” “Certo!” “Le anatre saranno morte.” E’ questo il punto. Non morirono, ma volarono via e portarono con sé il lago. E adesso il nostro lago sarà da qualche parte in Gerogia…” Lui si girò a guadarla e, quando capì che stava scherzando, raggrinzì gli occhi celesti e cominciò a ridere così forte che gli venne da tossire e lei dovette dargli una botta sulla schiena.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
When had she stopped being a child? The first time a guy had whistled at her out of a car window when she was walking to school? The moment she started wondering how she looked when she ran, what jiggled or bounced, instead of the pace she was setting? The first time she’d kept from raising her hand because she didn’t want to seem too smart or too eager?
Leigh Bardugo (Wonder Woman: Warbringer)
At first I couldn't see anything. I fumbled along the cobblestone street. I lit a cigarette. Suddenly the moon appeared from behind a black cloud, lighting a white wall that was crumbled in places. I stopped, blinded by such whiteness. Wind whistled slightly. I breathed the air of the tamarinds. The night hummed, full of leaves and insects. Crickets bivouacked in the tall grass. I raised my head: up there the stars too had set up camp. I thought that the universe was a vast system of signs, a conversation between giant beings. My actions, the cricket's saw, the star's blink, were nothing but pauses and syllables, scattered phrases from that dialogue. What word could it be, of which I was only a syllable? Who speaks the word? To whom is it spoken? I threw my cigarette down on the sidewalk. Falling, it drew a shining curve, shooting out brief sparks like a tiny comet. I walked a long time, slowly. I felt free, secure between the lips that were at that moment speaking me with such happiness. The night was a garden of eyes.
Octavio Paz (The Blue Bouquet)
The house lights go off and the footlights come on. Even the chattiest stop chattering as they wait in darkness for the curtain to rise. In the orchestra pit, the violin bows are poised. The conductor has raised his baton. In the silence of a midwinter dusk, there is far off in the deeps of it somewhere a sound so faint that for all you can tell it may be only the sound of the silence itself. You hold your breath to listen. You walk up the steps to the front door. The empty windows at either side of it tell you nothing, or almost nothing. For a second you catch a whiff of some fragrance that reminds you of a place you’ve never been and a time you have no words for. You are aware of the beating of your heart…The extraordinary thing that is about to happen is matched only by the extraordinary moment just before it happens. Advent is the name of that moment.
Frederick Buechner (Whistling in the Dark: A Doubter's Dictionary)
Oh no, honey. Lots of women go through it early. Why, there was this woman over in Georgia who was only thirty-six-years-old and one day she got in her car and drove right up the stairs to the county courthouse, rolled down her window, and tossed her mother's head that she had just chopped off in her kitchen at a State policeman and hollered, "Here! This is what you wanted," and drove right back down the courthouse stairs. Now that's what an early menopause will do for you if you're not careful.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Evelyn wondered ; why always sexual names? And why, when men wanted to degrade other men, did they call them pussies? As if that was the worst thing in the world. What have we done to be thought of that way ? To be called cunt? People didn’t call blacks names anymore, at least not to their faces. Italians weren’t wops or dagos, and there were no more kikes, Japs, chinks, or spics in polite conversation. Everybody had a group to protest and stick up for them. But women were still being called names by men. Why? Where was our group? It’s not fair. She was getting more upset by the minute. Evelyn thought, I wish Idgie had been with me. She would not have let that boy call her names. I’ll bet she would have knocked him down.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
As a physician, I was trained to deal with uncertainty as aggressively as I dealt with disease itself. The unknown was the enemy. Within this worldview, having a question feels like an emergency; it means that something is out of control and needs to be made known as rapidly, efficiently, and cost-effectively as possible. But death has taken me to the edge of certainty, to the place of questions. After years of trading mystery for mastery, it was hard and even frightening to stop offering myself reasonable explanations for some of the things that I observed and that others told me, and simply take them as they are. "I don't know" had long been a statement of shame, of personal and professional failing. In all of my training I do not recall hearing it said aloud even once. But as I listened to more and more people with life-threatening illnesses tell their stories, not knowing simply became a matter of integrity. Things happened. And the explanations I offered myself became increasingly hollow, like a child whistling in the dark. The truth was that very often I didn't know and couldn't explain, and finally, weighed down by the many, many instances of the mysterious which are such an integral part of illness and healing, I surrendered. It was a moment of awakening. For the first time, I became curious about the things I had been unwilling to see before, more sensitive to inconsistencies I had glibly explained or successfully ignored, more willing to ask people questions and draw them out about stories I would have otherwise dismissed. What I have found in the end was that the life I had defended as a doctor as precious was also Holy. I no longer feel that life is ordinary. Everyday life is filled with mystery. The things we know are only a small part of the things we cannot know but can only glimpse. Yet even the smallest of glimpses can sustain us. Mystery seems to have the power to comfort, to offer hope, and to lend meaning in times of loss and pain. In surprising ways it is the mysterious that strengthens us at such times. I used to try to offer people certainty in times that were not at all certain and could not be made certain. I now just offer my companionship and share my sense of mystery, of the possible, of wonder. After twenty years of working with people with cancer, I find it possible to neither doubt nor accept the unprovable but simply to remain open and wait. I accept that I may never know where truth lies in such matters. The most important questions don't seem to have ready answers. But the questions themselves have a healing power when they are shared. An answer is an invitation to stop thinking about something, to stop wondering. Life has no such stopping places, life is a process whose every event is connected to the moment that just went by. An unanswered question is a fine traveling companion. It sharpens your eye for the road.
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
On my way home from the junior high, I would sometimes stop at the edge of our property and watch my mother ride the ride-on mower, looping in and out among the pine trees, and I could remember then how she used to whistle in the mornings as she made her tea and how my father, rushing home on Thursdays, would bring her marigolds and her face would light up in yellowy in delight. They had been deeply, separately, wholly in love- apart from her children my mother could reclaim this love, but with them she began to drift. It was my father who grew toward us as the years went by; it was my mother who grew away. ~pg 153; love
Alice Sebold (The Lovely Bones)
The little blue engine looked up at the hill. His light was weak, his whistle was shrill. He was tired and small, and the hill was tall, And his face blushed red as he softly said, “I think I can, I think I can, I think I can.” So he started up with a chug and a strain, And he puffed and pulled with might and main. And slowly he climbed, a foot at a time, And his engine coughed as he whispered soft, “I think I can, I think I can, I think I can.” With a squeak and a creak and a toot and a sigh, With an extra hope and an extra try, He would not stop — now he neared the top — And strong and proud he cried out loud, “I think I can, I think I can, I think I can!” He was almost there, when — CRASH! SMASH! BASH! He slid down and mashed into engine hash On the rocks below... which goes to show If the track is tough and the hill is rough, THINKING you can just ain’t enough!
Shel Silverstein (Where the Sidewalk Ends)
The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
Norton Juster (The Phantom Tollbooth)
The world is going under, I thought, and this notion so little surprised me, it seemed as though I had been waiting a long time for just that to happen. But now, from amid the burning and collapsing city, I saw a boy come toward me. His hands were buried in his pockets and he hopped and skipped from one leg to another, resilient and light-hearted. Then he stopped and emitted an ingenious whistle -- our signal from grade school days, and the boy was my friend who had shot himself when he was a student. Immediately I too became, like him, a boy of twelve, and the burning city and the distant thunder and the blustering storm of howling voices from all corners of the world sounded wondrously exquisite to our newly awakened ears. Now everything was good, and the dark nightmare in which I had lived for so many despairing years was gone forever.
Hermann Hesse (Pictor's Metamorphoses and Other Fantasies)
cable, and away to sea. But the wind was wanting; and to complete our helplessness, down came Hunter with the news that Jim Hawkins had slipped into a boat and was gone ashore with the rest. It never occurred to us to doubt Jim Hawkins, but we were alarmed for his safety. With the men in the temper they were in, it seemed an even chance if we should see the lad again. We ran on deck. The pitch was bubbling in the seams; the nasty stench of the place turned me sick; if ever a man smelt fever and dysentery, it was in that abominable anchorage. The six scoundrels were sitting grumbling under a sail in the forecastle; ashore we could see the gigs made fast and a man sitting in each, hard by where the river runs in. One of them was whistling "Lillibullero." Waiting was a strain, and it was decided that Hunter and I should go ashore with the jolly-boat in quest of information. The gigs had leaned to their right, but Hunter and I pulled straight in, in the direction of the stockade upon the chart. The two who were left guarding their boats seemed in a bustle at our appearance; "Lillibullero" stopped off, and I could see the pair discussing what they ought to do. Had they gone and told Silver, all might have turned out differently;
Robert Louis Stevenson (Treasure Island)
Chris hurried after him. 'It's so hard to believe we just travelled hundreds of light years.' 'Why?' asked the Doctor. 'I always understood that you cannot travel faster than light,' said Chris. 'Says who?' 'Says Einstein,' said Chris. 'What?' The Doctor stopped and put an arm around Chris's shoulder. 'Do you understand Einstein?' Chris wasn't sure where this was going. 'Yes.' 'What?' gasped the Doctor. 'And quantum theory?' 'Yes,' said Chris. He basked in the Doctor's astonishment, on firmer ground at last. 'What?' gasped the Doctor. 'And Planck?' 'Yes,' said Chris. 'What?' gasped the Doctor. 'And Newton?' 'Yes!' said Chris. 'What?' gasped the Doctor. 'And Schoenberg?' Chris paused. Was it a trick question? He recalled reading about the crisis of tonality. He thought he'd caught most of it, so he answered proudly, 'Yes. Of course.' The Doctor whistled, apparently impressed. Then he said, 'You've got an awful lot to unlearn, Bristol.
Gareth Roberts (Doctor Who: Shada)
She was only twenty-three, not even a quarter of a century old.She had spent the last five years living exclusively in the human world. Now her wild nature was calling to her. Gregori was touching something untamed in her, something to which she had forbidden herself access. Something wild and unhibited and incredibly sensuous. Savannah looked up at his dark, handsome face. It was so male. So carnal. So powerful. Gregori. The Dark One. Just looking at him made her go weak with need. One glance from his slashing silver eyes could bring a rush of liquid heat, fire racing through her.She became soft and pliant. She became his. Gregori's palm cupped her face. "Whatever you are thinking is making you fear me,Savannah," he said softly. "Stop it." "You're making me into something I'm not," she whispered. "You are Carpathian, my lifemate. You are Savannah Dubrinsky. I cannot take any of those things from you. I do not want a puppet, or a different woman. I want you as you are." His voice was soft and compelling. He lifted her in his arms,carried her to his bed and tucked the covers around her. The storm lashed at the windows and whistled against the walls. Gregori wove the safeguards in preparation for their sleep. Savannah as exhausted, her eyes already trying to close. Then he slipped into the bed and gathered her into his arms. "I would never change anything about you,ma patite, not even your nasty little temper." She settled against his body as if she was made for it.He felt the brush of her lips against his chest and the last sigh of air as it escaped from her lungs. Gregori lay awake for a long time, watching as the dawn crept forward, pushing away the night. One wave of his hand closed and locked the heavy shutters over the windows. Still he lay awake, holding Savannah close. Because he had always known he was dangerous, he had feared for mortals and immortals alike at his hand. But somehow,perhaps naively, he had thought that once he was bound to his lifemate, he would become tamer, more domesticated. His fingers bunched in her hair. But Savannah made him wild. She made him far more dangerous than he had ever been. Before Savannah, he had had no emotions. He had killed when it necessary because it was necessary. He had feared nothing because he loved nothing and had nothing to lose. Now he had everything to lose.And so he was more dangerous.For no one, nothing, would ever threaten Savannah and live.
Christine Feehan (Dark Magic (Dark, #4))
Then Israel Finch got to his feet and pointed the light at Dolly. He told Tommy to hold her arms, and Tommy roared as if they were the funniest words in his reduced language. Realizing his cut wasn’t mortal, Israel slapped Dolly across the mouth, told her she was in for deep regret now, boy, and reaching forth his strong smelly hands rent open the front of her sweater. That, Dolly said, is when she would’ve started to give up inside, had she not looked over Israel’s shoulder and seen Dad coming. Keep in mind he ought not’ve been visible at all; there were no lights on but the flashlight, which was aimed at Dolly. She said Dad’s face coming toward them was luminous of itself, glowing and serene, the way you’d suppose an angel’s would be, that it rose up behind Israel Finch like a sudden moon, and when Tommy Basca saw it he was so startled he dropped her right down on her bottom. She said Dad was as silent, those next moments, as he was incandescent; he made no sound except a strange whistling, which turned out, of course, to be the broom handle, en route to any number of painful destinations. What was odd, she said, was how the boys weren’t even up to the job of running away—Tommy went screeching to his knees before the first blow landed, and Israel prostrated himself and moaned as though the devil had hold of his liver. The two of them just lost their minds, Dolly said, while her own reaction was nearly as insensible; she suddenly could not stop laughing. Here was Dad, his face still lit though now even the flashlight had gone out, smiling (Dolly said) though his eyes looked terribly melancholy, whacking Finch and Basca every second or two while the pair of them shrieked in no English you’d recognize—Dolly said the laughter just flooded through her and came not only from relief, as you might surmise, but from a reckless and holy sort of joy she had never felt before, not even while cheerleading.
Leif Enger (Peace Like a River)
Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)