Whisky Woman Quotes

We've searched our database for all the quotes and captions related to Whisky Woman. Here they are! All 29 of them:

If you want to know what's in motherhood for you, as a woman, then - in truth - it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whisky with revolutionaries; learning to do close-hand magic; swimming in a river in winter; growing foxgloves, peas and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a moment that childless men have missed out on a vital aspect of their existence, and were the poorer, and crippled by it.
Caitlin Moran (How to Be a Woman)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
A woman who likes her whisky,” he said while refilling her glass. “Careful that you doona steal my heart, Annalía.” “It figures that the one requirement you’d have for your woman is ‘whisky drinker.’” “Aye, but that’s only after ‘walks upright.
Kresley Cole (If You Dare (MacCarrick Brothers, #1))
A woman is like fine whisky. Deep and subtle, smooth but strong, warm yet lingering.
Wan-Ling, Wong (Time to live: Jannie Tay's journey)
He chuckled. “What about whisky?” “I don’t drink whisky.” “Hmm.” He took a long, slow sip from his glass, then set it down. “That’s a shame. A beautiful woman drinking whisky is my weakness.
Devney Perry (Tattered (Lark Cove, #1))
Suddenly he smiled, and the sadness was vanquished by whisky heat. “Aye, Jessica, I like you. And I’m not just stuck with you. You fit me here, woman.” He thumped his chest with his fist. Then he shook her hand from his forearm and pushed off with the cart again. Jessi watched him move down the aisle, all sleek animal muscle and dark grace. Wow. He wasn’t a man of many words, but when he used them, he certainly used the right ones. You fit me here. You are the exception to everything. Crimeny. It was how she’d always thought a relationship should be. People should fit each other: some days like sexy, strappy high-heeled shoes, other days like comfortable loafers—but always a good fit. And if you cared about someone, they should be the exception to everything; the number-one priority, the one who came before all others. He was halfway down the aisle from her now, plucking a can from the shelf—her primal hunter/gatherer procuring food by modern means, she thought, with a soft snort of amusement.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
I’m a Highlander, lass. All I need is my horse, my whisky and my woman.
Eliza Knight (The Highlander's Lady (Stolen Bride, #3))
I'm looking for something and I don't quite know what it is. But I know that it's very important for me to know it, and if I did it would make all the difference. Perhaps the nuns know it; when I'm with them I feel that they hold a secret which they will not share with me. I don't know why it came into my head that if I saw this Manchu woman I should have an inkling of what I am looking for. Perhaps she would tell me if she could." "What makes you think she knows it?" Kitty gave him a sidelong glance, but did not answer. Instead she asked him a question. "Do you know it?" He smiled and shrugged his shoulders. "Tao. Some of us look for the Way in opium and some in God, some of us in whisky and some in love. It is all the same Way and it leads nowhither.
W. Somerset Maugham (The Painted Veil)
Months ago, he'd told Effie, grandmother to his eldest brother's wife, that he was too busy to find a woman. He went on to brag he was quite happy being alone. That the only way he'd even consider a woman was if she dropped from the feckin' sky.He groaned and downed his first cup of coffee. Him and his big whisky loosened tongue.
Vonnie Davis (Bearing It All (Highlander's Beloved, #3))
Looking at her over my whisky I thought how odd it was that felt no desire for her at all. It was as if quite suddenly after all the promiscuous years I had grown up. My passion for Sarah had killed simple lust for ever. Never again would I be able to enjoy a woman without love.
Graham Greene (The End of the Affair)
him. I also recall the great poster for Ana Christie with Greta Garbo, based on a Eugene O’Neill play. ‘Garbo Talks’ it said. In that film, a series of inns were shown to stimulate our expectations, then there was mist, then a horse in the mist, then finally a woman arrived from Sweden and walked across the stage. Ferrari. Was it Greta Garbo? Borges. Yes, she arrived at the bar and slowly strolled past a very long table. We all expected her to talk—we were waiting to hear Greta Garbo’s voice, her never-heard-before voice. What we did hear was a hoarse voice that said, ‘Give me a whisky.’ It made us shiver with emotion. That was her first talkie.
Jorge Luis Borges (Conversations, Volume 1)
Tell me, Mar,” she would say (and here it must be explained, that when she called him by the first syllable of his first name, she was in a dreamy, amorous, acquiescent mood, domestic, languid a little, as if spiced logs were burning, and it was evening, yet not time to dress, and a thought wet perhaps outside, enough to make the leaves glisten, but a nightingale might be singing even so among the azaleas, two or three dogs barking at distant farms, a cock crowing—all of which the reader should imagine in her voice)—“Tell me, Mar,” she would say, “about Cape Horn.” Then Shelmerdine would make a little model on the ground of the Cape with twigs and dead leaves and an empty snail shell or two. “Here’s the north,” he would say. “There’s the south. The wind’s coming from hereabouts. Now the Brig is sailing due west; we’ve just lowered the top-boom mizzen; and so you see—here, where this bit of grass is, she enters the current which you’ll find marked—where’s my map and compasses, Bo’sun?—Ah! thanks, that’ll do, where the snail shell is. The current catches her on the starboard side, so we must rig the jib boom or we shall be carried to the larboard, which is where that beech leaf is,—for you must understand my dear—” and so he would go on, and she would listen to every word; interpreting them rightly, so as to see, that is to say, without his having to tell her, the phosphorescence on the waves, the icicles clanking in the shrouds; how he went to the top of the mast in a gale; there reflected on the destiny of man; came down again; had a whisky and soda; went on shore; was trapped by a black woman; repented; reasoned it out; read Pascal; determined to write philosophy; bought a monkey; debated the true end of life; decided in favour of Cape Horn, and so on. All this and a thousand other things she understood him to say and so when she replied, Yes, negresses are seductive, aren’t they? he having told her that the supply of biscuits now gave out, he was surprised and delighted to find how well she had taken his meaning. “Are you positive you aren’t a man?” he would ask anxiously, and she would echo, “Can it be possible you’re not a woman?” and then they must put it to the proof without more ado.
Virginia Woolf (Orlando: A Biography)
Let's not play games, Mr. Cratchett," I replied. "I wanted to let you know that I'll be coming in for an appointment with Mr. Raisin on Tuesday morning at eleven o'clock. I shall need about an hour and would prefer it if we were not disturbed during that time. I hope that he will be free at that hour but just so you both know, if he is not, then I am perfectly willing to sit in your office until he is free. I shall bring a book with me to pass the time. I shall bring two, if need be. I shall bring the complete works of Shakespeare if he insists on keeping me waiting interminably and those plays will get me through the long hours. But I will not leave until I have seen him, are we quite clear on that? Now, I wish you a very pleasant Sunday, Mr. Cratchett. Enjoy your lunch, won't you? Your breath smells of whisky.
John Boyne
A Feegle Glossary, adjusted for those of a delicate disposition Bigjobs: Human beings. Blethers: Rubbish, nonsense. Carlin: Old woman. Cludgie: The privy. Crivens!: A general exclamation that can mean anything from “My goodness!” to “I’ve just lost my temper and there is going to be trouble.” Dree your/my/his/her weird: Face the fate that is in store for you/me/him/her. Geas: A very important obligation, backed up by tradition and magic. Not a bird. Eldritch: Weird, strange. Sometimes means oblong, too, for some reason. Hag: A witch of any age. Hagging/Haggling: Anything a witch does. Hiddlins: Secrets. Mudlin: Useless person. Pished: I am assured that this means “tired.” Scunner: A generally unpleasant person. Scuggan: A really unpleasant person. Ships: Wooly things that eat grass and go baa. Easily confused with the other kind. Spavie: See Mudlin. Special Sheep Liniment: Probably moonshine whisky, I am very sorry to say. No one knows what it’d do to sheep, but it is said that a drop of it is good for shepherds on a cold winter’s night and for Feegles at any time at all. Do not try to make this at home. Waily: A general cry of despair.
Terry Pratchett (A Hat Full of Sky (Discworld, #32))
mouth was greasy. Not that DI Hogarth would have thought twice about snaffling a quick Kung Po washed down with his favourite whisky before a job, but Sue Palmer was a woman and whatever the blokes said, it was different. At least Hogarth wasn’t one of the PC brigade who said there was no glass ceiling. Hogarth was a dark realist with a cynical sense of humour. Lately Palmer had almost gotten used to Hogarth’s unintended sexism. It had almost become amusing. And under Hogarth’s rough, rotten exterior, she had found a sliver of charm which made her wonder about the distant possibilities… maybe if she was
Solomon Carter (The Darkest Lies (DI Hogarth #1))
Your grandmother always used to say that we’re all on the same dancefloor, but we all dance to different songs and some of us dance to shorter songs than others.” Some of us don’t even stay for the duration of the song, Rowan thought bitterly. He did remember his granny saying that, that the world was a big dancefloor. “Well, your song is a beautiful composition. Any woman with a bit of common sense will see that.” His grandfather squeezed Rowan’s arm again, took a sip of his whisky and moved to the safer topic of the following week’s football games. An interest in football was a trait Rowan had missed from both sides of his family.
Pamela Harju (Sympathetic Strings)
I felt my heart flutter on seeing her. Either I was in love or last night's whisky and finger chips were causing acidity.
Saurbh Katyal (The Invisible Woman (Detective Vishal Bajaj Series))
She had disapproved, audibly, repeatedly, and eventually to my face, of my habit of going about with my head uncovered, it being her opinion that it was unseemly for a woman of my age not to wear either cap or kerch, reprehensible for the wife of a man of my husband’s position—and furthermore, that only “backcountry sluts and women of low character” wore their hair loose upon their shoulders. I had laughed, ignored her, and given her a bottle of Jamie’s second-best whisky, with instructions to have a wee nip with her breakfast and another after supper. A
Diana Gabaldon (The Fiery Cross (Outlander, #5))
Where?’ Milly asked, looking politely up from the Horse-woman’s Year Book. It was the evening hour when work was over and the last gold light lay flat across the roofs and touched the honey-coloured hair and the whisky in his glass.
Graham Greene (Our Man in Havana)
Ian had thought his brothers fools about that. If they couldn’t understand the difference between three overbearing Scotsmen who smelled of smoke and whisky, and a lovely young woman scented with attar of roses, he couldn’t help them.
Jennifer Ashley (A Mackenzie Family Christmas: The Perfect Gift (Mackenzies & McBrides, #4.5))
Is D looking out for you?” he wanted to know. “Making sure you don’t get into trouble?” “What do you mean?” “You always had your own rules about things. Like that boy you ran around with when I first met you.” “Kibii?” “That’s right.” He tipped his cocktail glass back and pulled the whisky along the rim through his teeth. “You were always a bit of a savage here, weren’t you?” “I can’t think what you’re implying. And anyway, you seemed to admire my hunting with Kibii when we first met. Now I’m a savage?” “I’m only saying that what you do reflects on me. The way you were brought up out here, running around with God knows who doing God knows what…and now you’re off at D’s, a woman alone surrounded by men. It smacks of trouble.” “I’m working, not taking dozens of lovers.” “I’d hear of it in an instant if you were,” he said flatly. His eyes flicked away and returned. “You’ve already put me in quite a position.” “I’ve put you in a position? Just give me the damned divorce and let’s have done with it.” Before
Paula McLain (Circling the Sun)
Genevieve…” He sat directly beside her, his flat abdomen exposed to the firelight, his expression suggesting he’d welcome eagles tearing at his flesh rather than endure her touch. “I wanted to sketch you without your shirt, but I was afraid to ask. I wanted to sketch you—” The look he gave her was rueful and tender. “You will be the death of me, woman.” He sounded resigned to his fate, and Jenny liked it when he called her woman in that exasperated, affectionate tone. She did not like it quite as well when he hoisted her bodily over his lap, so she sat facing him and his exposed, lacerated torso. “You will note the absence of any felines,” Elijah said, hands falling to his sides. “And yet, I must warn you, Genevieve, indulging your curiosity is still ill-advised.” He thought this was curiosity on her part, and some of it was, but not curiosity about what happened between women and men. Jenny’s curiosity was far more specific, and more dangerous than he knew: she wanted to know about Elijah Harrison, and about Elijah Harrison and Genevieve Windham. “My parents will be home in a few days, Elijah, possibly as soon as this weekend.” The notion made her lungs feel tight and the whisky roil in her belly. He trapped her hands and stopped her from tracing the muscles of his chest. “It’s all right. I understand. Explore to your heart’s content.” A pulse beat at the base of his throat. She touched two fingers to it. “It’s late, you don’t owe me—” He kissed her, a gentle, admonitory kiss, like Jock’s cautionary growl. She took his meaning: no more trying to coax enthusiasm from Elijah for her company, no more trying to inspire him to reassurances that he felt something special for her. He would permit her curiosity and nothing more. The
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
A year later I was at a desolate little mud road ranch on the Deadwood trail. It was kept by a very capable and very forceful woman, with sound ideas of justice and abundantly well able to hold her own. Her husband was a worthless devil, who finally got drunk on some whisky he obtained from an outfit of Missouri bull-whackers—that is, freighters, driving ox wagons. Under the stimulus of the whisky he picked a quarrel with his wife and attempted to beat her. She knocked him down with a stove-lid lifter, and the admiring bull-whackers bore him off, leaving the lady in full possession of the ranch.
Theodore Roosevelt (Theodore Roosevelt: An Autobiography)
His lips covered hers and turned potent and possessive. His mouth tasted of berries, honey, and a tang of whisky. It was a combination a woman could succumb to without a moment's hesitation - succumb to and be seduced by.
Vonnie Davis (A Highlander's Passion (Highlander's Beloved, #2))
Mrs. Mayfield’s bakery still filled the streets with the smell of fresh bread, the barbershop still seemed empty, and the Dundurn Gazette building still looked dilapidated and about to crumble. Maybe this is what I need, Gen thought. She craved stability right now. Recently she had felt lost and overwhelmed, hating life at university and struggling with her course, but desperate to please her mother. Every Isherwood woman attended the University of Toronto; Gen couldn’t be the exception. There was only one major road entering and leaving Dundurn, and it quickly took them away from the bustle. Soon they could see the arch boldly displaying the farm’s name etched into the metal: The Triple 7 Ranch. Nothing about the ranch seemed to have changed: the barn behind the house, the farmland beyond it, or the wheat fields arranged in neat lines stretching into the distance. Gen waited to hear Whisky, their German shepherd, as they pulled in. She always came out of wherever she was and barked loudly when cars arrived. “Where’s Whisky?” she asked after a couple of seconds. “Oh, Whisky passed on last year, honey,” her mum said. “No! What happened?” “Some hooligans from Saskatoon ran her over, honey.” “Sheriff Liam says we have to be extra careful now that some new businesses have settled out there.” “Who would do such a thing?” It seemed some things changed after all. ><>< Gen turned the knob of the bedroom door, which creaked as it swung open. Peering into her old bedroom, memories flooded her senses; she travelled to a time when the world made sense. She heard giggling and the patter of running feet as she recalled a time when all that mattered was finding the best place to hide while playing with her grandfather. She had been an only child but had never felt the loneliness others in her position described. Her grandfather had been her friend, confidante,
A.K. Howard (Genesis Awakens (Footnail, #1))
D’you think Scotland’s going to leave?” “Go for independence? Maybe,” said Strike. “The polls are close. Barclay thinks it could happen. He was telling me about some old mates of his at home. They sound just like Polworth. Same hate figures, same promises everything’ll be rainbows and unicorns if only they cut themselves free of London. Anyone pointing out pitfalls or difficulties is scaremongering. Experts don’t know anything. Facts lie. ‘Things can’t be any worse than they are.’” Strike put several chips in his mouth, chewed, swallowed, then said, “But life’s taught me things can always get worse than they are. I thought I had it hard, then they wheeled a bloke onto the ward who’d had both his legs and his genitals blown off.” He’d never before talked to Robin about the aftermath of his life-changing injury. Indeed, he rarely mentioned his missing leg. A barrier had definitely fallen, Robin thought, since their whisky-fueled talk in the dark office. “Everyone wants a single, simple solution,” he said, now finishing his last few chips. “One weird trick to lose belly fat. I’ve never clicked on it, but I understand the appeal.” “Well, reinvention’s such an inviting idea, isn’t it?” said Robin, her eyes on the fake hot-air balloons, circling on their prescribed course. “Look at Douthwaite, changing his name and finding a new woman every few years. Reinventing a whole country would feel amazing. Being part of that.” “Yeah,” said Strike. “Of course, people think if they subsume themselves in something bigger, and that changes, they’ll change too.” “Well, there’s nothing wrong with wanting to be better, or different, is there?” asked Robin. “Nothing wrong with wanting to improve things?” “Not at all,” said Strike. “But people who fundamentally change are rare, in my experience, because it’s bloody hard work compared to going on a march or waving a flag. Have we met a single person on this case who’s radically different to the person they were forty years ago?
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
nine o’clock is a woman’s hour. The dinners have been served and the dishes dried and stacked, the children tucked into bed, the whiskies poured and served to the husbands. It’s the hour where a woman might sit in stillness, scheming and dreaming.
Alix E. Harrow (The Once and Future Witches)
Liza hated alcoholic liquors with an iron zeal. Drinking alcohol in any form she regarded as a crime against a properly outraged deity. Not only would she not touch it herself, but she resisted its enjoyment by anyone else. The result, naturally, was that her husband Samuel and all her children had a good lusty love for a drink. Once when he was very ill Samuel asked, "Liza, couldn't I have a glass of whisky to ease me?" She set her little hard chin. "Would you go to the throne of God with liquor on your breath? You would not!" she said. Samuel rolled over on his side and went about his illness without ease. When Liza was about seventy her elimination slowed up and the doctor told her to take a tablespoon of port wine for medicine. She forced down the first spoonful, making a crooked face, but it was not so bad. And from that moment she never drew a completely sober breath. She always took the wine in a tablespoon, it was always medicine, but after a time she was doing over a quart a day and she was a much more relaxed and happy woman.
John Steinbeck (East of Eden)
Tolerances of the Human Face in Crash Impacts. Travers took the glass of whisky from Karen Novotny. ‘Who is Koester? - the crash on the motorway was a decoy. Half the time we’re moving about in other people’s games.’ He followed her on to the balcony. The evening traffic turned along the outer circle of the park. The past few days had formed a pleasant no-man’s land, a dead zone on the clock. As she took his arm in a domestic gesture he looked at her for the first time in half an hour. This strange young woman, moving in a complex of undefined roles, the gun moll of intellectual hoodlums with her art critical jargon and bizarre magazine subscriptions. He had met her in the demonstration cinema during the interval, immediately aware that she would form the perfect subject for the re-enactment he had conceived. What were she and her fey crowd doing at a conference on facial surgery? No doubt the lectures were listed in the diary pages of Vogue , with the professors of tropical diseases as popular with their claques as fashionable hairdressers. ‘What about you, Karen? - wouldn’t you like to be in the movies?’ With a stiff forefinger she explored the knuckle of his wrist. ‘We’re all in the movies.
J.G. Ballard (The Atrocity Exhibition)