Whirlpool Quotes

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We are travelers on a cosmic journey,stardust,swirling and dancing in the eddies and whirlpools of infinity. Life is eternal. We have stopped for a moment to encounter each other, to meet, to love, to share.This is a precious moment. It is a little parenthesis in eternity.
Paulo Coelho (The Alchemist)
Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.
Khaled Hosseini (A Thousand Splendid Suns)
While we revel in the passion of the ‘moment’ braving the whirlpool of time, a flow of vibrations may surprise us and reveal unsuspected power in our inner self, giving us muscle and confidence. (" Swim or sink")
Erik Pevernagie
If we take height instead of digging ourselves into a whirlpool of deception or self-sufficiency, we can track down the things we have neglected for so long that can give our lives a rainbow of color and vibrance. ( "The power and the glory" )
Erik Pevernagie
There was such an incredible logic to kissing, such a metal-to-magnet pull between two people that it was a wonder that they found the strength to prevent themselves from succumbing every second. Rightfully, the world should be a whirlpool of kissing into which we sank and never found the strength to rise up again.
Ann Patchett (Bel Canto)
Our life depends on the kind of thoughts we nurture. If our thoughts are peaceful, calm, meek, and kind, then that is what our life is like. If our attention is turned to the circumstances in which we live, we are drawn into a whirlpool of thoughts and can have neither peace nor tranquility.
Thaddeus of Vitovnica (Our Thoughts Determine Our Lives: The Life and Teachings of Elder Thaddeus of Vitovnica)
My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.
Fernando Pessoa (The Book of Disquiet)
Oh, was that liquor of yours a stimulant?" asked Elena. "I wondered why he didn't fall asleep." "Couldn't you tell?" chuckled Mayhew. "Not really." Miles twisted his head to take in Elena's upside-down worried face, and smile in weak reassurance. Sparkly black and purple whirlpools clouded his vision. Mayhew's laughter faded. "My God," he said hollowly, "you mean he's like that all the time?
Lois McMaster Bujold (The Warrior's Apprentice (Vorkosigan Saga, #2))
The only excursion of my life outside of New Orleans took me through the vortex to the whirlpool of despair: Baton Rouge. . . . New Orleans is, on the other hand, a comfortable metropolis which has a certain apathy and stagnation which I find inoffensive.
John Kennedy Toole (A Confederacy of Dunces)
Such is my relationship with God: on my gigantic canvass of life, I am the one throwing all of the brightly-colored paints, creating genuine splatters, authentic whirlpools of color, beautiful patterns, wonderful streaks and stains and wild accents; God is the one with the paintbrush who stands beside my canvass filling all the intricate and amazing details in between the whirlpools and the streaks! We're happy together!
C. JoyBell C.
Many women don’t know what orgasm is. Many men don’t know was total orgasm is. Many only achieve a local orgasm, a genital orgasm; it is confined to the genitals. Just a small ripple in the genitals-and finished. It is not like possession when the whole body moves into a whirlpool and you are lost in the abyss. For a few moments time stops and the mind does not function. For a few moments you do not know who you are. Then it is a total orgasm.
Osho
One of the strongest motives that leads men to art and science is escape from everyday life with its painful crudity and hopeless dreariness. Such men make this cosmos and its construction the pivot of their emotional life, in order to find the peace and security which they cannot find in the narrow whirlpool of personal experience.
Walter Isaacson (Einstein: His Life and Universe)
GETTING KILLED BY TARTARUS didn’t seem like much of an honor. As Annabeth stared up at his dark whirlpool face, she decided she’d rather die in some less memorable way—maybe falling down the stairs, or going peacefully in her sleep at age eighty, after a nice quiet life with Percy. Yes, that sounded good.
Rick Riordan
Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate. I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me. I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool. And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing. And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything. If only I could think! If only I could feel!
Fernando Pessoa (The Book of Disquiet)
You cannot imagine the craving for rest that I feel—a hunger and thirst. For six long days, since my work was done, my mind has been a whirlpool, swift, unprogressive and incessant, a torrent of thoughts leading nowhere, spinning round swift and steady
H.G. Wells (When the Sleeper Wakes)
I have tried insofar as possible to avoid getting involved in the sordid complications of human beings. I have been afraid of being sucked down into their bottomless whirlpool.
Osamu Dazai (No Longer Human)
May I?” Jayden sat on the edge of the couch and poured me a fresh cup of tea. He placed his hand over the brew. As his eyes swirled a whirlpool of shimmering blues and greens, the liquid iced into a frozen block. He fanned his fingers and spider lines cracked the ice. Seconds later the tea boiled. “You control tea?” Jayden’s satisfied smile faltered. “No. I…I control water. The tea, the actual plant doesn’t change, however—” He caught my look and nodded. “Ohhh. You were being facetious.” “If that means joking, yes I was.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Thanks for the good times. Thank you for being so generous with what you have withheld. Thank you for being the snake in my grass, the thorn in my side, the pain in my ass, the knife in my back, the wrench in my works, the fly in my ointment. My Achilles’ heart. Caught in a whirlpool without an anchor, relaxing into it, calmly going under for one of many last times.
Carrie Fisher (The Princess Diarist)
The past is a whirlpool. If you let it dominate your present moment, it will suck you in,” said Shams as if he had read my thoughts. “Time is just an illusion. What you need is to live this very moment. That is all that matters.
Elif Shafak (The Forty Rules of Love)
Since love has spoken in your soul, reject The Self, that whirlpool where our lives are wrecked; As Jesus rode his donkey, ride on it; Your stubborn Self must bear you and submit - Then burn this Self and purify your soul; Let Jesus' spotless spirit be your goal.
عطار نیشابوری (The Conference of the Birds)
The Amish are islands of sanity in a whirlpool of change.
Nancy Sleeth (Almost Amish: One Woman's Quest for a Slower, Simpler, More Sustainable Life)
I was like a whirlpool of tragedy, and anybody who dared to get too close to me could get sucked in and drown. Like I was drowning right now.
Victoria Laurie (When)
Silence? What can New York-noisy, roaring, rumbling, tumbling, bustling, story, turbulent New York-have to do with silence? Amid the universal clatter, the incessant din of business, the all swallowing vortex of the great money whirlpool-who has any, even distant, idea of the profound repose......of silence?
Walt Whitman
I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting.
Bram Stoker (Dracula)
She sat beside him on the bench, and her presence troubled him. He was inside the atmosphere, or light, or scent she spread, as a boat is inside the drag of a whirlpool, as a bee is caught in the lasso of perfume from the throat of a flower.
A.S. Byatt (Angels and Insects)
Your green eye is a reducing chamber. If I look into it long enough, I wil become as small as my own reflection, I will diminish to a point and vanish. I will be drawn down into that black whirlpool and be consumed by you. I shall become so small you can keep me in one of your osier cages and mock my loss of liberty.
Angela Carter (The Erl-King)
There came to that room wild streams of violet midnight glittering with dust of gold, vortices of dust and fire, swirling out of the ultimate spaces and heavy perfumes from beyond the worlds. Opiate oceans poured there, litten by suns that the eye may never behold and having in their whirlpools strange dolphins and sea-nymphs of unrememberable depths. Noiseless infinity eddied around the dreamer and wafted him away without touching the body that leaned stiffly from the lonely window; and for days not counted in men's calandars the tides of far spheres that bore him gently to join the course of other cycles that tenderly left him sleeping on a green sunrise shore, a green shore fragrant with lotus blossums and starred by red camalates...
H.P. Lovecraft
His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.
D.H. Lawrence (Lady Chatterley's Lover)
It was what accidental deaths did to people, made everybody's sea floor irregular and uneven, causing tidal currents to collide, surge upward, thereby resulting in small yet volatile eddies churning at everybody's surface. (In the more dangerous cases, it created a lasting whirlpool in which the strongest swimmers could drown.)
Marisha Pessl (Special Topics in Calamity Physics)
Adding anxiety to depression is a bit like adding cocaine to alcohol. It presses fast-forward on the whole experience. If you have depression on its own your mind sinks into a swamp and loses momentum, but with anxiety in the cocktail, the swamp is still a swamp but the swamp now has whirlpools in it. The monsters that are there, in the muddy water, continually move like modified alligators at their highest speed. You are continually on guard. You are on guard to the point of collapse every single moment, while desperately trying to keep afloat, to breathe the air that the people on the bank all around you are breathing as easily as anything.
Matt Haig (Reasons to Stay Alive)
Knowledge and book learning are not wisdom," said the captain. "Is this book wisdom?" asked Lucy, putting the manuscript back on the table. "It has some elements of wisdom in it, me dear," replied the captain. "I did not lead a very wise life myself but it was a full one and a grown-up one. You come to age very often through shipwreck and disaster, and at the heart of the whirlpool some men find God.
R.A. Dick (The Ghost and Mrs. Muir)
For the truth is a terrible thing. You dabble your foot in it and it is nothing. But you walk a little farther and you feel it pull you like an undertow or a whirlpool. First there is the slow pull so steady and gradual you scarcely notice it, then the acceleration, then the dizzy whirl and plunge into darkness. For there is a blackness of truth, too. They say it is a terrible thing to fall into the Grace of God. I am prepared to believe that.
Robert Penn Warren (All the King's Men)
I used to think people were like lighthouses. That they were yhere to protect you. But they're no. People are lime whirlpools. They pull you in; they drag you under. You have to work so hard just to keep your head above water.
Lang Leav (Sad Girls)
The past is a whirlpool. If you let it dominate your present moment, it will suck you in. Time is just an illusion. What you need is to live this very moment. That is all that matters.
Elif Shafak (The Forty Rules of Love)
There is one kind of laugh that I always did recommend; it looks out of the eye first with a merry twinkle, then it creeps down on its hands and knees and plays around the mouth like a pretty moth around the blaze of a candle, then it steals over into the dimples of the cheeks and rides around in those whirlpools for a while, then it lights up the whole face like the mellow bloom on a damask rose, then it swims up on the air, with a peal as clear and as happy as a dinner-bell, then it goes back again on gold tiptoes like an angel out for an airing, and it lies down on its little bed of violets in the heart where it came from.
Josh Billings
Yes, they will trample me underfoot, the numbers marching one two three, four hundred million five hundred six, reducing me to specks of voiceless dust, just as, in all good time, they will trample my son who is not my son, and his son who will not be his, and his who will not be his, until the thousand and first generation, until a thousand and one midnights have bestowed their terrible gifts and a thousand and one children have died, because it is the privilege and the curse of midnight’s children to be both masters and victims of their times, to forsake privacy and be sucked into the annihilating whirlpool of the multitudes, and to be unable to live or die in peace.
Salman Rushdie (Midnight’s Children)
For her beauty is a velvet sea, its depths too great for man to fathom, and her love the whirlpool in which he spirals downward, ever downward, towards heaven.
Bobby Underwood (The Velvet Sea (Matt Ransom #1))
Anyone who objects to any government whatsoever as a form of socialism ought not to pull that socialist lever in their home, the one that makes their waste disappear in a whirlpool into the socialized sewage treatment plant.
John C. Médaille
Never during its pilgrimage is the human spirit completely adrift and alone. From start to finish its nucleus is the Atman, the god-within... underlying its whirlpool of transient feelings, emotions, and delusions is the self-luminous, abiding point of the transpersonal god. As the sun lights the world even when cloud-covered, “the Immutable is never seen but is the Witness; it is never heard but is the Hearer; it is never thought but is the Thinker; it is never known but is the Knower. There is no other witness but This, no other knower but This." from the Upanishad
Huston Smith (The World's Religions)
The joke was thinking you were ever really in charge of your life. You pressed your oar down into the water to direct the canoe, but it was the current that shot you through the rapids. You just hung on and hoped not to hit a rock or a whirlpool.
Scott Turow (Innocent (Kindle County Legal Thriller, #8))
Which suggested to me that a novel could be fashioned as a raft of hope, perception and entertainment that might help keep us afloat as we tried to negotiate the snags and whirlpools that mark our nation’s vacillating course toward and away from the democratic ideal.
Ralph Ellison (Invisible Man)
Be not afraid of whirlpools, of strong winds, and murky waves. Fear the creature that dwells in the darkest depths, the ice-shackled Kraken, that threatens to surface and your soul to keep.
Erna Grcic (Beneath the Surface)
Regret hung from the hem of everyone's lives, a rip cord reminder that what you want is not always what you get. Look at himself, outliving Aimee. Or Az, trying to find his daughter, only to have her wind up dead. Look at Shelby, with a child who was dying by degrees. Ethan, born into a body nobody deserves. At some point or another, everyone was failed by this world. Disappointment was the one thin humans had in common. Taken this way, Ross didn't feel quite so alone. Trapped in your whirlpool of what might have been, you might no be able to drag yourself out - but you could be saved by someone else who reached in.
Jodi Picoult (Second Glance)
A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet.
Stephen Greenblatt (The Swerve: How the World Became Modern)
What’s been coming to Becca, since all this began, is this: real isn’t what they try to tell you. Time isn’t. Grown-ups hammer down all these markers, bells schedules coffee-breaks, to stake down time so you’ll start believing it’s something small and mean, something that scrapes flake after flake off of everything you love till there’s nothing left; to stake you down so you won’t lift off and fly away, somersaulting through whirlpools of months, skimming through eddies of glittering seconds, pouring handfuls of hours over your upturned face.
Tana French (The Secret Place (Dublin Murder Squad, #5))
I thought that there is yet hope for someone who was caught in the river’s whirlpool, but none exists for those who are trapped in the vortex of a beautiful woman’s eyes.
Sumeetha Manikandan (Ponni's Beloved - Volume 1: New Floods, An English Translation Of Kalki Krishnamurthy's Ponniyin Selvan)
The resolve rising in her soul to die with me drew me I cannot tell you how powerfully, irresistibly to her bosom. Do you remember that I often asked you would you die with me? — But you always said no — A whirlpool of never before experienced happiness has seized hold of me and I cannot deny that her grave is dearer to me than the beds of all the empresses in the world. — Oh, my dear friend, may God soon call you to that better world where we shall all with the love of the angels embrace one another again. — Adieu.
Heinrich von Kleist (Kleist: Selected Writings (Hackett Classics))
Love is not me being who you want. Your definition is a whirlpool trying to suck me in and I'm drowning. Don't you see?...It's time...Time you stop telling me who to be, how to live. This is my portrait. You chose your canvas. Let me choose mine.
Nikki Grimes (Bronx Masquerade)
I closed my eyes and willed my breath to slow, my conscious mind to fold itself inward. I could feel heat pulsing from my daughter's head, her frantic thoughts whirling like broken glass. I loosened my hold on my body and dropped into that whirlpool.
Chitra Banerjee Divakaruni (Queen of Dreams)
Everything was calm. The sun was shining. I was swimming in the deep. And then, when I surfaced 20 years later, I discovered there was a storm, a whirlpool, a blasting gale lifting the waves over my head. At first I wasn’t sure I’d make it back to the boat and then I realised I didn’t want to make it back to the boat. Chaos is supposed to be what we most fear but I have come to believe it might be what we most want. If we don’t believe in the future we are planning, the house we are mortgaged to, the person who sleeps by our side, it is possible that a tempest (long lurking in the clouds) might bring us closer to how we want to be in the world. Life falls apart. We try to get a grip and hold it together. And then we realise we don’t want to hold it together.
Deborah Levy (The Cost of Living: A Working Autobiography)
What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.
James Joyce (Ulysses)
So often, nothing could deliver me from fear, but then sometimes, just listening to Daisy did the trick. She'd straightened something inside me, and I no longer felt like I was in a whirlpool or walking an ever-tightening spiral.
John Green (Turtles All the Way Down)
At that moment, I was truly without words. I realized that the world didn't exist by virtue of my mind. On the contrary, he and I and everyone else were swept up in a great whirlpool, swirling around constantly and not knowing where we're bound. Our sensations of pleasure and suffering, our thoughts, none of these things can stop the motion. For the first time, I was able to step away from my imagined position in the center of the universe and see myself as part of something larger. This was my revelation, and I now felt--what? Not particularly happy or sad, but just a bit precarious, as if I'd relaxed some muscle that I hadn't needed to use all along.
Banana Yoshimoto (Lizard)
Instead of turning away from them (war conditions) in instinctive horror, as people seem to expect, the child may turn towards them with primitive excitement. The real danger is not that the child, caught up all innocently in the whirlpool of war, will be shocked into illness. The danger lies in the fact that the destruction ranging in the outer world may meet the very real aggressiveness ranging in the inside of the child
Anna Freud (War and Children.)
My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me. At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering. At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful. It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy (American Hunger))
In the middle, the river was a deep green, scattered with rocks poking their noses up for a breath. The water charged around them, creating eddies and whirlpools. Closer to the bank, the current dragged lengths of weed along with it so it seemed that long-haired women swam just under the surface, never coming up for air.
Claire Fuller (Our Endless Numbered Days)
No, like worldly contempt, worldly honor is a whirlpool, a play of confused forces, an illusory moment in the flux of opinions. It is a sense-deception, as when a swarm of insects at a distance seem to the eye like one body; a sense-deception, as when the noise of the many at a distance seems to the ear like a single voice.
Søren Kierkegaard (Purity of Heart is to Will One Thing: Spiritual Preparation for the Office of Confession)
The really scary thing is not turning and turning in the widening gyre; it's turning and turning in the tightening gyre. It's getting sucked into a whirlpool that shrinks and shrinks and shrinks your world until you're just spinning without moving, stuck inside a prison cell that is exactly the size of you, until eventually your realize that you're not actually in a prison cell. You are the prison cell.
John Green (Turtles All the Way Down)
During one of my biggest struggles, the ripple effect was at its worst. I felt as though the ripple was going to turn into a whirlpool – to the point where I thought I was going to drown. My head was under the water and my hands were reaching for something to hold on to. Sadly, there wasn’t anyone or anything I could take hold of. However, when I trusted the waves, they carried me to a peaceful place in my mind, to the hidden aspects of my true self where I could explore my options. I had to find comfort in what was given and make the best of it.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
An LSD experience without the LSD" -that was a laugh. In fact, the heads are pouring in by the hundreds, bombed out of their gourds, hundreds of heads coming out into the absolute open for the first time. It is like the time the Pranksters went to the Beatles concert in full costume, looking so bizarre and so totally smoked that no one could believe they were. Nobody would risk it in public like that. Well the kids are just having an LSD experience without the LSD, that's all, and this is what it looks like. A hulking crazed whirlpool. That's nice.
Tom Wolfe (The Electric Kool-Aid Acid Test)
In Einstein's equation, time is a river. It speeds up, meanders, and slows down. The new wrinkle is it can have whirlpools and fork into two rivers. So, if the river of time can be bent into a pretzel, create whirlpools and fork into two rivers, then time travel cannot be ruled out.
Michio Kaku (Einstein's Cosmos: How Albert Einstein's Vision Transformed Our Understanding of Space and Time (Great Discoveries))
My Worst Habit My worst habit is I get so tired of winter I become a torture to those I’m with. If you’re not here, nothing grows. I lack clarity. My words tangle and knot up. How to cure bad water? Send it back to the river. How to cure bad habits? Send me back to you. When water gets caught in habitual whirlpools, dig a way out through the bottom to the ocean. There is a secret medicine given only to those who hurt so hard they can’t hope. The hopers would feel slighted if they knew. Look as long as you can at the friend you love, no matter whether that friend is moving away from you or coming back toward you. How to cure bad water ? Send it back to the river ! How to cure bad habits ? Send me back to you.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
...because it is the privilige and the curse of midnight's children to be both masters and victims of their times, to forsake privacy and be sucked into the annihilating whirlpool of the multitudes, and to be unable to live or die in peace.
Salman Rushdie
I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)
Bram Stoker (Dracula)
I'm standing in the lake, forming a whirlpool with my arms, letting the force of atonement pull me into its center until I cannot any longer hang onto my observations or any sense of myself, like dust and hydrogen clouds getting all excited white creating new stars to light the backyard. How poignantly emptiness cries out to be filled.
Henri Cole (Touch: Poems)
As June walked toward me from the darkness of the garden into the light of the door, I saw for the first time the most beautiful woman on earth. Astartling white face, burning dark eyes, a face so alive I felt it would consume itself before my eyes. Years ago I tried to imagine a true beauty; I created in my mind an image of just such a woman. I had never seen her until last night. Yet I knew long ago the phosphorescent color of her skin, her huntress profile, the evenness of her teeth. She is bizarre, fantastic, nervous, like someone in a high fever. Her beauty drowned me... By the end of the evening I had extricated myself from her power. She killed my admiration by her talk. Her talk. The enormous ego, false, weak, posturing. She lacks the courage of her personality, which is sensual, heavy with experience. Her role alone preoccupies her. She invents drama in which she always stars. I am sure she creates genuine dramas, genuine chaos and whirlpools of feelings, but I feel that her share in it is a pose. That night, in spite of my response to her, she sought to be whatever she felt I wanted her to be. She is an actress every moment. I cannot grasp the core of June.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
Each morning fog rolls over the bay and caresses the Golden Gate, the most picturesque bridge in the world. In the evenings night descends from heaven like some mystical force of nature, alerting hearts that something wonderful is about to happen. The City by the Bay becomes a moonlit paradise of sounds and sensations. It teems with lights, music, ocean, and pretty girls ready to dance and have fun. San Francisco stretches out her romantic hand, beckoning you to join in all the living going on, all the love being found. And for this reason, night is the loneliest time for those of us who have no one. Oh, we try for love, desperately we make the attempt, gallantly we forge on. But inevitably we fall into a seductive whirlpool of night and garter belts, lipstick and alluring lingerie, darkened hotel rooms and passion devoid of love. Love is the trophy others raise high in happiness, leaving the rest to seek momentary solace in sex bereft of tenderness and meaning, pretending for a few moments, perhaps even a few hours, that it is something more. A hollow consolation prize for losing the romance contest.
Bobby Underwood (Gypsy Summer)
Manatees are real, mermaids aren't. Rhinoceroses exist and sea monsters don't. There are no more sea serpents guarding deadly whirlpools. There are pirates, yes, but there is nothing romantic about them. The rest is all stories, and stories have been put in their place.
Jodi Lynn Anderson (Tiger Lily)
The essence of meditation practice in Dzogchen is encapsulated by these four points: ▪ When one past thought has ceased and a future thought has not yet risen, in that gap, in between, isn’t there a consciousness of the present moment; fresh, virgin, unaltered by even a hair’s breadth of a concept, a luminous, naked awareness? Well, that is what Rigpa is! ▪ Yet it doesn’t stay in that state forever, because another thought suddenly arises, doesn’t it? This is the self-radiance of that Rigpa. ▪ However, if you do not recognize this thought for what it really is, the very instant it arises, then it will turn into just another ordinary thought, as before. This is called the “chain of delusion,” and is the root of samsara. ▪ If you are able to recognize the true nature of the thought as soon as it arises, and leave it alone without any follow-up, then whatever thoughts arise all automatically dissolve back into the vast expanse of Rigpa and are liberated. Clearly this takes a lifetime of practice to understand and realize the full richness and majesty of these four profound yet simple points, and here I can only give you a taste of the vastness of what is meditation in Dzogchen. … Dzogchen meditation is subtly powerful in dealing with the arisings of the mind, and has a unique perspective on them. All the risings are seen in their true nature, not as separate from Rigpa, and not as antagonistic to it, but actually as none other–and this is very important–than its “self-radiance,” the manifestation of its very energy. Say you find yourself in a deep state of stillness; often it does not last very long and a thought or a movement always arises, like a wave in the ocean.  Don’t reject the movement or particulary embrace the stillness, but continue the flow of your pure presence. The pervasive, peaceful state of your meditation is the Rigpa itself, and all risings are none other than this Rigpa’s self-radiance. This is the heart and the basis of Dzogchen practice. One way to imagine this is as if you were riding on the sun’s rays back to the sun: …. Of couse there are rough as well as gentle waves in the ocean; strong emotions come, like anger, desire, jealousy. The real practitioner recognizes them not as a disturbance or obstacle, but as a great opportunity. The fact that you react to arisings such as these with habitual tendencies of attachment and aversion is a sign not only that you are distracted, but also that you do not have the recognition and have lost the ground of Rigpa. To react to emotions in this way empowers them and binds us even tighter in the chains of delusion. The great secret of Dzogchen is to see right through them as soon as they arise, to what they really are: the vivid and electric manifestation of the energy of Rigpa itself. As you gradually learn to do this, even the most turbulent emotions fail to seize hold of you and dissolve, as wild waves rise and rear and sink back into the calm of the ocean. The practitioner discovers–and this is a revolutionary insight, whose subtlety and power cannot be overestimated–that not only do violent emotions not necessarily sweep you away and drag you back into the whirlpools of your own neuroses, they can actually be used to deepen, embolden, invigorate, and strengthen the Rigpa. The tempestuous energy becomes raw food of the awakened energy of Rigpa. The stronger and more flaming the emotion, the more Rigpa is strengthened.
Sogyal Rinpoche (The Tibetan Book of Living and Dying)
Chuuya Nakahara does not dream. His awakening was similar to muddy bubbles rising to the surface. [...] Chuuya sat up. He was sweating a little around his chest, a reminder of some sort of violent emotion that had swirled around inside of him like a whirlpool in the sea. But what that emotion was, he couldn't remember. That always seemed to be the case, these days.
Kafka Asagiri (文豪ストレイドッグス STORM BRINGER)
I told him that bed-and-breakfasts have ginormous whirlpool tubs, and that I’d be willing to do unspeakably sinful things to him in it.” A strangled sound came from one of the two nerdy guys behind us in line, both wearing tortured expressions and staring at Erin. We stifled laughs. Maggie sighed. “Poor Chaz. He never had a chance… he’s gonna be standing in front of a bunch of people saying ‘I do’ someday without knowing how it happened.” “Ugh! I don’t think so. When it’s time to settle down, I’m getting somebody like…” Erin looked over her shoulder at the eavesdroppers behind us, “like one of them.” The boys looked at each other and stood up a little straighter. With a smirk in Erin’s direction, one of them fist-bumped the other.
Tammara Webber (Easy (Contours of the Heart, #1))
It’s getting sucked into a whirlpool that shrinks and shrinks and shrinks your world until you’re just spinning without moving, stuck inside a prison cell that is exactly the size of you, until eventually you realize that you’re not actually in the prison cell. You are the prison cell.
John Green (Turtles All the Way Down)
People with green eyes were close to the fairies, we were told; they were just here for a little while, looking for a human child they could take away. If we ever met anyone with one green and one brown eye we were to cross ourselves, for that was a human child that had been taken over by the fairies. The brown eye was the sign it had been human. When it died, it would go into the fairy mounds that lay behind the Donegal mountains, not to heaven, purgatory, limbo or hell like the rest of us. These strange destinations excited me, especially when a priest came to the house of a dying person to give the last rites, the sacrament of Extreme Unction. That was to stop the person going to hell. Hell was a deep place. You fell into it, turning over and over in mid-air until the blackness sucked you into a great whirlpool of flames and you disappeared forever.
Seamus Deane (Reading in the Dark)
Put it on record --I am an Arab And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about? Put it on record. --I am an Arab Working with comrades of toil in a quarry. I have eight childern For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your doors, --Lower not myself at your doorstep. --What's there to be angry about? Put it on record. --I am an Arab. I am a name without a tide, Patient in a country where everything Lives in a whirlpool of anger. --My roots --Took hold before the birth of time --Before the burgeoning of the ages, --Before cypess and olive trees, --Before the proliferation of weeds. My father is from the family of the plough --Not from highborn nobles. And my grandfather was a peasant --Without line or genealogy. My house is a watchman's hut --Made of sticks and reeds. Does my status satisfy you? --I am a name without a surname. Put it on Record. --I am an Arab. Color of hair: jet black. Color of eyes: brown. My distinguishing features: --On my head the 'iqal cords over a keffiyeh --Scratching him who touches it. My address: --I'm from a village, remote, forgotten, --Its streets without name --And all its men in the fields and quarry. --What's there to be angry about? Put it on record. --I am an Arab. You stole my forefathers' vineyards --And land I used to till, --I and all my childern, --And you left us and all my grandchildren --Nothing but these rocks. --Will your government be taking them too --As is being said? So! --Put it on record at the top of page one: --I don't hate people, --I trespass on no one's property. And yet, if I were to become starved --I shall eat the flesh of my usurper. --Beware, beware of my starvation. --And of my anger!
Mahmoud Darwish
Let us not deceive ourselves. We are in the midst of a great world change, and it is natural that simple souls, poor wandering spirits, see no way out of the chaos, seek relief in suicide, or think the world is coming to an end and join in the race after the golden calf and rush blindly into the whirlpool.
Gottfried Feder (Programme of the N. S. D. A. P.)
And yet it bewildered him that people truly believed capitalism to be about making things or providing services at a profit. He found it extraordinary how most people disliked speculators but thought of them as peripheral, as harmless bubbles on a steady stream of enterprise. They fail to recognize the very opposite is true, […] that enterprise long ago became a bubble on a whirlpool of speculation. That, in reality, workers, inventors and managers resemble driftwood buffeted hither and thither on a manic torrent of runaway finance.
Yanis Varoufakis (Another Now: Dispatches from an Alternative Present)
The nation’s leaders keep throwing out the word “Washington” as a vulgar abstraction. Nothing new here: the anti-Washington reflex in American politics has been honed for centuries, often by candidates who deride the capital as a swamp, only to settle into the place as if it were a soothing whirlpool bath once they get elected. The city exists to be condemned.
Mark Leibovich (This Town: Two Parties and a Funeral — plus plenty of valet parking! — in America's Gilded Capital)
Inwardly we are whirlpools of misery and mischief and therefore to be regarded outwardly as a great figure is very gratifying. This craving for position, for prestige, for power, to be recognized by society as being outstanding in some way, is a wish to dominate others, and this wish to dominate is a form of aggression. The saint who seeks a position in regard to his saintliness is as aggressive as the chicken pecking in the farmyard. And what is the cause of this aggressiveness? It is fear, isn't it?
J. Krishnamurti (Freedom from the Known)
There is something terrifying about seeing someone strong standing on the edge of the abyss, like a ship on the lip of a whirlpool where the whole sea plunges into the maw of Charybdis. There is that moment when they reach out—like a drowning man will—and if you’re within reach, they will pull you down with them. I didn’t want to stand there beside him. I didn’t want to be dragged down.
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
Llanfair - home if Saint Gelert's grave. We should call ourselves that, like that other Llanfair.' 'You mean the other Llanfair over the Anglesey; the one that claims to have the longest name in the world?' Barry-the-Bucket asked. 'That's exactly what I mean', Evans-the-Meat said grandly. 'If they can call themselves Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch, which we all know means nothing more important than Saint Mary's church in the hollow of white hazel near the rapid whirlpool and Saint Tisilio's church near the red cave, then why shouldn't we start calling ourselves Llanfair-up-on-the-pass-with-the-brook-running-through-it-and-Saint-Gelert's-grave-right-above-it?
Rhys Bowen (Evan Help Us (Constable Evans, #2))
Who are you, man?" "I? I am nothing," replied the other. "A leaf caught in a whirlpool. A feather in the wind..." "Too bad," said Yama, "for there are leaves and feathers enough in the world for me to have labored so long only to increase their number. I wanted me a man, one who might continue a war interrupted by his absence-a man of power who could oppose with that power the will of gods. I thought you were he." "I am"-he sqinted again-"Sam. I am Sam. Once- long ago... I did fight, didn't I? Many times..." "You were the Great-Souled Sam, the Budda. Do you remember?" "Maybe I was.." a slow fire was kindled in his eyes. "Yes," he said then. "Yes, I was. Humblest of the proud, proudest of the humble. I fought. I taught the Way for a time. I fought again, taught again, tried politics, magic, poison.. I fought one great battle so terrible the sun itself hid its face from the slaughter-with men and gods, with animals and demons, with spirits of the earth and air, of fire and water, with slizzards and horses, swords and chariots-" "And you lost," said Yama. "Yes, I did, didn't I? But it was quite a showing we gave them, wasn't it? You, deathgod, were my charioteer. It all comes back to me now. We were taken prisoner and the Lords of Karma were to be our judges. You escaped them by the will-death and the Way of the Black Wheel. I could not.
Roger Zelazny (Lord of Light)
A predator’s intention…… It is my intention to cause you fear such as you have never known. It is my desire to take your fear to a whole new level of terror. I can smell your fear as its sweet scent flows through my universe. This small universe that I have created and am permitting you to exist in. I say these things because you only exist right now because I have allowed it, for if I should choose, I could snuff you out as if extinguishing a candle flame. I will make you thank me later for allowing you to breathe. I will mix you a concoction of fear, pain, uncertainty, and arousal, such as you have never known. You see my curious little prey these all create very similar physical reactions. My little prey… they have common traits on the emotional side too. Curious prey, curious prey, let me growl my intentions into your curious ear. I will keep you in a constant state of fear, pain, uncertainty, and arousal. I know exactly what I am doing; I am a skilled and professional predator. It is my full intention to own you! I will keep you in a constant emotional whirlpool. This is the universe of my making, and you exist in it by my power, and by my choice. I want you in a constant state of fear, physical discomfort, pain, uncertainty, and arousal. I am purposely blurring the lines between your emotions, and your physical sensations. As I do this… I am creating a desire and a craving within you to be man handled and taken by me. I am intentionally working you into a state of intense arousal, and desperation. I am conditioning you to crave your new life as my prey…
Suzanne Steele (The Executioner)
We are but whirlpools in a river of ever-flowing water. We are not stuff that abides, but patterns that perpetuate themselves. A pattern is a message, and may be transmitted as a message. How else do we employ our radio than to transmit patterns of sound, and our television set than to transmit patterns of light? It is amusing as well as instructive to consider what would happen if we were to transmit the whole pattern of the human body, of the human brain with its memories and cross connections, so that a hypothetical receiving instrument could re-embody these messages in appropriate matter,
Norbert Wiener (The Human Use Of Human Beings: Cybernetics And Society (The Da Capo series in science))
It’s like I have this demon inside of me, and I want it gone, but the idea of removing it via pill is . . . I don’t know . . . weird. But a lot of days I get over that, because I do really hate the demon.” “You often try to understand your experience through metaphor, Aza: It’s like a demon inside of you; you’ll call your consciousness a bus, or a prison cell, or a spiral, or a whirlpool, or a loop, or a—I think you once called it a scribbled circle, which I found interesting.” “Yeah,” I said. “One of the challenges with pain—physical or psychic—is that we can really only approach it through metaphor. It can’t be represented the way a table or a body can. In some ways, pain is the opposite of language.” She turned to her computer, shook her mouse to wake it up, and then clicked an image on her desktop. “I want to share something Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I’d ask you to frame your mental health around a word other than crazy.
John Green (Turtles All the Way Down)
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
It is an iron rule of history that what looks inevitable in hindsight was far from obvious at the time. Today is no different. Are we out of the global economic crisis, or is the worst still to come? Will China continue growing until it becomes the leading superpower? Will the United States lose its hegemony? Is the upsurge of monotheistic fundamentalism the wave of the future or a local whirlpool of little long-term significance? Are we heading towards ecological disaster or technological paradise? There are good arguments to be made for all of these outcomes, but no way of knowing for sure. In a few decades, people will look back and think that the answers to all of these questions were obvious. It
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Man as an organism is to the world outside like a whirlpool is to a river: man and world are a single natural process, but we are behaving as if we were invaders and plunderers in a foreign territory. For when the individual is defined and felt as the separate personality or ego, he remains unaware that his actual body is a dancing pattern of energy that simply does not happen by itself. It happens only in concert with myriads of other patterns—called animals, plants, insects, bacteria, minerals, liquids, and gases. The definition of a person and the normal feeling of “I” do not effectively include these relationships. You say, “I came into this world.” You didn’t; you came out of it, as a branch from a tree.
Alan W. Watts (Does It Matter? Essays on Man's Relation to Materiality)
We Szekelys have a right to be proud, for in our veins flows the blood of many brave races who fought as the lion fights, for lordship. Here, in the whirlpool of European races, the Ugric tribe bore down from Iceland the fighting spirit which Thor and Wodin gave them, which their Berserkers displayed to such fell intent on the seaboards of Europe, ay, and of Asia and Africa too, till the peoples thought that the werewolves themselves had come. Here, too, when they came, they found the Huns, whose warlike fury had swept the earth like a living flame, till the dying peoples held that in their veins ran the blood of those old witches, who, expelled from Scythia had mated with the devils in the desert. Fools, fools!
Bram Stoker (Dracula)
The enemy is typically depicted as a dangerous octopus, a vicious dragon, a multiheaded hydra, a giant venomous tarantula, or an engulfing Leviathan. Other frequently used symbols include vicious predatory felines or birds, monstrous sharks, and ominous snakes, particularly vipers and boa constrictors. Scenes depicting strangulation or crushing, ominous whirlpools, and treacherous quicksands also abound in pictures from the time of wars, revolutions, and political crises. The juxtaposition of paintings from non-ordinary states of consciousness that depict perinatal experiences with the historical pictorial documentation collected by Lloyd de Mause and Sam Keen offer strong evidence for the perinatal roots of human violence.
Stanislav Grof (The Holotropic Mind: The Three Levels of Human Consciousness and How They Shape Our Lives)
I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me. I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool. And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one.
Fernando Pessoa (The Book of Disquiet)
He paused, then, I behind him, arms locked around the powerful ribs, fingers caressing him. To lie with him, to lie with him, burning forgetful in the delicious animal fire. Locked first upright, thighs ground together, shuddering, mouth to mouth, breast to breast, legs enmeshed, then lying full length, with the good heavy weight of body upon body, arching, undulating, blind, growing together, force fighting force: to kill? To drive into burning dark of oblivion? To lose identity? Not love, this, quite. But something else rather. A refined hedonism. Hedonism: because of the blind sucking mouthing fingering quest for physical gratification. Refined: because of the desire to stimulate another in return, not being quite only concerned for self alone, but mostly so. An easy end to arguments on the mouth: a warm meeting of mouths, tongues quivering, licking, tasting. An easy substitute for bad slashing with angry hating teeth and nails and voice: the curious musical tempo of hands lifting under breasts, caressing throat, shoulders, knees, thighs. And giving up to the corrosive black whirlpool of mutual necessary destruction. - Once there is the first kiss, then the cycle becomes inevitable. Training, conditioning, make a hunger burn in breasts and secrete fluid in vagina, driving blindly for destruction. What is it but destruction? Some mystic desire to beat to sensual annihilation - to snuff out one’s identity on the identity of the other - a mingling and mangling of identities? A death of one? Or both? A devouring and subordination? No, no. A polarization rather - a balance of two integrities, changing, electrically, one with the other, yet with centers of coolness, like stars. And there it is: when asked what role I will plan to fill, I say “What do you mean role? I plan not to step into a part on marrying - but to go on living as an intelligent mature human being, growing and learning as I always have. No shift, no radical change in life habits.” Never will there be a circle, signifying me and my operations, confined solely to home, other womenfolk, and community service, enclosed in the larger worldly circle of my mate, who brings home from his periphery of contact with the world the tales only of vicarious experience to me.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
What have I done? Sweet Jesus, what have I done? Become a thief in the night, Become a dog on the run And have I fallen so far, And is the hour so late That nothing remains but the cry of my hate, The cries in the dark that nobody hears, Here where I stand at the turning of the years? If there's another way to go I missed it twenty long years ago My life was a war that could never be won They gave me a number and murdered Valjean When they chained me and left me for dead Just for stealing a mouthful of bread Yet why did I allow that man To touch my soul and teach me love? He treated me like any other He gave me his trust He called me brother My life he claims for God above Can such things be? For I had come to hate the world This world that always hated me Take an eye for an eye! Turn your heart into stone! This is all I have lived for! This is all I have known! One word from him and I'd be back Beneath the lash, upon the rack Instead he offers me my freedom I feel my shame inside me like a knife He told me that I have a soul, How does he know? What spirit comes to move my life? Is there another way to go? I am reaching, but I fall And the night is closing in And I stare into the void To the whirlpool of my sin I'll escape now from the world From the world of Jean Valjean Jean Valjean is nothing now Another story must begin!
Claude-Michel Schönberg
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden)
Witch-sign, they said. Little eddies, like miniature storms breaking the surface of the ocean. Witch-signs rise up in great numbers, last a few minutes, and then disappear. When the whirlpools are gone, all that’s left is floating petals. Black sea roses. Anomalies. I’m not afraid. A queer chill settles into my bones, and I huddle, pulling my knees closer to my chest. What if Ilven’s death really did raise something up out of the waters? But those stories Nala is talking about—they’re just … fancies. There’s no real truth to them, they’re Hob tales. That’s what our House crake taught me. Of course, Ilven always did find the old stories fascinating and told me how she secretly wished that they were still real, that there was more to magic than just the scriv-forced power of the Houses. Oh Ilven. Bound now below the sea, caught in the kelp forests, nibbled at, her hair full of crabs and little ghost shrimp, a ghost herself. I choke on a sadness so sharp that it has sliced me in two.
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful. It made me want to drive coldly to the heart of every question and lay it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy)
This is how my day usually goes. I leave the faucet open and know what it’s like to have my fingers around a minuscule whirlpool, and I cry, hoping if I do it for hours the water will end up tasting like the ocean, just so I could get myself half-drowning. I don’t know how to float on water. This is the closest thing I will ever get to breathing without forcing my lungs to turn into a garbage truck, or a car alarm, or anything that can get my neighbors out of their doors. Maybe if I blink my eyes as fast as I can, I will end up having lightning for tears because that’s how much they hurt. There is the constant banging on my door. On my bedside table is an empty mug that was once made with everything close to tasting like beautiful and patient and calm. And I am not. I am stepping on my own leash. my skin has purple circles, my eyes has been spending too many hours pretending to be an Olympic pool, when it’s too little to even be a sink. Last night, I realized, the tap water will never taste like tears, no matter how many hours I spent bending. The banging on my bedroom door will never stop. I wonder how long I can keep this up until I remember that there’s always a limit to pain, and none to love.
Kharla M. Brillo
Because as long as Spring is there, the windows shall always walk open! Each time a chapter closes by, my heart sinks in a whirlpool of emotions. Walking through a canvas of moments I smile with a bunch of happy tunes, often shunning my foolish heart for being too emotional too caring and too loving. But then a breeze clutches me in a smile of being alive, after all my heart feels and that spark of Life is all that Life is about. I warmly wrap them up in my heart, tucking every moment, every character in pages of a mulberry leaf! And walk on to a path of unknown, in a journey yet to be found, in a page yet to be written. I sit with my book and sip my heart's flow through my soul and with a smile embrace the morn of another beginning as the door closes a chapter only to find another. I inhale an experience and all along open my heart to walk ahead in a journey to find another part of my journey, to give my soul's part to another voyage in Life's amazing maze where each turn makes me wonder in awe of Him, who walks beside us when Strength goes dimming and Courage goes faltering, holding our head up against a burst of Sunshine, to wrap us on our Stardust of Self. I drink in the Sunshine, in the halo of a starry journey, some of it already lived while some yet to behold! Because as long as Spring is there, the windows shall always walk open!
Debatrayee Banerjee (A Whispering Leaf. . .)
At the age of twelve, before I had had one full year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering. At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful. It made me want to drive coldly to the heart of every question and lay it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men’s souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy: Englische Lektüre für das 3. und 4. Lernjahr. Gekürzt, mit Annotationen und Aufgaben)
The Undivided Wholeness of All Things Most mind-boggling of all are Bohm's fully developed ideas about wholeness. Because everything in the cosmos is made out of the seamless holographic fabric of the implicate order, he believes it is as meaningless to view the universe as composed of "parts, " as it is to view the different geysers in a fountain as separate from the water out of which they flow. An electron is not an "elementary particle. " It is just a name given to a certain aspect of the holomovement. Dividing reality up into parts and then naming those parts is always arbitrary, a product of convention, because subatomic particles, and everything else in the universe, are no more separate from one another than different patterns in an ornate carpet. This is a profound suggestion. In his general theory of relativity Einstein astounded the world when he said that space and time are not separate entities, but are smoothly linked and part of a larger whole he called the space-time continuum. Bohm takes this idea a giant step further. He says that everything in the universe is part of a continuum. Despite the apparent separateness of things at the explicate level, everything is a seamless extension of everything else, and ultimately even the implicate and explicate orders blend into each other. Take a moment to consider this. Look at your hand. Now look at the light streaming from the lamp beside you. And at the dog resting at your feet. You are not merely made of the same things. You are the same thing. One thing. Unbroken. One enormous something that has extended its uncountable arms and appendages into all the apparent objects, atoms, restless oceans, and twinkling stars in the cosmos. Bohm cautions that this does not mean the universe is a giant undifferentiated mass. Things can be part of an undivided whole and still possess their own unique qualities. To illustrate what he means he points to the little eddies and whirlpools that often form in a river. At a glance such eddies appear to be separate things and possess many individual characteristics such as size, rate, and direction of rotation, et cetera. But careful scrutiny reveals that it is impossible to determine where any given whirlpool ends and the river begins. Thus, Bohm is not suggesting that the differences between "things" is meaningless. He merely wants us to be aware constantly that dividing various aspects of the holomovement into "things" is always an abstraction, a way of making those aspects stand out in our perception by our way of thinking. In attempts to correct this, instead of calling different aspects of the holomovement "things, " he prefers to call them "relatively independent subtotalities. "10 Indeed, Bohm believes that our almost universal tendency to fragment the world and ignore the dynamic interconnectedness of all things is responsible for many of our problems, not only in science but in our lives and our society as well. For instance, we believe we can extract the valuable parts of the earth without affecting the whole. We believe it is possible to treat parts of our body and not be concerned with the whole. We believe we can deal with various problems in our society, such as crime, poverty, and drug addiction, without addressing the problems in our society as a whole, and so on. In his writings Bohm argues passionately that our current way of fragmenting the world into parts not only doesn't work, but may even lead to our extinction.
Michael Talbot (The Holographic Universe)
To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapable into itself. From the earth, from the air, sustaining forces pour into us—mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and often for ever. Earth!—Earth!—Earth! Earth with thy folds, and hollows, and holes, into which a man may fling himself and crouch down. In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;—suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;—yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers—we reach the zone where the front begins and become on the instant human animals. An
Erich Maria Remarque (All Quiet on the Western Front)