Whiplash Quotes

We've searched our database for all the quotes and captions related to Whiplash. Here they are! All 100 of them:

I’d only met him once, at the mall. He was tall, with a big floppy shock of blond hair he was always getting out of his face by jerking his head suddenly to the side, whiplash-style. Rina found this incredibly sexy. It made me nervous. - Caitlin about Jeff
Sarah Dessen
I’ve always hated Mondays, the whole lot of them. Too much whiplash, snapping the tired masses to attention. God’s way, perhaps, of reminding us that we are not masters of our fate, no matter how deluded we became during the weekend respite.
Jonathan Hull (Losing Julia)
Death isn't enough. It doesn't remove the stain. But a slap, a whiplash, square on the face, does. Because a man's face is as sacred as his mother or his wife.
Mario Vargas Llosa (The War of the End of the World)
We are whiplashed between an arrogant overestimation of ourselves and a servile underestimation of ourselves.
Parker J. Palmer
Your Moodswings are kind of giving me whiplash
Stephanie Meyer (Sprechakttheorie. Ein Überblick (German Edition))
Forget whiplash, this woman had bitchlash;
Vi Keeland (The Baller)
The animal wrests the whip from its master and whips itself in order to become master, not knowing that this is only a fantasy produced by a new knot in the master’s whiplash.
Franz Kafka
She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.
Patrick Süskind (Perfume: The Story of a Murderer)
It was her first book, an indigo cover with a silver moonflower, an art nouveau flower, I traced my finger along the silver line like smoke, whiplash curves. ... I touched the pages her hands touched, I pressed them to my lips, the soft thick old paper, yellow now, fragile as skin. I stuck my nose between the bindings and smelled all the readings she had given, the smell of unfiltered cigarettes and the espresso machine, beaches and incense and whispered words in the night. I could hear her voice rising from the pages. The cover curled outward like sails.
Janet Fitch (White Oleander)
She was one of those languid women, made of dark honey, smooth and sweet, and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes — and all the while remain as still as the centre of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract themselves the yearnings and the souls of both men and women.
Patrick Süskind
There hung about her the restrained energy of a whiplash.
Agatha Christie (Dumb Witness (Hercule Poirot, #17))
Lyra, Cassiopeia the queen, whiplash Scorpius with the twin stings in his tail, all the friendly childhood patterns that had twinkled me to sleep from the glow-in-the-dark planetarium stars on my bedroom ceiling back in New York. Now, transfigured - cold and glorious like deities with their disguises flung off - it was as if they'd flown through the roof and into the sky to assume their true, celestial homes.
Donna Tartt (The Goldfinch)
What do you do in your spare time?” Arthur asks. What is it with this guy? Hope flinches, feeling less like she’s been interviewed and more like she’s been whiplashed. The spare time question was code for questions, you were, by law, not allowed to ask. Did she read books to sick kids? Find housing for the homeless? Support underprivileged women to build careers? Did she have a demanding husband? Two kids under five? And aging mother? But Hope had never put down stakes, either in the home or the do-good camp. Where she came from, at the end of a workweek, a person deserved a cold beer and some down time. “What spare time?
Joan Gelfand (Extreme)
We have a nasty habit of flushing down the memory hole "the people who lost." Or demonizing them. Going back in time and painting Snidely Whiplash mustaches on their luckless countenances.
Bill Kauffman (Forgotten Founder, Drunken Prophet: The Life of Luther Martin)
Elle's gaze hadn't left the front door. "But holy cow hotness, Batman, really, you want to see this." "Why?" "He's in a suit, that's why. My eyes don't know what to do with themselves." Will whipped around so fast she gave herself whiplash.
Jill Shalvis (The Trouble with Mistletoe (Heartbreaker Bay, #2))
She shuddered, convulsing beneath the whiplash of his tongue as the world dissolved around her. “Now.” He moved before the last violent pulses stilled. He came over her body, catching his weight on his elbows, staring down at her with savage intensity as the bulbous head of his c#ck nudged against the sensitive opening of her pussy. “Now,” he whispered again. “I make you my woman, Elizabeth. Now.
Lora Leigh (Elizabeth's Wolf (Breeds, #3; Wolf Breeds, #1))
Life online is a whiplash between deep sorrow, unexpected joy, cheap laughs, profound thoughts, and dumb memes.
Tony Reinke (12 Ways Your Phone Is Changing You)
I don't ask you - fribble!' snapped his lordship, rounding on him, with the speed of a whiplash. 'You may keep your tongue between your teeth!' "Yes, sir - happy to!' uttered Claud, dismayed. 'No wish to offend you! Thought you might like to be set right!' 'Thought I might like to be set right?' 'No, no! Spoke without thinking!' said Claud hastily. ' I know you don't!
Georgette Heyer (The Unknown Ajax)
(Conversations with her dad were like whiplash; they didn’t always hurt right away.)
Rainbow Rowell (Eleanor & Park)
Geez, man, don't give yourself whiplash. You are hurting, if the mention of Victorian underwear will get you worked up. I know a girl...." - From "Controlled Response
Joey W. Hill (Unlaced (Knights of the Board Room, #2))
You could get whiplash trying to watch time go by.
Laird Hunt (Zorrie)
She propped both elbows on the counter, cupping her smiling face in her hands. Forget whiplash, this woman had bitchlash; she’d gone from bitch to entranced so fast. “So what brings you here to our little gym?” “Exercise,” Brody responded flatly.
Vi Keeland (The Baller)
Children should—and do, intuitively—want to learn. It’s up to us, the blundering, wrongheaded adults, to frame the lessons correctly.
Joichi Ito (Whiplash: How to Survive Our Faster Future)
The demonic face stared up at him. It had horns, a Snidely Whiplash mustache and a nasty grin.
Pamela K. Kinney, "Let Demon Dogs Lie," Southern Haunts: Devils in the Darkness
Birds and periodic blood. Old recapitulations. The fox, panting, fire-eyed, gone to earth in my chest. How beautiful we are, he and I, with our auburn pelts, our trails of blood, our miracle escapes, our whiplash panic flogging us on to new miracles! They’ve supplied us with pills for bleeding, pills for panic. Wash them down the sink. This is truth, then: dull needle groping for the spinal fluid, weak acid in the bottom of the cup, foreboding, foreboding. No one tells the truth about truth, that it’s what the fox sees from his scuffled burrow: dull-jawed, onrushing killer, being that inanely single-minded will have our skins at last.
Adrienne Rich (Leaflets)
You really have the nerve to stand there and ask me that?” When he didn’t respond, I practically growled as I took a step towards him. “You blow so hot and cold with me that I’m not sure which way is up. It’s a wonder I don’t need a chiropractor from your emotional whiplash. One minute you’re telling me you want a girl like me to be interested in you and the next you’re coyly asking how I feel about Garrett.” Finally toe to toe, I glared up at him. “You’re really good at charming the panties off girls at ten paces, but you can’t even tell a girl how you really feel when she’s up close and personal!
Katie Ashley (Music of the Heart (Runaway Train, #1))
If each man, on hearing a wise maxim, immediately looked to see how it properly applied to him, he would find that it was not so much a pithy saying as a whiplash applied to the habitual stupidity of his faculty of judgement.
Michel de Montaigne
As a young gay African, I have been conditioned from an early age to consider my sexuality a dangerous deviation from my true heritage as a Somali by close kin and friends. As a young gay African coming of age in London, there was another whiplash of cultural confusion that one had to recover from again and again: that accepting your sexual identity doesn’t necessarily mean that the wider LGBT community, with its own preconceived notions of what constitutes a "valid" queer identity, will embrace you any more welcomingly than your own prejudiced kinsfolk do.
Diriye Osman
My tongue is a scalding whiplash. I'm tired of hurting others with it, the way they have hurt me. I've always despised the practice, so once more I'll bite my words back, though the injustice served deserves each backlash of every one.
Jennifer Megan Varnadore
For how long would you row in a boat of suffering, resiliency, despair, grief, pain, and loss, a fragile boat of apathy and fearful silence, as you sail along the huge waves of corruption, storms of kakistocracy and kleptocracy, the windy whiplash of painful injustice, the tumultuous, continuous waves of violence, and the bloody sea of impunity engulfing indefinitely the Pearl of the Orient Seas? ~ Angelica Hopes, Karmic Harvest Trilogy
Angelica Hopes
Piper, I was worried about you.” “You were? Your mood swings are kind of giving me whiplash.” “Piper-,
M.O. Kenyan (Broken Hearts)
The way he flips between softness and cruelty is giving me whiplash.
Rina Kent (All the Lies (Lies & Truths Duet, #1))
It almost gives me whiplash, how quickly the mood changes, like having your emotional, family-friendly farm animal movie interrupted by a cheery ad from McDonald's.
Ann Liang (If You Could See the Sun)
What?” I sit up. How can she ask me a favor, and ground me, while she’s cuddling me? I’m surprised my neck hasn’t broken from the whiplash.
Sonora Reyes (The Lesbiana's Guide to Catholic School)
I always get whiplash when I have sex in the backseat. Boy, I sure wish Grandmother would learn how to drive.
Jarod Kintz (This Book is Not for Sale)
I was going to need a chiropractor for the whiplash. Rhodes
Kandi Steiner (Weightless)
It had been such a disconcerting way to live, and it was no wonder that Conner and I still had whiplash from it.
Alicia Thompson (Love in the Time of Serial Killers)
This book is short and right to the point—like the kind of story that gives you whiplash. If you enjoy unbelievable plots, and insta-everything going on, you may enjoy this dirty little read.
Jenika Snow (Baby Fever (A Real Man, #3))
What?" my partner asked suddenly. I jumped, guilty at having been caught staring. But, hell, I thought, might as well ask. "Are you two--you know?" I made a vaguely obscene gesture with my fingers. He stopped walking so fast I was shocked he didn't get whiplash. "What?" I waved toward the building. "You and Shandi." Instead of answering, he threw his head back and brayed like the jackass he was.
Jaye Wells (Cursed Moon (Prospero's War, #2))
Warning: This book is short and right to the point—like the kind of story that gives you whiplash. If you enjoy unbelievable plots, and insta-everything going on, you may enjoy this dirty little read.
Jenika Snow (Baby Fever (A Real Man, #3))
The contradictions created by sixty years of obfuscation in Pakistan played out on a daily basis, in the continual whiplash between secularism and extremism, the contorted attempts to hold this fracturing nation together with Scotch tape and honeyed tongues.
Kim Barker (The Taliban Shuffle: Strange Days in Afghanistan and Pakistan)
Parent time is like fairy time but real. It is magic without pixie dust and spells. It defies physics without bending the laws of time and space. It is that truism everyone offers but no one believes until after they have children: that time will actual speed, fleet enough to leave you jet-lagged and whiplashed and racing all at once. Your tiny, perfect baby nestles in your arms his first afternoon home, and then ten months later, he's off to his senior year of high school. You give birth to twins so small and alike, they lie mirrored, each with a head in the palm of one hand while their toes reach only to the crooks of your elbow, but it's only a year before they start looking at colleges. It is so impossible yet so universally experienced that magic is the only explanation. Except then there are also the excruciating rainy Sundays when the kids are whiny, bored, and beastly, and it takes a hundred hours to get from breakfast to bedtime, the long weekends when you wonder whose demonic idea it was to trap you in your home with you bevy of abominable children for a decade without school.
Laurie Frankel (This Is How It Always Is)
You sounded pussy-whipped. Should I call the doctor?” Harlem said, sounding rather serious for about two seconds, then burst out laughing. “Shut the hell up, man.” Savage sneered, not finding a damn thing funny. “Oh, shit! You’re not denying it. You are pussy-whipped! Got whiplash from the pussy! You need a neck brace?
Tiana Laveen (Savage)
Are you ready for brain implants? Wait, don’t answer. Change doesn’t care if you’re ready. Change outpaced humans sometime late in the last century.
Joichi Ito (Whiplash: How to Survive Our Faster Future)
The future,” science-fiction writer William Gibson once said, “is already here. It’s just not evenly distributed.”21
Joichi Ito (Whiplash: How to Survive Our Faster Future)
The new rule, then, is to embrace risk.
Joichi Ito (Whiplash: How to Survive Our Faster Future)
One of the problems is that our traditional educational system—and most of our business training—reward focus and execution, limiting the opportunity to become a “visionary.
Joichi Ito (Whiplash: How to Survive Our Faster Future)
He had forgotten the egg. It still lay on the veranda, and Nagaina came nearer and nearer to it, till at last, while Rikki-tikki was drawing breath, she caught it in her mouth, turned to the veranda steps, and flew like an arrow down the path, with Rikki-tikki behind her. When the cobra runs for her life, she goes like a whip-lash flicked across a horse’s neck.
Rudyard Kipling (Rikki-Tikki-Tavi)
Instead of rules or even strategy, the key to success is culture. Whether we are talking about our moral compass, our world view, or our sensibility and taste, the way that we set these compasses is through the culture that we create and how we communicate that culture through events, e-mail, meetings, blog posts, the rules that we make, and even the music that we play. It is more of a system of mythologies than some sort of mission statement or slogan. —Joi Ito
Joichi Ito (Whiplash: How to Survive Our Faster Future)
We imagine we’ll hear history when it calls. When it doesn’t, we return to our daily lives, our moral mettle still intact. But maybe history doesn’t call, or maybe you have to be listening closely to hear it. To prioritize diversity over perceived merit—the colorblind assessment of ability that has never really been colorblind at all—is to recognize that strategic imperatives can’t be the sole benchmark by which we distribute society’s prizes. There’s an increasing sense—among the millennials who fill our lecture halls, but out in the rougher world of cubicles and delivery vans and hospital waiting rooms as well—that it’s not enough to be right, or profitable, or talented. You must also be just. It’s
Joichi Ito (Whiplash: How to Survive Our Faster Future)
Given an area of law that legislators were happy to hand over to the affected industries and a technology that was both unfamiliar and threatening, the prospects for legislative insight were poor. Lawmakers were assured by lobbyists a) that this was business as usual, that no dramatic changes were being made by the Green or White papers; or b) that the technology presented a terrible menace to the American cultural industries, but that prompt and statesmanlike action would save the day; or c) that layers of new property rights, new private enforcers of those rights, and technological control and surveillance measures were all needed in order to benefit consumers, who would now be able to “purchase culture by the sip rather than by the glass” in a pervasively monitored digital environment. In practice, somewhat confusingly, these three arguments would often be combined. Legislators’ statements seemed to suggest that this was a routine Armageddon in which firm, decisive statesmanship was needed to preserve the digital status quo in a profoundly transformative and proconsumer way. Reading the congressional debates was likely to give one conceptual whiplash. To make things worse, the press was—in 1995, at least—clueless about these issues. It was not that the newspapers were ignoring the Internet. They were paying attention—obsessive attention in some cases. But as far as the mainstream press was concerned, the story line on the Internet was sex: pornography, online predation, more pornography. The lowbrow press stopped there. To be fair, the highbrow press was also interested in Internet legal issues (the regulation of pornography, the regulation of online predation) and constitutional questions (the First Amendment protection of Internet pornography). Reporters were also asking questions about the social effect of the network (including, among other things, the threats posed by pornography and online predators).
James Boyle (The Public Domain: Enclosing the Commons of the Mind)
You don’t need to own anything anymore,” he says. “Not a factory, not a warehouse, not even an office.” In other words, Casey allows a company to move the atoms offshore. What’s left? “You need an idea, and you need to be able to market it. That’s it.
Joichi Ito (Whiplash: How to Survive Our Faster Future)
You went along, building ties or breaking them, moving forward or backward in relationships, riding out the sea of your emotions and the emotions of others—but for the most part, it was a trees-for-the-forest kind of thing, a piecemeal one-step/two-step dance of choices and decisions more trail than marker, more random direction than compass. Except then, suddenly, the camera aperture opened so fast you got existential whiplash, and you were forced to look at everything and go, okay, wow, so I’m here.
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
I floated on my back, trying to pick out constellations I knew in the confusing white spatter of stars: Lyra, Cassiopeia the queen, whiplash Scorpius with the twin stings in his tail, all the friendly childhood patterns that had twinkled me to sleep from the glow-in-the-dark planetarium stars on my bedroom ceiling back in New York. Now, transfigured—cold and glorious like deities with their disguises flung off—it was as if they’d flown through the roof and into the sky to assume their true, celestial homes.
Donna Tartt (The Goldfinch)
...So speaks Man-Creating. Then, instantly, it all changes, and from Man-Creating I become simply Man-Alive--a member of society, a friend and neighbor, a son and brother of the human race. And when I look at what I have done from this point of view, suddenly I feel lower than a dog. I see all the pain and anguish I have caused to people I know, and I wonder how I could have done it, and how there could possibly be any justification for it--yes, even if what I wrote had been as great as "Lear," as eloquent as "Hamlet"...For what integrity is there that is not tainted with human frailty? If only I could tell myself that every word and phrase and incident in the book had been created at the top of my bent and with the impartial judgment of unrancorous detachment! But I know it is not true. So many words came back to me, so many whip-lash phrases, that must have been written in a spirit that had nothing to do with art or my integrity. We are such stuff that dust is made of, and where we fail--we fail! Is there, then, no such thing as a pure spirit in creation?
Thomas Wolfe (You Can't Go Home Again)
Love is not warm and fuzzy or sweet and sticky. Real love is tough as nails. It’s having your heart ripped out, putting it back together, and the next day, offering it back to the same world that just tore it up. It’s running toward pain and grief and brokenness instead of away from it. It’s turning the other cheek ’til you get whiplash. It’s resisting the overwhelming desire to quit, to save yourself for yourself. It’s exhausting and uncomfortable. Sometimes it’s ugly, like using your bare hands to search for gold in piles of crap.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
If you were to condense Earth’s history into a single year, land-dwelling animals come onstage around December 1, and the dinosaurs don’t go extinct until the day after Christmas. Hominids start walking on two feet around 11:50 p.m. on New Year’s Eve, and recorded history begins a few nanoseconds before midnight. And
Joichi Ito (Whiplash: How to Survive Our Faster Future)
Resnick and Siegel both agreed that learning to code wasn’t just about training the computer engineers of the future. It was a terrifically efficient method to learn how to learn. “Learning to code helps you organize, express, and share your ideas—just like learning to write,” says Resnick. “That’s important for everyone.” Siegel
Joichi Ito (Whiplash: How to Survive Our Faster Future)
I...I...YOU...SIXTEEN LOG THIRTY-THREE...ALL COSINE SUBSCRIPTS...ANTI...ANTI...IN ALL THESE YEARS...BEAM...FLOOD...PYTHAGOREAN...CARTESIAN LOGIC...CAN I...DARE I...A PEACH...EAT A PEACH...ALLMAN BROTHERS...PATRICIA...CROCODILE AND WHIPLASH SMILE...CLOCK OF DIALS...TICK-TOCK, ELEVEN O'CLOCK, THE MAN'S IN THE MOON AND HE'S READY TO ROCK...INCESSAMENT...INCESSAMENT, MON CHER...OH MY HEAD...BLAINE...BLAINE DARES...BLAINE WILL ANSWER...I...(screaming in the voice of an infant, lapsing into another language, presumably French, as none of the words are familiar to Eddie, beginning to sing when the song Velcro Fly by Z.Z. Top suddenly plays courtesy of its percussion drums)
Stephen King (Wizard and Glass (The Dark Tower, #4))
Parent time is like fairy time but real. It is magic without pixie dust and spells. It defies physics without bending the laws of time and space. It is that truism everyone offers but no one believes until after they have children: that time will actually speed, fleet enough to leave you jet-lagged and whiplashed and racing all at once. Your tiny, perfect baby nestles in your arms his first afternoon home, and then ten months later, he’s off to his senior year of high school. You give birth to twins so small and alike, they lie mirrored, each with a head in the palm of one hand while their toes reach only to the crooks of your elbows, but it’s only a year before they start looking at colleges. It is so impossible yet so universally experienced that magic is the only explanation. Except
Laurie Frankel (This Is How It Always Is)
But this was worse than personal. This was about Louise, alias Anemone, cut up on a surgical platter, about Elizabeth Elliott stabbed to death and too poor to be resleeved, Irene Elliott, weeping for a body that a corporate rep wore on alternate months, Victor Elliott, whiplashed between loss and retrieval of someone who was and yet was not the same woman. This was about a young black man facing his family in a broken-down, middle-aged white body; it was about Virginia Vidaura walking disdainfully into storage with her head held high and a last cigarette polluting lungs she was about to lose, no doubt to some other corporate vampire. It was about Jimmy de Soto, clawing his own eye out in the mud and fire at Innenin, and the millions like him throughout the Protectorate, painfully gathered assemblages of individual human potential, pissed away into the dung heap of history. For all these, and more, someone was going to pay.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
We have both been talking about you. Cosette loves you so dearly! You must not forget that you have a chamber here, we want nothing more to do with the Rue de l'Homme Armé. We will have no more of it at all. How could you go to live in a street like that, which is sickly, which is disagreeable, which is ugly, which has a barrier at one end, where one is cold, and into one cannot enter? You are to come and install yourself here. And this very day. Or you will have to deal with Cosette. She means to lead us all by the nose, I warn you. You have your own chamber here, it is close to ours, it opens on the garden; the trouble with the clock has been attended to, the bed is made, it is all ready, you have only to take possession of it. Near your bed Cosette has placed a huge, old, easy-chair covered with Utrecht velvet and she has said to it: 'Stretch out your arms to him.' A nightingale comes to the clump of acacias opposite your windows every spring. In two months more you will have it. You will have its nest on your left and ours on your right. By night it will sing, and by day Cosette will prattle. Your chamber faces due South. Cosette will arrange your books for you, your Voyages of Captain Cook and the other,— Vancouver's and all your affairs. I believe that there is a little valise to which you are attached, I have fixed upon a corner of honor for that. You have conquered my grandfather, you suit him. We will live together. Do you play whist? you will overwhelm my grandfather with delight if you play whist. It is you who shall take Cosette to talk on the days when I am at the courts, you shall give her your arm, you know, as you used to, in the Luxembourg. We are absolutely resolved to be happy. And you shall be included in it, in our happiness, do you hear, father? Come, will you breakfast with us to-day?" "Sir," said Jean Valjean, "I have something to say to you. I am an ex-convict.
Victor Hugo (Les Misérables)
ODE TO A HAGGIS Fair fa’ your honest, sonsie face, Great Chieftan o’ the Puddin-race! Aboon them a’ ye tak your place, Painch, tripe, or thairm: Weel are ye wordy of a grace As lang’s my arm The groaning trencher there ye fill, Your hurdies like a distant hill, You pin wad help to mend a mill In time o’need While thro’ your pores the dews distil Like amber bead His knife see Rustic-labour dight, An’ cut you up wi’ ready slight, Trenching your gushing entrails bright Like onie ditch; And then, O what a glorious sight, Warm-reeking, rich! Then, horn for horn they stretch an’ strive, Deil tak the hindmost, on they drive, Till a’ their weel-swall’d kytes belyve Are bent like drums; Then auld Guidman, maist like to rive Bethankit hums Is there that owre his French ragout, Or olio that wad staw a sow, Or fricassee wad mak her spew Wi’ perfect sconner, Looks down wi’ sneering, scornfu’ view On sic a dinner? Poor devil! see him owre his trash, As feckless as a wither’d rash His spindle-shank a guid whip-lash, His nieve a nit; Thro’ bluidy flood or field to dash, O how unfit! But mark the Rustic, haggis-fed, The trembling earth resounds his tread, Clap in his walie nieve a blade, He’ll mak it whissle; An’ legs, an’ arms an’ heads will sned, Like taps o’ thrissle Ye pow’rs wha mak mankind your care, An’ dish them out their bill o’fare, Auld Scotland wants nae skinking ware That jaups in luggies; But, if ye wish her gratefu’ pray’r, Gie her a Haggis!
Robert Burns
Not all of history is recorded in the books supplied to school children in Harlem or Birmingham. Yet this boy and this girl know something of the part of history which has been censored by the white writers and purchasers of board-of-education books. They know that Negroes were with George Washington at Valley Forge. They know that the first American to shed blood in the revolution which freed his country from British oppression was a black seaman named Crispus Attucks. The boy's Sunday-school teacher has told him that one of the team who designed the capital of their nation, Washington, D.C., was a Negro, Benjamin Banneker. Once the girl had heard a speaker, invited to her school during Negro History Week. This speaker told how, for two hundred years, without wages, black people, brought to this land in slave ships and in chains, had drained the swamps, built the homes, made cotton king and helped, on whip-lashed backs, to lift this nation from colonial obscurity to commanding influence in domestic commerce and world trade. Wherever there was hard work, dirty work, dangerous work—in the mines, on the docks, in the blistering foundries—Negroes had done more than their share.
Martin Luther King Jr. (Why We Can't Wait)
And then he heard it. A loud crash. The Number 22 bus had pulled away from the stop, and another driver in a car trying to get around to turn had collided into the side of the transit vehicle. Finally, Daryl had the nerve to do what every like-minded criminal in Baltimore knows they must. Run and get on the bus for insurance claims. Get a “suitcase,” as some of the old-timer grifters still called phony neck injuries, marrying the word “suit” as in law with “case” as in court. “Suitcase,” the all-purpose secret word for fraud. Amazingly, his erection still held. It was a little painful going up those first bus steps, but so what, it felt even sexier doing a second scam before he’d completely gotten away with the first one. The lucky few passengers on board were already going into their cries of “whiplash,” holding their necks and moaning out loud. He limped to an empty seat and held his knee as if it had been painfully slammed in the impact. Even the bus driver was faking injuries as he called into his dispatcher to report the accident, exaggerating the speed he had been going to make it sound worse. Daryl knew he was surrounded by fellow swindlers and felt, for the first time, part of a community.
John Waters (Liarmouth: A Feel-Bad Romance)
Praise for The Witch Elm “‘I’ve always considered myself to be, basically, a lucky person.’ That’s the first line of Tana French’s extraordinary new novel. . . . Here’s a things-go-bad story Thomas Hardy could have written in his prime. . . . The book is lifted by French’s nervy, almost obsessive prose. . . . This is good work by a good writer. For the reader, what luck.” —Stephen King, The New York Times Book Review “Tana French is at her suspenseful best in The Witch Elm. . . . [Her] best and most intricately nuanced novel yet. . . . She is in a class by herself as a superb psychological novelist. . . . Get ready for the whiplash brought on by its final twists and turns.” —Janet Maslin, The New York Times “Like all of her novels, it becomes an incisive psychological portrait embedded in a mesmerizing murder mystery. [French] could make a Target run feel tense and revelatory.” —Los Angeles Times “Like all of French’s novels, The Witch Elm can be swooningly evocative. . . . Even if Toby isn’t on the Dublin Murder Squad, the events in The Witch Elm spur his great, transformative upheaval. The discovery they force on him revolves around one question: Whose story is this? By the time French is done retooling the mystery form—it seems there’s nothing she can’t make it do, no purpose she can’t make it serve—the answer is
Tana French (The Witch Elm)
So the next time I see you will be at the tour.” “Yes.” I feel quite sad that I’m not going to see him for two weeks. “Some best-friend you are,” I pout, jokingly. “You do remember that in the contract for being my best friend it has a beck-and-call clause in it don’t you. I mean what if I need … I don’t know – chocolates from Belgium, who’s gonna get them while you’re off in LA. I don’t know Jake, I might have to seriously consider trading you in,” I grin. He chuckles, amused. “Don’t worry, I’ll make sure you don’t miss me.” “I never said I’d miss you.” “You never said you wouldn’t.” God, he’s so bloody quick. I’m getting whip-lash just sitting here with him. “I just want you for your cupcakes
Samantha Towle (The Mighty Storm (The Storm, #1))
Are-are you leaving?” She saw his shoulders stiffen at the sound of her voice, and when he turned and looked at her, she could almost feel the effort he was exerting to keep his rage under control. “You’re leaving,” he bit out. In silent, helpless protest Elizabeth shook her head and started slowly across the carpet, dimly aware that this was worse, much worse than merely standing up in front of several hundred lords in the House. “I wouldn’t do that, if I were you,” he warned softly. “Do-do what?” Elizabeth said shakily. “Get any nearer to me.” She stopped cold, her mind registering the physical threat in his voice, refusing to believe it, her gaze searching his granite features. “Ian,” she began, stretching her hand out in a gesture of mute appeal, then letting it fall to her side when her beseeching move got nothing from him but a blast of contempt from his eyes. “I realize,” she began again, her voice trembling with emotion while she tried to think how to begin to diffuse his wrath, “that you must despise me for what I’ve done.” “You’re right.” “But,” Elizabeth continued bravely, “I am prepared to do anything, anything to try to atone for it. No matter how it must seem to you now, I never stopped loving-“ His voice cracked like a whiplash. “Shut up!” “No, you have to listen to me,” she said, speaking more quickly now, driven by panic and an awful sense of foreboding that nothing she could do or say would ever make him soften. “I never stopped loving you, even when I-“ “I’m warning you, Elizabeth,” he said in a murderous voice, “shut up and get out! Get out of my house and out of my life!” “Is-is it Robert? I mean, do you not believe Robert was the man I was with?” “I don’t give a damn who the son of a bitch was.” Elizabeth began to quake in genuine terror, because he meant that-she could see that he did. “It was Robert, exactly as I said,” she continued haltingly. “I can prove it to you beyond any doubt, if you’ll let me.” He laughed at that, a short, strangled laugh that was more deadly and final than his anger had been. “Elizabeth, I wouldn’t believe you if I’d seen you with him. Am I making myself clear? You are a consummate liar and a magnificent actress.” “If you’re saying that be-because of the foolish things I said in the witness box, you s-surely must know why I did it.” His contemptuous gaze raked her. “Of course I know why you did it! It was a means to an end-the same reason you’ve had for everything you do. You’d sleep with a snake if it gave you a means to an end.” “Why are you saying this?” she cried. “Because on the same day your investigator told you I was responsible for your brother’s disappearance, you stood beside me in a goddamned church and vowed to love me unto death! You were willing to marry a man you believed could be a murderer, to sleep with a murderer.” “You don’t believe that! I can prove it somehow-I know I can, if you’ll just give me a chance-“ “No.” “Ian-“ “I don’t want proof.” “I love you,” she said brokenly. “I don’t want your ‘love,’ and I don’t want you. Now-“ He glanced up when Dolton knocked on the door. “Mr. Larimore is here, my lord.” “Tell him I’ll be with him directly,” Ian announced, and Elizabeth gaped at him. “You-you’re going to have a business meeting now?” “Not exactly, my love. I’ve sent for Larimore for a different reason this time.” Nameless fright quaked down Elizabeth’s spine at his tone. “What-what other reason would you have for summoning a solicitor at a time like this?” “I’m starting divorce proceedings, Elizabeth.” “You’re what?” she breathed, and she felt the room whirl. “On what grounds-my stupidity?” “Desertion,” he bit out.
Judith McNaught (Almost Heaven (Sequels, #3))
All this mundane: merely the ordinary experience of my whiplash generation. Caught between our mothers (who stayed home) and the next generation (who took the right to achieve for granted), we suffered all the transitions of women's history inside our skulls. Whatever we did felt wrong. And whatever we did was fiercely criticized. That was the fate of our generation.
Erica Jong (Fear of Fifty: A Midlife Memoir)
Her fingers tugged at the folds in his shirt. “Why are you here now? First you lead me on, then you blow me off. Now you are in my bed keeping my company. I’m getting whiplash from your indecisiveness.
Mila Rossi (Your One and Only Chance)
The amount of stored information grows four times faster than the world economy, while the processing power of computers grows nine times faster. Little wonder that people complain of information overload. Everyone is whiplashed by the changes.
Viktor Mayer-Schönberger (Big Data: A Revolution That Will Transform How We Live, Work and Think)
You don’t think I’m Satan, do you?” “Of course not.” She smiled across the table at him. “Snidely Whiplash, maybe. But not Satan.
Sierra Donovan (Do You Believe in Santa? (Evergreen Lane #1))
By the way… thanks for programming your name into my phone as Big Dick Morgan because that wouldn’t be difficult to explain to my dad or anything…” I
Tabatha Kiss (Whiplash (Bad Baller, #1))
What the hell? He used to think he understood her. He used to think he was the only one for her. But she gave new meaning to the word whiplash.
Lauren Blakely (Sweet Sinful Nights (Sinful Nights, #1))
She reached for the ketchup. He laughed because he thought she was kidding. She wasn’t kidding. The empanadas looked like something you might reasonably put ketchup on. He stopped laughing when he saw her face. So she laughed.
Lou Berney (Whiplash River (Shake Bouchon, #2))
I went. I was not really awake yet, and still suffering from psychological whiplash from my treatment at the hands of Rita and Debs, but I went.
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
While Amanda may be considered as the “official candidate” whose breeding and background made her eminently acceptable at Court, the Prince was also conducting a stormy relationship with Anna Wallace, the daughter of a Scottish landowner whom he had met while fox hunting in November 1979. She was the latest of a long line of girlfriends, drawn for the most part from the upper reaches of the aristocracy, who had appeared on his romantic horizon. However Anna, fiery, wilful and impulsive, was temperamentally unsuitable for the regulated routine of royalty. Not for nothing was she known as “Whiplash Wallace”. Prince Charles, a man who by his own admission fell in love easily, pressed his suit even though his advisors told him that she had other boy-friends. Their relationship became so serious that, according to at least one account, he asked her to marry him. She is said to have turned him down but that rebuff did little to dampen his ardour. In May they were discovered by journalists lying on a blanket by the river Dee on the Queen’s estate at Balmoral. The Prince was furious at this intrusion into his private life and authorized his friend, Lord Tryon, who was present at the picnic to shout a four letter word at the journalists concerned.
Andrew Morton (Diana: Her True Story in Her Own Words)
I told him I’d been there myself and I have. If you’re human, you’ve been there. I’m right, aren’t I? You go there, you come back, you hope the journey makes you a better person.
Lou Berney (Whiplash River (Shake Bouchon, #2))
I said, “Luce?” She looked at me. I opened my mouth but did not speak. My mouth felt dry and there was a kind of faraway ringing and my fingers and legs suddenly went cold. There are those times when intellect fails us. There are those moments when the modern man fades to a shadow and something from the brain stem reasserts itself, and in that moment the joking is gone and we frighten ourselves with our dark potential. I said, quite normally, quite conversationally, “What do you mean, abusive? Did he touch you?” She shook her head, and then she placed both palms on my chest. “Oh, no. No, Elvis. And if he had I promise you fully that I would’ve had him arrested so fast he would’ve had whiplash.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Whiplash chatter. That was his Zoey.
Lori Wilde (Somebody to Love (Cupid, Texas #3))
At one time or another, most of us have experienced a kind of story-whiplash as we tried to reconcile our memories with a friend’s new story. On the other hand, most of us gradually change our story with time.
Mary Pipher (Women Rowing North: Navigating Life’s Currents and Flourishing As We Age)
Things have changed since then. As I write this, Donald Trump is president of the United States. For many, this feels like whiplash. After eight years of Barack Obama in the White House—a man who embraced the rhetoric (though not the politics) of the Civil Rights Movement—we now have a president who embraces the rhetoric and the politics of white nationalism. This is a president who openly stokes racial animosity and even racial violence, who praises dictators (and likely aspires to be one), who behaves like a petulant toddler on Twitter, and who has a passionate, devoted following of millions of people who proudly say they want to “make America great again” by taking us back to a time that we’ve left behind.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Few people wanted to hear that, despite appearances, since the end of slavery our nation has remained trapped in a cycle of reform, backlash, and reformation of systems of racialized social control. Things have changed since then. As I write this, Donald Trump is president of the United States. For many, this feels like whiplash. After eight years of Barack Obama in the White House—a man who embraced the rhetoric (though not the politics) of the Civil Rights Movement—we now have a president who embraces the rhetoric and the politics of white nationalism. This is a president who openly stokes racial animosity and even racial violence, who praises dictators (and likely aspires to be one), who behaves like a petulant toddler on Twitter, and who has a passionate, devoted following of millions of people who proudly say they want to “make America great again” by taking us back to a time that we’ve left behind. We are now living in an era of unabashed racialism, a time when many white Americans feel free to speak openly of their nostalgia for an age when their cultural, political, and economic dominance could be taken for granted—no apologies required. It can no longer be denied that the colorblind veneer of early twenty-first-century American democracy was just that: a veneer. Right beneath the surface lay an ugly reality that many Americans were not prepared to face. In so many respects, this book was written in a different world. It was written before a seventeen-year-old black teenager named Trayvon Martin was killed in a gated community by a self-appointed
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
I scrub my hands over my face, groaning, as he makes his way up onto the roof. He’s giving me whiplash. Dealing with him is the last thing I expected to be doing tonight, considering I just saw him this morning, but now he’s here... well, he’s up there... and it kind of just makes me want to be wherever he is.
J.M. Darhower (Menace (Scarlet Scars, #1))
In other words, the rule about great scientific advances is that to make them you have to break the rules. Nobody has ever won a Nobel Prize by doing what they’re told, or even by following someone else’s blueprints. In
Joichi Ito (Whiplash: How to Survive Our Faster Future)
St. Just watched this scene, one like many stored in his memory of his half brothers casually teasing their mother, assuming she’d be there to tease when next they got around to paying a call. It made him a little crazy to see the same thing yet again today, so he turned to go. “Devlin St. Just!” The duchess’s voice had the whiplash quality to it again, and Val grimaced at him in sympathy. Devlin turned and prepared for the usual lecture on his duty to look after his little brothers, but the duchess simply opened her arms to him. He went to her and cautiously leaned in for a hug. “You are not a perfect soldier,” she whispered, “but you are a perfect son, and I love you.” Her embrace was fierce, and in his arms, she did not feel like an older woman. She felt like a mother trying to get through to her pigheaded offspring. “Good-bye,” he said, “I love you, too.” She stepped back, her smile radiant. “Look after each other.” She shook her finger at them both. “I have my hands full with your father and your featherbrained sisters. I can’t be fretting about grown men.” “Yes, Your Grace,” they said in unison, exchanging a smile. She let them go. She was still beaming from the front steps when they trotted down the drive. ***
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
The beautiful Antonia is a thing of the past. The damage she suffered was superficially catastrophic. Left orbital bone pulverized. Nose flattened, crushed so brutally they had to pull it out of her nasal cavity with forceps. Mouth so swollen it makes a hissing sound as air goes between her shattered front teeth. Whiplash and severe concussion. The ship doctors thought she was in a ship crash until they found the imprint of House Jupiter’s lightning crest in several places on her face.
Pierce Brown (Morning Star (Red Rising, #3))
My fantasy’s interrupted by some uppity-ass eight-year-old who thinks it would be funny to try to run me off the track by driving right into my kart from behind. I regain control of my vehicle, slow down and let him pass me. I then suddenly speed up after a few feet of meandering and ram straight into him from the right-hand side, making him drive into the tires. Whiplash, bitch! He screams at me all red-faced as I pass him. Not saying anything, just screaming. Prick.
Caspar Vega (The Sexorcism of Amber Holloway (The Young Men in Pain Quartet, #2))
The Bechuanan know not the story of the Zungu of old. Remember him, my people; he caught a lion’s whelp and thought that, if he fed it with the milk of his cows, he would in due course possess a useful mastiff to help him in hunting valuable specimens of wild beats. The cub grew up apparently tame and meek, just like an ordinary domestic puppy; but one day Zungu came home and found, what? It had eaten his children, chewed up two of his wives and, in destroying it, he himself narrowly escaped being mauled. So, if Tauana and his gang of brigands imagine that they shall have rain and plenty under the protection of these marauding wizards from the sea, they will gather some sense before long. ‘Shaka served us just as treacherously. Where is Shaka’s dynasty now? Extinguished, by the very Boers who poisoned my wives and are pursuing us today. The Bechuana are fools to think that these unnatural Kiwas (white men) will return their so-called friendship with honest friendship. Together they are laughing at my misery. Let them rejoice; they need all the laughter they can have today for when their deliverers begin to dose them with the same bitter medicine they prepared for me; when the Kiwas rob them of their cattle, their children and their lands, they will weep their eyes out of their sockets and get left with only their empty throats to squeal in vain for mercy. ‘They will despoil them of the very lands they have rendered unsafe for us; they will entice the Bechuana youths to war and the chase, only to use them as pack-oxen; yea, they will refuse to share with them the spoils of victory. ‘They will turn Becuana women into beasts of burden to drag their loaded wagons to their granaries, while their own bullocks are fattening on their hillside and pining for exercise. They will use the whiplash on the bare skins of women to accelerate their paces and quicken their activities: they shall take Bechuana women to wife and, with them, bread a race of half man and half goblin, and they will deny them their legitimate lobolo. With their cries unheeded, these Bechuana will waste away in helpless fury till the gnome of offspring of such miscegenation rise up against their cruel sires; by that time their mucus will blend with their tears past their chins down to their heels. Then shall come our turn to laugh. [178 – 189]
Sol T. Plaatje (Mhudi)
I want the reader to ask every couple of pages, “How much of this is put on?” As for the critics who don’t like me, they generally admit that my books are humorous, although if they don’t like the books, they refer to them as undergraduate humor or juvenile humor. That adds to the mystery, of course. There are two factors working all the time. The books are obviously humorous, so that means I can’t be serious. Yet, at the same time, the books are full of real facts and very disturbing connections between the facts, so my God, I must be serious about some of it. So the reader is continually whiplashed back and forth between laughing and thinking “Maybe this is all true after all.” In that way I can introduce the most radical ideas from futuristic science and the most radically philosophical types of doubt and questioning of basic assumptions together with political exposé, and so on, into a collage that I believe genuinely forces the reader to think and to wonder because I really am trying to break down the boundary between art and life.
Robert Anton Wilson (Coincidance: A Head Test)
In the book Whiplash: How to Survive Our Faster Future, he and Jeff Howe write, “In an increasingly unpredictable world moving ever more quickly, a detailed map may lead you deep into the woods at an unnecessarily high cost. A good compass, though, will always take you where you need to go. It doesn’t mean that you should start your journey without any idea where you’re going. What it does mean is understanding that while the path to your goal may not be straight, you’ll finish faster and more efficiently than you would have if you had trudged along a preplanned route.
Hector Garcia Puigcerver (Ikigai: The Japanese Secret to a Long and Happy Life)
You're whiplash," she whispered.
Caroline B. Cooney (Twins (Point Horror, #57))
but with how hormonal I was, my moods were giving me whiplash. One minute, I was going stir crazy, dying to get out of the house and the next minute, all I wanted to do was lie down. I was a hot mess.
Ashley N. Rostek (Embrace the Darkness (Maura Quinn, #1))
Drax's first reaction was to lurch forward and tear Meyer's cards out of his hand. He faced them on the table, scrabbling feverishly among them for a possible winner. Then he flung them back across the baize. His face was dead white, but his eyes blazed redly at Bond. Suddenly he raised one clenched fist and crashed it on the table among the pile of impotent aces and kings and queens in front of him. Very low, he spat the words at Bond. "You're a che-" "That's enough, Drax!" Basildon's voice came across the table like a whiplash. "None of that talk here. I've been watching the whole game. Settle up. If you've got any complaints, put them in writing to the Committee.
Ian Fleming (Moonraker (James Bond, #3))
It is much more important to have a compass pointing to a concrete objective than to have a map. Joi Ito, director of the MIT Media Lab, encourages us to use the principle of “compass over maps” as a tool to navigate our world of uncertainty. In the book Whiplash: How to Survive Our Faster Future, he and Jeff Howe write, “In an increasingly unpredictable world moving ever more quickly, a detailed map may lead you deep into the woods at an unnecessarily high cost. A good compass, though, will always take you where you need to go. It doesn’t mean that you should start your journey without any idea where you’re going. What it does mean is understanding that while the path to your goal may not be straight, you’ll finish faster and more efficiently than you would have if you had trudged along a preplanned route.
Hector Garcia Puigcerver (Ikigai: The Japanese secret to a long and happy life)
The wheels were coming off, or so it felt. To go from wanting to be like someone your whole life to realizing you never want to be like him is a kind of whiplash that you can’t prepare for.
Ryan Holiday (Ego Is the Enemy)
For many victims of motor vehicle collisions, the decision whether to pursue an insurance claim or handle their own case can be a difficult one. However, there are numerous reasons why victims of accidents should be represented by a lawyer if they have received a substantial injury such as whiplash. A Car Accident Lawyer Will Explain The Process to You When they hire a car accident lawyer, victims of accidents will immediately receive the assistance and attention they need and deserve. Because most of the details of how car accidents occur are unique and not common knowledge, knowing how to proceed will be the major difference in the outcome of the case. A lawyer who is familiar with how insurance companies operate will know how to negotiate a better settlement with them. During an accident, most insurance companies will want to pay the least amount possible and move on, not even addressing the extent of the damage to the other car or some of the details of the accident. When victims have a lawyer involved, they will not be vulnerable to these tactics.
The Echavarria Law Firm
maybe I don’t want to eat bloody coriander!’ She came to an abrupt halt, whiplashing the baby in the pushchair. She turned round and said, ‘Well, maybe I do,’ and glared at him for the longest time, wishing she had the woodcutting axe with her, the axe that
Kate Atkinson (Case Histories (Jackson Brodie, #1))
We don’t look at each other as we walk, but he touches my shoulder gently and gestures me across his body. He moves me to the opposite side of him before taking up position by the road. This man gives me whiplash.
Elsie Silver (Flawless (Chestnut Springs, #1))
Their kiss recalled old times when everything was new and there was nothing more important in the world than being crazy in love.
Janet Dailey (Whiplash (The Champions, #2))