Whip Up Quotes

We've searched our database for all the quotes and captions related to Whip Up. Here they are! All 100 of them:

Isabella with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.
Cassandra Clare
Seriously, just find yourself a rebound.” Dean whips up his arm. “I volunteer as tribute.
Elle Kennedy (The Score (Off-Campus, #3))
The regime had understood that one person leaving her house while asking herself: Are my trousers long enough? Is my veil in place? Can my make-up be seen? Are they going to whip me? No longer asks herself: Where is my freedom of thought? Where is my freedom of speech? My life, is it liveable? What's going on in the political prisons?
Marjane Satrapi (The Complete Persepolis)
So," Simon said. "Looks like you and Derek are getting along again. What happened? Did he give you the look?" "Look?" "You know. The one that makes him look like a whipped puppy, and makes you feel like a jerk for doing the whipping." "Ah, that one. So it works on you, too?" He snorted. "It even works on Dad. We give in, we tell him it's okay, and the next thing you know, he's chewing up slippers again." I laughed.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Uh-huh," I said. "Because all you mad, evil scientists sit around whipping up batches of Pillsbury's finest during your coffee breaks. I mean, this is pathetic.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
No problem," Gale replies. "I wake up ten times a night anyway." "To make sure Katniss is still here?" asks Peeta. "Something like that,"... "That was funny, what Tigris said. About no one knowing what to do with her." "Well, WE never have,"... "She loves you, you know," says Peeta. "She as good as told me after they whipped you." "Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that." "It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice. "No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then." "You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life." ... "I wonder how she'll make up her mind." "Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Oh, parts of my body got all kinds of tingly seeing that go down. Kat whipped toward me, her eyes glowing from within. In that moment, she looked like a goddess— a goddess of vengeance. If we weren’t in the middle of a fight, I’d have you up against a tree right now.
Jennifer L. Armentrout (Opposition (Lux, #5))
I'm dating Brandon," I told his bowed head. "Really?" he asked without looking up. "Yes!" "I'll print you a wallet card to whip out every time you need to say that, so you can save your voice." "Could you laminate it?
Jennifer Echols (Forget You)
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be. “Boys, God doesn’t like you,” Fang intoned behind them. Whaaat? I thought, dumbfounded. “Wha!” they said, whirling. At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death. His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice. “What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head. I whipped my own wings open. Fun, anyway. “This was a test,” I said, using my best spooky voice. “And guess what? You both failed.” The bums stopped dead, looks of horror and amazement on their faces. Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up. “Rowr!” I said myself, shaking my wings out. “Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way. Fang and I slapped each other a quick high five—and we were out of there, jack.
James Patterson (School's Out—Forever (Maximum Ride, #2))
As he vomited, he felt, though did not see, V come over. Forcing his head up, Butch groaned, "Help me..." I'm going to, trahyner. Give me your hand." As Butch held his palm up in despair, Vishous whipped off his glove and grabbed on good and hard. V's energy, that beautiful, white light, poured down Butch's arm and ripped through him in a blast, cleansing, renewing. United by their clasped hands, they became again the two halves, the light and the dark. The Destroyer and the Savior. A whole.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
I’ll never get tired of looking at her. Or kissing her. Pussy whipped, thy name is Drew. Yeah I know. It’s okay. I don’t mind. ‘Caue if this is the Dark Side? Sign me up. Seriously. Don’t be surprised if I start skipping down the street singing, “Zip-a-Dee-fucking-Doo-Dah.” I’m that happy.
Emma Chase (Tangled (Tangled, #1))
And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background. Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run. Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette. Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you. Run, I said.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Women hold all the power. They should use it like a whip, not offer it up like a sacrifice.
Tarryn Fisher (Thief (Love Me with Lies, #3))
I've been down by the stream collecting berries. Would you care for some?" I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I whipped around, eyeballing the guard breathing down my neck. "Seriously, dude, you need to back the hell up." The guy was half a head shorter than me and nowhere in my league of extraordinary ass-kicking abilities...
Jennifer L. Armentrout (Origin (Lux, #4))
I’m not ready to be with anyone else yet.” “Sure you are. Seriously, just find yourself a rebound.” Dean whips up his arm. “I volunteer as tribute.
Elle Kennedy (The Score (Off-Campus, #3))
As time goes by, as time goes by, the whip-crack of the years, the precipice of illusions, the ravine that swallows up all human endeavour except the struggle to survive.
Roberto Bolaño (By Night in Chile)
She's not my girlfriend. We're just friends," I said automatically. "Shut up. You're so whipped I should buy you a saddle." Which he would've said about any girl I talked to, talked about, or even looked at in the hall. "She's not. Nothing's happened. We just hang out." "You're so full of crap, you could pass for a toilet. You like her, Wate. Admit it." Link wasn't big on subtleties, and I don't think he could imagine hanging out with a girl for any reason other than maybe she played lead guitar, except for the obvious ones.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
Remember?" he asks. "This is where you kissed me." So the heavy dose of morphling administered after the whipping wasn't enough to erase that from his consciousness. "I didn't think you'd remember that," I say. "Have to be dead to forget. Maybe even not then," he tells me. "Maybe I'll be like that man in 'The Hanging Tree'. Still waiting for an answer." Gale, who I have never seen cry, has tears in his eyes. To keep them from spilling over, I reach forward and press my lips against his. We taste of heat, ashes, and misery. It's a surprising flavour for such a gentle kiss. He pulls away first and gives me a wry smile. "I knew you'd kiss me." "How?" I say. Because I didn't know myself. "Because I'm in pain," he says. "That's the only way I get your attention." He picks up the box. "Don't worry, Katniss. It'll pass." He leaves me before I can answer.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Another image comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman’s very eyes, put his arms around the horse’s neck and burst into tears. That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse of Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse.
Milan Kundera (The Unbearable Lightness of Being)
There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.
Cassandra Clare
The unpredictability of life sucks. One minute you’re riding high with the wind whipping through your hair and the next minute you’re flat on your ass with a face full of gravel.
Alison G. Bailey (Present Perfect (Perfect, #1))
I've never been able to grow an organ back," Lana said. "Last time I tried... Let's just hope you don't end up with whip eyes.
Michael Grant (Fear (Gone, #5))
It turns out that Molly wasn't her mother's daughter in that respect. Charity was like the MacGuyver of the kitchen. She could whip up a five-course meal for twelve from an egg, two spaghetti noodles, some household chemicals, and a stick of chewing gum. Molly ... Molly once burned my egg. My boiled egg. I don't know how.
Jim Butcher (Small Favor (The Dresden Files, #10))
Without thinking, I moved again, reaching out and touching the hand resting near my thigh. Call it an experiment, but I wanted to see what would happen Seth’s head whipped in my direction. “What are you doing?” “Nothing.” And nothing was what happened. Confused, I wrapped my fingers around his. “Doesn’t look like nothing,” His eyes narrowed on me. “I guess so.” Giving up on my impromptu test, I lifted my hand. “Shouldn’t you be—” Whatever I was about to say died on my lips. Incredibly fast, Seth grabbed my hand and threaded his fingers through mine. “Is this what you wanted?” he asked, ever so casually. It happened. Being so close to him this time, I could see where the markings came from. The thick veins in his hand were the first to darken, branching out before spreading up his arm. Mesmerized, I watched the inky tats cover every piece of exposed skin. Before my eyes, they shifted away from his veins, swirling around his skin. Breaking off into different designs as he—we—continued to hold hands.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
Close your eyes, Maxon." "What?" "Close your eyes. Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—" "Stop it!" "Sorry." "Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?" "Maxon, I..." "Tell me the truth." "Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate." "A boy? How old?" "Nine." "Have you ever been like that? Starving?...How bad?" "Maxon, it will only upset you more." "Probably, but I'm only starting to realize how much I don't know about my own country. Please." "We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon." "Good God. When you said that you were only here for the food, you weren't kidding, were you?" "Really, Maxon, we've been doing pretty well lately. I—" "I'll see you at dinner.
Kiera Cass (The Selection (The Selection, #1))
Where's your boyfriend, District 12? Still hanging on?" She asks. Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!" Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me. "Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
As a matter of fact," the other voice went on, "if you do tie her up from time to time, or whip her just a little, and she begins to like it, that’s no good either. You have to get past the pleasure stage, until you reach the stage of tears.
Pauline Réage (Histoire d'O | Story of O (Story of O, #1))
This is the one thing I hope: that she never stopped. I hope when her body couldn't run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine.
Tana French (The Likeness (Dublin Murder Squad, #2))
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.
Ray Bradbury (Something Wicked This Way Comes)
Maybe that's what life is about: surviving what you can't control and clinging to the good things the winds whip up.
Meredith Russo (Birthday)
Or, God, maybe this was just life. For everyone on the planet. Maybe the Survivor's Club wasn't something you "earned," but simply what you were born into when you came out of your mother's womb. Your heartbeat put you on the roster and then the rest of it was just a question of vocabulary: the nouns and verbs used to describe the events that rocked your foundation and sent you flailing were not always the same as other people's, but the random cruelties of disease and accident, and the malicious focus of evil men and nasty deeds, and the heartbreak of loss with all its stinging whips and rattling chains... At the core, it was all the same.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
My name is Felicia au…” I feint a whip at her face. She brings her blade up, and Victra goes diagonal and impales her at the belly button. I finish her off with a neat decapitation. “Bye, Felicia.” Victra spits, turning to the last Praetorian.
Pierce Brown (Morning Star (Red Rising, #3))
You want to see compassion? Fine." I take the hand pressed against my shoulders and kiss his knuckles. "I've now kissed the hand of my mother's killer." Before he has time to react to my chaste kiss, I bring my other hand up and slap him. His head whips to the side. "I'm also a vindictive bitch," I say.
Laura Thalassa (The Queen of All that Dies (The Fallen World, #1))
She inched closer to him. "I intrigue you?" "You know you do," he replied boldly, his eyes burning into hers. Wow-things were suddenly heating up fast. He wondered if they would have sex right there on her desk.Somebody better move that stapler. With a coy look, Taylor stood up to whisper in Jason's ear. "then I think you're going to find this next part really intriging," she said breathlessly. He gazed down at her-he like the sound of that-and raised one eybrow expectantly as taylor grinned wickedly and- Slammed the office door right in his face. For a moment, Jason could only stand there in the hallway with his nose pressed against the cold wood of her door. After a few seconds, he knocked politely. Taylor whipped open the door, unamused. Jason grinned at her. "I just gotta ask: where did you get the whole 'all the cute girls run around naked' thing?
Julie James (Just the Sexiest Man Alive)
And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter-- Bess, the landlord's daughter-- Plaiting a dark red love-knot into her long black hair.
Alfred Noyes (The Highwayman)
You should’ve thought about that before you picked up that whip,” the Primal growled. “And touched what is mine.” What is mine? Another laugh tickled the back of my throat. Now he claimed me?
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Listen up, ’cause I’m only gonna say this once,” Ty muttered as they walked to their gate. “I don’t talk when I fly. I sleep. And I don’t listen when I eat, understand? I don’t wanna be buddies. I don’t wanna chat,” he said with a sarcastic lilt to the word. “I don’t wanna know about your childhood or how your momma whipped you with a rubber glove or how much therapy you had to go through ’cause you flunked out of preschool. I don’t wanna hear about how you want to be Director someday or how many collars you got chasin’ those Internet freaks or how proud you are of your bowel movements. I don’t wanna go shopping at Barney’s with you, and I’m not gonna help you pick out your ties to match your socks and, I swear to God, if you get me shot, I’ll kill you.
Abigail Roux (Cut & Run (Cut & Run, #1))
You’re going to murder him too?” “Of course I am. Slowly, too. Start with snipping the Achille’s heel so he can’t run, and then—” “That's fucked up, you're going to jail,” she cuts in, disgust curling her lip. “Actually, I hope you go to prison and are sentenced to death.” She turns with a snarl, but she doesn’t make it a step before my hand snaps out, capturing her arm and whipping her back around, directly into my chest. Addie inhales sharply, her eyes dilating as I seize the back of her neck with one hand and grab her delectable ass with the other, lifting her up against my body. "Will you be my last meal, baby?
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
Freuchen tells how one day, after coming home hungry from an unsuccessful walrus-hunting expedition, he found one of the successful hunters dropping off several hundred pounds of meat. He thanked him profusely. The man objected indignantly: "Up in our country we are human!" said the hunter. "And since we are human we help each other. We don't like to hear anybody say thanks for that. What I get today you may get tomorrow. Up here we say that by gifts one makes slaves and by whips one makes dogs. ... The refusal to calculate credits and debits can be found throughout the anthropological literature on egalitarian hunting societies. Rather than seeing himself as human because he could make economic calculations, the hunter insisted that being truly human meant refusing to make such calculations, refusing to measure or remember who had given what to whom, for the precise reason that doing so would inevitably create a world where we began "comparing power with power, measuring, calculating" and reducing each other to slaves or dogs through debt. It's not that he, like untold millions of similar egalitarian spirits throughout history, was unaware that humans have a propensity to calculate. If he wasn't aware of it, he could not have said what he did. Of course we have a propensity to calculate. We have all sorts of propensities. In any real-life situation, we have propensities that drive us in several different contradictory directions simultaneously. No one is more real than any other. The real question is which we take as the foundation of our humanity, and therefore, make the basis of our civilization.
David Graeber (Debt: The First 5,000 Years)
I am living in the Google years, no question of that. And there are advantages to it. When you forget something, you can whip out your iPhone and go to Google. The Senior Moment has become the Google moment, and it has a much nicer, hipper, younger, more contemporary sound, doesn't it? By handling the obligations of the search mechanism, you almost prove you can keep up.... You can't retrieve you life (unless you're on Wikipedia, in which case you can retrieve an inaccurate version of it).
Nora Ephron (I Remember Nothing: and Other Reflections)
A storm was brewing. The wind has picked up and a mass of purple clouds was coming in from the West. It felt good to have my hair whipping around my head. I thought it might feel good to have hail beat down on me. Sometimes storms outside are the only relief for storms inside...
Elizabeth Chandler (Love at First Click (First Kisses, #6))
You could just marry each other,” Yrene said, and Dorian whipped his head to her, incredulous. “It’d make it easier for you both, so you don’t need to pretend.” Chaol gaped at his wife. Yrene shrugged. “And be a strong alliance for our two kingdoms.” Dorian knew his face was red when he turned to Manon, apologies and denials on his lips. But Manon smirked at Yrene, her silver-white hair lifting in the breeze, as if reaching for the united people who would soon soar westward. That smirk softened as she mounted Abraxos and gathered up the reins. “We’ll see,” was all Manon Blackbeak, High Queen of the Crochans and Ironteeth, said before she and her wyvern leaped into the skies. Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
The world is a wide place where we stumble like children learning to walk. The world is a bright mosaic where we learn like children to see, where our little blurry eyes strive greedily to take in as much light and love and colour and detail as they can. The world is a coaxing whisper when the wind lips the trees, when the sea licks the shore, when animals burrow into earth and people look up at the sympathetic stars. The world is an admonishing roar when gales chase rainclouds over the plains and whip up ocean waves, when people crowd into cities or intrude into dazzling jungles. What right have we to carry our desperate mouths up mountains or into deserts? Do we want to taste rock and sand or do we expect to make impossible poems from space and silence? The vastness at least reminds us how tiny we are, and how much we don't yet understand. We are mere babes in the universe, all brothers and sisters in the nursery together. We had better learn to play nicely before we're allowed out..... And we want to go out, don't we? ..... Into the distant humming welcoming darkness.
Jay Woodman (SPAN)
Alcohol whipped me. Alcohol and I had many, many marvelous times together. We laughed, we talked, we danced at the party together; then one day I woke up and the band had gone home and I was lying in the broken glass with a shirt full of puke and I said, 'Hey, man, the ball game's up'.
Harry Crews
Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired a hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newly weds." "Oh my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenous activities, like a long night of love making, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had just poured for him. "What about you princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry."I sighed and sat up. "Oh really?" Loki arched an eyebrow. "Does that mean that last night-" "It means last night is none of your business," I snapped.
Amanda Hocking (Ascend (Trylle, #3))
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
Something else?" She huffed as she pushed from the table, grabbing her husband's empty coffee cup. "That's the nice way of saying they're bat shit crazy." "Hey!" Mr Hamilton's head whipped around, eyes dancing. "You listen here, woman." "You can listen to my foot up your ass if you call me woman again." Mrs Hamilton refilled the cup and reached for the sugar. "And you can take that to court." Cam sighed and lowered his head. I smothered my giggle with my hand.
J. Lynn (Wait for You (Wait for You, #1))
Zach, this isn't a game, you know. I don't just write it. I live it. I'm a Domme, a female Dominant. There aren't a lot of us around. Most Dominants are men. Technically I'm Switch since I can top and bottom, but if I show up on your doorstep, get ready to say ouch. I'm not good at it - I'm amazing at it. So good at it that I'm as famous down here for my skills with a whip as I am in the straight world for my skills with a pen.
Tiffany Reisz (The Siren (The Original Sinners, #1))
Our Press and our schools cultivate Chauvinism, militarism, dogmatism, conformism and ignorance. The arbitrary power of the Government is unlimited, and unexampled in history; freedom of the Press, of opinion and of movement are as thoroughly exterminated as though the proclamation of the Rights of Man had never been. We have built up the most gigantic police apparatus, with informers made a national institution, and the most refined scientific system of political and mental torture. We whip the groaning masses of the country towards a theoretical future happiness, which only we can.
Arthur Koestler (Darkness at Noon)
When I entered and shut the door, the Darkling gave me a small bow. “How are you, Alina?” “I’m fine,” I managed. “She’s fine!” hooted Baghra. “She’s fine! She cannot light a hallway, but she’s fine.” I winced and wished I could disappear into my boots. To my surprise, the Darkling said, “Leave her be.” Baghra’s eyes narrowed. “You’d like that, wouldn’t you?” The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. “Baghra has her own way of doing things,” he said. “Don’t patronize me, boy!” Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he’d caught himself. “Don’t chide me, old woman,” he said in a low, dangerous voice.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Bramble's lips were tight. Her fists still shook. "Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!" Teddie drew himself up to his full, towering taffy height. "N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!" The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white. "Young man," said the King gently. "Your ship leaves soon?" Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved. "Do you mean it?" Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow. "Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!" "Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!" In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh...my," said Clover. No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
Heather Dixon Wallwork (Entwined)
Man, that is so freaking yummy," Jen said, watching the exchange between Fane and Jacque along with everyone in the room. "I want one Sally, go find me one." "One hot, loving, passionate, furry werewolf coming up," Sally said sarcastically. "Would like fries or tots with that?" "I prefer whipped cream actually," Jen said wistfully.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
Just shut up and start sucking each other's faces already," Vida grumbled, leaning awkwardly against the stump. She would never admit it aloud, but I knew the burns on her back her eating her alive with pain. "I'm trying to make up for the sleep I lost when you started screeching at each other like cats in heat." "Miss Vida," Liam said, "has anyone ever told you that you are positively the whipped cream on the sundae of life?" She glared at him. "Anyone ever told you your head is shaped like a pencil?" "That is physically impossible," Chubs groused. "He'd be--" "Actually," Liam began, "Cole once did try to-- What?" "Oh, I'm sorry," Chub said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue." "I'm going to guess you probably don't want to hear about the time he pushed my head through the neighbours fence..." "Was there a lot of blood?" Vida asked, suddenly interested. "Did you lose an ear?" Liam held his hands up next to his ears, indicating both were firmly attached to his skull. "Then, no" she said. "No one wants to hear your boring-ass story.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap." "I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?" "Am i gonna have to beat the shit out o' him? Is that what it's gonna take?" "He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
Logan thought about it for a moment and then asked, “How about Whipped?” Tate’s eyes opened and he looked slightly shocked. “I know I’ve been up for a lot lately, and yeah, I’ll try most things—” “Tate?” Logan laughed. “Yeah?” “It’s a nightclub. But please feel free to finish that thought. You say you’ll try most things?
Ella Frank (Take (Temptation, #2))
Waiting for the operation, there was a gentle tap on the door. In came a strapping nurse. 'Good morning', she shrilled, whipped back the bedclothes, upped with his nightshirt, grabbed his willy, lathered furiously around it till it looked like the Eddystone Lighthouse in a storm, then shaved the whole area till it looked like an oven-ready chicken. 'Excuse me, nurse', said Looney, 'why did you knock?
Spike Milligan
You see I thought love got easier over, the years so it didn’t hurt so bad when it hurt, or feel so good when it felt good. I thought it smoothed out and old people hardly noticed it. I thought it curled up and died, I guess. Now I saw it rear up like a whip and lash. She loved him. She was jealous. She mourned him like the dead. And he just smiled into the air, trapped in the seams of his mind.
Louise Erdrich (Love Medicine)
The kid pulled a Buck knife out of his pants pocket. "How about giving me your purse, bitch?" Sally hiked up his skirt, reached into his briefs and pulled out a Glock. "How about using that knife to slice off your balls?" Lula whipped a gun out of her red satin purse and Grandma hauled out her .45 long-barrel. "Day my make, punk," Grandma said. "Hey, I don't want any trouble," the kid said. "We were just having some fun." "I want to shoot him," Sally said. "Nobody'll tell, right?" "No fair," Lula said. "I want to shoot him." "Okay," Grandma said. "On the count of three, we'll all shoot him.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
People that don't know what they are worth will always see their capture's wings, but never their tail.
Shannon L. Alder
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Unfortunately, we forget the cruel details of the agonizing sacrifice God made on our behalf. Familiarity breeds complacency. Even before his crucifixion, the Son of God was stripped naked, beaten until almost unrecognizable, whipped, scorned and mocked, crowned with thorns, and spit on contemptuously. Abused and ridiculed by heartless men, he was treated worse than an animal. Then, nearly unconscious fromblood loss, he was forced to drag a cumbersome cross up a hill, was nailed to it, and was left to die the slow, excruciating torture of death by crucifixion. While his lifeblood drained out, hecklers stood by and shouted insults, making fun of his pain and challenging his claim to be God.
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
There are growing domestic social and economic problems, in fact, maybe catastrophes. Nobody in power has any intention of doing anything about them. If you look at the domestic programs of the administrations of the past ten years-I include here the Democratic opposition-there's really no serious proposal about what to do about the severe problems of health, education, homelessness, joblessness, crime, soaring criminal populations, jails, deterioration in the inner cities - the whole raft of problems... In such circumstances you've got to divert the bewildered herd, because if they start noticing this they may not like it, since they're the ones suffering from it. Just having them watch the Superbowl and the sitcoms may not be enough. You have to whip them up into fear of enemies. In the 1930s Hitler whipped them into fear of the Jews and gypsies. You had to crush them to defend yourselves. We have our ways, too. Over the last ten years, every year ot two, some major monster is constructed that we have to defend ourselves against.
Noam Chomsky (Media Control: The Spectacular Achievements of Propaganda)
Ellen rose to her feet. Jack thought for a moment she was going to storm out. Instead, she picked up the pitcher of hot fudge and poured the contents onto Leesha Middleton's pink jeans and fuzzy white sweater. "Oops." Ellen sat down again and went back to eating her ice cream. Leesha screamed, a sound that could be heard in Canada. Every eye in Corcoran's was on her. She slid out of the booth and swiped ineffectually at her jeans with a napkin.Then she plucked at her ruined sweater with her thumb and forefinger. "You...you...I can't believe you did that!" Ellen licked whipped cream from the back of her spoon and looked at Leesha calmly. Leesha was tiny, but she seemed to expand, like an amphibian taking on air, then she drew herself up and retrieved her pink leather purse from the bench next to Jack. It was smeared with fudge too. "You'll pay for that, I promise you," she said to Ellen in a voice that raised the gooseflesh on Jack's neck. Then she turned and left. For a moment, Corcoran's was totally silent. Ellen looked across the table at Jack's sundae. "Are you going to finish that?
Cinda Williams Chima (The Warrior Heir (The Heir Chronicles, #1))
I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes: Tell me, what is it you plan to do with your one wild and precious life? I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real. Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.) It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years. The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment. Hello there, dream. Also, don’t be realistic. The word “realistic” is poison. Who decides? And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real. The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?” Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch. You can let life happen to you, or you can happen to life. It’s harder, but so much better.
Laini Taylor
For a moment, Jason could only stand there in the hallway with his nose pressed up against the cold wood of her door. After a few seconds, he knocked politely. Taylor whipped open the door, unamused. Jason grinned at her. “I just gotta ask: Where did you get the whole ‘all the cute girls run around naked’ thing?” “I defend sexual harassment cases, Mr. Andrews,” she replied coolly. "I’ve seen and heard things even you haven’t thought of.” “Care to test out that theory?” She slammed the door in his face again.
Julie James (Just the Sexiest Man Alive)
But the wind does not stop for my thoughts. It whips across the flooded gravel pits drumming up waves on their waters that glint hard and metallic in the night, over the shingle, rustling the dead gorse and skeletal bugloss, running in rivulets through the parched grass - while I sit here in the dark holding a candle that throws my divided shadow across the room and gathers my thoughts to the flame like moths. I have not moved for many hours. Years, a lifetime, eddy past: one, two, three: into the early hours, the clock chimes. The wind is singing now
Derek Jarman (Modern Nature)
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
Tana French (The Likeness (Dublin Murder Squad, #2))
Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more." She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?" Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself. She closed on him. "You know what I could do?" Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am." "Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny." Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless. For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two.
John Steinbeck (Of Mice and Men)
The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm. 'You cannot pass,' he said. The orcs stood still, and a dead silence fell. 'I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.' The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly onto the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm. From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still. 'You cannot pass!' he said. With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed. 'He cannot stand alone!' cried Aragorn suddenly and ran back along the bridge. 'Elendil!' he shouted. 'I am with you, Gandalf!' 'Gondor!' cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog's feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness. With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard's knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. 'Fly, you fools!' he cried, and was gone.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Do you see that man in the black Porsche?" I asked the women. They squinted out at Ranger. "Yes," they said."Your partner." "He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room." Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?" "Nope. He's single. He's a real catch." Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.: "Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly. "Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car.".... He leaned into me and his lips brushed the shell of my ear. "Feeling playful?" "I don't know what you're talking about." "Watch your back babe. I will get even." -Ranger and Stephanie
Janet Evanovich (To the Nines (Stephanie Plum, #9))
Well … when we were in our first year, Harry — young, carefree, and innocent —” Harry snorted. He doubted whether Fred and George had ever been innocent. “— well, more innocent than we are now — we got into a spot of bother with Filch.” “We let off a Dungbomb in the corridor and it upset him for some reason —” “So he hauled us off to his office and started threatening us with the usual —” “— detention —” “— disembowelment —” “— and we couldn’t help noticing a drawer in one of his filing cabinets marked Confiscated and Highly Dangerous.” “Don’t tell me —” said Harry, starting to grin. “Well, what would you’ve done?” said Fred. “George caused a diversion by dropping another Dungbomb, I whipped the drawer open, and grabbed — this.” “It’s not as bad as it sounds, you know,” said George. “We don’t reckon Filch ever found out how to work it. He probably suspected what it was, though, or he wouldn’t have confiscated it.” “And you know how to work it?” “Oh yes,” said Fred, smirking. “This little beauty’s taught us more than all the teachers in this school.” “You’re winding me up,” said Harry, looking at the ragged old bit of parchment. “Oh, are we?” said George. He took out his wand, touched the parchment lightly, and said, “I solemnly swear that I am up to no good.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
As they walked, the subtle lamplight of a dirigible washed over them. Finley glanced up, watching the light grow closer, slowly descending from the sky in a whirl of propellers as the ship made its way into the London air dock just a few miles away. How amazing it must be to float so high, to travel so quickly. Dandy followed her gaze, but they didn’t stop walking. “I was up in one of them flyers once,” he told her. “I climbed over the rail and hung on to one of the ropes. Freeing it was. I almost let go.” She whipped her head around to gape at him. “The fall would kill you.” He smiled ever so slightly. “Not afore I flew. Worse ways to go.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
When did you start here?” I ask her. “Three days ago. Sir. Aspirant. Um—” She wrings her hands. “Veturius is fine.” She walks carefully, gingerly—the Commandant must have whipped her recently. And yet she doesn't hunch or shuffle like the others slaves. The straight-backed grace with which she moves tells her story better than words. She'd been a freewoman before this—I'd bet my scims on it. And she has no idea how pretty she is—or what kind of problems her beauty will cause for her at a place like Blackcliff. The wind pulls at her hair again, and I catch her scent—like fruit and sugar. “Can I give you some advice?” Her head flies up like a scared animal's. At least she's wary. “Right now you...” Will grab the attention of every male in a square mile. “Stand out,” I finish. “It's hot, but you should wear a hood or a cloak—something to help you blend in.” She nods, but her eyes are suspicious. She wraps her arms around herself and drops back a little. I don't speak to her again.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
I know why she stormed out of here." Decebel's and Jacque's heads both whipped around. "You do?" they both asked at the same time. Fane raised an eyebrow at Sally's words. Sally in turn eyeballed Decebel. "Jen never really learned how to use an inside voice. So, Decebel, why don't you share how she asked you if you were involved with Crina, and how you never really gave her an answer but instead taunted her, and then nearly made her hyperventilate with desire." Decebel's head cocked to the side, his eyebrows drawn together. "How -" "I would say it's a gift, but really I'm just nosy as hell. And damn, boy, the look you were giving her nearly had me in a puddle." "Shut up!" Jacque squealed. "Are you telling me Jen stormed out of here because he got her all hot and bothered?" Sally was grinning from ear to ear. Decebel looked like he would be perfectly happy if the universe would just swallow him whole. "She was angry when she left," Decebel defended. "She left because she was mad." "Yeah, mad because she's got it bad for you, Sherlock," Sally told him, rolling her eyes. "Really? She likes me?" Jacque laughed at Decebel's cocky smile. "Um, if you aren't her mate that's not a good thing, Casanova," Jacque reminded him. Sally nodded in agreement, scrutinizing Decebel. "Let's just hope that she finds her mate at Mate Fest so she can get over you." Decebel took a step towards Sally. Fane stepped around Jacque and laid a hand on Decebel's chest, stopping him. "Easy, Beta." Decebel closed his eyes taking slow breaths, leashing his wolf. Then Sally's words worked past the jealous fog. "Mate Fest?" he questioned. Sally grinned. "Jen deemed it." "Naturally," Decebel muttered with a slight smile.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
Perhaps you are not trying to whip a crowd into a frenzy; you just want to bring people over to your side. Choose your strategy and words carefully. You might think it is better to reason with people, explain your ideas. But it is hard for an audience to decide whether an argument is reasonable as they listen to you talk. They have to concentrate and listen closely, which requires great effort. People are easily distracted by other stimuli, and if they miss a part of your argument, they will feel confused, intellectually inferior, and vaguely insecure. It is more persuasive to appeal to people’s hearts than their heads. Everyone shares emotions, and no one feels inferior to a speaker who stirs up their feelings. The crowd bonds together, everyone contagiously experiencing the same emotions.
Robert Greene (The Art of Seduction)
As the floods of God Wash away sin city They say it was written In the page of the Lord But I was looking For that great jazz note That destroyed The walls of Jericho The winds of fear Whip away the sickness The messages on the tablet Was valium As the planets form That golden cross Lord I'll see you on The holy cross roads After all this time To believe in Jesus After all those drugs I thought I was Him After all my lying And a-crying And my suffering I ain't good enough I ain't clean enough To be Him The tribal wars Burning up the homeland The fuel of evil Is raining from the sky The sea of lava Flowing down the mountain The time will sleep Us sinners by Holy rollers roll Give generously now Pass the hubcap please Thank you Lord
Joe Strummer
Xie Lian whipped his head over, and a biting chill flashed before his face. He straightened and stated solemnly: “You ask who I am? LISTEN WELL! ——I, AM THE EMINENT HIGHNESS THE CROWN PRINCE! You riotous radicals, BOW DOWN BEFORE ME!” His voice boomed like thunder in clear skies. There were actually a few who almost dropped to their knees, and didn’t snap out of it until their companions pulled them up. “What are you doing? Are you actually kneeling?” “Th-that’s weird, I did it before I realized it…” Xie Lian proclaimed sharply: “I, AM OVER EIGHT HUNDRED. OLDER THAN ALL OF YOU COMBINED. I’VE CROSSED MORE BRIDGES THAN ALL THE ROADS YOU’VE WALKED. “I, POSSESS SHRINES AND TEMPLES ACROSS THIS LAND; MY DEVOTEES AND WORSHIPPERS ARE SPREAD TO ALL FOUR SEAS. IF YOU DON’T KNOW MY NAME, IT’S BECAUSE YOU ARE IGNORANT AND UNLEARNED OF THE WORLD! “I, DO NOT WORSHIP GODS. “I, AM GOD!” When the mob heard this speech, that was so shameless yet spoken with an incomparably impressive air, they were all stunned, and dropped their jaws. “…HUH???” Xie Lian made up all that nonsense because he was waiting for this very moment. He flung that plate in his hand, and all those little white meatballs shot out through the air like iron pellets, scattering in all directions. Without any misses, they were hurled right into the open mouths of all those people in shock. Then he wiped away his sweat. “Will everyone please forget everything I just said? I’m actually only just a scrap collector!
Mò Xiāng Tóngxiù, 天官赐福 [Tiān Guān Cì Fú]
Hello, Celaena,” he said as calmly as he could, well aware that two Fae males behind him could hear his thundering heart. Rolfe whipped his head toward him. Because it was Celaena who sat here—for whatever purpose, it was Celaena Sardothien in this room. She jerked her chin at Rolfe. “You’ve seen better days, but considering half your fleet has abandoned you, I’d say you look decent enough.” “Get out of my chair,” Rolfe said too quietly. Aelin did no such thing. She just gave Rowan a sultry sweep from foot to face. Rowan’s expression remained unreadable, eyes intent—near-glowing. And then Aelin said to Rowan with a secret smile, “You, I don’t know. But I’d like to.” Rowan’s lips tugged upward. “I’m not on the market, unfortunately.” “Pity,” Aelin said, cocking her head as she noticed a bowl of small emeralds on Rolfe’s desk. Don’t do it, don’t— Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. “She must be a rare, staggering beauty to make you so faithful.” Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. “She must be clever”—plunk—“and fascinating”—plunk—“and very, very talented.” Plunk, plunk, plunk went the emeralds. She examined the four gems remaining in her hand. “She must be the most wonderful person who ever existed.” Another cough from behind him—from Gavriel this time. But Aelin only had eyes for Rowan as the warrior said to her, “She is indeed that. And more.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles. He turns on her. "What could be funny?" She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again. "And you think that's funny?" "You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath. "Obviously." "Don't you see? It worked!" "All I saw was Toraf, my sister's mate, my best friend, kissing my...my..." "Your what?" "Student." Obsession. "Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous." Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?" She nods, laugher bubbling up again. "And it worked! Did you see her face?" "You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?" "I told him to do it." Galen's fists ball against his will. "You told him to kiss you?" "No! Sort of. Not really though." "Emma-" "I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!" She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?" "I just told you I did, Galen." "Not his plan. The kiss." The delight leaves her face like a receding tide. "That's none of your business, Highness." He runs a hand through his hair to keep from shaking her. And kissing her. "Triton's trident, Emma. Did you like it or not?" Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?" "What does that have to do with anything?" "Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house. "Emma, wait." "I'm tired of waiting, Galen. Good night.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Where is he?” she demanded, though she wasn’t too worried about the answer. Paris and Zacharel were friends despite their differences, and Wrath had yet to make a peep. “I took him to the castle and dropped him on the bridge.” Reevaluation time. Paris and Zacharel were not friends on any level. Wrath, on the other hand, must think angels could do no wrong. “Why would you do that?” Sure, Paris would be carried inside and locked up. Sure, he would escape, and he would be fine. But none of that mattered to her just then. Fury rose, dark and hot and dangerous. Calm down. Before she whipped out that crystal blade Paris had given her and went to town on angel flesh. She’d so had enough of males and their abuse of supernatural abilities. Zacharel blinked as if the answer should be obvious to one and all. “That, as you called it, is what one male does to another when they are arguing.” “No. No, it’s not.” His lips edged down in the slightest of frowns. “That is what your Paris did to William of the Dark only this morn.” Well, she had no comeback for that, did she?
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Swallowing hard, she looked at him. He raised his eyes from the frothy concoction on his spoon at the precise moment she looked up, and their gazes locked over the length of the polished wood table. Where would you drip whipped cream on him, Lisa? The answer came with frightening swiftness and conviction: Everywhere. She wanted to explore his body, the hard ripples, the smooth skin. The candlelight bathed his olive skin with a golden hue, and his dark good looks were set off perfectly by his linen shirt and the splash of black and crimson draped across his chest. He was mesmerizing. "Are you hungry, lass?" He licked his spoon languidly. She couldn't tear her gaze away. "No. I've eaten quite enough," she managed. "You seem to be watching my dessert most intently. Are you certain there isn't something else you wish to sate your appetite?" Besides you to remove your clothing, lie on the table, and let me finger paint you with whipped cream, you mean? "Nope," she said casually. "Not a thing." She watched him for a moment; he still had a great deal of dessert left. How was she going to get through this?
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
You listen to me, and listen good!" she shouted, shocking me. "I am not evil because I have a thousand years of demon smut on my soul!" she exclaimed, the tips of her hair trembling and her face flushed. "Every time you disturb reality, nature has to balance it out. The black on your soul isn't evil, it's a promise to make up for what you have done. It's a mark, not a death sentence. And you can get rid of it given time." "Ceri, I'm sorry," I fumbled, but she wasn't listening. "You're an ignorant, foolish, stupid witch," she berated, and I cringed, my grip tightening on the copper spell pot and feeling the anger from her like a whip. "Are you saying because I carry the stink of demon magic, that I'm a bad person?" "No..." I wedged in. "That God will show no pity?" she said, green eyes flashing. "That because I made one mistake in fear that led to a thousand more that I will burn in hell?" "No. Ceri -" I took a step forward. "My soul is black," she said, her fear showing in her suddenly pale cheeks. "I'll never be rid of it all before I die, but it won't be because I'm a bad person but because I was a frightened one.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Still writing?" I usually nod and smile, then quickly change the subject. But here is what I would like to put down my fork and say: Yes, yes, I am. I will write until the day I die, or until I am robbed of my capacity to reason. Even if my fingers were to clench and wither, even if I were to grow deaf or blind, even if I were unable to move a muscle in my body save for the blink of one eye, I would still write. Writing saved my life. Writing has been my window -- flung wide open to this magnificent, chaotic existence -- my way of interpreting everything within my grasp. Writing has extended that grasp by pushing me beyond comfort, beyond safety, past my self-perceived limits. It has softened my heart and hardened my intellect. It has been a privilege. It has whipped my ass. It has burned into me a valuable clarity. It has made me think about suffering, randomness, good will, luck, memory responsibility, and kindness, on a daily basis -- whether I feel like it or not. It has insisted that I grow up. That I evolve. It has pushed me to get better, to be better. It is my disease and my cure. It has allowed me not only to withstand the losses in my life but to alter those losses -- to chip away at my own bewilderment until I find the pattern in it. Once in a great while, I look up at the sky and think that, if my father were alive, maybe he would be proud of me. That if my mother were alive, I might have come up with the words to make her understand. That I am changing what I can. I am reaching a hand out to the dead and to the living and the not yet born. So yes. Yes. Still writing.
Dani Shapiro (Still Writing: The Perils and Pleasures of a Creative Life)
Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark. ‘When you cut down the hybrid rose, its blackened stump below the graft spreads furtive fingers in the dirt. It claws at life, weaving a raft of suckering roots to pierce the earth. The first thin shoot is fierce and green, a pliant whip of furious briar splitting the soil, gulping the light. You hack it down. It skulks between the flagstones of the garden path to nurse a hungry spur in shade against the porch. With iron spade you dig and drag it from the gravel and toss it living on the fire. ‘It claws up towards the light again hidden from view, avoiding battle beyond the fence. Unnoticed, then, unloved, unfed, it clings and grows in the wild hedge. The subtle briar armors itself with desperate thorns and stubborn leaves – and struggling higher, unquenchable, it now adorns itself with blossom, till the stalk is crowned with beauty, papery white fine petals thin as chips of chalk or shaven bone, drinking the light. ‘Izabela, Aniela, Alicia, Eugenia, Stefania, Rozalia, Pelagia, Irena, Alfreda, Apolonia, Janina, Leonarda, Czeslava, Stanislava, Vladyslava, Barbara, Veronika, Vaclava, Bogumila, Anna, Genovefa, Helena, Jadviga, Joanna, Kazimiera, Ursula, Vojcziecha, Maria, Wanda, Leokadia, Krystyna, Zofia. ‘When you cut down the hybrid rose to cull and plough its tender bed, trust there is life beneath your blade: the suckering briar below the graft, the wildflower stock of strength and thorn whose subtle roots are never dead.
Elizabeth Wein (Rose Under Fire)
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
Frederick Douglass (Narrative of the Life of Frederick Douglass)
I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving. This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love. This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages. I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit. The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.
Clementine von Radics (Mouthful of Forevers)
Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
To begin with, we have to be more clear about what we mean by patriotic feelings. For a time when I was in high school, I cheered for the school athletic teams. That's a form of patriotism — group loyalty. It can take pernicious forms, but in itself it can be quite harmless, maybe even positive. At the national level, what "patriotism" means depends on how we view the society. Those with deep totalitarian commitments identify the state with the society, its people, and its culture. Therefore those who criticized the policies of the Kremlin under Stalin were condemned as "anti-Soviet" or "hating Russia". For their counterparts in the West, those who criticize the policies of the US government are "anti-American" and "hate America"; those are the standard terms used by intellectual opinion, including left-liberal segments, so deeply committed to their totalitarian instincts that they cannot even recognize them, let alone understand their disgraceful history, tracing to the origins of recorded history in interesting ways. For the totalitarian, "patriotism" means support for the state and its policies, perhaps with twitters of protest on grounds that they might fail or cost us too much. For those whose instincts are democratic rather than totalitarian, "patriotism" means commitment to the welfare and improvement of the society, its people, its culture. That's a natural sentiment and one that can be quite positive. It's one all serious activists share, I presume; otherwise why take the trouble to do what we do? But the kind of "patriotism" fostered by totalitarian societies and military dictatorships, and internalized as second nature by much of intellectual opinion in more free societies, is one of the worst maladies of human history, and will probably do us all in before too long. With regard to the US, I think we find a mix. Every effort is made by power and doctrinal systems to stir up the more dangerous and destructive forms of "patriotism"; every effort is made by people committed to peace and justice to organize and encourage the beneficial kinds. It's a constant struggle. When people are frightened, the more dangerous kinds tend to emerge, and people huddle under the wings of power. Whatever the reasons may be, by comparative standards the US has been a very frightened country for a long time, on many dimensions. Quite commonly in history, such fears have been fanned by unscrupulous leaders, seeking to implement their own agendas. These are commonly harmful to the general population, which has to be disciplined in some manner: the classic device is to stimulate fear of awesome enemies concocted for the purpose, usually with some shreds of realism, required even for the most vulgar forms of propaganda. Germany was the pride of Western civilization 70 years ago, but most Germans were whipped to presumably genuine fear of the Czech dagger pointed at the heart of Germany (is that crazier than the Nicaraguan or Grenadan dagger pointed at the heart of the US, conjured up by the people now playing the same game today?), the Jewish-Bolshevik conspiracy aimed at destroying the Aryan race and the civilization that Germany had inherited from Greece, etc. That's only the beginning. A lot is at stake.
Noam Chomsky
The light was crude. It made Artaud's eyes shrink into darkness, as they are deep-set. This brought into relief the intensity of his gestures. He looked tormented. His hair, rather long, fell at times over his forehead. He has the actor's nimbleness and quickness of gestures. His face is lean, as if ravaged by fevers. His eyes do not seem to see the people. They are the eyes of a visionary. His hands are long, long-fingered. Beside him Allendy looks earthy, heavy, gray. He sits at the desk, massive, brooding. Artaud steps out on the platform, and begins to talk about " The Theatre and the Plague." He asked me to sit in the front row. It seems to me that all he is asking for is intensity, a more heightened form of feeling and living. Is he trying to remind us that it was during the Plague that so many marvelous works of art and theater came to be, because, whipped by the fear of death, man seeks immortality, or to escape, or to surpass himself? But then, imperceptibly almost, he let go of the thread we were following and began to act out dying by plague. No one quite knew when it began. To illustrate his conference, he was acting out an agony. "La Peste" in French is so much more terrible than "The Plague" in English. But no word could describe what Artaud acted out on the platform of the Sorbonne. He forgot about his conference, the theatre, his ideas, Dr. Allendy sitting there, the public, the young students, his wife, professors, and directors. His face was contorted with anguish, one could see the perspiration dampening his hair. His eyes dilated, his muscles became cramped, his fingers struggled to retain their flexibility. He made one feel the parched and burning throat, the pains, the fever, the fire in the guts. He was in agony. He was screaming. He was delirious. He was enacting his own death, his own crucifixion. At first people gasped. And then they began to laugh. Everyone was laughing! They hissed. Then, one by one, they began to leave, noisily, talking, protesting. They banged the door as they left. The only ones who did not move were Allendy, his wife, the Lalous, Marguerite. More protestations. More jeering. But Artaud went on, until the last gasp. And stayed on the floor. Then when the hall had emptied of all but his small group of friends, he walked straight up to me and kissed my hand. He asked me to go to the cafe with him.
Anaïs Nin
When I got to school the next morning I had stepped only one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least bit about the scene he was creating. The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe. “Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.” “I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You had your mother worried sick!” “My mother?” I questioned sarcastically. Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students, where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller! “Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute. “I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more. I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop. Look, I will be your friend. I want to be your friend. But that’s it. We can’t be anything more. It’ll never work.” Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.” It was hopeless. “Fine!” I snapped. “I’ll be your stupid girlfriend!” Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually laughed at my request. “No promises.” Stupid, cocky boyfriend. “You’re crazy. You know that, right?” Ryan got this big cheesy smile on his face and said, “Crazy about you.” “Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?” “Because I like you.” His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that? “I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.” “You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked a smile despite myself. “You really are crazy,” I muttered.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for — Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand. “Don’t kill me!” “That was not my intention.” Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand. “Well, Severus? What message does Lord Voldemort have for me?” “No — no message — I’m here on my own account!” Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him. “I — I come with a warning — no, a request — please —” Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other. “What request could a Death Eater make of me?” “The — the prophecy… the prediction… Trelawney…” “Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?” “Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!” “The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —” “You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —” “If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?” “I have — I have asked him —” “You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?” Snape said nothing, but merely looked up at Dumbledore. “Hide them all, then,” he croaked. “Keep her — them — safe. Please.” “And what will you give me in return, Severus?” “In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened. "Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds." "Oh, my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him. "What about you, Princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry." I sighed and sat up. "Oh, really?" Loki arched an eyebrow. "Does that mean that last night-" "It means that last night is none of your business," I snapped. I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before. "Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen." "Oh, I have plenty you haven't seen," I said and pulled the robe around me. "You should get married more often," Loki teased. "It makes you feisty." I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself. "What are you doing?" I asked. "Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas." "Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed. "He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care." In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life. "So, how did everyone sleep last night?" Loki asked. There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding. "Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly. "Finn?" I asked, stunned. Finn looked appalled and pointed at Loki. "What are you doing here?" "I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?" "What is he doing here?" Finn asked, turning his attention to me. "Never mind him." I waved it off. "What's going on?" "See, Finn, you should've told me when I asked," Loki said between sips of his drink.
Amanda Hocking (Ascend (Trylle, #3))