Whip Me Quotes

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Thanks,” I muttered and added under my breath, “Douchebag.” He laughed, deep and throaty. “Now that’s not very ladylike, Kittycat.” I whipped around. “Don’t ever call me that,” I snapped. “It’s better than calling someone a douchebag, isn’t it?” He pushed out the door. “This has been a stimulating visit. I’ll cherish it for a long time to come.” Okay. That was it. “You know, you’re right. How wrong of me to call you a douchebag. Because a douchebag is too nice of a word for you,” I said, smiling sweetly. “You’re a dickhead.” “A dickhead?” he repeated. “How charming.” I flipped him off.
Jennifer L. Armentrout (Obsidian (Lux, #1))
You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?” Sam let go of my hands to get his wallet and took out some bills. “Six years.” I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species. Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age." Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be. I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.” The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall ALL the time. You know who comes and gets me? The bouncer.
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
You see?” said Laurent. “He has forgiven me for the small matter of the whip. I have forgiven him for the small matter of killing my brother. All hail the alliance.
C.S. Pacat (Kings Rising (Captive Prince, #3))
The regime had understood that one person leaving her house while asking herself: Are my trousers long enough? Is my veil in place? Can my make-up be seen? Are they going to whip me? No longer asks herself: Where is my freedom of thought? Where is my freedom of speech? My life, is it liveable? What's going on in the political prisons?
Marjane Satrapi (The Complete Persepolis)
Charlie whistled "Amazing Grace" as he drove. It was all I could do not to whip my head around and snap, Are you kidding me? Couldn't he pick something more appropriate, like "Shout at the Devil" or "Don't fear the Reaper"? Some people had no sense of the proper music for a kidnapping.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Silence, and then Eve said, "Okay, that was extra creepy, with whipped creepy topping. And this is me, changing my mind.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey cafe mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle's Starbucks, the modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top.
Sarah Vowell
No problem," Gale replies. "I wake up ten times a night anyway." "To make sure Katniss is still here?" asks Peeta. "Something like that,"... "That was funny, what Tigris said. About no one knowing what to do with her." "Well, WE never have,"... "She loves you, you know," says Peeta. "She as good as told me after they whipped you." "Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that." "It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice. "No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then." "You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life." ... "I wonder how she'll make up her mind." "Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
Suzanne Collins (Mockingjay (The Hunger Games, #3))
He ignored me, thank God, saying to Kat, "Let go of Frosty's leash. You're choking the life out of him." Kat's eyes narrowed to tiny slits, a sure sign of her aggression. "He deserves to choke. He didn't keep little frosty in his pants this summer." the words snapped like a whip. "He did." Cole snapped back with unwavering confidence. "Not." "Did." "Not!" "Did," "Not, not, not!" she shouted with a stomp of her foot. "What are we five?" Cole said. "Six.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Oh, parts of my body got all kinds of tingly seeing that go down. Kat whipped toward me, her eyes glowing from within. In that moment, she looked like a goddess— a goddess of vengeance. If we weren’t in the middle of a fight, I’d have you up against a tree right now.
Jennifer L. Armentrout (Opposition (Lux, #5))
In a flash, we're through the door, across the street and into the woods, running for no reason and laughing for no reason and totally out of breath and out of our minds when Brian catches me by my shirt, whips me around, and with one strong hand flat against my chest, he pushes me against a tree and kisses me so hard I go blind.
Jandy Nelson (I'll Give You the Sun)
Fingers circled my wrist. My head whipped around to see Ren’s eyes dancing with dark mirth while he drew me toward him like he was reeling in a prize catch. “So what’s for lunch?” He pulled me onto his lap.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
As he vomited, he felt, though did not see, V come over. Forcing his head up, Butch groaned, "Help me..." I'm going to, trahyner. Give me your hand." As Butch held his palm up in despair, Vishous whipped off his glove and grabbed on good and hard. V's energy, that beautiful, white light, poured down Butch's arm and ripped through him in a blast, cleansing, renewing. United by their clasped hands, they became again the two halves, the light and the dark. The Destroyer and the Savior. A whole.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
I’ll never get tired of looking at her. Or kissing her. Pussy whipped, thy name is Drew. Yeah I know. It’s okay. I don’t mind. ‘Caue if this is the Dark Side? Sign me up. Seriously. Don’t be surprised if I start skipping down the street singing, “Zip-a-Dee-fucking-Doo-Dah.” I’m that happy.
Emma Chase (Tangled (Tangled, #1))
Come, Friend, you too must die. Why moan about it so? Even Patroclus died, a far, far better man than you. And look, you see how handsome and powerful I am? The son of a great man, the mother who gave me life-- A deathless goddess. But even for me, I tell you, Death and the strong force of fate are waiting. There will come a dawn or sunset or high noon When a man will take my life in battle too-- flinging a spear perhaps Or whipping a deadly arrow off his bow.
Homer (The Iliad)
And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background. Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run. Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette. Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you. Run, I said.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Women hold all the power. They should use it like a whip, not offer it up like a sacrifice.
Tarryn Fisher (Thief (Love Me with Lies, #3))
I've been down by the stream collecting berries. Would you care for some?" I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I whipped around, eyeballing the guard breathing down my neck. "Seriously, dude, you need to back the hell up." The guy was half a head shorter than me and nowhere in my league of extraordinary ass-kicking abilities...
Jennifer L. Armentrout (Origin (Lux, #4))
I found something" Simon said as he walked in. He whipped out an old-fashioned key from his pocket and grinned at me. "It was taped to the back of my dresser drawer. What do you think? Buried treasure? Secret passageway? Locked room where they keep crazy old Aunt Edna?" "It probaly unlocks another dresser," Tori said. "One they threw out fifty years ago." "Its tragic, being born without an imagination. Do they hold telethons for that?
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I’d like to see you carry on with a corset digging its bones into your rib cage,” I said, returning the favor and eyeing his clothing. “And manage a skirt still covering most of your breeches and whipping around your thighs in this wind.” “If you’d like to see me out of my breeches, simply ask, Wadsworth. I’m more than happy to accommodate you on that front.” “Scoundrel.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I thought you were from a civilized country," he said. "How have you come to look more like Carthya's whipping boy than its king?" "I have a habit of irritating some of our less civilized people," I answered. "But you seem like a civilized...pirate. I'd much prefer it if you didn't have me whipped." "And why shouldn't I?" With some effort, I forced a smile to my face. "Because it will hurt.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
I half expected you to whip out your dick and pee on me as you snarled at him and marked your territory.
Lorelei James (Branded as Trouble (Rough Riders, #6))
I therefore hate the corrupt, slaveholding, women-whipping, cradle-plundering, partial and hypocritical Christianity of the land... I look upon it as the climax of all misnomers, the boldest of all frauds, and the grossest of all libels. Never was there a clearer case of 'stealing the livery of the court of heaven to serve the devil in.' I am filled with unutterable loathing when I contemplate the religious pomp and show, together with the horrible inconsistencies, which every where surround me. We have men-stealers for ministers, women-whippers for missionaries, and cradle-plunderers for church members. The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. . . . The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Remember?" he asks. "This is where you kissed me." So the heavy dose of morphling administered after the whipping wasn't enough to erase that from his consciousness. "I didn't think you'd remember that," I say. "Have to be dead to forget. Maybe even not then," he tells me. "Maybe I'll be like that man in 'The Hanging Tree'. Still waiting for an answer." Gale, who I have never seen cry, has tears in his eyes. To keep them from spilling over, I reach forward and press my lips against his. We taste of heat, ashes, and misery. It's a surprising flavour for such a gentle kiss. He pulls away first and gives me a wry smile. "I knew you'd kiss me." "How?" I say. Because I didn't know myself. "Because I'm in pain," he says. "That's the only way I get your attention." He picks up the box. "Don't worry, Katniss. It'll pass." He leaves me before I can answer.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Roll of thunder hear my cry   Over the water bye and bye   Ole man comin’ down the line   Whip in hand to beat me down But I ain’t gonna let him Turn me ’round
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans #4))
I grabbed the sides of the machine and tried to shake it. No dice. Then I kicked it. Still nothing. I glared at the machine. “Let them out.” I punctuated my statement with a few more useless kicks. “You have an anger-management problem.” I whipped around at the sound of the warm, lilting British accent behind me.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
No guy in his right mind would ever choose me when there are people like Hana in the world: It would be like settling for a stale cookie when what you really want is a big bowl of ice cream, whipped cream and cherries and chocolate sprinkles included.
Lauren Oliver (Delirium (Delirium, #1))
Who’s fuckin’ pussy-whipped now, asshat?” Cox laughed over his shoulder. “That would be you, bitch!” “You did not just call me a bitch!” Mick roared, chasing him. “Bitch! I fuckin’ did! Bitch!
Madeline Sheehan (Unbeautifully (Undeniable, #2))
Why did you even bring a whip?” “Because Tristan wouldn’t let me bring the Thor hammer. Besides, you never know when you’ll need a whip. What if we need to climb something really tall or swing across a deep chasm?
Chelsea Fine (Avow (The Archers of Avalon, #3))
Don’t kiss me,” she said warningly. “I don’t intend to,” he replied, smiling a little. “I don’t have my whip and chair with me.
Linda Howard (Mr. Perfect)
Speaking of… does this mean you get your phone back?” I shrug. “I don’t really want that phone back. I’m hoping my whipped boyfriend will get me an iPhone for Christmas.
Colleen Hoover (Hopeless (Hopeless, #1))
The hatred I feel for him, for the phantom girl, for everything, is so real and immediate it chokes me. Gale is mine. I am his. Anything else is unthinkable. Why did it take him being whipped within an inch of his life to see it?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Maybe you should mind your own business.' 'You are my business. My job. You are what I do.' I whipped around to face him. 'Well if I'm your job, your fired. You creep me out.
Mary Lindsey (Shattered Souls (Souls, #1))
I can smell you, Ms. Lane," he said, even more softly. "The only blood on you is from your veins, not your womb." My head whipped to the left and I stared at him. Ok, that was one of the more disturbing things he'd ever said to me.
Karen Marie Moning (Faefever (Fever, #3))
You’re pussy whipped.” I claim, “I can’t be pussy whipped. I haven’t even had the pussy to be whipped!” Take that, Ghost! Oh wait… He chuckles, “That’s even worse, bro.” Fuck me, it totally is.
Belle Aurora (Friend-Zoned (Friend-Zoned, #1))
Are you going to rape me at any point or anything?" I just figured it was good to get things out in the open, get myself in the right headspace. He whipped his head around and looked at me like I'd just insulted his grandmother. "The fuck? No, I'm not." He gave me the squint side-long. "Are you going to rape me?
Domashita Romero (El Presidio Rides North)
We hurtled through the sky like things that hurtle through the sky. The wind whipped my face. The snow blinded me. The cold was so bad it made me cold. Okay, yeah, the mead of poetry definitely wasn't working.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Without thinking, I moved again, reaching out and touching the hand resting near my thigh. Call it an experiment, but I wanted to see what would happen Seth’s head whipped in my direction. “What are you doing?” “Nothing.” And nothing was what happened. Confused, I wrapped my fingers around his. “Doesn’t look like nothing,” His eyes narrowed on me. “I guess so.” Giving up on my impromptu test, I lifted my hand. “Shouldn’t you be—” Whatever I was about to say died on my lips. Incredibly fast, Seth grabbed my hand and threaded his fingers through mine. “Is this what you wanted?” he asked, ever so casually. It happened. Being so close to him this time, I could see where the markings came from. The thick veins in his hand were the first to darken, branching out before spreading up his arm. Mesmerized, I watched the inky tats cover every piece of exposed skin. Before my eyes, they shifted away from his veins, swirling around his skin. Breaking off into different designs as he—we—continued to hold hands.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
Close your eyes, Maxon." "What?" "Close your eyes. Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—" "Stop it!" "Sorry." "Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?" "Maxon, I..." "Tell me the truth." "Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate." "A boy? How old?" "Nine." "Have you ever been like that? Starving?...How bad?" "Maxon, it will only upset you more." "Probably, but I'm only starting to realize how much I don't know about my own country. Please." "We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon." "Good God. When you said that you were only here for the food, you weren't kidding, were you?" "Really, Maxon, we've been doing pretty well lately. I—" "I'll see you at dinner.
Kiera Cass (The Selection (The Selection, #1))
The hardest part has been learning how to take myself seriously when the entire world is constantly telling me that femininity is always inferior to masculinity
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
Where's your boyfriend, District 12? Still hanging on?" She asks. Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!" Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me. "Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Despite her obvious stress, my mom still managed to pour the hot chocolate into mugs, cover them with whipped cream and a pinch of cayenne, and add a cinnamon stick to them. She was like the Jedi master of hot chocolate.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
Eliza got vanilla ice cream with butterscotch sauce, whipped cream, and a cherry. She asked me to get chocolate ice cream with hot fudge and marshmallows. This way, she explained, we could share without overlapping flavors. Except she was pretty goddamn stingy with hers. She only gave me one bite. Meanwhile I was supposed to let her eat half of mine.
Tiffanie DeBartolo (How to Kill a Rock Star)
See? See what you can do? Never mind you can’t tell one letter from another, never mind you born a slave, never mind you lose your name, never mind your daddy dead, never mind nothing. Here, this here, is what a man can do if he puts his mind to it and his back in it. Stop sniveling,’ [the land] said. ‘Stop picking around the edges of the world. Take advantage, and if you can’t take advantage, take disadvantage. We live here. On this planet, in this nation, in this county right here. Nowhere else! We got a home in this rock, don’t you see! Nobody starving in my home; nobody crying in my home, and if I got a home you got one too! Grab it. Grab this land! Take it, hold it, my brothers, make it, my brothers, shake it, squeeze it, turn it, twist it, beat it, kick it, kiss it, whip it, stomp it, dig it, plow it, seed it, reap it, rent it, buy it, sell it, own it, build it, multiply it, and pass it on – can you hear me? Pass it on!
Toni Morrison (Song of Solomon)
I watch him walk away with the only family he has left and I know why Adam joined the army. I know why he suffered through being Warner's whipping boy. I know why he dealt with the horrifying reality of war, why he was so desparate to run away, so ready to run way as soon as possible. Why he's so determined to fight back. He's fighting for so much more than himself.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
J.D. scoffed at this. “Please—as if I’m worried about anything Payton has to say. What’s she going to do, give me another one of her little pissed-off hair flips?” He flung imaginary long hair off his shoulders, exaggerating. “I’ll tell you, one of these days I’m going to grab her by that hair and . . .” He gestured as if throttling someone. Without breaking stride, he returned Tyler’s serve. The two smashed a few back and forth, concentrating on the game when— Is violence always part of your sexual fantasies?” Tyler interjected. J.D. whipped around— Sexual—?” —and got hit smack in the face with the squash ball. He toppled back and sprawled ungracefully across the court. Tyler stepped over and twirled his racquet. “This is nice. We should talk like this more often.
Julie James (Practice Makes Perfect)
What I really fear is time. That's the devil: whipping us on when we'd rather loll, so the present sprints by, impossible to grasp, and all is suddenly past, a past that won't hold still, that slides into these inauthentic tales. My past- it doesn't feel real in the slightest. The person who inhabited it is not me. It's as if the present me is constantly dissolving. There's that line from Heraclitus: 'No man steps in the same river twice, for it is not the same river and he is not the same man.' That's quite right. We enjoy this illusion of continuity, and we call it memory. Which explains, perhaps, why our worst fear isn't the end of life but the end of memories.
Tom Rachman (The Imperfectionists)
It’s not fair!” Sunny wailed. “Why do you get to stay? Why can’t I stay, if you can?” I had to swallow hard. “That wouldn’t be fair, would it? But I don’t get to stay, Sunny. I have to go, too. And soon. Maybe we’ll leave together.” Perhaps she’d be happier if she thought I was going to the Dolphins with her. By the time she knew otherwise, Sunny would have a different host with different emotions and no tie to this human beside me. Maybe. Anyway, it would be too late. “I have to go, Sunny, just like you. I have to give my body back, too.” And then, flat and hard from right behind us, Ian’s voice broke through the quiet like the crack of a whip. ”What?
Stephenie Meyer (The Host (The Host, #1))
Tack didn’t grin. He tugged on my arm and dragged me down the hall to his bedroom. Dinner was chips and dip, beer and tequila and good company. Dessert was Cool Whip and Tack. In other words, dessert was the bomb!
Kristen Ashley (Motorcycle Man (Dream Man, #4))
Censorship and the suppression of reading materials are rarely about family values and almost always about controlabout who is snapping the whip, who is saying no, and who is saying go. Censorship's bottom line is this: if the novel Christine offends me, I don't want just to make sure it's kept from my kid; I want to make sure it's kept from your kid, as well, and all the kids. This bit of intellectual arrogance, undemocratic and as old as time, is best expressed this way: "If it's bad for me and my family, it's bad for everyone's family." Yet when books are run out of school classrooms and even out of school libraries as a result of this idea, I'm never much disturbed not as a citizen, not as a writer, not even as a schoolteacher . . . which I used to be. What I tell kids is, Don't get mad, get even. Don't spend time waving signs or carrying petitions around the neighborhood. Instead, run, don't walk, to the nearest nonschool library or to the local bookstore and get whatever it was that they banned. Read whatever they're trying to keep out of your eyes and your brain, because that's exactly what you need to know.
Stephen King
He didn’t save us ; haven’t you been listening?” Elizabeth held an icepack to her chin where she’d been hit by an meaty elbow . “Fiona stabbed one of them with a Susan Bates needle, Marie was wielding a tequila bottle, Sandra pistol-whipped the other, and I shot the third.” “Where were Janie and Kat?” Ashley looked from me to Kat. “Hiding behind the couch like sane people!” Kat said before anyone else could speak.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Even poetry, which breaks language into meaning - poetry ossifies, in time, the way trees do. What’s supple, whipping, soft and fresh grows hard, grows armor. If I could touch you, put my finger into your temple and sink you into me the way Garden does - perhaps then. But I would never.
Amal El-Mohtar (This is How You Lose the Time War)
Split the Castle open, find me, find you. We, two, felt sand, wind, air. One felt whip. Whipped, Once shipped. We, two, black. Me, you. One grew from cocoa's soil, birthed from nut, skin uncut, still bleeding. We two, wade. The waters seem different but are same. Our same. Sister skin. Who knew? Not me. Not you
Yaa Gyasi (Homegoing)
I crave white on white and black, but my thoughts race in glorious technicolour, prodding me awake, whipping away the warm blanket of invisibility every time it sears to smother my mind in nothing.
Sarah Kane
Well, I’m an abridger, so I’m entitled to a few ideas of my own. Did they make it? Was the pirate ship there? You can answer it for yourself, but, for me, I say yes it was. And yes, they got away. And got their strength back and had lots of adventures and more than their share of laughs. But that doesn’t mean I think they had a happy ending, either. Because, in my opinion, anyway, they squabbled a lot, and Buttercup lost her looks eventually, and one day Fezzik lost a fight and some hot-shot kid whipped Inigo with a sword and Westley was never able to really sleep sound because of Humperdinck maybe being on the trail. I’m not trying to make this a downer, understand. I mean, I really do think that love is the best thing in the world, next to cough drops. But I also have to say, for the umpty-umpth time, that life isn’t fair. It’s just fairer than death, that’s all.
William Goldman (The Princess Bride)
And I’ve been your monkey ever since. (Vik) Nah. You’re not my monkey, Vik. You’re my bitch. (Devyn) Of course I am. And I’ll remember that the next time your shower door is stuck and you want me to open it…Wait. That does make me your bitch, doesn’t it? Damn, I’m whipped. (Vik)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
Kill her for me," she said in that whiny little-girl voice. Diego took a step toward me, wearing an expression that told me he was only too happy to oblige his lady love. "Oh, what?" I said. I wasn't even scared. I didn't care anymore. The numbness in my heart had pretty much taken over my whole body. "You always do what she tells you? You know, we have a word for that now. It's called being whipped.
Meg Cabot (Darkest Hour (The Mediator, #4))
How easily you forgive, Eleanor. How freely you absolve the sins of others. Tell me, little one, when the time comes, how will you absolve yours? With the first lash of the whip Nora felt a strip of fire burn across her back. She cried out from a pain so ferocious she nearly choked on it. Like this, Søren, she dared answer only in her mind. This is how.
Tiffany Reisz (The Siren (The Original Sinners, #1))
You heard me. A creature from another world, a dark world, lurks the halls of Hellgate, tormenting victims at will. A grotesque, gnarled, twisted creature, with thick iron stakes impaled into its body, whip marks across its chest and back-- the beast got inside my brain.
J.B. Lion (The Seventh Spark: Volume One – Knights of the Trinity)
You should’ve thought about that before you picked up that whip,” the Primal growled. “And touched what is mine.” What is mine? Another laugh tickled the back of my throat. Now he claimed me?
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Listen up, ’cause I’m only gonna say this once,” Ty muttered as they walked to their gate. “I don’t talk when I fly. I sleep. And I don’t listen when I eat, understand? I don’t wanna be buddies. I don’t wanna chat,” he said with a sarcastic lilt to the word. “I don’t wanna know about your childhood or how your momma whipped you with a rubber glove or how much therapy you had to go through ’cause you flunked out of preschool. I don’t wanna hear about how you want to be Director someday or how many collars you got chasin’ those Internet freaks or how proud you are of your bowel movements. I don’t wanna go shopping at Barney’s with you, and I’m not gonna help you pick out your ties to match your socks and, I swear to God, if you get me shot, I’ll kill you.
Abigail Roux (Cut & Run (Cut & Run, #1))
Peter Pan,” I whisper into her ear. “I’m afraid.” “Afraid of what?” I kiss the opposite corner. She’s not as stiff as she was a minute ago. I kiss her mouth full on and close my eyes at the feel of her lips. God, I am so whipped by this woman. “Of how vulnerable you make me.
Tarryn Fisher (Thief (Love Me with Lies, #3))
A storm was brewing. The wind has picked up and a mass of purple clouds was coming in from the West. It felt good to have my hair whipping around my head. I thought it might feel good to have hail beat down on me. Sometimes storms outside are the only relief for storms inside...
Elizabeth Chandler (Love at First Click (First Kisses, #6))
Be With Me In The Phases Of My Work Because My Brain Feels Like It Has Been Whipped And I Yearn To Make A Small Perfect Thing Which Will Live In Your Morning Like Curious Static Through A President's Elegy Or A Nude Hunchback Acquiring A Tan On The Crowded Oily Beach.
Leonard Cohen
...Cromwell informed me I’d only have the keys to my car once I’d earned his trust back. His trust? Like I was the creeptastic person who whipped kids off the street and collected them like figurines?
Jennifer L. Armentrout (Cursed)
Hector!” He whips around. “You were never, never, going to be just a diversion to me.” He sighs, nodding. “That was unfair of me,” he says. “I’m sorr—” “And you will kiss me again. That and more. Count on it.
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
I'm surprised you're not freaking." "I don't freak'" he said bluntly. "You kinda did when I burst into flames earlier." "You caught me by surprise. Next time, I'll just whip out the marshmallows.
Rick Gualtieri (Bill the Vampire (The Tome of Bill, #1))
Hold him. Because if Jericho dies, I’m going to tear his heart out of his chest and feed it to him. (Delphine) Given the ass-whipping you just gave him, I’m sure you will. Remind me to –never- upset that woman. (Zeth)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Alcohol whipped me. Alcohol and I had many, many marvelous times together. We laughed, we talked, we danced at the party together; then one day I woke up and the band had gone home and I was lying in the broken glass with a shirt full of puke and I said, 'Hey, man, the ball game's up'.
Harry Crews
Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired a hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newly weds." "Oh my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenous activities, like a long night of love making, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had just poured for him. "What about you princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry."I sighed and sat up. "Oh really?" Loki arched an eyebrow. "Does that mean that last night-" "It means last night is none of your business," I snapped.
Amanda Hocking (Ascend (Trylle, #3))
Everything that burns, everything that rips me apart, I want to suffer with my body. I'd rather have a hundred wounds, whips, poisons - than this kind of suffering in the head, this phantom of suffering, which touches me softly and caresses me without ever really hurting.
Jean-Paul Sartre (No Exit)
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
I thought you'd gotten over your whoring when you left him, Catherine, but it seems you only postponed it." Bones' face turned to stone, and he answered her even before I could snap out an indignant response. "Don't you ever speak to her that way again." There was pure warning in the whip of his words. "You can call me any name you like and more, but I will not stand by while you slander her out of your own ignorance.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
Why don't you ever whip me?" she pouted one night. "Because I haven't the time," he snapped at her impatiently. "I haven't the time. Don't you know there's a parade going on?
Joseph Heller (Catch-22)
If I hired one of the stock boys to chase me around the store with a licorice whip, I'd be thin by Christmas.
Jennette Fulda
When You Have Forgotten Sunday: The Love Story -- And when you have forgotten the bright bedclothes on a Wednesday and a Saturday, And most especially when you have forgotten Sunday -- When you have forgotten Sunday halves in bed, Or me sitting on the front-room radiator in the limping afternoon Looking off down the long street To nowhere, Hugged by my plain old wrapper of no-expectation And nothing-I-have-to-do and I’m-happy-why? And if-Monday-never-had-to-come— When you have forgotten that, I say, And how you swore, if somebody beeped the bell, And how my heart played hopscotch if the telephone rang; And how we finally went in to Sunday dinner, That is to say, went across the front room floor to the ink-spotted table in the southwest corner To Sunday dinner, which was always chicken and noodles Or chicken and rice And salad and rye bread and tea And chocolate chip cookies -- I say, when you have forgotten that, When you have forgotten my little presentiment That the war would be over before they got to you; And how we finally undressed and whipped out the light and flowed into bed, And lay loose-limbed for a moment in the week-end Bright bedclothes, Then gently folded into each other— When you have, I say, forgotten all that, Then you may tell, Then I may believe You have forgotten me well.
Gwendolyn Brooks (The Essential Gwendolyn Brooks: (American Poets Project #19))
Something else?" She huffed as she pushed from the table, grabbing her husband's empty coffee cup. "That's the nice way of saying they're bat shit crazy." "Hey!" Mr Hamilton's head whipped around, eyes dancing. "You listen here, woman." "You can listen to my foot up your ass if you call me woman again." Mrs Hamilton refilled the cup and reached for the sugar. "And you can take that to court." Cam sighed and lowered his head. I smothered my giggle with my hand.
J. Lynn (Wait for You (Wait for You, #1))
Calliope grabbed the loose end of his fog-infused chains and whipped it across his face. I gasped and struggled against her, but she held on to me with inhuman strength. A bright red pattern blossomed across Henry’s cheek, and at last he shook his head and came to. He touched his face and winced, and I exhaled. He was in there after all. Instead of looking at me, however, his gaze focused on something behind me, and his jaw went slack. “Persephone?” I would have rather been sliced open by Cronus than experience the gut-wrenching pain that came with hearing her name before mine.
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
I can't get around this dilemma: I have a horror of troubles, but they whip me up, they make me talented. Peace and well-being, on the contrary, paralyze me. Either be a nobody, or everlastingly plagued.
Jules Renard (The Journal of Jules Renard)
I need no master to punish me in order to behave as I ought. If I did, I would be no more than a child who obeys his father's rules only because he fears the whip, and not because he actually means good.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
A thousand years or more ago, When I was newly sewn, There lived four wizards of renown, Whose name are still well-known: Bold Gryffindor from wild moor, Fair Ravlenclaw from glen, Sweet Hufflepuff from valley broad, Shrewd Slytherin from fen. They share a wish, a hope, a dream, They hatched a daring plan, To educate young sorcerers, Thus Hogwarts school began. Now each of these four founders Formed their own house, for each Did value different virtues, In the ones they had to teach. By Gryffindor, the bravest were Prized far beyond the rest; For Ravenclaw, the cleverest Would always be the best; For Hufflepuff, hardworkers were Most worthy of admission; And power-hungry Slytherin Loved those of great ambition. While still alive they did divide Their favourates from the throng, Yet how to pick the worthy ones When they were dead and gone? 'Twas Gryffindor who found the way, He whipped me off his head The founders put some brains in me So I could choose instead! Now slip me snug around your ears, I've never yet been wrong, I'll have alook inside your mind And tell where you belong!
J.K. Rowling
When I entered and shut the door, the Darkling gave me a small bow. “How are you, Alina?” “I’m fine,” I managed. “She’s fine!” hooted Baghra. “She’s fine! She cannot light a hallway, but she’s fine.” I winced and wished I could disappear into my boots. To my surprise, the Darkling said, “Leave her be.” Baghra’s eyes narrowed. “You’d like that, wouldn’t you?” The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. “Baghra has her own way of doing things,” he said. “Don’t patronize me, boy!” Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he’d caught himself. “Don’t chide me, old woman,” he said in a low, dangerous voice.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Man, that is so freaking yummy," Jen said, watching the exchange between Fane and Jacque along with everyone in the room. "I want one Sally, go find me one." "One hot, loving, passionate, furry werewolf coming up," Sally said sarcastically. "Would like fries or tots with that?" "I prefer whipped cream actually," Jen said wistfully.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
I reached my hand across the table, sliding my fingers into his. “You meant what you said last night, didn’t you?” He began to speak, but Chris’ laughter filled the cafeteria. “Holy God! Travis Maddox is whipped?” “Did you mean it when you said you didn’t want me to change?” he asked, squeezing my hand. I looked down at Chris laughing to his teammates, and then turned to Travis. “Absolutely. Teach that asshole some manners.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Mira, I'm about to be naked," Blue said as he whipped off his belt and tossed it on the floor. "So watch out. Well, in my underwear." "I've seen you in your bathing suit," Mira said. "It's the same thing." "It is not the same thing," Blue said. "When it's accompanied by seventies porn music, it's an X-rated strip show." Blue yanked off his shirt. "Freddie, you're kind of slow on the uptake. Eine kleine porn music, please." Freddie scrunched his forehead in distaste. "I don't want to plug my guitar in just so I can play some bow-chicka-wow-wow accompaniment to your strip show. Mira laughed. "Bow-chicka-what was that, Freddie?
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap." "I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?" "Am i gonna have to beat the shit out o' him? Is that what it's gonna take?" "He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
I was completely wrapped up in a person who didn't know me at all, like a claustrophobe who chose to live in a small dark cave, trying to whip the fear.
Elizabeth Wurtzel (Prozac Nation)
Roll of thunder hear my cry Over the water bye and bye Ole man comin’ down the line Whip in hand to beat me down But I ain’t gonna let him Turn me ’round
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans #4))
She could've looked at the tiny miracles in front of her: my feet, my hands, my fingers, the shape of my shoulders beneath my jacket, my human body, but she only stared at my eyes. The wind whipped again, through the trees, but it had no force, no power over me. The cold bit at my fingers, but they stayed fingers. "Grace,"I said, very softly. "Say something." "Sam," She said, and I crushed her to me.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
My mouth is full of Oreo, ice cream, fudge, and Cool Whip, so I just nod. This is heaven. I'm moving into one of their guest rooms. So, Laur, do you want to come with us tomorrow? You can help me plan out furniture while Nick and Ryan dig for grubs,' she says, licking her fork. Can we keep the rest of this dessert?" She grins. 'Sure.' Then I'll come.' She watches me put another bite in my mouth and close my eyes.'You're pitiful.' No, just a chocoholic.' She shakes her head. 'Same thing.
Erynn Mangum (Rematch (Lauren Holbrook, #2))
My mind was quickly consumed with thoughts of my girlfriend and all the good times we had had, like one of those cheesy montages ni eighties movies, when the angsty protagonist envisions himself and his ex holding hands on the beach, feeding a small puppy, getting into some kind of zany wrestling match with whipped cream. I interrupted my cliché memories by saying aloud: "Ugh, I'm feeling pretty low about this whole thing." "You just gotta try to put it out of your head," he said, folding the paper halfway down to look at me. "I know, it's just hard. I mean, I still have stuff at her place. What am I going to do about that? I still have a TV...," I said. "Fuck the TV. Leave the TV. Cut your ties." "It's a fifteen-hundred-dollar TV," I insisted. "Go get that fucking TV.
Justin Halpern (Sh*t My Dad Says)
I saw a little boy, perhaps ten years old, driving a huge cart-horse along a narrow path, whipping it whenever it tried to turn. It struck me that if only such animals became aware of their strength we should have no power over them, and that men exploit animals in much the same way as the rich exploit the proletariat.
George Orwell (Animal Farm)
She was, I think, the closest thing you had to a mother," murmured the Darkling. The sobs that shook me were like the lashes of a whip. I flinched with each one, bent double, collapsing into myself. The Darkling knelt before me. He took me by the wrists, pulling my hands free from my face, as if he wanted to watch me weep.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
You sure are a sweet girl, Scout. I'm half tempted to keep you." "Ummm... Thanks?" Knowing she was a potential Alpha I worried about what "keeping me" might entail. Probably chains. And whips. And maybe a dog collar. And now I was going to have to live with scary Fifty Shades Aunt Rachel pictures living in my head for all time.
Tammy Blackwell (Fate Succumbs (Timber Wolves Trilogy, #3))
Why hunt the sea whip if you only meant to turn it over to Alina?” “I wasn’t hunting the sea whip. I was hunting you.” “That’s why you raised a mutiny against the Darkling?” I asked. “To get at me?” “You can’t very well mutiny on your own ship.” “Call it what you like,” I said, exasperated. “Just explain yourself.” Sturmhond leaned back and rested his elbows on the rail, surveying the deck. “As I would have explained to the Darkling had he bothered to ask—which, thankfully, he didn’t—the problem with hiring a man who sells his honor is that you can always be outbid.” I gaped at him. “You betrayed the Darkling for money?” “‘Betrayed’ seems a strong word. I hardly know the fellow.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Waiting for the operation, there was a gentle tap on the door. In came a strapping nurse. 'Good morning', she shrilled, whipped back the bedclothes, upped with his nightshirt, grabbed his willy, lathered furiously around it till it looked like the Eddystone Lighthouse in a storm, then shaved the whole area till it looked like an oven-ready chicken. 'Excuse me, nurse', said Looney, 'why did you knock?
Spike Milligan
WE We feel the heat, and for a moment, We believe! Life is back. But this heat is intense, not gentle. Not submissive but searing. Painful. We moan, scream, Our face cracking like gunfire... like a whip. Thirty-five, one hundred. One hundred! ONE HUNDRED! The fire consumes our wooden host. It burns, breaks, explodes. Releases Our remaining souls to travel to Our final resting places. Or. To find new places to hide. And wait. Touch me.
Lisa McMann (Cryer's Cross)
The kid pulled a Buck knife out of his pants pocket. "How about giving me your purse, bitch?" Sally hiked up his skirt, reached into his briefs and pulled out a Glock. "How about using that knife to slice off your balls?" Lula whipped a gun out of her red satin purse and Grandma hauled out her .45 long-barrel. "Day my make, punk," Grandma said. "Hey, I don't want any trouble," the kid said. "We were just having some fun." "I want to shoot him," Sally said. "Nobody'll tell, right?" "No fair," Lula said. "I want to shoot him." "Okay," Grandma said. "On the count of three, we'll all shoot him.
Janet Evanovich (Four to Score (Stephanie Plum, #4))
We were in the middle of a scene, and this crazy woman comes roaring out of the crowd, screaming, grabs my whip, and damned if she didn’t punch me.” Rubbing his reddened chin, the man’s lips curved a little. “It’s almost funny, but still, she ruined our scene.
Cherise Sinclair (Club Shadowlands (Masters of the Shadowlands, #1))
I thought it was probably best if I didn't go snooping around Wade's room uninvited. These days I would probably find all sorts of whips and chains and ball gags. And then when I put those down and stopped playing with them, I would probably find something that made me really uncomfortable.
Laurel Ulen Curtis (A is for Alpha Male (A is for Alpha Male, #1))
We can take it slow," he said. "You can learn to be with me. Find out what I'm all about. You never know, you might like what you find." "Don't hold your breath," she said. He stepped toward her casually, amusement flickering around his lips. She tensed, her eyes checking for a way to run. "Or..." His hand lashed out, grabbed her, and whipped her into his arms, where he held her tight. "We can take it fast and rough.
Annette Curtis Klause (Blood and Chocolate)
I was happy with myself before – with my little life. But this is different. It feels like I’m on the edge of a mountain cliff, the wind whipping my hair, the sun blinding – but there is no fear. Only exhilaration, pure and right. I’m not going to fall. I can’t. Because Henry has shown me how to fly.
Emma Chase (Royally Matched (Royally, #2))
Wow, son. You’re mad retarded.” David whipped his head around and pinned my brother with a lethal glare. “Don’t say that word.” “Sorry.” Raymond kept staring at me. “You’re mad special ed.” David scoffed, and I burst out laughing.
Santino Hassell (Sutphin Boulevard (Five Boroughs, #1))
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
I felt my hand curl into a fist. Felt my elbow draw back. Felt my arm dart forward, my knuckles crack into Cole's jaw. I couldn't stop myself. His head whipped to the side, and blood leaked from a cut in his lip. Behind me, gasps of shock abounded. "I'm recovered," I said. "Believe me now?" Those violet eyes slitted when they found me. "Assault and battery is illegal." "So have me arrested." He closed what little distance there was between us. Suddenly I could feel his warmth of his breath caressing my skin. "How about I put you over my lap and spank you instead?" "How about I knee your balls into your throat?" "If you're going to play with that particular area, I'd rather you use your hands." "My hands aren't going near that area ever again." A pause. Then, "I bet I could change your mind," he whispered huskily. "I bet I could bash yours." I drew back another fist, but he was ready and caught me midswing. His pupils dilated, a sign of arousal. Another sign: he began to pant. He was acting like I'd tried to unbuckle his jeans rather than smack fire out of him. "Hit me again," he said, still using the same whispered tone, "and I'll take it as an invitation." I was just as bad. I trembled with longing I couldn't control and struggled to catch my breath. "An invitation to do what?" His grip loosened, his fingers rubbing my skin. A caress, not a warning. "I guess we'll find out together.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
What are your pleasures and pursuits, Lord Moncrieffe?" Miss Eversea asked too brightly, when the silence had gone on for more than was strictly comfortable or polite. That creaky conversation lubricant. It irritated him again that she was humoring him. "Well, I'm partial to whores." Her head whipped toward him like a weather-vane in a hurricane. Her eyes, he noted, were enormous, and such a dark blue they were nearly purple. Her mouth dropped, and the lower lip was quivering with shock or... or... "Whor... whores...?" She choked out the word as if she'd just inhaled it like bad cigar smoke. He widened his own eyes with alarm, recoiling slightly. "I... I beg your pardon - Horses. Honestly, Miss Eversea," he stammered. "I do wonder what you think of me if that's what you heard.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much. Adam shoved open the door. "Fuck you, Gansey. Fuck you," he said, voice low and furious. Gansey close his eyes. Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over. He couldn't stand it, all of this inside him. In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year. They were always walking away from him. But he never seemed able to walk away from them. Gansey opened his eyes. The ambulance was still there, but Adam was gone.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I'm sorry, my child, I just find it hard to whip up an interest in the subject. It's admirable, what you do, what she does, but to me animal-welfare people are a bit like Christians of a certain kind. Everyone is so cheerful and well-intentioned that after a while you itch to go off and do some raping and pillaging. Or to kick a cat.
J.M. Coetzee (Disgrace)
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes: Tell me, what is it you plan to do with your one wild and precious life? I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real. Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.) It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years. The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment. Hello there, dream. Also, don’t be realistic. The word “realistic” is poison. Who decides? And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real. The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?” Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch. You can let life happen to you, or you can happen to life. It’s harder, but so much better.
Laini Taylor
You apologise to me?” she bellowed. “You apologise to me now? You say that you’re sorry when I have spent my life destroying you? You are my whipping girl! I hurt you because it was a relief! I exist because my parents killed everyone and relegated you to a life of abject misery, and they would have killed you too and not given it a second’s goddamned thought! I have spent your life trying to make you regret that you weren’t dead, all because—I regretted I wasn’t! I ate you alive, and you have the temerity to tell me that you’re sorry?” There were flecks of spittle on Harrowhark’s lips. She was retching for air. “I have tried to dismantle you, Gideon Nav! The Ninth House poisoned you, we trod you underfoot—I took you to this killing field as my slave—you refuse to die, and you pity me! Strike me down. You’ve won. I’ve lived my whole wretched life at your mercy, yours alone, and God knows I deserve to die at your hand. You are my only friend. I am undone without you.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
I want to make you really happy.” My heart fluttered. “Really happy?” He dropped his hands to my outer thighs, his long fingers slipping under the material. “Exceedingly, insanely happy.” I was breathless. “There you go again with the adverbs. His hands inched up, causing heat to flood my body. “You love it when I whip out the adverbs.” “Maybe.” He trailed his lips in a hot line down my throat. “Let me make you exceedingly, insanely happy, Kat.
Jennifer L. Armentrout (Origin (Lux, #4))
Not like this. At least you have a place to go. 'End of the world' ... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles." "God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid." "This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive." Both of them stopped breathing. Gansey knew he'd gone too far. It was too far, too late, too much.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
You did this to yourself to prove you love me?’ ‘No, you know I love you. I did it to show you what it feels like.’ His brow furrows deeply. ‘I don’t understand. I know what it feels like to be whipped.’ ‘I don’t mean that. I mean the agony of seeing the man I love hurting himself.’ I bring my
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
I notice he doesn't have his meteorite bag and see out the window it's probably going to pour any minute, but wee need to et out of here. Immediately. "We're going to search for meteorites," I say, like that's what most people do on winter mornings. I never really told either of them too much about last summer, which is reflected in both of their flummoxed faces. But who freaking cares? Not us. In a flash, we're through the door, across the street and into the woods, running for no reason and laughing for no reason and totally out of breath and out of our minds when Brian catches me by my shirt, whips me around, and with one strong hand flat against my chest, he pushes me against a tree and kisses me so hard I go blind.
Jandy Nelson (I'll Give You the Sun)
I'd convinced myself it would have been different if he'd been as ugly on the outside as he was on the inside, but he wasn't. He was cruel beauty, a sculpture, a god, and I couldn't tear my eyes from him. I'd seen his expression soften in the dungeon with the whip. I'd do anything to have him look at me like that again, no matter how insane he was.
Kitty Thomas (Comfort Food)
Do you see that man in the black Porsche?" I asked the women. They squinted out at Ranger. "Yes," they said."Your partner." "He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room." Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?" "Nope. He's single. He's a real catch." Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.: "Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly. "Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car.".... He leaned into me and his lips brushed the shell of my ear. "Feeling playful?" "I don't know what you're talking about." "Watch your back babe. I will get even." -Ranger and Stephanie
Janet Evanovich (To the Nines (Stephanie Plum, #9))
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
Tana French (The Likeness (Dublin Murder Squad, #2))
Well … when we were in our first year, Harry — young, carefree, and innocent —” Harry snorted. He doubted whether Fred and George had ever been innocent. “— well, more innocent than we are now — we got into a spot of bother with Filch.” “We let off a Dungbomb in the corridor and it upset him for some reason —” “So he hauled us off to his office and started threatening us with the usual —” “— detention —” “— disembowelment —” “— and we couldn’t help noticing a drawer in one of his filing cabinets marked Confiscated and Highly Dangerous.” “Don’t tell me —” said Harry, starting to grin. “Well, what would you’ve done?” said Fred. “George caused a diversion by dropping another Dungbomb, I whipped the drawer open, and grabbed — this.” “It’s not as bad as it sounds, you know,” said George. “We don’t reckon Filch ever found out how to work it. He probably suspected what it was, though, or he wouldn’t have confiscated it.” “And you know how to work it?” “Oh yes,” said Fred, smirking. “This little beauty’s taught us more than all the teachers in this school.” “You’re winding me up,” said Harry, looking at the ragged old bit of parchment. “Oh, are we?” said George. He took out his wand, touched the parchment lightly, and said, “I solemnly swear that I am up to no good.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
You apologise to me?” she bellowed. “You apologise to me now? You say that you’re sorry when I have spent my life destroying you? You are my whipping girl! I hurt you because it was a relief! I exist because my parents killed everyone and relegated you to a life of abject misery, and they would have killed you too and not given it a second’s goddamned thought! I have spent your life trying to make you regret that you weren’t dead, all because—I regretted I wasn’t! I ate you alive, and you have the temerity to tell me that you’re sorry?
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
What is that old children’s rhyme, ‘Sticks and stones may break my bones, but words will never hurt me’? Anyone who says that doesn’t understand the power of words. They can cut deeper than any knife, hit harder than any fist, touch parts of you that nothing physical will ever reach, and the wounds that some words leave never heal, because each time the word is thrown at you, labeled on you, you bleed afresh from it. It’s more like a whip that cuts every time, until you feel it must flay the very skin from your bones, and yet outwardly there is no wound to show the world, so they think you are not hurt, when inside part of you dies every time.
Laurell K. Hamilton (A Shiver of Light (Merry Gentry, #9))
If you don't want to-I mean, genuinely are not attracted to me, do not think of me that way, cannot stomach the thought of touching me-then I would understand and I would never press the issue again. But that's not how you feel.' 'How do you know?' I snap. 'Because I'm very pretty.' I whip my head around to glare at him; he's smiling like he couldn't be more amused. 'You aren't that pretty.' 'I am to you...' 'You are unbelievable.' 'I am, aren't I?' 'Unbelievable arrogant.' 'Not arrogant. Confident. There's a difference.' 'Which you clearly do not understand.
Kiersten White (The Chaos of Stars)
We're getting married as soon as possible,' he said. 'Is that what you call a proposal?' 'I'm not much of a romantic, honey, but you already know that. And I won't be much of a bargain as a husband, but I have a feeling you'll whip me into shape without too much trouble. Heck, by the time we have kids, I'll probably be downright domesticated.
Beverly Barton (Blackwood's Woman (The Protectors, #6))
We've got time," Jared says again. An abrupt panic, like a warning premonition, makes it impossible for me to speak for a moment. He watches the change on my face with worried eyes. "You don't know that." The despair that softened when he found me strikes like the lash of a whip. "You can't know how much time we'll have. You don't know if we should be counting in months or days or hours." He laughs a warm laugh, touching his lips to the tense place where my eyebrows pull together. "Don't worry, Mel. Miracles don't work that way. I'll never lose you. I'll never let you get away from me." She brought me back to the present - to the thin ribbon of the highway winding through the Arizona wasteland, baking under the fierce noon sun - without my choosing to return. I stared at the empty place ahead and felt the empty place inside. Her thought sighed faintly in my head: you never know how much time you'll have. The tears I was crying belonged to both of us.
Stephenie Meyer (The Host (The Host, #1))
I should have known,” he whispered. “I am the rain.” And yet he looked dully down the mountains of his body where the hills fell to an abyss. He felt the driving rain, and heard it whipping down, pattering on the ground. He saw his hills grow dark with moisture. Then a lancing pain shot through the heart of the world. “I am the land,” he said, “and I am the rain. The grass will grow out of me in a little while.” And the storm thickened, and covered the world with darkness, and with the rush of waters.
John Steinbeck (To a God Unknown)
I don't know why you would even want to stay with me," I said. T.R. looked stunned for a second and then whipped her elbow into my side as hard as she could--months later it was determined that the jab cracked a rib. Oh, get fucked!" she said, jumping up. "No wonder you don't have no girlfriend if you don't have no more feelings than to say a horrible thing like that. All I want to do is love you. Ain't you even gonna let me?
Larry McMurtry (Some Can Whistle)
If I learned anything about her it was that she lived with a vehemence most of us never have the courage for." Banks tells me. "But there was something about her that precluded an ordinary existence. In some ways, I'm not surprised she's dead. A job, husband, kids, a beach house? That wasn't her. I can't explain why, except she was more like a force that whipped through life, defying logic, scaring you, even hurting you because she was everything you wanted to be, but you knew you'd never have the guts - and then she was gone. That was my experience with Ashley Cordova.
Marisha Pessl (Night Film)
I know why she stormed out of here." Decebel's and Jacque's heads both whipped around. "You do?" they both asked at the same time. Fane raised an eyebrow at Sally's words. Sally in turn eyeballed Decebel. "Jen never really learned how to use an inside voice. So, Decebel, why don't you share how she asked you if you were involved with Crina, and how you never really gave her an answer but instead taunted her, and then nearly made her hyperventilate with desire." Decebel's head cocked to the side, his eyebrows drawn together. "How -" "I would say it's a gift, but really I'm just nosy as hell. And damn, boy, the look you were giving her nearly had me in a puddle." "Shut up!" Jacque squealed. "Are you telling me Jen stormed out of here because he got her all hot and bothered?" Sally was grinning from ear to ear. Decebel looked like he would be perfectly happy if the universe would just swallow him whole. "She was angry when she left," Decebel defended. "She left because she was mad." "Yeah, mad because she's got it bad for you, Sherlock," Sally told him, rolling her eyes. "Really? She likes me?" Jacque laughed at Decebel's cocky smile. "Um, if you aren't her mate that's not a good thing, Casanova," Jacque reminded him. Sally nodded in agreement, scrutinizing Decebel. "Let's just hope that she finds her mate at Mate Fest so she can get over you." Decebel took a step towards Sally. Fane stepped around Jacque and laid a hand on Decebel's chest, stopping him. "Easy, Beta." Decebel closed his eyes taking slow breaths, leashing his wolf. Then Sally's words worked past the jealous fog. "Mate Fest?" he questioned. Sally grinned. "Jen deemed it." "Naturally," Decebel muttered with a slight smile.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
I think that if the beast who sleeps in man could be held down by threats - any kind of threat, whether of jail or of retribution after death - then the highest emblem of humanity would be the lion tamer in the circus with his whip, not the prophet who sacrificed himself. But don't you see, this is just the point - what has for centuries raised man above the beast is not the cudgel but an inward music: the irresistible power of unarmed truth, the powerful attraction of its example. It has always been assumed that the most important things in the Gospels are the ethical maxims and commandments. But for me the most important thing is that Christ speaks in parables taken from life, that He explains the truth in terms of everyday reality. The idea that underlies this is that communion between mortals is immortal, and that the whole of life is symbolic because it is meaningful.
Boris Pasternak
Sometimes I look at the lives of the people around me and I wonder if we aren’t all destined to leave a trail of damage. It’s not just your mum and dad who fuck you up, Mr. Larkin. I gazed around me, like someone suddenly handed clear glasses, and I saw that pretty much everyone bore the brutal imprint of love, whether it was lost, whipped away from them, or simply vanished into a grave.
Jojo Moyes (After You (Me Before You, #2))
Mom has reorganized the kitchen so that the one room that was everyone's room is foreign to me. My visits are punctuated with me whipping around, angrily demanding, "Where are the forks, WHY DID YOU MOVE THE FORKS?" and she has to calmly open the drawer on the other side of the kitchen as if she moved it just to ruin my life. I just found out where she puts the bowls and their new location feels like such a personal attack that I can barely talk about it without raising my blood pressure.
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?" "Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?" Maxon looked shocked. "America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating. "And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!" He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair. "And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?" His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him. "Actually, Maxon, I think you will find your soul mate here. Honestly." "Really?" His voice charged with hope at my prediction. "Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.
Kiera Cass (The Selection (The Selection, #1))
I rested my cheek against his back and closed my eyes, breathing in his scent. It reminded me of his apartment, and his sheets, and the way he smelled when he walked around with a towel around his waist. The city blurred past us, and I didn’t care how fast he was driving, or how cold the wind was as it whipped across my skin; I wasn’t even paying attention to where we were. The only thing I could think about was his body against mine. We had no destination or time frame, and we drove the streets long after they had been abandoned by everyone but us.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
It would be useless to tell him that I'm done sacrificing other people for my own gain. I won't whip innocent kitchen workers, I won't burn down buildings, I won't ask anyone to give up their inheritance for me, and I certainly won't leave a friend at the mercy of a mysterious magical force-- merely for the sake of my own power. I press my fingers to the stone at my navel, taking comfort in its familiar pulsing. What I tell him is, 'And I have me. I will be enough.
Rae Carson (The Crown of Embers (Fire and Thorns, #2))
There go the crazy eyes again,” he whispered. “Shit.” I shut my eyes tight. Lizzy walking in on me and my boyfriend seven years ago had been pretty damn embarrassing, especially given that she then ran and told mom. Not that mom had been coherent enough to care. This, however, topped it. “Your cheeks have gone all rosy. Are you thinking rude thoughts about me, Anne?” “No.” “Liar,” he taunted in a soft voice. “You’re totally thinking of me with no pants on.” I totally was. “That’s just gross, dude. A massive invasion of my privacy.” He leaned in closer, his breath warming my ear. “Whatever you’re imagining, it’s bigger.” “I’m not imagining anything.” “I’m serious. It’s basically a monster. I cannot control it.” “Malcolm–” “You’re pretty much going to need a whip and chair to tame it, Anne.” “Stop it.” “That okay with you?
Kylie Scott (Play (Stage Dive, #2))
Detective Virgil and Barlow [bomb-technician] arranged to meet at the Starbucks. Virgil got a grande hot chocolate, no-fat milk, no foam, no whipped cream, and Barlow got a venti latte with an extra shot. As they took a corner table, Virgil said, “Remind me not to stand next to you if you’re handling a bomb. That much caffeine, you gotta be shakin’ like a hundred-dollar belly dancer.” “At least I’m not drinking like a little girl,” Barlow said.
John Sandford (Shock Wave (Virgil Flowers, #5))
Without a word he started stalking down the street in the opposite direction my grandparents had taken. I started after him, my steps slower. And then quite abruptly Caine whipped around and marched back toward me. Features etched with determination, he yanked me roughly to him and crushed his mouth down over mine. I made a noise of surprise in the back of my throat before my instincts took over. I couldn’t help sinking into his kiss. When he finally let me go we were both breathing hard. Caine smoothed his thumb over my cheek, his eyes still dark with passion and anger. “I could give a fuck who saw that.
Samantha Young (Hero (Hero, #1))
Along the way, my Heavenly Father has taught me that the fruit of the Spirit - love, joy, peace, patience, kindness, gentleness, goodness, faithfulness and self-control - is really just a byproduct of spending time with the Lord. It results from dwelling in His Word and listening for His voice. As much as we might try, we can't go out and manufacture peace. We can't conjure joy or whip up faithfulness in the microwave. Those things come to us only as we receive God's love, focus on bringing Him glory, stick close to Him, and live out the greatest commandment: loving God with everything we have and loving others in His name.
Jeremy Camp (I Still Believe)
As if I didn't have enough to worry about. My kingdom is threatened by war, extinction, or both, and the only way to solve it is to give up the only thing I've ever really wanted. Then Toraf pulls something like this. Betrays me and my sister. Galen cant imagine how things could get worse. So he's not expecting it when Emma giggles. He turns on her. "What could be funny?" She laughs so hard she has to lean into him for support. He stiffens against the urge to wrap his arms around her. Wiping tears from her eyes, she says, "He kissed me!" The confession makes her crack up all over again. "And you think that's funny?" "You don't understand, Galen," she says, the beginnings of hiccups robbing her of breath. "Obviously." "Don't you see? It worked!" "All I saw was Toraf, my sister's mate, my best friend, kissing my...my..." "Your what?" "Student." Obsession. "Your student. Wow." Emma shakes her head then hiccups. "Well, I know you're mad about what he did to Rayna, but he did it to make her jealous." Galen tries to let that sink in, but it stays on the surface like a bobber. "You're saying he kissed you to make Rayna jealous?" She nods, laugher bubbling up again. "And it worked! Did you see her face?" "You're saying he set Rayna up." Instead of me? Galen shakes his head. "Where would he get an idea like that?" "I told him to do it." Galen's fists ball against his will. "You told him to kiss you?" "No! Sort of. Not really though." "Emma-" "I told him to play hard to get. You know, act uninterested. He came up with kissing me all on his own. I'm so proud of him!" She thinks Toraf is a genius for kissing her. Great. "Did...did you like it?" "I just told you I did, Galen." "Not his plan. The kiss." The delight leaves her face like a receding tide. "That's none of your business, Highness." He runs a hand through his hair to keep from shaking her. And kissing her. "Triton's trident, Emma. Did you like it or not?" Taking several steps back, she throws her hands on her hips. "Do you remember Mr. Pinter, Galen? World history?" "What does that have to do with anything?" "Tomorrow is Monday. When I walk into Mr. Pinter's class, he won't ask me how I liked Toraf's kiss. In fact, he won't care what I did for the entire weekend. Because I'm his student. Just like I'm your student, remember?" Her hair whips to the side as she turns and walks away with that intoxicating saunter of hers. She picks up her towel and steps into her flip-flops before heading up the hill to the house. "Emma, wait." "I'm tired of waiting, Galen. Good night.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
My head whips back from the impact and my ribs twang like a dropped guitar. The sky spins above me like a penny. My bike has dematerialized, and my iPod is strewn about the intersection in a million glittering pieces. When I try to move, ten different parts of my body light up at once, like someone's pressing all the buttons at an anatomy exhibit. The magnolia tree blows me a kiss of perfumed air, and I can't decide if what I'm feeling is incredible bliss of excruciating pain. This might just be the greatest moment of my life. It's possible. And if it is, I don't want to waste it lying around in the middle of the road. For a single, golden second I breathe galaxies.
Hilary T. Smith (Wild Awake)
It had seemed so foreign to me - the idea that you could move forward without a painful airing of grievances on both sides. But maybe - maybe it wasn't necessary to pick apart pain. Maybe some things just weren't worth fighting about. Some friends weren't friends anymore, but family - and there were different rules for family. It didn't make sense to sit down with family and detail all the reasons they'd upset you - for many reasons, not least among them the fact that they could whip out a checklist of your transgressions themselves. And after you'd both picked apart the carcasses, why would you want to be friends again? Maybe the important thing was to recognize that everyone felt wronged and slighted - but the point worth concentrating on was that everyone loved each other. If we worked from that premise, we should be fine. Or anyway, I hoped we would.
Megan Crane (Frenemies)
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
Jack Kerouac (Desolation Angels)
You want it, boy?" He pulled his prick out of his jeans. "God, yes. That's why I'm here." "Good." He left his jeans open, left his prick hard and pushing out. "Come on. Shower." "Turn around." He wanted to see it. Griff went a deep red, but the man turned to show the weird, stylized whip branded into one ass cheek. Groaning, Brian reached out and touched it, traced it with his fingers. He'd done that. He'd marked his boy. "You still clean?" Brian kept rubbing his prick back and forth across Griff's hole. "I am. I couldn't... I couldn't get it up with anyone else." "Good." He grabbed the shampoo and poured it over his fingers. "Was not. You fucked me up" "We fucked each other up." He was not in this alone. He couldn't wait to be inside Griff again. His wild, desperate baby boy. His fingers traced the brand on Griff's ass. His. All fucking his. Marked permanently. And Griff had let him do it. The man knew it was true.
Sean Michael (Breaking Cover)
The regime had understood that one person leaving her house while asking herself: "Are my trousers long enough? Is my veil in place? Can my make-up be seen? Are they going to whip me?" - No longer asks herself: "Where is my freedom of thought? Where is my freedom of speech? My life, is it livable? What's going on in the political prisons?" It's only natural! When we're afraid, we lose all sense of analysis and reflection. Our fear paralyzes us. Besides, fear has always been the driving force behind all dictators' repression. Showing your hair or putting on makeup logically became acts of rebellion.
Marjane Satrapi (Persepolis 2: The Story of a Return (Persepolis, #2))
I've been avoiding you because I'm just so damn annoyed..." He shakes his head, sloshing water. The strands brush his shoulders rhythmically. "I don't want you risking yourself again. The human world...Will. It's too dangerous." Cassian takes my hand. I feel his heartbeat through the simple touch, the thud of his life meeting with mine. "You dead...it would break me." His voice whips sharply over the drum of the rainfall. "Everything I ever said to you was the truth. My feelings haven't changed for you, Jacinda. Even if you drive me crazy, here, in the pride...you're still that single bright light for me.
Sophie Jordan
As he spoke, he whipped a tape measure and a large round magnifying glass from his pocket. With these two implements he trotted noiselessly about the room, sometimes stopping, occasionally kneeling, and once lying flat upon his face... As I watched him I was irresistibly reminded of a pure-blooded well-trained foxhound as it dashes backwards and forwards through the covert, whining in its eagerness, until it comes across the lost scent. For twenty minutes or more he continued his researches, measuring with the most exact care the distance between marks which were entirely invisible to me, and occasionally applying his tape to the walls in an equally incomprehensible manner.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
When you shit, as you first sit down, you’re not fully in the experience yet. You are not yet a shitting person. You’re transitioning from a person about to shit to a person who is shitting. You don’t whip out your smartphone or a newspaper right away. It takes a minute to get the first shit out of the way and get in the zone and get comfortable. Once you reach that moment, that’s when it gets really nice. It’s a powerful experience, shitting. There’s something magical about it, profound even. I think God made humans shit in the way we do because it brings us back down to earth and gives us humility. I don’t care who you are, we all shit the same. Beyoncé shits. The pope shits. The Queen of England shits. When we shit we forget our airs and our graces, we forget how famous or how rich we are. All of that goes away. You are never more yourself than when you’re taking a shit. You have that moment where you realize, This is me. This is who I am.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
Swallowing hard, she looked at him. He raised his eyes from the frothy concoction on his spoon at the precise moment she looked up, and their gazes locked over the length of the polished wood table. Where would you drip whipped cream on him, Lisa? The answer came with frightening swiftness and conviction: Everywhere. She wanted to explore his body, the hard ripples, the smooth skin. The candlelight bathed his olive skin with a golden hue, and his dark good looks were set off perfectly by his linen shirt and the splash of black and crimson draped across his chest. He was mesmerizing. "Are you hungry, lass?" He licked his spoon languidly. She couldn't tear her gaze away. "No. I've eaten quite enough," she managed. "You seem to be watching my dessert most intently. Are you certain there isn't something else you wish to sate your appetite?" Besides you to remove your clothing, lie on the table, and let me finger paint you with whipped cream, you mean? "Nope," she said casually. "Not a thing." She watched him for a moment; he still had a great deal of dessert left. How was she going to get through this?
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
Lymond said quietly, ‘You had good reason to hate me. I always understood that. I don’t know why you should think differently now, but take care. Don’t build up another false image. I may be the picturesque sufferer now, but when I have the whip-hold, I shall behave quite as crudely, or worse. I have no pretty faults. Only, sometimes, a purpose.’ He paused, and said, ‘Est conformis precedenti. I owe the Somervilles rather a lot already.’ Philippa’s unwinking brown gaze flickered shiftily at the Latin and then steadied. 'I should have told you before. You don’t mind?’ ‘If you had told me before, you might not have decided to have me for a friend. I don’t mind,’ said Francis Crawford and told, for once, the bare truth.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
I remember first learning about death quite vividly. I'm not sure how old I was, but I remember the conversation like it was yesterday. My grandfather had died, and my mother was trying to explain it to me. 'Sometimes, when someone gets ill, and they're very very old, they don't get better again. They just get iller and iller and then... then their body stops working.' 'I don't understand.' 'What's in them just goes away, and doesn't come back.' 'Grandpa isn't coming back?' 'No,' she said. 'Not ever again.' 'Grandpa said he was going away and not ever coming back after he held Grandma's head in that cotton-dump outside of town and kicked Skeeter seventy-three times.' 'Grandpa was very drunk. That's not the same as being dead. Grandpa's dead, son. He's not there anymore.' And I remember saying, 'Hold everything right fucking THERE. 'You went to all the trouble of conceiving me, and giving birth to me, and raising me and feeding me and clothing me and all-- and, YEAH, whipping me from time to time, and making me live in a house that's freezing fucking cold all the goddamn time-- and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to do and sometimes I just want to scream-- and what I've got to look forward to is my body breaking and something flipping off the switch in my head-- I go through all this-- and then there's death? 'What is the motherfucking deal here?
Warren Ellis (Transmetropolitan, Vol. 5: Lonely City)
Xie Lian whipped his head over, and a biting chill flashed before his face. He straightened and stated solemnly: “You ask who I am? LISTEN WELL! ——I, AM THE EMINENT HIGHNESS THE CROWN PRINCE! You riotous radicals, BOW DOWN BEFORE ME!” His voice boomed like thunder in clear skies. There were actually a few who almost dropped to their knees, and didn’t snap out of it until their companions pulled them up. “What are you doing? Are you actually kneeling?” “Th-that’s weird, I did it before I realized it…” Xie Lian proclaimed sharply: “I, AM OVER EIGHT HUNDRED. OLDER THAN ALL OF YOU COMBINED. I’VE CROSSED MORE BRIDGES THAN ALL THE ROADS YOU’VE WALKED. “I, POSSESS SHRINES AND TEMPLES ACROSS THIS LAND; MY DEVOTEES AND WORSHIPPERS ARE SPREAD TO ALL FOUR SEAS. IF YOU DON’T KNOW MY NAME, IT’S BECAUSE YOU ARE IGNORANT AND UNLEARNED OF THE WORLD! “I, DO NOT WORSHIP GODS. “I, AM GOD!” When the mob heard this speech, that was so shameless yet spoken with an incomparably impressive air, they were all stunned, and dropped their jaws. “…HUH???” Xie Lian made up all that nonsense because he was waiting for this very moment. He flung that plate in his hand, and all those little white meatballs shot out through the air like iron pellets, scattering in all directions. Without any misses, they were hurled right into the open mouths of all those people in shock. Then he wiped away his sweat. “Will everyone please forget everything I just said? I’m actually only just a scrap collector!
Mò Xiāng Tóngxiù, 天官赐福 [Tiān Guān Cì Fú]
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
You listen to me, and listen good!" she shouted, shocking me. "I am not evil because I have a thousand years of demon smut on my soul!" she exclaimed, the tips of her hair trembling and her face flushed. "Every time you disturb reality, nature has to balance it out. The black on your soul isn't evil, it's a promise to make up for what you have done. It's a mark, not a death sentence. And you can get rid of it given time." "Ceri, I'm sorry," I fumbled, but she wasn't listening. "You're an ignorant, foolish, stupid witch," she berated, and I cringed, my grip tightening on the copper spell pot and feeling the anger from her like a whip. "Are you saying because I carry the stink of demon magic, that I'm a bad person?" "No..." I wedged in. "That God will show no pity?" she said, green eyes flashing. "That because I made one mistake in fear that led to a thousand more that I will burn in hell?" "No. Ceri -" I took a step forward. "My soul is black," she said, her fear showing in her suddenly pale cheeks. "I'll never be rid of it all before I die, but it won't be because I'm a bad person but because I was a frightened one.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Still writing?" I usually nod and smile, then quickly change the subject. But here is what I would like to put down my fork and say: Yes, yes, I am. I will write until the day I die, or until I am robbed of my capacity to reason. Even if my fingers were to clench and wither, even if I were to grow deaf or blind, even if I were unable to move a muscle in my body save for the blink of one eye, I would still write. Writing saved my life. Writing has been my window -- flung wide open to this magnificent, chaotic existence -- my way of interpreting everything within my grasp. Writing has extended that grasp by pushing me beyond comfort, beyond safety, past my self-perceived limits. It has softened my heart and hardened my intellect. It has been a privilege. It has whipped my ass. It has burned into me a valuable clarity. It has made me think about suffering, randomness, good will, luck, memory responsibility, and kindness, on a daily basis -- whether I feel like it or not. It has insisted that I grow up. That I evolve. It has pushed me to get better, to be better. It is my disease and my cure. It has allowed me not only to withstand the losses in my life but to alter those losses -- to chip away at my own bewilderment until I find the pattern in it. Once in a great while, I look up at the sky and think that, if my father were alive, maybe he would be proud of me. That if my mother were alive, I might have come up with the words to make her understand. That I am changing what I can. I am reaching a hand out to the dead and to the living and the not yet born. So yes. Yes. Still writing.
Dani Shapiro (Still Writing: The Perils and Pleasures of a Creative Life)
It was Valentine's Day and I had spent the day in bed with my life partner, Ketel One. The two of us watched a romance movie marathon on TBS Superstation that made me wonder how people who write romantic comedies can sleep at night. At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall all-the-time. You know who comes and gets me? The bouncer. Then, within the two hour time frame of the movie, the couple meet, fall in love, fall out of love, break up, and then just before the end of the movie, they happen to bump into each other by "coincidence" somewhere absolutely absurd, like by the river. This never happens in real life. The last time I bumped into an ex-boyfriend was at three o'clock in the morning at Rite Aid. I was ringing up Gas-X and corn removers.
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
What,” Mick said softly, “is Lad doin’ in me bed?” Hearing his name, Lad opened small, piggish, upside-down eyes, gazing with idiotic adoration as his whip-thin tail thumped the covers. “Ah.” Harry scratched behind one ear. “Well, see, ’e was lookin’ so forlorn, like, out in the courtyard by ’imself. Seemed an awful shame to leave ’im there all alone.” “Off!” Mick roared at the dog. Lad’s transformation was instantaneous. His tiny triangle ears folded back, his eyes narrowed worriedly, and he rolled so that he could crawl toward the edge of the bed on his belly. “Is that mud on his paws?” Mick asked in outrage. Harry glanced at the dog. “I do believe it is,” he said as if making a discovery. “Christ!” Mick watched disgustedly as Lad made the edge of the bed and slithered off, thumping to the floor. The dog seemed to think that his apology was done—or perhaps he’d already forgotten that Mick was mad at him—for he gamboled over as frisky as a lamb. “He’s not even me dog,” Mick muttered. Lad sat, one back leg sprawled out to the side, tongue hanging from his mouth, and grinned up at him. He completely ignored Harry, his supposed master. “The dog ’as a wonderful affection for ye,” Harry said brightly.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
I could just remember how my father used to say that the reason for living was to get ready to stay dead a long time. And when I would have to look at them day after day, each with his and her secret and selfish thought, and blood strange to each other blood and strange to mine, and think that this seemed to be the only way I could get ready to stay dead, I would hate my father for having ever planted me. I would look forward to the times when they faulted, so I could whip them. When the switch fell I could feel it upon my flesh; when it welted and ridged it was my blood that ran, and I would think with each blow of the switch: Now you are aware of me! Now I am something in your secret and selfish life, who have marked your blood with my own for ever and ever.
William Faulkner (As I Lay Dying)
Stephen nodded. 'Tell me,' he said, in a low voice, some moments later. 'Were I under naval discipline, could that fellow have me whipped?'He nodded towards Mr Marshall. 'The master?' cried Jack, with inexpressible amazement. 'Yes,' said Stephen looking attentively at him, with his head slightly inclined to the left. 'But he is the master...' said Jack. If Stephen had called the sophies stem her stern, or her truck her keel, he would have understood the situation directly; but that Stephen should confuse the chain of command, the relative status of a captain and a master, of a commissioned officer and a warrant officer, so subverted the natural order, so undermined the sempiternal universe, that for a moment his mind could hardly encompass it. Yet Jack, though no great scholar, no judge of a hexameter, was tolerably quick, and after gasping no more than twice he said, 'My dear sir, I beleive you have been lead astray by the words master and master and commander- illogical terms, I must confess. The first is subordinate to the second. You must allow me to explain our naval ranks some time. But in any case you will never be flogged- no, no; you shall not be flogged,' he added, gazing with pure affection, and with something like awe, at so magnificent a prodigy, at an ignorance so very far beyond anything that even his wide-ranging mind had yet conceived.
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark. ‘When you cut down the hybrid rose, its blackened stump below the graft spreads furtive fingers in the dirt. It claws at life, weaving a raft of suckering roots to pierce the earth. The first thin shoot is fierce and green, a pliant whip of furious briar splitting the soil, gulping the light. You hack it down. It skulks between the flagstones of the garden path to nurse a hungry spur in shade against the porch. With iron spade you dig and drag it from the gravel and toss it living on the fire. ‘It claws up towards the light again hidden from view, avoiding battle beyond the fence. Unnoticed, then, unloved, unfed, it clings and grows in the wild hedge. The subtle briar armors itself with desperate thorns and stubborn leaves – and struggling higher, unquenchable, it now adorns itself with blossom, till the stalk is crowned with beauty, papery white fine petals thin as chips of chalk or shaven bone, drinking the light. ‘Izabela, Aniela, Alicia, Eugenia, Stefania, Rozalia, Pelagia, Irena, Alfreda, Apolonia, Janina, Leonarda, Czeslava, Stanislava, Vladyslava, Barbara, Veronika, Vaclava, Bogumila, Anna, Genovefa, Helena, Jadviga, Joanna, Kazimiera, Ursula, Vojcziecha, Maria, Wanda, Leokadia, Krystyna, Zofia. ‘When you cut down the hybrid rose to cull and plough its tender bed, trust there is life beneath your blade: the suckering briar below the graft, the wildflower stock of strength and thorn whose subtle roots are never dead.
Elizabeth Wein (Rose Under Fire)
The art historians are the real wreckers of art, Reger said. The art historians twaddle so long about art until they have killed it with their twaddle. Art is killed by the twaddle of the art historians. My God, I often think, sitting here on the settee while the art historians are driving their helpless flocks past me, what a pity about all these people who have all art driven out of them, driven out of them for good, by these very art historians. The art historians’ trade is the vilest trade there is, and a twaddling art historian, but then there are only twaddling art historians, deserves to be chased out with a whip, chased out of the world of art, Reger said, all art historians deserve to be chased out of the world of art, because art historians are the real wreckers of art and we should not allow art to be wrecked by the art historians who are really art wreckers. Listening to an art historian we feel sick, he said, by listening to an art historian we see the art he is twaddling about being ruined, with the twaddle of the art historian art shrivels and is ruined. Thousands, indeed tens of thousands of art historians wreck art by their twaddle and ruin it, he said. The art historians are the real killers of art, if we listen to an art historian we participate in the wrecking of art, wherever an art historian appears art is wrecked, that is the truth.
Thomas Bernhard (Old Masters: A Comedy)
I enjoyed perfect health of body, and tranquillity of mind; I did not feel the treachery or inconstancy of a friend, nor the injuries of a secret or open enemy.  I had no occasion of bribing, flattering, or pimping, to procure the favour of any great man, or of his minion; I wanted no fence against fraud or oppression: here was neither physician to destroy my body, nor lawyer to ruin my fortune; no informer to watch my words and actions, or forge accusations against me for hire: here were no gibers, censurers, backbiters, pickpockets, highwaymen, housebreakers, attorneys, bawds, buffoons, gamesters, politicians, wits, splenetics, tedious talkers, controvertists, ravishers, murderers, robbers, virtuosos; no leaders, or followers, of party and faction; no encouragers to vice, by seducement or examples; no dungeon, axes, gibbets, whipping-posts, or pillories; no cheating shopkeepers or mechanics; no pride, vanity, or affectation; no fops, bullies, drunkards, strolling whores, or poxes; no ranting, lewd, expensive wives; no stupid, proud pedants; no importunate, overbearing, quarrelsome, noisy, roaring, empty, conceited, swearing companions; no scoundrels raised from the dust upon the merit of their vices, or nobility thrown into it on account of their virtues; no lords, fiddlers, judges, or dancing-masters.
Jonathan Swift (Gulliver's Travels: Travels into Several Remote Nations of the World.)
Don't blame me, Pongo,' said Lord Ickenham, 'if Lady Constance takes her lorgnette to you. God bless my soul, though, you can't compare the lorgnettes of to-day with the ones I used to know as a boy. I remember walking one day in Grosvenor Square with my aunt Brenda and her pug dog Jabberwocky, and a policeman came up and said the latter ought to be wearing a muzzle. My aunt made no verbal reply. She merely whipped her lorgnette from its holster and looked at the man, who gave one choking gasp and fell back against the railings, without a mark on him but with an awful look of horror in his staring eyes, as if he had seen some dreadful sight. A doctor was sent for, and they managed to bring him round, but he was never the same again. He had to leave the Force, and eventually drifted into the grocery business. And that is how Sir Thomas Lipton got his start.
P.G. Wodehouse (Uncle Fred in the Springtime)
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
Do you think we're being robbed?" I whispered. He nodded gravely, then crawled over to my closet and opened it. "Did you want to borrow something more formal to wear for the robbery? I'm not sure I have anything in your size." "Shh," he whispered. "Don't you at least have a tennis racket or anything?" "You think they came here looking for a doubles partner?" He turned quickly and gave me a look, then whipped a Wiffle bat out of the mess. "Wow," I said. "You jock-type people really are single-minded, aren't you? Uh-oh, we're being robbed. Let's play ball!" "It's for a weapon," Carson whispered. "You're gonna hit them with a Wiffle bat?" "What else you got?" "Um...A pillow" "Exactly" ... "Stay behind me," he whispered. "Can I just say that I never knew this about me before, but weirdly enough this whole protective he-man thing actually turns me on." "Josie." "What," I asked. "Shut Up." I grabbed my pillow, just in case, so to speak, and tiptoed behind him around the mussed-up bed. "Maybe we should just hide in the closet." He turned around, rolled his eyes and kissed me. "Shh," he repeated.
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
I’m not sure what to say about struggle except that it feels like a long, dark tunnel with no light at the end. You never notice until it’s over the ways it has changed you, and there is no going back. We struggled a lot this year. For everyone who picked a fight with life and got the shit kicked out of them: I’m proud of you for surviving. This year I learned that cities are beautiful from rooftops even when you’re sad and that swimming in rivers while the sun sets in July will make you feel hopeful, no matter what’s going on at home. I found out my best friend is strong enough to swing me over his shoulder like I’m weightless and run down the street while I’m squealing and kicking against his chest. I found out vegan rice milk whipped cream is delicious, especially when it’s licked off the stomach of a boy you love. This year I kissed too many people with broken hearts and hands like mousetraps. If I could go back and unhurt them I would. If I could go back even farther and never meet them I would do that too. I turned 21. There’s no getting around it. I’m an adult now. Navigating the world has proved harder than I expected. There were times I was reckless. In my struggle to survive I hurt others. Apologies do not make good bandages. I’m not sure what to say about change except that it reminds me of the Bible story with the lions’ den. But you are not named Daniel and you have not been praying, so God lets the beasts get a few deep, painful swipes at you before the morning comes and you’re pulled into the light, exhausted and cut to shit. The good news is you survived. The bad news is you’re hurt and no one can heal you but yourself. You just have to find a stiff drink and a clean needle before you bleed out. And then you get up. And start over.
Clementine von Radics (Mouthful of Forevers)
Enthusiasm is the first step," she said. "Artfulness comes later." "I hope I didn't disappoint you." "I'm not displeased, Jovanno. Hells, having a lover that's new to the dance means you can train him properly. Give me a few nights and I'll have you whipped into proper form." "The Asino brothers ... they always, well, they always invited me to go with them when they went out. To buy it, you know." "There's no shame in doing that. And there's no shame in not having done it. But those two are hounds, Jovanno. Any woman could smell it a mile away. Sometimes a run with the hounds is just what you're in the mood for, but in the end they'll always roll around in muck and shit on your floor." "Oh, they've got an endearing side," said Jean. "It comes out once a month, when the first moon is full. They're like backwards werewolves.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
I think it’s time to go ahead and start, don’t you? We don’t want them to have enough time to make a trip back to shore with her.” Galen swims to within an inch of my face. His lazy grin sends a thousand butterflies whipping up a tornado in my stomach. “Start what? The rescue, or the rest of our lives together?” Just the words make my heart jump, let alone the look he gives me when he says it. We haven’t had much time to talk about what all this means for us, but at least I know we can be together. On our own terms, in our own time. Finally. “Both,” I breathe. “This is not the time to be all mushy,” Rayna calls from below us. “I swear you two are expert time wasters. So inconsiderate.” Galen winks at me and dives to his sister. “Wait,” I call to him. He stops. “I just wanted to say, I like your big fin. I think it’s sexy.” Which is the truth. Now t’s more than double the size of any other Syrena. I know he’s self-conscious about it; he thinks it makes him stand out more. What Galen doesn’t realize is that he already stood out. He was already special. This new fin doesn’t change anything. Well, except for making me hotter for him than I already was. “Really?” Galen says. I nod and blow him a kiss. By his confused expression, he has no idea what I’m doing. My Syrena human ambassador still has a lot to learn about the intimate details of the human world. And I’ll be happy to assist him with that.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
Frederick Douglass (Narrative of the Life of Frederick Douglass)
There was a famous incident during an Orlando Pirates soccer match a few years ago. A cat got into the stadium and ran through the crowd and out onto the pitch in the middle of the game. A security guard, seeing the cat, did what any sensible black person would do. He said to himself, “That cat is a witch.” He caught the cat and—live on TV—he kicked it and stomped it and beat it to death with a sjambok, a hard leather whip. It was front-page news all over the country. White people lost their shit. Oh my word, it was insane. The security guard was arrested and put on trial and found guilty of animal abuse. He had to pay some enormous fine to avoid spending several months in jail. What was ironic to me was that white people had spent years seeing video of black people being beaten to death by other white people, but this one video of a black man kicking a cat, that’s what sent them over the edge. Black people were just confused. They didn’t see any problem with what the man did. They were like, “Obviously that cat was a witch. How else would a cat know how to get out onto a soccer pitch? Somebody sent it to jinx one of the teams. That man had to kill the cat. He was protecting the players.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
You are the king no doubt, but in one respect, at least, I am your equal: the right to reply. I claim that privilege too. I am not your slave. I serve Apollo. I don't need Creon to speak for me in public. So, you mock my blindness? Let me tell you this. You with your precious eyes, you're blind to the corruption in your life, to the house you live in, those you live with- who are your parents? Do you know? All unknowing you are the scourge of your own flesh and blood, the dead below the earth and the living here above, and the double lash of your mother and your father's curse will whip you from this land one day, their footfall treading you down in terror, darkness shrouding your eyes that now can see the light! Soon, soon, you'll scream aloud - what haven won't reverberate? What rock of Cithaeron won't scream back in echo? That day you learn the truth about your marriage, the wedding-march that sang you into your halls, the lusty voyage home to the fatal harbor! And a crowd of other horrors you'd never dream will level you with yourself and all your children. There. Now smear us with insults - Creon, myself and every word I've said. No man will ever be rooted from the earth as brutally as you.
Robert Fagles (The Oedipus Cycle: Oedipus Rex / Oedipus at Colonus / Antigone)
The light was crude. It made Artaud's eyes shrink into darkness, as they are deep-set. This brought into relief the intensity of his gestures. He looked tormented. His hair, rather long, fell at times over his forehead. He has the actor's nimbleness and quickness of gestures. His face is lean, as if ravaged by fevers. His eyes do not seem to see the people. They are the eyes of a visionary. His hands are long, long-fingered. Beside him Allendy looks earthy, heavy, gray. He sits at the desk, massive, brooding. Artaud steps out on the platform, and begins to talk about " The Theatre and the Plague." He asked me to sit in the front row. It seems to me that all he is asking for is intensity, a more heightened form of feeling and living. Is he trying to remind us that it was during the Plague that so many marvelous works of art and theater came to be, because, whipped by the fear of death, man seeks immortality, or to escape, or to surpass himself? But then, imperceptibly almost, he let go of the thread we were following and began to act out dying by plague. No one quite knew when it began. To illustrate his conference, he was acting out an agony. "La Peste" in French is so much more terrible than "The Plague" in English. But no word could describe what Artaud acted out on the platform of the Sorbonne. He forgot about his conference, the theatre, his ideas, Dr. Allendy sitting there, the public, the young students, his wife, professors, and directors. His face was contorted with anguish, one could see the perspiration dampening his hair. His eyes dilated, his muscles became cramped, his fingers struggled to retain their flexibility. He made one feel the parched and burning throat, the pains, the fever, the fire in the guts. He was in agony. He was screaming. He was delirious. He was enacting his own death, his own crucifixion. At first people gasped. And then they began to laugh. Everyone was laughing! They hissed. Then, one by one, they began to leave, noisily, talking, protesting. They banged the door as they left. The only ones who did not move were Allendy, his wife, the Lalous, Marguerite. More protestations. More jeering. But Artaud went on, until the last gasp. And stayed on the floor. Then when the hall had emptied of all but his small group of friends, he walked straight up to me and kissed my hand. He asked me to go to the cafe with him.
Anaïs Nin
When I got to school the next morning I had stepped only one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least bit about the scene he was creating. The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe. “Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.” “I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You had your mother worried sick!” “My mother?” I questioned sarcastically. Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students, where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller! “Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute. “I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more. I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop. Look, I will be your friend. I want to be your friend. But that’s it. We can’t be anything more. It’ll never work.” Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.” It was hopeless. “Fine!” I snapped. “I’ll be your stupid girlfriend!” Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually laughed at my request. “No promises.” Stupid, cocky boyfriend. “You’re crazy. You know that, right?” Ryan got this big cheesy smile on his face and said, “Crazy about you.” “Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?” “Because I like you.” His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that? “I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.” “You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked a smile despite myself. “You really are crazy,” I muttered.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
Nope,” she managed. “No other questions.” Eleven centuries of captivity. Hung on his hated enemy’s study wall. Eleven centuries of not touching. Not eating. Not loving. Had he had anyone to talk to? Her face must have betrayed her thoughts, for he startled her by saying softly, “ ’Tis no longer of consequence, lass, but thank you for the compassion. ’Tis nigh over. Seventeen more days, Jessica. That’s all.” For some reason his words brought a sudden hot burn of tears to the backs of her eyes. Not only hadn’t eleven centuries turned him into a monster, he was trying to soothe her, to make her feel better about his imprisonment. “You weep for me, woman?” She turned away. “It’s been a long day. Hell, it’s been a long week.” “Jessica.” Her name was a soft command. She disobeyed it, staring out the window at the rolling hills. “Jessica, look at me.” Eyes bright with unshed tears, she whipped her head around and glared at him. “I weep for you, okay?” she snapped. “For eleven centuries stuck in there. Can I start driving again or do you need something else?” He smiled faintly, raised his hand, and splayed his palm against the inside of the silvery glass. Without an ounce of conscious thought, her hand rose to meet his, aligning on the cool silver, palm to palm, finger to finger, thumb to thumb. And though she felt only a cold hardness beneath her palm, the gesture made something go all warm and soft in her heart. Neither of them spoke or moved for a moment.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
I will say it again," said Dumbledore as the phoenix rose into the air and resettled itself upon the perch beside the door. "You have shown bravery beyond anything I could have expected of you tonight. Harry. You have shown bravery equal to those who died fighting Voldemort at the height of his powers. You have shouldered a grown wizard's burden and found yourself equal to it - and you have now given us all we have a right to expect. You will come with me to the hospital wing. I do not want you returning to the dormitory tonight. A Sleeping Potion, and some peace . . . Sirius, would you like to stay with him?" Sirius nodded and stood up. He transformed back into the great black dog and walked with Harry and Dumbledore out of the office, accompanying them down a flight of stairs to the hospital wing. When Dumbledore pushed open the door. Harry saw Mrs. Weasley, Bill, Ron, and Hermione grouped around a harassed-looking Madam Pomfrey. They appeared to be demanding to know where Harry was and what had happened to him. All of them whipped around as Harry, Dumbledore, and the black dog entered, and Mrs. Weasley let out a kind of muffled scream. "Harry! Oh Harry!" She started to hurry toward him, but Dumbledore moved between them. "Molly," he said, holding up a hand, "please listen to me for a moment. Harry has been through a terrible ordeal tonight. He has just had to relive it for me.What he needs now is sleep, and peace, and quiet. If he would like you all to stay with him," he added, looking around at Ron, Hermione, and Bill too, "you may do so. But I do not want you questioning him until he is ready to answer, and certainly not this evening." Mrs. Weasley nodded. She was very white. She rounded on Ron, Hermione, and Bill as though they were being noisy, and hissed, "Did you hear? He needs quiet!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I used to think that happiness, like God, was an idea weaker people were sold on, to manage the grief of a world with so much suffering. It is just easier, I thought, to decide that you are doing something wrong and you just need to buy the right thing, read the right book, find the right guru, or pray more to be happy than to accept that life is a great long heartbreak. Happiness is not what I imagined that mirage to be: an unending ecstasy or state of perpetual excitement. Not a high or a mirage, it is just being okay. My happiness is the absence of fear that there won't be enough -- enough money, enough power, enough security, enough of a cushion of these things to protect me from the everyday heartbreaks of being human. Heartbreak doesn't kill you. It changes you.
Melissa Febos (Whip Smart: A Memoir)
I mean, we don’t have to worry about it until winter, anyway,” she said. “I was just wondering if you felt cured.” I didn’t know what to tell her. I didn’t feel cured. I felt like what Cole said —almost cured. A war survivor with a phantom limb. I still felt that wolf that I’d been: living in my cells, sleeping uneasily, waiting to be coaxed out by weather or a rush of adrenaline or a needle in my veins. I didn’t know if that was real or suggested. I didn’t know if one day I would feel secure in my skin, taking my human body for granted. “You look cured,” Grace said. Just her face was visible at the end of the shower curtain, looking in at me. She grinned and I yelled. Grace reached in just far enough to shut off the tap. “I’m afraid,” she said, whipping the shower curtain open all the way and presenting me with my towel, “this is the sort of thing you’ll have to put up with in your old age.” I stood there, dripping, feeling utterly ridiculous, Grace standing opposite, smiling with her challenge. There was nothing for it but to get over the awkwardness. Instead of taking the towel, I took her chin with my wet fingers and kissed her. Water from my hair ran down my cheeks and onto our lips. I was getting her shirt all wet, but she didn’t seem to mind. A lifetime of this seemed rather appealing. I said gallantly, “That better be a promise.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.
Alison Nappi
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Gallop apace, you fiery-footed steeds, Towards Phoebus' lodging: such a wagoner As Phaethon would whip you to the west, And bring in cloudy night immediately. Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence.
William Shakespeare (Romeo and Juliet)
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for — Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand. “Don’t kill me!” “That was not my intention.” Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand. “Well, Severus? What message does Lord Voldemort have for me?” “No — no message — I’m here on my own account!” Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him. “I — I come with a warning — no, a request — please —” Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other. “What request could a Death Eater make of me?” “The — the prophecy… the prediction… Trelawney…” “Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?” “Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!” “The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —” “You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —” “If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?” “I have — I have asked him —” “You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?” Snape said nothing, but merely looked up at Dumbledore. “Hide them all, then,” he croaked. “Keep her — them — safe. Please.” “And what will you give me in return, Severus?” “In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
Joyce Cary (The Horse's Mouth)
You look … ,” Gavriel breathed, sinking into his chair. “You look so much like her.” Aedion knew Gavriel didn’t mean Aelin. Even Fenrys looked at the Lion now, at the grief rippling in those tawny eyes. But Aedion barely remembered his mother. Barely recalled anything more than her dying, wrecked face. So he said, “She died so your queen wouldn’t get her claws on me.” He wasn’t sure his father was breathing. Lysandra stepped closer, a solid rock in the thrashing sea of his rage. Aedion pinned his father with a look, not sure where the words came from, the wrath, but there they were, snapping from his lips like whips. “They could have cured her in the Fae compounds, but she wouldn’t go near them, wouldn’t let them come for fear of Maeve”—he spat the name—“knowing I existed. For fear I’d be enslaved to her as you were.” His father’s tan face had drained of all color. Whatever Gavriel had suspected until now, Aedion didn’t care. The Wolf snarled at the Lion, “She was twenty-three years old. She never married, and her family shunned her. She refused to tell anyone who’d sired me, and took their disdain, their humiliation, without an ounce of self-pity. She did it because she loved me, not you.” And he suddenly wished he’d asked Aelin to come, so he could tell her to burn this warrior into ashes like that commander in Ilium, because looking at the face—his face … he hated him. He hated him for the twenty-three-year-old his mother had been, younger than he now was when she’d died, alone and sorrowful. Aedion growled, “If your bitch of a queen tries to take me, I’ll slit her throat. If she hurts my family any more than she already has, I’ll slit yours, too.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
My friend, still seemingly perplexed, asked me "So if it's not about genitals, what is it about trans women's bodies that you find so attractive?" I paused for a second to consider the question. Then I replied that it is almost always their eyes. When I look into them, I see both endless strength and inconsolable sadness. I see someone who has overcome humiliation and abuses that would flatten the average person. I see a woman who was made to feel shame for her desires and yet had the courage to pursue them anyway. I see a woman who was forced against her will into boyhood, who held on to a dream that everybody in her life desperately tried to beat out of her, who refused to listen to the endless stream of people who told her that who she was and what she wanted was impossible. When I look into a trans woman's eyes, I see a profound appreciation for how fucking empowering it can be to be female, an appreciation that seems lost on many cissexual women who sadly take their female identities and anatomies for granted, or who perpetually seek to cast themselves as victims rather than instigators. In trans women's eyes, I see a wisdom that can only come from having to fight for your right to be recognised as female, a raw strength that only comes from unabashedly asserting your right to be feminine in an inhospitable world. In a trans woman's eyes, I see someone who understands that, in a culture that's seemingly fuelled on male homophobic hysteria, choosing to be female and openly expressing one's femininity is not a sign of frivolousness, weakness or passivity, it is a fucking badge of courage. Everybody loves to say that drag queens are "fabulous", but nobody seems to get the fact that trans women are fucking badass!
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping. I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me. I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right? These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one. Soon, she began to listen to it. Lara, it said, sit here, where the sun may kiss you. And she did. Lara, it said, lie here, where the moon can make love to you all night long. and she did. Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream. Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon. For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara. When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion. While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon. Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true. So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
Alice Walker
Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue. But if you mouth it, as many of our players do, I had as lief the town crier spoke my lines. Nor do not saw the air too much with your hand, thus, by use all gently, for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb shows and noise. I would have such a fellow whipped for o'erdoing Termagant. It out-herods Herod. Pray you avoid it. Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature. For anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskillful laugh, cannot but make the judicious grieve, the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly (not to speak profanely), that neither having th' accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably. Reform it altogether! And let those that play your clowns speak no more than is set down for them, for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered. That's villainous and shows a most pitiful ambition in the fool that uses it. Go make you ready.
William Shakespeare
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened. "Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds." "Oh, my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him. "What about you, Princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry." I sighed and sat up. "Oh, really?" Loki arched an eyebrow. "Does that mean that last night-" "It means that last night is none of your business," I snapped. I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before. "Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen." "Oh, I have plenty you haven't seen," I said and pulled the robe around me. "You should get married more often," Loki teased. "It makes you feisty." I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself. "What are you doing?" I asked. "Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas." "Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed. "He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care." In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life. "So, how did everyone sleep last night?" Loki asked. There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding. "Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly. "Finn?" I asked, stunned. Finn looked appalled and pointed at Loki. "What are you doing here?" "I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?" "What is he doing here?" Finn asked, turning his attention to me. "Never mind him." I waved it off. "What's going on?" "See, Finn, you should've told me when I asked," Loki said between sips of his drink.
Amanda Hocking (Ascend (Trylle, #3))
He sighs and wiggles around in his chair to get comfortable-it's going to be a long night. Watching humans play pretend for two hours doesn't exactly flip his fin. But he can tell Emma's getting restless. And so is he. Just as he nods off, a loud noise pops from the screen. Emma latches onto his arm as if he's dangling her over a cliff. She presses her face into his biceps and moans. "Is it over yet?" she whispers. "The movie?" "No. The thing that jumped out at her. Is it gone?" Galen chuckles and pries his arm from her grasp, then wraps it around her. "No. You should definitely stay there until I tell you it's clear." She whips her head up, but there's an almost-smile in her eyes. "I might take you up on that, pretend date or no. I hate scary movies." "Why didn't you tell me that? Everyone at school was practically salivating over this movie." The lady next to her leans over. "Shhh!" she whisper-yells. Emma nestles into the crook of his arm and buries her face in his chest, where she returns frequently as the movie goes on. Galen admits to himself that humans can make everything look pretty real. Still, he can't understand how Emma can be afraid when she knows they're only actors on the screen getting paid to scream like boiling lobsters. But who is he to complain? Their convincing performance keeps Emma in his arms for almost two solid hours. When the movie is over, he pulls the car to the curb and opens the door for her just as Rachel instructed. Emma accepts his hand as he helps her in. "What should we call our new little game?" he says on the way home. "Game?" "You know, 'Have some Lemonheads, sweet lips!'" "Oh, right." She laughs. "How about...Upchuck?" "Sounds appropriate. You realize it's your turn, right? I was thinking of making you eat a live crab." She leans over him. He almost swerves off the road when her lips brush his ear. "Where will you get a live crab? All I have to do is poke my head in the water and tell them to scatter." He grins. She's been getting more comfortable with her Gift. Yesterday, she sent some dolphins chasing after him.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Fawcett also shared with me a passion for words and we would trawl the dictionary together and simply howl and wriggle with delight at the existence of such splendours as ‘strobile’ and ‘magniloquent’, daring and double-daring each other to use them to masters in lessons without giggling. ‘Strobile’ was a tricky one to insert naturally into conversation, since it means a kind of fir-cone, but magniloquent I did manage. I, being I, went always that little bit too far of course. There was one master who had berated me in a lesson for some tautology or other. He, as what human being wouldn’t when confronted with a lippy verbal show-off like me, delighted in seizing on opportunities to put me down. He was not, however, an English teacher, nor was he necessarily the brightest man in the world. ‘So, Fry. “A lemon yellow colour” is precipitated in your test tube is it? I think you will find, Fry, that we all know that lemons are yellow and that yellow is a colour. Try not to use thee words where one will do. Hm?’ I smarted under this, but got my revenge a week or so later. ‘Well, Fry? It’s a simple enough question. What is titration?’ ‘Well, sir…, it’s a process whereby…’ ‘Come on, come on. Either you know or you don’t.’ ‘Sorry sir, I am anxious to avoid pleonasm, but I think…’ ‘Anxious to avoid what?’ ‘Pleonasm, sir.’ ‘And what do you mean by that?’ ‘I’m sorry, sir. I meant that I had no wish to be sesquipedalian.’ ‘What?’ ‘Sesquipedalian, sir.’ ‘What are you talking about?’ I allowed a note of confusion and bewilderment to enter my voice. ‘I didn’t want to be sesquipedalian, sir! You know, pleonastic.’ ‘Look, if you’ve got something to say to me, say it. What is this pleonastic nonsense?’ ‘It means sir, using more words in a sentence than are necessary. I was anxious to avoid being tautologous, repetitive or superfluous.’ ‘Well why on earth didn’t you say so?’ ‘I’m sorry, sir. I’ll remember in future, sir.’ I stood up and turned round to face the whole form, my hand on my heart. ‘I solemnly promise in future to help sir out by using seven words where one will do. I solemnly promise to be as pleonastic, prolix and sesquipedalian as he could possibly wish.’ It is a mark of the man’s fundamental good nature that he didn’t whip out a knife there and then, slit my throat from ear to ear and trample on my body in hobnailed boots. The look he gave me showed that he came damned close to considering the idea.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.
Jennifer L. Armentrout (Opposition (Lux, #5))
We kissed for two hours. Eventually, I led him into my bedroom and pulled off both of our shirts. He stopped me. "This might sound weird; it's not typical guy response." I froze, suddenly awkward. "I mean, if I didn't feel the way I do with you I would be all for it, but I kind of think maybe it would be good to wait. I've rushed into sex, and had it be a mistake." He shrugged apologetically. "I mean, if it's safe to assume you are experiencing the same date that I am, then I think we will have time." I was a little flabbergasted and more than a little embarrassed. How could I explain that the idea sounded like a huge relief to me, that I didn't quite understand where the impulse to start taking my clothes off came from? I had had the same experience. I rarely enjoyed first-time sex with partners, largely because I usually did it before I really knew or trusted them. Here was where the difference between what I knew and did remained wide. The shame I felt wash over me was tinged with that hatred of my own innocence. Was I still so green? So unconfident? Had I gone straight out of the extremity of sex work to the innocence of my adolescence? Where was my self-knowledge? Still, I was relieved. "Of course. I agree totally." I clutched my T-shirt to my chest and smiled at him. "And yes, I am on the same date you are on." "I thought so," he said. "I mean, I don't think you can feel like this when it's not reciprocal." He left at 2:00 A.M. and called me at 11:00 the next morning to schedule our second date.
Melissa Febos (Whip Smart: A Memoir)
I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
Pierce Brown (Red Rising (Red Rising Saga, #1))