While We're Young Quotes

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I drop back a bit. I listen while they chatter on an Lugh makes us laugh. He always does. We're together agin. Lugh goes first, always first, an I follow on behind. An that's fine. That's right. That's how it's meant to be. Lugh turns around. Smiles. Hey, he says, what're you doin back there? I ain't got a clue where we're goin. Git on up here an lead the way. So I do.
Moira Young (Blood Red Road (Dust Lands, #1))
Our body is just a vehicle for us while we’re here. It is our soul and our spirit that last forever.” I
Brian L. Weiss (Many Lives, Many Masters: The True Story of a Prominent Psychiatrist, His Young Patient, and the Past-Life Therapy That Changed Both Their Lives)
Read while we're young
Rick Riordan
We don't choose the times we're born in, he says. That's the business of the stars. The only choice we got is what we do while we're here. To make it mean somethin.
Moira Young (Rebel Heart (Dust Lands, #2))
Venus is kind to creatures as young as we; We know not what we do, and while we’re young We have the right to live and love like gods.
Ovid
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too. Dawson: That's not true. Amanda: But it is. Honeymoons always come to an end. Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right. Amanda: We're not that young anymore- Dawson: But we are. We still have the rest of our lives. Amanda: I know. That's why I need you to do something for me. Dawson: Anything. Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
Nicholas Sparks (The Best of Me)
To the train yard,' she says and pushes on the pedals. We don't move. `Anytime,' I tell her. `You know. While we're still young and beautiful.' She pushes hard again. `You weigh a tonne.' `You need me to drive?' `I need momentum, that's all. Get off.' `You're very charming, but you must hear that all the time.' `Get off,' she says.`I'll ride and you run after me and jump on the bike.' `Do many guys ask you out twice?' `Only the ones with balls.
Cath Crowley (Graffiti Moon)
Rosa Parks turned to me sweetly and asked, 'Now, Bryan, tell me who you are and what you're doing.' I looked at Ms. Carr to see if I had permission to speak, and she smiled and nodded at me. I then gave Ms. Parks my rap. 'Yes, ma'am. Well, I have a law project called the Equal Justice Initiative, and we're trying to help people on death row. We're trying to stop the death penalty, actually. We're trying to do something about prison conditions and excessive punishment. We want to free people who've been wrongly convicted. We want to end unfair sentences in criminal cases and stop racial bias in criminal justice...Ms. Parks leaned back smiling. 'Ooooh, honey, all that's going to make you tired, tired, tired.' We all laughed. I looked down, a little embarrassed. Then Ms. Carr leaned forward and put her finger in my face and talked o me just like my grandmother used to talk to me. She said, 'That's why you've got to be brave, brave, brave.' All three women nodded in silent agreement and for just a little while, they made me feel like a young prince.
Bryan Stevenson (Just Mercy)
She doesn’t even have shoes on” He was trying to reconcile something in his head while talking to Luke. “In all the time you spent in that shack, you forgot to pack her shoes?” Luke asked rhetorically, shaking his head in both wonder and disappointment. “Look, we’re in the boonies. I am sure shoes are optional, as are a full set of teeth.
Jenna-Lynne Duncan (Hurricane (Hurricane #1))
Stories are bulls. Writers come of age full of vigor, and they feel the need to drive the old stories from the herd. One bull rules the herd awhile but then he loses his vigor and the young bulls take over. Stories are nations, empires. They can last as long as ancient Rome or as short as the Third Reich. Story-nations rise and decline. Governments change, trends rise, and they go on conquering their neighbors. Stories are people. I'm a story, you're a story . . . your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for a while, we're less alone.
Jess Walter (Beautiful Ruins)
I tried to go to sleep with my headphones still on, but then after a while my mom and dad came in, and my mom grabbed Bluie from the shelf and hugged him to her stomach, and my dad sat down in my desk chair, and without crying he said, 'You are not a grenade, not to us. Thinking about you dying makes us sad, Hazel, but you are not a grenade. You are amazing. You can't know, sweetie, because you've never had a baby become a brilliant young reader with a side interest in horrible television shows, but the joy you bring us is so much greater than the sadness we feel about your illness.' 'Okay,' I said. 'Really,' my dad said. 'I wouldn't bullshit you about this. If you were more trouble than you're worth, we'd just toss you out on the streets.' 'We're not sentimental people,' Mom added, deadpan. 'We'd leave you at an orphanage with a note pinned to your pajamas.
John Green
Somehow, impossibly, the interior of the space we’re in is coated in ice. It shines as light from above cascades down on it, reflecting and refracting, spinning different colors with every new facet of itself. There are planes and crags of it around the walls, with parts of it worked smooth, while others are ragged and shifting.", FADE by Kailin Gow
Kailin Gow (Fade (Fade, #1))
You don’t have to be young. You don’t have to be thin. You don’t have to be “hot” in a way that some dumbfuckedly narrow mindset has construed that word. You don’t have to have taut flesh or a tight ass or an eternally upright set of tits. You have to find a way to inhabit your body while enacting your deepest desires. You have to be brave enough to build the intimacy you deserve. You have to take off all of your clothes and say, “I’m right here.” There are so many tiny revolutions in a life, a million ways we have to circle around ourselves to grow and change and be okay. And perhaps the body is our final frontier. It’s the one place we can’t leave. We’re there till it goes. Most women and some men spend their lives trying to alter it, hide it, prettify it, make it what it isn’t, or conceal it for what it is. But what if we didn’t do that? That’s the question you need to answer,
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Our body is just a vehicle for us while we're here. It is our soul and our spirit that last forever.
Brian L. Weiss (Many Lives, Many Masters: The True Story of a Prominent Psychiatrist, His Young Patient, and the Past Life Therapy That Changed Both Their Lives)
What did it matter? We are dying while we are living. We are old even when we're young. We are clinging to life even as we resign ourselves to leaving it.
Abraham Verghese (The Covenant of Water)
They got married at a very, very young age. And thank los espíritus, as Madrina would say, that they at least liked each other. They more than liked each other, though. They are actually still in love. I know this because as we’re all yapping in the living room, Papi washes the dishes, cleans the kitchen, and comes back to offer Mama a glass of water while he takes her empty plate.
Ibi Zoboi (Pride: A Pride & Prejudice Remix)
What did it matter? We are dying while we’re living, we are old even when we’re young, we are clinging to life even as we resign ourselves to leaving it.
Abraham Verghese (The Covenant of Water)
Because he’s better than that. Better than they are. He’s young, he’s good-looking, charming, efficient, smart, and skilled enough to come up with, or get someone else to come up with this e-virus that’s got all you geeks stumped.” “We’re not stumped,” Roarke corrected with some annoyance as they rode to the bedroom. “The bleeding investigation is ongoing and we’re pursuing all shagging avenues.” While it amused her to hear him quote the usual departmental line—with the addition of the Irish—she shrugged.
J.D. Robb (Kindred in Death (In Death, #29))
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
I’ve been out with enough girls to know what I want. I know. You and me together? We’re not the same plain vanilla let’s-date-while-we’re-in-high-school, let’s-go-to-prom, let’s-promise-we’ll-talk-in-college relationship. We’re more like those fireworks on the Fourth of July that keep exploding with new bursts every time they’re done. Before we know it, we’ll be in rocking chairs side by side on the porch, holding hands and watching a houseful of great grandchildren chasing blue ghost fireflies on the lawn.
Martina Boone (Persuasion (The Heirs of Watson Island, #2))
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
So as lovely as romance can be, we have to make sure that we’re not falling into the trap of making our entire life about searching for an unrealistic notion of happiness. While falling in love is fun, it’s not everything, and it’s not the antidote to an unfulfilled life, despite what Reese Witherspoon movies may tell you.
Jessica Valenti (Full Frontal Feminism: A Young Woman's Guide to Why Feminism Matters)
He grinned at me, and it was a boyish weary grin aiming for wicked, but too tired and worried to reach it. “I love you. You’re mine. I’ll kill any bastard who tries to take you from me. So, here’s how it’s going to go: Ellie comes first, but while we’re taking care of her you can be as pig-headed as you want and pretend that we’re broken up. I’ll even let you. But I’m also going to be here, every day, showing you what you’re missing.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Simmer down, simmer down They say we're too young now to amount to anything else But look around We work too damn hard for this just to give it up now If you don't swim, you'll drown But don't move, honey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down (hey!) Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Let's get out, let's get out 'Cause this deadbeat town's only here just to keep us down While I was out, I found myself alone just thinking If I showed up with a plane ticket And a shiny diamond ring with your name on it Would you wanna run away too? 'Cause all I really want is you You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down I made a mixtape straight out of '94 I've got your ripped skinny jeans lying on the floor And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down (hey) Your lipstick stain is a work of art (hey, hey) I got your name tattooed in an arrow heart (hey, hey) And I know now, that I'm so down (hey, hey) Hey
5 Seconds of Summer
She points at two big steps on the back of her bike. "You have training... somethings? What are they?" "Feet platforms. My dad made them for my cousin to use. Step on." "But I don't have a cool helmet with a lightning bolt." "Your head is hard enough." "Funny." I steady myself without touching her. "To the train yard," she says and pushes on the pedals. We don't move. "Anytime," I tell her. 'You know. While we're still young and beautiful." She pushes hard again. "You weight a ton." "You need me to drive?" "I need momentum, that's all. Get off." "You're very charming, but you must hear that all the time." "Get off," she says. "I'll ride, and you run after me and jump on the bike." "Do many guys ask you out twice?" "Only the ones with balls.
Cath Crowley (Graffiti Moon)
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
Paula Hawkins (The Girl on the Train)
When young, we’re anxious — understandably — to find out if we’ve got what it takes. Can we succeed? Can we build a viable life for ourselves? But you — in particular you, of this generation — may have noticed a certain cyclical quality to ambition. You do well in high-school, in hopes of getting into a good college, so you can do well in the good college, in the hopes of getting a good job, so you can do well in the good job so you can . . . And this is actually O.K. If we’re going to become kinder, that process has to include taking ourselves seriously — as doers, as accomplishers, as dreamers. We have to do that, to be our best selves. Still, accomplishment is unreliable. “Succeeding,” whatever that might mean to you, is hard, and the need to do so constantly renews itself (success is like a mountain that keeps growing ahead of you as you hike it), and there’s the very real danger that “succeeding” will take up your whole life, while the big questions go untended.
George Saunders (Congratulations, by the Way: Some Thoughts on Kindness)
Being swayed by people playing a different game can also throw off how you think you’re supposed to spend your money. So much consumer spending, particularly in developed countries, is socially driven: subtly influenced by people you admire, and done because you subtly want people to admire you. But while we can see how much money other people spend on cars, homes, clothes, and vacations, we don’t get to see their goals, worries, and aspirations. A young lawyer aiming to be a partner at a prestigious law firm might need to maintain an appearance that I, a writer who can work in sweatpants, have no need for. But when his purchases set my own expectations, I’m wandering down a path of potential disappointment because I’m spending the money without the career boost he’s getting. We might not even have different styles. We’re just playing a different game. It took me years to figure this out. A takeaway here is that few things matter more with money than understanding your own time horizon and not being persuaded by the actions and behaviors of people playing different games than you are.
Morgan Housel (The Psychology of Money)
They were trying to escape. They asked us "Where's the railway?" We'd never seen a railway. They asked "Where's Moscow? Leningrad?" They were asking the wrong people: we'd never heard of those places. We're Ostyaks. People were running away starving. They were given a handful of flour. They mixed it with water and drank it and then they immediately got diarrhea. The things we saw! People were dying everywhere; they were killing each other.... On the island there was a guard named Kostia Venikov, a young fellow. He was courting a pretty girl who had been sent there. He protected her. One day he had to be away for a while, and he told one of his comrades, "Take care of her," but with all the people there the comrade couldn't do much.... People caught the girl, tied her to a poplar tree, cut off her breasts, her muscles, everything they could eat, everything, everything.... They were hungry, they had to eat. When Kostia came back, she was still alive. He tried to save her, but she had lost too much blood.
Nicolas Werth (Cannibal Island: Death in a Siberian Gulag (Human Rights and Crimes against Humanity, 2))
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip — and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it’s natural that Himself’s dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia. 281 281 - This had been one of Hal’s deepest and most pregnant abstractions, one he’d come up with once while getting secretly high in the Pump Room. That we’re all lonely for something we don’t know we’re lonely for. How else to explain the curious feeling that he goes around feeling like he misses somebody he’s never even met? Without the universalizing abstraction, the feeling would make no sense.
David Foster Wallace (Infinite Jest)
The best example of this is our own helpers, who have managed to pull us through so far and will hopefully bring us safely to shore, because otherwise they’ll find themselves sharing the fate of those they’re trying to protect. Never have they uttered a single word about the burden we must be, never have they complained that we’re too much trouble. They come upstairs every day and talk to the men about business and politics, to the women about food and wartime difficulties and to the children about books and newspapers. They put on their most cheerful expressions, bring flowers and gifts for birthdays and holidays and are always ready to do what they can. That’s something we should never forget; while others display their heroism in battle or against the Germans, our helpers prove theirs every day by their good spirits and affection.
Anne Frank (The Diary of a Young Girl)
I think they understand more than we know,” Minnie replied. “But, you’re right. Children don’t deal in consequences. They have a wonderful capacity for living in the now, while we’re forever imagining the worst, and ‘what-iffing.
Hazel Gaynor (When We Were Young & Brave)
With ye, I don’t want your land or money. I don’t need power or prestige. I just want ye. I love ye, Aella. I love it when you’re angry and outspoken and killing things. I love ye when ye claw my back to ribbons and scream to wake the dead. I love that ye are not meek or mild, or willing to let others make your decisions.” “Even if it does drive you mental and I need to have the last word?” “Because ye do those things.” “So we’re stuck together forever?” “And ever.” “Seal it with a kiss?” she asked with a sensuous smile. Her Scot did better than that. He made short work of their clothes, his powerful hands ripping them from their bodies while she laughed, a young, girlish sound, carefree and wanton.
Eve Langlais (A Demon and Her Scot (Welcome to Hell, #3))
In 1848, Karl Marx and Friedrich Engels, writing in The Communist Manifesto, declared: “In bourgeois society . . . the past dominates the present; in Communist society, the present dominates the past.”13 This view is shared by contemporary statists, including the current occupants of the White House. On May 14, 2008, the future First Lady of the United States, Michelle Obama, while campaigning for her husband, Barack Obama, proclaimed: “We are going to have to change our conversation; we’re going to have to change our traditions, our history. We’re going to have to move into a different place as a nation.”14 On October 30, 2008, when the polls showed him the likely winner of the upcoming presidential election, Barack Obama shouted during a campaign stop days before the vote: “We are five days away from fundamentally transforming the United States of America.”15
Mark R. Levin (Plunder and Deceit: Big Government's Exploitation of Young People and the Future)
Your young, sitting back thinking about your future, you feel heavily in your heart your desire to create your dream; no matter the tasks set before you. You hold that feeling; close to you, and you age. Your told to grow up, get a job and become successful in ways that will make someone else proud, whilst ignoring the ache inside yourself. Truth is, we're all raised to conform; damn it our parents were raised to conform, but does that mean you have to, too? No, than unravel that long lost dream inside yourself and start to create a life from it, you'll walk alone for a while, you will break down every comfort zone you've ever known; slowly transforming into a being without one, and you know what..? even if it's going to be hard, possibly some of the greatest hurdles of your time; one thing will feel certain- you'll never have felt so empowered in all your life.
Nikki Rowe
There ought to be a different word for it once you’ve been married for enough years. When you’ve long since passed the point where it stopped feeling like a choice. I no longer choose you every morning, that was a beautiful thing we said on our wedding day, I just can’t imagine life without you now. We aren’t freshly blooming flowers, we’re two trees with intertwined roots, you’ve grown old within me. When you’re young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn’t that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren’t brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent. Marriage? There ought to be a different word for it after a while. Because there’s no such thing as “eternal infatuation,” only love lasts that long, and it’s never simple. It requires a whole person, everything you have. The whole lot.
Fredrik Backman (The Winners (Beartown, #3))
most matters is not those things for which either politics or materialism tells us to strive, that what matters is fulfilling those four capacities with which we’re born—love, hope, faith, and respect for the truth—while holding fast to the humility of the very young, which too often we leave behind with childhood.
Dean Koontz (Zero In (Nameless: Season Two #6))
Are you all right, dear?” Annabelle asked gently. “I don’t know,” Lillian admitted. “I don’t feel at all like myself. I’m excited and glad, but also somewhat…” “Afraid?” Annabelle murmured. The Lillian of a month ago would have died by slow torture rather than admit to one moment of fear… but she found herself nodding. “I don’t like being vulnerable to a man who is not generally known for his sensitivity or soft heartedness. It’s fairly obvious that we’re not well-suited in temperament.” “But you are attracted to him physically?” Annabelle asked. “Unfortunately, yes.” “Why is that a misfortune?” “Because it would be so much easier to marry a man with whom one shared a detached friendship, rather than… than…” All three young women leaned toward her intently. “R-rather than what?” Evie asked, wide-eyed. “Rather than flaming, clawing, lurid, positively indecent passion.” “Oh my,” Evie said faintly, drawing back in her chair, while Annabelle grinned and Daisy stared at her with enraptured curiosity.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
No one is going to die at this celebration. You are not going to kill people while we're here.' Jacks leaned back in his seat and picked up his apple, mouth twisting in to a sullen frown. 'That's a terrible plan, Little Fox.' He took a wide bite, sharp teeth tearing at the fruit. 'Someone is going to die. It will either be one of them or one of us.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
It can be difficult sometimes for our families to accept us as people separate from who they are. As separate souls. When we’re young, we’re taught to behave as our parents do—to cherish what they cherish and believe what they believe. And for a while, that’s as it should be. But as adults, sometimes we have our own desires, our own hopes, that are at odds with how our parents view the world.
Shana Abe (The Second Mrs. Astor)
Ace is right to select this simple yet special film, for it reminds Porter that what most matters is not those things for which either politics or materialism tells us to strive, that what matters is fulfilling those four capacities with which we’re born—love, hope, faith, and respect for the truth—while holding fast to the humility of the very young, which too often we leave behind with childhood.
Dean Koontz (Zero In (Nameless: Season Two #6))
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
Life is just a series of dumb decisions and indecisions and coincidences that we choose to ascribe meaning to. School cafeteria out of your favorite pastry today? It must be because the universe is trying to keep you on your diet.. Thanks, Universe! You missed your train? Maybe the train’s going to explode in the tunnel, or Patient Zero for some horrible bird flu (waterfowl, goose, pterodactyl) is on that train, and thanks goodness you weren’t on it after all. Thanks, Universe! No one bothers to follow up with destiny, though. The cafeteria just forgot there was another bow in the back, and you got a slice of cake from your friend anyway. You fumed while waiting for another train, but one came along eventually. No one died on the train you missed. No one so much as sneezed. We tell ourselves there are reasons for the things that happen, but we’re just telling ourselves stories. We make them up. They don’t mean anything.
Nicola Yoon (The Sun Is Also a Star)
More fundamentally, meritocracy is impossible to achieve, because, as Young says, a meritocracy is always based on an imperfect definition of merit and often narrowly defined to favor training, connections, and education primarily available to the wealthy. Take Stanford. Because Stanford is filled with students with top high-school GPAs and SAT scores, administrators can pat themselves on the back and say, “We only admit the best students. We’re a meritocracy.” The students are encouraged to think similarly. But is it just a coincidence that the median annual family income of a Stanford student is $167,500 while the national median is roughly one-third that? Did those high-achieving students naturally get high SAT scores, or did they benefit from their parents’ paying for tutors and sending them to private schools? Privilege accumulates as you advance in life. If the college you attend is the basis of your future employment networks, then it is impossible to say that your employment success is solely based on merit.
Emily Chang (Brotopia: Breaking Up the Boys' Club of Silicon Valley)
We’re in a period right now where nobody asks any questions about psychology. No one has any feeling for human motivation. No one talks about sexuality in terms of emotional needs and symbolism and the legacy of childhood. Sexuality has been politicized--“Don’t ask any questions!” "No discussion!" “Gay is exactly equivalent to straight!” And thus in this period of psychological blindness or inertness, our art has become dull. There’s nothing interesting being written--in fiction or plays or movies. Everything is boring because of our failure to ask psychological questions. So I say there is a big parallel between Bill Cosby and Bill Clinton--aside from their initials! Young feminists need to understand that this abusive behavior by powerful men signifies their sense that female power is much bigger than they are! These two people, Clinton and Cosby, are emotionally infantile--they're engaged in a war with female power. It has something to do with their early sense of being smothered by female power--and this pathetic, abusive and criminal behavior is the result of their sense of inadequacy. Now, in order to understand that, people would have to read my first book, "Sexual Personae"--which of course is far too complex for the ordinary feminist or academic mind! It’s too complex because it requires a sense of the ambivalence of human life. Everything is not black and white, for heaven's sake! We are formed by all kinds of strange or vague memories from childhood. That kind of understanding is needed to see that Cosby was involved in a symbiotic, push-pull thing with his wife, where he went out and did these awful things to assert his own independence. But for that, he required the women to be inert. He needed them to be dead! Cosby is actually a necrophiliac--a style that was popular in the late Victorian period in the nineteenth-century. It's hard to believe now, but you had men digging up corpses from graveyards, stealing the bodies, hiding them under their beds, and then having sex with them. So that’s exactly what’s happening here: to give a woman a drug, to make her inert, to make her dead is the man saying that I need her to be dead for me to function. She’s too powerful for me as a living woman. And this is what is also going on in those barbaric fraternity orgies, where women are sexually assaulted while lying unconscious. And women don’t understand this! They have no idea why any men would find it arousing to have sex with a young woman who’s passed out at a fraternity house. But it’s necrophilia--this fear and envy of a woman’s power. And it’s the same thing with Bill Clinton: to find the answer, you have to look at his relationship to his flamboyant mother. He felt smothered by her in some way. But let's be clear--I’m not trying to blame the mother! What I’m saying is that male sexuality is extremely complicated, and the formation of male identity is very tentative and sensitive--but feminist rhetoric doesn’t allow for it. This is why women are having so much trouble dealing with men in the feminist era. They don’t understand men, and they demonize men.
Camille Paglia
Jobs confided in Sculley that be believed he would die young, and therefore he needed to accomplish things quickly so that he would make his mark on Silicon Valley history. "We all have a short period of time on this earth," he told the Sculleys as they sat around the table that morning. "We probably only have the opportunity to do a few things really great and do them well. None of us has any idea how long we're going to be here, nor do I, but my feeling is I've got to accomplish a lot of these things while I'm young.
Walter Isaacson
A Dauntless soldier with an arm in a sling approaches us, gun held ready, barrel fixed on Tobias. “Identify yourselves,” she says. She is young, but not young enough to know Tobias. The others gather behind her. Some of them eye us with suspicion, the rest with curiosity, but far stranger than both is the light I see in some of their eyes. Recognition. They might know Tobias, but how could they possibly recognize me? “Four,” he says. He nods toward me. “And this is Tris. Both Dauntless.” The Dauntless soldier’s eyes widen, but she does not lower her gun. “Some help here?” she asks. Some of the Dauntless step forward, but they do it cautiously, like we’re dangerous. “Is there a problem?” Tobias says. “Are you armed?” “Of course I’m armed. I’m Dauntless, aren’t I?” “Stand with your hands behind your head.” She says it wildly, like she expects us to refuse. I glance at Tobias. Why is everyone acting like we’re about to attack them? “We walked through the front door,” I say slowly. “You think we would have done that if we were here to hurt you?” Tobias doesn’t look back at me. He just touches his fingertips to the back of his head. After a moment, I do the same. Dauntless soldiers crowd around us. One of them pats down Tobias’s legs while the other takes the gun tucked under his waistband. Another one, a round-faced boy with pink cheeks, looks at me apologetically. “I have a knife in my back pocket,” I say. “Put your hands on me, and I will make you regret it.” He mumbles some kind of apology. His fingers pinch the knife handle, careful not to touch me. “What’s going on?” asks Tobias. The first soldier exchanges looks with some of the others. “I’m sorry,” she says. “But we were instructed to arrest you upon your arrival.
Veronica Roth (Insurgent (Divergent, #2))
Will seeing me be a problem?” While there’s this overwhelming voice screaming yes in the back of my mind, there’s a smile twisting on my face and I bring my hands together in front of me, feeling suddenly shy. Did he just say...? “So we’re seeing each other?” Isaiah touches an earring. “Yeah. I guess we are.” My head bobs back and forth because I so need more. “Like more than friends?” “We can be friends if you want. But...” “But what?” My stomach begins to plummet. Did I misread all of this? His gray eyes bore into mine with an intensity I’ve never seen from anyone before. “But I want more.” “More?” I whisper. “I want to kiss you again.
Katie McGarry (Crash into You (Pushing the Limits, #3))
We were stereotyped the way many athletes with disabilities or illnesses are, particularly in participatory sports such as biking, running, and triathlon. After a while I could pretty much fill in the thought balloons over these people's heads. "Oh, look at these heroic young people, courageously struggling to get themselves across the finish line, in order to raise money for thier cause. How inspiring!" Don't get me wrong; while we appreciate the good wishes and realized that they were usually genuine, something in that attitude rankled me, and still does. We're athletes, dammit, and we want to be accorded the same respect as other competitors. That's how you treat somebody with illness or disability, in my opinion. Not as a special-needs person, but as a person.
Phil Southerland (Not Dead Yet: My Race Against Disease: From Diagnosis to Dominance)
We are not doing it for Jagen. We are doing it for our kind.” “We?” Rayna snaps. “What Gift do you have, Grom? Oh, that’s right. You and Nalia get to stay safely behind while me and Galen and Emma drown an entire island.” Oh, heck no. “Um, I’m not killing anyone,” I say, raising my hand. “Not humans, not Syrena.” “It’s a good thing your Gift isn’t deadly then, isn’t it?” Rayna sneers. “I have an idea. You can give the humans their last meal. That would be special, wouldn’t it?” “How would you like to go without eating for a while?” I shoot back. I could use my Gift to send the fish away from her, or I could just bust all her teeth out. Maturity seems to be evaporating into the air. I wonder if her Gift includes pushing all my buttons in rapid-point-five seconds. But then, I know her animosity is really toward Grom, not me. All I’m doing is feeding her anxiety. Galen tucks a tendril of my hair behind my ear. It’s enough to distract me and he knows it. I give him a sour look for interfering, but he grins. “You don’t have to kill anyone, angelfish. In fact, we need your help to save them.” He seems to be telling me something with his eyes, but I’m not picking up on it. I’d love to blame it on the pain meds. “Doesn’t that kind of miss the point?” Rayna says. “Of course not,” Galen says. “Our objective is to rescue our kind, not kill the humans. We can do that without destroying them.” Everyone is all ears, but Galen is not ready to divulge his plan just yet. He stands. “Highness, tell the Archives we will meet with them to discuss our terms.” “Terms?” Grom says. “This isn’t negotiable, Galen. They need us. It’s our duty as Royals.” Galen shrugs. “As far as I’m concerned, it’s entirely negotiable. And we’re not Royals anymore, not until I hear it from their lips.” He turns to Antonis. “And tell them that in view of recent events, the council must come here, on land. There is no reason for us to doubt that this is a trap to recapture us.” Antonis chuckles. I get the feeling that this is all an amusing game to him. But then, old people have earned the right to be amused by everything. And I’m pretty sure he’s the oldest person I know. “Young Prince Galen, I am at your service.” With that, my grandfather leaves. I turn away as he begins to finagle the shorts from his skinny waist on his way down the beach.
Anna Banks (Of Triton (The Syrena Legacy, #2))
As soon as I got an editor title I was met with raised eyebrows from peers and people older than me. I don’t think that men face this challenge; what I’ve observed is that men in my industry who get ahead early are called trailblazers, while women who get ahead early are simply not taken seriously. The messaging is confusing: we’re repeatedly told we should want to look young. Our culture is, in fact, obsessed with it; the global antiaging industry was valued at 250 billion dollars in 2016 and has grown year over year ever since. But if we do look young, and furthermore if we are young, we’re treated like we don’t know anything. For a culture that is so preoccupied with maintaining female youth, we certainly have quite a few parameters around what kind of power that youth is allowed to access.
Gabrielle Korn (Everybody (Else) Is Perfect: How I Survived Hypocrisy, Beauty, Clicks, and Likes)
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.” “Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.” “It’s French,” retorted Runny-Nose, before Chloe could speak. “Then she smells like a French whore.” “Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.” “I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.” I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.” “How dare you threaten me, you little tart!” “I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.” Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“ “I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.” “What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?” Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed. “You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.” “I’m the one he wants,” I said evenly. “No one’s pretending that.” I didn’t have to say who. She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes. “That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.” “As if you could,” she scoffed, but there was apprehension behind those tears. “Try me.” I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug. “Cheerio,” I said to them all, and turned around and left.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
We're going to be married and hardly touch each other and have to work and work and never have any fun and we're just going to be okay with it because that's how life is and that's how relationships go, but I don't want that. I want our marriage to be... fun. I love joking around while we fool around. I want to hold hands everywhere we go. I want to make out in the back of a movie theater, steal kisses in coffee shops, have sex over every inch of our apartment or house or wherever we live. And I'm scared marriage will change the fun part of our relationship. The part that keeps us young, keeps us in love, and I'm terrified you'll wake up when you're fifty and realize you're stuck with the decision you made when you were twenty-seven, and we haven't touched in months, we don't go out. I just want to know when that happens... that you'll still... you'll still love me.
Cassie Mae (Doing It for Love (All About Love, #1))
We come from the city of Ember,” the boy said. “We left there because our city was dying. We need help.” Mary, Ben, and Wilmer exchanged glances. Mary frowned. “The city of Ember? Where’s that? We’ve never heard of it.” The boy gestured back the way they had come, to the east. “That way,” he said. “It’s under the ground.” The frowns deepened. “Tell us the truth,” said Ben, “not childish nonsense.” This time the girl spoke up. She had long, snarled hair with bits of grass caught in it. “It isn’t a lie,” she said. “Really. Our city was underground. We didn’t know it until we came out.” Ben snorted impatiently, folding his arms across his chest. “Who is in charge here?” He looked at the bald man. “Is it you?” The bald man shook his head and gestured toward the boy and the girl. “They’re as in charge as anyone,” he said. “The mayor of our city is no longer with us. These young people are speaking the truth. We have come out of a city built underground.” The people around him all nodded and murmured, “Yes” and “It’s true.” “My name is Doon Harrow,” said the boy. “And this is Lina Mayfleet. We found the way out of Ember.” He thinks he’s pretty great, thought Torren, hearing a note of pride in the boy’s voice. He didn’t look so great. His hair was shaggy, and he was wearing an old jacket that was coming apart at the seams and grimy at the cuffs. But his eyes shone out confidently from under his dark eyebrows. “We’re hungry,” the boy said. “And thirsty. Will you help us?” Mary, Ben, and Wilmer stood silent for a moment. Then Mary took Ben and Wilmer by the arms and led them aside a few steps. They whispered to each other, glanced up at the great swarm of strangers, frowned, whispered some more. While he waited to hear what they’d say, Torren studied the people who said they came from underground.
Jeanne DuPrau (The People of Sparks)
I’ve been drifting around at sea, have spent days searching for an effective antidote to that terrible word “easy.” How can I make it clear to him that, while it may seem easy and wonderful, it will drag him down to the depths, to a place where he’ll no longer find friends, support or beauty, so far down that he may never rise to the surface again? We’re all alive, but we don’t know why or what for; we’re all searching for happiness; we’re all leading lives that are different and yet the same. We three have been raised in good families, we have the opportunity to get an education and make something of ourselves. We have many reasons to hope for great happiness, but … we have to earn it. And that’s something you can’t achieve by taking the easy way out. Earning happiness means doing good and working, not speculating and being lazy. Laziness may look inviting, but only work gives you true satisfaction.
Anne Frank (Anne Frank: The Diary of a Young Girl - Multiple Critical Perspectives)
Paris is elegant and old. Being there made me feel elegant and young. It helped me forgive America for our arrogance and fury. In Paris, surrounded by ruins of ancient baths, guillotines, and churches more than a thousand years old, humanity’s mistakes and beauty are unfurled like a mural. In America, we are so new. We still fancy ourselves conquerors and renegades. We’re all still trying to be the “firsts” to do this or that. Can you imagine? We are all competing for our parents’ attention, and we have no parents. It makes us a little jumpy. Paris is not jumpy. Paris is calm and certain. It’s not going to startle easily, and it already knows the words to all the songs. Everywhere I looked in Paris, I found proof that leaders come and go, buildings are built and fall, revolutions begin and end; nothing—no matter how grand—lasts. Paris says: We are here for such a short time. We might as well sit down for a long while with some good coffee, company, and bread. Here, there is more time to be human, maybe because there has been more time to learn how.
Glennon Doyle (Untamed)
But now, in a new century and a different time, that great middle class is on the ropes. All across the country, people are worried—worried and angry. They are angry because they bust their tails and their income barely budges. Angry because their budget is stretched to the breaking point by housing and health care. Angry because the cost of sending their kid to day care or college is out of sight. People are angry because trade deals seem to be building jobs and opportunities for workers in other parts of the world, while leaving abandoned factories here at home. Angry because young people are getting destroyed by student loans, working people are deep in debt, and seniors can’t make their Social Security checks cover their basic living expenses. Angry because we can’t even count on the fundamentals—roads, bridges, safe water, reliable power—from our government. Angry because we’re afraid that our children’s chances for a better life won’t be as good as our own. People are angry, and they are right to be angry. Because this hard-won, ruggedly built, infinitely precious democracy of ours has been hijacked. Today
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
Take the oft-repeated injunction to get “its” and “it’s” straight. Everyone claims it’s remarkably easy to remember that “its” is possessive and “it’s” is a contraction. But logic tells us that in English, ’s attached to a noun signals possession: the dog’s dish, the cat’s toy, the lexicographer’s cry. So if English is logical, and there are simple rules to follow, why doesn’t “it’s” signal possession? We know that ’s also signals a contraction, but we don’t have any problems with differentiating between “the dog’s dish” and “the dog’s sleeping”—why should we suddenly have problems with “it’s dish” and “it’s sleeping”? This type of grammar often completely ignores hundreds (and, in some cases, well over a thousand) years of established use in English. For “it’s,” the rule is certainly easy to memorize, but it also ignores the history of “its” and “it’s.” At one point in time, “it” was its own possessive pronoun: the 1611 King James Bible reads, “That which groweth of it owne accord…thou shalt not reape”; Shakespeare wrote in King Lear, “It had it head bit off by it young.” They weren’t the first: the possessive “it” goes back to the fifteenth century. But around the time that Shakespeare was shuffling off this mortal coil, the possessive “it” began appearing as “it’s.” We’re not sure why the change happened, but some commentators guess that it was because “it” didn’t appear to be its own possessive pronoun, like “his” and “her,” but rather a bare pronoun in need of that possessive marker given to nouns: ’s. Sometimes this possessive appeared without punctuation as “its.” But the possessive “it’s” grew in popularity through the seventeenth and eighteenth centuries until it was the dominant form of the word. It even survived into the nineteenth century: you’ll find it in the letters of Thomas Jefferson and Jane Austen and the speechwriting notes of Abraham Lincoln. This would be relatively simple were it not for the fact that “it’s” was also occasionally used as a contraction for “it is” or “it has” (“and it’s come to pass,” Shakespeare wrote in Henry VIII, 1.2.63). Some grammarians noticed and complained—not that the possessive “it’s” and the contractive “it’s” were confusing, but that the contractive “it’s” was a misuse and mistake for the contraction “ ’tis,” which was the more standard contraction of “it is.” This was a war that the pedants lost: “ ’tis” waned while “it’s” waxed.
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
I'm anxious for you to meet my new boarder," Miriam said as they headed down the street. "He's such a handsome, well-mannered young man. I think you would like each other." Willow stopped short. "Wait a minute . You aren't thinking of doing some matchmaking, are you? Criminey, all I need is another man to take care of. Listen, if I wanted a beau that bad, I could hook one easy all on my own." "Oh? Then why haven't you?" "I just told you why. I don't need another man to do for. All a miner wants is a hard-working woman to slave for 'im while he chases dreams of gold and silver. Gamblers ain't much different, 'cept they're smoother talkers. They want a pretty mistress, one who don't mind working on her backside when her man's down on his luck." After a whole afternoon in Willow's company, Miriam was becoming shockproof. She merely raised a disapproving brow at this last statement. "I see your point, Willow, but has a real gentleman ever asked to court you?" "I suppose that depends on your definition of a gentleman." "Humph! I thought as much." Miriam sashayed on down the boardwalk. "You never did anwer my question," Willow reminded her, hurrying to catch up. "Are you matchmaking?" "Oh,look, we're here at the ice-cream parlor already. What flavor are you going to have?
Charlotte McPherren (Song of the Willow)
was my first indication that the policies of Mamaw’s “party of the working man”—the Democrats—weren’t all they were cracked up to be. Political scientists have spent millions of words trying to explain how Appalachia and the South went from staunchly Democratic to staunchly Republican in less than a generation. Some blame race relations and the Democratic Party’s embrace of the civil rights movement. Others cite religious faith and the hold that social conservatism has on evangelicals in that region. A big part of the explanation lies in the fact that many in the white working class saw precisely what I did, working at Dillman’s. As far back as the 1970s, the white working class began to turn to Richard Nixon because of a perception that, as one man put it, government was “payin’ people who are on welfare today doin’ nothin’! They’re laughin’ at our society! And we’re all hardworkin’ people and we’re gettin’ laughed at for workin’ every day!”20 At around that time, our neighbor—one of Mamaw and Papaw’s oldest friends—registered the house next to ours for Section 8. Section 8 is a government program that offers low-income residents a voucher to rent housing. Mamaw’s friend had little luck renting his property, but when he qualified his house for the Section 8 voucher, he virtually assured that would change. Mamaw saw it as a betrayal, ensuring that “bad” people would move into the neighborhood and drive down property values. Despite our efforts to draw bright lines between the working and nonworking poor, Mamaw and I recognized that we shared a lot in common with those whom we thought gave our people a bad name. Those Section 8 recipients looked a lot like us. The matriarch of the first family to move in next door was born in Kentucky but moved north at a young age as her parents sought a better life. She’d gotten involved with a couple of men, each of whom had left her with a child but no support. She was nice, and so were her kids. But the drugs and the late-night fighting revealed troubles that too many hillbilly transplants knew too well. Confronted with such a realization of her own family’s struggle, Mamaw grew frustrated and angry. From that anger sprang Bonnie Vance the social policy expert: “She’s a lazy whore, but she wouldn’t be if she was forced to get a job”; “I hate those fuckers for giving these people the money to move into our neighborhood.” She’d rant against the people we’d see in the grocery store: “I can’t understand why people who’ve worked all their lives scrape by while these deadbeats buy liquor and cell phone coverage with our tax money.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
Elizabeth, we’re going to have to stop.” Elizabeth’s swirling senses began to return to reality, slowly at first, and then with a sickening plummet. Passion gave way to fear and then to anguished shame as she realized she was lying in a man’s arms, her shirt unfastened, her flesh exposed to his gaze and touch. Closing her eyes, she fought back the sting of tears and shoved his hand away, lurching into an upright position. “Let me rise, please,” she whispered, her voice strangled with self-revulsion. Her skin flinched as he began to fasten her shirt, but in order to do it he had to release his hold on her, and the moment he did, she scrambled to her feet. Turning her back to him, she fastened her shirt with shaking hands and snatched her jacket from the peg beside the fire. He moved so silently that she had no idea he’d stood until his hands settled on her stiff shoulders. “Don’t be frightened of what is between us. I’ll be able to provide for you-“ All of Elizabeth’s confusion and anguish exploded in a burst of tempestuous, sobbing fury that was directed at herself, but which she hurtled at him. Tearing free of his grasp, she whirled around. “Provide for me,” she cried. “Provide what? A-a hovel in Scotland where I’ll stay while you dress the part of an English gentleman so you can gamble away everything-“ “If things go on as I expect,” he interrupted her in a voice of taut calm, “I’ll be one of the richest men in England within a year-two at the most. If they don’t, you’ll still be well provided for.” Elizabeth snatched her bonnet and backed away from him in a fear that was partly of him and partly of her own weakness. “This is madness. Utter madness.” Turning, she headed for the door. “I know,” he said gently. She reached for the door handle and jerked the door open. Behind her, his voice stopped her in midstep. “If you change your mind after we leave in the morning, you can reach me at Hammund’s town house in Upper Brook Street until Wednesday. After that I’d intended to leave for India. I’ll be gone until winter.” “I-I hope you have a safe voyage,” she said, too overwrought to wonder about the sharp tug of loss she felt at the realization he was leaving. “If you change your mind in time,” he teased, “I’ll take you with me.” Elizabeth fled in sheer terror from the gentle confidence she’d heard in his smiling voice. As she galloped through the thick fog and wet underbrush she was no longer the sensible, confident young lady she’d been before; instead she was a terrified, bewildered girl with a mountain of responsibilities and an upbringing that convinced her the wild attraction she felt for Ian Thornton was sordid and unforgivable.
Judith McNaught (Almost Heaven (Sequels, #3))
It was also then that the women of Ak&‌ccedil;ah started a new custom. Underneath their garments they wrapped cloth bands around their waists to squeeze them tight. They were so awed by Zekiye's thin waist that, for a while, they ignored Atiye when she reminded them that this waist-thinning method wouldn't work unless they had started very young. But the women kept their waistbands on until the sheep-mating season to see what would happeend. Then they all began to wheeze. They found that in their zeal for having thin waists they had afflicted themselves with shortness of breath, coughing, flushes and sweating. A few had sores on their hands, faces and other parts of their bodies. Three women had problems with their eyes and speech. And when their waists started to swell up like logs, they all took off the cloth bands. "We're well past the age of waist-thinning," they said. All the same, they considered it their duty as mothers to raise their daughters to be as slender as Zekiye. They took lessons in the art of waist-thinning from Atiye and soon discovered that plastic bags were more effective than cloth bands. Thereafter, whenever they had girl babies, they would wash them with three bowls of water as soon as the umbilical cord was cut and then wrap plastic bags around their waists, blowing prayers on them all the while.
Latife Tekin (Sevgili Arsız Ölüm)
Evolution is largely a temporal phenomenon, Merrill. The environment changes, and populations in that environment change in turn, or they languish. Individual organisms don't evolve; populations do. Nature doesn't give a damn about individuals. The only role we play in evolution is surviving long enough to give birth to offspring who are slightly different from us. Some of our offspring will prosper in a changing environment, and some of them will not. As for us individuals, once we've reproduced, nature has no more use for us. We perish along with our ill-adapted young. Death has always been an essential factor in species survival. Now consider the human race. We are a partial exception to the rule. Unlike other species, we have developed culture. Instead of adapting to a changing environment biologically, we can sometimes adapt to it culturally. If an Ice Age comes along, we don't need to grow fur on our bodies if we invent the fur coat. Culture allows us to adapt to almost any environment, including the harshest, like space. In fact, our cultural adaptation is so robust that it all but obviates the need to evolve biologically. We are so good at adapting to changing conditions with our knowledge and technology that we may deceive ourselves into believing that we are above nature. But only a fools believes that. Nature always has the last word. A star in our neighborhood could go supernova and wipe out all life in our solar system, and no amount of culture could save us from that. That, I believe, is the main reason you want to seed humanity throughout the galaxy. So as not to have all our eggs in one basket... The chief difference between biological and cultural adaptation is that while biological evolution doesn't care about individuals, cultural evolution does, often at the expense of the species. Look at how many times we've nearly wiped ourselves out through cultural means: the nuclear bomb, pollution, climate change, the Outrage. We can't seem to help ourselves. Look at what we've done: we've made individuals all but immortal, even when it means we can have no more children. In one stroke, we've eliminated the two key ingredients of evolution: offspring and death. From a biological perspective, we're skating on mighty thin ice. ... ...as long as the individual reigns supreme, there's a finite limit to our survival. ... We need a means for the individual, not just the species, to participate in biological evolution, and that's what my project is all about. We need to be able to let our biological bodies die, to have offspring that are molded by the changing needs of the environments we find ourselves in, and yet to serially inhabit these bodies as the same individual. That means we need to be able to move our minds from one body to the next. ... Mine is a singularity in which the obsolete individual is invited to cross over to the new, not simply to die out. The existing person need not die to make room for the newcomer. Anyone can play.
David Marusek (Mind Over Ship)
The Suburbs In the suburbs I I learned to drive And you told me we'd never survive Grab your mother's keys we're leavin' You always seemed so sure That one day we'd fight in In a suburban world your part of town gets minor So you're standin' on the opposite shore But by the time the first bombs fell We were already bored We were already, already bored Sometimes I can't believe it I'm movin' past the feeling Sometimes I can't believe it I'm movin' past the feeling again Kids wanna be so hard But in my dreams we're still screamin' and runnin' through the yard And all of the walls that they built in the seventies finally fall And all of the houses they build in the seventies finally fall Meant nothin' at all Meant nothin' at all It meant nothin Sometimes I can't believe it I'm movin' past the feeling Sometimes I can't believe it I'm movin' past the feeling and into the night So can you understand? Why I want a daughter while I'm still young I wanna hold her hand And show her some beauty Before this damage is done But if it's too much to ask, it's too much to ask Then send me a son Under the overpass In the parking lot we're still waiting It's already passed So move your feet from hot pavement and into the grass Cause it's already passed It's already, already passed! Sometimes I can't believe it I'm movin' past the feeling Sometimes I can't believe it I'm movin' past the feeling again I'm movin' past the feeling I'm movin' past the feeling In my dreams we're still screamin' We're still screamin' We're still screamin
Arcade Fire
Obama’s father had studied in a missionary school and was working as a clerk in Nairobi. He was encouraged to come to America for further study by two missionary women, Helen Roberts and Elizabeth Mooney, who were living at the time in Kenya. In Obama’s Selma narrative, this was made possible by the Kennedy family. “What happened in Selma, Alabama, and Birmingham also, stirred the conscience of the nation. It worried folks in the White House,” he said. “The Kennedys decided we’re going to do an airlift. We’re going to go to Africa and start bringing young Africans over to this country and give them scholarships to study so they can learn what a wonderful country America is. This young man named Barack Obama got one of those tickets and came over to this country.” Soon after that Obama got married and “Barack Obama Jr. was born.... So I’m here because somebody marched. I’m here because you all sacrificed for me.” Except that the Kennedys had nothing to do with Obama’s father coming to America. As Obama’s staff eventually acknowledged, Obama Sr. arrived here in 1959. John F. Kennedy was elected president the following year.1 The two American teachers who had encouraged Obama Sr. to make the trip paid his travel costs and the bulk of his expenses. There was an airlift, organized by the Kenyan labor leader Tom Mboya with financial support from a number of American philanthropists. It brought several dozen African students to America to study, but Barack Obama Sr. did not come on that plane. Rather, he came on his own and enrolled at the University of Hawaii at Manoa.2 Moreover, the march in Selma occurred in March 1965, while Obama Jr. was born in August 1961; Selma had nothing to do with the circumstances of Obama’s birth.
Dinesh D'Souza (The Roots of Obama's Rage)
As I listened to him describing the scene of the procurer seducing the young girl, I found myself torn between two conflicting emotions, between a powerful desire to laugh and an overwhelming surge of indignation. I was in agony. Again and again a roar of laughter prevented my rage bursting forth; again and again the rage rising in my heart became a roar of laughter. I was dumbfounded by such shrewdness and such depravity; by such soundness of ideas alternating with such falseness; by so general a perversity of feeling, so total a corruption, and so exceptional a candour. He saw how agitated I was. 'What's the matter?' he asked. ME: Nothing. HIM: I think you're upset. ME: Indeed I am. HIM: So what do you think I should do? ME: Talk about something else. What a wretched fate, to have been born and to have fallen so low! HIM: I agree. But don't let my state affect you too much. In opening my heart to you, it was not my intention to upset you. I've managed to save a little, while I was with those people. Remember I wanted for nothing, nothing whatsoever, and they also made me a small allowance for incidentals. [Here he began to strike himself on the forehead with his fist, bite his lips, and roll his eyes like a lunatic, then he said:] What's done is done. I've put a bit aside. Time's passed, so I'm that much to the good. ME: You mean to the bad. HIM: No, to the good. Live one day less, or have an ecu more, it's all the same. The important thing is to open your bowels easily, freely, enjoyably, copiously, every evening; 'o stercus pretiosum!' That's the grand outcome of life in every condition. At the final moment, we're all equally rich - Samuel Bernard who by dint of theft, pillage, and bankruptcy leaves twenty-seven millions in gold, and Rameau who'll leave nothing, Rameau for whom charity will provide the winding-sheet to wrap him in.
Denis Diderot
You might consider a full shave," he suggested. "You certainly have the chin for it." Keir shook his head. "I must keep the beard." Looking sympathetic, the barber asked, "Pockmarks? Scars?" "No' exactly." Since the man seemed to explain an explanation, Keir continued uncomfortably, "It's... well... my friends and I, we're a rough lot, you ken. 'Tis our way to chaff and trade insults. Whenever I shave off the beard, they start mocking and jeering. Blowing kisses, calling me a fancy lad, and all that. They never tire of it. And the village lasses start flirting and mooning about my distillery, and interfering with work. 'Tis a vexation." The barber stared at him in bemusement. "So the flaw you're trying to hide is... you're too handsome?" A balding middle-aged man seated in the waiting area reacted with a derisive snort. "Balderdash," he exclaimed. "Enjoy it while you can, is my advice. A handsome shoe will someday be an ugly slipper." "What did he say, nephew?" asked the elderly man beside him, lifting a metal horn to his ear. The middle-aged man spoke into the horn. "Young fellow says he's too handsome." "Too handsome?" the old codger repeated, adjusting his spectacles and squinting at Keir. "Who does the cheeky bugger think he is, the Duke of Kingston?" Amused, the barber proceeded to explain the reference to Keir. "His Grace the Duke of Kingston is generally considered one of the finest-looking men who's ever lived." "I know-" Keir began. "He caused many a scandal in his day," the barber continued. "They still make jokes about it in Punch. Cartoons with fainting women, and so forth." "Handsome as Othello, they say," said a man who was sweeping up hair clippings. "Apollo," the barber corrected dryly. He used a dry brush to whisk away the hair from Keir's neck. "I suspect by now Kingston's probably lost most of those famed golden locks." Keir was tempted to contradict him, since he'd met the duke earlier that very day and seen for himself the man still had a full head of hair. However, he thought better of it and held his tongue.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
It is a well known fact that warriors and wizards do not get along, because one side considers the other side to be a collection of bloodthirsty idiots who can't walk and think at the same time, while the other side is naturally suspicious of a body of men who mumble a lot and wear long dresses. Oh, say the wizards, if we're going to be like that, then, what about all those studded collars and oiled muscles down at the Young Men's Pagan Association? To which the heroes reply, that's a pretty good allegation coming from a bunch of wimpsoes who won't go near a woman on account, can you believe it, of their mystical power being sort of drained out. Right, say the wizards, that just about does it, you and your leather posing pouches. Oh yeah, say the heroes, why don't you... And so on. This sort of thing has been going on for centuries, and caused a number of major battles which have left large tracts of land uninhabitable because of magical harmonics. In fact, the hero even at this moment galloping towards the Vortex Plains didn't get involved in this kind of argument, because they didn't take it seriously, mainly because this particular hero was a heroine. A redheaded one. Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, thigh-boots and naked blades. Words like "full", "round" and even "pert" creep into the narrative, until the writer has to go and have a cold shower and lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialised buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
Islamophobia” as a weapon of jihad The charge of “Islamophobia” is routinely used to shift attention away from jihad terrorists. After a rise in jihadist militancy and the arrest of eight people in Switzerland on suspicion of aiding suicide bombers in Saudi Arabia, some Muslims in Switzerland were in no mood to clean house: “As far as we’re concerned,” said Nadia Karmous, leader of a Muslim women’s group in Switzerland, “there is no rise in Islamism, but rather an increase in Islamophobia.”5 This pattern has recurred in recent years all over the world as “Islamophobia” has passed into the larger lexicon and become a self-perpetuating industry. In Western countries, “Islamophobia” has taken a place beside “racism,” “sexism,” and “homophobia.” The absurdity of all this was well illustrated by a recent incident in Britain: While a crew was filming the harassment of a Muslim for a movie about “Islamophobia,” two passing Brits, who didn’t realize the cameras were rolling, stopped to defend the person being assaulted. Yet neither the filmmakers nor the reporters covering these events seemed to realize that this was evidence that the British were not as violent and xenophobic as the film they were creating suggested.6 Historian Victor Davis Hanson has ably explained the dangerous shift of focus that “Islamophobia” entails: There really isn’t a phenomenon like “Islamophobia”—at least no more than there was a “Germanophobia” in hating Hitler or “Russophobia” in detesting Stalinism. Any unfairness or rudeness that accrues from the “security profiling” of Middle Eastern young males is dwarfed by efforts of Islamic fascists themselves—here in the U.S., in the UK, the Netherlands, France, Turkey, and Israel—to murder Westerners and blow up civilians. The real danger to thousands of innocents is not an occasional evangelical zealot or uncouth politician spouting off about Islam, but the deliberately orchestrated and very sick anti-Semitism and anti-Americanism that floods the airways worldwide, emanating from Iran, Lebanon, and Syria, to be sure, but also from our erstwhile “allies” in Egypt, Saudi Arabia, and Qatar.7
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
The thing about being barren is that you're not allowed to get away from it. Not when you're in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
Paula Hawkins (The Girl on the Train)
The young lady then placed her hands on Kode’s shoulder, letting her cheek rest on top of the pile. The smile on her face was more than a victory smile. It was a happy sign of contentment. Eena wondered. “When do you suppose those two will get married?” She whispered the question to Kira who still had a firm grip on her arm. “Kode get married?” The incredulity on Kira’s face matched her brother’s strong outburst. “Who the hell says I’m gettin’ hitched?” Niki pushed herself away from her boyfriend’s shoulder; her upper lip curled into a resentful scowl at the negative way he had voiced his query. Eena had never meant for them to overhear. She stumbled over a justification for the question. “It’s just that you’ve been together for a while, you know, like a couple. Close. I mean, you’re always together so…I just figured…” she let the notion trail off. Kode looked queasy. “We’re always together ‘cause she bloody follows me around everywhere I go like I’m some freakin’ tour guide!” “Fine!” Niki exclaimed, holding her palms like a defensive wall in front of her. “I’ll leave if that’s what you want. I don’t need you! There’s plenty of other guys who’d love to get their lips on me!” With that outburst, the pretty Mishmorat twirled her body around, setting off on foot with both fists seared into her hips. Kode let her take about four steps before he darted over and dragged her back. She didn’t put up much of a fight, but her beautiful burgundy eyes refused to look at him. “Ungrateful woman,” he murmured. “No one asked you to leave.” Niki continued to glare up at the cloudy sky. Kode sighed a long, perturbed sound. His next words were mumbled like they were torturous to have to speak out loud. “Come on, Niki, you know I don’t want you to go. Who the hell’s gonna keep me in line if you’re gone?” That made the pretty Mishmorat smile. She breathed in deeply and then dropped her gaze onto her man. His face was a goofy grimace, hers a smug grin of satisfaction. Kode threw an arm roughly around his girlfriend and pulled her close to him. He then turned to Eena, shrugging one shoulder. “She’ll probably break down and marry me this summer,” he said. “That’s what I’m thinkin’ anyway.” Niki’s head went back to rest on Kode’s shoulder, right where it had started.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
Korie’s parents came to the house to see me, and I sat on the couch with Johnny and Chrys. It was not pretty. The argument was so loud that Alan came out of his room. He looked at us and asked, “What in the world is going on?” Johnny was making all of his arguments, and I was acting like a little punk, twisting his words to put them in my favor, which only made him madder and madder. Johnny told me that according to studies he’d read, 50 percent of all marriages between young people ended in divorce. He had the articles with him to support his arguments. “So you’re calling that right now?” I asked him. “In all your wisdom, you know we’re going to get divorced?” “I’m not saying that,” Johnny told me. “You just said it,” I responded. “You just said half end in divorce. Well, what if we’re the good half?” Then Johnny went on to say that if we got married, he didn’t want me coming to him for advice. But then later on in the conversation, he told me I could ask him about anything. He was completely irrational, and I, of course, had to point that out to him. “You just said I couldn’t ask you for advice,” I told him. He was so mad, I thought he was going to leap off the couch and hit me. Before they left, Johnny looked at me and asked me one last question. “What’s your plan?” he asked. “What’s my plan?” I said to him. “What exactly is your plan?” he said. “Where are you going to work? Where are you going to live?” “Well, I reckon I’ll just buy a trailer and put it on the back property at Phil’s house,” I told him. That threw Johnny over the top. He and Chrys stormed out of Alan and Lisa’s house, and I was convinced there was no way they were going to give us their blessing to get married. I called Korie to tell her how the meeting went. “It went terrible,” I told her. “We were yelling at each other. It was pretty ugly.” Then Korie had to hang up because her parents were calling her phone. She called me back a few minutes later. Much to my surprise, her parents told her, “Okay, if you’re determined to do this, we’re going to support you.” Johnny didn’t say much to me for the next few months, during the planning of the wedding, and I knew Korie’s parents still didn’t like the idea of her getting married so young. I told Phil that Korie’s parents didn’t want us getting married and asked him what I should do. “Here’s what I’d do,” Phil said, while sitting back in his recliner. “I’d call them up and say, “Y’all missed that. The wedding was last week when we went to the justice of the peace and got married. Y’all missed the whole thing.
Willie Robertson (The Duck Commander Family)
You break her heart, and you’ll have to deal with me and her three brothers, and if you survive that, Her Grace will ensure your social ruin unto the nineteenth generation. I remind you, all of my boys are crack shots and more than competent with a sword.” “It is not my intention to break her heart.” “Oh, it’s never our intention.” His Grace’s brows drew down in thought, and he was once again the affable paterfamilias. “Maggie is different. I hope that’s from being the oldest daughter, but her unfortunate origins are too obvious a factor to be dismissed. She’s in want of… dreams, I think. My other girls have dreams. Sophie dreamed of her own family, Jenny loves to paint, Louisa has her literary scribbling, and Evie must racket about the property as her brothers used to, but Maggie has never been a dreamer. Not about her first pony nor her first waltz nor her first… beau.” Nor her first lover. The words hung unspoken in the air while the fire crackled and hissed and a log fell amid a shower of sparks. It wasn’t what Ben would have expected any papa to say of his daughter, but then, marrying into a family meant details like this would be shared—Esther Windham misplaced her everyday jewels, and Percy thought his daughters should be entitled to dream. In a different way, it felt as if Ben were still lurking in doorways and climbing through windows, but this window was called marriage, and Maggie was trying to lock it shut with Ben on the outside. “I’m not sure Maggie wants to marry me.” It was as close as he’d come to touching on the circumstances of the betrothal. His Grace regarded him for a long moment. “I’m her papa, but I was a young man once, Hazelton. Maggie is only a bit younger than Devlin and a few months older than Bart would have been. When I married, I had no idea either of my two oldest progeny existed. I’d no sooner started filling my nursery when—before my heir was out of dresses—both women came forward, hurling accusations and threats. If my marriage can survive that onslaught, surely you can overcome a little stubbornness in my daughter?” It was, again, an insight into the Windham family Ben gained only because he was engaged to marry Maggie. Such confidences prompted a rare inclination toward direct speech. “I think Maggie’s dream is to be left alone. If she jilts me, she’ll have one more excuse to retire from life, to hide and tell herself she’s content.” “Content.” His Grace spat the word. “Bother content. Content is milk toast and pap when life is supposed to be a banquet. Make Maggie’s dreams come true, young Hazelton, and show her contentment is shoddy goods compared to happiness.” “You make it sound simple.” “We’re speaking of women and that particular subspecies of the genre referred to as wives. It is simple—devote yourself to her happiness, and you will be rewarded tenfold. I do not, however, say the undertaking will ever be easy.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
This evening : Fischl and Mayreder debated on Secession, Fischl pro and Mayreder contra - primarily against Olbrich. It's all very well to dismiss him, to criticize - but just try doing better yourself dear Mayreder ! It was the fourth time that M. had called on us in the last few days, and we're heartily glad to be rid of him. Nobody misses him, myself least of all. - I wonder if he's still fond of me? He's very taken with the Secessionist painters, being particularly 'enamoured' - as he puts it - of Bacher, Engelhart and Klimt. Of the latter he says he can well understand young ladies falling for him "in a big way". Oh yes, that was fun : while Kuehl, Klimt, Mayreder, Jettel etc. were here, Klimt gave me the idea of shaping my bread into a heart. I did so, then he formed a toothpick into an arrow and plunged it into the heart. He took red wine and made it flow from the would. It looked really good. He gave it to Mayreder as 'my wounded heart'. On reflection, I can see that it was a very brutal joke and I regret it, for at the time Mayreder gave me a look that went straight through me. Incidentally, Klimt knows that M. is fond of me. He noticed - and said as much as well. I didn't deny it.
Alma Mahler-Werfel (Diaries 1898-1902)
Young Turks Billy left his home with a dollar in his pocket and a head full of dreams. He said somehow, some way, it's gotta get better than this. Patti packed her bags, left a note for her momma, she was just seventeen, there were tears in her eyes when she kissed her little sister goodbye. They held each other tight as they drove on through the night they were so exited. We got just one shot of life, let's take it while we're still not afraid. Because life is so brief and time is a thief when you're undecided. And like a fistful of sand, it can slip right through your hands. Young hearts be free tonight. Time is on your side, Don't let them put you down, don't let 'em push you around, don't let 'em ever change your point of view. Paradise was closed so they headed for the coast in a blissful manner. They took a tworoom apartment that was jumping ev'ry night of the week. Happiness was found in each other's arms as expected, yeah Billy pierced his ears, drove a pickup like a lunatic, ooh! Young hearts be free tonight.Time is on your side, Don't let them put you down, don't let 'em push you around, don't let 'em ever change your point of view. Young hearts be free tonight.Time is on your side. Billy wrote a letter back home to Patti's parents tryin' to explain. He said we're both real sorry that it had to turn out this way. But there ain't no point in talking when there's nobody list'ning so we just ran away Patti gave birth to a ten pound baby boy, yeah! Young hearts be free tonight, time is on your side. Young hearts be free tonight, time is on your side. Young hearts be free tonight, time in on your side. Young hearts gotta run free, be free, live free Time is on, time is on your side Time, time, time, time is on your side is on your side is on your side is on your side Young heart be free tonight tonight, tonight, tonight, tonight, tonight, yeah
Rod Stewart
Jeffers stretched up on his toes to see the back of the mob, “But James, we’re doing all this for you... We need this gold to build a united Alba. We need it to fund an army and to forge decisive leadership.” His voice was almost plaintive. “We want to hand your generation a real empire rather than just a loose collection of competing Families. We want to give you the foundations to achieve glory! What could possibly be wrong with that?” “Rubbish!” cried Tristan, not about to let honey-coated nonsense dissolve the glue that bound his army. “Absolute codswallop!” he let his calm facade slip for the first time that day. “What you’re actually trying to do is to build a legacy that you don’t deserve! You want to swan around as an armchair General for the next twenty years while your precious army strives and dies for hollow victories that do nothing more than feed your ego! And do you know who strives and dies in this picture?” He waved one arm at the figures behind him. “We do! We here in this alley, along with other young men and women just like us!” Tristan watched Jeffers from the corner of his eye, as he shook his fist towards deGroot, “Well we’re not having it! If you want us to fight and die, then we’re going to fight now, and we’re going to fight you! So come on down deGroot and take a swing!
Aaron D'Este (Weapon of Choice)
So, come on, white men! Let’s just acknowledge that we’re all flawed, biased and sometimes irrational, and that we can do more to resist unconscious bias. That means trying not to hire people just because they look like us, avoiding telling a young girl she’s “beautiful” while her brother is “smart.” It means acknowledging systematic bias as a step toward correcting it.
Anonymous
Obvious choices for the east window: the two bloody bargains on which civilization claimed to be based. The bargain, Rivers though, looking at Abraham and Isaac. The one on which all patriarchal societies were founded. If you, who are young and strong, will obey me, who am old and weak, even to the extent of being prepared to sacrifice your life, then in the course of time you will peacefully inherit, and be able to exact the same obedience from your sons. Only we’re breaking the bargain, Rivers thought. All over northern France, at this very moment, in trenches and dugouts and flooded shell-holes, the inheritors were dying, not one by one, while old men, and women of all ages, gathered together and sang hymns.
Pat Barker
James has the SAW, the light machine gun. He's young, a big beefy kid all of twenty-three years old, grown up on a diet of Grand Theft Auto and internet porn. He's complained the entire time he's been here that there was “no complimentary pussy provided”. Definitely someone who's bought into their own self-projected stereotypes. All I got from Richard was that James found himself not so politely asked to resign from the airborne infantry at the age of 21, after three years in Iraq. I know the type; a gifted delinquent who's hooked on the real-life video game experience that war provides. It makes me a little nervous, but watching him strip, clean, and prep his SAW I can tell he doesn't fuck around when it comes to his wargear. As long as he doesn't try any Call of Duty bullshit while we're in the thick of it, I think he'll be fine.
Jack Badelaire (Killer Instincts)
Steve and I watched the dingo family play out its drama for a long time. Then we edged our way down to the dam and hopped in. The water was cold, but it felt good. “This is great,” I said, as we swam together. “I’ve been coming here since I was just a little tacker,” Steve said. Bob had brought his young son with him on his research trips, studying the snakes of the region. As I walked in and out of the water, washing up, shampooing my hair, and relishing the chance to clean off some of the desert dust, I noticed something hard underfoot. “Steve, I stepped on something here,” I said. He immediately started clearing the bottom of the pond, tugging on what I had felt beneath the murky water. “Tree limb,” I guessed. “Look around,” Steve said, yanking at the mired object. “No trees here at all.” He couldn’t budge whatever it was, but he didn’t give up. He went back to camp, drove to the dam in his Ute, and tied a chain to the obstacle. As he backed up the truck, the chain tightened. Slowly a cow’s pelvis emerged from the muck. I watched with horror as Steve dislodged an entire cow carcass that had been decomposing right where I had been enjoying my refreshing dip. I must have been poking among its rib cage while I brushed my teeth and washed my hair. Steve dragged the carcass a good distance off. “Do you think we should tell the crew?” he asked me when he came back. “Maybe what they don’t know won’t hurt them,” I said. Steve nodded. “They probably won’t brush their teeth in there, anyway.” “Probably not,” I said, pondering the possibility of future romantic dips with Steve, and what might lurk under the water at the next dam. When we returned to camp, Steve insisted I sit down and not lift a finger while he cooked me a real Aussie breakfast: bacon and sausage with eggs, and toast with Vegemite. This last treat was a paste-like spread that’s an Australian tradition. For an Oregon girl, it was a hard sell. I always thought Vegemite tasted like a salty B vitamin. I chowed down, though, determined to learn to love it. As the sun rose in full, Steve began to get bored. He was antsy. He wanted to go wrangle something, discover something, film anything. Finally, at midmorning, the crew showed up. “Let’s go,” Steve said. “There’s an eagle’s nest my dad showed me when I was just a billy lid. I want to see if it might still be there.” Right, I thought, a nest you saw with Bob years ago. What are the chances we’re going to find that? John looked longingly at the dam. “Thought we might have a tub first,” he said. The grime of the desert covered all of them. “Oh, I think we should go,” I said hastily, the cow carcass fresh in my mind. “You don’t need a bath, do you, guys?” “Come on,” Steve urged. “Wedge-tailed eagles!” No rest for the weary.
Terri Irwin (Steve & Me)
Steve and I would go our separate ways. He would leave Lakefield on Croc One and go directly to rendezvous with Philippe Cousteau for the filming of Ocean’s Deadliest. We tried to figure out how we could all be together for the shoot, but there just wasn’t enough room on the boat. Still, Steve came to me one morning while I was dressing Robert. “Why don’t you stay for two more days?” he said. “We could change your flight out. It would be worth it.” When I first met Steve, I made a deal with myself. Whenever Steve suggested a trip, activity, or project, I would go for it. I found it all too easy to come up with an excuse not to do something. “Oh, gee, Steve, I don’t feel like climbing that mountain, or fording that river,” I could have said. “I’m a bit tired, and it’s a bit cold, or it’s a bit hot and I’m a bit warm.” There always could be some reason. Instead I decided to be game for whatever Steve proposed. Inevitably, I found myself on the best adventures of my life. For some reason, this time I didn’t say yes. I fell silent. I thought about how it would work and the logistics of it all. A thousand concerns flitted through my mind. While I was mulling it over, I realized Steve had already walked off. It was the first time I hadn’t said, “Yeah, great, let’s go for it.” And I didn’t really know why. Steve drove us to the airstrip at the ranger station. One of the young rangers there immediately began to bend his ear about a wildlife issue. I took Robert off to pee on a bush before we had to get on the plane. It was just a tiny little prop plane and there would be no restroom until we got to Cairns. When we came back, all the general talk meant that there wasn’t much time left for us to say good-bye. Bindi pressed a note into Steve’s hand and said, “Don’t read this until we’re gone.” I gave Steve a big hug and a kiss. Then I kissed him again. I wanted to warn him to be careful about diving. It was my same old fear and discomfort with all his underwater adventures. A few days earlier, as Steve stepped off a dinghy, his boot had gotten tangled in a rope. “Watch out for that rope,” I said. He shot me a look that said, I’ve just caught forty-nine crocodiles in three weeks, and you’re thinking I’m going to fall over a rope? I laughed sheepishly. It seemed absurd to caution Steve about being careful. Steve was his usual enthusiastic self as we climbed into the plane. We knew we would see each other in less than two weeks. I would head back to the zoo, get some work done, and leave for Tasmania. Steve would do his filming trip. Then we would all be together again. We had arrived at a remarkable place in our relationship. Our trip to Lakefield had been one of the most special months of my entire life. The kids had a great time. We were all in the same place together, not only physically, but emotionally, mentally, and spiritually. We were all there.
Terri Irwin (Steve & Me)
Watch a baby struggle to sit up, or a toddler learn to walk: you’ll see one error after another, failure after failure, a lot of challenge exceeding skill, a lot of concentration, a lot of feedback, a lot of learning. Emotionally? Well, they’re too young to ask, but very young children don’t seem tortured while they’re trying to do things they can’t yet do. And then . . . something changes. According to Elena and Deborah, around the time children enter kindergarten, they begin to notice that their mistakes inspire certain reactions in grown-ups. What do we do? We frown. Our cheeks flush a bit. We rush over to our little ones to point out that they’ve done something wrong. And what’s the lesson we’re teaching? Embarrassment. Fear. Shame.
Angela Duckworth (Grit: The Power of Passion and Perseverance)
Leo stared at them all blankly in the expectant silence. A disbelieving laugh escaped him. “You’re all mad if you think I’m going to be forced into a loveless marriage just so the family can continue living at Ramsay House.” Coming forward with a placating smile, Win handed him a piece of paper. “Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won’t you take a glance and see if any of them appeals to you?” Deciding to humor her, Leo looked down at the list. “Marietta Newbury?” “Yes,” Amelia said. “What’s wrong with her?” “I don’t like her teeth.” “What about Isabella Charrington?” “I don’t like her mother.” “Lady Blossom Tremaine?” “I don’t like her name.” “Oh, for heaven’s sake, Leo, that’s not her fault.” “I don’t care. I can’t have a wife named Blossom. Every night I would feel as if I were calling in one of the cows.” Leo lifted his gaze heavenward. “I might as well marry the first woman off the street. Why, I’d be better off with Marks.” Everyone was silent. Still tucked in the corner of the room, Catherine Marks looked up slowly as she realized that she was the focus of the Hathaways’ collective gaze. Her eyes turned huge behind the spectacles, and a tide of pink rushed over her face. “That is not amusing,” she said sharply. “It’s the perfect solution,” Leo said, taking perverse satisfaction in annoying her. “We argue all the time. We can’t stand each other. It’s like we’re already married.” Catherine sprang to her feet, staring at him in outrage. “I would never consent to marry you.” “Good, because I wasn’t asking. I was only making a point.” “Do not use me to make a point!” She fled the room, while Leo stared after her. “You know,” Win said thoughtfully, “we should have a ball.” “A ball?” Merripen asked blankly. “Yes, and invite all the eligible young women we can think of. It’s possible one of them will strike Leo’s fancy, and then he could court her.” “I’m not going to court anyone,” Leo said. They all ignored him. “I like that idea,” Amelia said. “A bride-hunting ball.” “It would be more accurate,” Cam pointed out dryly, “to call it a groom-hunting ball. Since Leo will be the item of prey.” “It’s just like Cinderella,” Beatrix exclaimed. “Only without the charming prince
Lisa Kleypas (Married by Morning (The Hathaways, #4))
That wasn’t very nice. Freddie didn’t even get a chance to say his farewells.” “Didn’t he? I thought he did that while quite improperly asking you to spend Sunday afternoon with him while you were in the company of another gentleman.” “For goodness sake, Blackmoor, I don’t know why it bothers you so much. After all, it’s not as though you and I are actually on an outing.” He turned a surprised look on her and waved a hand to indicate their surroundings. “No? How is this not an outing?” “You know very well what I mean. Certainly we are on an outing. But not in the way that most of these other couples are ‘on an outing.’ There, look there.” She pointed to a couple walking toward them on the other side of the Row, the eldest son of the Marquess of Budleigh and the youngest daughter of the Earl of Exeter. The young woman was looking at her companion with a look of starry-eyed adoration, and he appeared to be returning her attentions. “They are courting and, to look at them, they might well be the first match of the season. A good one, too,” she added, distracted for a moment by the twosome. He spoke, shaking her from her reverie. “How does this relate to Stanhope’s impropriety?” “There was nothing improper about Stanhope’s behavior, and you know it. You and I look nothing like those two. And everyone who sees us—especially Stanhope, who has been friends with us both for years—knows we’re just out for a ride. Not out for a ride.” He looked at her, shaking his head in confusion. “Women truly are strange and unknowable creatures.” She
Sarah MacLean (The Season)
Thing is, I’ve decided what I’m going to do next. I have to go back to the university, of course. Next semester, I’m cutting back my schedule. I need more freedom. I’m going to transition out, sneak up on retirement. I’m going to get myself one of these!” he exclaimed, smacking the steering wheel. “Mary’s sons are married and have children—they’re great kids, superior stepsons. One lives in Texas, one in Florida. I’m going to put my house on the market and retire by the end of school, just in time to begin traveling. I’m going to see this country one state at a time, and I’m going to drop in on those boys. They both have amazing wives. One has three children, one has two—and even though I’m a stepfather, they call me Papa instead of Grandpa. I’m going to visit them occasionally while I’m traveling, then move on to other sights, then check back in. What do you think of that idea?” Her smile was alive. “It sounds wonderful. You’ll enjoy that. Maybe I’ll even see you now and then in Virgin River.” “Or, you could come along,” he said. “You have all those military boys all over the place. We could check on them, as well. And believe me, once a couple of them get married and have children, the others fall in line. I’ve seen it a million times. As soon as I get an offer on the house—which is a good house and should bring a nice price even in a depressed economy—I’m going to start shopping for a quality RV. I’ve been looking at pictures online. Maureen, you have no idea how high tech these things have become! They now come with expandable sides, two people showers, freezers, big screens in the living room and bedroom, Whirlpool tubs—you name it! How’d you like to have a hot tub on wheels, Maureen?” She looked over at him. He was so excited by his idea, he was actually a little flushed, and she found herself hoping it wasn’t high blood pressure. If the moment ever presented itself, she’d ask about that. But after all his rambling about his future RV, all she could say was, “Come along?” “A perfect solution for both of us,” he said. “We’d have time together, we’d have fun together. We’d see the families, travel…” “George, that’s outrageous. We’ve had a few lunches—” “And we’ll have a few more! We’ll also e-mail, talk on the phone, get together occasionally—in Virgin River, but also in Phoenix and Seattle. We’ll spend the next six months figuring out if we fit as well as it seems we do.” “Long distance? Occasional visits?” she asked doubtfully. “It’ll give you time to look over my accounts to be sure you’re not getting conned out of your retirement.” He laughed at his own joke, slapping his knee. “Of course, with five brawny, overprotective sons you’re relatively safe from a dangerous guy like me.” He glanced at her and his expression was playful. “We’re not young, Maureen. We should be sure we’re attracted to each other and that we get along, but we shouldn’t waste a lot of time. Every day is precious.
Robyn Carr (Angel's Peak (Virgin River #10))
We underestimate the power of habit while we’re young, and we underestimate the grace of it.
Jens Christian Grøndahl (Often I Am Happy: A Novel)
The door to the little dining parlor banged open, the apologetic footman rushing in behind a young woman St. Just had not seen before. She was trussed up in a shapeless black bombazine dress covering her from ankles to wrist to neck, an equally hideous black bonnet on her head. “That is not my tart,” the earl observed to no one in particular. “Bronwyn!” The woman leapt across the room and wrapped her arms around Winnie, the bonnet tumbling off in her haste. “Oh, Winnie, you naughty, naughty child, I’ve been searching all over for you.” “Hullo, Miss Emmie.” Winnie beamed a grin, hugging the lady back. “Rosecroft says we’re going to have apple tarts.” “Madam?” The earl rose and bowed. “Rosecroft, at your service.” “My lord.” She bobbed a nervous curtsy then swiveled back to the child. “Winnie, are you all right?” “I had to take a bath.” Winnie frowned at the memory. “But I ate and ate and ate. I am not a gentleman, though.” “You took a bath?” Miss Farnum’s eyes went round. “My lord? Did I hear her aright?” “With lavender bubbles,” the earl replied gravely. “And you would be?” “Miss Emmaline Farnum,” she said, eyes narrowing. “Just how did you get her to take a bath?” The earl narrowed his eyes, as well. “Perhaps that is a discussion we adults might reserve for later. And as I wouldn’t want to be guilty of breaking my word to a child, may I invite you to join us for apple tarts, Miss Farnum?” The footman withdrew at the earl’s lifted eyebrow while the child’s gaze bounced back and forth between the adults. Winnie sat, all innocence in an old nightshirt somebody had dragged out of a trunk. Her golden curls gleamed, and on her feet were wool socks many sizes too big. “Apple tarts sound delicious,” Miss Farnum said.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance. No sooner had the thought passed through her mind than Fergus was there at her elbow. “I’ve got this,” he said, uncharacteristically low key as he edged her out of the way. “Gus--” He nudged her again with a bit more force than was necessary, then wedged his cane in between them to emphasize the point. “I’ll pour and pass. You go talk to your young man.” “He’s not my--” Fergus turned his bright blue eyes on her. “I know who he is.” His voice might brook no argument, but there was a world more feeling in his gaze than in his quietly spoken words. “So get on out while the getting’s good. We’re not too far from closing. I’ll get Sandy to help shut the place down. You’re officially off duty until tomorrow.” “But--” Now his gaze did turn steely, reminding her where she got the look from. “I believe I still own and run this place. So when I say you’re off until tomorrow, you’re off until tomorrow.” Kerry swallowed hard and was as shocked as anyone to feel the tiniest prickles behind her eyes. No matter what her latest exploit, he’d never, not once, looked at her with even a hint of disappointment. Until now. “Yes, sir.” His gaze softened, even if the set of his face did not. He leaned in and bussed her on the cheek, then whispered in her ear, “And I’m taking this round out of your pay, Sprite. Giving away my ale,” he added in a grumble. The grumble made her smile, and she gave him a quick, one-armed squeeze around his shoulders and a kiss on the side of his forehead, taking care not to put him off balance on his bad side. “I had to do something to throw them off the scent.” “I believe the something that is still on your scent is waiting for you by the door,” he said, then turned back to help Sandy, who manned the griddle in the kitchen on busy nights, fill and slide mugs down the bar. Kerry glanced up and over the heads of the folks crowding the bar to the tall man who, indeed, was standing by the door, his old Akubra in hand. Her gaze shifted from the ever-present drover’s hat he always wore for work to the penetrating and unwavering look in his beautiful eyes.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Tommy always used to tell me, “We’re on different highways. You are young, so we see things different. You go your way. I go my way.” I never really understood what he meant by that, but I found myself thinking of those words while his phone was ringing. He didn’t answer, so I left a message: “Hey, Tommy. Just wondering how you’re doing and how London is. I hope you’re on a good highway.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
In a drought-stricken town, a group of old men gather in the town square to pray for rain. One man brings his young son along and asks him to keep quiet while the older men are praying. With a hundred men kneeling with their eyes shut, the boy stands up to look at them. After a while, he leans over to his father, whispering in his ear: ‘Do these men really believe it will rain?’ ‘Of course,’ says his father. ‘These are good, God-fearing men. We’re here because we believe in the power of prayer.’ ‘But, Dad, why then has no one brought an umbrella?
Heyneke Meyer (7 - My Notes on Leadership and Life)
While it seems like we’re constrained and confined by our physical space, even at a very young age, we come to be aware that isn’t the case. Much of the time, we find ourselves in the space between — the inter-subjective. That’s relevant because we often seek out people who are going to try to make us feel better. I don’t think that’s so helpful. It’s helpful to seek out people who will support us in feeling more.
Tami Simon (The Self-Acceptance Project: How to Be Kind and Compassionate Toward Yourself in Any Situation)
Ray, who led our Israel group last year, made a big thing of “following the rabbi.” He said it was an old, old tradition—he was sure going back into pre-Christian Galilee. The subject came up because people in our group were always saying, “Ray, what are we going to do today? Where are we going? When are we going to have lunch? Why are we going up this trail?” And Ray wouldn’t answer—he just ignored the questions. And then, once in a while, he would say something like, “Listen, I know where I’m going. Trust me. If I tell you ahead of time what we’re doing, where we’re going, you start forming ideas in your mind that will be wrong—walking by faith involves an openness to seeing, hearing what you don’t know, can’t anticipate. Follow the rabbi, let the rabbi do it his way, with his sense of timing. Trust him to make the right decisions along the way and get you where he wants you to go.” And I remembered how often Jesus didn’t answer questions.
Eric E. Peterson (Letters to a Young Pastor: Timothy Conversations between Father and Son)
Y'all know that little gal Kelly Crawford that works down at Tuckers?" Tuckers Jiffy Lube was the only gas station and mechanical shop in town. Jena Lynn's face contorted in disapproval. "You referring to that scantily clad girl who runs the register?" I asked as Jena Lynn hopped up to retrieve the coffeepot. "That's the one." Betsy curled up her lip in disgust. "That girl is barely legal!" I was outraged. "I know! I'm going to tell her granny. She'll take a hickory switch to the girl when she finds out what she's been up to. She was all over Darnell." Betsy wiped her nose with the back of her hand. She was right about that. Her granny wasn't the type to spare the rod; she parented old-school style. Jena Lynn's tone rose as she stirred raw sugar into her coffee. "You caught them?" "Well, I called him after what happened with poor Mr. Ledbetter---" We shook our heads. "---told him I was going to be late 'cause I was taking that extra shift. Guess he thought late meant real late 'cause when I got home, they we're rootin' around on my couch, the one my meemaw gave me last spring when she had her house redecorated." We sat in stunned silence. "I threw his junk out last night. And when he still didn't budge from the TV"---she paused for effect---"I set it all on fire, right there in the front yard." She leaned back and crossed her arms over her expansive chest. "That's harsh." Sam stacked his empty plates. "Maybe it wasn't Darnell's fault." Jena Lynn and I gave him a disapproving glare. He appeared oblivious to his offense, and the moron had the audacity to reach into the container for a cream cheese Danish. "Sam, if you value that scrawny hand of yours, I'd pull it out real slow or you'll be drawing back a nub," Betsy warned. "Sheesh!" Sam jerked backward. It was obvious he didn't doubt her for a second. He marched toward the kitchen and dropped the plates in the bus tub with a loud thud. "He should know better. You don't touch a gal's comfort food in a time of crisis," I said, and my sister nodded in agreement. Jena Lynn patted Betsy on the arm. "Ignore him, Bets. He's a man." I stood. "And if I may be so bold as to speak for all the women of the world who have been unfortunate enough to be in your shoes, we applaud you." A satisfied smile spread across Betsy's lips. "Thank you." She took a little bow. "That's why my eyes look like they do. Smoke got to me." She leaned in closer. "I threw all his high school football trophies into the blaze while he was hollering at me. The whole neighborhood came out to watch." I chuckled. The thought of Darnell Fryer running around watching all his belongings go up in smoke was hilarious. I wished I'd been there. "Did anyone try to step in and help Darnell?" "Hell nah. He owes his buddies so much money from borrowing to pay his gambling debts, the ones that came out brought their camping chairs and watched the show while tossing back a few cold ones." She got up from the counter to scoop a glass full of ice and filled it with Diet Coke from the fountain. "Y'all, I gotta lose this weight now I'm back on the market." Betsy was one of a kind.
Kate Young (Southern Sass and Killer Cravings (Marygene Brown Mystery, #1))
What’s happiness got to do with it? Young people think happiness is owed to them. What we’re talking about is duty. Our duty is that while our parents take care of us when we are young, we must take care of them when they are old. This is what it is to be human.
Susie Steiner (Remain Silent (DS Manon Bradshaw, #3))
One night, Abby, who knows I understand life best through metaphors, said this: “Glennon, I want us to think of our love as an island. On our island is you, me, the kids—and real love. The kind of love novels are written about and people spend lifetimes trying to find. The holy grail. The most precious thing. The thing. We have it. It’s still young and new, so we’re going to protect it. Imagine that we’ve surrounded our island with a moat filled with alligators. We will not lower the drawbridge to let anyone’s fear onto our island. On our island is only us and love. Leave anything else on the other side of the moat. Over there, it can’t hurt us. We’re here, happy on our island. Let them scream fear or hate, whatever. We can’t even hear it. Too much music. Only love in, babe.” Every time an internet troll, journalist, or fundamentalist minister shared self-righteous judgment, I’d smile and imagine his tomato-red face screaming on the other side of the moat, while Abby, the kids, and I kept dancing on our island. None of it could touch us.
Glennon Doyle (Untamed)
In the middle of her act, a young man shouted for her to expose her breasts. (Um, he didn’t say it exactly that way.) Now, Schumer had some choices. She could have simply had security throw the man right out. She could have yelled at him and given the audience a lecture on sexism. Instead, she got super friendly. Interrupting her routine, she shaded her eyes while the spotlight found the heckler. Looking as if she wanted to get to know him, Schumer asked the man what he did for a living. Sales, he said. “Sales?” Schumer repeated. “How’s that working out for you? ’Cause we’re not buying it.” Not the greatest joke in the world, but its spontaneity got her a laugh. More important, Schumer gained control of the occasion, seizing the power back from the heckler. Her goal was to entertain the audience, not to express any pain. When the idiot continued to harass her, Schumer still didn’t have him ejected. First she asked the audience to vote. This got a big cheer. As security escorted the man out, Schumer said, “I already miss him!
Jay Heinrichs (Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion)
When I fell, I instantly had my "Oh, That's Why" realization and I would have known not to rollerskate through the house again, even if I had been alone. There is a loss of dignity that a child experiences when they've just suffered the consequences of something they were warned against by the Wiser One while the Wiser One gloats for being wiser, especially when the gloating is packaged as anger. But I was too young to examine gloating or anger or wisdom and she, the mother of a timid child who rarely got hurt, had not had many opportunities to consider the vulnerable state of an injured kid. We were both green and hurt and scared in this new way, together. As an adult, it helps me to view my mom as a singular woman beyond her role in my life, but also, as a child herself who does not, in fact, possess knowledge of all things. Our mother-daughter relationship was this huge, life-altering thing that we are both experiencing for the first time, at the same rate and we don't have answers, we only have things that we're trying out. This was true for my grandmother too; she was learning to be alive for the first time.
Ani Baker (Handsome Vanilla)