While Their Companions Slept Quotes

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The heights by great men reached and kept were not attained by sudden flight, but they, while their companions slept, were toiling upward in the night.
Henry Wadsworth Longfellow
The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.
Henry Wadsworth Longfellow
The heights by great men reached and kept were not attained by sudden flight, but they, while their companions slept, were toiling upward in the night.
Jeffrey Archer (Be Careful What You Wish For (The Clifton Chronicles #4))
The heights by great men reached and kept were not attained by sudden flight, but they, while their companions slept, were toiling upward in the night.
Henry Wadsworth Longfellow
The heights by which great men reach are not attained by sudden flight, but they while their companions slept went toiling upwards through the night. It may not be exact but it always how I remember it.
Henry Wadsworth Longfellow
The heights by great men reached and kept, Were not attained by sudden flight. But they, while their companions slept, Were toiling upward in the night.” –Henry Wadsworth Longfellow
John Wooden (Wooden on Leadership: How to Create a Winning Organization)
Heights by great men reached and kept, were not attained by sudden flight, but they, while their companions slept, kept toiling upwards through the night!!!! Mi haffi mek it...
Tan Morgan (Hope Divine)
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
Sabran had been dealt a cruel hand. Her Lady of the Bedchamber had died while she slept, her companion in her arms, her mother before her eyes. Her daughter had never drawn breath. Her father—if he had been her father at all—had perished in Yscalin, beyond her reach. Loss had dogged her all her life. Little wonder she was holding on so tightly.
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
And now the household took their seats, and tables were set all round the hall, and food served; dishes of meat were brought in and set before Egil and the rest. After this ale was borne in, beer of the strongest. Soon they began to drink bumpers, each man was to drink off the horn; and especial care was taken that Egil and his companions should drink hard. Egil drank without shirking a drop for a long while, but when his companions were become helpless, then he drank for them what they could not. So matters went on till the tables were removed, and by then all in the room were well drunk. But before each cup that he drank Armod said: 'I drink to you, Egil,' and the house-carles drank to Egil's companions with the same preface. A man was appointed to bear every cup to Egil's party, and he urged them to drink it off quick. Egil told his companions to drink no more, but himself drank for them what they could not avoid. Egil soon found that it would not do for him to go on so. Wherefore he stood up, went across the floor to where Armod sat, took him with his hands by the shoulders, and forced him back against the inner posts, and vomited in his face. There was an outcry and uproar, but Egil went back to his place, sate him down, and bade them serve him drink. ... Egil rose up in the morning as soon as it was day. He and his made them ready, and when ready went at once to the house to seek Armod. And when they came to the apartments where slept Armod and his wife and daughter, then Egil burst open the door and approached Armod's bed. He then drew his sword, but with the other hand grasped the beard of Armod, and forced him forward to the edge of the bed. But Armod's wife and daughter leapt up and prayed Egil not to slay Armod. Egil said he would spare him for their sakes; 'For,' said he, 'this is but meet; yet has he deserved to die.' After this Egil cut off his beard close to his chin, and put out one of his eyes.
Egill Skallagrímsson (Egil's Saga)
The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.” “‘The Ladder of St. Augustine,’” I
Kim Michele Richardson (The Book Woman's Daughter (The Book Woman of Troublesome Creek, #2))
The heights by great men reached and kept were not attained by sudden flight, but they while their companions slept were toiling upward in the night.
Henry Wadsworth Longfellow
Rock was bone. Dust was flesh. Water was blood. Residues settled in multitudes, becoming layers, and upon those layers yet more, and on and on until a world was made, until all that death could hold up one's feet where one stood, and rise to meet every step one took. A solid bed to lie on. So much for the world. Death holds us up. And then there were the breaths that filled, that made the air, the heaving assertions measuring the passing of time, like notches marking the arc of a life, of every life. How many of those breaths were last ones? The final expellation of a beast, an insect, a plant, a human with film covering his or her fading eyes? And so how, how could one draw such air into the lungs? Knowing how filled with death it was, how saturated it was with failure and surrender? Such air choked him, burned down his throat, tasting of the bitterest acid. Dissolving and devouring, until he was naught but... residue. They were so young, his companions. There was no way they could understand the filth walked on, walked in, walked through. And took into themselves, only to fling some of it back out again, now flavoured by their own sordid additions. And when they slept, each night, they were as empty things. While Heboric fought on against the knowledge that the world did not breathe, not any more. No, now, the world drowned. And I drown with it. Here in this cursed wasteland. In the sand and heat and dust. I am drowning. Every night. Drowning.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))