“
The heights by great men reached and kept were not attained by sudden flight,
but they, while their companions slept,
were toiling upward in the night.
”
”
Henry Wadsworth Longfellow
“
The heights by great men reached and kept
Were not attained by sudden flight,
But they, while their companions slept,
Were toiling upward in the night.
”
”
Henry Wadsworth Longfellow
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
The heights by great men reached and kept were not attained by sudden flight, but they, while their companions slept, were toiling upward in the night.
”
”
Jeffrey Archer (Be Careful What You Wish For (The Clifton Chronicles #4))
“
The heights by great men reached and kept were not attained by sudden flight, but they, while their companions slept, were toiling upward in the night.
”
”
Henry Wadsworth Longfellow
“
The heights by which great men reach are not attained by sudden flight, but they while their companions slept went toiling upwards through the night.
It may not be exact but it always how I remember it.
”
”
Henry Wadsworth Longfellow
“
The heights by great men reached and kept, Were not attained by sudden flight. But they, while their companions slept, Were toiling upward in the night.” –Henry Wadsworth Longfellow
”
”
John Wooden (Wooden on Leadership: How to Create a Winning Organization)
“
The personal inevitably trumps the political, and the erotic trumps all: We will remember that Cleopatra slept with Julius Caesar and Mark Antony long after we have forgotten what she accomplished in doing so, that she sustained a vast, rich, densely populated empire in its troubled twilight in the name of a proud and cultivated dynasty. She remains on the map for having seduced two of the greatest men of her time, while her crime was to have entered into those same "wily and suspicious" marital partnerships that every man in power enjoyed. She did so in reverse and in her own name; this made her a deviant, socially disruptive, an unnatural woman. To these she added a few other offenses. She made Rome feel uncouth, insecure, and poor, sufficient cause for anxiety without adding sexuality into the mix.
”
”
Stacy Schiff (Cleopatra: A Life)
“
Heights by great men reached and kept, were not attained by sudden flight, but they, while their companions slept, kept toiling upwards through the night!!!! Mi haffi mek it...
”
”
Tan Morgan (Hope Divine)
“
In my late thirties the dream of disappointment and exhaustion had been the dream of the exploding head: the dream of a noise in my head so loud and long that I felt with the brain that survived that the brain could not survive; that this was death. Now, in my early fifties, after my illness, after I had left the manor cottage and put an end to that section of my life, I began to be awakened by thoughts of death, the end of things; and sometimes not even by thoughts so specific, not even by fear rational or fantastic, but by a great melancholy. This melancholy penetrated my mind while I slept; and then, when I awakened in response to its prompting, I was so poisoned by it, made so much not a doer (as men must be, every day of their lives), that it took the best part of the day to shake it off. And that wasted or dark day added to the gloom preparing for the night.
”
”
V.S. Naipaul (The Enigma of Arrival)
“
TRAVEL Loving you, flesh to flesh, I often thought Of travelling penniless to some mud throne Where a master might instruct me how to plot My life away from pain, to love alone In the bruiseless embrace of stone and lake. Lost in the fields of your hair I was never lost Enough to lose a way I had to take; Breathless beside your body I could not exhaust The will that forbid me contract, vow, Or promise, and often while you slept I looked in awe beyond your beauty. Now I know why many men have stopped and wept Halfway between the loves they leave and seek, And wondered if travel leads them anywhere — Horizons keep the soft line of your cheek, The windy sky’s a locket for your hair.
”
”
Leonard Cohen (Stranger Music: Selected Poems and Songs)
“
Girls with Sharp Sticks” Men are full of rage Unable to control themselves. That’s what women were told How they were raised What they believed. So women learned to make do Achieving more as men did less And for that, men despised them Despised their accomplishments. Over time The men wanted to dissolve women’s rights All so they could feel needed. But when they couldn’t control women The men found a group they didn’t disdain— At least not yet. Their daughters, pretty little girls A picture of femininity for them to mold To train To control To make precious and obedient. She would make a good wife someday, he thought Not like the useless one he had already. The little girls attended school Where the rules had changed. The girls were taught untruths, Ignorance the only subject. When math was pushed aside for myth The little girls adapted. They gathered sticks to count them learning their own math. And then they sharpened their sticks. It was these same little girls Who came home one day And pushed their daddies down the stairs. They bashed in their heads with hammers while they slept. They set the houses on fire with their daddies inside. And then those little girls with sharp sticks Flooded the schools. They rid the buildings of false ideas. The little girls took everything over Including teaching their male peers how to be “Good Little Boys.” And so it was for a generation The little girls became the predators.
”
”
Suzanne Young (Girls with Sharp Sticks (Girls with Sharp Sticks, #1))
“
Danglars was alone, but neither troubled nor disturbed. Danglars was even happy, because he had taken revenge on an enemy and ensured himself the place on board the Pharaon that he had feared he might lose. Danglars was one of those calculating men who are born with a pen behind their ear and an inkwell instead of a heart. To him, everything in this world was subtraction or multiplication, and a numeral was much dearer than a man, when it was a numeral that would increase the total (while a man might reduce it). So Danglars had gone to bed at his usual hour and slept peacefully.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
On September 16, in defiance of the cease-fire, Ariel Sharon’s army
circled the refugee camps of Sabra and Shatila, where Fatima and
Falasteen slept defenselessly without Yousef. Israeli soldiers set up
checkpoints, barring the exit of refugees, and allowed their Lebanese
Phalange allies into the camp. Israeli soldiers, perched on rooftops,
watched through their binoculars during the day and at night lit the sky
with flares to guide the path of the Phalange, who went from shelter to
shelter in the refugee camps. Two days later, the first western
journalists entered the camp and bore witness. Robert Fisk wrote of it
in Pity the Nation:
They were everywhere, in the road, the laneways, in the
back yards and broken rooms, beneath crumpled masonry
and across the top of garbage tips. When we had seen a
hundred bodies, we stopped counting. Down every
alleyway, there were corpses—women, young men, babies
and grandparents—lying together in lazy and terrible
profusion where they had been knifed or machine-gunned to
death. Each corridor through the rubble produced more
bodies. The patients at the Palestinian hospital had
disappeared after gunmen ordered the doctors to leave.
Everywhere, we found signs of hastily dug mass graves.
Even while we were there, amid the evidence of such
savagery, we could see the Israelis watching us. From the
top of the tower block to the west, we could see them
staring at us through field-glasses, scanning back and forth
across the streets of corpses, the lenses of the binoculars
sometimes flashing in the sun as their gaze ranged through
the camp. Loren Jenkins [of the Washington Post] cursed a
lot. Jenkins immediately realized that the Israeli defense
minister would have to bear some responsibility for this
horror. “Sharon!” he shouted. “That fucker [Ariel] Sharon!
This is Deir Yassin all over again.
”
”
Susan Abulhawa (Mornings in Jenin)
“
My father used to say that we had another life in the sky. Our world had a reflection, like a mirror. And each of us had a double living in the world in the sky. The people there slept during the day and woke up at night. They felt cold in the heat and got hot in the cold. They couldn’t see when it was light but could make out the furthest object in the dark. The men in this world were women there, while the women were men. They didn’t take life seriously, but attached great importance to dreams. They liked hugging strangers. They weren’t ashamed of being poor, but of being rich. For them laughing was crying, while crying was laughing. When someone died they sang songs and danced. When I was a child I often stared at the sky to try and catch a glimpse of my other self. I wondered what I was like in that other life.
”
”
Burhan Sönmez (Istanbul Istanbul)
“
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
”
”
Whitney Otto (Eight Girls Taking Pictures)
“
In the Middle of This Century”
In the middle of this century we turned to each other
With half faces and full eyes
like an ancient Egyptian picture
And for a short while.
I stroked your hair
In the opposite direction to your journey,
We called to each other,
Like calling out the names of towns
Where nobody stops
Along the route.
Lovely is the world rising early to evil,
Lovely is the world falling asleep to sin and pity,
In the mingling of ourselves, you and I,
Lovely is the world.
The earth drinks men and their loves
Like wine,
To forget.
It can’t.
And like the contours of the Judean hills,
We shall never find peace.
In the middle of this century we turned to each other,
I saw your body, throwing shade, waiting for me,
The leather straps for a long journey
Already tightening across my chest.
I spoke in praise of your mortal hips,
You spoke in praise of my passing face,
I stroked your hair in the direction of your journey,
I touched your flesh, prophet of your end,
I touched your hand which has never slept,
I touched your mouth which may yet sing.
Dust from the desert covered the table
At which we did not eat
But with my finger I wrote on it
The letters of your name.
”
”
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy, 2))
“
with his words
in my head
I slept for thirty
or forty forevers
while the grass shrieked
and the trees tremored
it was crazy
letting my youth
pass like that
giving myself up
to the abstract fears
balconies collapsing
over the east river
as far as the eye could see
until all is miniature
wind over water
without end
when I am dead
I will have something
to say about death
& all the men stretched out
a girl must be a graveyard
I am a descendant of fields
and want to keep my mind off it, especially
”
”
Deborah Landau (The Last Usable Hour (Lannan Literary Selections))
“
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound. They
”
”
Jerome K. Jerome (Three Men In A Boat)
“
The Valley Weeps
Weep softly o mother,
the walls have ears you know...
The streets are awash o mother!
I cannot go searching for him any more.
The streets are awash o mother
with blood and tears, pellets and screams.
that silently remain locked in the air,
while they lock us souless inside.
The guns are out o mother,
while our boys go armed with stones,
I cannot go looking for him o mother,
I have no courage to face what i will find.
They fill the air o mother,
The fragrance of plastic flowers
I will place them beside your grave
if i ever do survive,
flowers that have no soul.
and would never fade with time,
The sun shines glorious o mother
The water sparkles so fine
The buds are closed in terror
and birds have gone silent with fear
There is poison in our heaven o mother
I dread for what more is in store.
They came for him o mother,
yesterday as you slept inside,
He went marching o mother
with all the others beside.
I never told you o mother,
I do not know if he would ever return.
The streets are awash o mother!
I cannot go searching for him any more.
Weep softly o mother,
the walls have ears you know...
If your old blind eyes can see,
You will want to see again no more.
Our men have lost their spirit
Our women have lost their smile,
Our children have lost their laughter,
The valley has lost its shine,
Weep softly O mother
For, we still have our pride.
17/07/2016
”
”
Srividya Srinivasan
“
Edwina knew things with Greg had just about run their course. She'd bedded him, and bought him clothes, and now it was time for the polite push out the door. Of course she wished her latest conquest all the best. If he was lucky, Greg would just fall right into some other powerful woman's bed. If not . . . well, if not he'd just have to do the old-fashioned thing and look for work. Though darling Greggy-poo didn't really seem the type. Edwina studied him while he slept by the pool, drinking in that tight behind and those bulging muscles for the last time. The trouble with younger men, she thought, was that they were so damned good at sex that they really didn't have to be good at anything else.
”
”
Barbara Taylor Bradford (Her Own Rules)
“
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before.
Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner.
Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage.
At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it.
But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.
”
”
Maggie Georgiana Young (Just Another Number)
“
Speaking of full of dirt, I am hardly fit company but in the spirit of wifely tolerance I wonder if you will accompany me to a pool a little ways from here."
He meant to bathe. The memory of him emerging from the sauna at the lodge flashed through her mind. Her mouth was suddenly dry. "I thought Vikings liked to boil themselves first."
"Ordinarily I would agree with you, but if I get into a sauna now, I will fall asleep."
"You are tired from your exertions on the trailing field?"
The look he trailed over her was purely male and so evocative as to warm her clear through. "I am tried from my exertions in our bed,lady,as I suspect you well know."
"That is a relief!"
He looked at her in surprise, prompting a red face and a quick explanation. "I meant that I could not help but think of you toiling as usual while I slept half the day away and felt myself shamed for such sloth."
"Oh,well, if it's any consolation to you, I fell asleep under a tree, to the great hilarity of my men, who are not likely to let me forget it anytime soon."
She laughed,tension coiling, and without hesitation she held out her hand to him.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
It was the mist which made everything strange, spread across the land, a seven-foot-thick blanket, stretched almost uniformly over the flat bottom of the valley, and the gentle slopes leading down into it. As silent as the mist, Codrin’s army moved out of the forest. An observer high above the ground would see rows of floating heads, arranged in a matrix, the distance between them almost regular. Having helmets of many different colors, the heads offered a striking contrast to the white-gray monotony of the mist. An army of floating heads. Unaware of their weird appearance from above, the heads continued their journey down, toward Lenard’s army.
To an observer on the ground, nothing could be seen until it was too late. Lenard’s sleeping soldiers woke up when the ground trembled to the rhythm of more than a thousand horses trampling everything in their way. They woke up, and they died. Some of them died while they slept. When the last cry died away, and the fog finally lifted, the surviving men surrendered. At the end of the clash, which became known as the Battle of the Mist, Codrin found that he had lost only fifteen men. Lenard had lost half of his army, his son and his life.
”
”
Florian Armas (Respectant (Chronicle of the Seer 4))
“
What’s the matter, Rea?” he said, still sounding half asleep.
“What makes you think . . .?”
“You wouldn’t have called this late unless you need to talk. Give me a minute to pull my jeans on and I’ll go out in the hallway so I won’t wake the other guys.”
Reagen heard several men moan or swear in the background. When times were good, Noah had a room to himself, but when times were bad in the road game he’d sometimes bunk on the floor in someone else’s room.
“I’m listening,” he said after a minute.
She wanted to hear his voice more than talk, but that would sound strange, so she told him about her dream and how frightened she’d been.
“I wish I were there to hug you, Rea. We could cuddle up. You could tell me everything while I slept.”
“I wish you were too.” Neither one said anything for a few breaths, and then she whispered, “I miss you so much sometimes. They’d probably never be as close as they’d been in high school. He was a different man and she’d changed as well, but she still missed the Noah who was half kid, half man.
“What are you wearing?” he whispered, and for a moment she swore she could hear him smiling.
“Shut up.”
He laughed. “Just asking. Who knows, one night I might get lucky and you’d be just out of th shower.”
“You never give up trying to make me blush.” Her bad mood had vanished.
“Come on, Rea, give me a break. I’ve been wondering what you like naked for years. If I ever get too old to wonder, I hope you just shoot me.”
“Go to bed, Noah.”
“Good night, Rea. Maybe when you go back to dreaming, you’ll dream of me.”
“Not likely.” She closed the phone, thinking how he always had enough magic in his pocket to change her mood even if he didn’t have enough to change his dreams.
”
”
Jodi Thomas (The Comforts of Home (Harmony, #3))
“
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound. They awe us, these strange stars, so cold, so clear. We are as children whose small feet have strayed into some dim-lit temple of the god they have been taught to worship but know not; and, standing where the echoing dome spans the long vista of the shadowy light, glance up, half hoping, half afraid to see some awful vision hovering there. And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God. Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog) — Warbler Classics Illustrated Edition)
“
But she would not have slept for anything. Tilting her head she could see the red moon and the stars rising and lowering over the uneven road. The car rushed between rows of sloping pines whose trunks were barred with white paint, and past an army of advertisements for gasoline, Chianti, and men’s hats. Once in a while they passed through a village whose main and single street shone like a fair with a confusion of neon lights, and in whose unadorned cafés children, too late out of bed, slept on their mothers’ laps. As clearly as if it were day she could picture the symmetrical Tuscan landscape that extended on either side. She had made this journey from Florence a dozen times before without ever finding it too short, but tonight the numbered notices of decreasing kilometres seemed to be posted at every turn. She wanted to go on for ever - but wanted it intensely, as if it were a possibility - and wondered whether she had ever been as happy as this.
”
”
Shirley Hazzard (The Evening of the Holiday)
“
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound.
They awe us, these strange stars, so cold, so clear. We are as children whose small feet have strayed into some dim-lit temple of the god they have been taught to worship but know not; and, standing where the echoing dome spans the long vista of the shadowy light, glance up, half hoping, half afraid to see some awful vision hovering there.
And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God.
Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men #1))
“
I walk away, feeling Brody’s gaze on me. There’s no doubt that as soon as we get back in the car, I’m going to get it—good.
Instead, Brody stays quiet while I assemble the paperwork. He may not be speaking, but he’s saying a whole lot in the silence.
“Just say it,” I mumble and finally look over.
“I’m not saying a word.” He raises his hands. “Clearly, you two know each other, and it ain’t from growing up here. You tell me everything, so there is no way you wouldn’t have told me you know him,” Brody pauses and leans back. “I’m not saying a word about who you may or may not have slept with recently. Even though, it’s pretty obvious.”
“You know, you not saying a word took you a long time.”
“It’s not like you’ve had a five-year drought since your divorce. Or that you slept with a singer/actor. Nope. I have nothing to say about that. Not a thing.”
I groan. “Could you not say anything for real this time?”
“Sure thing, boss. I’ll just be over here, watching Hell start to thaw.”
This is not going to get any better. I’d almost rather hear the questions. This is Brody Webber. My partner, my friend, and the one person who I have enough dirt on to make his life hell if he repeats this.
“Okay, fine. Yes, I slept with Eli Walsh. I was crazy and dumb. I also had about six beers, which is two over my threshold, and I was trying to be in the moment for once. Fucking Nicole and her pep talks.”
Brody coughs a laugh and then recovers. “Sorry, go on.”
“I swear, you better keep this to yourself. If you tell anyone . . .” I give him my best threatening face. “I mean anyone, I’ll make your life a living nightmare.”
He shakes his head and laughs again. “I won’t say a word, but you had a one-night stand with one of the most famous men in the boy band atmosphere. You’re too cool for me, Heather. I don’t think we can be friends. I’m sure you and the band will be happy without me.”
I huff and grab the papers. “I’m getting a new partner.”
I walk back over to the car, praying this will be painless
”
”
Corinne Michaels (We Own Tonight (Second Time Around, #1))
“
In the Middle of This Century"
In the middle of this century we turned to each other
With half faces and full eyes
like an ancient Egyptian picture
And for a short while.
I stroked your hair
In the opposite direction to your journey,
We called to each other,
Like calling out the names of towns
Where nobody stops
Along the route.
Lovely is the world rising early to evil,
Lovely is the world falling asleep to sin and pity,
In the mingling of ourselves, you and I,
Lovely is the world.
The earth drinks men and their loves
Like wine,
To forget.
It can't.
And like the contours of the Judean hills,
We shall never find peace.
In the middle of this century we turned to each other,
I saw your body, throwing shade, waiting for me,
The leather straps for a long journey
Already tightening across my chest.
I spoke in praise of your mortal hips,
You spoke in praise of my passing face,
I stroked your hair in the direction of your journey,
I touched your flesh, prophet of your end,
I touched your hand which has never slept,
I touched your mouth which may yet sing.
Dust from the desert covered the table
At which we did not eat
But with my finger I wrote on it
The letters of your name.
”
”
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy, 2))
“
She broke off abruptly as she heard her name being called, and glanced over her shoulder, fearing that St. Vincent had discovered her escape. Her entire body stiffened in battle readiness. But there was no sign of St. Vincent, no betraying gleam of golden-amber hair.
She heard the voice again, a deep sound that penetrated to her soul. “Lillian.”
Her legs quivered beneath her as she saw a lean, dark-haired man coming from the front entryway. It can’t be, she thought, blinking hard to clear her vision, which must surely have been playing tricks on her. She stumbled a little as she turned to face him. “Westcliff,” she whispered, and took a few hesitant steps forward.
The rest of the room seemed to vanish. Marcus’s face was pale beneath its tan, and he stared at her with searing intensity, as if he feared she might disappear. His stride quickened, and as he reached her, she was seized and caught in a biting grip. He wrapped his arms around her, pulling her hard against him. “My God,” he muttered, and buried his face in her hair.
“You came,” Lillian gasped, trembling all over. “You found me.” She couldn’t conceive how it was possible. He smelled of horses and sweat, and his clothes were chilled from the outside air. Feeling her shiver, Marcus drew her tightly inside his coat, murmuring endearments against her hair.
“Marcus,” Lillian said thickly. “Have I gone mad? Oh, please be real. Please don’t go away—”
“I’m here.” His voice was low and shaken. “I’m here, and I’m not going anywhere.” He drew back slightly, his midnight gaze scouring her from head to toe, his hands searching urgently over her body. “My love, my own… have you been hurt?” As his fingers slid along her arm, he encountered the locked manacle. Lifting her wrist, he stared at the handcuffs blankly. He inhaled sharply, and his body began to shake with primitive fury. “G**damn it, I’ll send him to hell—”
“I’m fine,” Lillian said hastily. “I haven’t been hurt.”
Bringing her hand to his mouth, Marcus kissed it roughly, and kept her fingers against his cheek while his breath struck her wrist in swift repetitions. “Lillian, did he…”
Reading the question in his haunted gaze, the words he couldn’t yet bring himself to voice, Lillian whispered scratchily, “No, nothing happened. There wasn’t time.”
“I’m still going to kill him.” There was a deadly note in his voice that made the back of her neck crawl. Seeing the open bodice of her gown, Marcus released her long enough to pull off his coat and place it over her shoulders. He suddenly went still. “That smell… what is it?”
Realizing that her skin and clothes still retained the noxious scent, Lillian hesitated before replying. “Ether,” she finally said, trying to form her trembling lips into a reassuring smile as she saw his eyes dilate into pools of black. “It wasn’t bad, actually. I’ve slept through most of the day. Other than a touch of queasiness, I’m—”
An animal growl came from his throat, and he pulled her against him once more. “I’m sorry. I’m so sorry. Lillian, my sweet love… you’re safe now. I’ll never let anything happen to you again. I swear it on my life. You’re safe.” He took her head in his hands, and his mouth slid over hers in a kiss that was brief, soft, and yet so shockingly intense that she swayed dizzily. Closing her eyes, she let herself rest against him, still fearing that none of this was real, that she would awaken to find herself with St. Vincent once more. Marcus whispered comforting words against her parted lips and cheeks, and held her with a grip that seemed gentle but could not have been broken by the combined efforts of ten men.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
One UniVerse for the Living
While palaces attest to the power of men,
And monuments mark their wars,
Little remains of the women who've been-
Except for the sons that they bore.
But the voices of women were baked into bread
And later buttered with epics
While the souls of their daughters
Stitched with fine thread
Became tapestries stored in attics.
And all through the ages
Men boasted like beasts
Erecting pillars of marble and stone,
But still they found themselves only to be
Sculpted of flesh and bone.
Philosophers pondered the nature of gods
Outlawing temptations that plagued them
And earning themselves, against all odds,
The power to punish the pagans.
By writing themselves into sacred books
The clergymen sealed our fate
To follow decrees that have their roots
In nothing but misguided hate.
So, children of Adam and invisible Eve,
challenge the wisdom of sages.
Don’t be so sure sacred scrolls that you read
Aren't filled with human pages.
Walk in the wilderness.
Eat of the fruit.
Don't let them buy you with wages.
Plant your own garden.
Drink of the wine.
Learn how to be courageous.
Hearts that are hardened
To what is divine
Have honored the dead too long.
Search for the stories
Baked into bread
And eat until you are strong.
”
”
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
“
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images, fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing.
He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered.
He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities, besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens.
His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat, to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
”
”
Suetonius (The Twelve Caesars)
“
them—or something like it. They even got the Doctor some tobacco one day, when he had finished what he had brought with him and wanted to smoke. At night they slept in tents made of palm leaves, on thick, soft beds of dried grass. And after a while they got used to walking such a lot and did not get so tired and enjoyed the life of travel very much. But they were always glad when the night came and they stopped for their resting time. Then the Doctor used to make a little fire of sticks; and after they had had their supper, they would sit round it in a ring, listening to Polynesia singing songs about the sea, or to Chee-Chee telling stories of the jungle. And many of the tales that Chee-Chee told were very interesting. Because although the monkeys had no history books of their own before Doctor Dolittle came to write them for them, they remember everything that happens by telling stories to their children. And Chee-Chee spoke of many things his grandmother had told him—tales of long, long, long ago, before Noah and the Flood—of the days when men dressed in bearskins and lived in holes in the rock and ate their mutton raw because they did not know what cooking was, never having seen a fire. And he told them of the great mammoths, and lizards as long as a train, that wandered over the mountains in those times, nibbling from the treetops. And often they got so interested listening that when he had finished they found their fire had gone right out, and they had to scurry around to get more sticks and build a new one. Now, when the King’s army had gone back and told the King that they couldn’t find the Doctor, the King sent them out again and told them they must stay in the jungle till they caught him. So all this time, while the Doctor and his animals were going along toward the Land of the Monkeys, thinking themselves quite safe, they were still being followed by the King’s men. If Chee-Chee had known this, he would most likely have hidden them again. But he didn’t know it. One day Chee-Chee climbed up a high rock and looked out over the treetops. And when he came down he said they were now quite close to the Land of the Monkeys and would soon be there. And that same evening, sure enough, they saw Chee-Chee’s cousin and a lot of other monkeys, who had not yet gotten sick, sitting in the trees by the edge of a swamp, looking and waiting for them. And when they saw the famous doctor really come, these monkeys made a tremendous noise, cheering and waving leaves and swinging out of the branches to greet him. They wanted to carry his bag and his trunk and everything he had. And one of the bigger ones even carried Gub-Gub, who had gotten
”
”
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle Series))
“
Too often in the past, I made a public spectacle of myself on the worst possible occasions, in front of the worst possible people. I was an absolute swine. Brawling at parties. Pissing in fountains and vomiting in potted plants. I've slept with other men's wives, I've ruined marriages. It takes years of dedicated effort to discredit one's own name as thoroughly as I did, but by God, I set the bar. There will always be rumors and ugly gossip, and I can't contradict most of it because I was always too drunk to know whether it happened or not. Someday your sons will hear some of it, and any affection they feel for me will turn to ashes. I won't let my shame become their shame."
Phoebe knew if she tried to argue with him point by point, it would only lead to frustration on her part and wallowing on his. She certainly couldn't deny that upper-class society was monstrously judgmental. Some people would perch ostentatiously on their moral pedestals, loudly accusing West while ignoring their own sins. Some people might overlook his blemished reputation if there was any advantage to them in doing so. None of that could be changed. But she would teach Justin and Stephen not to be influenced by hypocritical braying. Kindness and humanity- the values her mother had imparted- would guide them.
"Trust us," she said quietly. "Trust me and my sons to love you.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
As Mae followed her, she had to remind herself that Annie had not always been a senior executive at a company like the Circle. There was a time, only four years ago, when Annie was a college student who wore men’s flannel housepants to class, to dinner, on casual dates. Annie was what one of her boyfriends, and there were many, always monogamous, always decent, called a doofus. But she could afford to be. She came from money, generations of money, and was very cute, dimpled and long-lashed, with hair so blond it could only be real. She was known by all as effervescent, seemed incapable of letting anything bother her for more than a few moments. But she was also a doofus. She was gangly, and used her hands wildly, dangerously, when she spoke, and was given to bizarre conversational tangents and strange obsessions—caves, amateur perfumery, doo-wop music. She was friendly with every one of her exes, with every hookup, with every professor (she knew them all personally and sent them gifts). She had been involved in, or ran, most or all of the clubs and causes in college, and yet she’d found time to be committed to her coursework—to everything, really—while also, at any party, being the most likely to embarrass herself to loosen everyone up, the last to leave. The one rational explanation for all this would have been that she did not sleep, but this was not the case. She slept decadently, eight to ten hours a day, could sleep anywhere—on a three-minute car ride, in the filthy booth of an off-campus diner, on anyone’s couch, at any time. Mae
”
”
Dave Eggers (The Circle)
“
I And I"
Been so long since a strange woman has slept in my bed
Look how sweet she sleeps, how free must be her dreams
In another lifetime she must have owned the world, or been faithfully wed
To some righteous king who wrote psalms beside moonlit streams.
I and I
In creation where one's nature neither honors nor forgives
I and I
One say to the other, no man sees my face and lives.
Think I'll go out and go for a walk
Not much happening here, nothing ever does
Besides, if she wakes up now, she'll just want me to talk
I got nothing to say, 'specially about whatever was.
I and I
In creation where one's nature neither honors nor forgives
I and I
One say to the other, no man sees my face and lives.
Took an untrodden path once, where the swift don't win the race
It goes to the worthy, who can divide the word of truth
Took a stranger to teach me, to look into justice's beautiful face
And to see an eye for an eye and a tooth for a tooth.
I and I
In creation where one's nature neither honors nor forgives
I and I
One say to the other, no man sees my face and lives.
Outside of two men on a train platform there's nobody in sight
They're waiting for spring to come, smoking down the track
The world could come to an end tonight, but that's all right
She could still be there sleeping when I get back.
I and I
In creation where one's nature neither honors nor forgives
I and I
One say to the other, no man sees my face and lives.
Noontime, and I'm still pushing myself along the road, the darkest part
Into the narrow lanes, I can't stumble or stay put
Someone else is speaking with my mouth, but I'm listening only to my heart
I've made shoes for everyone, even you, while I still go barefoot.
I and I
In creation where one's nature neither honors nor forgives
I and I
One say to the other, no man sees my face and lives.
Bob Dylan, Infidels (1983)
”
”
Bob Dylan (Menu from the Gaslight Cafe in Greenwich Village.)
“
How many rapes occurred inside the walls of the main camp of Ravensbrück is hard to put a figure to: so many of the victims—already, as Ilse Heinrich said, half dead—did not survive long enough after the war to talk about it.
While many older Soviet women were reluctant to talk of the rape, younger survivors feel less restraint today. Nadia Vasilyeva was one of the Red Army nurses who were cornered by the Germans on the cliffs of the Crimea. Three years later in Neustrelitz, northwest of Ravensbrück, she and scores of other Red Army women were cornered again, this time by their own Soviet liberators intent on mass rape. Other women make no excuses for the Soviet rapists. ‘They were demanding payment for liberation,’ said Ilena Barsukova. ‘The Germans never raped the prisoners because we were Russian swine, but our own soldiers raped us. We were disgusted that they behaved like this. Stalin had said that no soldiers should be taken prisoner, so they felt they could treat us like dirt.’
Like the Russians, Polish survivors were also reluctant for many years to talk of Red Army rape. ‘We were terrified by our Russian liberators,’ said Krystyna Zając. ‘But we could not talk about it later because of the communists who had by then taken over in Poland.’ Nevertheless, Poles, Yugoslavs, Czechs and French survivors all left accounts of being raped as soon as they reached the Soviet lines. They talked of being ‘hunted down’, ‘captured’ or ‘cornered’ and then raped.
In her memoirs Wanda Wojtasik, one of the rabbits, says it was impossible to encounter a single Russian without being raped. As she, Krysia and their Lublin friends tried to head east towards their home, they were attacked at every turn. Sometimes the approach would begin with romantic overtures from ‘handsome men’, but these approaches soon degenerated into harassment and then rape. Wanda did not say she was raped herself, but describes episodes where soldiers pounced on friends, or attacked them in houses where they sheltered, or dragged women off behind trees, who then reappeared sobbing and screaming. ‘After a while we never accepted lifts and didn’t dare go near any villages, and when we slept someone always stood watch.
”
”
Sarah Helm (Ravensbruck: Life and Death in Hitler's Concentration Camp for Women)
“
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
1 It was early December. The streets of Milan glistened with Christmas decorations, with people coming and going carefree, carrying elegant shopping bags. It was past eight, and several minutes earlier I had closed behind me the door of Passerella, the modelling agency I ran. I had let my assistant, Giovanni, file the photos of the new faces we had initially chosen for Dante’s summer collection. He was an up-and-coming designer. The minute I walked down Monte Napoleone, one of the city’s most commercial streets, the chilly air forced me to wrap up well in my brand new light green coat. An original piece of cashmere, the five letters embossed on its lapel making it even more precious in that cold weather. My fingers contentedly groped for the word “Prada” before I stuck my hand into its warm pocket, while clutching my favourite handbag tight. A huge red ostrich Hermes where you could find cosmetics, scarves, and accessories, which I could use throughout the day, giving a different twist to my appearance. I wanted to walk a little bit to let off steam. My job may have been pleasant as it had to do with the world’s most beautiful creatures, men and women, but it wasn’t without its tensions. Models went to and fro, trade representatives looking for new faces, endless castings, phone calls, text messages, tailors, photographers, reports from my secretary and assistants—a rowdy disorder! I had already left the building where my job was, and I was going past another two entrances of nearby premises, when my leg caught on something. I instantly thought of my brand new Manolo Blahnik shoes. I’d only put them on for the second time, and they were now falling victim to the rough surface of a cardboard box, where a homeless man slept, at the entrance of a building. My eyes sparked as I checked if my high heels were damaged. On the face of it, they were intact. But that wasn’t enough for me. I found a lighter, and tried to check their red leather in the dim light. Why should the same thing happen over and over again every time I buy new shoes? I wondered and walked on, cursing. Why had that bloke chosen that specific spot to sleep, and why had I headed for his damn cardboard box! As I held my lighter, my angry gaze fell on the man who was covered with an impermeable piece of nylon, and carried on sleeping. He looked so vulnerable out in the cold that I didn’t dare rouse him from his sleep. After all, how could I hold him responsible in this state? I quickened my gait. Bella was waiting for me to start our night out with a drink and supper at Galleria Vittorio Emanuele, the imposing arcade with a dome made of glass, its ambience warm and romantic. Bella’s office was nearby, and that meeting place was convenient for both of us. That’s where we made up our minds about how to spend the night.I walked several metres down the road, but something made me stop short. I wanted to have a second look at that man. I retraced my steps. He was a young man who, despite his state, seemed so out of place. His unkempt hair and unshaven face didn’t let me see anything else but his profile, which reminded of an ancient Greek statue, with pronounced cheekbones and a chiselled nose. This second time, he must have sensed me over him. The man’s body budged, and he eyed me without making me out, dazzled by the lighter flame. As soon as I realised what I had done, I took to my heels. What had made me go back? Maybe, the sense of guilt I felt inside my warm Prada coat, maybe, the compassion I had to show as Christmas was just around the corner. All I knew was that a small bell jingled within, and I obeyed it. I walked faster, as if to escape from every thought. As I left, I stuck my hand in my bag, and got hold of my mobile. My secretary’s voice on the other end of the line sounded heavy and imposing. Giovanni wasn’t the embodiment of “macho” man, but he had all it takes to be the perfect male. Having chosen to quit modelling, he still looked gorgeous at the age of
”
”
Charlotte Bee (SLAVE AT MY FEET)
“
River searched the world for her girls. She dug up every anthill she could find. The army ants were too frightened to tell her what they'd done, but they did tell her that the ant god had gone to live among the humans. River searched for Ant. She dug through entire lineages trying to find him. When, after three hundred years, the sky god dared to mention the neglected waters of the world, she dried up entire countries out of spite. This is our River, one god reminded the other, our sweet River. Let us help, not hinder. And so they sent emissaries from every spirit realm, second daughters and minor spirits of similar powers, godlings all, promising their aid for a hundred years. But River's grief became their own. They forgot their mothers and their brothers and the lovers they'd promised to return to; they forgot that they'd had a past before this grief removed everything form inside of them. How, they wondered, can a body feel full to bursting with grief but also hollow? These godlings of land and air and memory resisted this loss of themselves, but River's sorrow drowned them. Their husbands, their children, their homes became like reflections in a rough stream, fractured beyond recognition.
They tore the world apart. Unprecedented rains. Earthquakes that ravaged every region. One godling who had come from the house of flames sent an entire cite on fire trying to find River's girls. It was a dark century for humankind and godkind alike. Then the female godlings got craftier in their search. They made themselves visible to human eyes, tempting men and women, threatening men and women, building a network of spies across the globe who lit candles and prayed to them and passed this new religion on to their children. Every new convert was a new set of eyes in the world, a new set of ears to catch whispers of men who didn't seem to fit in, or men who rose to ungodly success but never seemed to pray. Many a good man was lost to angry godlings who peeled his skin away, searching for the god that might be hidden inside.
But after seven hundred fruitless years and countless human believers in her service, it dawned on River that she might never see her twins again. She collapsed where she stood, and every emissary lay down as well. Dust settled on them, then grime and so much debris that they became part of the earth, hills of hips and buttocks and woe.
All but one. That only one who felt the rage of River, multiplied by that most powerful feeling that won't let a person rest: guilt. River's sister, not quite goddess. The guilt turned in her belly like a ship in a storm. She'd slept while her sister's children were taken. Blame, so like a god itself, shadowed her, occupied her bed like a lover, whispered to her like a dearest friend. Her name was eventually forgotten.
”
”
Lesley Nneka Arimah (What It Means When a Man Falls from the Sky)
“
The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.” “‘The Ladder of St. Augustine,’” I
”
”
Kim Michele Richardson (The Book Woman's Daughter (The Book Woman of Troublesome Creek, #2))
“
Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
”
”
Viet Thanh Nguyen (The Sympathizer (The Sympathizer #1))
“
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
The heights by great men reached and kept were not attained by sudden flight, but they while their companions slept were toiling upward in the night.
”
”
Henry Wadsworth Longfellow
“
She added something about 'healing the wounded' being a good occupation for young women during wartime. Secretly, I wondered if it might not be a better occupation for young men; it might make them think before waging war.
”
”
Ruth Druart (While Paris Slept)
“
Men wore an undershirt to bed or slept nude. As well as to provide warmth in bed, everyone wore a form of nightcap to keep devils out of their ears while they slept.
”
”
Carol McGrath (Sex and Sexuality in Tudor England)
“
I’d made huge strides in my career, but I missed the girl who danced while she cooked, laughed more than not, who bravely slept with two men. I missed the girl who dared her fiancé to fuck her in public. Who owned her body and lacked any inhibitions. Who feared no man and the pain they could cause.
”
”
Fiona Cole (Another (Voyeur, #4))
“
Louisa watched her husband shave. He was careful, methodical, and efficient as he scraped dark whiskers from his face. He kept a mug—not a cup—of tea at his elbow throughout this masculine ritual, shaving around his mouth first so he might sip at his tea. “You missed a spot on your jaw, Husband.” Husband. Her very own husband. He turned, flecks of lather dotting his visage, and held his razor out to her. Not quite a challenge, but something more than an invitation. The moment called for a shaving sonnet. Louisa set her tea aside—tea Joseph had prepared for her—and climbed off the bed. She took the razor from him and eyed his jaw. “Were you trying to spare my sensibilities last night?” “You were indisposed.” They both fell silent while Louisa scraped the last of the whiskers from Joseph’s cheek. She appropriated the towel he’d draped over his shoulder and wiped his face clean. “I know I was indisposed, but you blew out all the candles before you undressed. I’ve seen naked men before.” She’d never slept with one wrapped around her, though. Such an arrangement was… cozy, and inclined one toward loquaciousness. “You’ve seen naked men?” There was something too casual in Joseph’s question. Louisa set the razor down and stepped back. “Growing up, there was always a brother or two to spy on, and I think they didn’t mind being spied on so very much, or they wouldn’t have been quite as loud when they went swimming. I attend every exhibition the Royal Society puts on, and the Moreland library is quite well stocked.” He kissed her, and by virtue of his mouth on hers, Louisa understood that her husband was smiling at her pronouncements. He gave her a deucedly businesslike kiss though, over in a moment. As Louisa lingered in her husband’s arms, sneaking a whiff of the lavender soap scent of his skin, she wondered if married kisses were different from the courting kind. “I have married a fearlessly naughty woman,” Joseph said, stroking a hand down her braid. “And to think I was concerned that I was imposing by asking you to share my bed last night.” “You needn’t be gallant. I talked your ears off.” And he’d listened. He hadn’t fallen asleep, hadn’t patted her arm and rolled over, hadn’t let her know in unsubtle ways that the day had been quite long enough, thank you very much.
”
”
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
“
Luke Sheppard, bold and brash with wispy curls, football-built shoulders, and that squinty-eyed smile. Oh, any of us could’ve told her to stay away from him. She wouldn’t have listened, of course. What did the church mothers know anyway? Not how Luke held her hand while they slept or played with her hair when they cuddled or how after she’d told him about the pregnancy test, he cradled her bare feet in his lap. A man who laced his fingers through yours all night and held your feet when you were sad had to love you, at least a little bit. Besides, what did a bunch of old ladies know? We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more. —
”
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Brit Bennett (The Mothers)
“
There are two postures in Zazen—that is to say, the crossed-leg sitting, and the half crossed-leg sitting. Seat yourself on a thick cushion, putting it right under your haunch. Keep your body so erect that the tip of the nose and the navel are in one perpendicular line, and both ears and shoulders are in the same plane. Then place the right foot upon the left thigh, the left foot on the right thigh, so as the legs come across each other. Next put your right hand with the palm upward on the left foot, and your left hand on the right palm with the tops of both the thumbs touching each other. This is the posture called the crossed-leg sitting. You may simply place the left foot upon the right thigh, the position of the hands being the same as in the cross-legged sitting. This posture is named the half crossed-leg sitting.' 'Do not shut your eyes, keep them always open during whole Meditation. Do not breathe through the mouth; press your tongue against the roof of the mouth, putting the upper lips and teeth together with the lower. Swell your abdomen so as to hold the breath in the belly; breathe rhythmically through the nose, keeping a measured time for inspiration and expiration. Count for some time either the inspiring or the expiring breaths from one to ten, then beginning with one again. Concentrate your attention on your breaths going in and out as if you are the sentinel standing at the gate of the nostrils. If you do some mistake in counting, or be forgetful of the breath, it is evident that your mind is distracted.' Chwang Tsz seems to have noticed that the harmony of breathing is typical of the harmony of mind, since he says: "The true men of old did not dream when they slept. Their breathing came deep and silently. The breathing of true men comes (even) from his heels, while men generally breathe (only) from their throats."[FN#245] At any rate, the counting of breaths is an expedient for calming down of mind, and elaborate rules are given in the Zen Sutra,[FN#246] but Chinese and Japanese Zen masters do not lay so much stress on this point as Indian teachers. [FN#245]
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Kaiten Nukariya (The Religion of the Samurai A Study of Zen Philosophy and Discipline in China and Japan)
“
First, then, the Lord began His final work by casting Adam into a deep sleep. And so did the second Adam lie three days in the sleep of death before the creation of His bride could be commenced. While the first Adam slept, God opened his side and took out the rib wherewith He made the woman. So while the second Adam slept in death upon the cross, a soldier pierced His side, so that there came forth blood and water; and by means of that blood, without the shedding of which there could never have been remission of sins, the Church is now in process of formation. Thou “didst purchase unto God by Thy blood men of every tribe, and tongue, and people, and nation,”[158] is the cry of the elders when the time has at length come to sing the new song.
”
”
G.H. Pember (Earth's Earliest Ages and Their Connection with Modern Spiritualism and Theosophy)
“
I have seen worlds grow and die, until their ashes don't even float on the wind of the highest mountains. I've loved the legends of men whose names are lost, loved people who aren't even memories. The trees you climb now will be the coal that heats the rooms in a thousand years that house the babies that grow to found the empires that will crumble to dust while I sit and watch. I've seen libraries burn, my boy, I've seen books crackle and spit and crack to black earth and shadows. I've waited and slept and ignored more history than you and your islanders will ever know happened. Don't tell me I can't have a moment of thought before the bite.
”
”
Simon P. Clark (Eren)
“
Answer Me! Answer me when I call to you, my righteous God. Give me relief from my distress; have mercy on me and hear my prayer. PSALM 4:1 NIV Have you ever felt like God wasn’t listening? We’ve all felt that from time to time. David felt it when he slept in a cold, hard cave night after night, while being pursued by Saul’s men. He felt it when his son Absalom turned against him. Time and again in his life, David felt abandoned by God. And yet, David was called a man after God’s own heart. No matter our maturity level, there will be times when we feel abandoned by God. There will be times when our faith wavers and our fortitude wanes. That’s okay. It’s normal. But David didn’t give up. He kept crying out to God, kept falling to his knees in worship, kept storming God’s presence with his pleas. David knew God wouldn’t hide His face for long, for he knew what we might sometimes forget: God is love. He loves us without condition and without limit. And He is never far from those He loves. No matter how distant God may seem, we need to keep talking to Him. Keep praying. Keep pouring out our hearts. We can know, as David knew, that God will answer in His time. Dear Father, thank You for always hearing my prayers. Help me to trust You, even when You seem distant. Amen.
”
”
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
“
but in the meanwhile here were these slow undulations of lips and cheek, the articulate movements of tongue and jaw, the glow of alabaster skin.
Sometimes in the woods near the farm in Percussina he lay on the leaf-soft ground and listened to the two-tone song of the birds, high low high, high low high low, high low high low high. Sometimes by a woodland stream he watched the water rush over the pebbled bed, its tiny modulations of bounce and flow. A woman's body was like that. If you watched it carefully enough you could see how it moved to the rhythm of the world, the deep rhythm, the music below the music, the truth below the truth. He believed in this hidden truth the way other men believed in God or love, believed that truth was in fact always hidden, that the apparent, the overt, was invariably a kind of lie. Because he was a man fond of precision he wanted to capture the hidden truth precisely, to see it clearly and set it down, the truth beyond ideas of right and wrong, ideas of good and evil, ideas of ugliness and beauty, all of “deceptions of the world, having little to do with how things really worked, disconnected from the what-ness, the secret codes, the hidden forms, the mystery.
Here in this woman's body the mystery could be seen. This apparently inert being, her self erased or buried beneath this never-ending story, this labyrinth of story-rooms in which more tales had been hidden than he was interested to hear. This toothsome sleepwalker. This blank. The rote-learned words poured out of her as he looked on, and while he unbuttoned and caressed. He exposed her nudity without compunction, touched it without guilt, manipulated her without any feelings of remorse. He was the scientist of her soul. In the smallest motion of an eyebrow, in the twitch of a muscle in her thigh, in a sudden minuscule curling of the left corner of her upper lip, he deduced the presence of life. Her self, that sovereign treasure, had not been destroyed. It slept and could be awakened. He whispered in her ear, "This is the last time you will ever tell this story. As you tell it, let it go." Slowly, phrase by phrase, episode by episode, he would unbuild the “only a man looking for the deeper truth would have seen it, her back arched in return. There was nothing wrong in what he did. He was her rescuer. She would thank him in time”
Excerpt From: Toppy. “The Enchantress of Florence - Salman Rushdie.
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”
Salman Rushdie (The Enchantress of Florence)
“
Later in the day, word would spread: “Men are needed to sit up all night with a sick friend.” You’d hear it whispered everywhere. They’d all know what it meant. They were lining up armed guards to keep Marshall safe from night-riding Klansmen while he slept.
”
”
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
“
The forest could kill you in a thousand ways, yet it had no guiding purpose, no evil heart, no curse set on. There was no malicious spirit tugging at the silvery strands of spider silk that ran through the canopy. It simply was. And even though it was filled with dangerous creatures, the most deadly aspects of the Grimwood were not its residents. Most people who died there were not killed by wolves or carried off by giants to give extra body to a pot of goulash. They weren’t lured into one of the many caves by will-o-the-wisps to be calcified and turned into stalactites. They weren’t swallowed up by carnivorous moss men while they slept or plucked from their horses by snatcher vines to be slowly dissolved in the plant’s innards (most mind you – these things did happen). No. Nothing so exciting. The fact was that the large majority of people taken by the forest died from normal, rather boring things like starvation, falling trees, slips into ravines or, and this was by far the greatest cause of death, pure stupidity.
”
”
David P. Macpherson (Here Be Dragons)
“
No matter the battles, the spirit of darkness cannot defeat a Christian that bombards his destiny with the word of God.
”
”
Prayer M. Madueke (Divine Protection & Immunity While Sleeping: While Men Slept His Enemy Came and Sowed Tares among the Wheat and Went His Way.....)
“
Pleasure Cruise for 137 Corpses” The fire broke out in the ship’s writing-room at 2:30 AM. While the passengers and most of the crew slept soundly, the flames raced through the ship. In an unbelievably
”
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Lawrence Block (The Naked and the Deadly: Lawrence Block in Men's Adventure Magazines (Men's Adventure Library Book 17))
“
The heights by great men reached and kept were not attained by sudden flight,
but they, while their companions slept,
were toiling upward in the night.”
― Henry Wadsworth Longfellow
”
”
Vilma Ruddock (Jamaican Genealogy Research: A Practical Guide to the Best Resources for Tracing Your Ancestry)
“
Has the Second Coming come and I missed it? If so, I need to find a priest quickly.” Adara looked up from her food to find Corryn watching her from a short distance away. As always, Corryn was dressed as a bony man in a white tunic and brown leather breeches.
“Nay. Why do you ask?”
Corryn shrugged as she drew near to take a seat across the table from her. “You look as if it came and passed you by.” She pulled a piece of bread from the loaf on a wooden trencher near Adara’s elbow. “So what has happened to cause you to look so miserable?”
Sighing, Adara set down her knife. “I was merely trying to understand why it is that my husband runs from me as if I’m a leper.”
Corryn swallowed the bread she was chewing and gave her an arch stare. “Are you?”
“Nothing’s fallen from me yet.”
Corryn laughed as she reached to share Adara’s wine cup. “Men are ever woman’s bane. ’Tis a pity they look so delectable in armor, otherwise I would say good riddance and be gladly done with them.” Her outspokenness was startling to Adara, who would never speak of such things…Of course, she might think it, but she would never say such. Then again, Corryn spent a great deal of time in male company.
“Does Ioan know you think in this manner?”
“Ioan?” Corryn asked with a laugh. “He still thinks I’m ten-and-three in age. Would you believe he told the men that the reason they can’t ever let me see them naked is that I was once a prisoner in the Holy Land and that the Saracens…” She paused as if trying to think of a way to phrase her thoughts. “Well, please don’t be offended, but that my male member was cut off for spite and that if I saw any of theirs, it would either devastate me or cause me to go insane and kill them while they sleep. More like, Ioan would kill them while they slept, but he would blame me for it nonetheless.”
“Are you serious?”
“Aye. The man is most mad. He claims ’tis also the reason my voice is so high and unchanged.” She rolled her eyes as if even the merest thought of Ioan were too much to bear. “But let us return to your problem with Christian. I think you should tie him down until he learns not to flee from you anymore. From what I hear of our men, a lot of them like that.
”
”
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
“
Realizing that she was clad only in the fur, she pulled it tight around her, trying to cover her legs, her shoulders, and her breasts all at the same time. “You monster!” she said. “You promised me you’d call out before you came back. You tricked me.” She grabbed her shift and retreated to the shadows in the back of the cave. “I did call you,” he said. “You were sleeping like a bear in winter. I killed the turkey, plucked it, and cooked it. Still you slept. I think Simon Brandt has a lazy woman for a wife.” Rebecca sputtered, too angry for words, as she struggled to get into her shift without dropping the wolfskin. She did notice that not only was she dry, but her garment was dry as well. She had been asleep, and not just for a few moments. “You seem to have lost your dress,” he said, “so I brought you the Huron’s French coat instead. I think it will fit you if you tie his belt around your waist.” He reached over and held up a blue men’s military jacket. “You expect me to wear a dead man’s coat?” “You will wear it, woman, or I will take your last garment and leave you only the wolf pelt to wear.” “Go to hell!” she shouted. “If the English are right about their god, I will. But what if the Shawnee are right, and you are wrong. Have you thought of that?” “No.” “Think of it while you eat my turkey and sit at my fire. Perhaps it will help you to be properly grateful to a man who has gone to great lengths to keep you from harm.” “I’ll never be grateful to you.” He smiled. “But you will eat my turkey.” She nodded. “Only to have enough strength to live long enough to see you hanged for the savage you are.
”
”
Judith E. French (This Fierce Loving)
“
Many a warlord engages a spiritualist to influence the outcome of a war he is involved in. A priest may consecrate a campaign, and may even join the soldiers on the battlefield in a total effort to shore up their fighting spirit; a spell-caster is hired to curse the wretched enemy. But as the war drags on and divine intervention proves hopelessly distant, an Abettor is sought.
A self-appointed admiral, the Abettor is versed in the art of modern warfare, developments in armaments, the strengths and weaknesses of warring parties in his domain, and, above all, is the deciding factor in the most prickly situations. Driven by his passion for a fair fight more than any personal reward or gratification, a good Abettor thinks nothing of abetting both belligerents in a given engagement.
A celebrated Abettor came to the rescue of Count Ashenafi. A slight man with wooden dentures, the war broker had spent many of his ninety-three years crisscrossing territories, often with little regard for political borders, in search of a war to sponsor. He was a living archive: at his fingertips were all the battles that had been fought in his vast domain for the past six centuries and the strategies and tactics that had endured through generations. He was well acquainted with the armaments and able-bodied men within reach of not just princes and kings but also the lesser war-makers—feudal lords.
A quick study of human nature, the Abettor realized that men may endure without bread and water but not without war, and so he made it his calling to afford them a fair and refreshing combat. He spent his days and nights sniffing for gunpowder, carrying on his back his worldly possessions of an old rifle, the Holy Scriptures, an extra copy of the Book of Hymns, and a small sacrifice for the road. He slept while walking. Having adjusted his needs to the ever-shifting clime, he could go without food or water for up to six months. Only in times of abundant harvest did he answer the call of nature.
Though many brave men had sought him out in times of pressing need, the war patriarch had failed to earn their affection. A few of the people he had so diligently served had conspired to put him out of service in the most hideous ways. In an ordinary year, he could expect to be stabbed to death twice. Once, an army of retreating archers shot him with ninety-five arrows. On three different occasions, he was carved into palm-sized pieces and his remains served to hawks and storks; he was also known to have been buried alive. But, each time, the old man resurfaced in some remote corner of the kingdom in one piece, invigorated by his ordeal, ready to influence the outcome of another raging war.
”
”
Nega Mezlekia (The God Who Begat a Jackal: A Novel)
“
riot of snakes? White men came now and again to burn fires and get drunk on one beach or another and watch the riverboats roll by. I fished, ate, slept, thought and wrote. I wrote to extend my thought, I wrote to catch up with my own story, wondering all the while if that was even possible. My sleep was bothered by the scene of Katie’s rape. I hated that man. I hated myself for not intervening. I hated the world that wouldn’t let me apply justice without the certain retaliation of injustice. I hated that such violence had been served to my wife and would be served to my daughter. I hated that the overseer would return to Katie. Again and again.
”
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Percival Everett (James)
“
Oh, any of us could’ve told her to stay away from him. She wouldn’t have listened, of course. What did the church mothers know anyway? Not how Luke held her hand while they slept or played with her hair when they cuddled or how after she’d told him about the pregnancy test, he cradled her bare feet in his lap. A man who laced his fingers through yours all night and held your feet when you were sad had to love you, at least a little bit. Besides, what did a bunch of old ladies know? We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.
”
”
Brit Bennett (The Mothers)
“
And there was wind and cold, but neither sun nor moon nor anything good, for the earth slept. But under her cold white pillow lay a secret, which only men who have tilled the soil may know, and while the earth received unto her the Old Lord, and held him in slumbering embrace, her womb at the same time prepared itself for new birth, and this was the secret that every husbandman knew. And when she threw aside her blanket once again, when Planting Day returned, the Lord who had been the Young Lord, but was now in his turn the Harvest Lord, would rise anew, strong and young and beautiful, and so it would continue, forever, the Eternal Return, for thus it was since the Olden Times.
”
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Thomas Tryon (Harvest Home)
“
Beyond the limits of these external reasons, Smiley perceived in himself the existence of a darker motive, infinitely more obscure, one which his rational mind continued to reject. He called it Karla, and it was true that somewhere in him, like a leftover legend, there burned the embers of hatred toward the man who had set out to destroy the temples of his private faith, whatever remained of them: the service that he loved, his friends, his country, his concept of a reasonable balance in human affairs. It was true also that a lifetime or two ago, in a sweltering Indian jail, the two men had actually faced each other, Smiley and Karla, across an iron table, though Smiley had no reason at the time to know he was in the presence of his destiny. Karla’s head was on the block in Moscow; Smiley had tried to woo him to the West, and Karla had kept silent, preferring death or worse to an easy defection. And it was true that now and then the memory of that encounter, of Karla’s unshaven face and watchful, inward eyes, came at him like a spectre out of the murk of his little room while he slept fitfully on his bunk. But hatred was really not an emotion he could sustain for any length of time, unless it was the obverse side of love.
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John le Carré (The Honourable Schoolboy (George Smiley, #6; Karla Trilogy #2))
“
He watched the parade come in and out of his courtroom, whichever Part he was in that day, and he wondered how the city had become such a disgusting thing on his watch. How it lifted babies by the hair, and how it raped seventy-year-old women, and how it set fires to couches where lovers slept, and how it pocketed candy bars, and how it shattered ribcages, and how it allowed its war protesters to spit in the faces of cops, and how the union men ran roughshod over their bosses, and how the Mafia took a hold of the boardwalks, and how fathers used daughters as ashtrays, and how bar fights spun out of control, and how perfectly good businessmen ended up urinating in front of the Woolworth Building, and how guns were drawn in the pizza joints, and how whole families got blown away, and how paramedics ended up with crushed skulls, and how addicts shot heroin into their tongues, and how shysters ran scams and old ladies lost their savings, and how shopkeepers gave back the wrong change, and how the mayor wheezed and wheedled and lied while the city burned down to the ground, got itself ready for its own little funeral of ashes, crime, crime, crime. There wasn’t a bad thing in the city that didn’t pass through Soderberg’s gutter watch. It was like surveying the evolution of slime. You stand there long enough and the gutter gets slick, no matter how hard you battle against it.
”
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Colum McCann (Let the Great World Spin)
“
The article was taken from the business page of a newspaper in Manhattan, and it said that Miss Faye Berns had been appointed fund-raising director of the New York office of the World Aid Committee, which would seek to assist Displaced Persons in returning to their homelands once the war ended. The article was brief, but it did give the address of the World Aid Committee, and he copied it out on a piece of paper.
In the photograph, a three-quarter angle, he could see the changes. Her hair was shorter, there was a line to her jaw that hadn't been there before, and she had smiled for the photographer in a way that he didn't recognize. It was an artificial smile, posed and official.
For a long time he stared at the photograph, shocked by the degree to which memory had betrayed him, deceived him. Because he had always remembered her as she was in Paris, on the afternoon they had met by accident in the bookstore. He had, unwittingly, frozen her in time, kept her as she had been on a June day in 1937. He remembered her as she cried for Andres, remembered her as someone who would dare to love a man like Andres, who did not desert him, who paid the price of that love, and then survived. He remembered her as a girl who had flung herself against the world without caution, without a care for her safety. Now she was a woman who had grown up to accept the artifice of a smile, poised and confident, for a newspaper.
He remembered, particularly, both times they had touched: when she had slept on his shoulder in the car parked at the Bilbao docks, and when she had held his hands while they waited for the train to depart at the Gare du Nord. Did men and women ordinarily remember the times when they'd touched each other? He did not know.
[...] He bore down on his work for the rest of the afternoon, then, since it was Thursday, went off to visit his woman friend.
She was, as usual, responsive, falling in with his mood and treating him with a certain casual tenderness that he'd always found very comforting. Yet he was not his best self, distracted by the image of a woman with a professional smile in a grainy photograph. He imagined himself a great realist, and that passion without sentiment suited him perfectly. But at work on Friday morning he experienced a surge of emotion, more gratitude than love, and sent his friend a bouquet of flowers. For which she thanked him, with a certain casual tenderness, the following Thursday.
”
”
Alan Furst (Night Soldiers (Night Soldiers, #1))