“
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.
When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head.
I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me.
Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN.
I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.*
Who are you? Are you in touch with all your darkest fantasies?
Have you created a life for yourself where you’re free to experience them?
I Have.
I Am Fucking Crazy. But I Am Free.
”
”
Lana Del Rey
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
You'll be dancing once again and the pain will end, You'll have no time for grievin'.
”
”
Emily Giffin (Where We Belong)
“
One of the most terrible losses man endures in his lifetime is not even noticed by most people, much less mourned. Which is astonishing, because what we lose is in many ways one of the essential qualities that sets us apart from other creatures. I'm talking about the loss of the sense of wonder that is such an integral part of our world when we are children. However, as we grow older, that sense of wonder shrinks from cosmic to microscopic by the time we are adults. Kids say "Wow!" all the time. Opening their mouths fully, their eyes light up with genuine awe and glee. The word emanates not so much from a voice box as from an astonished soul that has once again been shown that the world is full of amazing unexpected things.
When was the last time you let fly a loud, truly heartfelt "WOW?"
NOt recently I bet. Because generally speaking wonder belongs to kids, with the rare exception of falling madly in love with another person, which invariably leads to a rebirth of wonder. As adults, we are not supposed to say or feel Wow, or wonder, or even true surprise because those things make us sound goofy, ingenuous, and childlike. How can you run the world if you are in constant awe of it?...
The human heart has a long memory though and remembers what it was like to live through days where it was constantly surprised and delighted by the world around it.
”
”
Jonathan Carroll
“
If we can use an H-bomb--and as you said it's no checker game; it's real, it's war and nobody is fooling around--isn't it sort of ridiculous to go crawling around in the weeds, throwing knives and maybe getting yourself killed . . . and even losing the war . . . when you've got a real weapon you can use to win? What's the point in a whole lot of men risking their lives with obsolete weapons when one professor type can do so much more just by pushing a button?'
Zim didn't answer at once, which wasn't like him at all. Then he said softly, 'Are you happy in the Infantry, Hendrick? You can resign, you know.'
Hendrick muttered something; Zim said, 'Speak up!'
I'm not itching to resign, sir. I'm going to sweat out my term.'
I see. Well, the question you asked is one that a sergeant isn't really qualified to answer . . . and one that you shouldn't ask me. You're supposed to know the answer before you join up. Or you should. Did your school have a course in History and Moral Philosophy?'
What? Sure--yes, sir.'
Then you've heard the answer. But I'll give you my own--unofficial--views on it. If you wanted to teach a baby a lesson, would you cuts its head off?'
Why . . . no, sir!'
Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy with an H-Bomb as it would be to spank a baby with an ax. War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him . . . but to make him do what you want him to do. Not killing . . . but controlled and purposeful violence. But it's not your business or mine to decide the purpose of the control. It's never a soldier's business to decide when or where or how--or why--he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how. We supply the violence; other people--"older and wiser heads," as they say--supply the control. Which is as it should be. That's the best answer I can give you. If it doesn't satisfy you, I'll get you a chit to go talk to the regimental commander. If he can't convince you--then go home and be a civilian! Because in that case you will certainly never make a soldier.
”
”
Robert A. Heinlein (Starship Troopers)
“
As a kid, I imagined lots of different scenarios for my life. I would be an astronaut. Maybe a cartoonist. A famous explorer or rock star. Never once did I see myself standing under the window of a house belonging to some druggie named Carbine, waiting for his yard gnome to steal his stash so I could get a cab back to a cheap motel where my friend, a neurotic, death-obsessed dwarf, was waiting for me so we could get on the road to an undefined place and a mysterious Dr. X, who would cure me of mad cow disease and stop a band of dark energy from destroying the universe.
”
”
Libba Bray (Going Bovine)
“
Someone once told me that Fate will chew you up and spit you out many times, taking you away from those you love and dumping you into places you never wanted to be. It’s up to each of us where we choose to belong.
”
”
Donna Grant (Heat (Dark Kings, #12))
“
But really, all memories are like paintings: They can be incredibly vivid and lifelike. But in the end, they both just remind us that we only get to live any particular moment once, even if we remember it forever.
”
”
Gwendolyn Heasley (A Long Way from You (Where I Belong #2))
“
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
Because Marian was the love of my life. For a long time. And that's the kind of information you share when you're young and stupid and hoping that you're in something that is going to be even bigger and better than what you once lost. It's the kind of shit you waste your time thinking about. Lemme tell you -- it does no good.
”
”
Emily Giffin (Where We Belong)
“
...this is the first time in the history of humankind where we are trying to experience sexuality in the long term, not because we want 14 children, for which we need to have even more because many of them won't make it, and not because it is exclusively a woman's marital duty. This is the first time that we want sex over time about pleasure and connection that is rooted in desire.
So what sustains desire, and why is it so difficult? And at the heart of sustaining desire in a committed relationship, I think is the reconciliation of two fundamental human needs...
So reconciling our need for security and our need for adventure into one relationship, or what we today like to call a passionate marriage, used to be a contradiction in terms. Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide:
Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one.
Give me comfort, give me edge.
Give me novelty, give me familiarity.
Give me predictability, give me surprise.
And we think it's a given, and toys and lingerie are going to save us with that.
”
”
Esther Perel
“
- The Azan story -
The five daily ritual prayers were regularly performed in congregation, and when the time for each prayer came the people would assemble at the site where the Mosque was being built. Everyone judged of the time by the position of the sun in the sky, or by the first signs of its light on the eastern horizon or by the dimming of its glow in the west after sunset; but opinions could differ, and the Prophet felt the need for a means of summoning the people to prayer when the right time had come. At first he thought of appointing a man to blow a horn like that of the Jews, but later he decided on a wooden clapper, ndqiis, such as the Oriental Christians used at that time, and two pieces of wood were fashioned together for that purpose. But they were never destined to be used; for one night a man of Khazraj, 'Abd Allah ibn Zayd, who had been at the Second 'Aqabah, had a dream whieh the next day he recounted to the Prophet: "There passed by me a man wearing two green garments and he carried in his hand a ndqiis, so I said unto him: "0 slave of God, wilt thou sell me that naqusi" "What wilt thou do with it?" he said. "We will summon the people to prayer with it," I answered. "Shall I not show thee a better way?" he said. "What way is that?" I asked, and he answered: "That thou shouldst say: God is most Great, Alldhu Akbar." The man in green repeated this magnification four times, then each of the following twice: I testify that there is no god but God; I testify that Muhammad is the messenger of God; come unto the prayer; come unto salvation; God is most Great; and then once again there is no god but God.
The Prophet said that this was a true vision, and he told him to go to Bilal, who had an excellent voice, and teach him the words exactly as he had heard them in his sleep. The highest house in the neighbourhood of the Mosque belonged to a woman of the clan of Najjar, and Bilal would come there before every dawn and would sit on the roof waiting for the daybreak. When he saw the first faint light in the east he would stretch out his arms and say in supplication: "0 God I praise Thee, and I ask Thy Help for Quraysh, that they may accept Thy religion." Then he would stand and utter the call to prayer.
”
”
Martin Lings (Muhammad: His Life Based on the Earliest Sources)
“
Once the process of falsification is set in motion, it won't stop. We're in a country where everything that can be falsified has been falsified: paintings in museums, gold ingots, bus tickets. The counterrevolution and the revolution fight with salvos of falsification: the result is that nobody can be sure what is true and what is false, the political police simulate revolutionary actions and the revolutionaries disguise themselves as policemen."
And who gains by it, in the end?"
It's too soon to say. We have to see who can best exploit the falsifications, their own and those of the others: whether it's the police or our organization."
The taxi driver is pricking up his ears. You motion Corinna to restrain herself from making unwise remarks.
But she says, "Don't be afraid. This is a fake taxi. What really alarms me, though, is that there is another taxi following us."
Fake or real?"
Fake, certainly, but I don't know whether it belongs to the police or to us.
”
”
Italo Calvino (If on a Winter’s Night a Traveler)
“
You can be a rich person alone. You can be a smart person alone. But you cannot be a complete person alone. For that you must be part of, and rooted in, an olive grove. This truth was once beautifully conveyed by Rabbi Harold S. Kushner in his interpretation of a scene from Gabriel García Márquez’s classic novel One Hundred Years of Solitude: Márquez tells of a village where people were afflicted with a strange plague of forgetfulness, a kind of contagious amnesia. Starting with the oldest inhabitants and working its way through the population, the plague causes people to forget the names of even the most common everyday objects. One young man, still unaffected, tries to limit the damage by putting labels on everything. “This is a table,” “This is a window,” “This is a cow; it has to be milked every morning.” And at the entrance to the town, on the main road, he puts up two large signs. One reads “The name of our village is Macondo,” and the larger one reads “God exists.” The message I get from that story is that we can, and probably will, forget most of what we have learned in life—the math, the history, the chemical formulas, the address and phone number of the first house we lived in when we got married—and all that forgetting will do us no harm. But if we forget whom we belong to, and if we forget that there is a God, something profoundly human in us will be lost.
”
”
Thomas L. Friedman (The Lexus and the Olive Tree)
“
The 'Manifesto' being our joint production, I consider myself bound to state that the fundamental proposition which forms its nucleus belongs to Marx. That proposition is: that in every historical epoch, the prevailing mode of economic production and exchange, and the social organization necessarily following from it, form the basis upon which is built up, and from which alone can be explained, the political and intellectual history of that epoch; that consequently the whole history of mankind (since the dissolution of primitive tribal society, holding land in common ownership) has been a history of class struggles, contests between exploiting and exploited, ruling and oppressed classes; that the history of these class struggles forms a series of evolution in which, nowadays, a stage has been reached where the exploited and the oppressed class—the proletariat—cannot attain its emancipation from the sway of the exploiting and ruling class—the bourgeoisie—without, at the same time, and once for all, emancipating society at large from all exploitation, oppression, class distinctions and class struggles.
This proposition, which, in my opinion, is destined to do for history what Darwin's theory has done for biology, we, both of us, had been gradually approaching for some years before 1845.
”
”
Friedrich Engels (The Communist Manifesto)
“
Once we shrunk, men had to look after us, and it was not long before they started to own us. Fathers sold daughters; husbands bought wives. Once we became a commodity, men could do whatever they wished with us. Even now our bodies do not belong to us. That is why when they need it, they will grab it. Things were so bad in some cultures, women had to be hidden away to protect them, in separate spaces where no men were allowed. Soon, they had to be spoken for by men.
”
”
Jennifer Nansubuga Makumbi (The First Woman)
“
Unlike what nationalist demagogues claim, belonging is not a once-and-for-all condition, a static identity tattooed on our skin; it is a constant self-examination and dynamic revision of where we are, who we are, and where we want to be.
”
”
Elif Shafak (How to Stay Sane in an Age of Division)
“
It is not what I had planned - this day, this moment, these unlikely relationships, both old and new. Yet I feel overcome with peace and certainty that, for once, I am exactly where I should be.
”
”
Emily Giffin (Where We Belong)
“
Travel Tip: The term is
in situ
-- in the place of origin. We travel to put ourselves
in situ
, in a place where we belong. The feeling that one was born in the wrong place is an ancient an universal experience, such that I suspect (a) it is part of our human DNA; and (b) is why our kind are born wanderers. We travel to find the place where we can recognize ourselves for once. Be on the lookout for that jolt of unexpected familiarity in a foreign land: that's how you'll know you are
in situ
.
”
”
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
“
I'm through with you. Yes, I am going to put you down. From now on, I am my own God. I am going to live by the rules I se for myself. I'll discard everything I was once taught about you. Then I'll be you. I'll be my own God, living my life as I see fit. Not as Mr. Charlie says I should live it, or Mama or anybody else. I shall do as I want in this society that apparently wasn't meant for me and my kind. If you are getting angry because I am talking to you like this, then just kill me, leave me here in this graveyard dead. Maybe thats where all of us belong anyway. Maybe then we wouldn't have to suffer so much. At the rate we are being killed now, we'll all be soon dead anyway.
”
”
Anne Moody (Coming of Age in Mississippi: The Classic Autobiography of a Young Black Girl in the Rural South)
“
FOR THE TIME OF NECESSARY DECISION The mind of time is hard to read. We can never predict what it will bring, Nor even from all that is already gone Can we say what form it finally takes; For time gathers its moments secretly. Often we only know it’s time to change When a force has built inside the heart That leaves us uneasy as we are. Perhaps the work we do has lost its soul Or the love where we once belonged Calls nothing alive in us anymore. We drift through this gray, increasing nowhere Until we stand before a threshold we know We have to cross to come alive once more. May we have the courage to take the step Into the unknown that beckons us; Trust that a richer life awaits us there, That we will lose nothing But what has already died; Feel the deeper knowing in us sure Of all that is about to be born beyond The pale frames where we stayed confined, Not realizing how such vacant endurance Was bleaching our soul’s desire.
”
”
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
“
They had felt hungry before, but when they actually saw at last the supper that was spread for them, really it seemed only a question of what they should attack first where all was so attractive, and whether the other things would obligingly wait for them till they had time to give them attention. Conversation was impossible for a long time; and when it was slowly resumed, it was that regrettable sort of conversation that results from talking with your mouth full. The Badger did not mind that sort of thing at all, nor did he take any notice of elbows on the table, or everybody speaking at once. As he did not go into Society himself, he had got an idea that these things belonged to the things that didn't really matter (We know of course that he was wrong, and took too narrow a view; because they do matter very much, though it would take too long to explain why.)
”
”
Kenneth Grahame (The Wind in the Willows)
“
She, herself, had only been in love once and it ended worse than a train wreck would, and she hated herself for what she had become because of it. Because of her ex-boyfriend, she didn’t trust easily, she didn’t date as much anymore, and she found herself not believing in love anymore. She told herself that after him, she was never going to put her heart through love again.
”
”
Courtney Carola (Where We Belong)
“
He remembered the night in Arlington when the news came: secession. He remembered a paneled wall and firelight. When we heard the news we went into mourning. But outside there was cheering in the streets, bonfires of joy. They had their war at last. But where was there ever any choice? The sight of fire against wood paneling, a bonfire seen far off at night through a window, soft and sparky glows always to remind him of that embedded night when he found that he had no choice. The war had come. He was a member of the army that would march against his home, his sons. He was not only to serve in it but actually to lead it, to make the plans and issue the orders to kill and burn and ruin. He could not do that. Each man would make his own decision, but Lee could not raise his hand against his own. And so what then? To stand by and watch, observer at the death? To do nothing? To wait until the war was over? And if so, from what vantage point and what distance? How far do you stand from the attack on your home, whatever the cause, so that you can bear it? It had nothing to do with causes; it was no longer a matter of vows.
When Virginia left the Union she bore his home away as surely as if she were a ship setting out to sea, and what was left behind on the shore was not his any more. So it was no cause and no country he fought for, no ideal and no justice. He fought for his people, for the children and the kin, and not even the land, because not even the land was worth the war, but the people were, wrong as they were, insane even as many of them were, they were his own, he belonged with his own. And so he took up arms willfully, knowingly, in perhaps the wrong cause against his own sacred oath and stood now upon alien ground he had once sworn to defend, sworn in honor, and he had arrived there really in the hands of God, without any choice at all; there had never been an alternative except to run away, and he could not do that. But Longstreet was right, of course: he had broken the vow. And he would pay. He knew that and accepted it. He had already paid. He closed his eyes. Dear God, let it end soon.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
Thinking back to my time with Tad on this lake, I remember it like a painting, a snapshot in my mind. But really, all memories are like paintings: They can be incredibly vivid and lifelike. But in the end, they both just remind us that we only get to live any particular moment once, even if we remember it forever.
”
”
Gwendolyn Heasley (A Long Way from You (Where I Belong #2))
“
The day of heroes has passed,” Uncle Edwarn said. “The stories of people breaking out of history belong to another world. We have reached an era of modernism, both louder and more silent at the same time. You watch. Where once kings and warriors shaped the world, now quiet men in offices will do the same—and do it far, far more effectively.
”
”
Brandon Sanderson (Shadows of Self (Mistborn, #5))
“
Not to waste the spring
I threw down everything,
And ran into the open world
To sing what I could sing...
To dance what I could dance!
And join with everyone!
I wandered with a reckless heart
beneath the newborn sun.
First stepping through the blushing dawn,
I crossed beneath a garden bower,
counting every hermit thrush,
counting every hour.
When morning's light was ripe at last,
I stumbled on with reckless feet;
and found two nymphs engaged in play,
approaching them stirred no retreat.
With naked skin, their weaving hands,
in form akin to Calliope's maids,
shook winter currents from their hair
to weave within them vernal braids.
I grabbed the first, who seemed the stronger
by her soft and dewy leg,
and swore blind eyes,
Lest I find I,
before Diana, a hunted stag.
But the nymphs they laughed,
and shook their heads.
and begged I drop beseeching hands.
For one was no goddess, the other no huntress,
merely two girls at play in the early day.
"Please come to us, with unblinded eyes,
and raise your ready lips.
We will wash your mouth with watery sighs,
weave you springtime with our fingertips."
So the nymphs they spoke,
we kissed and laid,
by noontime's hour,
our love was made,
Like braided chains of crocus stems,
We lay entwined, I laid with them,
Our breath, one glassy, tideless sea,
Our bodies draping wearily.
We slept, I slept so lucidly,
with hopes to stay this memory.
I woke in dusty afternoon,
Alone, the nymphs had left too soon,
I searched where perched upon my knees
Heard only larks' songs in the trees.
"Be you, the larks, my far-flung maids?
With lilac feet and branchlike braids...
Who sing sweet odes to my elation,
in your larking exaltation!"
With these, my clumsy, carefree words,
The birds they stirred and flew away,
"Be I, poor Actaeon," I cried, "Be dead…
Before they, like Hippodamia, be gone astray!"
Yet these words, too late, remained unheard,
By lark, that parting, morning bird.
I looked upon its parting flight,
and smelled the coming of the night;
desirous, I gazed upon its jaunt,
as Leander gazes Hellespont.
Now the hour was ripe and dark,
sensuous memories of sunlight past,
I stood alone in garden bowers
and asked the value of my hours.
Time was spent or time was tossed,
Life was loved and life was lost.
I kissed the flesh of tender girls,
I heard the songs of vernal birds.
I gazed upon the blushing light,
aware of day before the night.
So let me ask and hear a thought:
Did I live the spring I’d sought?
It's true in joy, I walked along,
took part in dance,
and sang the song.
and never tried to bind an hour
to my borrowed garden bower;
nor did I once entreat
a day to slumber at my feet.
Yet days aren't lulled by lyric song,
like morning birds they pass along,
o'er crests of trees, to none belong;
o'er crests of trees of drying dew,
their larking flight, my hands, eschew
Thus I'll say it once and true…
From all that I saw,
and everywhere I wandered,
I learned that time cannot be spent,
It only can be squandered.
”
”
Roman Payne (Rooftop Soliloquy)
“
and then realize it’s not Peter I miss, but the idea of what I once thought we shared.
”
”
Emily Giffin (Where We Belong)
“
It is not true that we only get to choose our friends, but not our family. We actually choose our families before birth. It is part of our spiritual life plan before we arrive on this planet. And as that plan unfolds, some of us will be blessed with abundant love and support from our families, while others will not. Either way, it will all be part of our original plan. Because sometimes we need a lousy family to get us started on our journey towards personal growth, success and spiritual fulfillment. But if someday you reach a tipping point, where the lack of family love and support no longer serves your path towards fulfilling your true destiny... it is never too late to find a new tribe. Sometimes a life plan also demands that we choose our families more than once in a lifetime.
”
”
Anthon St. Maarten
“
Gustav Levi is calm for the first time. A ship that’s been hurled by the storm into harbour. He’s where he wants to be. He is finally inside me, taking full physical possession. Fucking me. He increases his pace, thrusting once, twice more, his pleasure, my pleasure, this wonderful new calmness and belonging, then as the storm crashes over us, over the chalet, battering at the mountain, we come together.
”
”
Primula Bond (The Silver Chain (The Unbreakable Trilogy, #1))
“
Everyone belongs somewhere. Some of us are just lucky enough to figure out where it is while there's still time for us to find a way to get there. And once we arrive, we will never, ever leave.'
--Juliet Seghers-Ward
”
”
Mira Grant
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.”
“Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.”
“Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.”
“If you mean the other tasks we have to do, I’m already aware of that.”
“I’m not talking about that. I’m talking about us.”
“What about us?” I put my hands under the table and wiped my clammy palms on my napkin.
“I think there are a few things we’ve left unsaid, and I think it’s time we said them.”
“I’m not withholding anything from you, if that’s what you mean.”
“You are.”
“No. I’m not.”
“Are you refusing to acknowledge what has happened between us?”
“I’m not refusing anything. Don’t try to put words in my mouth.”
“I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.”
“If I did have feelings for you, you’d be the first one to know.”
“Are you saying that you don’t feel anything for me?”
“That’s not what I’m saying.”
“Then what are you saying?”
“I’m saying…nothing!” I spluttered.
Ren smiled and narrowed his eyes at me.
If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar.
He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.”
Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me.
When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again.
He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier.
When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?”
“Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.”
I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.”
He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?”
He must be joking! But he looked completely serious. Great! There go the nervous butterflies again.
“Stop looking at me like that.”
“Like what?”
“Like you’re hunting me. I’m not an antelope.”
He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.”
“Stop it.”
“Am I making you nervous?”
“You could say that.”
I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over.
“I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Sometimes we are written down in books. Or, someone tells a story in which our name figures. And so we live on, through someone else’s voice…
These are the indelible marks others make of us, like the watermarks of high tides, names carved into barks, or stamps branded onto belongings. For what else is history but the collected voices of others, who sing a chorus of what once was. It is not words but voices that are the inscriptions seared onto pages, into minds, of the fragments others glean, as we live our lives in passing.
Flitting and fl eeting, we rub off as we move through, and in our wake is cast the dust of the stars that we become. And sometimes it is caught on the fingers of others, and they press that gold to their lips, where it glistens, an eternal testimony to the fact that they adored us: So we, those of us who
remember, we grow more golden as we age, as if cast into statues that commemorate the splendor of those who loved us, and those we were privileged
to love.
”
”
Samantha Bruce-Benjamin (The Westhampton Leisure Hour and Supper Club)
“
Even until quite recently, many of the world’s inhabitants were not quite sure of what country they were citizens, or why it should matter. My mother, who was born a Jew in Poland, once told me a joke from her childhood: There was a small town located along the frontier between Russia and Poland; no one was ever quite sure to which it belonged. One day an official treaty was signed and not long after, surveyors arrived to draw a border. Some villagers approached them where they had set up their equipment on a nearby hill. “So where are we, Russia or Poland?” “According to our calculations, your village now begins exactly thirty-seven meters into Poland.” The villagers immediately began dancing for joy. “Why?” the surveyors asked. “What difference does it make?” “Don’t you know what this means?” they replied. “It means we’ll never have to endure another one of those terrible Russian winters!
”
”
David Graeber (Debt: The First 5,000 Years)
“
Like many of the kids I write about, I once was a runaway myself—and a few (but not all) of the other writers in the series also come from troubled backgrounds. That early experience influences my fiction, no doubt, but I don't think it's necessary to come from such a background in order to write a good Bordertown tale. To me, "running away to Bordertown" is as much a metaphorical act as an actual one. These tales aren't just for kids who have literally run away from home, but also for every kid, every person, who "runs away" from a difficult or constrictive past to build a different kind of life in some new place. Some of us "run away" to college . . . or we "run away" to a distant city or state . . . or we "run away" from a safe, secure career path to follow our passions or artistic muse. We "run away" from places we don't belong, or from families we have never fit into. We "run away" to find ourselves, or to find others like ourselves, or to find a place where we finally truly belong. And that kind of "running away from home"—the everyday, metaphorical kind—can be just as hard, lonely, and disorienting as crossing the Nevernever to Bordertown . . . particularly when you're in your teens, or early twenties, and your resources (both inner and outer) are still limited. I want to tell stories for young people who are making that journey, or contemplating making that journey. Stories in which friendship, community, and art is the "magic" that lights the way.
(speaking about the Borderland series she "founded")
”
”
Terri Windling
“
I once offhandedly mentioned that I wanted to pick out my own ring, something I have to look at every day, but there is something decidedly unromantic and a little bit depressing about having a symbol of love reduced to such scientific classifications - especially classifications focusing on imperfections.
”
”
Emily Giffin (Where We Belong)
“
That monkish hatred of the body which figures so prominently in the works of certain early devotional writers is wholly without support in the Word of God. Common modesty is found in the Sacred Scriptures, it is true, but never prudery or a false sense of shame. The New Testament accepts as a matter of course that in His incarnation our Lord took upon Him a real human body, and no effort is made to steer around the downright implications of such a fact. He lived in that body here among men and never once performed a non-sacred act. His presence in human flesh sweeps away forever the evil notion that there is about the human body something innately offensive to the Deity. God created our bodies, and we do not offend Him by placing the responsibility where it belongs. He is not ashamed of the work of His own hands.
”
”
A.W. Tozer (The Pursuit of God)
“
Like most people, when I look back, the family house is held in time, or rather it is now outside of time, because it exists so clearly and it does not change, and it can only be entered through a door in the mind.
I like it that pre-industrial societies, and religious cultures still, now, distinguish between two kinds of time – linear time, that is also cyclical because history repeats itself, even as it seems to progress, and real time, which is not subject to the clock or the calendar, and is where the soul used to live. This real time is reversible and redeemable. It is why, in religious rites of all kinds, something that happened once is re-enacted – Passover, Christmas, Easter, or, in the pagan record, Midsummer and the dying of the god. As we participate in the ritual, we step outside of linear time and enter real time.
Time is only truly locked when we live in a mechanised world. Then we turn into clock-watchers and time-servers. Like the rest of life, time becomes uniform and standardised.
When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed – for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little.
Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you.
Why did I leave home when I was sixteen? It was one of those important choices that will change the rest of your life. When I look back it feels like I was at the borders of common sense, and the sensible thing to do would have been to keep quiet, keep going, learn to lie better and leave later.
I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it.
And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy.
You are unhappy. Things get worse.
It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded.
And then all the cowards come out and say, ‘See, I told you so.’
In fact, they told you nothing.
”
”
Jeanette Winterson
“
“You still taking him for his house-breaking lesson tonight?”
I flicked an eraser at him. He ducked it and threw me a grin.
While I was getting my Changes under control, we’d decided I should try once a week. While Simon was joking about house-breaking, that’s kind of what it was like—take me outside regularly, where I’d attempt to perform a bodily function, and hopefully train my body to do it on a schedule. So far, I felt like a month-old puppy, struggling to control my bladder before it was ready to be controlled.
”
”
Kelley Armstrong (Belonging (Darkest Powers, #3.5))
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
Believing is not to be reduced to thinking that such-and-such might be the case. It is not a weaker form of thinking, laced with doubt. Sometimes we speak like this: ‘I believe that the train leaves at 6:13', where ‘I believe that’ simply means that ‘I think (but am not certain) that’. Since the left hemisphere is concerned with what is certain, with knowledge of the facts, its version of belief is that it is just absence of certainty. If the facts were certain, according to its view, I should be able to say ‘I know that’ instead. This view of belief comes from the left hemisphere's disposition towards the world: interest in what is useful, therefore fixed and certain (the train timetable is no good if one can't rely on it). So belief is just a feeble form of knowing, as far as it is concerned.
But belief in terms of the right hemisphere is different, because its disposition towards the world is different. The right hemisphere does not ‘know’ anything, in the sense of certain knowledge. For it, belief is a matter of care: it describes a relationship, where there is a calling and an answering, the root concept of ‘responsibility’. Thus if I say that ‘I believe in you’, it does not mean that I think that such-and-such things are the case about you, but can't be certain that I am right. It means that I stand in a certain sort of relation of care towards you, that entails me in certain kinds of ways of behaving (acting and being) towards you, and entails on you the responsibility of certain ways of acting and being as well. It is an acting ‘as if’ certain things were true about you that in the nature of things cannot be certain. It has the characteristic right-hemisphere qualities of being a betweenness: a reverberative, ‘re-sonant’, ‘respons-ible’ relationship, in which each party is altered by the other and by the relationship between the two, whereas the relationship of the believer to the believed in the left-hemisphere sense is inert, unidirectional, and centres on control rather than care. I think this is what Wittgenstein was trying to express when he wrote that ‘my’ attitude towards the other is an ‘attitude towards a soul. I am not of the opinion that he has a soul.’ An ‘opinion’ would be a weak form of knowledge: that is not what is meant by a belief, a disposition or an ‘attitude’.
This helps illuminate belief in God. This is not reducible to a question of a factual answer to the question ‘does God exist?’, assuming for the moment that the expression ‘a factual answer’ has a meaning. It is having an attitude, holding a disposition towards the world, whereby that world, as it comes into being for me, is one in which God belongs. The belief alters the world, but also alters me. Is it true that God exists? Truth is a disposition, one of being true to someone or something. One cannot believe in nothing and thus avoid belief altogether, simply because one cannot have no disposition towards the world, that being in itself a disposition. Some people choose to believe in materialism; they act ‘as if’ such a philosophy were true. An answer to the question whether God exists could only come from my acting ‘as if’ God is, and in this way being true to God, and experiencing God (or not, as the case might be) as true to me. If I am a believer, I have to believe in God, and God, if he exists, has to believe in me. Rather like Escher's hands, the belief must arise reciprocally, not by a linear process of reasoning. This acting ‘as if’ is not a sort of cop-out, an admission that ‘really’ one does not believe what one pretends to believe. Quite the opposite: as Hans Vaihinger understood, all knowledge, particularly scientific knowledge, is no more than an acting ‘as if’ certain models were, for the time being, true. Truth and belief, once more, as in their etymology, are profoundly connected. It is only the left hemisphere that thinks there is certainty to be found anywhere.
”
”
Iain McGilchrist (The Master and His Emissary: The Divided Brain and the Making of the Western World)
“
Listening to the faint heartbeat of the dying Rabbi is a powerful stimulus to the recovery of passion. It is a sound like no other. The Crucified says, “Confess your sin so that I may reveal Myself to you as lover, teacher, and friend, that fear may depart and your heart can stir once again with passion.” His word is addressed both to those filled with a sense of self-importance and to those crushed with a sense of self-worthlessness. Both are preoccupied with themselves. Both claim a godlike status, because their full attention is riveted either on their prominence or their insignificance. They are isolated and alienated in their self-absorption. The release from chronic egocentricity starts with letting Christ love them where they are. Consider John Cobb’s words: The spiritual man can love only . . . when he knows himself already loved in his self-preoccupation. Only if man finds that he is already accepted in his sin and sickness, can he accept his own self-preoccupation as it is; and only then can his psychic economy be opened toward others, to accept them as they are—not in order to save himself, but because he doesn’t need to save himself. We love only because we are first loved.[9]
”
”
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
“
To understand where things went wrong, we have to go back 15,000 years, to the end of the last ice age. Up until then, the planet had been sparsely populated and people banded together to stave off the cold. Rather than a struggle for survival, it was a snuggle for survival, in which we kept each other warm.22 Then the climate changed, turning the area between the Nile in the west and the Tigris in the east into a land of milk and honey. Here, survival no longer depended on banding together against the elements. With food in such plentiful supply, it made sense to stay put. Huts and temples were built, towns and villages took shape and the population grew.23 More importantly, people’s possessions grew. What was it Rousseau had to say about this? ‘The first man, who, after enclosing a piece of ground, took it into his head to say, “This is mine”’–that’s where it all started to go wrong. It couldn’t have been easy to convince people that land or animals–or even other human beings–could now belong to someone. After all, foragers had shared just about everything.24 And this new practice of ownership meant inequality started to grow. When someone died, their possessions even got passed on to the next generation. Once this kind of inheritance came into play, the gap between rich and poor opened wide.
”
”
Rutger Bregman (Humankind: A Hopeful History)
“
If somebody swapped the real sword for the fake while it was in Dumbledore’s office,” she panted, as they propped the painting against the side of the tent, “Phineas Nigellus would have seen it happen, he hangs right beside the case!”
“Unless he was asleep,” said Harry, but he still held his breath as Hermione knelt down in front of the empty canvas, her wand directed at its center, cleared her throat, then said:
“Er--Phineas? Phineas Nigellus?”
Nothing happened.
“Phineas Nigellus?” said Hermione again. “Professor Black? Please could we talk to you? Please?”
“‘Please’ always helps,” said a cold, snide voice, and Phineas Nigellus slid into his portrait. At once, Hermione cried:
“Obscuro!”
A black blindfold appeared over Phineas Nigellus’s clever, dark eyes, causing him to bump into the frame and shriek with pain.
“What--how dare--what are you--?”
“I’m very sorry, Professor Black,” said Hermione, “but it’s a necessary precaution!”
“Remove this foul addition at once! Remove it, I say! You are ruining a great work of art! Where am I? What is going on?”
“Never mind where we are,” said Harry, and Phineas Nigellus froze, abandoning his attempts to peel off the painted blindfold.
“Can that possibly be the voice of the elusive Mr. Potter?”
“Maybe,” said Harry, knowing that this would keep Phineas Nigellus’s interest. “We’ve got a couple of questions to ask you--about the sword of Gryffindor.”
“Ah,” said Phineas Nigellus, now turning his head this way and that in an effort to catch sight of Harry, “yes. That silly girl acted most unwisely there--”
“Shut up about my sister,” said Ron roughly. Phineas Nigellus raised supercilious eyebrows.
“Who else is here?” he asked, turning his head from side to side. “Your tone displeases me! The girl and her friends were foolhardy in the extreme. Thieving from the headmaster!”
“They weren’t thieving,” said Harry. “That sword isn’t Snape’s.”
“It belongs to Professor Snape’s school,” said Phineas Nigellus. “Exactly what claim did the Weasley girl have upon it? She deserved her punishment, as did the idiot Longbottom and the Lovegood oddity!”
“Neville is not an idiot and Luna is not an oddity!” said Hermione.
“Where am I?” repeated Phineas Nigellus, staring to wrestle with the blindfold again. “Where have you brought me? Why have you removed me from the house of my forebears?”
“Never mind that! How did Snape punish Ginny, Neville, and Luna?” asked Harry urgently.
“Professor Snape sent them into the Forbidden Forest, to do some work for the oaf, Hagrid.”
“Hagrid’s not an oaf!” said Hermione shrilly.
“And Snape might’ve thought that was a punishment,” said Harry, “but Ginny, Neville, and Luna probably had a good laugh with Hagrid. The Forbidden Forest…they’ve faced plenty worse than the Forbidden Forest, big deal!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Jung once quoted a medieval alchemist who said, “Only what is separated may be properly joined.” When two things are muddled together they need to be separated, distinguished, and untangled so that they may later be rejoined in a workable synthesis. This is the correct meaning of “analysis” in psychology; to analyze is to separate out the entangled threads of one’s inner life—the confused values, ideals, loyalties, and feelings—so that they may be synthesized in a new way. We analyze romantic love, not to destroy it, but to understand what it is and where it belongs in our lives. Analysis must always serve synthesis in order to serve life; what is taken apart must be put back together again.
”
”
Robert A. Johnson (We: Understanding the Psychology of Romantic Love)
“
Ravelly pointed to the illustration as he told his friend that he used to read the same story nightly to his son, Wahlister. “Imorih’s Journey—quite the moralistic quest.”
Unan nodded in agreement. “I read it to Ian and Eena when they were children.” Then he held up the opened page with the picture of Imorih and the tiny, shouldered bug. He asked curiously, “Why do you say this is your favorite part, Master Ravelly?” The question caught Eena’s interest. Her ears tuned in to their conversation, but her eyes continued to scan the lively crowd below.
The old Grott went on to explain. “That is the part where Imorih realizes the whispered voice she has been listening to, the advice she has been heeding, doesn’t belong to her conscience as she first supposed. It shocks her to learn that for the more part of her journey she has been following the promptings of a negligible, albeit well-intentioned, creature. That’s when two things happen in her life. First, she comprehends how cunning and manipulative the power of suggestion can be. Secondly, she learns to recognize the difference between her own voice—her own desires—and someone else’s.”
Unan hummed a sound of accordance. “That’s right. Things change quite drastically after that discovery, don’t they?”
“Yes, yes, they most certainly do. For the best, I recall.”
“Because she becomes master of her own destiny after that.”
“As we all should be.”
Unan nodded, examining the illustration once again. “Yes, as we all should be.
”
”
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
“
I don't know what will happen in the future. Maybe my worries are unfounded, but lately I've been hearing talk that sounds like it has bubbled up from the history of a time before I was born, talk about people who belong and people who don't, about real people and the others, who ought to be pushed out. The old word cosmopolitan has once again become a sly insult, along with a newer version, globalist. Migrant, which used to be a neutral word, is a term of abuse. We - you, me, your mother, your sister - are migrants. That is our history. Because of that history, because of who we (and our parents) chose to lose and where they chose to go, we are cosmopolitan. It's something I feel proud of, but for others, it seems to be an incitement, a rebuke.
”
”
Hari Kunzru (Radical Hope: Letters of Love and Dissent in Dangerous Times)
“
At forty-two, I was still holding up pretty well, but my once effortlessly lean body now look as though it belonged in a Dove firming cream ad -- the one where they give women permission to have thighs. When I unbuttoned my jeans at night, I swore I heard the same sound that Pillsbury dough made when I twisted the cylindrical container. My hair was beginning to gray, and when I smiled, the parentheses around my mouth remained. My least favorite position in yoga class was the downward dog because, as I hung my head downward, I always felt the skin from my face was about to splatter against my mat like a pancake batter hitting the griddle. So being called the top model by a young Italian was a wonderful souvenir, though cheaper than the toys sold outside the Pantheon in Rome.
”
”
Jennifer Coburn (We'll Always Have Paris: A Mother/Daughter Memoir)
“
The particular importance of the Ukrainian Orange Revolution is not, however, that it took place in such a large and important country in the former Soviet empire or that it inspired many countries still burdened with postcommunism, but in something perhaps even more significant: that revolution gave a clear answer to a still open question: where does one of the major spheres of civilization in the world today (the so-called West) end, and where does the other sphere (the so-called East, or rather Euro-Asia) begin? I recall — and I mentioned this during my meeting with Yuschenko — that an important American politician once asked me where Ukraine belongs. My impression is that it belongs to what we call the West. But that’s not what I said; I said that this was a matter for Ukraine to decide for itself.
”
”
Václav Havel (To the Castle and Back: Reflections on My Strange Life as a Fairy-Tale Hero)
“
Who would want to be huge, or loud, or brave, or any of the other characteristics men claim to be male? We hunched, lowered our eyes, voices, acted feeble, helpless. Even being clever became unattractive. Soon, being shrunken became feminine. Then it became beautiful and women aspired to it. That was when we began to persecute our original state out of ourselves. Once we shrunk, men had to look after us, and it was not long before they started to own us. Fathers sold daughters; husbands bought wives. Once we became a commodity, men could do whatever they wished with us. Even now our bodies do not belong to us. That is why when they need it, they will grab it. Things were so bad in some cultures, women had to be hidden away to protect them, in separate spaces where no men were allowed. Soon, they had to be spoken for by men.
”
”
Jennifer Nansubuga Makumbi (The First Woman)
“
Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience.
----------------------------
Weep softly O mother,
the walls have ears you know...
The streets are awash o mother!
I cannot go searching for him anymore.
The streets are awash o mother
with blood and tears, pellets and screams.
that silently remain locked in the air,
while they seal our soulless dreams.
The guns are out, O mother,
while our boys go armed with stones,
I cannot go looking for him O mother,
I have no courage to face what I will find.
For, I need to tend to this little one beside,
with bound eyes that see no more.
-----
Weep for the home we lost O mother,
Weep for the valley we left behind,
the hills that once bore our names,
where shoulder to shoulder,
we walked the vales,
proud of our heritage.
Hunted out of our very homes,
flying like thieves in the night,
abandoning it all,
fearful for the lives of our men,
fearful of our being raped,
our children killed,
Kafirs they called us O mother,
they marked our homes to kill.
We now haunt the streets of other cities,
refugees in a country we call our own,
belonging nowhere,
feeling homeless without the land
we once called home.
-------------
Weep loudly O mother,
for the nation hears our pain.
As the fresh flag moulds his cold body,
I know his sacrifice was not in vain.
We need to put our chins up, O mother
and face this moment with pride.
For blood is blood, and pain is pain,
and death is final,
The false story we must tell ourselves
is that we are always the right side,
and forget the pain we inflict on the other side.
Until it all stops, it must go on,
the dry tears on either side,
Every war and battle is within and without,
and must claim its wounds and leave its scars,
And, if we need to go on O mother,
it matters we feel we are on the right side.
We need to tell ourselves
we are always the right sight...
We need to repeat it a million times,
We are always the right side...
For god forbid, what if we were not?
---
Request you to read the full poem on my website.
”
”
Srividya Srinivasan
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands.
“Woohoo! All right!” the person shouted. “Yes!”
It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still.
The kiss had sealed the deal in so many ways.
I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind.
We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
We have no reason to harbor any mistrust against our world, for it is not against us. If it has terrors, they are our terrors; if it has abysses, these abysses belong to us; if there are dangers, we must try to love them. And if only we arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.
So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloud shadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why should you want to exclude from your life all unsettling, all pain, all depression of spirit, when you don’t know what work it is these states are performing within you? Why do you want to persecute yourself with the question of where it all comes from and where it is leading? You well know you are in a period of transition and want nothing more than to be transformed. If there is something ailing in the way you go about things, then remember that sickness is the means by which an organism rids itself of something foreign to it. All one has to do is help it to be ill, to have its whole illness and let it break out, for that is how it mends itself. There is so much, my dear Mr Kappus, going on in you now. You must be patient as an invalid and trusting as a convalescent, for you are perhaps both. And more than that: you are also the doctor responsible for looking after himself. But with all illnesses there are many days when the doctor can do nothing but wait. And inasfar as you are your own doctor, this above all is what you must do now.
”
”
Rainer Maria Rilke (Letters to a Young Poet)
“
With our desire to have more, we find ourselves spending more and more time and energy to manage and maintain everything we have. We try so hard to do this that the things that were supposed to help us end up ruling us.
We eventually get used to the new state where our wishes have been fulfilled. We start taking those things for granted and there comes a time when we start getting tired of what we have.
We're desperate to convey our own worth, our own value to others. We use objects to tell people just how valuable we are. The objects that are supposed to represent our qualities become our qualities themselves.
There are more things to gain from eliminating excess than you might imagine: time, space, freedom and energy.
When people say something is impossible, they have already decided that they don't want to do it.
Differentiate between things you want and things you need.
Leave your unused space empty. These open areas are incredibly useful. They bring us a sense of freedom and keep our minds open to the more important things in life.
Memories are wonderful but you won't have room to develop if your attachment to the past is too strong. It's better to cut some of those ties so you can focus on what's important today.
Don't get creative when you are trying to discard things.
There's no need to stock up.
An item chosen with passion represents perfection to us. Things we just happen to pick up, however, are easy candidates for disposal or replacement.
As long as we stick to owning things that we really love, we aren't likely to want more.
Our homes aren't museum, they don't need collections.
When you aren't sure that you really want to part with something, try stowing it away for a while.
Larger furniture items with bold colors will in time trigger visual fatigue and then boredom.
Discarding things can be wasteful. But the guilt that keeps you from minimizing is the true waste. The real waste is the psychological damage that you accrue from hanging on to things you don't use or need.
We find our originality when we own less.
When you think about it, it's experience that builds our unique characteristics, not material objects.
I've lowered my bar for happiness simply by switching to a tenugui. When even a regular bath towel can make you happy, you'll be able to find happiness almost everywhere.
For the minimalist, the objective isn't to reduce, it's to eliminate distractions so they can focus on the things that are truly important. Minimalism is just the beginning. It's a tool. Once you've gone ahead and minimized, it's time to find out what those important things are.
Minimalism is built around the idea that there's nothing that you're lacking. You'll spend less time being pushed around by something that you think may be missing.
The qualities I look for in the things that I buy are:
- the item has a minimalistic kind of shape and is easy to clean
- it's color isn't too loud
- I'll be able to use it for a long time
- it has a simple structure
- it's lightweight and compact
- it has multiple uses
A relaxed moment is not without meaning, it's an important time for reflection.
It wasn't the fallen leaves that the lady had been tidying up, it was her own laziness that she had been sweeping away.
We are what we repeatedly do. Excellence, then, is not an act but a habit.
With daily cleaning, the reward may be the sense of accomplishment and calmness we feel afterward.
Cleaning your house is like polishing yourself.
Simply by living an organized life, you'll be more invigorated, more confident and like yourself better.
Having parted with the bulk of my belongings, I feel true contentment with my day-to-day life. The very act of living brings me joy.
When you become a minimalist, you free yourself from all the materialist messages that surround us. All the creative marketing and annoying ads no longer have an effect on you.
”
”
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
“
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many."
HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not."
"How could you? You don't even know who it was, do you?"
"No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all.
"Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside."
A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon.
"Yes," he whispered. "A long list indeed."
"So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice.
"Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?"
She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward.
Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance."
Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room.
"Ah, there you are. Good evening, Grey. Rose, Lord Archer is here."
Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?"
Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
But once the work was done, we sat down in a warm patch of Sunlight outside his house where the peonies were slowly coming into bloom, and the whole world seemed covered in a fine layer of gold leaf. “What have you done in life?” Boros suddenly asked. This question was so unexpected that I instantly let myself be carried away by memories. They began to sail past my eyes, and typically for memories, everything in them seemed better, finer, and happier than in reality. It’s strange, but we didn’t say a word. For people of my age, the places that they truly loved and to which they once belonged are no longer there. The places of their childhood and youth have ceased to exist, the villages where they went on holiday, the parks with uncomfortable benches where their first loves blossomed, the cities, cafés and houses of their past. And if their outer form has been preserved, it’s all the more painful, like a shell with nothing inside it anymore. I have nowhere to return to. It’s like a state of imprisonment. The walls of the cell are the horizon of what I can see. Beyond them exists a world that’s alien to me and doesn’t belong to me. So for people like me the only thing possible is here and now, for every future is doubtful, everything yet to come is barely sketched and uncertain, like a mirage that can be destroyed by the slightest twitch of the air. That’s what was going through my mind as we sat there in silence. It was better than a conversation. I have no idea what either of the men was thinking about. Perhaps about the same thing.
”
”
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
“
In her eyes, he could see the fear, but also the love. The need. Time to show her, that to him, she meant everything.
“Before you shower me with kisses for saving you –”
“I think it could be argued that I played a part.”
“Not when I retell the story you won’t. But we can argue about that later, naked. As I was saying, I have something for you.” Remy pulled the sheet of paper out of his back pocket and unfolded it.
Initially he’d worried about it being too short. But as Lucifer assured him when he made the contract and binding, the less clauses he put in, the more his promise would stick out. Handing it to her, he waited.
Fidgeted when she didn’t say a word. Almost tore it from her grasp. Then stumbled back as she threw herself at him.
I, Remy, the most awesome demon in Hell, do declare to love the witch Ysabel, fiery temper and all, for an eternity. I will never stray. Never betray her trust. Never do anything to cause her pain upon penalty of permanent death.
This I do swear in blood,
Remy
A simple contract, which in its very lack of clauses and sub items, awed her. “You love me that much?”
He peered at her with incredulity on his face. “Of course I love you that much. Would I have done all the things I did if I didn’t?”
“Well, you are related to a mad woman.”
“Yes, and maybe it’s madness for me to love you, but I do. Do you think just any woman would inspire me enough to take on a bloody painful curse. Or put up with the fact you have a giant, demon eating cat. I know you have trust issues, and that I might not have led the kind of life that inspires confidence, but I will show you that you can believe in me. I want you to love me.”
“I know you do. And I do love you. Only for you would I come to the rescue wearing nothing to cover my bottom.”
His eyebrows shot up. “You came to battle in a skirt without any underwear?”
A slow nod was her answer.
He grinned, then scowled. “You will not do that again. Do you know how many demons live in the sewer and could have looked up your skirt? I won’t have them looking at what’s mine. On second thought. Throw out all your underwear. I’ll lead the purge on the sewers myself so you can stroll around with your girl parts unencumbered for my enjoyment.”
“You’re insane,” she laughed.
“Crazy in love with you,” he agreed. “But I do warn you, we’ll have to have dinner with my crazy mother at least once a month.”
“Or more often. I quite like your mom. She’s got a refreshing way of viewing the world.”
“Oh fuck. Don’t tell me she’s already rubbing off,” he groaned, as he pulled her into his arms.
She snuggled against him. This was where she belonged. But she did have a question. “As my new… what should I call you anyway? Boyfriend? Demon I sleep with?”
“The following terms are acceptable to me. Yours. Mate. Husband. Divine taster of your –”
She slapped a hand over his mouth. “I’ll stick to mate.”
“And I’m going with my super, sexy, touch her and die, fabulous cougar, ass kicking witch.”
“I dare you shout that five times in a row without stumbling.”
He did to her eye popping disbelief. “I told you, I have a very agile tongue.”
“I remember.
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
She walked on in this way for several more minutes and at last came to a place in the labyrinth close to the circumference of the circle where the path unexpectedly turns sharply to the right. As you turn, you discover that you have reached the end of the path and a few more steps will take you to the center of the circle. Turning to the right, Glory suddenly felt the pinecone in her hands move as if it had become her own living heart. Deeply shaken, she looked up for the first time and found an unmistakable Presence in the center of the labyrinth, waiting for her. For just the briefest moment she could see Him quite clearly. His heart was open, a place of refuge for all who suffer. It had been broken open by the suffering in the world in the same way hers had been. Suddenly she understood why others had come to her for refuge since her childhood. The suffering she was able to feel had made her trustworthy. She stumbled the last few steps into the center of the labyrinth, knelt down, and for the first time since she was a child, she wept. In a talk about compassion, a former teacher of mine once said that practice prepares the mind, but suffering prepares the heart. Perhaps the final step in the healing of all wounds is the discovery of the capacity for compassion, an intuitive knowing that no one is singled out in their suffering, that all living beings are vulnerable to loss, attachment, and limitation. It is only in the presence of compassion that we can show our wounds without diminishing our wholeness. The Dalai Lama has said that “compassion occurs only between equals.” For those who have compassion, woundedness is not a place of judgment but a place of genuine meeting.
”
”
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)
“
Rose, let me show you upstairs to your new room. Do you know that my brother has bought the contents of an entire toy shop for you? Dolls and books, and the biggest doll house you've ever seen.” As the little girl squealed with delight and followed her at once, Holly stared at Zachary Bronson with rapidly dawning disapproval. “An entire toy shop?” “It was nothing like that,” Bronson said immediately. “Elizabeth is prone to exaggeration.” He threw a warning glance at Paula, silently demanding that she agree with him. “Isn't that right, Mother?” “Well,” Paula said uncertainly, “actually, you did rather—” “I'm certain Lady Holland will want a tour of the house while her belongings are unpacked,” Bronson interrupted hastily. “Why don't you take her around?” Clearly overwhelmed by shyness, Mrs. Bronson gave a noncommittal murmur and sped away, leaving the two of them alone in the parlor. Faced with Holly's disapproving stare, Zachary shoved his hands in his pockets, while the toe of his expensive shoe beat a quick, impatient rhythm on the floor. “What harm is there in an extra toy or two?” he finally said in an excessively reasonable tone. “Her room was about as cheerful as a prison cell. I thought a doll and a handful of books would make the place more appealing for her—” “First of all,” Holly interrupted, “I doubt that any room in this house could be described as a prison cell. Second… I will not have my daughter spoiled and overwhelmed, and influenced by your taste for excess.” “Fine,” he said with a gathering scowl. “We'll get rid of the damned toys, then.” “Please do not swear in my presence,” Holly said, and sighed. “How am I to remove the toys after Rose has seen them? You don't know very much about children, do you?” “No,” he said shortly. “Only how to bribe them.
”
”
Lisa Kleypas (Where Dreams Begin)
“
PLEASE COME HOME
Please come home. Please come home. Find the place where your feet know where to walk And follow your own trail home.
Please come home. Please come home into your own body, Your own vessel, your own earth. Please come home into each and every cell, And fully into the space that surrounds you.
Please come home. Please come home to trusting yourself, And your instincts and your ways and your knowings, And even the particular quirks of your personality.
Please come home. Please come home and once you are firmly there, Please stay home awhile and come to a deep rest within. Please treasure your home. Please love and embrace your home. Please get a deep, deep sense of what it's like to he truly home.
Please come home. Please come home. And when you're really, really ready, And there's a detectable urge on the outbreath, then please come out. Please come home and please come forward. Please express who you are to us, and please trust us To see you and hear you and touch you And recognize you as best we can.
Please come home. Please come home and let us know All the nooks and crannies that are calling to be seen. Please come home, and let us know the More That is there that wants to come out.
Please come home. Please come home For you belong here now. You belong among us. Please inhabit your place fully so we can learn from you, From your voice and your ways and your presence.
Please come home. Please come home. And when you feel yourself home, please welcome us too, For we too forget that we belong and are welcome, And that we are called to express fully who we are.
Please come home. Please come home. You and you and you and me.
Please come home. Please come home. Thank you, Earth, for welcoming us.
And thank you touch of eyes and ears and skin, 'Touch of love for welcoming us.
May we wake up and remember who we truly are.
”
”
Cynthia Bourgeault (The Wisdom Way of Knowing: Reclaiming An Ancient Tradition to Awaken the Heart)
“
The Unknown Soldier
A tale to tell in bloody rhyme,
A story to last ’til the dawn of end’s time.
Of a loving boy who left dear home,
To bear his countries burdens; her honor to sow.
–A common boy, I say, who left kith and kin,
To battle der Kaiser and all that was therein.
The Arsenal of Democracy was his kind,
–To make the world safe–was their call and chime.
Trained he thus in the far army camps,
Drilled he often in the march and stamp.
Laughed he did with new found friends,
Lived they together for the noble end.
Greyish mottled images clipp’ed and hack´ed–
Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ
—marching armies off to ’ttack.
Images scratched, chopped, theatrical exaggerate,
Confetti parades, shouts of high praise
To where hell would sup and partake
with all bon hope as the transport do them take
Faded icons board the ship–
To steel them away collaged together
–joined in spirit and hip.
Timeworn humanity of once what was
To broker peace in eagles and doves.
Mortal clay in the earth but to grapple and smite
As warbirds ironed soar in heaven’s light.
All called all forward to divinities’ kept date,
Heroes all–all aces and fates.
Paris–Used to sing and play at some cards,
A common Joe everybody knew from own heart.
He could have been called ‘the kid’ by the ‘old man,’
But a common private now taking orders to stand.
Receiving letters from his shy sweet one,
Read them over and over until they faded to none.
Trained like hell with his Commander-in-Arms,
–To avoid the dangers of a most bloody harm.
Aye, this boy was mortal, true enough said,
He could be one of thousands alive but now surely dead.
How he sang and cried and ate the gruel of rations,
And grumbled as soldiers do at war’s great contagions.
Out–out to the battle this young did go,
To become a man; the world to show.
(An ocean away his mother cried so–
To return her boy safe as far as the heavens go).
Lay he down in trenched hole,
With balls bursting overhead upon the knoll.
Listened hardnfast to the “Sarge” bearing the news,
—“We’re going over soon—” was all he knew.
The whistle blew; up and over they went,
Charging the Hun, his life to be spent
(“Avoid the gas boys that’ll blister yer arse!!”).
Running through wires razored and deadened trees,
Fell he into a gouge to find in shelter of need
(They say he bayoneted one just as he–,
face to face in War’s Dance of trialed humanity).
A nameless sonnuvabitch shell then did untimely RiiiiiiiP
the field asunder in burrrstzʑ–and he tripped.
And on the field of battle’s blood did he die,
Faceless in a puddle as blurrs of ghosting men
shrieked as they were fleeing by–.
Perished he alone in the no man’s land,
Surrounded by an army of his brother’s teeming bands . . .
And a world away a mother sighed,
Listened to the rain and lay down and cried.
. . . Today lays the grave somber and white,
Guarded decades long in both the dark and the light.
Silent sentinels watch o’er and with him do walk,
Speak they neither; their duty talks.
Lone, stark sentries perform the unsmiling task,
–Guarding this one dead–at the nation’s bequest.
Cared over day and night in both rain or sun,
Present changing of the guard and their duty is done
(The changing of the guard ’tis poetry motioned
A Nation defining itself–telling of
rifles twirl-clicking under the intensest of devotions).
This poem–of The Unknown, taken thus,
Is rend eternal by Divinity’s Iron Trust.
How he, a common soldier, gained the estate
Of bearing his countries glory unto his unknown fate.
Here rests in honored glory a warrior known but to God,
Now rests he in peace from the conflict path he trod.
He is our friend, our family, brother, our mother’s son
–belongs he to us all,
For he has stood in our place–heeding God’s final call.
”
”
Douglas M. Laurent
“
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle!
...
He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were.
...
There were so many cars there that it took the young man twenty minutes to get to the part of the garage where we were parked. Roger refused to move the car until he got there. He had two little children in the back of the car, I hadn’t noticed, but Roger had. When we drove away I told Roger I was proud of him, and he replied that it didn’t mean he’d changed his mind about the economy or fuel taxes or Stockholmers. But then he said that he realized that in that young man’s eyes, Roger must look just like that politician on television, they were the same age, had the same color hair, the same dialect, and everything. And Roger didn’t want the man with the beard to think that meant they were all exactly the same.
”
”
Fredrik Backman (Anxious People)
“
It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.”
We were broke. We couldn’t go to a hotel. There was no way we were gonna go knock on one of our parents’ doors at that time of night.
That’s when I got an idea. We happened to have Chip’s parents’ old RV parked in a vacant lot a few blocks down. We had some of our things in there and had been using it basically as a storage unit until we moved in. “Let’s get in the RV. We’ll go find somewhere to plug it in, and we’ll have AC,” I said.
As we stepped outside, the skies opened up. It started pouring rain. When we finally got into the RV, soaking wet, we pulled down the road a ways and Chip said, “I know where we can go.” It was raining so hard we could barely see through the windshield, and all of a sudden Chip turned the RV into a cemetery.
“Why are you pulling in to a cemetery?” I asked him.
“We’re not going to the cemetery,” Chip said. “It’s just next to a cemetery. There’s an RV park back here.”
“Are you kidding me? Could this get any worse?”
“Oh, quit it. You’re going to love it once I get this AC fired up.”
Chip decided to go flying through the median between the two rows of RV parking, not realizing it was set up like a culvert for drainage and rain runoff. That RV bounced so hard that, had it not been for our seat belts, we would’ve both been catapulted through the roof of that vehicle.
“What was that?!”
“I don’t know,” Chip said.
I tried to put it in reverse, and then forward, and then reverse again, and the thing just wouldn’t move. I hopped out to take a look and couldn’t believe it. There was a movie a few years ago where the main character gets his RV caught on this fulcrum and it’s sitting there teetering with both sets of wheels up in the air. Well, we sort of did the opposite. We went across this valley, and because the RV was so long, the butt end of it got stuck on the little hill behind us, and the front end got stuck on the little hill in front of us, and the wheels were just sort of hanging there in between. I crawled back into the RV soaking wet and gave Jo the bad news.
We had no place to go, no place to plug in so we could run the AC; it was pouring rain so we couldn’t really walk anywhere to get help. And at that point I was just done. We wound up toughing it out and spending the first night after our honeymoon in a hot, old RV packed full of our belongings, suspended between two bumps in the road.
”
”
Joanna Gaines (The Magnolia Story)
“
One way to try to answer the question “What makes us human?” is to ask “What makes us different from great apes?” or, to be more precise, from nonhuman apes, since, of course, humans are apes. As just about every human by now knows—and as the experiments with Dokana once again confirm—nonhuman apes are extremely clever. They’re capable of making inferences, of solving complex puzzles, and of understanding what other apes are (and are not) likely to know. When researchers from Leipzig performed a battery of tests on chimpanzees, orangutans, and two-and-a-half-year-old children, they found that the chimps, the orangutans, and the kids performed comparably on a wide range of tasks that involved understanding of the physical world. For example, if an experimenter placed a reward inside one of three cups, and then moved the cups around, the apes found the goody just as often as the kids—indeed, in the case of chimps, more often. The apes seemed to grasp quantity as well as the kids did—they consistently chose the dish containing more treats, even when the choice involved using what might loosely be called math—and also seemed to have just as good a grasp of causality. (The apes, for instance, understood that a cup that rattled when shaken was more likely to contain food than one that did not.) And they were equally skillful at manipulating simple tools. Where the kids routinely outscored the apes was in tasks that involved reading social cues. When the children were given a hint about where to find a reward—someone pointing to or looking at the right container—they took it. The apes either didn’t understand that they were being offered help or couldn’t follow the cue. Similarly, when the children were shown how to obtain a reward, by, say, ripping open a box, they had no trouble grasping the point and imitating the behavior. The apes, once again, were flummoxed. Admittedly, the kids had a big advantage in the social realm, since the experimenters belonged to their own species. But, in general, apes seem to lack the impulse toward collective problem-solving that’s so central to human society. “Chimps do a lot of incredibly smart things,” Michael Tomasello, who heads the institute’s department of developmental and comparative psychology, told me. “But the main difference we’ve seen is 'putting our heads together.' If you were at the zoo today, you would never have seen two chimps carry something heavy together. They don’t have this kind of collaborative project.
”
”
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
“
It was a story no one could tell me when I was child. The story of Russian Jewry had been told in English, by American Jews; to them, it was a story that began with antiquity, culminated with the pogroms, and ended with emigration. For those who remained in Russia, there had been a time before the pogroms and a time after: a period of home, then a period of fear and even greater fear and then brief hope again, and then a different kind of fear, when one no longer feared for one's life but fear never having hope again. This story did not end; it faded into a picture of my parents sitting at the kitchen table poring over an atlas of the world, or of me sitting on the bedroom floor talking at my best friend.
The history of the Soviet Union itself remains a story without an narrative; every attempt to tell this story in Russia has stopped short, giving way to the resolve to turn away from the decades of pain and suffering and bloodshed. With every telling, stories of Stalinism and the Second World War become more mythologized. And with so few Jew left in Russia, with so little uniting them, the Russian Jewish world is one of absences and silences.
I had no words for this when I was twelve, but what I felt more strongly that anything, more strongly even than the desire to go to Israel, was this absence of a story. My Jewishness consisted of the experience of being ostracized and beaten up and the specter of not being allowed into university. Once I found my people milling outside the synagogue (we never went inside, where old men in strange clothes sang in an unfamiliar language), a few old Yiddish songs and a couple of newer Hebrew ones were added to my non-story. Finally, I had read the stories of Sholem Aleichem, which were certainly of a different world, as distant from my modern urban Russian-speaking childhood as anything could be. In the end, my Jewish identity was entirely negative: it consisted of non-belonging.
How had I and other late-Soviet Jews been so impoverished? Prior to the Russian Revolution, most of the world's Jews lived in the Russian Empire. Following the Second World War, Russia was the only European country whose Jewish population numbered not in the hundreds or even thousands but in the millions. How did this country rid itself of Jewish culture altogether? How did the Jews of Russia lose their home? Much later, as I tried to find the answers to these questions, I kept circling back tot he story of Birobidzhan, which, in its concentrated tragic absurdity seemed to tell it all.
”
”
Masha Gessen (Where the Jews Aren't: The Sad and Absurd Story of Birobidzhan, Russia's Jewish Autonomous Region (Jewish Encounters Series))
“
We have traded our intimacy for social media, our romantic bonds for dating matches on apps, our societal truth for the propaganda of corporate interests, our spiritual questioning for dogmatism, our intellectual curiosity for standardized tests and grading, our inner voices for the opinions of celebrities and hustler gurus and politicians, our mindfulness for algorithmic distractions and outrage, our inborn need to belong to communities for ideological bubbles, our trust in scientific evidence for the attractive lies of false leaders, our solitude for public exhibitionism.
We have ignored the hunter-gatherer wisdom of our past, obedient now to the myth of progress.
But we must remember who we are and where we came from.
We are animals born into mystery, looking up at the stars. Uncertain in ourselves, not knowing where we are heading. We exist with the same bodies, the same brains, as Homo sapiens from thousands of years past, roaming on the plains, hunting in forests and by the sea, foraging together in small bands.
Except now, our technology is exponentially increasing at a scale that we cannot predict.
We are overwhelmed with information; lost in a matrix that we do not understand.
Our civilizational “progress” is built on the bones of the indigenous and the poor and the powerless.
Our “progress” comes at the expense of our land, and oceans, and air.
We are reaching beyond what we can globally sustain. Former empires have perished from their unrestrained greed for more resources. They were limited in past ages by geography and capacity, collapsing in regions, and not over the entire planet.
What will be the cost of our progress?
We have grown arrogant in our comfort, hardened away from our compassion, believing that our reality is the only reality.
Yet even at our most uncertain, there are still those saints who are unknown and nameless, who help even when they do not need to help.
They often are not rich, don’t have their profiles written up in magazines, and will never win any prestigious awards.
They may have shared their last bit of food while already surviving on so little. They may have cherished the disheartened, shown warmth to the neglected, tended to the diseased and dying, spoken kindly to the hopeless.
They do not tremble in silence while the wheels of prejudice crush over their land.
Withering what was once fertile into pale death and smoke.
They tend to what they love, to what they serve.
They help, even when they could fall back into ignorance, even when they could prosper through easy greed, even when they could compromise their values, conforming into groupthink for the illusion of security.
They help.
”
”
Bremer Acosta
“
55. We should, therefore, have a guardian, as it were, to pluck us continually by the ear and dispel rumours and protest against popular enthusiasms. For you are mistaken if you suppose that our faults are inborn in us; they have come from without, have been heaped upon us. Hence, by receiving frequent admonitions, we can reject the opinions which din about our ears. 56. Nature does not ally us with any vice; she produced us in health and freedom. She put before our eyes no object which might stir in us the itch of greed. She placed gold and silver beneath our feet, and bade those feet stamp down and crush everything that causes us to be stamped down and crushed. Nature elevated our gaze towards the sky and willed that we should look upward to behold her glorious and wonderful works. She gave us the rising and the setting sun, the whirling course of the on-rushing world which discloses the things of earth by day and the heavenly bodies by night, the movements of the stars, which are slow if you compare them with the universe, but most rapid if you reflect on the size of the orbits which they describe with unslackened speed; she showed us the successive eclipses of sun and moon, and other phenomena, wonderful because they occur regularly or because, through sudden causes they help into view – such as nightly trails of fire, or flashes in the open heavens unaccompanied by stroke or sound of thunder, or columns and beams and the various phenomena of flames. 57. She ordained that all these bodies should proceed above our heads; but gold and silver, with the iron which, because of the gold and silver, never brings peace, she has hidden away, as if they were dangerous things to trust to our keeping. It is we ourselves that have dragged them into the light of day to the end that we might fight over them; it is we ourselves who, tearing away the superincumbent earth, have dug out the causes and tools of our own destruction; it is we ourselves who have attributed our own misdeeds to Fortune, and do not blush to regard as the loftiest objects those which once lay in the depths of earth. 58. Do you wish to know how false is the gleam that has deceived your eyes? There is really nothing fouler or more involved in darkness than these things of earth, sunk and covered for so long a time in the mud where they belong. Of course they are foul; they have been hauled out through a long and murky mine-shaft. There is nothing uglier than these metals during the process of refinement and separation from the ore. Furthermore, watch the very workmen who must handle and sift the barren grade of dirt, the sort which comes from the bottom; see how soot-besmeared they are! 59. And yet the stuff they handle soils the soul more than the body, and there is more foulness in the owner than in the workman.
”
”
Seneca (Letters from a Stoic)
“
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
”
”
Marcel Proust (In Search of Lost Time: Swann's Way)
“
A:Surely you· know that one can read a book many times-perhaps you almost know it by heart, and nevertheless it can be that, when you look again at the lines before you, certain things appear new or even new thoughts occur to you that you did not have before. Every word can work productively in your spirit. And finally if you have once left the book for a week and you take it up again after your spirit has experienced various different changes, then a number ofthings will dawn on you.
On the higher levels of insight into divine thoughts, you recognize that the sequence of words has more than one valid meaning. Only to the all-knowing is it given to know all the meanings of the sequence of words. Increasingly we try to grasp a few more meanings."
....
I: "But Philo Judeaus, if this is who you mean, was a serious philosopher and a great thinker. Even John the Evangelist included some of Philo's thoughts in the gospe!."
A: "You are right. It is to Philo's credit that he furnished language like so many other philosophers. He belongs to the language artists. But words should not become Gods."
I: "I fail to understand you here. Does it not say in the gospel according to John: God was the Word. It appears to make quite explicit the point which you have just now rejected."
A: "Guard against being a slave to words. Here is the gospel: read from that passage where it says: In him was the life. "What does John say there?"
I: "'And life was the light of men and the light shines in the darkness and the darkness has not understood it. But it became a person sent from God, by the name of John, who came as a witness and to be a witness of the light. The genuine light, which
That is what I readh ere. But what do you make of this?"
A: "I ask you, was this AorOL [Logos] a concept, a word? It was a light, indeed a man, and lived among men. You see, Philo only lent John the word so that John would have at his disposal the word 'AorOL' alongside the word 'light' to describe the son of man. John gave to living men the meaning of the AorOL, but Philo gave AorOL as the dead concept that usurped life, even the divine life. Through this the dead does not gain life, and the living is killed. And this was also my atrocious error."
I:"Iseewhatyoumean.Thisthoughtisnewtomeandseems worth consideration. Until now it always seemed to me / as if it were exactly that which was meaningful in John, namely that the son of man is the AorOL, in that he thus elevates the lower to the higher spirit, to the world of the AorOL. But you lead me to see the matter conversely; namely that John brings the meaning of the AorOL down to man."
A: "I learned to see that John has in fact even done the great service of having brought the meaning of the AorOL up to man."
I: "You have peculiar insights that stretch my curiosity to the utmost. How is that? Do you think that the human stands higher than the logos?"
A: "I want to answer this question within the scope of your understanding: if the human God had not become important above everything, he would not have appeared as the son in the flesh, but as Logos.
”
”
C.G. Jung
“
In the uncertain hour before the morning
Near the ending of interminable night
At the recurrent end of the unending
After the dark dove with the flickering tongue
Had passed below the horizon of his homing
While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
Between three districts whence the smoke arose
I met one walking, loitering and hurried
As if blown towards me like the metal leaves
Before the urban dawn wind unresisting.
And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
The first-met stranger in the waning dusk
I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
Both one and many; in the brown baked features
The eyes of a familiar compound ghost
Both intimate and unidentifiable.
So I assumed a double part, and cried
And heard another's voice cry: 'What! are you here?'
Although we were not. I was still the same,
Knowing myself yet being someone other—
And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
And so, compliant to the common wind,
Too strange to each other for misunderstanding,
In concord at this intersection time
Of meeting nowhere, no before and after,
We trod the pavement in a dead patrol.
I said: 'The wonder that I feel is easy,
Yet ease is cause of wonder. Therefore speak:
I may not comprehend, may not remember.'
And he: 'I am not eager to rehearse
My thoughts and theory which you have forgotten.
These things have served their purpose: let them be.
So with your own, and pray they be forgiven
By others, as I pray you to forgive
Both bad and good. Last season's fruit is eaten
And the fullfed beast shall kick the empty pail.
For last year's words belong to last year's language
And next year's words await another voice.
But, as the passage now presents no hindrance
To the spirit unappeased and peregrine
Between two worlds become much like each other,
So I find words I never thought to speak
In streets I never thought I should revisit
When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
To purify the dialect of the tribe
And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
To set a crown upon your lifetime's effort.
First, the cold friction of expiring sense
Without enchantment, offering no promise
But bitter tastelessness of shadow fruit
As body and soul begin to fall asunder.
Second, the conscious impotence of rage
At human folly, and the laceration
Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
Of all that you have done, and been; the shame
Of motives late revealed, and the awareness
Of things ill done and done to others' harm
Which once you took for exercise of virtue.
Then fools' approval stings, and honour stains.
From wrong to wrong the exasperated spirit
Proceeds, unless restored by that refining fire
Where you must move in measure, like a dancer.'
The day was breaking. In the disfigured street
He left me, with a kind of valediction,
And faded on the blowing of the horn.
-T.S. Eliot, "Little Gidding
”
”
T.S. Eliot
“
I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion."
...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would.
Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do.
Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say:
"You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come."
And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.
”
”
Elizabeth Gilbert
“
only the dead keep secrets."
"it is not easy. Taking a life, even when we knew it was required."
"most people want only to be cared for. If I had no softness, I'd get nowhere at all."
"a flaw of humanity. The compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness."
"someone always gains, just like someone always loses."
"most women are less in love with the partners they choose than they are simply desperate for their approval, starving for their devotion. They want most often to be touched as no one else can touch them, and most of them inaccurately assume this requires romance. But the moment we realize we can feel fulfilled without carrying the burdens of belonging to another, that we can experience rapture without being someone's other half, and therefore beholden to their weaknesses, to their faults and failures and their many insufferable fractures, then we're free, aren't we? "
" enough, for once, to feel, and nothing else. "
" there was no stopping what one person could believe. "
" I noticed that if I did certain things, said things in certain way, or held her eye contact while I did them, I could make her... Soften toward me. "
" I think I've already decided what I'm going to do, and I just hope it's the right thing. But it isn't, or maybe it is. But I suppose it doesn't matter, because I've already started, and looking back won't help. "
" luck is a matter of probabilities. "
"you want to believe that your hesitation makes you good, make you feel better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal, that we are ordinary. That we, like anything, can burn. "
" ask yourself where power comes from, if you can't see the source, don't trust it. "
" an assassin acting on his own internal compass. Whether he lived or died as a result of his own choice? Unimportant. He didn't raise an army didn't fight for good, didn't interfere much with the queen's other evils. It was whether or not he could live with his own decision because life was the only thing that truly matters. "
" the truest truth : mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn't buy happiness, but nothing could buy happiness, so at least money could buy everything else. In term of finding satisfaction, all a person was capable of controlling was himself. "
" humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. My intention is as same as others. Stand taller, think smarter, be better. "
" she couldn't remember what version of her had put herself into that relationship, into that life, or somehow into this shape, which still looked and felt as it always had but wasn't anymore. "
" conservative of energy meant that there must be dozens of people in the world who didn't exist because of she did. "
" what replace feelings when there were none to be had? "
" the absence of something was never as effective as the present of something. "
"To be suspended in nothing, he said, was to lack all motivation, all desire. It was not numbness which was pleasurable in fits, but functional paralysis. Neither to want to live nor to die, but to never exist. Impossible to fight."
"apology accepted. Forgiveness, however, declined."
"there cannot be success without failure. No luck without unluck."
"no life without death?"
"Everything collapse, you will, too. You will, soon.
”
”
Olivie Blake (The Atlas Six (The Atlas, #1))
“
You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to door. She tied her long hair away from her face, meticulously turning on specific track lights and not others, perhaps to highlight the beauty of her Scandinavian-style furniture choices or the incomparable city view. Then she poured herself a glass of wine from a previously opened bottle, joining Reina on the sofa with an air of hospitably withheld dread.
“I was born here in Tokyo,” Reina commented. “Not far from here, actually. There was a fire the day I was born. People died. My grandmother always thought it meant something that I was—” She broke off. “What I was.”
“People often search for meaning where there is none,” said Aiya placidly. Perhaps in a tone of sympathy, though Reina wasn’t sure what to think anymore. “Just because you can see two points does not mean anything exists between them.”
“In other words, fate is a lie we tell ourselves?” asked Reina drolly.
Aiya shrugged. Despite the careful curation of her lighting, she looked tired. “We tell ourselves many stories. But I don’t think you came here just to tell me yours.”
No. Reina did not know why she was there, not really. She had simply wanted to go home, and when she realized home was an English manor house, she had railed against the idea so hard it brought her here, to the place she’d once done everything in her power to escape.
“I want,” Reina began slowly, “to do good. Not because I love the world, but because I hate it. And not because I can,” she added. “But because everyone else won’t.”
Aiya sighed, perhaps with amusement. “The Society doesn’t promise you a better world, Reina. It doesn’t because it can’t.”
“Why not? I was promised everything I could ever dream of. I was offered power, and yet I have never felt so powerless.” The words left her like a kick to the chest, a hard stomp. She hadn’t realized that was the problem until now, sitting with a woman who so clearly lived alone. Who had everything, and yet at the same time, Reina did not see anything in Aiya Sato’s museum of a life that she would covet for her own.
Aiya sipped her wine quietly, in a way that made Reina feel sure that Aiya saw her as a child, a lost little lamb. She was too polite to ask her to leave, of course. That wasn’t the way of things and Reina ought to know it. Until then, Aiya would simply hold the thought in her head.
“So,” Aiya said with an air of teacherly patience. “You are disappointed in the world. Why should the Society be any better? It is part of the same world.”
“But I should be able to fix things. Change things.”
“Why?”
“Because I should.” Reina felt restless. “Because if the world cannot be fixed by me, then how can it be fixed at all?”
“These sound like questions for the Forum,” Aiya said with a shrug. “If you want to spend your life banging down doors that will never open, try their tactics instead, see how it goes. See if the mob can learn to love you, Reina Mori, without consuming or destroying you first.” Another reflective sip. “The Society is no democracy. In fact, it chose you because you are selfish.” She looked demurely at Reina. “It promised you glory, not salvation. They never said you could save others. Only yourself.”
“And that is power to you?”
Aiya’s smile was so polite that Reina felt it like the edge of a weapon. “You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to you, Reina Mori, you belong to it, and perhaps when it is ready for a revolution it will look to you for leadership.
”
”
Olivie Blake (The Atlas Complex (The Atlas, #3))
“
What love actually is, is the action on a spontaneous positive impulse or idea. Love is the third step in connection—the first step is kindness, which is an investment of emotion to reach out and motivate someone. The second step is social intelligence where we consider all the possible things we could do to make a situation more enjoyable in the short and long term. The last step is love, which is action. Once we get to the third step there is no reason to question it. If our intuition already took care of the first step and our intellect confirmed it, whether or not our action also benefits us, it doesn’t matter. In neither of the three steps, kindness, social intelligence or love should there be consideration for whether something also indirectly benefits us, because that is irrelevant, even if we might be criticized for it. Bartering is weighing possible criticism or praise into what good deeds we choose to do.
”
”
Michael Brent Jones (Conflict and Connection: Anatomy of Mind and Emotion)
“
Our backyard in Karlsruhe, in the south of Germany, faced a US military air base, where planes regularly took off and landed. I heard them hissing and roaring above our house like dangerous animals that had - unbelievably - decided to spare our lives. I understood that something had once gone terribly wrong, and that they were watching us to assure we didn't do again whatever it was that we had done before.
”
”
Nora Krug (Belonging: A German Reckons with History and Home)
“
When admitting you are wrong, you gain back the control others took away from you when making you lose it. That's why you must say sorry. It represents a change of attitude but not really a change of personality; The changes on the personality come later on, when, by controlling yourself better, you don't express anger. Because saying sorry means nothing but anger means a lot. You should not want to be an angry person. When you get angry, those who make you angry, win; They win control over your emotional state, your thoughts, your words and your behaviors. They may then accuse you of always being angry and never apologizing, but that's not where you should focus your attention. The main point here, is that you’re living on the basis of instinctive reaction and not awareness or consciousness. So, when you say sorry, you are acknowledging that there is no excuse for losing control over yourself. You should not be sorry for being angry. That's an emotion; and you can't feel sorry for feeling. When you’re angry, you are feeling. When you insult, however, you are losing, yourself, your self-control, your self-respect, and even your capacity to use what you know. More knowledge, makes you more aware, more frustrated, having more and higher expectations on others, and more angry too, more often as well. But that's your problem! No other people's problem! They are just being themselves. Most people really think they are perfect as they are, and that the problems they experience are all outside themselves. And by realizing that, you say sorry as if saying sorry for not being who you really are. And when doing it, you get back the control another person took away from you. It is actually not good when someone needs to say sorry too often to someone else, especially if it’s always the same individual. But that someone else often likes it, as it makes them feel superior. That’s because their ego needs that. They have low self-esteem. Most people do! And that’s why most people's behavior is wired to their ego. Their likes and dislikes are connected to a sense of self-importance and a desperate need to feel important, which they project on their idols, the famous and most popular among them. They admire what they seek the most. When they think they are not important, they offend, to get aggression, which is a desperate need for attention; and to feel like victims of life, which is a deeper state of need, in this case, related to sympathy; and they then blame the other for what he does, for his reactions; and when that other says sorry, they think they have power over that insane cycle in which they now live, and in which they incorporate anyone else, and which they now perfectly master. Their pride is built on arrogance, an arrogance emerged out of ignorance, ignorance composed from delusional cycles within a big illusion; but an illusion that makes sense to them, as if they were succeeding at merging truth with lie, darkness with light. Because the arrogant, the abusive and the violent are desperate. God made them blind after witnessing their crimes against moral and ethics - His own laws. And they want to see again, and feel the same pleasure they once felt when witnessing the true colors of the world during childhood. The arrogant want to reaffirm their sanity by acting insanely because they know no other way. And when you say sorry, you are saying to them that you don't belong there, to their world, and that you are sorry for playing their games. That drama belongs to them only, and not you. And yet, people interpret the same paradox as they choose. That is their experience of truth and how they put sense on a life without any. And when so much nonsense becomes popular, we call it common sense. When common sense becomes a reality, we call it science. And when science is able to theorize common sense, we call it wisdom. Then, we wonder why the wisdom of those we name wise, does not help.
”
”
Robin Sacredfire
“
It is important to distinguish between ideology and what really happens in the world. When our heads are stuffed with ideology, our expectations are those of a fool. When we look at reality without ideology, we see something that is generally outside our expectations. Ideology and reality belong to different realms. Ideology belongs to the childish side of the imagination, while reality is the realm of the wise. The two things, ideology and reality, never coincide, ever. The reasons were outlined by Gustav Le Bon in his study of crowd behavior, where he stated: "The philosophic absurdity that often marks general beliefs has never been an obstacle to their triumph.... In consequence, the evident weakness of the socialist beliefs of today will not prevent their triumph among the masses.... The socialist ideal of happiness [and] ... the vanity of its promises will at once appear as soon as the first efforts toward their realization are made...."
J.R.Nyquist
”
”
J.R. Nyquist
“
His fingers moved deeper and I thought that the dye may have given me new nerve endings because every hair prickled up to his touch. "We're sensualists, aren't we?"
"Sensualists?" He lowered his hand to my neck and pulled me so close our foreheads touched. "What do you mean?" I asked, the tips of my lips- just slightly- against his.
"Sensualism..." he repeated in his bizarre accent. He didn't press his lips against mine and I didn't dare press back. We let our mouths push and graze as we spoke. "We are passionate, you and I. We know how to give in to our senses."
Then I felt the full heat of his mouth on mine and I lapped him up greedily, my hands grabbing his face and hair and shoulders.
I had never thought of myself as much of a sensualist. I was a writer, a rationalist in a sensualist world. I was always worrying about what other people thought of me and more often than not I liked the company of babies and dogs instead of humans my own age.
But what's rational about a man's lips on you, when he's touching you in a way that makes you feel the exquisite pleasure of belonging? Everything else is a distraction.
We tussled with our shirts off, until he pulled me on top of him and slid his hands from under my hair, to my shoulders, down to my arms, and finally to the place where the top of my pants met my skin.
"Leather pants, you little minx. Shall we have an encore?" he asked.
By now my hair was a wild mess. I was red from the wine. The lights were sort of dark, but not dark enough. I was wearing some Kiki Montparnasse lingerie, black lace with tiny bows that were at once sweet and not so sweet. You could even describe them as naughty.
He let the tip of one finger move around the edge of my pants. When he got to the button, he made a flicking motion that stressed its hold. The critical button.
”
”
Jessica Tom (Food Whore)
“
What Ed and I knew, on some fundamental level, is that once you’ve been out in it long enough, it becomes the top priority,” he told us as we settled into the study. “When you’re out in it fully, you recognize it’s where you belong. We concluded that it took a good ten days in the wilderness until you began to change. You need to live in the spirit of nature, so that it’s totally and intuitively in your system. Then you don’t have any choice but to defend it.
”
”
David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
“
King Edmund of East Anglia is now remembered as a saint, as one of those blessed souls who live forever in the shadow of God. Or so the priests tell me. In heaven, they say, the saints occupy a privileged place, living on the high platform of God’s great hall where they spend their time singing God’s praises. Forever. Just singing. Beocca always told me that it would be an ecstatic existence, but to me it seems very dull. The Danes reckon their dead warriors are carried to Valhalla, the corpse hall of Odin, where they spend their days fighting and their nights feasting and swiving, and I dare not tell the priests that this seems a far better way to endure the afterlife than singing to the sound of golden harps. I once asked a bishop whether there were any women in heaven. “Of course there are, my lord,” he answered, happy that I was taking an interest in doctrine. “Many of the most blessed saints are women.”
“I mean women we can hump, bishop.”
He said he would pray for me. Perhaps he did.”
― Bernard Cornwell, The Last Kingdom
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“The bards sing of love, they celebrate slaughter, they extol kings and flatter queens, but were I a poet I would write in praise of friendship.”
― Bernard Cornwell, The Winter King
tags: friendship 40 likes Like
“The preachers tell us that pride is a great sin, but the preachers are wrong. Pride makes a man, it drives him, it is the shield wall around his reputation... Men die, they said, but reputation does not die.”
― Bernard Cornwell, The Last Kingdom
tags: preachers, pride, reputation, shield-wall 39 likes Like
“I am no Christian. These days it does no good to confess that, for the bishops and abbots have too much influence and it is easier to pretend to a faith than to fight angry ideas. I was raised a Christian, but at ten years old, when I was taken into Ragnar’s family, I discovered the old Saxon gods who were also the gods of the Danes and of the Norsemen, and their worship has always made more sense to me than bowing down to a god who belongs to a country so far away that I have met no one who has ever been there. Thor and Odin walked our hills, slept in our valleys, loved our women and drank from our streams, and that makes them seem like neighbours. The other thing I like about our gods is that they are not obsessed with us. They have their own squabbles and love affairs and seem to ignore us much of the time, but the Christian god has nothing better to do than to make rules for us. He makes rules, more rules, prohibitions and commandments, and he needs hundreds of black-robed priests and monks to make sure we obey those laws. He strikes me as a very grumpy god, that one, even though his priests are forever claiming that he loves us. I have never been so stupid as to think that Thor or Odin or Hoder loved me, though I hope at times they have thought me worthy of them.”
― Bernard Cornwell, Lords of the North
”
”
Bernard Cornwell
“
I think we’ve seen every movie Cary Grant ever made a dozen times.” She widened her eyes. “Me too. Nanna adored Cary Grant.” “‘Everybody wants to be Cary Grant. Even I want to be Cary Grant.’” “I love that line.” “How about this one. ‘Insanity runs in my family. It practically gallops.’” “Arsenic and Old Lace.” “That’s one point for you.” “My turn. ‘Not that I mind a slight case of abduction now and then, but I have tickets for the theater this evening.’” “Too easy.” AJ smirked. “North by Northwest.” “We’re tied. One point each.” “So it’s a competition now?” “For biggest Cary Grant fan.” “Okay. Try this one. ‘There must be something between us, even if it’s only an ocean.’” “Every woman in the world knows that one.” “Then what is it?” “An Affair to Remember.” Shelby sighed dreamily. “And you can’t watch that one without watching Sleepless in Seattle.” “Another of Gran’s favorites.” “Did you really watch all those movies with her?” “Sure did. About once a month or so on a Sunday afternoon, we’d have a movie marathon.” His eyes softened as he revisited the past, then he grinned. “Sometimes I drifted off to sleep. So did she, but we both pretended we didn’t.” “Sounds like a pleasant way to spend a Sunday.” “It was.
”
”
Johnnie Alexander (Where She Belongs (Misty Willow #1))
“
We live in an age when doubt is part of our collective spiritual condition more than in times past. But honest questioning and lack of surety are not the same as active unbelief so often warned against in scripture. As a necessary part of living on this side of the veil, doubt is neither good nor bad necessarily. While it sends some careening, for many others is sparks deeper spiritual yearnings and more mature reflection on the complexities of mortality. Doubt can therefore operate as faith's partner as much as its enemy, depending on our response to it.
The quest to eradicate all doubt becomes counterproductive to God's cal for us to live by faith in a mortal existence where uncertainty is so often the norm. Once we recognize with Nephi that it is not wrong to not know all things (1 Nephi 11:17) and we acknowledge that testimonies come in different shapes and sizes, we are prepared to embrace both those within our faith and those beyond with love rather than judgement. Comprehending that faith is a process, a journey, a spectrum–choose your own metaphor–we realize that neither faith nor doubt are all-or-nothing propositions. People can (and most people do) hold both faith and doubt in their minds and hearts simultaneously.
The call to belief is not a decree to deny our doubts. It is rather to "give place for a portion" of God's light—whatever portion we have received, in whatever form–to be planted and then grow within us. Desire is enough; "a particle of faith" is sufficient. God's plea is simple and direct: do not cast out the seed of faith, whatever yours looks like, by your unbelief.
”
”
Patrick Q. Mason (Planted: Belief and Belonging in an Age of Doubt)
“
Everything American will disappear one day. More completely than that which was Greek, or Roman, or Egyptian. This is one of the ideas which pushed me outside the warm, comfortable bloodstream, where buffalos all, we once grazed in peace. An idea which has caused me infinite sorrow. For not to belong to something enduring is the last agony.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
Civilization is Not A Place (The Sonnet)
No matter who likes it not,
Say Gay anyway.
Compliance to discrimination,
Is the coward's way.
A true leader once said, women belong in,
All places where decisions are being made.
I say, fudge it all,
Women just belong, period.
They say, they don't want their kids,
To be hurt learning history.
I say, if learning history makes you hurt,
You are in dire need of therapy.
Civilization begins when we acknowledge our primitiveness.
Civilization is not a place, it's a people, it's a process.
”
”
Abhijit Naskar (High Voltage Habib: Gospel of Undoctrination)
“
By the time he rolled away from me, panting and staring at the ceiling, I was no longer a stranger in that once-familiar country; I was back where I belonged. We both were.
”
”
Seanan McGuire (Spelunking Through Hell: A Visitor's Guide to the Underworld (InCryptid, #11))
“
There was a dress we always kept in the family---a little girl's dress that once belonged to my great-grandmother. Ashley." Millie hesitated, as though to emphasize the name. "Ashley was just a child when she was sold, and her mother sewed the dress and embroidered a rose like that one on it."
"Kind of reminds me of the color of that huge rosebush at Eliza's old estate in Charleston," Sullivan said, and Peter agreed. "I mean, I know it's comparing a real bush to an embroidered one... but isn't it strange. Eliza would have a bush with that color rose in her yards both here and in Charleston, and a collection of needlework displays with it in her attic?"
Alice shrugged. "Maybe, maybe not. Roses are very popular flowers and were especially popular during that time period. It certainly could mean something, but I'm more interested in the sequence of the flowers this person chose to embroider and the connection Millie mentioned to that dress." Alice leaned closer.
"Millie, are you sure the stitching is the same?" As a renowned seamstress, Millie's eye could be trusted.
Millie nodded emphatically. "I have no doubt about it," she said. "The gentle curve of the petals. Shows remarkable craftsmanship. I remember admiring it when I was a little girl myself. It's one of the first memories I have of falling in love with textiles.
”
”
Ashley Clark (Where the Last Rose Blooms (Heirloom Secrets, #3))
“
Circles
Circles, small, large and many circles,
That is what our lives are like,
Always moving and pacing in circles,
Circles of love, circles of desire, circles of passion , too many circles, but none alike.
Situations, circumstances presenting themselves in circles,
With infinite loops, where we always end up where we began,
With the only difference that we change circles, but never can we leave these circles,
Even if we tried hard and we desperately ran.
We always end up in a circle within many circles,
But be assured these loops have been created on purpose by someone,
Who enjoys watching us going in circles because for him/her life is a circus of circles,
There is no regard for emotions, sentiments and human sensitivities, because this entity seems to care for no one.
And casts us mercilessly and relentlessly in these vicious circles,
Where the race begins never to end, because in a circle the end is unmarked,
And ah the agony of living in ceaseless pain and its ever extending circles,
Who shall we accuse, our fate or our destiny that we always get marked.
To be a part of circles, in relentless motion and desperation, only to create new circles,
And be cast in them remorselessly by this unknown entity,
It has nothing to offer us, no joys, no celebrations, just the ceaseless circles,
Where we always lie in the centre like a loathed deity!
And if ever our circle intersects with a cluster of happy circles,
We are cast away and shunned like a managed dog,
Till there are no more happy circles left in our constellation of endless circles,
And we get recast by fate once again , in the infinite circle of life where we belong.
We, our circle, our lives, our pain, a little blend of joy, and our live’s moments going in circles,
Often question us in our wakeful state,
“What are we and who are we without these circles?”
And the answer, “ a motion within a circle seeking its eternal kinetic state !”
To love in a circle, to feel joy in a circle, to confront life within circles,
And tread in a state of constantly moving inertia,
Where the quantum of everything is defined by these ceaselessly evolving circles,
With the purpose to attain panacea!
And I have loved you even in these circles,
Where the feelings of my mind and heart are these constantly geminating circles,
Your circles, my circles, our circles, life’s circles, circles within circles,
To be a part of that final circle, we call “life’s circles!”
So, I have plucked this rose with infinite red petals,
For when we enter the circle of life together,
I shall shower these scented petals,
In all our circles to create that quintessential and romantic weather.
where we shall enjoy our life in these circles, without feeling their drag,
For being with you in the life’s endless sequence of circles,
Will be a moment of joy, where I would wish that time developed a perpetual lag,
So that you and I , could feel the symphony of our rhythmically moving circles!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
You and me on the shores of river of life
Standing there with you holding your hand,
Just looking at you in the idleness of the moment,
As I feel your breaths and beside you I stand,
There is endless calm, yet I understand what you meant,
So I walk with you through the serpentine gullies,
And I greet life with a smile and never floundering will,
While being pleased by sites of rainbows and lilies,
That dance for you at their own free will,
I hold on to your hand more firmly,
And I turn to look at you and you smile,
And I say, “I love you,” and I say it finally,
You pause, and think for a while,
As you slide your hand tenderly,
To place it on my face,
And then you kiss me sweetly,
And my heart beats race,
I hold your hand once again,
And we continue walking through these serpentine gullies,
As I rub your little finger again and again,
And I feel the scent growing all over you, the scent of these happy lilies,
Then we approach the river of life,
And at its shores you embrace me,
And you finally say, “I want to be your wife,”
Then you hold me and we stare at the river, just you and me,
And as we enter its water and we flow with it now,
You dissolve in me and I dissolve in you,
And we now flow as an essence of you and me and our love,
But whenever I look back Irma, I see a reflection of you,
Still at the shore,
Where I hold your hand while the river of life flows by,
There are no worries no torments anymore,
Because we have together left them in the past to die,
And as your reflection spreads over the river of life,
You flow unto me,
And as I accept you as my wife,
In the presence of the river of life, you say, “this is how I always wanted to be!”
And then I too become the river and flow within it,
To flow with you into the sea of eternity,
And then be there forever, only with you and with it,
And experience love in its splendour of eternity,
Where you live forever,
And I exist within you,
In this sea of feelings and love, as your only lover,
While experiencing that loving embrace of you,
For which I could cross any river and scale the depths of any sea,
Because loving you is a discovery unto my own self,
And when I dive into my life’s sea,
You rise from the floor of the sea and you begin to flow through me yourself,
Then my darling Irma, I let it be,
Because our river of life has found its final destiny,
Where I belong to you and you belong only to me,
And I wish this to be our only and everlasting reality!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
I released a long breath, letting my eyes fall closed once more and taking comfort from the touch of all four of my kings surrounding me. I may have been lost and grieving all over again. But no one could take this from me. The five of us right here were it. Family. One we'd built for ourselves and which no one could ever steal from us. Five broken, hurting souls who had needed each other so much that despite the many obstacles placed between us, we'd finally figured out where we belonged in the world. And that was right here. Together.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
One of the more interesting things you'll notice in the entire history of poetry & poets, art & artists is those useless untalented individuals that call themselves " experts" or " critics" . The sad fact is that throughout that same history people actually were gullible and listened to them and bought their books or paintings. We no longer live in the age where poets were mass- read or rockstars but even now, in the 21st century we unfortunately must still deal with these ridiculous fops who merely give themselves these titles and use this as a tool to destroy or slander, debase or tear apart the works of other more talented poets so that their needy lackluster words will steal the other poets thunder and limelight to make themselves the center of attention. How pathetic is that? Very pathetic indeed. Hence ? We are far smarter than those who once fell for these self centered antics and we have thankfully made these manipulative con artists extinct. POETRY & ART is for EVERYBODY. From different countries, backgrounds and cultures. And the myth of experts or critics has finally been flushed down the toilet where they belong. Their words & voices now meaning what it was in the first place. NOTHING.
”
”
R.M. Engelhardt (WHERE THERE IS NO VISION POEMS 2020 R.M. ENGELHARDT)
“
The polarities of personality often present as victim and oppressor, the haves and the have nots, rights and wrongs, and other seemingly persistent divisions in our society. These polarities are not the source of this tension, but when we relate with the polarities through a reactionary state of operation, we can easily divide ourselves along those lines. Us and them. The familiar and the other.
When we don't own our own wholeness, when we identity too much with something other than our core worth, we collapse into one pole, as in being with or against others. This othering process is myopic, in that it doesn't take into account that our own wholeness is dependent on reclaiming the alternate pole, the person we think we are not, the "other" within us.
When we are able to relate with each pole from a place of responsiveness, where we stand in recognition of our own innate wholeness, the experience of polarity can be one of expansion, flow, contrast and generative transformation, rather than division.
Once we reckon with the paradox of how the perceived other is both distinct, and a direct reflection of us, then we see ourselves in that mirror. We see everyone and everything as reflecting an aspect of ourself that we get to reclaim.
Those we might have judged become guideposts for our own liberation. Our triggers become welcomed signs that we have rejected something inside us.
The idea that you are either with us or against us is a limiting lens that perpetuates humanity's suffering. The recognition that you are us, that everyone is us, allows our self-love to humanize others into belonging.
”
”
Gareth Gwyn (You Are Us: How to Build Bridges in a Polarized World)
“
By the time I visited Greece, I’d heard much about Moria, a place that had amassed its own mythology, described so often as a kind of underworld. I planned to travel to Lesbos, where I’d visit the camp as a reporter. But first I’d spend some time on the mainland tourist trail with my husband, Ben, and visit the island where my ancestors once lived. We set out into Athens
”
”
Lauren Markham (A Map of Future Ruins: On Borders and Belonging)
“
This is it,” Orion breathed and we turned to read the words as he held out the book. A spell was laid out to strip the newly acquired Elements from King, the answer right there before us. We needed Vampire blood to pull it off as part of a potion which Ryder immediately started writing down the ingredients to. To speed the process up, a Vampire could feed on the vessel once the Elements had been stripped away while the spell was being chanted to draw the stolen magic out of them faster, but it wasn’t necessary. But if a Vampire didn’t do that then it would take a lot longer to rip the stolen magic out of the host and that would give King more time to fight back. One glance at Elise told me she was fully planning to drain every last drop of stolen power out of King the moment she could and I swallowed down the fear that sparked in me. “There’s a warning here,” Orion said gravely, pointing to a small footnote at the base of the page. “It says that though a Vampire can drain the stolen power faster, they must act quickly to release it into the sky where it belongs. If not, the power will work to corrupt them, feeding into their bloodlust and making a demon out of them.” “We shouldn’t risk it,” I said, reaching for Elise’s hand. “We can just contain King and use the spell to force the magic out of them without you draining it.” “And what if that takes too long?” Elise demanded. “Our girl won’t be corrupted by the power,” Leon said confidently, reaching out to brush his fingers through her hair. “I just have to release it the moment I steal it. Simple,” she agreed but as I cast a look at Orion he didn’t seem at all convinced. “Dark magic lures you in unlike anything you could possibly understand without having experienced it,” he warned. “I’d think very carefully about doing this before you charge in and attempt it.” “Okay,” Elise agreed, raising her hands in surrender. “I won’t bite the fucker to drain them unless everything starts going to shit and I don’t have any other choice.” “I think that’s for the best, bella,” Dante agreed.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
No one would doubt that I love my children, and even a quantitative social psychologist would find no fault with my list of loving behaviors: nurturing health and well-being protection from harm encouraging individual growth and development desire to be together generous sharing of resources working together for a common goal celebration of shared values interdependence sacrifice by one for the other creation of beauty If we observed these behaviors between humans, we would say, “She loves that person.” You might also observe these actions between a person and a bit of carefully tended ground and say, “She loves that garden.” Why then, seeing this list, would you not make the leap to say that the garden loves her back? The exchange between plants and people has shaped the evolutionary history of both. Farms, orchards, and vineyards are stocked with species we have domesticated. Our appetite for their fruits leads us to till, prune, irrigate, fertilize, and weed on their behalf. Perhaps they have domesticated us. Wild plants have changed to stand in well-behaved rows and wild humans have changed to settle alongside the fields and care for the plants—a kind of mutual taming. We are linked in a co-evolutionary circle. The sweeter the peach, the more frequently we disperse its seeds, nurture its young, and protect them from harm. Food plants and people act as selective forces on each other’s evolution—the thriving of one in the best interest of the other. This, to me, sounds a bit like love. I sat once in a graduate writing workshop on relationships to the land. The students all demonstrated a deep respect and affection for nature. They said that nature was the place where they experienced the greatest sense of belonging and well-being. They professed without reservation that they loved the earth. And then I asked them, “Do you think that the earth loves you back?” No one was willing to answer that. It was as if I had brought a two-headed porcupine into the classroom. Unexpected. Prickly. They backed slowly away. Here was a room full of writers, passionately wallowing in unrequited love of nature. So I made it hypothetical and asked, “What do you suppose would happen if people believed this crazy notion that the earth loved them back?” The floodgates opened. They all wanted to talk at once. We were suddenly off the deep end, heading for world peace and perfect harmony. One student summed it up: “You wouldn’t harm what gives you love.” Knowing that you love the earth changes you, activates you to defend and protect and celebrate. But when you feel that the earth loves you in return, that feeling transforms the relationship from a one-way street into a sacred bond.
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Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
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Bailey sat on the edge of the couch and fed Maddy grapes. The very swollen mommy-to-be initially complained about being fed like a pet. Eventually, she gave in and enjoyed the attention. Not to be outdone, Sawyer turned a fan towards Maddy and was painting her nails. I watched them baby her and wondered about when I would be that big and uncomfortable.
“I’m in no hurry to have a baby,” Tawny said, maybe for the tenth time since arriving. “Not in any hurry at all.”
Farah grinned from where she was cutting carrots into little perfect sticks for dipping. “Coop is obsessed with getting me pregnant. First, his little brother is about to have a baby then his best friend. I swear whenever we’re alone, he’s inside me,” she said then her smile grew. “It’s awesome.”
“Huh,” Tawny muttered. “Judd is in me all the time too and not because he’s trying to plant his flag or lay his seed or whatever.”
“Jealous?” Farah asked and Tawny fake glared at her.
“Sometimes, my sister irritates me too,” I said and they both laughed.
“I’m going to brush the baby’s hair,” Bailey announced to no one in particular. “When she’s old enough, I’m going to put those little barrettes in her hair and make her wear headbands and turn her into a doll. Then when she cries, I’m giving her back to Maddy.”
“Yeah for me,” Maddy whispered with her eyes closed.
“Are you suffering?” Bailey asked. “Like should I do more for you to ease away the horror of how huge you’ve become?”
Opening her eyes a crack, Maddy muttered, “Stop charming me.”
Bailey grinned. “Seriously, you look pretty miserable today.”
“I’ve been having those Braxton Hicks contractions since yesterday.”
“Is that bad?” Sawyer asked, looking up from her meticulous work on Maddy’s toes. “Is it like hemorrhoids?”
When we laughed, Sawyer beamed, even though she likely had no idea what was funny.
“They’re like practice contractions,” Maddy explained. “They don’t hurt much, but they’re uncomfortable.”
Bailey frowned. “How do you know all this stuff?”
“I read a book.”
“Yeah, I did that once. Not a fan.”
“You guys don’t have to hang out here,” Maddy said. “The guys are out having fun and you’re pampering me. You could go to the movies if you want.”
“No,” Bailey said quickly. “I need to be super nice because I had a dream that being nice will lead to a handsome awesome guy who is the fucker. I want that guy. He belongs to me and I’m sick of waiting, so shut up and let me be nice to you.”
“Sure,” Maddy said, sighing. “This is nice, but I’m going to have to pee soon.”
“Do you need me to carry you?” Bailey asked.
“Maybe. Ask me in a few minutes.
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Bijou Hunter (Damaged and the Cobra (Damaged, #3))
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Nietzsche’s madman in The Gay Science is the epitome of someone who recognizes what it means to reject God consistently and face the consequences. To the self-appointed “anti-Christ” and the one who did his philosophy “with a hammer,” the idea that God is dead was no yawning matter. The insane man jumped into their midst, and transfixed them with his glances. “Where is God gone?” he called out. “I mean to tell you. We have killed him, you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? “Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Backwards, sideways, forwards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—For even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!”42 Nietzsche saw himself as a “born riddle-reader,” standing watch on the mountains “posted ’twixt today and tomorrow,” who could see what most people could not see yet. There was always a gap between the lightning and the thunder, though the storm was on its way. But while ordinary people could not be expected to have seen the arrival of this great event, he reserved his most withering scorn for thinkers who saw what he saw, but were unmoved and went on as before. They may have believed that God had “died” in European society, but it made no difference to them. Life would go on as it had. Such people, Nietzsche wrote, thinking of English writers such as George Eliot, were “odious windbags of progressive optimism.” If God is dead, everything that once depended on God would in the end go too. Did even science-based naturalism, he wondered, come from “a fear and an evasion of pessimism? A refined means of self-defense against—the truth?”43
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Os Guinness (Fool's Talk: Recovering the Art of Christian Persuasion)
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Once we belong to Him, we know where to look for sweet communion,
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Jen Hatmaker (Interrupted: When Jesus Wrecks Your Comfortable Christianity)
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Philosophy and science have not always been friendly toward the idea of God, the reason being that they are dedicated to the task of accounting for things and are impatient with anything that refuses to give an account of itself. The philosopher and the scientist will admit that there is much that they do not know; but that is quite another thing from admitting that there is something which they can never know, which indeed they have no technique for discovering. To admit that there is One who lies beyond us, who exists outside of all our categories, who will not be dismissed with a name, who will not appear before the bar of our reason, nor submit to our curious inquiries: this requires a great deal of humility, more than most of us possess, so we save face by thinking God down to our level, or at least down to where we can manage Him. Yet how He eludes us! For He is everywhere while He is nowhere, for "where" has to do with matter and space, and God is independent of both. He is unaffected by time or motion, is wholly self-dependent and owes nothing to the worlds His hands have made. Timeless, spaceless, single, lonely, Yet sublimely Three, Thou art grandly, always, only God is Unity! Lone in grandeur, lone in glory, Who shall tell Thy wondrous story? Awful Trinity! FREDERICK W. FABER It is not a cheerful thought that millions of us who live in a land of Bibles, who belong to churches and labor to promote the Christian religion, may yet pass our whole life on this earth without once having thought or tried to think seriously about the being of God. Few of us have let our hearts gaze in wonder at the I AM, the self-existent Self back of which no creature can think. Such thoughts are too painful for us. We prefer to think where it will do more good - about how to build a better mousetrap, for instance, or how to make two blades of grass grow where one grew before. And for this we are now paying a too heavy price in the secularlzation of our religion and the decay of our inner lives. Perhaps some sincere but puzzled Christian may at this juncture wish to inquire about the practicality of such concepts as I am trying to set forth here. "What bearing does this have on my life?" he may ask. "What possible meaning can the self-existence of God have for me and others like me in a world such as this and in times such as these?" To this I reply that, because we are the handiwork of God, it follows that all our problems and their solutions are theological. Some knowledge of what kind of God it is that operates the universe is indispensable to a sound philosophy of life and a sane outlook on the world scene. The much-quoted advice of Alexander Pope, "Know then thyself, presume not God to scan: The proper study of mankind is man," if followed literally would destroy any possibility of man's ever knowing himself in any but the most superficial way. We can never know who or what we are till we know at least something of what God is. For this reason the self-existence of God is not a wisp of dry doctrine, academic and remote; it is in fact as near as our breath and as practical as the latest surgical technique.
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A.W. Tozer (The Knowledge of the Holy)
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We live in a confused time, with democracy in apparent decline and with the church and Christian consciences increasingly at risk from governments, in various parts of the globe, that, having made a mess of almost everything else, decide to distract attention by stirring up anti-Christian sentiment and passing laws designed to make life difficult for those who want to be faithful followers of Jesus Christ. This is where faithfulness, loyalty, and trustworthiness will stand out, where that fourth meaning of rrionc is needed over against the shrinkage of "faith" to merely "my personal belief." The rhetoric of the Enlightenment has been extremely keen to squash "faith" into "private, personal belief," so that it can then insist that such "faith" should stay as a private matter and not leak out to infect the wider world. But since the Christian's personal belief is in the creator God who raised Jesus from the dead, this personal belief can never remain only a personal belief but, rooted in the trust that is the first meaning of rricrts, must grow at once into the loyalty, the public trustworthiness, that is the fourth meaning. This too is part of the virtue of "faith": to take the thousand small decisions to be loyal, even in public, even when it is dangerous or difficult, and so to acquire the habit of confessing this faith (sense 3) both when it is safe and when it is dangerous. Just as Mother Teresa spoke of recognizing Jesus in the Eucharist and then going out to recognize him in the poor and needy, so we need to learn the virtue of affirming our faith in our liturgical and prayer life so that we
can then go out and affirm it on the street, in public debate, in pursuit of that freedom for which the second-century apologists argued.
Christian faith, then, does indeed belong among the virtues. But we can only understand that in the light of the full biblical and eschatological narrative, in which God's eventual new creation, launched in Jesus' resurrection, will make all things new. Christian faith looks back to Jesus, and on to that eventual new day. It tastes in advance, in personal and public life, the freedom that we already have through Jesus and that one day we shall have in all its fullness. The practice of this "faith" is, on the one hand, the steady, grace-given entering into the habit by which our character is formed, a habit correlated with those resulting from the similar practice of hope and love. On the other hand, the practice of this faith is the genuine anticipation in the present of that trust, belief, and faithfulness that are part of the telos, the goal. That goal, already given in Jesus Christ, is the destination toward which we are now journeying in the power of the Spirit. Virtue is one of the things that happen in between, and because of, that gift and that goal.
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J. Ross Wagner (The Word Leaps the Gap: Essays on Scripture and Theology in Honor of Richard B. Hays)