“
You'd think people had better things to gossip about," said Ginny as she sat on the common room floor, leaning against Harry’s legs and reading the Daily Prophet. "Three Dementor attacks in a week, and all Romilda Vane does is ask me if it’s true you’ve got a Hippogriff tattooed across your chest."
Ron and Hermione both roared with laughter. Harry ignored them.
What did you tell her?"
I told her it's a Hungarian Horntail," said Ginny, turning a page of the newspaper idly. "Much more macho."
Thanks," said Harry, grinning. "And what did you tell her Ron’s got?"
A Pygmy Puff, but I didn’t say where.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Somewhere along the way we all go a bit mad. So burn, let go and dive into the horror, because maybe it’s the chaos which helps us find where we belong.
”
”
Robert M. Drake
“
Thoughts of moonlight and silken hair evaporated in a black bolt of fury. Kaz saw Inej tug on the sleeve of her left forearm, where the Menagerie tattoo had once been. He had the barest inkling of what she'd endured there, but he knew what it was to feel helpless, and Van Eck had managed to make her feel that way again. Kaz was going to have to find a new language of suffering to teach that smug merch son of a bitch.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
Maybe one day we’ll find that place, where you and I could be together and we’ll catch our dreams within the waves of change. So hear me, you are not alone.
”
”
Robert M. Drake
“
Its dark and I’m reading my scars because our moments remind me of where I should be.
”
”
Robert M. Drake
“
The chaos in me is the chaos in you. Like the love in you is the love in me. So maybe we’re both a little crazy. Enough to believe we’re found where dreams are born and beneath our faults remain a science, where you and I will run away and leave nothing behind.
”
”
Robert M. Drake
“
At the end of the day I went to this place where your memories left footsteps on my skin and the breath of your touch stained my desire. Yea, it was one of those nights where I needed you the most.
”
”
Robert M. Drake
“
What did the Faerie that attacked you look like?"
"Super creepy. Ripped jeans, weird tattoos, bad hair. And, come to think of it, really nice boots..."
"Where?"
"On his feet."
Sonny winced and rubbed his temples. "Where were you attacked, Kelley?"
"Okay, see...that was a joke.
”
”
Lesley Livingston (Darklight (Wondrous Strange, #2))
“
Man, I'm messed up right now. My best friend is my father? The man I idolized as a kid... whose tattoo is on my arm... And he's younger than me. Yeah, I don't think I can handle this. Mindwipe me, somebody... please! Where's that dragon from Sanctuary? Simi, go get Max. I need him.
”
”
Sherrilyn Kenyon (Styxx (Dark-Hunter, #22))
“
The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. "I figured that would get you to stop crying."
"It was disgusting." I wiped my face again.
"Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting."
"Get out."
"As usual, your gratitude is overwhelming.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Isobel looked down at her lap, at her hands. She turned her left one over, remembering where Varen had written his number on her that first time. Those numbers were gone now, but in hindsight, he may as well have tattooed the moment onto her soul.
”
”
Kelly Creagh (Nevermore (Nevermore, #1))
“
Oh. My. God. You're Rose Hathaway aren't you?"
"Yeah." I said with surprise. "Do you know me?"
"Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath.
"Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch.
Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her.
"What's your name?" I asked.
"Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me."
"Right." I said, hiding a smile. "I figured it out."
"I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape.
"I don't know." I said. "You should talk to Christian Ozera."
She gaped. "Would he talk to me?"
"If you bring up fighting the establishment, yeah he'll talk to you."
"Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly.
"Yeah."
I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?"
"Yeah." I wondered where he was. Talking to Jill was exhausting.
"Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?"
"Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties.
"I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'"
I laughed in spite of myself. "I think you're giving me more credit than I deserve."
"No way. And I don't believe any of those stories, you know."
"Um, stories?"
"Yeah about you beating up Christian Ozera."
"Thanks." I said.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
You have to know where you were going in order to get there.
”
”
Suzanne Weyn (The Bar Code Tattoo (Bar Code, #1))
“
This was a place where tattoos outnumbered teeth.
”
”
Harlan Coben (The Innocent)
“
I saw your tattoo. I can't tell you what that means to me, knowing that you have our heart placed in the very spot where I once secretly buried the words I love you
”
”
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
“
Martin was dafter than a syphilitic polecat - where do I get these metaphors from?
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium, #1))
“
In the story of my life, that's where you cracked the spine of the book. The mark is there, forever tattooed on my narrative and I couldn't be happier.
”
”
Cara Lynn Shultz (The Dark World (Dark World, #1))
“
In bed, I steal moments of tenderness when sex has finally exhausted me to the point where I’m too bone weary to fret anymore about the enormous capacity for evil that’s taken up squatter’s rights inside me. I touch him, put all those things I don’t say into my hands as I trace the red and black tattoos on his skin, the sharp planes and hollows of his face, bury my hands in his dark hair. He watches me in silence when I do, eyes dark, unfathomable.
I sometimes wake up to find he’s pulled me close to him and is holding me, spooned into my back with his face in my hair, and those hands that don’t speak like mine don’t speak move over my skin and tell me I’m cherished, honored, seen.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
It's my diary", she'd explained. "Every mark I've had drawn on my skin connects me to where and who I've been- so I never forget who I am and how I got here."There was humour in the smile she offered him. "And you know what the real beauty of it is?"
Hank had shaken his head.
"Nobody can take it away.
”
”
Charles de Lint (Someplace to Be Flying (Newford, #5))
“
Where you come from, what you look like, and what your past holds do not define you as an individual--you are what you make yourself to be.
”
”
Kat Von D. (Go Big or Go Home: Taking Risks in Life, Love, and Tattooing)
“
I see you in every flower in the park, every color in a rainbow and in every scent that reminds me of the things I love. Without knowing how, or even why it happened, I can’t imagine a world where you don’t exist.
”
”
Denise Mathew (Tattoos)
“
George was an atheist, and so am I. But how I long now for an afterlife - a world of light or of deep dazzling darkness, where he and the others we've lost reside, unscathed, forever accessible - to have tea with, to talk nonsense with, to reinvent the world with
”
”
Justin Spring (Secret Historian: The Life and Times of Samuel Steward, Professor, Tattoo Artist, and Sexual Renegade)
“
Scripture scholars contend that the original language of the Beatitudes should not be rendered as "Blessed are the single-hearted" or "Blessed are the peacemakers" or "Blessed are those who struggle for justice." Greater precision in translation would say, "You're in the right place if...you are single-hearted or work for peace." The Beatitudes is not a spirituality, after all. It's a geography. It tells us where to stand.
”
”
Gregory J. Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
Lo focusses on me. “Are you willing to show my son the same respect that I’ve raised him to show you?”
Maximoff makes a face. “Where the fuck are these questions coming from?”
I watch as Lo digs into his pocket and pulls out a crumbled piece of paper. “Questions for the Overly Tattooed Boyfriend of My Perfect Son Dot Com.” He gives me an iconic dry smile. “I hate tattoos.”
“I know,” I say with a nod. “Good thing your son loves them.
”
”
Krista Ritchie (Alphas Like Us (Like Us, #3))
“
Bullshit is as common as lame poetry and more unavoidable than
those armed men who are there to protect you from
Bullshit like this is straight from the lab and god loves you and
the government doesn't want war and it's the best movie since
Repo Man and if i stopped drinking the world might end anyway
and breathanarianism and immortality for anything besides
Bullshit that's as common as murder and jailhouse tattoos selling
bunk drugs in paint chip hotels where a cigarette burn on
the mattress tells you more about death than a splatter movie
festival.
”
”
Sparrow 13 Laughingwand (Hell Soup: The Collected Writings of)
“
Rowdy, hopped-up college kids pass us in an endless, noisy blur like they're being mass produced or squeezed out of a tube - guys skulking in their T-shirts and cargo shorts, girls in low-slung jeans and flip-flops, pimples and breasts and tattoos and lipstick and legs and bra straps, and cigarettes; a colorful, sexy melange. I feel old and tired and I just want to be them again, want to be young and stupid, filled with angst and attitude and unbridled lust. Can I have a do-over, please? I swear to God I'll make a real go of it this time.
”
”
Jonathan Tropper (This is Where I Leave You)
“
But the problem with battling yourself is that even if you win, you lose. At some point – scarred and exhausted – you either accept that you must become a woman – that you are a woman – or you die. This is the brutal, root truth of adolescence – that it is often a long, painful campaign of attrition. Those self-harming girls, with the latticework of razor cuts on their arms and thighs, are just reminding themselves that their body is a battlefield. If you don’t have the stomach for razors, a tattoo will do, or even just the lightning snap of the earring gun in Claire’s Accessories. There. There you are. You have just dropped a marker pin on your body, to reclaim yourself, to remind you where you are: inside yourself. Somewhere. Somewhere in there.
”
”
Caitlin Moran (How to Be a Woman)
“
But I understand now what Tori said about her tattoo representing a fear she overcame-a reminder of where she was, as well as a reminder of who she is now. Maybe there is a way to honor my old life as I embrace my new one.
"yes," I say. "Three of these flying birds."
I touch my collarbone, marking the path of their flight-toward my heart. One for each member of the family I left behind.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I force my eyes upward and look at Mia for the first time. She's still beautiful. Not in an obvious Vanessa LeGrande or Bryn Shraeder kind of way. In a quiet way that's always been devastating to me. Her hair, long and dark, is down now, swimming damply against her bare shoulders, which are still milky white and covered with the constellation of freckles that I used to kiss. The scar on her left shoulder, the one that used to be an angry red weld is silvery pink now. Almost like the latest rage in tattoo accessories. Almost pretty.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
I wonder, only in passing, whether the indelible ornamentation that man inscribes upon his own epidermis does not respond to a nostalgia for the universal internally generated coloring of corrollas, furs, shells, carapaces and wings. For man it has been necessary to create both works and tools outside of himself. But it may be that he retains an obscure nostalgia to create them on his own body, to make them a part of it rather than projecting them outwards onto an independent surface, where he is free to retouch them as he sees fit, which is precisely what painting and art are.
”
”
Roger Caillois (The Dedalus Book of Surrealism: The Identity of Things)
“
The principle suffering of the poor is shame and disgrace. It is a toxic shame -- a global sense of failure of the whole self. This shame can seep so deep down... To this end, one hopes (against all human inclination) to model not the "one false move" God but the "no matter whatness" of God. You seek to imitate the kind of God you believe in, where disappointment is, well, Greek to Him. You strive to live the black spiritual that says, "God looks beyond our fault and sees our need.
”
”
Gregory J. Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
It hurts, right? It's messy and complicated and it's like a tattoo that never ends. A million needles inking something on your heart that isn't even beautiful."
"The feeling you have in that moment right as you wake up, before your brain mucks it all up with thoughts and words? That very first feeling is where the truth lives."
"Because love always wins. Always.
”
”
Emma Scott (All In (Full Tilt, #2))
“
Open up your heart and see where it leads you...
”
”
Deidre Knight (Butterfly Tattoo)
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Miltons were, on the whole, the most enthusiastic poet followers. A flick through the London telephone directory would yield about four thousand John Miltons, two thousand William Blakes, a thousand or so Samuel Colleridges, five hundred Percy Shelleys, the same of Wordsworth and Keats, and a handful of Drydens. Such mass name-changing could have problems in law enforcement. Following an incident in a pub where the assailant, victim, witness, landlord, arresting officer and judge had all been called Alfred Tennyson, a law had been passed compelling each namesake to carry a registration number tattooed behind the ear. It hadn't been well received--few really practical law-enforcement measures ever are.
”
”
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
“
Later in my room, I lift up my dress and twist to see the rainbow splotch of lotus on my side. And it occurs to me, what if I stopped hating it? What if the tattoo and the scar and this summer's freckles are my patina? Wabi-Sabi says rust and faded paint hold beauty. So what if I let these marks be passport stamps from where I've been - one's that don't determine a damn thing about where I'm going next?
”
”
Emery Lord (When We Collided)
“
To embrace the strategy of Jesus is to be engaged in what Dean Brackley calls "downward mobility." Our locating ourselves with those who have been endlessly excluded becomes an act of visible protest. For no amount of our screaming at the people in charge to change things can change them. The margins don't get erased by simply insisting that the powers-that-be erase them. The trickle-down theory doesn't really work here. The powers bent on waging war against the poor and the young and the "other" will only be moved to kinship when they observe it. Only when we can see a community where the outcast is valued and appreciated will we abandon the values that seek to exclude.
”
”
Greg Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
The Ancient Desert Fathers, when they were disconsolate and without hope, would repeat one word, over and over, as a kind of soothing mantra. And the word wasn't "Jesus" or "God" or "Love." The word was "Today." It kept them where they needed to be.
”
”
Gregory Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
Sweaty, shirtless, and tattooed, he walked
right into the kitchen where the Lisbon girls lived and breathed, but we
never asked him what he saw because we were scared of his muscles and
his poverty.
”
”
Jeffrey Eugenides
“
Kaldar almost never stops and thinks about the consequences of his actions. Something is fun or not fun, and my brother’s fun often lands him in interesting places such as jails or castles belonging to California robber barons. Where other people see certain death, my brother sees an opportunity for a hilarious, thrilling adventure. But when I got the tattoo, Kaldar warned me that marrying her was a bad idea.
”
”
Ilona Andrews (Steel's Edge (The Edge, #4))
“
So, tattooing . . . you’ve got a picture in your mind, then you put it on your body. You make a hazy imagining into a tangible part of you. Or, to flip it around, you want a reminder of something, so you put it on your body, where it’s a real, touchable thing. You see the thing on your body, you remember it in your mind, then you touch it on your body, you remember why you got it, what you were feeling then, and so on, and so on. It’s a re-enforcing circle. You’re reminded that all these separate pieces are part of the whole that comprises you.
”
”
Becky Chambers (A Closed and Common Orbit (Wayfarers, #2))
“
You get a tattoo like this and a ’do like this, and wear a shirt where the tattoo shows, and you walk into a room of people and feel the animosity, the disapproval, the how-dare-you. You can feel it coming off them like heat off a stove. And the thing I want to ask them is, how have I deserved this, what have I done that so offends you? I have not asked you to cut your hair this way. I have not asked you what you thought of it, or to approve it. So why do you feel this way towards me? If you can’t get past my 'too—my tattoo—and my 'do—the way I got my hair cut—it’s only because you have decided there are certain things that can be done with hair and certain things that cannot be done with hair. And certain of them are right and proper and decent, and the rest indicate a warped, degenerate nature; therefore I am warped and degenerate. 'Cause I got my hair cut a different way, man? You gonna really live your life like that? What’s wrong with you?
”
”
Harry Crews (Getting Naked with Harry Crews: Interviews)
“
Unlike what nationalist demagogues claim, belonging is not a once-and-for-all condition, a static identity tattooed on our skin; it is a constant self-examination and dynamic revision of where we are, who we are, and where we want to be.
”
”
Elif Shafak (How to Stay Sane in an Age of Division)
“
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.”
As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.”
Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.”
“I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.”
“Again, thanks,” he gritted.
He wants us!
Stupid demon.
William grinned. “Maybe we can make out later. I know you want me.”
Tell him yes!
Not another word out of you, or—
“Paris? Warrior?” Zacharel said. “Are you
listening to me?”
“No.”
Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.”
“Oh, yeah. I definitely have attention deficient demon.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
No!” The word was a roar, a plea, and silver and green flashed in her vision. A name. A name clanged through her as he hurled himself in the path of that fist, that moonfire, not just to save those innocents in the city, but to spare her soul from the agony if she destroyed them all— Rowan. And as his face became clear, his tattoo stark in the sun, as that fist full of unimaginable power now opened toward his heart— There was no force in any world that could keep her contained. And Aelin Galathynius remembered her own name as she shattered through the cage that goddess had shoved her into, as she grabbed that goddess by the damned throat and hurled her out, out, out through that gaping hole where she had infiltrated her, and sealed it— Aelin snapped into her body, her power.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
(Mosiah 16:9). Christ is the Light and Life of this world, here, where we are right now. In order to truly live we must turn to Him. “We are made alive in Christ” (2 Nephi 25:25).
”
”
Al Carraway (More than the Tattooed Mormon)
“
me. "Ya know, stereotyping be a sign of limited intelligence. I might have asked ye where yer lower back tattoo be or yer lip piercing, but I didna.
”
”
Elle Casey (The Changelings (War of the Fae, #1))
“
One moment they were in a Brandenyard street, the next running by wicket-fenced fields where stupidly dignified goats with great, flopping ears and fat, overlong noses stared at them solemnly.
”
”
D.M. Cornish (Factotum (Monster Blood Tattoo, #3))
“
Beck closes his eyes. Forgets. Zones out so far he reaches the place deep inside where his own music lies. Little notes clamouring to be free. His own notes. His own creations. His fingers tap a tattoo against his other clammy palm. If people cut him open, they'd never accuse him of being empty. He's not a shell of a pianist - he's a composer. Cut his chest and see his heart beat with a song all his own.
”
”
C.G. Drews (A Thousand Perfect Notes)
“
Don’t make me tattoo your ass before sending you off. Because I’ll do it. Big ol’ tramp stamp in Comic Sans that says ‘Tristan Wuz Here’ with an arrow pointing down.”
I snorted. “Oh my god, that’s heinous. I don’t know where to even begin. Comic Sans? Surely you jest. Do you know who you’re talking to?”
“Not only that, but I’ll bribe the tattoo artist extra to make sure it’s a little off center and the word ‘here’ is spelled h-e-a-r just for good measure.”
“Fuck you. Now I’m going to develop a tic just thinking about it.
”
”
Lucy Lennox (Borrowing Blue (Made Marian, #1))
“
...All they were interested in was where she planned to get her tattoo.
"You're just going to have to use your imagination," she told them.
Cooper snorted. "Becker is screwed then. He doesn't have any imagination.
”
”
Paige Tyler (Wolf Trouble (SWAT: Special Wolf Alpha Team, #2))
“
For a person accustomed to the multi ethnic commotion of Los Angeles, Vancouver, New York, or even Denver, walking across the BYU campus can be a jarring experience. One sees no graffiti, not a speck of litter. More than 99 percent of the thirty thousand students are white. Each of the young Mormons one encounters is astonishingly well groomed and neatly dressed. Beards, tattoos, and pierced ears (or other body parts) are strictly forbidden for men. Immodest attire and more than a single piercing per ear are forbidden among women. Smoking, using profane language, and drinking alcohol or even coffee are likewise banned. Heeding the dictum "Cougars don't cut corners," students keep to the sidewalks as they hurry to make it to class on time; nobody would think of attempting to shave a few precious seconds by treading on the manicured grass. Everyone is cheerful, friendly, and unfailingly polite.
Most non-Mormons think of Salt Lake City as the geographic heart of Mormonism, but in fact half the population of Salt Lake is Gentile, and many Mormons regard the city as a sinful, iniquitous place that's been corrupted by outsiders. To the Saints themselves, the true Mormon heartland is here in Provo and surrounding Utah County--the site of chaste little towns like Highland, American Fork, Orem, Payson and Salem--where the population is nearly 90 percent LDS. The Sabbath is taken seriously in these parts. Almost all businesses close on Sundays, as do public swimming pools, even on the hottest days of the summer months.
This part of the state is demographically notable in other aspects, as well. The LDS Church forbids abortions, frowns on contraception, and teaches that Mormon couples have a sacred duty to give birth to as many children as they can support--which goes a long way toward explaining why Utah County has the highest birth rate in the United States; it is higher, in fact, than the birth rate in Bangladesh. This also happens to be the most Republican county in the most Republican state in the nation. Not coincidentally, Utah County is a stronghold not only of Mormonism but also Mormon Fundamentalism.
”
”
Jon Krakauer
“
If you read Scripture scholar Marcus Borg and go to the index in search of 'sinner,' it'll say, 'see outcast.' This was a social grouping of people who felt wholly unacceptable. The world had deemed them disgraceful and shameful, and this toxic shame, as I have mentioned before, was brought inside and given a home in the outcast.
Jesus' strategy is a simple one: He eats with them. Precisely to those paralyzed in this toxic shame, Jesus says, 'I will eat with you.' He goes where love has not yet arrived, and he 'gets his grub on.' Eating with outcasts rendered them acceptable.
”
”
Gregory Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
True wisdom is the moment in the iconic Truman Show where he opens the door, and the doorway is dark. That image is tattooed onto my brain because it’s so relatable to what real growth looks like. Christof tells Truman, “Stay here, stay in this world I have created for you. Stay in the illusion. It’s safe here, and you’re special here. There is no truth out there.
”
”
Brittney Hartley (No Nonsense Spirituality: All the Tools No Belief Required)
“
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known.
After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine.
I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that.
I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull.
“What are you doing?”
“Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me.
He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?”
“Is that what it is?” I feign innocence.
He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites.
It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him.
But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going.
I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies.
It’s easy to walk away from lies.
Power is another thing.
Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it.
He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?”
I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it.
I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
His gaze meandered along my chest. "Hey!" I crossed my arms over my breasts.
"Those are…"
"Patrick's?"
"Well, his name isn't tattooed on them, but yeah, currently they are reserved for him."
I peered at him and noted the similarities between him and his sons. "Ruadan, I presume?"
"Got it in one," he said, silver eyes twinkling.
"You scared the shit out of me." One corner of his mouth lifted into a grin. He picked up the parchment and tapped on it.
"So, you're Patrick's soul mate."
"No."
"But you read the scroll. Only his sonuachar can do that."
"Let me explain." I paused. "No, there is too much. Let me sum up."
" The Princess Bride!" Ruadan exclaimed in happy surprise. "I love that movie. 'Hello, my name is Inigo Montoya. You killed my father. Prepare to die!'" He leapt off the bed and made fencing motions.
"Ruadan, we're in a bit of crisis around here."
"Hey! My swords." He practically skipped to the dresser where I had left them when I got ready for my bath. He whirled the half-swords like a master swordsman, which, of course, he was. "My mother really knows how to smith a weapon, doesn't she? Real fairy gold." He stabbed an invisible foe's chest with one and his stomach with the other. "Die, evil one! Die!"
He jumped up and down, the swords held above his head, and did a victory dance.
"You're like a big puppy!" I exclaimed. "A big, dumb puppy.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
No hay problema," Orlando agreed. "But you haven't said where?" His eyes grazed over the rumpled tux, Aiden not having thought about where the tattoo might go. Isabel had an answer.
"His neck."
"My neck?"
"Tiene cojones," Orlando said slyly grinning.
"Yes, your neck. It'll be your thing, you know, when you're famous--like an insigna. It's sexy and dangerous. Aidan's going to be a famous rock star, Orlando."
Aidan admired her confidence. "From her lips ..."
"I surely hope, mis amigos, because putting that thing on your neck does not say nine-to-five employment.
”
”
Laura Spinella (Perfect Timing)
“
No hay problema," Orlando agreed. "But you haven't said where?" His eyes grazed over the rumpled tux, Aiden not having thought about where the tattoo might go. Isabel had an answer.
"His neck."
"My neck?"
"Tiene cojones," Orlando said slyly grinning.
"Yes, your neck. It'll be your thing, you know, when you're famous--like an insigna. It's sexy and dangerous. Aidan's going to be a famous rock star, Orlando."
Aidan admired her confidence. "From her lips ..."
"I surely hope, mis amigos, because putting that thing on your neck does not say nine-to-fice employment.
”
”
Laura Spinella (Perfect Timing)
“
Evidently, Austronesian settlers in the New Guinea region got the idea of “tattooing” their pots, perhaps inspired by geometric designs that they had already been using on their bark cloth and body tattoos. This style is termed Lapita pottery, after an archaeological site named Lapita, where it was described.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
“
For example, my name is Abigail and people call me Abby very easily and it does this thing to me where I like them right away. Makes me feel like I know them already and that they like me already. That we’re close and I can trust them. Like, even if I were speaking to some prisoner through thick glass, a giant villain with a million face tattoos and a big scar from the corner of his mouth to his ear, if he called me Abby, I might smuggle something in my vagina for him next time I visited, keep him liking me because now that I’ve got him liking me, he’s not so bad. Now that I’ve got him liking me, I need it to live.
”
”
Ainslie Hogarth (Motherthing)
“
Chicken began to cry then or seemed to cry, to weep or seemed to weep, until they heard the sound of a grown man weeping, an old man who slept on a charred mattress, whose life savings in tattoos had faded to a tracery of ash, whose crotch hair was sparse and gray, whose flesh hung slack on his bones, whose only trespass on life was a flat guitar and a remembered and pitiful air of "I don't know where it is, sir, but I'll find it, sir," and whose name was known nowhere, nowhere in the far reaches of the earth or in the far reaches of his memory, where, when he talked to himself, he talked to himself as Chicken Number Two.
”
”
John Cheever (Falconer)
“
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
The Adoption When Paul Jobs was mustered out of the Coast Guard after World War II, he made a wager with his crewmates. They had arrived in San Francisco, where their ship was decommissioned, and Paul bet that he would find himself a wife within two weeks. He was a taut, tattooed engine mechanic, six feet tall, with a passing resemblance to James Dean. But it wasn’t his looks that got him a date with Clara Hagopian, a sweet-humored daughter of Armenian immigrants. It was the fact that he and his friends had a car, unlike
”
”
Walter Isaacson (Steve Jobs)
“
I am petrified in my dreams and I am petrified in reality because it is as if my dreams are reality and I am having a nervous breakdown and I have nowhere to turn. Nowhere. My mother, I sense, has just kind of given up on me, decided that she isn’t sure how she raised this, well, this thing, this rock-and-roll girl who has violated her body with a tattoo and a nose ring, and though she loves me very much, she no longer wants to be the one I run to. My father has never been the one I run to. We last spoke a couple of years ago. I don’t even know where he is. And then there are my friends, and they have their own lives. While they like to talk everything through, to analyze and hypothesize, what I really need, what I’m really looking for, is not something I can articulate. It’s nonverbal: love. I need the thing that happens when your brain shuts off and your heart turns on. And I know it’s around me somewhere, but I just can’t feel it.
”
”
Elizabeth Wurtzel
“
He ran his hand over his chest and stopped above his heart where a black tattoo of an ornate skeleton key was inked on his skin.She had its other half-a lock in the shape of a heart with a keyhole in the center-tattooed on her lower stomach beside her right hip bone. Laying on top of her, he'd slide down to kiss her breasts and their two tattoos would come together. Lock and key.
”
”
Kelli Maine (Taken by Storm (Give & Take, #2))
“
He was going to break my legs," she said. Smash them with a mallet so they'd never heal." Thoughts of moonlight and silken hair evaporated in a black bolt of fury. Kaz saw Inej tug on the sleeve of her left forearm, where the Menagerie tattoo had once been. He had the barest inkling of what she'd endured there, but he knew what it was to feel helpless, and Van Eck had managed to make her feel that way again.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
It was as if she had just discovered the irreversible process. It astonished her to think that so much could be lost, even the quantity of hallucination belonging just to the sailor that the world would bear no further trace of. She knew, because she had held him, that he suffered DT’s. Behind the initials was a metaphor, a delirium tremens, a trembling unfurrowing of the mind’s plowshare. The saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor then was a thrust at truth and a lie, depending where you were: inside, safe, or outside, lost. Oedipa did not know where she was. Trembling, unfurrowed, she slipped sidewise, screeching back across grooves of years, to hear again the earnest, high voice of her second or third collegiate love Ray Glozing bitching among “uhs” and the syncopated tonguing of a cavity, about his freshman calculus; “dt,” God help this old tattooed man, meant also a time differential, a vanishingly small instant in which change had to be confronted at last for what it was, where it could no longer disguise itself as something innocuous like an average rate; where velocity dwelled in the projectile though the projectile be frozen in midflight, where death dwelled in the cell though the cell be looked in on at its most quick. She knew that the sailor had seen worlds no other man had seen if only because there was that high magic to low puns, because DT’s must give access to dt’s of spectra beyond the known sun, music made purely of Antarctic loneliness and fright. But nothing she knew of would preserve them, or him.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
Earlier that day, a typewriter bomb had exploded at a black market skin house over on Eel Street, sending words raining through the cardboard walls of the boudoirs and tattooing copies of the Machinist’s ‘Twelve Terms’ on the bodies of whores and patrons alike. Forty pieces of merch ruined. Their bodies had been obliterated by language, all traces of their sexuality buried beneath a storm of words. There was something horrific about the sight of those who had survived a typewriter attack. Their faces scarred with text, as if they had become hostages to some awful advertisement. A few of the victims took to working the streets around the library where bibliophiles sometimes paid them to satisfy their fantasies amid the desolate hush of the reading rooms and the deserted stacks where the only witnesses to this erotic pantomime of the blank body and its printed partner were other words.
”
”
Craig Padawer
“
Hello again, my love. It has been an age.” We look at each other, our torsos bare save my bra and his tattoos, and the two of us laugh. In that moment, there’s no division between who I was as Roxilana and who I am as Selene; the past and the present are here, all at once. “It worked,” I say softly. My fingertips graze his face and the puckered skin where his scar is. “I never truly lost you.” He shakes his head. “No, my queen, this is just the beginning.
”
”
Laura Thalassa (Bespelled (Bewitched, #2))
“
I burst out laughing when I notice his ring finger. “Dude, when’d you get that done?” I grab his hand and pinch just under the knuckle, where he now has a wedding ring tattooed on his skin. “Ouch,” he gripes, shoving my hand away. “It’s still sore, motherfucker. Got it done last night.” “Too cool to wear an actual ring?” “No, I was tired of having to take it off for practice, and I can’t keep it on ’cause I don’t like the way it feels when I’m wearing my gloves.
”
”
Sarina Bowen (Good Boy (WAGs, #1))
“
He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it.
”
”
Cormac McCarthy (The Road)
“
By the time Mitch got out of jail, he looked more the part than ever. The imposing teen had graduated into a towering adult, flecked with the first of many tattoos. Once out, he lasted a month and a half before the curse caught back up with him. He’d gotten a job in food distribution, mostly because he could unload four times the weight of any other guy on the truck, and because he liked physical work. He might be mentally cut out for a desk job, but he doubted he’d fit behind most desks. And everything was going smoothly—shitty apartment and shitty pay but all legally valid—until a man was beaten to death a few blocks from where his crew was unloading peaches. The cops took one look at Mitch and booked him. No bloody knuckles, and two coworkers to swear he had his arms full of fruit the whole time, and none of it mattered. Mitch went straight back to prison.
”
”
Victoria Schwab (Vicious (Villains, #1))
“
I wanted to reach over and touch the place where he was tattooed, to see if he was still alive. He's layin' awful quiet, I told myself, I ought to touch him to see he's still alive... that's a lie. I know he's still alive. That ain't the reason I want to touch him. I want to touch him because he's a man. That's a lie too. There's other men around. I could touch them. I want to touch him because I'm one of these queers! But that's a lie too. That's one fear hiding behind another. If I was one of these queers I'd want to do other things with him. I just want to touch him because he's who he is.
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest)
“
There was a time with his wife on this river or a river just like it, it can't be this river, but in his memory it is this one. A time on a wash just like this where he lay shirtless with her shivering in the August night, jeans pasted dark and wet to his knocking legs, his torso white to glowing in the moonlight. Her hair tendriled and framed about her face like an outlandish black tattoo. Her wet dress like a sleeve of molting skin, which of a sort it had been that whole night in their dancing. Her heart in its red and white cage knocking just inches from his own, like two young prisoners tapping out simpleton Morse I am here I am here I am here. Here I am for your pleasure for you forever. On a river like this where he impregnated her. A river promise too, he said I love you I love you. Seventeen years old. A pleasure so total that even then he knew he had mortgaged years to her and he did not care.
”
”
Smith Henderson (Fourth of July Creek)
“
Without looking at him, I said, “Mal, tell me about the tattoo.”
He was silent for a time. Finally, he scrubbed a hand over the back of his neck and said, “It’s an oath in old Ravkan.”
“But why take on that mark?”
“This time he didn’t blush or turn away. “It’s a promise to be better than I was,” he said. “It’s a vow that if I can’t be anything else to you, at least I can be a weapon in your hand.” He shrugged. “And I guess it’s a reminder that wanting and deserving aren’t the same thing.”
“What do you want, Mal?” The room seemed very quiet.
“Don’t ask me that.”
“Why not?”
“Because it can’t be.”
“I want to hear it anyway.”
He blew out a long breath. “Say goodnight. Tell me to leave, Alina.”
“No.”
“You need an army. You need a crown.”
“I do.”
He laughed then. “I know I’m supposed to say something noble—I want a united Ravka free from the Fold. I want the Darkling in the ground, where he can never hurt you or anyone else again.” He gave a rueful shake of his head. “But I guess I’m the same selfish ass I’ve always been. For all my talk of vows and honor, what I really want is to put you up against that wall and kiss you until you forget you ever knew another man’s name. So tell me to go, Alina. Because I can’t give you a title or an army or any of the things you need.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Things I've Learned in 18 Years of Life 1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play. 2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul. 3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way. 4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him. 5) I fail daily, and that is why I succeed. 6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well. 7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human. 8) If someone makes you think, keep them. If someone makes you feel, keep them. 9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game. 10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you. 11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's. 12) There is no wrong way to feel. 13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not. 14) Selfless actions always benefit you more than the recipient. 15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on. 16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being. 17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’ 18) Mental health and sanity above all. 19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us. 20) From destruction comes creation. Beauty will rise from the ashes. 21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier. 22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.
”
”
Scott Hildreth (Broken People)
“
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart.
Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly.
That didn’t mean he was going to let himself be bested by some thieving merch.
Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash.
“Scheming face,” murmured Jesper.
“Definitely,” agreed Wylan.
Matthias folded his arms. “Digging in your bag of tricks, demjin?”
Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing.
“I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.”
Wylan got to his feet. “For the Wraith.”
Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly.
Matthias gave a single sharp nod.
Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back.
I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago.
Dirtyhands had come to see the rough work done.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
How I picture it: A scar is a story about pain, injury, healing. Years, too, are scars we wear. I remember their stories. The year everything changed. Kindergarten, fourth grade. The year of the pinecone, the postcard, the notebook. The year of waking in the night, sweating, heart racing. The year of being the only adult in the house, one baseball bat by the front door and another one under the bed. Or the year the divorce was finalized. First grade, fifth grade. Two houses, two beds, two Christmases, two birthdays. The year of where are your rain boots, they must be at Dad’s house. The year of who signed the permission slip? The year of learning to mow the lawn. The year of fixing the lawn mower, unclogging the toilets. The year I was tattooed with lemons. The year of sleeping with the dog instead of a husband. (The dog snores more quietly. The dog takes up less space.) The year of tweeting a note-to-self every day to keep myself moving. The year I kept moving. The year of sitting up at night, forgetting whether the kids were asleep in their beds or not. The year of waking in the morning and having to remember whether they were with me. The year I feared I would lose the house, and the year I did not lose the house. The year I wanted to cut a hole in the air and climb inside, and the year I didn’t want that at all. The year I decided not to disappear. The year I decided not to be small. The year I lived.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
It's like any time a white friend suggests Korean barbecue. Or when I see a Food Network special where some tattooed white dude with a nineteenth-century-looking beard-and-mustache combo introduces viewers to this kimchi al pastor bánh mì monstrosity he peddles from a food truck that sends out location tweets. It's like when white people tell me how much they love kimchee and bull-go-ghee, and the words just roll off their tongues as if there exists nothing irreconcilable between the two languages.
It's like, don't touch my shit.
It's difficult to articulate because I know it's not rational. But as a bilingual immigrant from Korea, as someone who code-switches between Korean and English daily while running errands or going to the supermarket, not to mention the second-nature combination of the languages that I'll speak with my parents and siblings, switching on and switching off these at times unfeasibly different sounds, dialects, grammatical structures? It's fucking irritating. I don't want to be stingy about who gets to enjoy all these fermented wonders -- I'm glad the stigma around our stinky wares is dissolving away. But when my husband brings me a plate of food he made out of guesswork with a list of ingredients I've curated over the years of my burgeoning adulthood with the implicit help of my mother, my grandmother, and my grandmother's mother who taught me the patience of peeling dozens of garlic cloves in a sitting with bare hands, it puts me in snap-me-pff-a-hickory-switch mode.
”
”
Sung Yim (What About the Rest of Your Life)
“
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.”
Harper laughed.
“What’s funny?”
“I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.”
Trent’s mouth twitched, a slight smile making its way to his lips.
“Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?”
Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift.
“Trent,” she squealed, kicking her feet to get free. “What are you doing?”
He slapped her butt playfully and laughed as he carried her down the hallway.
Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others.
“Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.”
Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks.
“Pick one.”
“Pick one what?”
“Sink. Which do you want?”
“You’re giving me a whole sink? Wait … stop…”
Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her.
Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity.
He did the same thing with the vanity drawers and created some space under the sink.
“I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.”
“You like the vanilla?” It never ceased to surprise her, the details he remembered.
Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.”
“Oh my goodness, you are beyond!” Harper blushed furiously.
“I want you for so much more than just sex, Harper.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
Good Riddance (Time Of Your Life)"
Another turning point, a fork stuck in the road
Time grabs you by the wrist, directs you where to go
So make the best of this test, and don't ask why
It's not a question, but a lesson learned in time
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
So take the photographs, and still frames in your mind
Hang it on a shelf in good health and good time
Tattoos and memories and dead skin on trial
For what it's worth, it was worth all the while
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
It's something unpredictable, but in the end is right,
I hope you had the time of your life.
”
”
Billie Joe Armstrong
“
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
”
”
Imperial War Museum
“
It had only two points of egress, the door to the hallway from which I’d just entered, and against which I’d been pinned-and now leaned against for support-and the other to the stable yard where a man dressed all in black leather had shoved John’s dog, and where I was assuming John kept his horse, Alastor, another creature from the Underworld who hated my guts.
He was going to have to get in line, though. The boy who’d pulled Typhon off me was standing a few feet away, next to the wooden plank table that ran down the center of the room, staring at me with a look that suggested he disliked me even more than the dog had. It was difficult not to notice the size of his bare biceps-not as large as John’s, but still impressive-since he’d folded his arms across his chest, and this had caused the muscles to bulge. The fact that they were circled in vicious-looking rings of black tattooed thorns did even more to draw attention to them.
It was hard to figure out if that was why he was so much more noticeable than anyone else in the room, or if it was because he was what my friend Kayla would have called smokin’ hot, despite a jagged scar that ran down one side of his forehead, through a dark brow, and halfway to the center of his left jaw. Whoever had wielded that knife had thankfully-for him-spared his dark eye.
Not so thankfully for me, however, since he was able to use both eyes to give me a deathlike stare.
“Um,” I said, finally feeling the blood flow returning to my limbs. “You might want to think about getting that dog neutered.”
The boy with the thorn tattoos sneered. “I’m guessing she’ll be wanting to get us all neutered,” he said.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
I won't meet his glare. "I guess I didn't care." Telling him I meant to murder his sister probably wouldn't go over very well. It would definitely cancel out the Hallmark vote.
"Unacceptable. Don't ever risk your life like that again, do you understand?"
I snort, sending little air bubbles dancing upward. "Hey, you know what else I don't care about? You giving me orders. I acted stupid, but-"
"Actually, this is a good time to point out that I'm a Royal," he says, pointing to the small tattoo of a fork on his stomach, just above the border where his abs turn into fish. "And since you're obviously Syrena, you do have to obey me."
"I'm what?" I say, trying to figure out how an eating utensil could possibly validate his claim of seniority.
"Syrena. That's what we-including you-are called."
"Syrena? Not mermaids?"
Galen clears his throat. "Uh, mermaid?"
"Really? You're gonna go there now? Fine, merman-wait, I wouldn't be a merman." Really though, what do I know about fish gender? Except that Galen is definitely male, no matter what species he is.
"Just for the record, we hate that word. And by we, I mean you also."
I roll my eyes. "Fine. But I'm not Syrena. Did I mention I don't have a big fin-"
"You're not trying hard enough."
"Trying hard enough? To grow a fin?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it.
We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory.
I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes.
She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable.
“Morning,” I say.
“Shh,” she says. “If you don’t acknowledge it, maybe it will go away.”
I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear.
My self-control is about to disappear in five, four, three…
“Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.”
“They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly.
“No, they can’t!” she says.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Aaron sketched up a tattoo design for me. We’ll start on it soon, but he thinks I can’t handle all the pain in one sitting, so he’s breaking it into parts.”
“What’s the tattoo of and where will it be?” he asked, glancing over my breasts.
“A fallen angel and it won’t be on my boobs, Judd.”
Laughing at my tone, he didn’t seem to hear the first part. I saw when the words registered. “Why fallen?” he asked, his gaze harder now.
Holding his gaze, I refused to back down. “You know.”
“Fuck you for thinking that makes you fallen.”
“Fuck you for thinking you know what I am.”
Judd suddenly laughed. “What?”
Grudgingly, I smiled. “Whatever. You’re irritating me.”
“Where’s the tat going to be? Something around your heart shaped ass maybe?”
“Heart shaped?”
Judd wiggled his eyebrows at me. “I love that damn ass of yours. Shit, this morning when you walked over to get your clothes, I about jizzed myself.”
“Yummy. Best breakfast conversation ever.
”
”
Bijou Hunter (Damaged and the Knight (Damaged, #2))
“
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps.
Come to me, he beseeched them.
They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes.
“Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.”
“I can.” Sean’s gaze could cut through shadows as easily as a knife through butter.
Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers.
He was becoming desperate for more.
That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her.
Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit.
At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again.
Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that.
“I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.”
“Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.”
“Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.”
“Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.”
“First, you’re welcome. Second, I lied.
”
”
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
“
Shh! She said. The waiter. He's about to take their order. She leaned back and to her left, closer,closer,closer,her body like a giraffe's neck, until her chair shot out from under her and she landed on the floor. The whole restaurant turned to look. I jumped up to help. She stood up, righted the chair, and started in again. Did you see the tattoo one of them has on the inside of his arm? It looked like a roll of tape.
I took a gulp of margarita and settled into my fallback option, which was to wait her out.
Know what one of the guys at the drive-through Starbucks has on his forearm? Bernadette said. A paper clip! It used to be so daring to get a tattoo. And now people are tattooing office supplies on their bodies. You know what I say? Of course this was rhetorical. I say, dare not to get a tattoo. She turned around again, and gasped. Oh My God. It's not just any roll of tape. It's literally Scotch tape, with the green-and-black plaid. This is too hilarious. If you're going to tattoo tape on your arm, at least make it a generic old-fashioned tape dispenser! What do you think happened? Did the Staples catalogue get delivered to the tattoo parlor that day?
”
”
Maria Semple (Where'd You Go, Bernadette)
“
at the moment—and looking for other boats. Kelly advanced the port throttle a notch farther as he turned the wheel, allowing Springer to pivot all the more quickly in the narrow channel, and then he was pointed straight out. He advanced the starboard throttle next, bringing his cruiser to a mannerly five knots as he headed past the ranks of motor and sail yachts. Pam was looking around at the boats, too, mainly aft, and her eyes fixed on the parking lot for a long couple of seconds before she looked forward again, her body relaxing more as she did so. “You know anything about boats?” Kelly asked. “Not much,” she admitted, and for the first time he noticed her accent. “Where you from?” “Texas. How about you?” “Indianapolis, originally, but it’s been a while.” “What’s this?” she asked. Her hands reached out to touch the tattoo on his forearm. “It’s from one of the places I’ve been,” he said. “Not a very nice place.” “Oh, over there.” She understood. “That’s the place.” Kelly nodded matter-of-factly. They were out of the yacht basin now, and he advanced the throttles yet again. “What did you do there?” “Nothing to talk to a lady about,” Kelly replied, looking around from a half-standing position. “What makes you think I’m a lady?” she asked. It caught him short, but he was getting used to it by now. He’d also found that talking to a girl, no matter what the subject, was something that he needed to do. For the first time he answered her smile with one of his own. “Well, it wouldn’t be very nice of me if I assumed that you weren’t.” “I wondered how long it would be before you smiled.” You have a very nice smile, her tone told him. How’s six months grab you? he almost said. Instead he laughed, mainly at himself. That was something else he needed to do. “I’m sorry. Guess I haven’t been very good company.” He turned to look at her again and saw understanding in her eyes. Just a quiet look, very human and feminine, but it shook Kelly. He could feel it happen, and ignored the part of his consciousness that told him that it was something he’d needed badly for months. That was something he didn’t need to hear, especially from himself. Loneliness was bad enough without reflection on its misery. Her hand reached out yet again, ostensibly to stroke the tattoo, but that wasn’t what it was all about. It was amazing how warm her touch was, even under a hot afternoon sun. Perhaps it was a measure of just how cold his life had become. But he had a boat to navigate. There was
”
”
Tom Clancy (Without Remorse (John Clark, #1; Jack Ryan Universe, #1))
“
The remaining chain swung down, he wrenched the door out and he was free. The last thing he heard behind him was the oncoming stomp of running feet.
Now began flight, that excruciating accompaniment to both the sleep-dream and the drug-dream as well. Down endless flights of stairs that seemed to have increased decimally since he had come up them so many days before. Four, fourteen, forty - there seemed no end to them, no bottom. Round and round he went, hand slapping at the worn guard-rail only at the turns to keep from bulleting head-on into the wall each time. The clamor had come out onto a landing high above him now, endless miles above him; a thin voice came shouting down the stair-well, "There he is! See him down there?" raising the hue and cry to the rest of the pack. Footsteps started cannonading down after him, like avenging thunder from on high. They only added wings to his effortless, almost cascading waterlike flight.
Like a drunk, he was incapable of hurting himself. At one turning he went off his feet and rippled down the whole succeeding flight of stair-ribs like a wriggling snake. Then he got up again and plunged ahead, without consciousness of pain or smart. The whole staircase-structure seemed to hitch crazily from side to side with the velocity of his descent, but it was really he that was hitching. But behind him the oncoming thunder kept gaining.
Then suddenly, after they'd kept on for hours, the stairs suddenly ended, he'd reached bottom at last. He tore out through a square of blackness at the end of the entrance-hall, and the kindly night received him, took him to itself - along with countless other things that stalk and kill and are dangerous if crossed.
He had no knowledge of where he was; if he'd ever had, he'd lost it long ago. The drums of pursuit were still beating a rolling tattoo inside the tenement. He chose a direction at random, fled down the deserted street, the wand of light from a wan street-lamp flicking him in passing, so fast did he scurry by beneath it.
”
”
Cornell Woolrich (Marihuana)
“
You read The Idiot, right? Right. Well, ‘Idiot’ was very disturbing book to me. In fact it was so disturbing I have never really read very many fictions after, apart from Dragon Tattoo kind of thing. Because”—I was trying to interject—“well, maybe you can tell me about that later, what you thought, but let me tell you why I found it disturbing. Because all Myshkin ever did was good… unselfish… he treated all persons with understanding and compassion and what resulted from this goodness? Murder! Disaster! I used to worry about this a lot. Lie awake at night and worry! Because—why? How could this be? I read that book like three times, thinking I wasn’t understanding right. Myshkin was kind, loved everyone, he was tender, always forgave, he never did a wrong thing—but he trusted all the wrong people, made all bad decisions, hurt everyone around him. Very dark message to this book. ‘Why be good.’ But—this is what took hold on me last night, riding here in the car. What if—is more complicated than that? What if maybe opposite is true as well? Because, if bad can sometimes come from good actions—? where does it ever say, anywhere, that only bad can come from bad actions? Maybe sometimes—the wrong way is the right way? You can take the wrong path and it still comes out where you want to be? Or, spin it another way, sometimes you can do everything wrong and it still turns out to be right?
”
”
Donna Tartt (The Goldfinch)
“
Bruce Wayne Carmody had been unhappy for so long that it had stopped being a state he paid attention to. Sometimes Wayne felt that the world had been sliding apart beneath his feet for years. He was still waiting for it to pull him down, to bury him at last. His mother had been crazy for a while, had believed that the phone was ringing when it wasn’t, had conversations with dead children who weren’t there. Sometimes he felt she had talked more with dead children than she ever had with him. She had burned down their house. She spent a month in a psychiatric hospital, skipped out on a court appearance, and dropped out of Wayne’s life for almost two years. She spent a while on book tour, visiting bookstores in the morning and local bars at night. She hung out in L.A. for six months, working on a cartoon version of Search Engine that never got off the ground and a cocaine habit that did. She spent a while drawing covered bridges for a gallery show that no one went to. Wayne’s father got sick of Vic’s drinking, Vic’s wandering, and Vic’s crazy, and he took up with the lady who had done most of his tattoos, a girl named Carol who had big hair and dressed like it was still the eighties. Only Carol had another boyfriend, and they stole Lou’s identity and ran off to California, where they racked up a ten-thousand-dollar debt in Lou’s name. Lou was still dealing with creditors. Bruce Wayne Carmody wanted to love and enjoy his parents, and occasionally he did. But they made it hard. Which was why the papers in his back pocket felt like nitroglycerin, a bomb that hadn’t exploded yet.
”
”
Joe Hill (NOS4A2)
“
Thank you for coming with me.”
She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever.
Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side.
It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment.
Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite.
“I saved the realm,” he said, shrugging. The least I can do is try to see some of it.”
Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking.
“Thank you for coming with me,” she said again.
“Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?”
Then he passed the rest of the apple over to her. She finished the rest without a thought.
His hand lingered, though, scarred knuckles on a tattooed arm.
She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him.
“Am I still a waste of arsenic?” he said, his eyes never moving from her face.
Sorasa stopped short, blinking in confusion. “What?”
“When we first met.” His own smirk unfurled. “You called me a waste of arsenic.”
In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely.
Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure.
His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage.
“No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.”
“Is that a compliment, Amhara?” Dom muttered against her lips.
No, she tried to reply.
On the golden sand, their shadows met, grain by grain, until there was no space left at all.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
I felt the ripple in the darkness without having to look up, and didn't flinch at the soft footsteps that approached me. I didn't bother hoping that it would be Tamlin. 'Still weeping?'
Rhysand.
I didn't lower my hands from my face. The floor rose toward the lowering ceiling- I would soon be flattened. There was no colour, no light here.
'You're just beaten her second task. Tears are unnecessary.'
I wept harder, and he laughed. The stones reverberated as he knelt before me, and though I tried to fight him, his grip was firm as he grasped my wrists and pried my hands from my face.
The walls weren't moving, and the room was open- gaping. No colours, but shades of darkness, of night. Only those star-flecked violet eyes were bright, full of colour and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. 'I figured that would get you to stop crying.'
'It was disgusting.' I wiped my face again.
'Was it?' He quirked an eyebrow and pointed to his palm- to the place where my tattoo would be. 'Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting.'
'Get out.'
'As usual, your gratitude is overwhelming.'
'Do you want me to kiss your feet for what you did at the trial? Do you want me to offer another week of my life?'
'Not unless you feel compelled to do so,' he said, his eyes like stars.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Bored with Pisit today, I switch to our public radio channel, where the renowned and deeply reverend Phra Titapika is lecturing on Dependent Origination. Not everyone’s cup of chocolate, I agree (this is not the most popular show in Thailand), but the doctrine is at the heart of Buddhism. You see, dear reader (speaking frankly, without any intention to offend), you are a ramshackle collection of coincidences held together by a desperate and irrational clinging, there is no center at all, everything depends on everything else, your body depends on the environment, your thoughts depend on whatever junk floats in from the media, your emotions are largely from the reptilian end of your DNA, your intellect is a chemical computer that can’t add up a zillionth as fast as a pocket calculator, and even your best side is a superficial piece of social programming that will fall apart just as soon as your spouse leaves with the kids and the money in the joint account, or the economy starts to fail and you get the sack, or you get conscripted into some idiot’s war, or they give you the news about your brain tumor. To name this amorphous morass of self-pity, vanity, and despair self is not only the height of hubris, it is also proof (if any were needed) that we are above all a delusional species. (We are in a trance from birth to death.) Prick the balloon, and what do you get? Emptiness. It’s not only us-this radical doctrine applies to the whole of the sentient world. In a bumper sticker: The fear of letting go prevents you from letting go of the fear of letting go. Here’s the good Phra in fine fettle today: “Take a snail, for example. Consider what brooding overweening self-centered passion got it into that state. Can you see the rage of a snail? The frustration of a cockroach? The ego of an ant? If you can, then you are close to enlightenment.”
Like I say, not everyone’s cup of miso. Come to think of it, I do believe I prefer Pisit, but the Phra does have a point: take two steps in the divine art of Buddhist meditation, and you will find yourself on a planet you no longer recognize. Those needs and fears you thought were the very bones of your being turn out to be no more than bugs in your software. (Even the certainty of death gets nuanced.) You’ll find no meaning there. So where?
”
”
John Burdett (Bangkok Tattoo (Sonchai Jitpleecheep, #2))
“
And maybe I was exhausted and broken, but I breathed, 'I killed them.'
I hadn't said the words aloud since it had happened.
Cassian's lips tightened. 'I know.' Not condemnation, not praise. But grim understanding.
My hands slackened as another shuddering sob worked its way through me. 'It should have been me.'
And there it was.
Standing there under the cloudless sky, the winter sun beating on my head, nothing around me save for rock, no shadows in which to hide, nothing to cling to... There it was.
Then darkness swept in, soothing, gentle darkness- no, shade- and a sweat-slicked male body halted before me. Gentle fingers lifted my chin until I looked up... at Rhysand's face.
His wings had wrapped around us, cocooned us, the sunlight casting the membrane in gold and red. Beyond us, outside, in another world, maybe, the sound of steel on steel- Cassian and Azriel sparring- began.
'You will feel that way every day for the rest of your life,' Rhysand said. This close, I could smell the sweat on him the sea-and-citrus sent beneath it. His eyes were soft. I tried to look away, but he held my chin firm. 'And I know this because I have felt that way every day since my mother and sister were slaughtered and I had to bury them myself, and even retribution didn't fix it.' He wiped away the tears on one cheek, then another. 'You can either let it wreck you, let it get you killed like it nearly did with the Weaver, or you can learn to live with it.'
For a long moment, I just stared at the open, calm face- maybe his true face, the one beneath all the masks he wore to keep his people safe. 'I'm sorry- about your family,' I rasped.
'I'm sorry I didn't find a way to spare you from what happened Under the Mountain,' Rhys said with equal quiet. 'From dying. From wanting to die.' I began to shake my head, but he said, 'I have two kinds of nightmares: the one when I'm again Amarantha's whore or my friends are... And the ones where I hear your neck snap and see the light leave your eyes.'
I had no answer to that- to the tenor in his rich, deep voice. So I examined the tattoos on his chest and arms, the glow of his tan skin, so golden now that he was no longer caged inside that mountain.
I stopped my perusal when I got to the vee of muscles that flowed beneath the waist of his leather pants.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
”
”
Tina Fey (Bossypants)
“
Well, forgive the fuck out of me for being shocked senseless when I realized he wasn’t dead. Why didn’t you tell me he was the beast, Ryodan? Why did we have to kill him? I know it’s not because he can’t control himself when he’s the beast. He controlled himself last night when he rescued me from the Book. He can change at will, can’t he? What happened in the Silvers? Does the place have some kind of effect on you, make you uncontrollable?”
I almost slapped myself in the forehead. Barrons had told me that the reason he tattooed himself with black and red protection runes was because using dark magic called a price due, unless you took measures to protect yourself against the backlash. Did using IYD require the blackest kind of magic to make it work? Would it grant his demand to magically transport him to me no matter where I was but devolve him into the darkest, most savage version of himself as the price?
“It was because of how he got there, wasn’t it?” I said. “The spell you two worked sent him to me like was it was supposed to, but the cost was that it turned him into the lowest common denominator of himself. An insane killing machine. Which he figured was all right, because if I was dying, I’d probably need a killing machine around. A champion to show up and decimate all my enemies. That was it, wasn’t it?”
Ryodan had gone completely still. Not a muscle twitched. I wasn’t sure he was breathing.
“He knew what would happen if I pressed IYD, and he made plans with you to handle it.” That was Barrons, always thinking, always managing risks where I was concerned. “He tattooed me so he would sense his mark on me and not kill me. And you were supposed to track him—that’s why you both wear those cuffs, so you can find each other—and kill him so he’d come back as the man form of himself, and I’d never be any wiser. I’d get rescues and have no clue it was Barrons who’d done it or that he sometimes turns into a beast. But you screwed up. And that’s what he was mad at you about this morning on the phone. It was your failure to kill him that let the cat out of the bag.”
A tiny muscle twitched in his jaw. He was pissed. I was definitely right.
“He can always circumvent the price of black magic,” I marveled. “When you kill him, he comes back exactly the same as before, doesn’t he? He could tattoo his whole body with protection runes and, when he ran out of skin, kill himself so he could come back with a clean slate, to start all over.” That was why his tattoos weren’t always the same. “Talk about your ultimate get-out-of-jail-free card! And if you hadn’t botched the plan, I would never have known. It’s your fault I know, Ryodan. I think that means it’s not me you should kill, it’s yourself. Oh, gee, wait,” I said sarcastically, “that wouldn’t work, would it?
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
The boy's smile was a mockery of innocence. 'Are you frightened?'
'Yes,' I said. Never lie- that had been Rhys's first command.
The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?'
'A question for a question,' I replied, as I'd been instructed over breakfast.
...
Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked...
I had to calm my breathing to think- to remember.
But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop-
Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there.
I bunched my hands into fists.
I had lived; I had gotten out. I would get out today.
'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.'
The Bone Carver's violet eyes seemed to glow brighter.
'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.'
'But was there anyone there- were you seeing anything beyond?'
'There was only that bond in the darkness.'
Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-'
'Were you afraid?'
'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.'
'There was no other world,' the Bone Carver pushed.
'If there was or is, I did not see it.'
'No light, no portal?'
Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.'
'Did you have a body?'
'No.'
'Did-'
'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.'
The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))