“
A passport, as I'm sure you know, is a document that one shows to government officials whenever one reaches a border between two countries, so that the official can learn who you are, where you were born, and how you look when photographed unflatteringly.
”
”
Lemony Snicket
“
And at home by the fire, whenever you look up there I shall be— and whenever I look up, there will be you.
-Gabriel Oak
”
”
Thomas Hardy (Far From the Madding Crowd)
“
Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
“No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.”
My mouth drops open. Fuck hard! Holy shit, that sounds so… hot. But why are we looking at a playroom? I am mystified.
“You want to play on your Xbox?” I ask. He laughs, loudly.
“No, Anastasia, no Xbox, no Playstation. Come.”… Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
“You can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. It’s fine whatever you decide.”
“Just open the damn door, Christian.”
He opens the door and stands back to let me in. I gaze at him once more. I so want to know what’s in here. Taking a deep breath I walk in.
And it feels like I’ve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
He’s a restless soul, always looking for another chance to drive,’ Nico said. ‘The last few years, he’s been my driver whenever I need one.’
‘You have a zombie chauffeur,’ Leila said.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
I was once reproved by a minister who was driving a poor beast to some meeting-house horse-sheds among the hills of New Hampshire, because I was bending my steps to a mountain-top on the Sabbath, instead of a church, when I would have gone farther than he to hear a true word spoken on that or any day. He declared that I was 'breaking the Lord's fourth commandment,' and proceeded to enumerate, in a sepulchral tone, the disasters which had befallen him whenever he had done any ordinary work on the Sabbath. He really thought that a god was on the watch to trip up those men who followed any secular work on this day, and did not see that it was the evil conscience of the workers that did it. The country is full of this superstition, so that when one enters a village, the church, not only really but from association, is the ugliest looking building in it, because it is the one in which human nature stoops the lowest and is most disgraced. Certainly, such temples as these shall erelong cease to deform the landscape. There are few things more disheartening and disgusting than when you are walking the streets of a strange village on the Sabbath, to hear a preacher shouting like a boatswain in a gale of wind, and thus harshly profaning the quiet atmosphere of the day.
”
”
Henry David Thoreau (A Week on the Concord and Merrimack Rivers (Writings of Henry D. Thoreau))
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
When I was 17, I read a quote that went something like: 'If you live each day as if it was your last, someday you'll most certainly be right.' It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.
”
”
Steve Jobs
“
Whenever I'd been sad or upset before, the relevant people in my life would simply call my social worker and I'd be moved somewhere else. Raymond hadn't phoned anyone or asked an outside agency to intervene. He'd elected to look after me himself. I'd been pondering this, and concluded that there must be some people for whom difficult behavior wasn't a reason to end their relationship with you. If they liked you -- and, I remembered, Raymond and I had agreed that we were pals now -- then, it seemed, they were prepared to maintain contact, even if you were sad, or upset, or behaving in very challenging ways. This was something of a revelation.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
I wish I could manage to be glad!" the Queen said. "Only I never can remember the rule. You must be very happy, living in this wood, and being glad whenever you like!
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
15. WHENEVER I WENT OUT TO PLAY, MY MOTHER WANTED TO KNOW EXACTLY WHERE I WAS GOING TO BE
When I'd come in, she'd call me into her bedroom, take me in her arms, and cover me with kisses. She'd stroke my hair and say, 'I love you so much,' and when I sneezed she'd say, 'Bless you, you know how much I love you, don't you?' and when I got up for a tissue she'd say, 'Let me get that for you I love you so much,' and when I looked for a pen to do my homework she'd say, 'Use mine, anything for you,' and when I had an itch on my leg she'd say, 'Is this the spot, let me hug you,' and when I said I was going up to my room she'd call after me, 'What can I do for you I love you so much,' and I always wanted to say, but never said: Love me less.
”
”
Nicole Krauss (The History of Love)
“
I clench my teeth. “I’m not a virgin, Garrett.” “You’re not a puck bunny either.” “So that means I’m not allowed to sleep with a guy I’m attracted to?” He rakes both hands over his scalp now, looking equally aggravated. Then he takes a breath, exhales slowly, and meets my eyes. “Okay, here’s the deal. I believe you’re attracted to me. I mean—one, who isn’t? And two, you moan like crazy whenever my tongue’s in your mouth.” I bristle. “I do not.” “Agree to disagree.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Oh my. He's English.
"Er. Does Mer live here?"
Seriously, I don't know any American girl who can resist an English accent.
The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?"
"I'm sorry." He takes the smallest step away from me. "You were going to bed."
"Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating.
The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin.
"Étienne," he says. "I live one floor up."
"I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused.
He raps twice on Meredith's door. "Well. I'll see you around then, Anna."
Eh-t-yen says my name like this: Ah-na.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
I’ll take you home whenever you want,” he says. “But if you want to stay, and you wake up screaming, it’s okay. I’ll make sure you’re okay. And if you want to stay, and then change your mind, I don’t mind driving you back at four a.m.”
I read once that not everyone thinks in words. I was shocked, imagining these other people who don’t use language to make sense of everyone and everything, who don’t automatically organize the world into chapters, pages, sentences.
Looking into Charlie’s face, I understand it. The way a crush of feeling and feathery impressions can move through your body, bypassing your mind. How a person can know there’s something worth saying but have no concept of what exactly that is. I’m not thinking in words.
”
”
Emily Henry (Book Lovers)
“
I sink into your eyes whenever I'm looking at you
”
”
Franz Kafka (Letters to Milena)
“
What’s going on with your face, by the way?”
Gansey rubbed his chin, rueful. His skin felt reluctantly stubbled. He knew he was being diverted, but he allowed it. “Is it growing?”
“Dude, you aren’t really going to do that beard thing, are you? I thought you were joking. You know that stopped being cool in the fourteen century or whenever it was that Paul Bunyan lived.” Ronan looked over his shoulder at him. He was sporting the five o’clock shadow that he was capable of growing at any time of the day. “Just stop. You look mangy.”
“It’s irrelevant. It’s not growing. I’m doomed to be a man-child.”
“If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Ignore him," Heather begged. "I do. Constantly." Jean-Luc studied the coach, then turned to Heather with a wary look. "Every man in this town wants you." She laughed. "Yea, right. The old guys from the nursing home go into cardiac arrest whenever I walk by." His gaze drifted over her. "I can believe that.
”
”
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
“
What comes naturally to me? For just a moment, ignore what you have been taught. Ignore what society has told you. Ignore what others expect of you. Look inside yourself and ask, “What feels natural to me? When have I felt alive? When have I felt like the real me?” No internal judgments or people-pleasing. No second-guessing or self-criticism. Just feelings of engagement and enjoyment. Whenever you feel authentic and genuine, you are headed in the right direction.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
I really am sorry, Micky, for what it's worth. You were the greatest thing that ever happened to me. You were my life. I mean, I know I didn't show that to you, and I'll forever hate myself for that. But you need to know, I loved you so fucking much. I still love you. Whenever I look at my future, it was always you... When I thought about my life... You were the one walking down the aisle towards me, raising our kids. I always smiled to myself when I thought about it, that it was you that was going to be there for me every night, when I got home from work, you in your study, writing your books. A few kids, a decent house. It was perfect in my mind. You were perfect. You are perfect and I threw it all away, because I'm such a fucking asshole, and I can't take it back. I can't fucking take it back, and I can't have you back, and all of this... this life I have, none of this shit is worth it, not without you.
”
”
Jay McLean (More Than This (More Than, #1))
“
I sink into your eyes whenever I'm looking at you. and feel your eyes on me whenever I'm walking around the room and all the time I am aware, with a pride I can no longer contain, that I am living for you, that I am allowed to do so ......
”
”
Franz Kafka (Letters to Milena)
“
And, nope, Louis never ever thought he’d be the type to drunkenly screech his love to the sleeping world but here he is and here they are and when Harry’s face bursts into life and color like a newborn star, Louis knows that he never wants to stop being this person.
“I LOVE YOU!” he screams again, just to watch the jade of Harry’s eyes dance, and he’s breathless and elated and everything feels endless.
“What are you doing?” Harry giggles, glancing brightly between Louis and the sky as he tumbles over, grabbing for Louis’ hands, his shirt, his face.
“I’m filling up the sky with my love for you,” Louis says simply, catching his breath with a shrug. “So whenever you look up, it echoes back.
”
”
Velvetoscar (Young & Beautiful)
“
The tinkle of wind chimes announcing the return of our fairy guests made us both look up. Our chance to be alone was going to be shorter than either of us had hoped.
I sighed and brushed an errant dragon scale from Eadric’s tunic. “Someday when we have lots of time, remind me to tell you what you mean to me.”
Eadric tilted my head back so he could gaze into my eyes. “I can tell you what you mean to me with just one word.”
Let me guess,” I said, smiling up at him. “Maybe I make you happy because you no longer have to enter kissing contests to find the best kisser? Do I bring excitement into your life because I can wisk you away to exotic lands on my magic carpet? Or do you find me delightful because I can conjure food whenever you’re hungry?”
No, that’s not. . . Wait, what was that last one?”
I laughed and shook my head. “Never mind. So tell me in one word, what do I mean to you?”
That’s easy,” said Eadric. “Everything!
”
”
E.D. Baker (No Place for Magic (The Tales of the Frog Princess, #4))
“
Other people look at me and think: That poor woman; she has a child with a disability. But all I see when I look at you is that girl who had memorized all the words to Queen's 'Bohemian Rhapsody' by the time she was three, the girl who crawls into bed with me whenever there's a thunderstorm - not because you're afraid but because I am, the girl whose laugh has always vibrated inside my own body like a tuning fork. I would never have wished for an able-bodied child, because that child would have been someone who wasn't you.
”
”
Jodi Picoult (Handle with Care)
“
The waitress tapped her pen on the tab. "So do you guys know what you want?"
And then he did it, just as he always had whenever he'd been asked that question―he looked straight at Keri with blatant hunger in his eyes and said, "Yes, ma'am, I do.
”
”
Shannon Stacey (Exclusively Yours (Kowalski Family, #1))
“
Awww, look at him, G, he’s so precious when he’s sleeping.”
“Like an angel.”
“A really slutty angel.”
“Wait—do angels even get laid? And if so, are heaven orgasms a million times better than earth orgasms? I bet yes.”
“Uh-doy. Where do you think rainbows come from? Whenever you see a rainbow, that means an angel just came.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
As far back as I can remember, whenever you used to look at me, your face would light up as if someone had lit a candle inside you.
”
”
Laura Lee Guhrke
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
Look, I admit you seem like a decent person. For all I know you stop and move turtles out of the road whenever you see one to keep someone from running it over. But this turtle is tired of having its guts spattered on the pavement while other people drive right over him. I just want to scrape myself up and hide in the woods, okay? (Aiden)
”
”
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
“
Then what are you doing here, Luce?" he asked, his voice elevating. "You want time? You want space? Fine. I gave that to you. But then you keep throwing yourself back into my life whenever the hell you choose. No warning. No apology, No permanence. You show up at my front door and sneak out the back without so much as a goodbye," he continued, never taking his eyes off of me. "You couldn't take the up and down. The roller coaster was going to kill you. You know what I can't take? You in and back out of my life before I even knew you were there in the first place. You looking at me the way you are now and then able to turn your back and walk away five minutes later." His hands clenched over my cheek before he lowered it. "That is what will kill me. I can't live wondering if you're still mine to claim.
”
”
Nicole Williams (Clash (Crash, #2))
“
Whenever I get dumped, I nail the door shut so that no one can come inside, get a towel and clip it around my neck so it's like a Superman cape, take off my shoes so I can slide across the room, and...get a fake mic, like a celery stick or a pen, and I play any record that features the vocalist Ronnie James Dio. And you can just pretend you're Dio, because on every album he does, he has minimum one, usually three, *EVIL WOMAN LOOK OUT!*- songs. And if you wanna point like Dio, it's a three-finger point. (heavy metal voice) 'The exit is that way. Evil LURKS! Evil lurks in twilight! Dances in the DARK! Evil woman! Just WALK AWAY!
”
”
Henry Rollins (The Portable Henry Rollins)
“
Just be careful. When we arrive at the house, you can’t look to me for help or instruction. Remember, I am your human subjugate. You keep me about you for blood—blood whenever you want it—and nothing else.”
“So you’re not going to speak tonight,” Tessa said. “At all.”
“Not unless you instruct me to,” said Will.
“This evening sounds as if it might be better than I thought.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
For a long time we just held each other, our hearts beating hard. My eyes were closed, my face pressed against the warm dip between his shoulder and neck. Alex. I felt a happiness so great that it was like a deep stillness within me, as if something I'd been looking for my entire life had just slotted into place, making me whole.
Finally Alex drew back. Stroking my hair from my face, he kissed me slowly, and I wanted to melt. "I can't believe that I can just do that whenver I want to now," he whispered. "You may not be getting much done for the next few weeks. Or months, or years."
Years. My heart skipped, hoping that was true. "I think I can live with that," I said. Hardly able to believe that I could touch him whenever I wanted to, either, I slid my hand down his arm, feeling the different textures of him: hard muscle, smooth skin. "Do you want to go to bed?" I asked softly. Then, for the second time that night, I felt my face flame at the question.
Alex smiled and touched my cheek. "You still mean sleep, right?"
"Still sleep." My skin was on fire.
"Just making sure. Yeah, sleep sounds good. I'm sure I'll manage to drop off. Eventually." His smile turned teasing. "Do I have to put my shirt on?"
I couldn't help smiling, too, though embarrassment was still singeing through me. "No, I'd rather you didn't," I admitted.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
Grover and I exchanged a look of relief. Whenever Annabeth joined the chat, the odds of us doing something idiotic went way down. The odds were never zero, mind you, because I was still in the mix.
”
”
Rick Riordan (Wrath of the Triple Goddess (Percy Jackson and the Olympians: The Senior Year Adventures, #2))
“
Regin the Radiant and Emmaline Troy: 'Alrighty then, have it your way- you're on your own... Now, if you come across a leech, no offense, remember your training.'
'None taken. And would that be the sword training where you fly past my defenses and swat me on the ass, chirping, 'Dead!'? Another swat. 'Dead!'? Yeah, I'll get right on that.'
'No, that would be the training where you sprint like hell whenever you hear that I'm looking for you to train.
”
”
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
“
When he talked to you, you seemed to fit in, but when someone else was talking, or he would be distracted, you jsut looked lonely over there. At least to me. But whenever I would tell you that, you'd say "I'm fine. I just slip out of it, you know?" And I'd say "I'll catch you," and you would say, "It's not the kind of slipping you can catch.
”
”
David Levithan (Every You, Every Me)
“
Sometimes I feel like I’ve been building you a House out of my own bones. And still, you look at me with so much contempt and mistrust. You complain because there are gaps in the roof of my ribs, and you ask me to give more of myself to fill them. You want my hips to be the bowl you drink from. My shoulders, your bed. My arms, your walls. My legs, the very ground you stand on. You want your fill of my blood whenever you crave it. What more do you want from me?
”
”
Alexis Henderson (House of Hunger)
“
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit.
It? I ast.
Yeah, It. God ain't a he or a she, but a It.
But what do it look like? I ast.
Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It.
Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate
at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh.
Shug! I say.
Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like.
God don't think it dirty? I ast.
Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration.
You saying God vain? I ast.
Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.
What it do when it pissed off? I ast.
Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.
Yeah? I say.
Yeah, she say. It always making little surprises and springing them on us when us least expect.
You mean it want to be loved, just like the bible say.
Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?
Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall.
Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere.
Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock.
But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it.
Amen
”
”
Alice Walker (The Color Purple)
“
Miss Trent regarded her thoughtfully. "Well, it's an odd circumstance, but I've frequently observed that whenever you boast of your beauty you seem to lose some of it. I expect it must be the change in your expression."
Startled, Tiffany flew to gaze anxiously into the ornate looking-glass which hung above the fireplace. "Do I?" she asked naively. "Really do I, Ancilla?"
"Yes, decidedly," replied Miss Trent, perjuring her soul without the least hesitation.
”
”
Georgette Heyer (The Nonesuch)
“
As I'm sure you know, whenever there is a mirror around, it is almost impossible not to take a look at yourself. Even though we all know what we look like, we all like just to look at our reflections, if only to see how we're doing.
”
”
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
“
Prime Minister: Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaking suspision love actually is all around.
”
”
Richard Curtis
“
Jane: "Look, Dave Chandler left me on the ninth floor of our university research library without my panties after we lost our virginity together. He never called me again and actually turned on his heel and walked in the opposite direction whenever he saw me on campus. Unless you're going to do that, I don't think were gonna have a problem. Gabriel?"
Gabriel: "Sorry. Something strange happened inside my head when you said the word "panties". The overwhelming urge to kill Dave Chandler combined with a simultaneous loss of blood to the brain.
”
”
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
“
Dear Son,
I would call you by name, but I’m waiting for your mother to decide. I only hope she is joking when she calls you Albert Dalbert.
For weeks now I have watched your mother zealously gather her tokens for this box. She’s so afraid of you not knowing anything about her, and it bothers me greatly that you’ll never know her strength firsthand. I’m sure by the time you read this, you’ll know everything I do about her.
But you’ll never know her for yourself and that pains me most of all. I wish you could see the look on her face whenever she talks to you. The sadness she tries so hard to hide. Every time I see it, it cuts through me.
She love you so much. You’re all she talks about. I have so many orders from her for you. I’m not allowed to make you crazy the way I do your Uncle Chris. I’m not allowed to call the doctors every time you sneeze and you are to be allowed to tussle with your friends without me having a conniption that someone might bruise you.
Nor am I to bully you about getting married or having kids. Ever.
Most of all, you are allowed to pick your own car at sixteen. I’m not supposed to put you in a tank. We’ll see about that one. I refuse to promise her this last item until I know more about you. Not to mention, I’ve seen how other people drive on the roads. So if you have a tank, sorry. There’s only so much changing man my age can do.
I don’t know what our futures will hold. I only hope that when all is said and done, you are more like your mother than you are like me. She’s a good woman. A kind woman. Full of love and compassion even though her life has been hard and full of grief. She bears her scars with a grace, dignity, and humor that I lack.
Most of all, she has courage the likes of which I haven’t witnessed in centuries. I hope with every part of me that you inherit all her best traits and none of my bad ones.
I don’t really know what more to say. I just thought you should have something of me in here too.
Love,
Your father (Wulf)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
The moon knows," is what he says, breath colored in liquor and a smile.
[…]
"The moon knows that we're in love."
[…]
"I'm filling the sky with my love for you," […] "So whenever you look up, it echoes back."
"No matter where I am?" […]
"No matter where you are," Louis affirms. "There's only one sky."
"We all share the same sky," […] "But I should Always like to hear you say it," […] "Not an echo. I want you beside me under every sky. Always.
”
”
Velvetoscar (Young & Beautiful)
“
Whenever you're done reading the chapter," he held uo his hands like take your time, "we'll start the concert." With a quick flip of my wrist I gave him the middle finger. He threw his head back and laughed.
I looked up at Hawkins, who locked eyes with mine as he sang, "Love in an elevator, lovin' it up, til I hit the ground.
”
”
Leah Spiegel (Foolish Games (Foolish Games, #1))
“
Look,” he says, “whenever I’m here, it feels like the walls are closing in on me. I love my family, I do. But I’ve spent fifteen years coming home as rarely as possible because it’s fucking lonely to feel like you don’t fit somewhere. I never wanted to run this store. I never wanted this town. And whenever I’m here it’s all I think about. I get so fucking claustrophobic from it all.
“Not from them. But from feeling like I don’t know how to be myself here. From—getting in my head about who I’m supposed to be, or all the ways I haven’t turned out how they wanted me to. And then you showed up.”
His eyes flare, flashlights racing over the dark, searching. “And I could finally breathe.
”
”
Emily Henry (Book Lovers)
“
Whenever I’m faced with a difficult decision, I ask myself: What would I do if I weren’t afraid of making a mistake, feeling rejected, looking foolish, or being alone? I know for sure that when you remove the fear, the answer you’ve been searching for comes into focus. And as you walk into what you fear, you should know for sure that your deepest struggle can, if you’re willing and open, produce your greatest strength.
”
”
Oprah Winfrey (What I Know For Sure)
“
Let’s do, let’s get some handles. I don’t know why I’m talking about this stuff. Look, I love you and I miss you and you’re doing the right thing. It’s costing you too, I know that. I’m here and I’ll be here whenever you come home, or I’ll meet you anywhere, anytime. That’s what.
”
”
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
“
Whenever a woman tries to put you out of temper, turn the tables, and put HER out of temper instead. They are generally prepared for every effort you can make in your own defence, but that. One word does it as well as a hundred; and one word did it with Limping Lucy. I looked her pleasantly in the face; and I said—"Pooh!
”
”
Wilkie Collins (The Moonstone)
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Sometimes when I get up and emerge from the mists of slumber, my whole room hurts, my whole bedroom, the view from the window hurts, kids go to school, people go shopping, everybody knows where to go, only I don't know where I want to go, I get dressed, blearily, stumbling, hopping about to pull on my trousers, I go and shave with my electric razor - for years now, whenever I shave, I've avoided looking at myself in the mirror, I shave in the dark or round the corner, sitting on a chair in the passage, with the socket in the bathroom, I don't like looking at myself any more, I'm scared by my own face in the bathroom, I'm hurt even by my own appearance, I see yesterday's drunkenness in my eyes, I don't even have breakfast any more, or if I do, only coffee and a cigarette, I sit at the table, sometimes my hands give way under me and several times I repeat to myself, Hrabal, Hrabal, Bohumil Hrabal, you've victoried yourself away, you've reached the peak of emptiness, as my Lao Tzu taught me, I've reached the peak of emptiness and everything hurts, even the walk to the bus-stop hurts, and the whole bus hurts as well, I lower my guilty-looking eyes, I'm afraid of looking people in the eye, sometimes I cross my palms and extend my wrists, I hold out my hands so that people can arrest me and hand me over to the cops, because I feel guilty even about this once too loud a solitude which isn't loud any longer, because I'm hurt not only by the escalator which takes me down to the infernal regions below, I'm hurt even by the looks of the people travelling up, each of them has somewhere to go, while I've reached the peak of emptiness and don't know where I want to go.
”
”
Bohumil Hrabal (Total Fears: Selected Letters to Dubenka)
“
You speak of being afraid. Yet fear is something you generate in yourself, from your mind's lack of control; and you will learn to look at it and discover for yourself when you choose to be afraid. The first thing you must do is acknowledge that the fear is yours, and you can bid it come and go at will. Begin with this; whenever you feel fear that prevents choice say to yourself: 'What has made me feel fear? Why have I chosen to feel this fear preventing my choice, instead of feeling the freedom to choose?' Fear is a way of not allowing yourself to choose freely what you will do next; a way of letting your body's reflexes, not the needs of your mind, choose for you. ...[Y]ou have chosen to do nothing, so that none of the things you fear will come upon you; so your choices are not made by you but by your fear. ... I cannot promise to free you of your fear, only that a time will come when you are the master, and fear will not paralyze you.
”
”
Marion Zimmer Bradley (Stormqueen!)
“
Words for everyday showers of prettiness, and the kind of misty loveliness that disappears whenever you try to grasp it. Beauty that’s heralded by impressive thunder, but turns out to be all flash. And beyond all these, there’d be this word . . . a word that even the most grizzled, wizened elders might have uttered twice in their lifetimes, and in hushed, fearful tones at that. A word for a sudden, cataclysmic torrent of beauty with the power to change landscapes. Make plains out of valleys and alter the course of rivers and leave people clinging to trees, alive and resentful, shaking their fists at the heavens.” A hint of sensual frustration roughened his voice. “And I will curse the gods along with them, Min. Some wild monsoon raged through me as I looked at you just now. It’s left me rearranged inside, and I don’t have a map.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around.
”
”
Richard Curtis
“
It could have been anyone,” I said.
“All the women who look at you when we go out.
Ms. Bisette at school. God, even Hiyam. Why me?”
He stared at the coffee table,
the reflection of snow like confectioner’s sugar sifting down.
“It couldn’t have been anyone,” he said softly.
“For a long time before I met you, I felt my life was this kind of test.
I was in deep, cold water, swimming for shore,
and my arms were getting tired,my skin numb.
On the shore was everything I thought I wanted: a better job, a house, a family.”
He swallowed, his throat cording with tension.
“But I could barely keep my head above water.
Eventually I stopped seeing the shore. Only cold dark blue, in all directions.
I know it’s cliché, but when I met you, my eyes opened.
I looked around, and realized I could stand up whenever I wanted.
There was firm ground under my feet.
That shore in the distance was an illusion.
I was already somewhere beautiful.
”
”
Leah Raeder (Unteachable)
“
So, can I eat the redheaded goddess now? (Simi)
No, Simi. (Acheron)
I want to eat her, akri, She a mean person. (Simi)
Most gods are. (Acheron)
No they’re not. Some, true, but I rather like the Atlanteans. They were very nice. Most of them. You never met Archon, did you? (Simi)
No. (Acheron)
Now, he could be mean. He was blond, like you, tall like you, well, taller than you, and good-looking like you, but not quite as good-looking as you. I don’t think anyone is as good-looking as you are. Not even them gods. You are definitely one of a kind when it comes to looks…Oh. Well, you’re not really one of a kind, are you? But you cuter than that other one. He a bad copy of you. He only wishes he was as cute as you are. Now where was I going with that? Oh, I remember now. Archon didn’t like a lot of people, unlike you. You know that thing you do whenever you get really, really mad? The one where you can blow stuff up and make it all fiery and chunky and messy and all? He could do that too only not with as much finesse as you. You got a lot of finesse, akri. More than most. But I digress, Archon liked me. He said, ‘Simi, you a quality demon.’ Have you ever seen a non-quality demon, though? That’s what I wanna know. (Simi)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
Just then he noticed that Amy had that look, as though she wanted the street to buckle and split so she could fall right in. Dan saw the cool crowd from her school hanging at a table in the front. So that was why she didn't want to go in. Evan Tolliver was at the head of the table. Dan sighed. Even, the human supercomputer, was Amy's dream crush. Whenever Evan was near, she got her stutter back.
"Oh, excuse me, I didn't notice Luke Skywalker," Dan said. "Or is it Darth Vader?"
"Shhh," Amy said. Her cheeks were red. "He's coming."
"You mean Evan Tolliver himself is about to set his foot on the sidewalk? Did you bring the rose petals?"
"Cut it out, dweeb!" Amy said fiercely.
"Hi, Amy," Evan said from behind her.
Amy's color went from summer rose to summer tomato. She shot Dan a look that told him he was in serious trouble.
"Hey, Evan," he said. "I'm Amy's little brother, Dweeb. Nice to meet you, man.
”
”
Jude Watson (Vespers Rising (The 39 Clues, #11))
“
I'm not moving in with anyone until I marry them," he said.
I hadn't heard anyone say this since I was fifteen and my parents forced me to go to Bible camp. "Swell," I said. "And I'm not sleeping with anyone until I marry them."
Caleb turned his best 'I can have you whenever I want you' look on me, and I got so flustered I didn't know whether to kiss him or blush.
”
”
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
“
Old Spice
Every Sunday afternoon he dresses in his old army uniform,
tells you the name of every man he killed.
His knuckles are unmarked graves.
Visit him on a Tuesday and he will describe
the body of every woman he could not save.
He’ll say she looked like your mother
and you will feel a storm in your stomach.
Your grandfather is from another generation–
Russian degrees and a school yard Cuban national anthem,
communism and religion. Only music makes him cry now.
He married his first love, her with the long curls down
to the small of her back. Sometimes he would
pull her to him, those curls wrapped around his hand
like rope.
He lives alone now. Frail, a living memory
reclining in a seat, the room orbiting around him.
You visit him but never have anything to say.
When he was your age he was a man.
You retreat into yourself whenever he says your name.
Your mother’s father,
“the almost martyr,
can load a gun under water
in under four seconds.
Even his wedding night was a battlefield.
A Swiss knife, his young bride,
his sobs as he held Italian linen between her legs.
His face is a photograph left out in the sun,
the henna of his beard, the silver of his eyebrows
the wilted handkerchief, the kufi and the cane.
Your grandfather is dying.
He begs you Take me home yaqay,
I just want to see it one last time;
you don’t know how to tell him that it won’t be
anything like the way he left it.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
She gritted her teeth as his needle pierced along her spine. “I’m glad you’re here—that I’ll see Endovier again for the first time with you here.” To face that part of her past, that suffering and torment, if she couldn’t yet look too closely at the last several months. His tools, the numbing pain, halted. Then his lips brushed the top of her spine, right above the start of the new tattoo. The same tattoo he’d had Gavriel and Fenrys inking on his own back these past few days, whenever they stopped for the night. “I’m glad to be here, too, Fireheart.” For however much longer the gods would allow it.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Tessa!” Magnus said again, marveling. “Aren’t you unexpected. And uninvited.”
Tessa sat and sipped her tea, looking perfectly composed. Since she was one of Magnus’s dearest and oldest friends, he felt it would be nice if she looked even slightly apologetic. She did not.
“You told me once that you would not forgive me if I didn’t drop by whenever I found myself in the same city as you.”
“I would have forgiven you,” Magnus said with conviction. “I would have thanked you.”
Tessa glanced Alec’s way. Alec was blushing. The ends of Tessa’s lips curled up, but she was kind and hid her smile behind her teacup.
“Call it even,” said Tessa. “You once walked in on me in an embarrassing situation with a gentleman in a mountain fortress, after all.”
Her half-concealed smile flickered. She looked again at Alec, who had inherited his coloring from Shadowhunters long gone. Shadowhunters Tessa had loved.
“You should let that go,” Magnus advised.
Tessa was a warlock like Magnus, and like Magnus, she was used to overcoming the memory of what had been loved and lost. They were in the longtime habit of comforting each other. She took another sip of tea, her smile restored as if it had never been gone.
“I certainly have let it go,” she replied. “Now.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
I wish I had a boyfriend. I wish he lived in the wardrobe on a coat hanger. Whenever I wanted, I could
get him out and he’d look at me the way boys do in films, as if I’m beautiful. He wouldn’t speak much,
but he’d be breathing hard as he took off his leather jacket and unbuckled his jeans. He’d wear white
pants and he’d be so gorgeous I’d almost faint. He’d take my clothes off too. He’d whisper, ‘Tessa, I
love you. I really bloody love you. You’re beautiful’ – exactly those words – as he undressed me.
”
”
Jenny Downham (Before I Die)
“
I believe that any Christian who is qualified to write a good popular book on any
science may do much more by that than by any direct apologetic work…. We can
make people often attend to the Christian point of view for half an hour or so; but
the moment they have gone away from our lecture or laid down our article, they
are plunged back into a world where the opposite position is taken for granted….
What we want is not more little books about Christianity, but more little books by
Christians on other subjects—with their Christianity latent. You can see this most
easily if you look at it the other way around. Our faith is not very likely to be
shaken by any book on Hinduism. But if whenever we read an elementary book
on Geology, Botany, Politics, or Astronomy, we found that its implications were
Hindu, that would shake us. It is not the books written in direct defense of
Materialism that make the modern man a materialist; it is the materialistic
assumptions in all the other books. In the same way, it is not books on
Christianity that will really trouble him. But he would be troubled if, whenever he
wanted a cheap popular introduction to some science, the best work on the
market was always by a Christian.
”
”
C.S. Lewis (God in the Dock: Essays on Theology and Ethics)
“
Sam’s voice comes through the phone. “Hey—so, I’m not sure if I should do this … Or if it will even work. I probably should have said this to you over the phone, but we ran out of time. Or maybe, the truth is, I was scared you would think of me differently … That is, if you knew why I picked up the phone that first time—” He pauses. “Before we hung up, you said something that made me feel a bit guilty. You said I picked up your call that night because you needed me. I guess part of that is true. But that isn’t the reason I answered.” A long pause. “The truth is … I picked up because—because I needed you. I needed to hear your voice again, Julie. Because I wanted to make sure you didn’t forget me. You see, I took you to all those places—like the fields, to see the stars that night—so that you’d always remember. So that whenever you looked up at the sky at night, you’d think of me. Because I didn’t want to let you go yet. I never wanted to say good-bye, Jules. And I[…]”
Excerpt From
You've Reached Sam
Dustin Thao
This material may be protected by copyright.
”
”
Dustin Thao (You've Reached Sam (You've Reached Sam, #1))
“
Whenever a person says to you that they are as innocent as lambs in all concerning money, look well after your own money, for they are dead certain to collar it, if they can. Whenever a person proclaims to you 'In worldly matters I'm a child,' you consider that that person is only a crying off from being held accountable, and that you have got that person's number, and it's Number One. Now, I am not a poetical man myself, except in a vocal way, when it goes round a company, but I'm a practical one, and that's my experience. So's this rule. Fast and loose in one thing, Fast and loose in everything. I never knew it fail. No more will you. Nor no one.
”
”
Charles Dickens (Bleak House)
“
Damn you to Lolth's web!" he said. "Don't you dare pretend if doesn't matter to you!" "Why do you care?" Drizzt growled back at him. "No one who has ever made a difference?" "Do you believe that?" "What do you want from me, son of Baenre?" "Just the truth-your truth. You believe that you have never made a difference?" "Perhaps there is no difference to be made," Drizzt replied. "Do not ever say that," Jarlaxle said to him. "Why do you care?" Drizzzt asked. "Because you were the one who escaped," Jarlaxle replied. "Don't you understand? Jarlaxle went on. "I watched you-we all watched you. Whenever a matron mother, or almost any female of Menzoberranzan was about, we spoke your name with vitriol, promising to avenge Lolth and kill you." "But whenever they were not around, the name of Drizzt Do'Urden was spoken with jealousy, often reverence. You do not understand, do you? You don't even recognize the difference you've made to so many of us in Menzoberranzan." "How? Why?" "Because you were the one who escaped!" "You are here with me!" Drizzt argued. "Are you bound to the City of Spiders by anything more than your own designs? By Bregan D'Aerthe?" "I'm not talking about the city, you obstinate fool," Jarlaxle replied, his voice lowering. Again Drizzt looked at him, at a loss. "The heritage," Jarlaxle explained. "The fate.
”
”
R.A. Salvatore (Gauntlgrym (Forgotten Realms: Neverwinter, #1; Legend of Drizzt, #20))
“
She thinks I've let myself down,' he was saying. 'But I haven't. I'm doing perfectly okay. Endless horizons are all very well when you're young. But get to your age, you've got to ... you've got to get some perspective. That's what kept going round in my head whenever she got unbearable about it. Perspective, she needs perspective. And I kept saying to myself, look, I'm doing okay. Look at loads of other people, people we know. Look at Ray. Look what a pig's arse he's making of his life. She needs perspective.
”
”
Kazuo Ishiguro (Nocturnes: Five Stories of Music and Nightfall)
“
Anytime I talk about my work informally, I inevitably encounter someone who wants to know why addicts become addicts. They use words like “will” and “choice,” and they end by saying, “Don’t you think there’s more to it than the brain?” They are skeptical of the rhetoric of addiction as disease, something akin to high blood pressure or diabetes, and I get that. What they’re really saying is that they may have partied in high school and college but look at them now. Look how strong-willed they are, how many good choices they’ve made. They want reassurances. They want to believe that they have been loved enough and have raised their children well enough that the things that I research will never, ever touch their own lives.
I understand this impulse. I, too, have spent years creating my little moat of good deeds in an attempt to protect the castle of myself. I don’t want to be dismissed the way that Nana was once dismissed. I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure hat everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.
”
”
Yaa Gyasi (Transcendent Kingdom)
“
It seems to me there are things we should have talked about. Like, what happens if you think you've found the love of your life, but you notice, whenever you go into the city together, that he walks ahead of you in the subway station, and doesn't look behind for you until after he's gotten on the subway? And what if you find yourself wishing you did not have to tell him to wait for you? What if being with him starts to mean having to say those things..."Honey, what for me?" And you start to resent him making you do that in order to keep him walking by your side?
”
”
Emily Arsenault (Miss Me When I'm Gone)
“
Isn’t it funny how we make rational excuses for being out of alignment?
We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.”
Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result.
There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it?
Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves!
Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go!
Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it.
I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
”
”
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
“
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense.
Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect--
That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.
"You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication.
"Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'
"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution...
"Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?"
"I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
”
”
Charlotte Brontë (Jane Eyre)
“
Awww, look at him, G, he’s so precious when he’s sleeping.”
“Like an angel.”
“A really slutty angel.”
“Wait—do angels even get laid? And if so, are heaven orgasms a million times better than earth orgasms? I bet yes.”
“Uh-doy. Where do you think rainbows come from? Whenever you see a rainbow, that means an angel just came.”
“Ah. Makes sense. Sort of like how whenever a bell rings, an angel gets its wings.”
“Exactly like that.”
I crank one eye open and direct it toward the doorway. “I can hear you, you know.”
My annoyed voice puts an end to the most bizarre conversation I’ve ever heard. “Oh good, you’re up,” Logan says.
“Of course I’m up,” I grumble, rubbing my eyes. “How am I supposed to sleep when you two fucktards are standing at the foot of my bed talking about angels blowing their loads?”
Garrett snickers. “Like I’m the first one to ever wonder about that.”
“Trust me, you are.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
You see, I am a very prosaic, unromantic, sensible sort of fellow myself; and I have always had my heart set on finding the most sensible, prudent, level-headed wife in the world. But, on the other hand, it is very important to me that she possess one very particular flaw: she must have no sense whatsoever where I myself am concerned. She would only have to take one look at me and - no matter what her steadiness of mind - she would lose it in the space of seconds... Just lately, I have sometimes thought I may have found what I have always wanted. But just lately I have also noticed she has developed a most irritating habit of looking at the ground whenever we are together. Do you think she could try to overcome it? Well, Charlotte, are you going to look at me now?
”
”
Jane Austen (Sanditon: Jane Austen's Last Novel Completed)
“
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses.
While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?"
Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
”
”
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, the Torments of Low Thread Count, the Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
“
Are you glad I came?" "Delighted, dear Carmilla," I answered. "And you asked for the picture you think like me, to hang in your room," she murmured with a sigh, as she drew her arm closer about my waist, and let her pretty head sink upon my shoulder. "How romantic you are, Carmilla," I said. "Whenever you tell me your story, it will be made up chiefly of some one great romance." She kissed me silently. "I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on." "I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her
”
”
J. Sheridan Le Fanu (Carmilla)
“
As I'm sure you know, whenever you are examine someone else's belongings, you are bound to learn many interesting things about the person of which you were not previously aware. You might examine some letters you sister received recently, for instance, and learn that she was planning on running away with an archduke. You might examine the suitcase of another passenger on a train you are taking, and learn that he had been secretly photographing you for the past six months. I recently looked in the refrigerator of one of my enemies and learned she was a vegetarian, or at least pretending to be one, or had a vegetarian visiting her for a few days. And as the Baudelaire orphans examined some of the objets in Olaf's trunk, they learned a great deal of unpleasant things.
”
”
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
“
Whenever you see redwoods in the National Geographic, or fog, or watch Shamu on TV, you'll be seeing me. Whenever you smell pine and spruce and day-old socks, that's me. Whenever you hear wind in the tops of trees, that's me, and whenever you taste crab and wine and Brie, that's me, and whenever the wind blows your hat off or you get under a cold shower, that's me. Whenever you read about an earthquake, that's me, sure as gun's iron. Whenever you smell wet dog, that's Curtis and me, and whenever you see a Rattus rattus, that's Forrest, and I'm right behind him. Never see me again? You'll never not see me. And I'll never not see you . . .Didn't I say I'd always be your same stars? If you get to missing me, just look up.
”
”
Anne Rivers Siddons (Fault Lines)
“
I never read a book in my life,” she said again. She looked at the volume where it lay by the boulder, at Scott, at the book again. She seemed to be having a great deal of trouble getting used to the idea of a man reading a book. “What do you read books for?”
Now he laughed, and she flared up at him, “You laughing at me?”
“Lord, no, ma’am. It’s just that nobody ever asked me that before.”
He looked at the still water for a moment, thinking. “Tell you what, suppose you had a friend, he knew a whole lot more than you do. He could tell you things about what people are like all over the world, the way they live, everything. And what folks were like a hundred years ago or even a thousand. He could tell you things that make your hair curl, lose you sleep, or things that make you laugh.” He looked up at her swiftly, and away. “Or cry.”
He kicked a pebble into the water and watched the sunlight break and break, and heal. “More than that. Suppose you had a friend there waiting for you anytime you wanted him, anyplace. He’d give you all he’s got or any part of it, whenever you wanted it. And even more, you could shut him up if you didn’t feel like listening. Or if he said something you like, you could get him to say it over a hundred times, and he’d never mind.”
He pointed at the book. “And all that you can put in your pocket.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume X: The Man Who Lost the Sea)
“
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
”
”
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
“
It’s funny, how for an entire lifetime we keep thinking ‘How’ will our life-partner look like, how will he be? How will he react to a particular situation? How will he get angry, and how will we love and pamper him? We have so many questions like if he will accept me the way I am? Or if I have to change for him? We all have made plans for our future, subconsciously. We don’t exactly plan out everything with a pen and paper, it’s something that happens automatically, just like an involuntary action. Whenever we are alone and our mood is good, we usually think about our life with our partner. The days and nights in his arms, and the time that we will reserve for him.
But when all that turns into reality, it’s strikingly different. Everything that you thought, seems to be a joke, and life laughs at you from a distance! You are helpless and can’t do anything about it, but have to accept it the way it is. You are totally caught into a web of dilemmas and problems before you realize that this is the time you waited for, and that this is the time you dreamt about! You have to make efforts, compromises, sacrifices and you have to change yourselves too sometimes to make things work.
You can never expect to get a partner exactly the way you thought or dreamt about. It’s always different in reality and it’s always tough to make both ends meet for a relationship to work, but you have to! It’s your relationship, if you won’t work for it, who else will?
”
”
Mehek Bassi
“
And an old priest said, Speak to us of Religion.
And he said:
Have I spoken this day of aught else?
Is not religion all deeds and all reflection,
And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?
Who can separate his faith from his actions, or his belief from his occupations?
Who can spread his hours before him, saying, "This for God and this for myself; This for my soul and this other for my body"?
All your hours are wings that beat through space from self to self.
He who wears his mortality but as his best garment were better naked.
The wind and the sun will tear no holes in his skin.
And he who defines his conduct by ethics imprisons his song-bird in a cage.
The freest song comes not through bars and wires.
And he to whom worshiping is a window, to open but also to shut, has not yet visited the house of his soul whose windows are from dawn to dawn.
Your daily life is your temple and your religion.
Whenever you enter into it take with you your all.
Take the plough and the forge and the mallet and the lute,
The things you have fashioned in necessity or for delight.
For in reverie you cannot rise above your achievements nor fall lower than your failures.
And take with you all men:
For in adoration you cannot fly higher than their hopes nor humble yourself lower than their despair.
And if you would know God, be not therefore a solver of riddles.
Rather look about you and you shall see Him playing with your children.
And look into space; you shall see Him walking in the cloud, outstretching His arms in the lightning and descending in rain.
You shall see Him smiling in flowers, then rising and waving His hands in trees.
”
”
Kahlil Gibran
“
Whatever you wish to do, you must bring yourself to a moment of joy and clarity within yourself. Why I am saying joy is because when you are happy you are not compulsive. When you are very happy and clear, at that time if you look at things and see that “Yes, this is what is more sensible for me” – just do that. It does not matter if it feels like hell; it does not matter if you go through hell for ten years, you just do that, because that is where your wellbeing is. Whenever your emotions go up and down, your mind says many things – that is not important. It says one thing in the morning, one thing in the evening; it says one thing today and another thing tomorrow, that is of no consequence. When you are in differennt states of compulsiveness, if you make decisions as to which way to turn, you will be endlessly lost.
”
”
Sadhguru (Life and Death in One Breath)
“
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
When I got to school the next morning I had stepped only
one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least
bit about the scene he was creating.
The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe.
“Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.”
“I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You
had your mother worried sick!”
“My mother?” I questioned sarcastically.
Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he
looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of
how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students,
where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You
can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller!
“Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute.
“I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more.
I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I
tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop.
Look, I will be your friend. I want to be your friend. But that’s it.
We can’t be anything more. It’ll never work.”
Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.”
It was hopeless.
“Fine!” I snapped. “I’ll be your stupid girlfriend!”
Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the
harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually
laughed at my request. “No promises.”
Stupid, cocky boyfriend.
“You’re crazy. You know that, right?”
Ryan got this big cheesy smile on his face and said, “Crazy about you.”
“Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?”
“Because I like you.”
His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that?
“I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.”
“You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked
a smile despite myself. “You really are crazy,” I muttered.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
I don’t think any other retail company in the world could do what I’m going to propose to you. It’s simple. It won’t cost us anything. And I believe it would just work magic, absolute magic on our customers, and our sales would escalate, and I think we’d just shoot past our Kmart friends in a year or two and probably Sears as well. I want you to take a pledge with me. I want you to promise that whenever you come within ten feet of a customer, you will look him in the eye, greet him, and ask him if you can help him. Now I know some of you are just naturally shy, and maybe don’t want to bother folks. But if you’ll go along with me on this, it would, I’m sure, help you become a leader. It would help your personality develop, you would become more outgoing, and in time you might become manager of that store, you might become a department manager, you might become a district manager, or whatever you choose to be in the company. It will do wonders for you. I guarantee it. Now, I want you to raise your right hand—and remember what we say at Wal-Mart, that a promise we make is a promise we keep—and I want you to repeat after me: From this day forward, I solemnly promise and declare that every time a customer comes within ten feet of me, I will smile, look him in the eye, and greet him. So help me Sam.
”
”
Sam Walton (Sam Walton: Made In America)
“
I cannot express my own abhorrence of myself. Whenever I looked towards the past, I saw some duty neglected, or some failing indulged. Every body seemed injured by me. The kindness, the unceasing kindness of Mrs. Jennings, I had repaid with ungrateful contempt. To the Middletons, to the Palmers, the Steeles, to every common acquaintance even, I had been insolent and unjust; with a heart hardened against their merits, and a temper irritated by their very attention. To John, to Fanny, — yes, even to them, little as they deserve, I had given less than their due. But you, you above all, above my mother, had been wronged by me. I, and only I, knew your heart and its sorrows; yet to what did it influence me? Not to any compassion that could benefit you or myself. Your example was before me; but to what avail? Was I more considerate of you and your comfort? Did I imitate your forbearance, or lessen your restraints, by taking any part in those offices of general complaisance or particular gratitude which you had hitherto been left to discharge alone?
”
”
Jane Austen (Sense and Sensibility)
“
Wanting to be through with this quickly, I leaned forward and kissed him.
Almost. I lost my nerve halfway there, somewhere around the moment I noticed he had a freckle next to his eye and wondered ridiculously if that was something he would remove if I asked it of him, and instead of a proper kiss, I merely brushed my lips against his. It was a shadow of a kiss, cool and insubstantial, and I almost wish I could be romantic and say it was somehow transformative, but in truth, I barely felt it. But then his eyes came open, and he smiled at me with such innocent happiness that my ridiculous heart gave a leap and would have answered him instantly, if it was the organ in charge of my decision-making.
"Choose whenever you wish," he said. "No doubt you will first need to draw up a list of pros and cons, or perhaps a series of bar plots. If you like, I will help you organize them into categories."
I cleared my throat. "It strikes me that this is all pointless speculation. You cannot marry me. I am not going to be left behind, pining for you, when you return to your kingdom. I have no time for pining."
He gave me an astonished look. "Leave you behind! As if you would consent to that. I would expect to be burnt alive when next I returned to visit. No, Em, you will come with me, and we will rule my kingdom together. You will scheme and strategize until you have all my councillors eating out of your hand as easily as you do Poe, and I will show you everything---everything. We will travel to the darkest parts of my realm and back again, and you will find answers to questions you have never even thought to ask, and enough material to fill every journal and library with your discoveries.
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began.
"Go on," she said
"The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up."
"People like happy ending, Mattie. They don't want to be shaken up."
"I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..."
"...you're not," Lou said, licking deviled ham off her fingers.
"...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?"
No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that."
I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there.
"I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay."
Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
”
”
Jennifer Donnelly (A Northern Light)
“
As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what
”
”
Clayton M. Christensen (How Will You Measure Your Life?)
“
My Dearest,
I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away.
I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.”
I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again.
I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life.
I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be.
But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us.
I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible.
And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
”
”
Nicholas Sparks (Message in a Bottle)
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness.
The life coach Martha Beck asks new potential clients, "Is there anything you do regularly that makes you forget what time it is?"
That forgetting -- that pure absorption -- is what the psychologist Mihaly Csikzentmihalyi calls "flow" or optimal experience. In an interview with Wired magazine, he described flow as "being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement and thought follows inevitably from the previous one, like playing jazz. Your whole being is involved, and you're using your skills to the utmost."
In a typical day that teeters between anxiety and boredom, flow experiences are those flashes of intense living -- bright against the dull. These optimal experiences can happen when we're engaged in work paid and unpaid, in sports, in music, in art.
The researchers Maria Allison and Margaret Duncan have studied the role of flow in women's lives and looked at factors that contributed to what they call "antiflow." Antiflow was associated with repetitive household tasks, repetitive tasks at work, unchallenging tasks, and work we see as meaningless. But there's an element of chaos when it comes to flow. Even if we're doing meaningful and challenging work, that sense of total absoprtion can elude us. We might get completely and beautifully lost in something today, and, try as we might to re-create the same conditions tomorrow, our task might jsut feel like, well, work.
In A Life of One's Own, Marion Milner described her effort to re-create teh conditions of her own recorded moments of happiness, saying, "Often when I felt certain that I had discovered the little mental act which produced the change I walked on air, exulting that I had found the key to my garden of delight and could slip through the door whenever I wished. But most often when I came again the place seemed different, the door overgrown with thorns and my key stuck in the lock. It was as if the first time I had said 'abracadabra' the door had opened, but the next time I must use a different word. (123-124).
”
”
Ariel Gore (Bluebird: Women and the New Psychology of Happiness)
“
The white woman across the aisle from me says 'Look,
look at all the history, that house
on the hill there is over two hundred years old, '
as she points out the window past me
into what she has been taught. I have learned
little more about American history during my few days
back East than what I expected and far less
of what we should all know of the tribal stories
whose architecture is 15,000 years older
than the corners of the house that sits
museumed on the hill. 'Walden Pond, '
the woman on the train asks, 'Did you see Walden Pond? '
and I don't have a cruel enough heart to break
her own by telling her there are five Walden Ponds
on my little reservation out West
and at least a hundred more surrounding Spokane,
the city I pretended to call my home. 'Listen, '
I could have told her. 'I don't give a shit
about Walden. I know the Indians were living stories
around that pond before Walden's grandparents were born
and before his grandparents' grandparents were born.
I'm tired of hearing about Don-fucking-Henley saving it, too,
because that's redundant. If Don Henley's brothers and sisters
and mothers and father hadn't come here in the first place
then nothing would need to be saved.'
But I didn't say a word to the woman about Walden
Pond because she smiled so much and seemed delighted
that I thought to bring her an orange juice
back from the food car. I respect elders
of every color. All I really did was eat
my tasteless sandwich, drink my Diet Pepsi
and nod my head whenever the woman pointed out
another little piece of her country's history
while I, as all Indians have done
since this war began, made plans
for what I would do and say the next time
somebody from the enemy thought I was one of their own.
”
”
Sherman Alexie
“
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping.
I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me.
I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right?
These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one.
Soon, she began to listen to it.
Lara, it said, sit here, where the sun may kiss you. And she did.
Lara, it said, lie here, where the moon can make love to you all night long. and she did.
Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream.
Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon.
For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara.
When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion.
While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon.
Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true.
So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
”
”
Alice Walker
“
I don't know for sure what ever became of Hatsumomo. A few years after the war, I heard she was making a living as a prostitute in the Miyagawa-cho district. She couldn't have been there long, because on the night I heard it, a man at the same party swore that if Hatsumomo was a prostitute, he would find her and give her some business of his own. He did go looking for her, but she was nowhere to be found. Over the years, she probably succeeded in drinking herself to death. She certainly wouldn't have been the first geisha to do it.
In just the way that a man can grow accustomed to a bad leg, we'd all grown accustomed to having Hatsumomo in our okiya. I don't think we quite understood all the ways her presence had afflicted us until long after she'd left, when things that we hadn't realized were ailing slowly began to heal. Even when Hatsumomo had been doing nothing more than sleeping in her room, the maids had known she was there, and that during the course of the day she would abuse them. They'd lived with the kind of tension you feel if you walk across a frozen pond whose ice might break at any moment. And as for Pumpkin, I think she'd grown to be dependent on her older sister and felt strangely lost without her.
I'd already become the okiya's principal asset, but even I took some time to weed out all the peculiar habits that had taken root because of Hatsumomo. Every time a man looked at me strangely, I found myself wondering if he'd heard something unkind about me from her, even long after she was gone. Whenever I climbed the stairs to the second floor of the okiya, I still kept my eyes lowered for fear that Hatsumomo would be waiting there on the landing, eager for someone to
abuse. I can't tell you how many times I reached that last step and looked up suddenly with the realization that there was no Hatsumomo, and there never would be again. I knew she was gone, and yet the very emptiness of the hall seemed to suggest something of her presence. Even now, as an older woman, I sometimes lift the brocade cover on the mirror of my makeup stand, and have the briefest flicker of a thought that I may find her there in the glass, smirking at me.
”
”
Arthur Golden (Memoirs of a Geisha)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh.
I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains.
Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school.
Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix.
Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
”
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Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
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In his early twenties, a man started collecting paintings, many of which later became famous: Picasso, Van Gogh, and others. Over the decades he amassed a wonderful collection. Eventually, the man’s beloved son was drafted into the military and sent to Vietnam, where he died while trying to save his friend. About a month after the war ended, a young man knocked on the devastated father’s door. “Sir,” he said, “I know that you like great art, and I have brought you something not very great.” Inside the package, the father found a portrait of his son. With tears running down his cheeks, the father said, “I want to pay you for this.ℍ “No,” the young man replied, “he saved my life. You don’t owe me anything.ℍ The father cherished the painting and put it in the center of his collection. Whenever people came to visit, he made them look at it. When the man died, his art collection went up for sale. A large crowd of enthusiastic collectors gathered. First up for sale was the amateur portrait. A wave of displeasure rippled through the crowd. “Let’s forget about that painting!” one said. “We want to bid on the valuable ones,” said another. Despite many loud complaints, the auctioneer insisted on starting with the portrait. Finally, the deceased man’s gardener said, “I’ll bid ten dollars.ℍ Hearing no further bids, the auctioneer called out, “Sold for ten dollars!” Everyone breathed a sigh of relief. But then the auctioneer said, “And that concludes the auction.” Furious gasps shook the room. The auctioneer explained, “Let me read the stipulation in the will: “Sell the portrait of my son first, and whoever buys it gets the entire art collection. Whoever takes my son gets everything.ℍ It’s the same way with God Almighty. Whoever takes his Son gets everything.
”
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Jimmy Carter (Through the Year with Jimmy Carter: 366 Daily Meditations from the 39th President)
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The truth is,” she said shakily, “that I am scared to death of being here.”
“I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.”
His words and his tone made the quaking in her limbs, the hammering of her heart, begin again, and Elizabeth hastily drank a liberal amount of her wine, praying it would calm her rioting nerves. As if he saw her distress, he smoothly changed the topic. “Have you given any more thought to the injustice done Galileo?”
She shook her head. “I must have sounded very silly last night, going on about how wrong it was to bring him up before the Inquisition. It was an absurd thing to discuss with anyone, especially a gentleman.”
“I thought it was a refreshing alternative to the usual insipid trivialities.”
“Did you really?” Elizabeth asked, her eyes searching his with a mixture of disbelief and hope, unaware that she was being neatly distracted from her woes and drawn into a discussion she’d find easier.
“I did.”
“I wish society felt that way.”
He grinned sympathetically. “How long have you been required to hide the fact that you have a mind?”
“Four weeks,” she admitted, chuckling at his phrasing. “You cannot imagine how awful it is to mouth platitudes to people when you’re longing to ask them about things they’ve seen and things they know. If they’re male, they wouldn’t tell you, of course, even if you did ask.”
“What would they say?” he teased.
“They would say,” she said wryly, “that the answer would be beyond a female’s comprehension-or that they fear offending my tender sensibilities.”
“What sorts of questions have you been asking?”
Her eyes lit up with a mixture of laughter and frustration. “I asked Sir Elston Greeley, who had just returned from extensive travels, if he had happened to journey to the colonies, and he said that he had. But when I asked him to describe to me how the natives looked and how they lived, he coughed and sputtered and told me it wasn’t at all ‘the thing’ to discuss ‘savages’ with a female, and that I’d swoon if he did.”
“Their appearance and living habits depend upon their tribe,” Ian told her, beginning to answer her questions. “Some of the tribes are ‘savage’ by our standards, not theirs, and some of the tribes are peaceful by any standards…”
Two hours flew by as Elizabeth asked him questions and listened in fascination to stories of places he had seen, and not once in all that time did he refuse to answer or treat her comments lightly. He spoke to her like an equal and seemed to enjoy it whenever she debated an opinion with him. They’d eaten lunch and returned to the sofa; she knew it was past time for her to leave, and yet she was loath to end their stolen afternoon.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
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What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added.
Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.”
Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.”
Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged.
Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?”
“Of course you can—” Jay started to say.
“Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.”
Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word.
“We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously.
After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again.
Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?”
“Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her.
“Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?”
Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated.
But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried.
He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him.
“Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from.
“I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.”
Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone.
But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her.
Jay growled from deep in his throat. “Okay, homework it is.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))