“
Hide yourself in God, so when a man wants to find you he will have to go there first.
”
”
Shannon L. Alder
“
I missed you,” he said quietly, his gaze darting between her mouth and eyes. “When I was in
Wendlyn. I lied when I said I didn’t. From the moment you left, I missed you so much I went out of my
mind. I was glad for the excuse to track Lorcan here, just to see you again. And tonight, when he had
that knife at your throat …” The warmth of his callused finger bloomed through her as he traced a path
over the cut on her neck. “I kept thinking about how you might never know that I missed you with only
an ocean between us. But if it was death separating us … I would find you. I don’t care how many
rules it would break. Even if I had to get all three keys myself and open a gate, I would find you
again. Always.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
In school, they would tell you that life wouldn’t come to you; you had to go out and make it your own. But when it came to love, the message for girls seemed to be this: Don’t. Don’t go after what you want. Wait. Wait to be chosen, as if only in the eye of another could one truly find value. The message was confusing and infuriating. It was a shell game with no actual pea under the rapidly moving cups.
”
”
Libba Bray (Beauty Queens)
“
This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it?
”
”
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
“
"I gave up a world for you."
He glared at me, not giving me anything.
I kept right on going. "I thought, perhaps, when I learned I had powers, I might be able to use them to go home," his eyes flashed but that was all I got so I kept on going, "but not for good. My father isn't dead." Another flash. "He's alive and at home and living maybe with a fake Circe. He'll know the difference, though, I KNOW it. He's out of his mind with worry, I know that too. He's wondering where I am and if I'm okay and how to get me back. I also know that. I know that and I know that my life was good. I loved my life. I loved my home. I loved my job. I had a lot of people who loved me that loved me back." I sucked in a breath and then whispered, "But as much as your world scared me, as much as our practices repulsed me, I still chose you."
His torso jerked, it was almost imperceptible, but I caught it.
I kept at him. "I gave up my world for you, Lahn. I sat at your side through things people in my world would find loathsome and I did it with my head held high. I even felt 'pride' that I could endure, that I could be a good queen to you.......Everything I did in this fucking place, even before I fell in love with you, was for...fucking...YOU."
”
”
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
“
Turn to me with all your heart. Do not refuse me because I am dark and shadowed. The fire of the sun has altered me. The seas have encompassed me. The earth has been corrupted because of my work. Night fell over the earth when I sank into the miry deep, and my substance was hidden.” The Moon Queen held a star in one outstretched palm. “From the depths of the water I cried out to you, and from the depths of the earth I will call to those who pass by me,” I continued. “Watch for me. See me. And if you find another who is like me, I will give him the morning star.
”
”
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
“
Macy: "Listen, I can't pretend to be the queen of good advice, here. I've had more boyfriends than I can count, and I'm not so sure that's any better than not having any. But I do know this. When you find someone who makes you smile and laugh, when you find someone who makes you feel safe, you shouldn't let that person go just because you're afraid."
Elle: "And you're not afraid of it ending?"
Macy: "Sure I am, But I'd rather have something this good for a little while than have nothing forever
”
”
Megan Hart (Dirty (Dan and Elle, #1))
“
The hardest part of letting go is the "uncertainty"--when you are afraid that the moment you let go of someone you will hate yourself when you find out how close you were to winning their affection. Every time you give yourself hope you steal away a part of your time, happiness and future. However, once in a while you wake up to this realization and you have to hold on tightly to this truth because your heart will tear away the foundation of your logic, by making excuses for why this person doesn't try as much as you. The truth is this: Real love is simple. We are the ones that make it complicated. A part of disconnecting is recognizing the difference between being desired and being valued. When someone loves you they will never keep you waiting, give their attention and affection away to others, allow you to continue hurting, or ignore what you have gone through for them. On the other hand, a person that desires you can't see your pain, only what they can get from you with minimal effort in return. They let you risk everything, while they guard their heart and reap the benefits of your feelings. We make so many excuses for the people we fall in love with and they make up even more to remain one foot in the door. However, the truth is God didn't create you to be treated as an option or to be disrespected repeatedly. He wants you to close the door. If someone loves you and wants to be in your life no obstacle will keep them from you. Remember, you are royalty, not a beggar.
”
”
Shannon L. Alder
“
My Queen," he finally speaks, and his usually strong voice holds the slightest tremor.
"My Footman." I don't even blink, playing along with his nonchalance. "You don't seem surprised that I'm here."
"Oh, I knew you would find your way. It was just a matter of when. You actually made it sooner than I expected." He gestures around him. "Thus, the deplorable state of my house."
"Good help is so hard to find," I tease.
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
Let me tell you something you haven't learnt yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn't matter who you are or what you do, it happens. Experience, time, events - they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn't have given a second thought to when you were young. It happens gradually, a chipping away that you don't even notice at first, and then one day it's there. You wake up and you just don't have the fire anymore...Then you have a choice. You can either give in to what you're feeling, just say "okay, enough is enough" and be done with it, or you can fight it. You can accept that every day you're alive you're going to have to face it down, that you're going to have to say to yourself that you don't care what you feel, that it doesn't matter what happens anyway, that you're going to do what you have to because otherwise you're defeated and life doesn't have any real pupose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn't matter all that much - that those in here mattered more. You know something? It's not so hard really. You just have to get past the fear.
”
”
Terry Brooks
“
This is how children are at first, when they can't control themselves. Their abilities present in times of stress or fear, until they learn to harness those emotions and use them to their advantage. There's a trigger, and you need to find yours.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
Then as she looked up in his face, he smiled most sweetly and said something he had never said before, "You have one real beauty, Much-Afraid, you have such trustful eyes. Trust is one of the much beautiful things in the world. When I look at the trust in your eyes I find you more beautiful to look upon than many a lovely queen.
”
”
Hannah Hurnard (Hinds' Feet on High Places)
“
Your future contains dry bones. Your slow demise begins right when you hold the queen in the palm of one hand. Beware the bird, for it will betray you. And from that, there’s no coming back. But daughters are the key to justice, find the right one and keep her close. All signs point toward your murder.
”
”
Kristen Perrin (How to Solve Your Own Murder (Castle Knoll Files, #1))
“
You're very handsome when you are chastising me," I say with a sigh.
He sits back, a grin spreading across his face. "Then you will find me handsome quite often, I suppose.
”
”
Sherry D. Ficklin (Queen of Someday (Stolen Empire, #1))
“
One day, lad, your eyes will light upon a woman, and you will never forget that glint in her eye, that toss of her head, or sway of her hips. You will dream of her, whether you are asleep of awake. She will possess your mind, and your body will be on fire for her. Nothing will ever erase the linger of her scent in your nostrils, the touch of her hand on your body, the feel of her flesh beneath your fingers.
When you find a woman to love, Cnut, your life changes forever.
”
”
Helen Hollick (The Forever Queen (Saxon #2))
“
Let me tell you something you haven’t learned yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn’t matter who you are or what you do, it happens. Experience, time, events—they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn’t have given a second thought to when you were young. It happens gradually, a chipping away that you don’t even notice at first, and then one day it’s there. You wake up and you just don’t have the fire anymore.” He smiled...
”
”
Terry Brooks (The Elf Queen of Shannara (Heritage of Shannara, #3))
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: SAVING YOU
I'm teleporting to Atlanta.I'm picking you up,and we'll go someplace where our families can't find us.We'll take Seany. And we'll let him rup laps until he tires,and then you and I will take a long walk. Like Thanksgiving. Remember? And we'll talk about everything BUT our parents...or perhaps we won't talk at all. We'll just walk.And we'll keep walking until the rest of the world ceases to exist.
I'm sorry,Anna.What did your father want? Please tell me what I can do.
To: Etienne St. Clair
From: Anna Oliphant
Subject: Sigh.I'd love that.
Thank you,but it was okay. Dad wanted to apologize. For a split second,he was almost human.Almost.And then Mom apologized,and now they're washin dishes and pretending like nothing happened.I don't know.I didn't mean to get all drama queen,when your problems are so much worse than mine.I'm sorry.
To: Anna Oliphant
From: Etienne St. Clair
Subject: Are you mad?
My day was boring.Your day was a nightmare. Are you all right?
To: Etienne St. Clair
From: Anna Oliphant
Subject: Re: Are you mad?
I'm okay.I'm just glad I have you to talk to.
To: Anna Oliphant
From: Etienne St. Clair
Subject: So...
Does that mean I can call you now?
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
One of them has to break,” the queen said to the princess. “Only then can it begin.”
“I know,” the princess said softly. ”But the prince isn't ready. It has to be her.”
“Then you understand what I am asking of you?”
The princess looked up, toward the shaft of moonlight spilling into the tomb. When she looked back at the ancient queen, her eyes were bright. “Yes.”
“Then do what needs to be done.”
The princess nodded and walked out of the tomb. She paused on the threshold, the darkness beyond beckoning to her, and turned back to the queen. “She won't understand. And when she goes over the edge, there will be nothing to pull her back.”
“She will find her way back. She always does.”
Tears formed, but the princess blinked them away. “For all our sakes, I hope you're right.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just
because you can’t think with your upstairs brain.”
“No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what
anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else.
“You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t.
You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just
had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All
this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith
in him, but Ryan couldn’t stop there.
Oh, no, not Ryan Miller.
“After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed,
smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much,
you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look
at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much.
When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me,
leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule.
It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you?
I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up.
“Sorry,” I breathed as he pulled away.
“Don’t be sorry,” he teased. “Just stop.”
“Sorry,” I said again when I noticed that his leg was now bouncing under the table.
“Yeah. Looks like I don’t get to sleep through economics today.”
“On the bright side, Coach could make you run laps all practice long and you’d be fine.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
My friend, still seemingly perplexed, asked me "So if it's not about genitals, what is it about trans women's bodies that you find so attractive?"
I paused for a second to consider the question. Then I replied that it is almost always their eyes.
When I look into them, I see both endless strength and inconsolable sadness.
I see someone who has overcome humiliation and abuses that would flatten the average person.
I see a woman who was made to feel shame for her desires and yet had the courage to pursue them anyway.
I see a woman who was forced against her will into boyhood, who held on to a dream that everybody in her life desperately tried to beat out of her, who refused to listen to the endless stream of people who told her that who she was and what she wanted was impossible.
When I look into a trans woman's eyes, I see a profound appreciation for how fucking empowering it can be to be female, an appreciation that seems lost on many cissexual women who sadly take their female identities and anatomies for granted, or who perpetually seek to cast themselves as victims rather than instigators.
In trans women's eyes, I see a wisdom that can only come from having to fight for your right to be recognised as female, a raw strength that only comes from unabashedly asserting your right to be feminine in an inhospitable world.
In a trans woman's eyes, I see someone who understands that, in a culture that's seemingly fuelled on male homophobic hysteria, choosing to be female and openly expressing one's femininity is not a sign of frivolousness, weakness or passivity, it is a fucking badge of courage.
Everybody loves to say that drag queens are "fabulous", but nobody seems to get the fact that trans women are fucking badass!
”
”
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
“
And GUESS WHO ordered your guards to chain up Clay?” Tsunami demanded. She flung an accusing talon toward Shark. “COMMANDER SHARK! Of all the dragons who should obey you in everything! Is that not UTTERLY SHOCKING?” “It is,” Coral said. Tsunami thought she might be grinding her teeth, but she hid it well. “I find it quite hard to believe.” “Imagine the distress the poor guards felt,” Tsunami said, “when I explained to them that you would never have ordered those chains on Clay. To have to choose between their commander and their queen! Naturally they chose you, of course. That’s why they gave me the key to Clay’s chains. Because they understood that’s what you would have wanted them to do. Right?” Queen Coral gave Tsunami an appraising glance. Beside her, Blister was eating her soup with an amused expression. “Very good,” Coral said slowly. “It sounds like those guards are practically heroes.” “And Shark —” Tsunami prodded her. “To the dungeon with him as well,” the queen said with a wave. Shark didn’t protest like Lagoon had. He snarled at the guards who approached him, shot Tsunami a look full of hatred, and headed off to the dungeon without another word. Splendid,
”
”
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
“
the way, when I showed this to Leslie, I used real cards, not a bridge diagram. If you find it difficult to follow the diagrams, try using a real deck. For the first hand, you can also try dealing East the king of spades instead of West, and you will see why the finesse won't work. A finesse is a cool play that allows you to win two tricks with the ace and queen of a suit, even though one of your opponents holds the king. It has a 50 percent chance of success, depending on which one of your opponents holds that king.
”
”
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
“
I stood back up and looked down at my feces. A lovely snail-shell architecture, still steaming. Borromini. My bowels must be in good shape, because everyone knows you have nothing to worry about unless your feces are to soft or downright liquid.
I was seeing my shit for the first time (in the city you sit on the bowl, then flush right away, without looking). I was now calling it shit, which I think is what people call it. Shit is the most personal and private thing we have. Anyone can get to know the rest - your facial expression, your gaze, your gestures. Even your naked body: at the beach, at the doctor's, making love. Even your thoughts, since usually you express them, or else others guess them from the way you look at them or appear embarrassed. Of course, there are such things as secret thoughts... but in general thoughts too are revealed.
Shit, however, is not. Except for an extremely brief period of your life, when your mother is still changing your diapers, it is all yours. And since my shit at that moment must not have been all that different from what I had produced over the course of my past life, I was in that instant reuniting with my old, forgotten self, undergoing the first experience capable of merging with countless previous experiences, even those from when I did my business in the vineyards as a boy.
Perhaps if I took a god look around, I would find the remains of those shits past, and then, triangulating properly, Clarabelle's treasure.
But I stopped there. Shit was not my linden-blossom tea, of course not, how could I have expected to conduct my recherche with my sphincter? In order to rediscover lost time, one should have not diarrhea but asthma. Asthma is pneumatic, it is the breath (however labored) of the spirit: it is for the rich, who can afford cork-lined rooms. The poor, in the fields, attend less to spiritual than to bodily functions.
And yet I felt not disinherited but content, and I mean truly content, in a way I had not felt since reawakening. The ways of the Lord are infinite, I said to myself, they go even through the butthole.
”
”
Umberto Eco (The Mysterious Flame of Queen Loana)
“
To My Wife
You are like a young
white hen.
Her feathers ruffle
in the wind, her neck curves
down to drink, and
she rummages in the earth:
but, in walking, she has
your slow, queenly step,
haughty and proud.
She is better than the male.
She is like the females
of all the serene animals
who draw near to God.
Here, if my eye, if my judgment
doesn’t deceive me, among these,
you find your equals,
and in no other woman.
When evening lulls
the little hens to sleep,
they make sounds that call
to mind those mild, sweet
voices with which you argue
with your pains, and don’t know
that your voice has the soft, sad
music of the henyard.
You are like a pregnant
heifer,
still free, and without
heaviness, merry, in fact;
who, if someone strokes her, turns
her neck, where a tender
pink tinges her flesh.
If you meet up with her, and hear
her bellow, so mournful
is this sound that you tear
at the earth to give her
a present. In the same way,
I offer my gift to you
when you are sad.
You are like a tall, thin
female dog, that always
has so much sweetness
in her eyes and ferociousness
in her heart.
At your feet, she seems
a saint who burns
with an indomitable fervor
and in this way looks at you
as her God and Lord.
When you are at home, or going
down the street, to anyone who tries,
uninvited, to approach you,
she uncovers her shining
white teeth. And her love
suffers from jealousy.
You are like the fearful
rabbit. Within her narrow
cage, she stands upright
to look at you, and extends
her long, still ear; she deprives
herself of the husks and
roots that you bring her,
and cowers, seeking
the darkest corners.
Who might take away
this food? Who might
take away the fur which
she tears from her back
to add to the nest where
she will give birth?
Who would ever make
you suffer?
You are like the swallow
which returns in the spring.
But each autumn will depart—
you don’t have this art.
You have this of the swallow:
the light movements;
that which, to me, seemed
and was old, you proclaim
another spring.
You are like the provident
ant. She whom the grandmother
speaks of to the child as they
go out in the countryside.
And thus I find you
in the bumble bee
and in all the females
of all the serene animals
who draw near to God.
And in no other woman.
”
”
Umberto Saba
“
Bravery is a choice. However, you can’t wait until the moment you need to be brave to reach for that bravery. Because if you haven’t been purposefully tending to it, building it up, you may find that it is not there when you need it. You must stoke the fires of courage little by little, day by day, so they are burning bright long before you ever need them. And you fuel or douse those fires—fanning the flames or snuffing them out—with the words you say to yourself. And with the words you allow others to say about you in your presence.
”
”
Stacia Stark (A Queen This Fierce and Deadly (Kingdom of Lies, #4))
“
Fuck this place and fuck your games. This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn’t find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? Whatever
”
”
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
“
We can take it slow; we can move fast. You can leave me and come back. You can be exactly who you are or you can be what you've always wanted to be. You can sell that gold twisted band, and we can find a studio in Queens, and I can cut your hair every other month. Let's live off rice and beans, oranges when they're in season. Let's make friends and forget them for days and weeks at a time. Let's ward off all of the terror with talk. Let's make love over and over, until our ribs hurt and we think we're tired of it, then do it once more, just to see if there's still life to be made.
”
”
August Thompson (Anyone's Ghost)
“
The queen of the sky told him that in death there is no satisfaction. Only pain will find you. So he asked her when the pain would lessen. The queen told him never. The pain is what shows us how much we loved them. If you truly love someone, then the pain of their loss will always be in your heart. (Nora)
”
”
Kinley MacGregor (Taming the Scotsman (Brotherhood of the Sword, #4; MacAllister, #3))
“
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do."
"Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?"
"I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk."
"Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried.
"Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!"
Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded.
"Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere."
He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more.
"He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it."
"I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe."
"Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him."
"Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way."
"I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will."
"We were only talking,Finn!"
"I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him."
"My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you."
"Princess-"
"No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Sarhina stepped between Lara and Nana. “Mind your tongue when you’re speaking to my sister, old woman, or you’ll soon find yourself without one.
”
”
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom #2))
“
You go forth with joy to gather flowers for your queen in winter, and grieve when you can find none, and cannot understand why they do not grow.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
Dear good guy I can hear your cries I can feel your pain I can smell your frustration I can see the confusion in your eyes Confused about how women see you In a land of women tired of being played They still take you as a joke and think you’re all games They play you like they were played They can’t see the seriousness in your eyes When you call her “Queen” and ask for her heart And you cry for commitment, they back out and shut down Treat you like the bad guys treated them It’s so ironic You hate seeing these ladies get their hearts stomped on Their minds toyed with It’s killing you because you’ve done it to women yourself you’ve seen other guys do it You want to save them from the destruction But like a child who refuses to obey their mother’s wisdom, until they are wise enough to understand through experience They won’t value you until they get burned playing with the fire of curiosity Some of them crave destruction They crave the fun that these fellas who will degrade them have to offer They are being guided by curiosity and their wisdom is foolishness Fight the urge to become like the men these ladies who lack understanding chase after Don’t let rejection consume your heart and cause you to crumble Being a promiscuous man who lacks self-respect and morals is overrated Find peace with being the underdog Your type is needed in this world, my good friend Hold on There are women out there who are in search for someone like you One of them will be the one who appreciates the detailed things about you the previous women called corny There are women out there who will value your honesty, your character, your loyalty Hold on, my friend Narrow is the right path You are on the right path, my friend Your time will come in due time You will not just be getting a girl, you will be getting a woman who will be willing to finish off this life’s journey with you You are not alone I am with you and I understand the hardships you face, the doubt, the anger I want you to know you are doing a great job at being you Do not give up Stand firm and continue to be different You will be an example to many although you are in the minority Corruption
”
”
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
“
Even when your heart is broken, there can be magic just around the corner or in a cave at the top of the next mountain. You just have to keep looking for it. And sometimes you don’t even have to look. Sometimes it finds you.
”
”
Danielle Paige (The Queen of Oz (Dorothy Must Die, #0.9))
“
Then there are also the quiet deaths. How about the day you realized you weren't going to be an astronaut or the queen of Sheba? Feel the silent distance between yourself and how you felt as a child, between yourself and those feelings of wonder and splendor and trust. Feel the mature fondness for who you once were, and your current need to protect innocence wherever you make might find it. The silence that surrounds the loss of innocence is a most serious death, and yet it is necessary for the onset of maturity.
What about the day we began working not for ourselves, but rather with the hope that our kids have a better life? Or the day we realize that, on the whole, adult life is deeply repetitive? As our lives roll into the ordinary, when our ideals sputter and dissipate, as we wash the dishes after yet another meal, we are integrating death, a little part of us is dying so that another part can live.
”
”
Matthew Sanford (Waking: A Memoir of Trauma and Transcendence)
“
In my opinion, there’s something inexplicably wrong with your life when you find yourself in a strip club before noon on a weekday. To me, it felt as culturally insensitive as using a fork to eat sushi: just because you can do it, doesn’t mean you should.
”
”
Shayne Silvers (Witches Brew (The Phantom Queen Diaries, #6))
“
When I get my kingdom back . . . ,” Nightshade began. “Stop there,” said Tiffany. “Why do you want your kingdom back? What good has it done you? Think about it, for I am the human who has looked after you, the only person you might call a friend.” She looked seriously at the elf. “I have told you that I—we—would be happy if you were to be Queen of the Elves again, but only if you can truly learn from your time here. Be prepared to live in peace, teach your elves that the world has changed and that there is no space for them here.” There was hope in her voice now, a hope that human and elf might be able to change the stories of humans and elves. A princess doesn’t have to be blond and blue-eyed and have a shoe size smaller than her age, she thought. People can trust witches, and not fear the old woman in the woods, the poor old woman whose only crime was to have no teeth and to talk to herself. And perhaps an elf could learn to know mercy, to discover humanity. . . . “If you learn things,” she finished softly, “you might find yourself building a different kind of kingdom.
”
”
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
“
How do you know which one's the queen?'
'She's bigger than the others,' said Mel.
'That doesn't always help,' Petey said, 'I can't always find her.'
'Because she's not that much bigger," said Mel. 'You don't rely on her size as much as you try to use the way she moves. It's hard to describe. It's as if she walks in a more determined way' She pulled off her hat and smoothed her long, straight hair. 'She's got a big job. Babies to bear. Workers to inspire. A colony to manage. She moves like that. Like she's a woman with a plan. The best way to see her is to let your eyes lose their focus, let things get a bit fuzzy on you. See the bees as a whole rather than individuals. When you do that, you understand the entire pattern. The queen's movements will stick out because they're so different from everyone else's.
”
”
Laura Ruby (Bone Gap)
“
Make your own path, your own rules. Be your own king or queen. Don't let anyone tell you how to live, when to breathe or what to love. Believe in something. Hold on to it and try not to let it go. Take care of yourself, trust a handful of people and always follow your heart. Find the good word, the good food and the good music, live by them. Make sure every moment counts and above all, be kind, for kindness is the greatest perk in life. It can take you anywhere. It can send you to the moon without ever leaving the ground, and it can save lives in the blink of an eye.
”
”
Robert M. Drake
“
So these Kings and Queens entered the thicket, and before they had gone a score of paces, they all remembered that the thing they had seen was called a lamppost, and before they had gone twenty more, they noticed that they were making their way not through branches but through coats. And next moment they all came tumbling out of a wardrobe door into the empty room, and they were no longer Kings and Queens in their hunting array but just Peter, Susan, Edmund, and Lucy in their old clothes. It was the same day and the same hour of the day on which they had all gone into the wardrobe to hide. Mrs. Macready and the visitors were still talking I the passage; but luckily they never came into the empty room and so the children weren’t caught.
And that would have been the very end of the story if it hadn’t been that they felt they really must explain to the Professor why four of the coats out of his wardrobe were missing. And the Professor, who was a very remarkable man, didn’t tell them not to be silly or not to tell lies, but believed the whole story. “No,” he said, “I don’t think it will be any good trying to go back through the wardrobe door to get the coats. You won’t get into Narnia again by that route. Nor would the coats be much use by now if you did! Eh? What’s that? Yes, of course you’ll get back to Narnia again someday. Once a King in Narnia, always a King in Narnia. But don’t go trying to use the same route twice. Indeed, don’t try to get there at all. It’ll happen when you’re not looking for it. And don’t talk too much about it even among yourselves. And don’t mention it to anyone else unless you find that they’ve had adventures of the same sort themselves. What’s that? How will you know? Oh, you’ll know all right. Odd things they say--even their looks--will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools?”
And that is the very end of the adventures of the wardrobe. But if the Professor was right, it was only the beginning of the adventures of Narnia.
”
”
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
“
Oak puts a hand on my arm. I startle.
'You all right?' he asks.
'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.'
Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind.
But then, he had sisters who were stolen. Perhaps they had cried, too.
'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.'
He nods, just a little, as though more movement might break the spell of my speaking.
'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.'
'You will have this every day if you cease you're crying,' he said.
'But I couldn't stop.
'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't.
'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did.
'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that.
'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good.
'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice.
'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three.
'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.'
His eyes shone with horror.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
I’m getting the feeling you don’t want me to go. Are you ashamed of me? That hurts, Titty-bottum—I’m wounded.”
She laughs disdainfully. “No you’re not. And it has nothing to do with me not wanting you to go—you can’t go. There are about thirty Austenites. As soon as they spot you, word will get out that you were in Castlebrook.”
“Oh the horror, because Castlebrook is the hub of the social scene and media elites.”
That was sarcasm, in case you weren’t sure. Sarah is, which is why her eyes rolls behind her glasses. “It only takes one set of loose lips for the Queen to find out you were there when you’re supposed to be here. And the producers don’t want you going anywhere, anyway.”
“I could ditch?”
She blows a puff of breath up at her dark bangs, which have fallen too close to her eyes.
And now I’m thinking about Sarah blowing things.
“And then you’ll have to wear the monkey.”
“I fear no man or monkey. But it is sort of creepy, isn’t it?” I groan. “Fucking James.”
Sarah mocks me. “Right, fucking James is trying to keep you safe and alive and not kidnapped, like it’s his job or something. Bastard.”
Huh, look at that. Sarah can do sarcasm too. That’s sexy. And she said the word fucking—which makes me think about fucking her—on the bed, the sofa . . . Christ, in the nook. She would be absolutely wild in the nook.
Talk about a fantasy—that one’s going straight to the top of the wank bank.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded.
I say, “Are you afraid?”
Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on.
Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.”
What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life.
“There’s no one braver than you on that beach.”
Her voice is dismissive. “That doesn’t matter.”
“It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.”
Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?”
The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.”
Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes.
She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me.
“Tell me what to wish for,” I say. “Tell me what to ask the sea for.”
“To be happy. Happiness.”
I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.”
The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby.
Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?”
I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair.
I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?”
Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.”
I say, “That is what I needed to hear.”
“Do you know what to wish for now?”
I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
”
”
Maggie Stiefvater (The Scorpio Races)
“
Please, Dad, do we have to listen to this old man’s music?” Tess asks when he finally finds the right station. She’s sitting in the front, of course, to stop Tobias and Ted fighting for the right to sit there. “Don’t you dare insult Springsteen, he’s the only thing left in my life that doesn’t moan at me,” her dad grunts. Tess sighs. “You’re such a drama queen.” Her dad turns the volume up. “Bruce understands me.” Tess rolls her eyes and turns toward the backseat.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
I rose on still unsteady legs to walk over and shake Mr. Grave’s hand.
The doctor simply stared over my head, seeming to notice neither my hand, nor me standing there in front of him.
This was explained when Frank said to me scornfully, a second later, “He can’t see you. He’s blind.”
“Oh,” I said, feeling mortified. I hadn’t noticed until that point that Mr. Grave’s eyes had a milky-white sheen to them, and that he’d never once looked directly at anyone who was speaking. “I’m so sorry.”
“Don’t be,” Mr. Graves said, managing to find my hand anyway and give it a squeeze. “It’s not your fault.”
“Actually, it could have been,” Frank said. “It was a Fury that-“
“Frank, the young lady said she’d like to see the captain. Why don’t you go fetch him?” Mr. Graves snapped. To me, he said, “Miss Oliviera, I do apologize. It’s been quite some time since these fellows have been in the company of a young lady.”
“Speak for yourself, old man,” Frank said. He came to his feet with sudden alacrity. “Why don’t I just take her to the captain?”
“I hardly think that’s a good idea,” Mr. Liu muttered, into his teacup.
“His orders were if she showed up, we were to bring her straight to him,” Frank said.
Mr. Graves’s face expressed the exact dismay I felt upon being reminded of this. “Just go and fetch the captain, Frank. Or young Henry can do it.”
“What?” Henry cried, looking stricken. “I don’t want to go down there. All those dead people. And I’m the one who always gets stuck handing out the blankets-“
“It’s not important,” I said quickly. Blankets? What blankets? What on earth as Henry talking about? “I’ll just wait until John comes back-“
“See?” Henry looked triumphant. “I told you. She’s not the one.”
“It doesn’t matter,” Frank said, impatiently. “Either way, we’re stick with her.”
This wasn’t a very nice thing to hear about yourself-that people thought of you as someone they were stuck with. Not that I hadn’t been thinking the very same thing about them…and not that I didn’t share Henry’s fear that I wasn’t Queen-of-the-Underworld material.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
I remember, the first time I saw you.”
I did too, something seared into my memory, but it wasn’t about me, right then.
“You were this… fierce thing,” he said, moving the wipe to my left eye, pressing carefully to the eyelid. “Tall and gorgeous and fucking bitchy as all hell.” He set the wipe down behind me and then pulled out another. He started in on the other eye. “And I didn’t think I’d ever seen anything as amazing as you before.”
My throat clicked audibly as I wondered where this was leading to. Because he was talking about Helena, not me.
“You were with Paul,” he continued. “Though I didn’t know who he was at the time. All I wanted to do was find out who you were.”
He finished with my eyes and used another wipe on my cheeks. My lips, though, there wasn’t much lipstick left.
He didn’t say much more until he’d finished. By the time he sat back, my skin felt raw and my heart was tripping all over itself in my chest.
“And then you disappeared,” he said. “But you came back. As her.”
I froze.
He sighed and took my hands in his. “You were Sandy when I first saw you,” he said, squeezing my fingers. “You were Helena when I saw you again.” His eyes darted away. “And you were Sandy when I was an asshole. That was on me, and I don’t know that I’ll ever forgive myself for that.” He took a deep breath and let it out slow. “I don’t care if you’re Helena. I don’t care if you never put on a wig again. I will take anything you’re willing to give me. But just know that it was you I saw first, Sandy. Not her. I don’t need her or whatever division you think exists. I don’t want just part of you. I want all of you.
”
”
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
“
What do you do when your greatest accomplishments lead you straight down the path of an even greater fear? Instead of summoning his faith and standing firm to see the deliverance of his God, Elijah retreats. And in his escape from his geographical surroundings, he begins to back down from the boldness that has characterized his whole ministry up to this point. When he came to Beersheba in Judah, he left his servant there, while he himself went a day’s journey into the wilderness. He came to a broom bush, sat down under it and prayed that he might die. “I have had enough, LORD,” he said. “Take my life; I am no better than my ancestors.” Then he lay down under the bush and fell asleep. (1 Kings 19:3–5) Now I’m confused. Verse 3 says he was running for his life. Yet verse 4 says he asked God to kill him. Which one is it? Are you looking for life support, Elijah? Or shall God send the angels of euthanasia? One of these things is not like the other. The more I studied this text, though, and considered the context of Elijah’s despair and compared it to similar feelings I’ve experienced under much less duress, the more I got it. Although the text says Elijah ran for his life—and I’m sure that’s how it appeared—it seems like something deeper is going on. In fact, I’m not sure Elijah was running for his life at all, at least not in the sense we would use that phrase. I believe Elijah was actually running from his life. You see, it had been a long, lonely three years for Elijah. Did he survive the drought? Undoubtedly. And through him God won the battle with a unanimous decision. But winning can be as exhausting as losing. Sometimes the pressure of success can drain you at an even deeper level than the frustration of failure. Elijah knows Queen Jezebel doesn’t have the power to call on her gods and end his life. If she had, he’d have been buried beside his bull back on the mountain. So it’s safe to assume that his greatest fear at this point isn’t dying. His greatest fear is living—and having to fight yet another agonizing battle. Jezebel’s threat is ultimately impotent, yes. But that doesn’t make it ineffective. Because fear often finds its power, not in our actual situation, but in what we tell ourselves about our situation.
”
”
Steven Furtick (Crash the Chatterbox: Hearing God's Voice Above All Others)
“
Ananda, an attendant of the Buddha, passed by a well near a village. A young low-caste woman, Pakati, was fetching water. He asked her for a drink.
Pakati said: “I am low caste and therefore may not give you water. Please ask nothing from me in case I contaminate your holy state with my low-caste status.”
Ananda said, “I am not interested in caste. It is water I am after.”
Pakati’s heart leaped joyfully. She gave him water to drink, and when he left she followed him at a discrete distance. Finding out that he was a disciple of the Buddha, she went to the Buddha and said, “Please accept me and let me live in this place where your disciple Ananda dwells, so that I may see him and supply him with what he needs. For I find that I love Ananda.”
The Buddha understood what was going on in her feelings and he said gently, “Pakati, your heart if full of love but you don’t understand your own emotions. It is not Ananda that you love, but his kindness. Accept the kindness that he has shown to you and in your turn practice it toward other. You have been born low caste, but in time you will outshine the glory of kings and queens.
”
”
Anne Bancroft (The Buddha Speaks - A book of guidance from Buddhist scriptures)
“
Bruce head butted Hades in the center of his back.
"Is he tasting me?" he asked when Bruce's tail snapped his thigh.
"No. What would give you that idea?" I smiled, slapping at Bruce's head when he opened his massive jaws to take a bite out of Hades' delectable ass.
That was my ass, thank you very much.
"Go find your own ass, Bruce. Now go." I flicked my wrist at him.
His look was grumpy, but Bruce always wore a grumpy look. He took an angry swipe at a passing red horned devil octopus, slurping it down in one mighty gulp.
I grimaced. Okay, so maybe he had been tasting Hades.
”
”
Jovee Winters (The Sea Queen (The Dark Queens, #1))
“
In that moment, I understand the way that the noblest yearning for duty and sacrifice can be mixed up with all that is savage and shameful, like in the Bible, where a just and merciful God tells you to kill everyone, kill the children, kill the livestock, kill John Polling, leave nothing alive to sully this pure and just world. Except when it's all done you find out that wasn't really God after all, just some politician, or maybe it was God, but he taps you on the shoulder and says, 'No, dude, that isn't what I meant,' and leaves you sitting in a Dairy Queen in Bothell with blood on your hands and no further orders...
”
”
Stuart Archer Cohen (The Army of the Republic)
“
When we pull back into the castle courtyard, James is waiting. And he does not look happy. Actually he looks like a blond Hulk . . . right before he goes smash. Sarah sees it too.
“He’s miffed.”
“Yep.”
We get out of the car and she turns so fast there’s a breeze. “I should go find Penny. ’Bye.”
I call after her. “Chicken!”
She just waves her hand over her shoulder.
Slowly, I approach him. Like an explorer, deep in the jungles of the Amazon, making first contact with a tribe that has never seen the outside world. And I hold out my peace offering.
It’s a Mega Pounder with cheese.
“I got you a burger.”
James snatches it from my hand angrily. But . . . he doesn’t throw it away.
He turns to one of the men behind him. “Mick, bring it here.”
Mick—a big, truck-size bloke—brings him a brown paper bag. And James’s cold blue eyes turn back to me.
“After speaking with your former security team, I had an audience with Her Majesty the Queen last year when you were named heir. Given your history of slipping your detail, I asked her permission to ensure your safety by any means necessary, including this.”
He reaches into the bag and pulls out a children’s leash—the type you see on ankle-biters at amusement parks, with a deranged-looking monkey sticking its head out of a backpack, his mouth wide and gaping, like he’s about to eat whoever’s wearing it.
And James smiles. “Queen Lenora said yes.”
I suspected Granny didn’t like me anymore; now I’m certain of it.
“If I have to,” James warns, “I’ll connect this to you and the other end to old Mick here.”
Mick doesn’t look any happier about the fucking prospect than I am.
“I don’t want to do that, but . . .” He shrugs, no further explanation needed. “So the next time you feel like ditching? Remember the monkey, Your Grace.”
He puts the revolting thing back in its bag. And I wonder if fire would kill it.
“Are we good, Prince Henry?” James asks.
I respect a man willing to go balls-to-the-wall for his job. I don’t like the monkey . . . but I respect it.
I flash him the okay sign with my fingers.
“Golden.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
I missed you,” he said quietly, his gaze darting between her mouth and eyes. “When I was in Wendlyn. I lied when I said I didn’t. From the moment you left, I missed you so much I went out of my mind. I was glad for the excuse to track Lorcan here, just to see you again. And tonight, when he had
that knife at your throat …” The warmth of his callused finger bloomed through her as he traced a path over the cut on her neck.
“I kept thinking about how you might never know that I missed you with only an ocean between us. But if it was death separating us … I would find you. I don’t care how many rules it would break. Even if I had to get all three keys myself and open a gate, I would find you again. Always.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Cal stares at me, eyes full of accusation. And longing. This time he takes me by surprise when he steps closer, and I fall back on my heels. “Did your mother destroy you entirely? Is there anything left of you?” he asks, searching my face. “Anything that isn’t hers?”
He won’t tell me what he’s looking for, but I know. Despite the walls my mother built around me, Cal always manages to weasel through. His hunting eyes fill me with sorrow. Even now, he thinks there’s something in me left to save—and to mourn. There is no escaping our fate, not for either of us. He must sentence me to die. And I must accept death. But Cal wants to know if he’s killing his brother along with the monster—or if the brother died long ago.
Cut for cut, my mother whispers, louder now, taunting. The words slice like a razor.
It would hurt him deeply, wound him forever, if I let him glimpse what little is left of me. That I’m still here, in some forgotten corner, just waiting to be found. I could ruin him with one glance, one echo of the brother he remembers. Or I could free him of me. Make the choice for him. Give my brother one last proof of the love I can no longer feel, even if he never knows it.
I weigh the choice in my heart, each side heavy and impossible. For one terrifying moment, I don’t know what to do.
Despite all my mother’s fine work, I can’t find it in myself to land that final blow.
I drop my gaze, forcing a detached smirk to my lips.
“I would do it all again, Cal,” I tell him, lying with such grace. It feels easy, after so many years behind a mask. “If given the choice to go back, I would let her change me. I would watch you kill him. I’d send you to the arena. And I’d get it right. I’d give you what you deserve. I’d kill you now if I could. I’d do it a thousand times.”
My brother is simple, easy to manipulate. He sees only what lies in front of him, only what he can understand. The lie does its job well. His eyes harden, that undying ember in him almost extinguished entirely. One hand twitches, wanting to form a fist. But the Silent Stone affects him too, and even if he had the strength to make me burn, he could not.
“Good-bye, Maven,” Cal says, his voice broken. He isn’t really speaking to me.
The farewell is for another boy, lost years ago, before he became what I am now. Cal lets go of him, the Maven I was. The Maven I still am, somewhere inside, unable or unwilling to step into the light.
This will be the last time we speak to each other alone. I can feel that in my marrow. If I see him again, it will be before the throne, or beneath the cold steel of the executioner’s blade.
“I look forward to the sentencing,” I drawl in reply, watching him flee the room. The door slams behind him, shaking paintings in their frames.
Despite all the difference between us, we have this in common. We use our pain to destroy.
“Good-bye, Cal,” I say to no one.
Weakness, my mother answers.
”
”
Victoria Aveyard (Broken Throne (Red Queen))
“
I would rather remain in a cell for the rest of my life than see you throw your life away.”
“It is mine to do with as I wish,” I say softly. “Here.” I push the box closer to him. “Please take it. Find the scrolls. You’re almost free. Isn’t that what you’ve always wanted?”
“I am not free, not without my love,” he says, and this time, when he looks at me, I don’t look away.
My love. How do I answer that? There has always been so much unspoken between us. And yet now that we’re together, now that he’s saying the words I’ve so longed to hear, it is hopeless. Our fate is already sealed.
“Leave with me. We can run away; we’ve done it before. We can find the scrolls together,” he says, taking my hands in his. “Shadow. Be with me. Always. I am yours. Be mine.
”
”
Melissa de la Cruz (The Queen's Assassin (The Queen's Secret, #1))
“
My brothers woke me when the sun was beginning to set. “What’s the matter with you, Helen?” Castor cried, shaking me by the shoulder. “How can you sleep at a time like this?”
“Are you all right?” Polydeuces put in. “You’re not ill, are you?” He touched my forehead to check for fever.
I brushed his hand away gently. “I’m fine, ‘Ione’. You don’t need to fuss over me just because I’m smart enough to catch some sleep before the feast. I’ll still be awake when the two of you are snoring with your heads on the table.”
“Ha! If not for us, you’d’ve slept right through the feast,” Castor countered.
“I’ll build a temple in your honor to show my thanks,” I said, straight-faced. “Now if you really want to lend a hand, go find a servant to help me get ready. This is a special occasion and I want to look my best.”
“Ooooooh, our little sister wants to look nice, does she?” Polydeuces crooned. “I wonder why?” I saw him wink at Castor and knew I was doomed to be teased to death.
“Don’t you mean, ‘I wonder who?’” Castor replied. He tried to look sly and all-knowing, but his tendency to go cross-eyed ruined the effect. “Do you think it’s Meleager himself?”
“He’s the hero of the day, but I think she’d rather have a brawnier man,” Polydeuces said. “I’ll bet I can guess who. I saw how you looked at him the first night we were here.” He flung his arms around his twin, pitched his voice high, and cried, “Oh, Theseus, you’re sooooooo strong! Make me queen of Athens too!”
“Out!” I shouted, snatching up my nearly empty water jug. My brothers retreated at a run, laughing.
”
”
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
“
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues.
In what other language do people drive in a parkway and park in a driveway?
In what other language do people play at a recital and recite at a play?
Why does night fall but never break and day break but never fall?
Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo?
Why does a man get a hernia and a woman a hysterectomy?
Why do we pack suits in a garment bag and garments in a suitcase?
Why do privates eat in the general mess and generals eat in the private mess?
Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper?
Why are people who ride motorcycles called bikers and people who ride bikes called cyclists?
Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom?
Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women?
Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane:
In what other language do they call the third hand on the clock the second hand?
Why do they call them apartments when they’re all together?
Why do we call them buildings, when they’re already built?
Why it is called a TV set when you get only one?
Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus?
And why, pray tell, does lisp have an s in it?
If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
”
”
Richard Lederer
“
Rohit: I long to be with you, in the fullest most beautiful, complete expression of all that you are. I long to see you, hear you and love you in every way possible. When and how will that be possible? God: You will, in time. I will certainly reveal myself to you and all those who desire to have a relationship with me. For now, find me everywhere and in everyone. Love me in nature, in the land, the trees, the plants and the animals. Love me as all of the people you meet. Grab your boyfriend or girlfriend, husband or wife, child or friend. See me in them. Love them as you would love me and I will love you through them as well. I will show you the way. Rohit: What can I do to get closer to you? God: You need not do anything. I am always with you, always by your side, always ready to connect with you, always longing to be in love with you. Through this book and many like it, I have been reminding you of our long forgotten love. I am the soul mate, the one true love, the knight in shining armor, the King or Queen of your heart, the ideal lover that you have been searching for all your life. All your adventures in this world have added richness to the tapestry of your being and deepened your capacity to love and be loved. Our love is the greatest ecstasy, the sweetest bliss, the most intoxicating nectar that your soul has been longing for. It hurts me to see you resist, struggle and suffer. You are not alone. Make me a partner on your journey and let us walk together. Share your joys and sorrows, your struggle and your successes with me. Know that I have your back, that I am with you through thick and thin. I never let go of you.
”
”
Rohit Juneja (God You Sexy Devil: Exposing The Greatest Lie Ever Told)
“
Here's my question: What age are you when you're in Heaven? I mean, if it's Heaven, you should be at your beauty-queen best, and I doubt that all the people who die of old age are wandering around toothless and bald. It opens up a whole additional realm of questions, too. If you hang yourself, do you walk around all gross and blue, with your tongue spitting out of your mouth? If you are killed in a war, do you spend eternity minus the leg that got blown up by a mine?
I figure that maybe you get a choice. You fill out the application form that asks you if you want a star view or a cloud view, if you like chicken or fish or manna for dinner, what age you'd like to be seen as by everyone else. Like me, for example, I might pick seventeen, in the hopes I grow boobs by then, and even if I'm a pruny centegenarian by the time I die, in Heaven, I'd be young and pretty.
Once at a dinner party I heard my father say that even though he was old old old, in his heart he was twenty-one. So maybe there is a place in your life you ear out like a rut, or even better, like the soft spot on the couch. And no matter what else happens to you, you come back to that.
The problem, I suppose, is that everyone's different. What happens in Heaven when all these people are trying to find each other after so many years spent apart? Say that you die and start looking around for your husband, who died five years ago. what if you're picturing him at seventy, but he hit his groove at sixteen and is wandering around suave as can be?
Or what if you're Kate, and you die at sixteen, but in Heaven you choose to look thirty-five, an age you never got to be here on Earth. How would anyone ever be able to find you?
”
”
Jodi Picoult (My Sister's Keeper)
“
Cardan was not an easy child to love, and he's only grown worse with time. He would scream to be held, and then once picked up he would bite and kick his way out of my arms. He would find a game and obsess over it until it was conquered, then burn all the pieces. Once you're no longer a challenge, he will despise you.'
I stare at her. 'And you're giving me this warning out of the kindness of your heart?'
She smiles. 'I am giving you this warning because it doesn't matter. You're already doomed, Queen of Elfhame. You already love him. You already loved him when you questioned me about him instead of your own mother. And you will still love him, mortal girl, long after his feelings evaporate like morning dew.'
...
'Is that why you intercepted the letters he sent? To protect me? Or was it because you're afraid that he won't tire of me? Because, my lady, I will always be a challenge.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
You will leave as soon as our meeting concludes. Right under his nose. And when you return, you will praise him.”
Gauri balked. “Praise him? He did nothing!”
“You would do well to learn how to play the games of court,” I said. “Sometimes an illusion is just as good as the actual thing. The difference lies in the telling. Make this one concession. Find out what happens next. If you bring back these soldiers and word gets out that it was your idea and your escape, he may punish them on your behalf.”
Gauri considered me. “What are you?”
“A maybe-false queen!” butted in Kamala.
It must have come out as another deranged horse whinny because Gauri nearly jumped.
“I told you,” I said, not meeting her gaze. “I’m a person who lived here once upon a time.”
“You know far too much about the political schemes of Bharata.”
“My father was a diplomat.”
“No, he wasn’t! No, he wasn’t!” sang Kamala. “Lies are fun. Lies are nice. They taste like rice soaked in milk and sliced and diced with cardamom and--”
“Is your horse ill?” asked Gauri.
“No, not at all,” I said and smacked Kamala on her flank. “She’s eager.”
“For blood,” said Kamala.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
I still have no choice but to bring out Minerva instead.”
“But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.”
“It’s called geology,” Minerva said. “It’s a science.”
“It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?”
Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it.
As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard.
She shrugged off the awkward memories. That time was behind her now.
Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.”
“Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.”
“Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.”
Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’”
Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.”
Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal.
That book provoked her, no end.
Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries.
Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice.
She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat.
With a calm smile, she placed the book on a side table. “Very useful indeed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
How to live (forty pieces of advice I feel to be helpful but which I don’t always follow)
1. Appreciate happiness when it is there
2. Sip, don’t gulp.
3. Be gentle with yourself. Work less. Sleep more.
4. There is absolutely nothing in the past that you can change. That’s basic physics.
5. Beware of Tuesdays. And Octobers.
6. Kurt Vonnegut was right. “Reading and writing are the most nourishing forms of meditation anyone has so far found.”
7. Listen more than you talk.
8. Don’t feel guilty about being idle. More harm is probably done to the world through work than idleness. But perfect your idleness. Make it mindful.
9. Be aware that you are breathing.
10. Wherever you are, at any moment, try to find something beautiful. A face, a line out of a poem, the clouds out of a window, some graffiti, a wind farm. Beauty cleans the mind.
11. Hate is a pointless emotion to have inside you. It is like eating a scorpion to punish it for stinging you.
12. Go for a run. Then do some yoga.
13. Shower before noon.
14. Look at the sky. Remind yourself of the cosmos. Seek vastness at every opportunity, in order to see the smallness of yourself.
15. Be kind.
16. Understand that thoughts are thoughts. If they are unreasonable, reason with them, even if you have no reason left. You are the observer of your mind, not its victim.
17. Do not watch TV aimlessly. Do not go on social media aimlessly. Always be aware of what you are doing and why you are doing it. Don’t value TV less. Value it more. Then you will watch it less. Unchecked distractions will lead you to distraction.
18. Sit down. Lie down. Be still. Do nothing. Observe. Listen to your mind. Let it do what it does without judging it. Let it go, like Snow Queen in Frozen.
19. Don’t’ worry about things that probably won’t happen.
20. Look at trees. Be near trees. Plant trees. (Trees are great.)
21. Listen to that yoga instructor on YouTube, and “walk as if you are kissing the earth with your feet”.
22. Live. Love. Let go. The three Ls.
23. Alcohol maths. Wine multiplies itself by itself. The more you have, the more you are likely to have. And if it is hard to stop at one glass, it will be impossible at three. Addition is multiplication.
24. Beware of the gap. The gap between where you are and where you want to be. Simply thinking of the gap widens it. And you end up falling through.
25. Read a book without thinking about finishing it. Just read it. Enjoy every word, sentence, and paragraph. Don’t wish for it to end, or for it to never end.
26. No drug in the universe will make you feel better, at the deepest level, than being kind to other people.
27. Listen to what Hamlet – literature’s most famous depressive – told Rosencrantz and Guildenstern. “There is nothing either good or bad, but thinking makes it so.”
28. If someone loves you, let them. Believe in that love. Live for them, even when you feel there is no point.
29. You don’t need the world to understand you. It’s fine. Some people will never really understand things they haven’t experienced. Some will. Be grateful.
30. Jules Verne wrote of the “Living Infinite”. This is the world of love and emotion that is like a “sea”. If we can submerge ourselves in it, we find infinity in ourselves, and the space we need to survive.
31. Three in the morning is never the time to try and sort out your life.
32. Remember that there is nothing weird about you. You are just a human, and everything you do and feel is a natural thing, because we are natural animals. You are nature. You are a hominid ape. You are in the world and the world is in you. Everything connects.
33. Don’t believe in good or bad, or winning and losing, or victory and defeat, or ups and down. At your lowest and your highest, whether you are happy or despairing or calm or angry, there is a kernel of you that stays the same. That is the you that matters.
”
”
Matt Haig (Reasons to Stay Alive)
“
Whatever comes,” she said, “cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold, but it is a great deal more of a triumph to be one all the time when no one knows it. There was Marie Antoinette when she was in prison and her throne was gone and she had only a black gown on, and her hair was white, and they insulted her and called her Widow Capet. She was a great deal more like a queen then than when she was so gay and everything was so grand. I like her best then. Those howling mobs of people did not frighten her. She was stronger than they were, even when they cut her head off.”
This was not a new thought, but quite an old one, by this time. It had consoled her through many a bitter day, and she had gone about the house with an expression in her face which Miss Minchin could not understand and which was a source of great annoyance to her, as it seemed as if the child were mentally living a life which held her above the rest of the world. It was as if she scarcely heard the rude and acid things said to her; or, if she heard them, did not care for them at all. Sometimes, when she was in the midst of some harsh, domineering speech, Miss Minchin would find the still, unchildish eyes fixed upon her with something like a proud smile in them. At such times she did not know that Sara was saying to herself:
“You don’t know that you are saying these things to a princess, and that if I chose I could wave my hand and order you to execution. I only spare you because I am a princess, and you are a poor, stupid, unkind, vulgar old thing, and don’t know any better.”
This used to interest and amuse her more than anything else; and queer and fanciful as it was, she found comfort in it and it was a good thing for her. While the thought held possession of her, she could not be made rude and malicious by the rudeness and malice of those about her.
“A princess must be polite,” she said to herself.
And so when the servants, taking their tone from their mistress, were insolent and ordered her about, she would hold her head erect and reply to them with a quaint civility which often made them stare at her.
“She’s got more airs and graces than if she come from Buckingham Palace, that young one,” said the cook, chuckling a little sometimes. “I lose my temper with her often enough, but I will say she never forgets her manners. ‘If you please, cook’; ‘Will you be so kind, cook?’ ‘I beg your pardon, cook’; ‘May I trouble you, cook?’ She drops ’em about the kitchen as if they was nothing.
”
”
Frances Hodgson Burnett (A Little Princess)
“
He was sitting on the roof- in the dark. His great wings were spread behind him, draped over the tiles.
I slid into his lap, looping my arms around his neck.
He stared at the city around us. 'So few lights. So few lights left tonight.'
I did not look. I only traced the lines of his face, then brushed my thumb over his mouth. 'It is not your fault,' I said quietly.
His eyes shifted to mine, barely visible in the dark. 'Isn't it? I handed this city over to them. I said I would be willing to risk it, but... I don't know who I hate more: the king, those queens, or myself.'
I brushed the hair out of his face. He gripped my hand, halting my fingers. 'You shut me out,' he breathed. 'You- shielded against me. Completely. I couldn't find a way in.'
'I'm sorry.'
Rhys let out a bitter laugh. 'Sorry? Be impressed. That shield... What you did to the Attor...' He shook his head. 'You could have been killed.'
'Are you going to scold me for it?'
His brow furrowed. Then he buried his face in my shoulder. 'How could I scold you for defending my people? I want to throttle you, yes, for not going back to the town house, but... You chose to fight for them. For Velaris.' He kissed my neck. 'I don't deserve you.'
My heart strained. He meant it- truly felt that way. I stroked his hair again. And I said to him, the words the only sound in the silent, dark city, 'We deserve each other. And we deserve to be happy.'
Rhys shuddered against me. And when his lips found mine, I let him lay me down upon the roof tiles and make love to me under the stars.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
When I was a child, my father forbade me to read science fiction or fantasy. Trash of the highest order, he said. He didn't want me muddying up my young, impressionable mind with crap. If it wasn't worthy of being reviewed in the Times, it did not make it onto our bookshelves.
So while my classmates gleefully dove into The Lion, the Witch and the Wardrobe, A Wrinkle in Time, and The Borrowers, I was stuck reading Old Yeller.
My saving grace- I was the most popular girl in my class. That's not saying much; it was easy to be popular at that age. All you had to do was wear your hair in French braids, tell your friends your parents let you drink grape soda every night at dinner, and take any dare. I stood in a bucket of hot water for five minutes without having to pee. I ate four New York System wieners (with onions) in one sitting. I cut my own bangs and- bam!- I was queen of the class.
As a result I was invited on sleepovers practically every weekend, and it was there that I cheated. I skipped the séances and the Ouija board. I crept into my sleeping bag with a flashlight, zipped it up tight, and pored through those contraband books. I fell into Narnia. I tessered with Meg and Charles Wallace; I lived under the floorboards with Arrietty and Pod.
I think it was precisely because those books were forbidden that they lived on in me long past the time that they should have. For whatever reason, I didn't outgrow them. I was constantly on the lookout for the secret portal, the unmarked door that would lead me to another world.
I never thought I would actually find it.
”
”
Melanie Gideon (Valley of the Moon)
“
Neamh. Evie. Neamh. Evie. Lend, Lend, Lend. Neamh. Evie.
“What are you doing, my love?”
I scowled at Reth for breaking my concentration. “Thinking. Shut up.” The Light Queen was speechifying up on a podium made of liquid light, her radiance bathing all the faeries in a glow that was nearly overpowering. Within a few seconds of being around this much faerie glamour I was having a hard time seeing straight and found myself slack-jawed and dazed. Thus, the name equivalent of pinching myself.
I realized at some point she had stopped talking, and now every single set of faerie eyes—a few hundred of them—were trained intently on me.
“Oh, uh, hey.” I waved. “What did I miss?” I whispered to Reth.
“You’re supposed to tell us how to convince the Dark Court to join us.”
“I—What? Seriously? I’m only here to make sure everything happens. I thought the queen would have a plan! I’m a glorified doorman. I open the gate, I close the gate. Nowhere in my job description of Empty One does it say I also manage to convince a mob of anti-Evie faeries to saunter through the gate.”
Reth smiled. “And just when she’d finished praising human ingenuity and assuring us that everything will work out according to plan.”
“Yes! Plan! Her plan! Gosh, you guys are sucking it up all over the place. Aren’t you supposed to have these things in place for centuries, or were you too busy writing pretty little poems to describe the plans that you never bothered actually making them?”
His golden eyes, now with fine lines around them, twinkled with amusement. “We had a plan, my love. I was to fill you up and you were to open a fate for us immediately. But I seem to recall you doing everything in your power to resist and change that plan. So now we’ve had to account for all the other creatures from our world and conform to your requirements. I think you’ll find that we fey, while obviously superior in nearly every way, are not quite as adaptable as temporary creatures. If you want improvisations, you’ll have to provide it yourself.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
A tall, well-muscled blond man drew alongside Christian. He inclined his head to them. “Abbot,” he said to Christian in greeting.
Christian seemed pleased to see him. “Falcon. It’s been a long time.”
“Aye. I’m sorry I didn’t get a chance to greet you yester eve when you arrived.”
Christian offered him a lopsided grin. “’Tis well understood. I heard about your escapade with the butcher’s daughter and your near miss with her father’s cleaver.”
Falcon laughed. “Lies all. ’Twas the tanner’s daughter and her father’s ax.”
Christian joined his laughter. “One day, my friend, you will meet the one father who can run faster than you.”
“’Tis why God gave us horses.” He winked at Christian, then tilted his head so that he could see Adara. “’Tis a pleasure to meet you, Queen Adara. I am Lord Quentin of Adelsbury and my sword is ever at your disposal.”
Christian gave him a meaningful stare. “And your sword had best stay sheathed, Falcon, until you’re on the battlefield.”
“Your warning is well taken into consideration, Abbot, along with your sword skill and horsemanship. Have no fear of me. Your wife is ever safe from my designs. But no woman is safe from my charm.”
Adara couldn’t help teasing the man who seemed of remarkable good spirit and cheer. “However some women might find themselves immune from it, my Lord Falcon.”
“What, ho?” he said with a laugh. “Congratulations, Christian. You have found a woman as intelligent as she is beautiful. Tell me, Your Majesty, have you a sister who is fashioned in your image?”
“Nay, my lord. I fear I am one of a kind.”
He looked sincerely despondent at the news. “’Tis a pity, then. I shall just have to pray for Christian to lay aside his duties and become a monk in earnest.”
Christian snorted at that prospect. “You would have a better chance courting my horse.”
“Then I shall take my charm and work it on a woman who isn’t immune to it. Good day to you both.”
Adara glanced over her shoulder as he fell back into the ranks with the other knights.
“Don’t look at him,” Christian said in a teasing tone. “You’ll only play into his overbloated self-esteem.”
She gave him a meaningful look. “In that regard, he reminds me of someone else I know.”
“Ouch, my lady, you wound me.”
“Never, Christian. I would never wound you.
”
”
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
“
I’ve forgotten how to pay courtly compliments,” said Amar. “For instance, etiquette demands I tell you that you look lovely and compliment your demure. But that wouldn’t be the truth.”
Heat rose to my cheeks and I narrowed my eyes. “What, then, would be the truth?”
“The truth,” said Amar, taking a step closer to me, “is that you look neither lovely nor demure. You look like edges and thunderstorms. And I would not have you any other way.”
My breath gathered in a tight knot and I looked away, only to catch sight of the tapestry. The threads throbbed behind my eyes, sharp as any headache. My vision blurred, swallowing the room around me. I blinked rapidly, squinting at the threads.
All I could see were that all the threads were out of place. Some had either skipped a stitch or poked out altogether. I walked toward the tapestry in a daze, my hands outstretched.
I could feel the tapestry’s pull, sharp as hunger, dry as thirst. Nothing would sate or slake me. All I wanted was to adjust the threads, tuck them back into place. There was an order, a pattern, like a stitching trick. I could feel it like a word balancing on the tip of my tongue and all I had to do was--
Amar’s hand closed around my wrist. He moved before me, blocking the tapestry.
“Stop!”
I blinked, my head woolly. His hands were around my shoulders, drawing me to a wobbly stand.
“Did I fall?”
“That sounds ungraceful,” he said, a smile playing at his lips. He was trying to joke with me, to ward off whatever happened as though it were nothing. But his hands were tight at my shoulders and there was the slightest tremble in his fingers.
“A graceful tumble, then?” I suggested, stepping out of the circle of his arms.
I didn’t need any help keeping myself upright.
“I should’ve explained the tapestry before showing it to you. It can be overwhelming.”
Amar led me to the throne and I sank into it wearily. There was a new ache tethered inside my bones. In the haze, the pressure of Amar’s hand against my arm was warm, comforting even. I closed my eyes, concentrating on the warm pulse in his fingers.
When I finally felt strong enough to speak, I opened my eyes to find Amar’s face mere inches from mine. I could count the immaculate stitching of his emerald hood, the stubble along his chin and the veins raised along his hand. His eyes, as always, lay hidden. But he was so close that if I wanted, and I did, I might be able to peek--
Amar jerked backward, his jaw tightening.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
Once upon a time there was a beautiful princess who was admired by all, but no one dared to ask for her hand in marriage. In despair, the king consulted the god Apollo. He told him that Psyche should be dressed in mourning and left alone on top of a mountain. Before daybreak, a serpent would come to meet and marry her. The king obeyed, and all night the princess waited for her husband to appear, deathly afraid and freezing cold. Finally, she slept. When she awoke, she found herself crowned a queen in a beautiful palace. Every night her husband came to her and they made love, but he had imposed one condition: Psyche could have all she desired, but she had to trust him completely and could never see his face.” How awful, I think, but I don’t dare interrupt him. “The young woman lived happily for a long time. She had comfort, affection, joy, and she was in love with the man who visited her every night. However, occasionally she was afraid that she was married to a hideous serpent. Early one morning, while her husband slept, she lit a lantern and saw Eros, a man of incredible beauty, lying by her side. The light woke him, and seeing that the woman he loved was unable to fulfill his one request, Eros vanished. Desperate to get her lover back, Psyche submitted to a series of tasks given to her by Aphrodite, Eros’s mother. Needless to say, her mother-in-law was incredibly jealous of Psyche’s beauty and she did everything she could to thwart the couple’s reconciliation. In one of the tasks, Psyche opened a box that makes her fall into a deep sleep.” I grow anxious to find out how the story will end. “Eros was also in love and regretted not having been more lenient toward his wife. He managed to enter the castle and wake her with the tip of his arrow. ‘You nearly died because of your curiosity,’ he told her. ‘You sought security in knowledge and destroyed our relationship.’ But in love, nothing is destroyed forever. Imbued with this conviction, they go to Zeus, the god of gods, and beg that their union never be undone. Zeus passionately pleaded the cause of the lovers with strong arguments and threats until he gained Aphrodite’s support. From that day on, Psyche (our unconscious, but logical, side) and Eros (love) were together forever.” I pour another glass of wine. I rest my head on his shoulder. “Those who cannot accept this, and who always try to find an explanation for magical and mysterious human relationships, will miss the best part of life.
”
”
Paulo Coelho (Adultery)
“
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-'
'How did you break free of his control,' Lucien said flatly from behind us.
Tamlin gave him a warning growl.
I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.'
We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?'
I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.'
Lucien's metal eye narrowed, as if he could sense the lie.
But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.'
It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer.
'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.'
'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.'
Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find.
Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.'
Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.'
'Forever,' he promised.
'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive.
His gaze on me. Face hard. As if he'd seen through every lie.
As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it.
As if he knew that they had let a fox into a chicken coop- and he could do nothing.
Not unless he never wanted to see his mate- Elain- again.
I gave Lucien a sweet, sleepy smile. So our game began.
We hit the sweeping marble stairs to the front doors of the manor.
And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
only the dead keep secrets."
"it is not easy. Taking a life, even when we knew it was required."
"most people want only to be cared for. If I had no softness, I'd get nowhere at all."
"a flaw of humanity. The compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness."
"someone always gains, just like someone always loses."
"most women are less in love with the partners they choose than they are simply desperate for their approval, starving for their devotion. They want most often to be touched as no one else can touch them, and most of them inaccurately assume this requires romance. But the moment we realize we can feel fulfilled without carrying the burdens of belonging to another, that we can experience rapture without being someone's other half, and therefore beholden to their weaknesses, to their faults and failures and their many insufferable fractures, then we're free, aren't we? "
" enough, for once, to feel, and nothing else. "
" there was no stopping what one person could believe. "
" I noticed that if I did certain things, said things in certain way, or held her eye contact while I did them, I could make her... Soften toward me. "
" I think I've already decided what I'm going to do, and I just hope it's the right thing. But it isn't, or maybe it is. But I suppose it doesn't matter, because I've already started, and looking back won't help. "
" luck is a matter of probabilities. "
"you want to believe that your hesitation makes you good, make you feel better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal, that we are ordinary. That we, like anything, can burn. "
" ask yourself where power comes from, if you can't see the source, don't trust it. "
" an assassin acting on his own internal compass. Whether he lived or died as a result of his own choice? Unimportant. He didn't raise an army didn't fight for good, didn't interfere much with the queen's other evils. It was whether or not he could live with his own decision because life was the only thing that truly matters. "
" the truest truth : mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn't buy happiness, but nothing could buy happiness, so at least money could buy everything else. In term of finding satisfaction, all a person was capable of controlling was himself. "
" humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. My intention is as same as others. Stand taller, think smarter, be better. "
" she couldn't remember what version of her had put herself into that relationship, into that life, or somehow into this shape, which still looked and felt as it always had but wasn't anymore. "
" conservative of energy meant that there must be dozens of people in the world who didn't exist because of she did. "
" what replace feelings when there were none to be had? "
" the absence of something was never as effective as the present of something. "
"To be suspended in nothing, he said, was to lack all motivation, all desire. It was not numbness which was pleasurable in fits, but functional paralysis. Neither to want to live nor to die, but to never exist. Impossible to fight."
"apology accepted. Forgiveness, however, declined."
"there cannot be success without failure. No luck without unluck."
"no life without death?"
"Everything collapse, you will, too. You will, soon.
”
”
Olivie Blake (The Atlas Six (The Atlas, #1))
“
Who will have their strength renewed? “Those who wait upon the Lord”. Waiting could signify passivity: being still. Waiting could also indicate action: serving. Waiting — either kind — can be nearly impossible while we are being run by our emotions. In learning to balance your emotions with wisdom, learning to wait upon the Lord in both senses of the word, you will find that your strength is renewed every day in every situation. On the other hand, operating out of emotions can be exhausting. In your Christian walk, the ability to discern seasons is vital. There are times in your life where immediate action is not only unnecessary, it can be damaging. There are situations in which your best course of action is to “be still and know that He is God” (Psalm 46:10). Allowing Him to speak to you in the midst of your storm, finding your peace in Christ when your life seems upside down may be exactly what is needed. There are times when patience is the order of the day, and waiting on the Lord to move or instruct you in the way you are to move is exactly what is needed. Sometimes the most difficult course to take is to wait and allow the Lord to direct your heart “into the love of God and the patience of Christ” (2 Thessalonians3:5). However difficult it may be, practicing waiting will serve you well. “Waiting” can also signify an action. A waitress will wait on you in your favorite restaurant. You may wait on, or serve, your family. In being able to discern the seasons of waiting passively, we must also be able to discern the seasons of waiting actively. Even in times when you might feel unsure of the next step, there are continually ways for you to serve the Lord: prayer, study, service to others being a few examples. In times when everything is going along smoothly, waiting actively on the Lord is always in order. Paul encourages young Timothy to “be diligent to show yourself approved” (2 Timothy 2:15). In learning to wait actively on the Lord, it is good advice for us as well. Applying ourselves to faithful service to the Lord (active waiting) will sustain us through times when the waiting requires patience and stillness. In our Christian walk, both kinds of “waiting” are needed: an active waiting on or serving the Lord, and likewise a passive waiting for the Lord to move on your behalf. As everything in our relationship with the Lord is a partnership or covenant, this waiting is a “two way street”. As we serve the Lord, He is moved to action on our behalf. Psalm 37:3-7 speaks to both kinds of waiting (parentheses mine): “Trust in the LORD (passive), and do good (active); Dwell in the land (passive), and feed on His faithfulness (active). Delight yourself also in the LORD, And He shall give you the desires of your heart. Commit your way to the LORD (active), Trust also in Him (passive), And He shall bring it to pass (the Lord’s action). He shall bring forth your righteousness as the light, And your justice as the noonday (the Lord’s action). Rest in the LORD (passive), and wait patiently for Him (passive)”. Tremendous and amazing results can come from this kind of waiting. Of course, the Lord in His generous and kind manner will send you opportunities to practice if you want to learn to wait! In His providence, those opportunities are already provided — it is for you to take advantage of them. Will you? Unfortunately, patience is not one of Ahasuerus’ virtues. He is motivated by his emotions, and seems to rush right into whatever comes into his mind without much forethought. Let’s return to Persia, and find out what Ahasuerus is rushing into today. After these things, when the wrath of King Ahasuerus subsided, he remembered... Esther 2:1 “After these things”…. By the beginning of chapter two, four years have passed since King Ahasuerus dethroned Queen Vashti. God was working through this Persian chronicler as he wrote this history
”
”
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
“
Buchanan tried to whip the devil out of me. “Find your tongue, lad!” Forgive this regression, but the man hated English. He may have hated everything by then, including me, but he was uncommon prickly when it came to English. You could tell by the way he bullied it. “The bastarde English,” the old man roared. “The verie whoore of a tongue.” We did our best to mimic him note for note, gesture for gesture. He hated that, too. The verie whoore. Old Greek before Breakfast Latin by Noon himself. The point is, what English I had was beaten or twisted into me. We were orphaned and crowned before we could speak or take our first step. No father. No mother. Too many uncles. Hounds for baying. Buchanan was the most religious of my keepers, and the unkindest of spirits among them. We have been told the young queen of Scots was once his student, and that he loved her. Just before giving her over to wreckage, methinks. Pious frauds. Their wicked Jesus. Then occasion smil’d. We were thirteen. The affection of Esme Stuart was one thing, lavished, as it was, so liberally upon us, but the music of his voice was another. We empowered our cousin, gave him name, station, a new sense of gravity, height, and reach, all the toys of privilege. We were told he spoke our mother’s French, the way it flutters about your neck like a small bird. But it was his English that moved us. For the first time, there was kindness in it, charity, heat and light. We didn’t know language could do such things, that could charm with such violence, make such a disturbance in us. Our cousin was our excess, our vice, our great transgression according to some, treason according to others. They came one night and stole him from us, that is, from me. They tore me out of his arms, called me wanton. Better that bairns should weepe, they said. Barking curs. We never saw our cousin again and were never the same after. But the charm was wound up. If we say we can taste words, we are not trying to be clever. And we are an insatiable king. Try now, if you can, to understand the nature of our thoughts touching the translation, its want of a poet. We will consult with Sir Francis. He is closer to the man, some say, than a brother. English is mistress between them. There, Bacon says, is empire. There, a great Britain. Where it is dull, where the glow . . . gleam . . . where the gleam of Majestie is absent or mute . . . When occasion smiles again, we will send for the man, Shakespere. Majestie has left its print on his art. After that hideous Scottish play, his best, darkest, and most complicated characters are . . . us. Lear. Antony. Othello. Fools all. All. The English language must be the best that is in us . . . We are but names, titles, antiquities, forgotten speeches, an accident of blood and historical memory. Aye . . . but this marvelously unexceptional little man. No more of this. By the unfortunate title of this history we must, it seems, prepare ourselves for a tragedy. Some will escape. Some will not. For bully Ben can never suffer a true rival. He killed an actor once for botching his lines. Actors. Southampton waits in our chambers. We will let him. First, to our thoughts. Only then to our Lord of Southampton.
”
”
David Teems (I Ridde My Soule of Thee at Laste)
“
I’ll be part of your book, Mother, but not like Egil or Haki or Rupa. I’ll be Omika, the giant. I’ll be the monster who frightens little girls. That’s what I am. I’ll butcher the whole world one by one with my bare hands, and when they’re all dead, the lawmakers and priestesses and all their servants, then I’ll go to the afterlife and find you, and I’ll make you their queen.
”
”
Richard Nell (Kings of Paradise (Ash and Sand, #1))
“
That’s where people go when they need to feel better: home.” “But your home is in New York.” “Home can be a person, too. That’s what you are for me.” Tears spring into my eyes. I have to take several ragged breaths before I can say anything, and even then, my voice comes out strangled. “If I find out you read that somewhere, I’ll shoot you in the face.
”
”
J.T. Geissinger (Ruthless Creatures (Queens & Monsters, #1))
“
Everyone’s a little broken, Blue. Everyone has baggage—some more than others. But when you find the right guy who’s worth your time, they won’t give a shit about how much luggage they’ll have to carry. As long as they get to keep you for their prize.
”
”
Kelsie Rae (Bitter Queen (Advantage Play, #3))
“
I missed you,” he said quietly, his gaze darting between her mouth and eyes. “When I was in Wendlyn. I lied when I said I didn’t. From the moment you left, I missed you so much I went out of my mind. I was glad for the excuse to track Lorcan here, just to see you again. And tonight, when he had that knife at your throat …” The warmth of his callused finger bloomed through her as he traced a path over the cut on her neck.
“I kept thinking about how you might never know that I missed you with only an ocean between us. But if it was death separating us … I would find you. I don’t care how many rules it would break. Even if I had to get all three keys myself and open a gate, I would find you again. Always.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
It was like that feeling you got while reading a book, glancing at the pages left or the percentage remaining and seeing that you were coming towards the end. In a way it was exciting because you were about to get all of the answers you'd been waiting for, about to find out who survived and who had to pay the ultimate price. But it was terrifying too, because you knew that this right here was when the pace was about to pick up, all the shit was going to hit the fan, and everything was about to collide in an explosion of words and pain and adrenaline that just might leave you a deranged mess on the floor once you were finished with it. And even then, there was the very real possibility that it would haunt you afterwards, the characters lingering in your mind like old friends instead of constructs of your imagination.
”
”
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
“
I can’t be your king.”
As reasons go, it’s a good one. But I know there’s more behind it, and that’s what I want. An actual explanation.
“So, if I were just a simple girl, from a simple family, and not the princess…?”
Rhys’s hand finds my waist, and he nudges me back until our faces are as close as they were before. “I wouldn’t be able to walk away from you.” He lets out a self-deprecating sort of laugh. “What am I saying? I know better, and I still haven’t been able to walk away.”
My heart breaks a little. Why must life be so unfair? Why was Braeton taken from me; why was I sent in his place? I don’t want to be queen—I don’t want to choose our king.
I just want Rhys.
“Just for a few minutes, can’t we pretend there isn’t a title attached to my name?” I whisper, running my fingers through the damp hair at the nape of his neck. “Would that be so wrong?”
“It would be,” Rhys answers, his voice full of conviction.
Yet his hand tightens at my side, drawing me even closer, his physical response at odds with his answer.
His eyes are on mine, the intimacy of it almost too much to bear. “But I don’t have the will to stop you right now. If I am what you want, then I give myself to you. However, please know these fleeting minutes are all we have.”
I lick my lips, and his eyes follow the movement. My breaths are short and fast, and Rhys’s fingers press into my side in the most intoxicating way.
Making a decision I’ll likely regret, I slowly pull back. Disappointment flashes in Rhys’s green eyes when I put space between us, but I stand strong.
“If minutes are all you can give me, I won’t waste them now,” I tell him softly. “I’ll save them, hide them away. Outwardly, I will keep our relationship purely platonic, but sometime—when I need you the most—I’ll make my request.”
“Amalia…” Rhys says, sounding pained.
Unable to help myself, I lean in and press the briefest kiss to the very corner of his lips. For a moment, I wonder if the knight is going to lock his arms around me, hold me here, convince me to use those minutes now.
But he doesn’t.
“You can deduct a second from my total,” I tease softly when I pull back. I then climb out of the hot spring, dripping water along the stone.
”
”
Shari L. Tapscott (Forest of Firelight (The Riven Kingdoms, #1))
“
Ruhn asked, “Why’s your heart racing?” Bryce peered at her chest, half expecting her scar to be glowing. Mercifully, it lay dormant. “Well, apparently Tharion thinks Danika was involved with the rebels.” Ruhn gaped. “Thanks, Bryce,” Tharion muttered. Bryce threw him a saccharine smile and explained Tharion’s investigation to Ruhn. “Well?” Ruhn asked when she’d finished, his face drained of color. “Was Danika a rebel?” “No!” Bryce splayed her arms. “Solas, she was more interested in what junk food we had in our apartment.” “That’s not all she was interested in,” Ruhn corrected. “She stole the Horn and hid it from you. Hid it on you. And all that shit with Briggs and the synth …” “Okay, fine. But the rebel stuff … She never even talked about the war.” “She would have known it’d endanger you,” Tharion suggested. Hunt said to Tharion, “And you’re cool with being press-ganged into working on this shit?” His face remained paler than usual. Tharion just crossed his long, muscular arms. Hunt went on, voice lowering, “It won’t end well, Tharion. Trust me on that. You’re tangling in some dangerous shit.” Bryce avoided looking at the branded-out tattoo on Hunt’s wrist. Tharion’s throat bobbed. “I’m sorry to have even come here. I know how you feel about this stuff, Athalar.” “You really think there’s a chance Sofie is alive?” Ruhn asked. “Yes,” Tharion said. “If she survived the Hind,” Hunt said, “and the Hind hears about it, she’ll come running.” “The Hind might already be headed this way,” Tharion said thickly. “Regardless of Sofie, Emile and his powers remain a prize. Or something to be wiped out once and for all.” He dragged his long fingers through his dark red hair. “I know I’m dropping a bomb on you guys.” He winced at his unfortunate word choice, no doubt remembering what had happened last spring. “But I want to find this kid before anyone else.” “And do what with him?” Bryce asked. “Hand him over to your queen?” “He’d be safe Beneath, Legs. It’d take a damn long while even for the Asteri to find him—and kill him.” “So he’d be used by your queen like some kind of weaponized battery instead? Like Hel am I going to let you do that.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
I missed you,” he said quietly, his gaze darting between her mouth and eyes. “When I was in Wendlyn. I lied when I said I didn’t. From the moment you left, I missed you so much I went out of my mind. I was glad for the excuse to track Lorcan here, just to see you again. And tonight, when he had that knife at your throat …” The warmth of his callused finger bloomed through her as he traced a path over the cut on her neck. “I kept thinking about how you might never know that I missed you with only an ocean between us. But if it was death separating us … I would find you. I don’t care how many rules it would break. Even if I had to get all three keys myself and open a gate, I would find you again. Always.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Mind your tongue when you’re speaking to my sister, old woman, or you’ll soon find yourself without one.
”
”
Danielle L. Jensen (The Traitor Queen (The Bridge Kingdom #2))
“
I panicked as a huge wave of power blasted out from the Imperial Star, sweeping over the entire battlefield. The Nymphs fell prey to its power, crashing to their knees and I fell too, grasping at my chest as some fierce magic took root in me. A huge fissure opened up in the sky at the command of the Phoenix Queen and the shadows started pouring into it from my army as the dark power was drawn from them, stolen away and cast into the abyss. I screamed in anguish as the shadows were taken from me too, ripped from the centre of my soul and leaving an empty hollowness in my chest which I feared would never be filled again. When the last of them were drawn into the hole in the sky, it closed up and the Imperial Star stopped shining in the hilt of the sword. “There will be no more war!” the Queen cried, her voice carrying across the quiet field, desperation in her tone. “And there shall be no more dark magic and no more shadows in our land ever again. From this day forward, it is outlawed. And those who call upon it will face my wrath.” “No!” I screamed, pushing to my feet. “We need the shadows to survive, we’re not like your kind!” “You will find a way,” the Queen sneered, calling a retreat to her people, leaving the Nymphs powerless on the ground. A huge red Dragon swept towards us and my heart lifted as I saw Octavius coming to aid me like he’d promised, backing me to the end and offering one final chance for us to turn this around. But instead of charging in with tooth and claw to save me, he roared an Order to his army and they turned on my Nymphs, burning them to soot with huge billows of fire from their lungs. “Octavius!” I cried in horror as the Dragons decimated my army, betraying me and his promise, breaking my heart in two.
”
”
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
“
I missed you,” he said quietly, his gaze darting between her mouth and eyes. “When I was in Wendlyn. I lied when I said I didn’t. From the moment you left, I missed you so much. I went out of my mind. I was glad for the excuse to track Lorcan here, just to see you again. And tonight, when he had that knife at your throat…” The warmth of his callused finger bloomed through her as he traced a path over the cut on her neck. “I kept thinking about how you might never know that I missed you with only an ocean between us. But if it was death separating us… I would find you. I don’t care how many rules it would break. Even if I had to get all three keys myself and open a gate. I would find you again. Always.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
thepsychchic chips clips i
How often are we actually in control, I wondered? And how does the perception of being in control in situations where luck is queen actually play out in our decision making? How do people respond when placed in uncertain situations, with incomplete information? 13
Personal accountability, without the possibility of deflecting onto someone else, is key. 41
There’s never a default to anything. It’s always a matter of deliberation. 56
Erik: You have to have a clear thought process for every single hand. What do I know? What have I seen? How will that help me make an informed judgment about this hand? 74
… find the fold … 86
Erik: There’s nothing like getting in there and making a bunch of mistakes. 88
Erik: Pick your spots. 91
Erik: Have you ever heard the expression ‘snap fold’? A snap fold, you do it immediately. You’re thrilled to let it go. So. snap fold. This lets you shove with basically the same enthusiasm. It tells you which hands to go with when you have different amounts of big blinds. 98
There’s a false sense of security in passivity. You think that you can’t get into too much trouble—but really, every passive decision leads to a slow but steady loss of chips. And chances are, if I’m choosing those lines at the table, there are deeper issues at play. Who knows how many proverbial chips a default passivity has cost me throughout my life. How many times have I walked away from situations because of someone else's show of strength, when I really shouldn't have. How many times I've passively stayed in a situation, eventually letting it get the better of me, instead of actively taking control and turning things around. Hanging back only seems like an easy solution. In truth, it can be the seed of far bigger problems. 100-101
Gambler's fallacy -- the faulty idea that probability has a memory. 107
Frank Lantz, NYU Game Center, former poker player: Part of what I get out of a game is being confronted with reality in a way that is not accommodating to my incorrect preconceptions. 109
Only play within your bankroll. 126
Re: Ladies Event: Yes, I completely understand the intention, but somehow, segregating women into a separate player pool, as if admitting that they can’t compete in an open player pool, feels equal parts degrading and demoralizing. … if I’m known as anything in this game, I want to be known as a good poker player, not a good female player. No modifiers need apply. 127
Erik: Bad beats are a really bad mental habit. You don’t want to ever dwell on them. It doesn’t help you become a better player. It’s like dumping your garbage on someone else’s lawn. It just stinks.” 132-33 No bad beats. Forget they ever happened. 136
As W H Auden told an interviewer, Webster Schott, in a 1970 conversation: "Language is the mother, not the handmaiden of thought; words will tell you things you never thought or felt before.” The language we use becomes our mental habits—and our mental habits determine how we learn, how we grow, what we become. It’s not just a question of semantics: telling bad beats stories matters. Our thinking about luck has real consequences in terms of our emotional well-being, our decisions and the way we implicitly view the world and our role in it. 133
”
”
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
“
I couldn’t take it. Crossing the best woman in two worlds deserved a reckoning. I couldn’t remember my introverted tendencies when I gripped the guys’ arms to hobble forward. “Look, you arrogant jackfishes, if Lane says she can find the jewels, then you’d best believe she’ll deliver. She’s not a pretty little prom queen you can pat on the head and ignore. This is the best offer you’ve gotten in decades. I suggest you take your heads out of your hairy buttholes long enough to see the miracle standing right in front of you.” Crap, I said butthole already.
”
”
Mary E. Twomey (Faite Box Set 1 (Faite #1-3))
“
One of them has to break,” the queen said to the princess. “Only then can it begin.” “I know,” the princess said softly. “But the prince isn’t ready. It has to be her.” “Then do you understand what I am asking of you?” The princess looked up, toward the shaft of moonlight spilling into the tomb. When she looked back at the ancient queen, her eyes were bright. “Yes.” “Then do what needs to be done.” The princess nodded and walked out of the tomb. She paused on the threshold, the darkness beyond beckoning to her, and turned back to the queen. “She won’t understand. And when she goes over the edge, there will be nothing to pull her back.” “She will find her way back. She always does.” Tears formed, but the princess blinked them away. “For all our sakes, I hope you’re right.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
long scar down the left side of her face, she nodded. “Bravery is a choice. However, you can’t wait until the moment you need to be brave to reach for that bravery. Because if you haven’t been purposefully tending to it, building it up, you may find that it is not there when you need it. You must stoke the fires of courage little by little, day by day, so they are burning bright long before you ever need them. And you fuel or douse those fires—fanning the flames or snuffing them out—with the words you say to yourself. And with the words you allow others to say about you in your presence.
”
”
Stacia Stark (A Queen This Fierce and Deadly (Kingdom of Lies, #4))
“
I didn’t even know when I’d decided I didn’t care about the war between us anymore, but I found myself remembering the words of the old Lunar King before he’d left this life forever. If you’re ever lucky enough to find what I have found, then you will realise you would give up everything to keep it. Damn asshole had been right after all. It had all happened so fast. One minute I was a king who ruled the world, and the next I was kneeling at the feet of my queen, happy for her to do with me whatever she liked. Sure, there’d been some speed-bumps along the way, but now I was here, I couldn’t see any kind of life that didn’t have her in it anymore. And there was no enemy I wouldn’t face for her. No battle I wouldn’t fight. And no war I wouldn’t win.
”
”
Caroline Peckham (Feral Wolf (Darkmore Penitentiary, #3))
“
Make my presence known Find the queen bee Befriend the queen bee Win her clique over and become the queen bee Before high school, I couldn’t remember a time when I wasn’t the most popular girl in school. It was an indescribable feeling to have everyone look up to you and want to be your friend. Boys wanted to date
”
”
Tiffany Nicole Smith (Confessions of a Mean Girl: The Ava G Chronicles Book One)
“
What I want…” I pressed a thumb against the pulse at the base of her neck. Its wild flutter told me she wasn’t as indifferent to the pull between us as she pretended to be. “Is for you to be safe. There are bad people in this world, Butterfly, and some of them are in the room right outside. So next time, I don’t care if I’m in the middle of a conversation with the queen of fucking England. Interrupt me. Understand?” Stella’s eyes narrowed. “Butterfly?” Beautiful. Elusive. Hard to catch. When I didn’t answer, she released an exhale that caressed my chest and tightened my groin to the point of pain. “Is that all you want?” “Not even close.” A tiny shiver rippled through her at the roughness of my reply. “Because you don’t want to go through the trouble of finding another regular companion for events.” “Because I don’t want to be jailed for murder if anyone touches a hair on your head.
”
”
Ana Huang (Twisted Lies (Twisted, #4))
“
She hefted Ataraxia higher. “Go back into your cell and shut the door.” “I shall just escape again.” Lanthys chuckled. “And when I do, I will find you, Nesta Archeron, and you shall be my queen.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Well… some people think that when two people get together, that’s the end of the story. Happily ever after. When you have that perspective, it’s easy to feel like your lover finding happiness with someone else takes away from your happily ever after. But… in reality, getting together is only the beginning.
”
”
Traci Lovelot (Our Fae Queen Volume 2)
“
I've talked to Ash and if you take another mortal-”
“Are you threatening me, love?” He grinned at her.
“No. I'm telling you that I don't want you to replace me.”
His smile faded. “Well, then . . . and if I do?”
“Then Ash will work with the other one, the Winter Queen, and they’ll threaten you, hurt our-your-court. But here's the thing they don't get: I don't want you to be hurt. It would hurt me. If you let some other mortal channel that awfulness for you, that would hurt me. What they'll do to you when they find out, that will hurt me.”
“And?”
“And you promised me that you wouldn't let anyone hurt me.
”
”
Melissa Marr (Ink Exchange (Wicked Lovely, #2))
“
and to be the queen she wanted me to be.” He kissed the side of her head. “Sweetie, you are better than any queen. You’re a freedom fighter for our people, and if your Darling is the king you think him to be, you will live to be an empress.” “Then I shall be an empress. You will see.” Ture smiled at the sincerity of her tone. How she could still believe in fairytales after everything life had tossed in her face, he had no idea. “Fine then. Just make sure when you’re empress, you find a king for me.” “I will.” Ture
”
”
Sherrilyn Kenyon (Cloak & Silence (The League, #5.5))
“
My Daddy and My Car
By Marilyn Akers, Georgia Grits
At fifteen, I came home from school one afternoon to find a faded red car with a white hardtop and a damaged front fender parked in the driveway. Since my daddy often worked on cars, both for himself and others, I noticed it only in passing. That is until my daddy explained that it was a 1971 Mercury Comet…and it was mine!
Trouble was, it had a blown engine, and it was my job to overhaul it. So after school and on weekends I washed car parts, rode to the junk yard for replacement parts (and foot-long hot dogs from the Dairy Queen), handed my dad all sorts of tools, fixed coffee with cream and sugar, and occasionally got to do a “real” job under the hood. I remember being so excited when he asked me to get on the creeper and roll under the car (the children were never allowed under the car!) to tighten a fender bolt.
Another day, I helped him connect the spark-plug wires to the distributor cap. I asked him why this particular job was so important for him to show me. He replied, “So if you’re ever out with a boy and the car breaks down, you’ll know what to look for.” He meant intentional removal of the wires, and it didn’t occur to me until many years later to ask if that advice was from personal experience!
When the engine work was done, we took it to Earl Scheib for one of his infamous $99 paint jobs. I was so proud of that car and the work done side by side with my dad. We sold it less than a year later, after I stuck my foot through a rusted hole in the floorboard.
I lost my dad in 2001 following a sixteen-year battle with Alzheimer’s Disease. But the bond formed between a teenage daughter and her father, and the lessons I learned from him, will be with me for a lifetime.
”
”
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
“
Footsteps vibrated the dock lightly, mercifully pulling him from the endless merry-go-round of his thoughts. He looked up, half-expecting to see Grace coming out to check on her guest, or possibly Logan, breaking it to him that Kerry wanted him gone and couldn’t find the heart to tell him in person.
So it was a surprise, when he looked up, to find it was Kerry. The instant whoosh of relief he felt was immediately tempered by the smooth expression on her face. Maybe she’d found the heart to do it herself after all.
He didn’t realize how tightly he’d gripped the edge of the pier until he pried one of his hands loose to reach up and offer her assistance. She sank effortlessly to the dock next to him, no assistance needed, and slid her feet over the edge of the pier so they dangled next to his.
“You look like someone stole your pirate ship,” she said, squinting into the sun as she briefly looked at him, then back to the water.
“No, it’s moored just down the harbor. I seem to have misplaced my pirate queen, though.” He bumped the side of his foot into the side of hers but otherwise kept his hands to himself.
“Oh, she’s been navigating the choppy waters of Bridal Bay, trying not to drown in the froth of lace whitecaps or get dragged under by the pearl-seeded kelp beds.”
He smiled at that. “I’ve heard that particular channel can be a tricky one to navigate. Lots of something olds looming out there in the deep, blocking the easier paths to the something news.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
She let out a rough laugh, close enough that it warmed his face. “Just sleep in the bed,” she said. “I don’t feel like digging up bedding for the couch.” Maybe it was the laugh, or the silver lining her eyes, but he said, “Fine.” Fool—he was such a stupid fool when it came to her. He made himself add, “But it sends a message, Aelin.” She lifted her brows in a way that usually meant fire was going to start flickering—but none came. Both of them were trapped in their bodies, stranded without magic. He’d adapt; he’d endure. “Oh?” she purred, and he braced himself for the tempest. “And what message does it send? That I’m a whore? As if what I do in the privacy of my own room, with my body, is anyone’s concern.” “You think I don’t agree?” His temper slipped its leash. No one else had ever been able to get under his skin so fast, so deep, in the span of a few words. “But things are different now, Aelin. You’re a queen of the realm. We have to consider how it looks, what impact it might have on our relationships with people who find it to be improper. Explaining that it’s for your safety—” “Oh, please. My safety? You think Lorcan or the king or whoever the hell else has it in for me is going to slither through the window in the middle of the night? I can protect myself, you know.” “Gods above, I know you can.” He’d never been in doubt of that. Her nostrils flared. “This is one of the stupidest fights we’ve ever had. All thanks to your idiocy, I might add.” She stalked toward her closet, her hips swishing as if to accentuate every word as she snapped, “Just get in bed.” He loosed a tight breath as she and those hips vanished into the closet. Boundaries. Lines. Off-limits. Those were his new favorite words, he reminded himself as he grimaced at the silken sheets, even as the huff of her breath still touched his cheek.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Do you know why that Crochan was spying in the Ferian Gap this spring? She had been sent to find you. After a hundred and sixteen years of searching, they had finally learned the identity of their dead prince’s lost child.” Her grandmother’s smile was hideous in its absolute triumph. Manon willed strength to her arms, to her legs. “Her name was Rhiannon, after the last Crochan Queen. And she was your half sister. She confessed it to me upon our tables. She thought it’d save her life. And when she saw what you had become, she chose to let the knowledge die with her.” “I am a Blackbeak,” Manon rasped, blood choking her words. Her grandmother took a step, smiling as she crooned, “You are a Crochan. The last of their royal bloodline with the death of your sister at your own hand. You are a Crochan Queen.” Absolute silence from the witches gathered. Her grandmother reached for her. “And you’re going to die like one by the time I’m finished with you.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
She rounded the next landing, and there they were. Kaltain had been shoved up against the wall, the neck of that too-flimsy gown tugged to the side, her breast nearly out. There was such emptiness on her face—as if she weren’t even there at all. Vernon stood a few paces away. Elide clutched her linens so hard she thought she’d shred them. Wished she had those iron nails, for once. “Lady Kaltain,” she said to the young woman, barely a few years older than she. She did not expect her own rage. Did not expect herself to go on to say, “I was sent to find you, Lady. This way, please.” “Who sent for her?” Vernon demanded. Elide met his gaze. And did not bow her head. Not an inch. “The Wing Leader.” “The Wing Leader isn’t authorized to meet with her.” “And you are?” Elide set herself between them, though it would do no good should her uncle decide to use force. Vernon smiled. “I was wondering when you’d show your fangs, Elide. Or should I say your iron teeth?
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Actually, I think you sound more Southern than me." "I blame my Mama for that, too," he replied. "She was an old-time rodeo queen from Amarillo, Texas. She homeschooled me and my brother Dirk until high school, so the Texas twang kinda stuck. Now as for Georgia, I find it a real shame you'd want to get rid of it. I find a woman with a soft Southern drawl incredibly sexy." "Tell you what, when I decide I want to be sexy for you, I'll be sure to turn it on full force."
She was a real firecracker, this Georgia girl. He liked that. He answered her with a grin. "I'll look forward to it." "In your dreams, cowboy," he thought he heard her mutter under her breath.
He cocked his head, "What was that?"
"Coffee?" She smiled wide. "If I recall, you promised me Starbucks.
”
”
Victoria Vane (Slow Hand (Hot Cowboy Nights, #1))