When You're Not Invited Quotes

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Don't judge each other. We all have our own shit. Keep your eyes on yours and your nose out of everyone else's unless you're invited in. And when you get the invitation, help, don't judge.
Kim Holden (Bright Side (Bright Side, #1))
Now that you're an adult, you might still feel a pang of guilt when you decline a dinner invitation in favor of a good book. Or maybe you like to eat alone in restaurants and could do without the pitying looks from fellow diners. Or you're told that you're "in your head too much", a phrase that's often deployed against the quiet and cerebral. Or maybe there's another word for such people: thinkers.
Susan Cain
He only invited me because of you and Chase.' 'Right,' she said, following me inside. 'He's never shown the slightest interest in you before. I mean, he's never stared at you like you're the only person in the room when we're all together. Or sulked around for days because you turned him down for a dance. Or touched the sleeve of your sweater when he thinks no one's looking-' 'He's never done any of that,' I said. Then, less confidently, 'Has he?
Claire LaZebnik (Epic Fail)
if you’re raised with an angry man in your house, there will always be an angry man in your house. you will find him even when he is not there. and if one day you find that there is no angry man in your house— well, you will go find one and invite him in!
Catherine Lacey (Cut)
You can’t act like you’ve arrived when you’re only just receiving the invitation.
Sophia Amoruso (#GIRLBOSS)
Authenticity is the daily practice of letting go of who we think we’re supposed to be and embracing who we are. Choosing authenticity means cultivating the courage to be imperfect, to set boundaries, and to allow ourselves to be vulnerable; exercising the compassion that comes from knowing that we are all made of strength and struggle; and nurturing the connection and sense of belonging that can only happen when we believe that we are enough. Authenticity demands Wholehearted living and loving—even when it’s hard, even when we’re wrestling with the shame and fear of not being good enough, and especially when the joy is so intense that we’re afraid to let ourselves feel it. Mindfully practicing authenticity during our most soul-searching struggles is how we invite grace, joy, and gratitude into our lives.
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
When you are writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
Tom Waits
It feels like shit to be alone. To be in a place full of people and feel like they don't want you there. To feel like you're at a party you weren't invited to. No one even knows your name. No one wants to. No one cares. Are they laughing at you? Talking about you? Are they sneering at you like their perfect world would be so much better if you weren't there, messing up their view? Are they just wishing you'd get the hint already and leave? I feel like that a lot. I know it's pathetic to want a place among other people, and I know you'll say it's better to stand in a crowd and be wrong, but... I still feel that need all the time. Do you ever feel it? I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn't have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with? I guess not. Narcissists don't have insecurities, right? Must be nice.
Penelope Douglas (Punk 57)
you're @ home?"She could hear him moving around..."I'll let you go then." "What if I dont want you to?"he said. She heard the music as he walked toward his room, some sort of jazz.her heart sped up, thinking of him stretched out on his bed too, "Good night, Seth." "So ur running again, then? One of his boots thudded on the floor."I'm not running.".. "Really?" "Really.Its just--"She stopped. "Maybe you should slow down, so i can catch you."He paused, waiting.He seemed to do that more & more lately, make statements that invited her to admit something dangerous to their friendship.When she didnt answer he added, "Sweet dreams, Ash.
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Bunny Slippers watched my appraisal for at least a full minute before clasping his hands and resting them on the table. “You stand in the doorway, clothes sticking to you like you just got out of the shower and didn’t dry off.” I hadn’t dried off actually. “Your hair is wet like it’s been raining, but it’s near ninety outside. You glare at me for a good ten minutes before you come over. Sit across from me in my booth, without an invitation. Don’t introduce yourself. Don’t say hello. You announce you’re not gay, but that I made you gay, and I am confusing you? Well, when he said it like that.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.” “The first ones had better be Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.” Jesper expected Inej to laugh and was startled when she took Nina’s face between her hands and said, “Thank you for keeping me in this world when fate seemed determined to drag me to the next. I owe you a life debt.” Nina blushed deeply. “I was teasing, Inej.” She paused. “I think we’ve both had enough of debts.” “This is one I’m glad to bear.” “Okay, okay. When we’re back in Ketterdam, take me out for waffles.” Now Inej did laugh. She dropped her hands and appeared to speculate. “Dessert for a life? I’m not sure that seems equitable.” “I expect really good waffles.” “I know just the place,” said Jesper. “They have this apple syrup—” “You’re not invited
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Now that you’re an adult, you might still feel a pang of guilt when you decline a dinner invitation in favor of a good book. Or maybe you like to eat alone in restaurants and could do without the pitying looks from fellow diners.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
They slow dance when it rains. I have no idea why, but every time the sky turns gray, you’ll find them together.” I smiled. “I remember once Dad barged into the Women’s Room, which is completely improper. You’re supposed to be invited in. But it was raining, and he wasn’t going to wait to sweep her away. And one time he dipped her in the hallway, and she just laughed and laughed. She was still wearing her hair down then, and I’ll never forget how it looked like a waterfall of red. It’s like no matter what happens, they can find themselves again there.
Kiera Cass (The Crown (The Selection, #5))
This is a private home." "And?" "And I can't enter without an invitation." She jerked her head up. "You're kidding me?" "No." "You don't live in a crypt and you can't turn into a bat, but you have to have an invitation to enter a house?" Abby hissed. A reluctant amusement softened the flat eyes. "You wanted me to be vampirish." "Not when it's inconvenient.
Alexandra Ivy (When Darkness Comes (Guardians of Eternity, #1))
Life is messy. You know the only time it's not? When you're not living it--when you're just going through the motions.
Vi Keeland (The Invitation)
Zach. You can only call me Mr. Quinn when you're angry.
Nalini Singh (Wild Invitation (Psy-Changeling, #0.5, #3.5, #9.5, #10.5))
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
When they say Don't I know you? say no. When they invite you to the party remember what parties are like before answering. Someone telling you in a loud voice they once wrote a poem. Greasy sausage balls on a paper plate. Then reply. If they say we should get together. say why? It's not that you don't love them any more. You're trying to remember something too important to forget. Trees. The monastery bell at twilight. Tell them you have a new project. It will never be finished. When someone recognizes you in a grocery store nod briefly and become a cabbage. When someone you haven't seen in ten years appears at the door, don't start singing him all your new songs. You will never catch up. Walk around feeling like a leaf. Know you could tumble any second. Then decide what to do with your time.
Naomi Shihab Nye
I felt my hand curl into a fist. Felt my elbow draw back. Felt my arm dart forward, my knuckles crack into Cole's jaw. I couldn't stop myself. His head whipped to the side, and blood leaked from a cut in his lip. Behind me, gasps of shock abounded. "I'm recovered," I said. "Believe me now?" Those violet eyes slitted when they found me. "Assault and battery is illegal." "So have me arrested." He closed what little distance there was between us. Suddenly I could feel his warmth of his breath caressing my skin. "How about I put you over my lap and spank you instead?" "How about I knee your balls into your throat?" "If you're going to play with that particular area, I'd rather you use your hands." "My hands aren't going near that area ever again." A pause. Then, "I bet I could change your mind," he whispered huskily. "I bet I could bash yours." I drew back another fist, but he was ready and caught me midswing. His pupils dilated, a sign of arousal. Another sign: he began to pant. He was acting like I'd tried to unbuckle his jeans rather than smack fire out of him. "Hit me again," he said, still using the same whispered tone, "and I'll take it as an invitation." I was just as bad. I trembled with longing I couldn't control and struggled to catch my breath. "An invitation to do what?" His grip loosened, his fingers rubbing my skin. A caress, not a warning. "I guess we'll find out together.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
Happily Single is holding out for the best and letting go of the rest. It’s saying “I will and I can” to yourself before you say “I do” to someone else. It means you’re not looking for a better half because you are already whole. And ultimately, it means that someday when you do invite someone to join you on your journey, it will be because he complements your life, not because he completes it.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
Damon spoke without moving. “I’m not like you.” “You’re not as different from us as you want to think,” Matt said. “Look,” he added, an odd note of challenge in his voice, “I know you killed Mr. Tanner in self-defense, because you told me. And I know you didn’t come here to Fell’s Church because Bonnie’s spell dragged you here, because I sorted the hair and I didn’t make any mistakes. You’re more like us than you admit, Damon. The only thing I don’t know is why you didn’t go into Vickie’s house to help her.” Damon snapped, almost automatically, “Because I wasn’t invited!” Memory swept over Bonnie. Herself standing outside Vickie’s house, Damon standing beside her. Stefan’s voice: Vickie, invite me in. But no one had invited Damon. “But how did Klaus get in, then—?” she began, following her own thoughts. “That was Tyler’s job, I’m sure,” Damon said tersely. “What Tyler did for Klaus in return for learning how to reclaim his heritage. And he must have invited Klaus in before we ever started guarding the house—probably before Stefan and I came to Fell’s Church. Klaus was well prepared. That night he was in the house and the girl was dead before I knew what was happening.” “Why didn’t you call for Stefan?” Matt said. There was no accusation in his voice. It was a simple question. “Because there was nothing he could have done! I knew what you were dealing with as soon as I saw it. An Old One. Stefan would only have gotten himself killed—and the girl was past caring, anyway.” Bonnie heard the thread of coldness in his voice, and when Damon turned back to Stefan and Elena, his face had hardened. It was as if some decision had been made. “You see, I’m not like you,” he said. “It doesn’t matter.” Stefan had still not withdrawn his hand. Neither had Elena.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
Happiness seeps into me when you're around, Rico. Without invitation, without notice, joy finds me. Being around you is being alive, it's breathing, it's home.
Sonali Dev (Recipe for Persuasion (The Rajes, #2))
Unless you're prepared to deal with the aftermath, never invite yourself to a situation where your presence is not requested or welcomed. Don't pull out a chair at someone else's table, then turn around and be hurt when you feel unwelcomed.
Terry a O'Neal
And here's what I realized: You Sly Girls don't cry when you watch the big-face parties on the feeds, just because you weren't invited. You don't stay friends with people you hate, just to bump your face rank. And even though nobody knows what you're doing out here, you don't feel invisible at all. Do you? No one answered, but they were listening. Fame is radically stupid, that's all. So I want to try something else.
Scott Westerfeld (Extras (Uglies, #4))
I’ll call you Tuesday,” he whispered. I lifted my wineglass his way and invited, “You do that.” He didn’t move. I took another sip of wine. When I lowered my glass, reading me yet again, he noted, “You’re not gonna answer.” “Nope,” I replied, sounding shockingly cavalier considering my insides were bleeding.
Kristen Ashley (Breathe (Colorado Mountain, #4))
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.
J.D. Robb (Ceremony in Death (In Death, #5))
A joyful rebellion is you living differently not because you're mad at how things are but because you are swelling with joy at the thought of how things could be. When you joyfully rebel against your circumstances, against mediocrity or negativity, you invite others into something really beautiful.
Brad Montague (Kid President's Guide to Being Awesome)
The Vikings thought they were big shots because they had boats. You know how obnoxious people get when they own a boat. They always want to go on the boat. "We're taking the boat out this weekend. It's supposed to be beautiful. Why don't you come? You never come. You're always working. You know how many people wish they would get invited to come on the boat? And you turn it down.
Colin Quinn (The Coloring Book: A Comedian Solves Race Relations in America)
Now that you’re an adult, you might still feel a pang of guilt when you decline a dinner invitation in favor of a good book. Or maybe you like to eat alone in restaurants and could do without the pitying looks from fellow diners. Or you’re told that you’re “in your head too much,” a phrase that’s often deployed against the quiet and cerebral.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
When you’re begging. When you’re drunk on my cock, wet and gasping. I’m going to ride you, darling, ride you till you break.
Roxy Sloane (Surrender (The Invitation, #2))
Technicality,” Shiro said. “The cigars?” “My Christianity,” Shiro said. “When I was a boy, I liked Elvis. Had a chance to see him in concert when we moved to California. It was a big revival meeting. There was Elvis and then a speaker and my English was not so good. He invited people backstage to meet the king. Thought he meant Elvis, so I go backstage.” He sighed. “Found out later I had become a Baptist.” I barked out a laugh. “You’re kidding.” “No. But it was done, so I tried not to be too bad at being Baptist.
Jim Butcher (Death Masks (The Dresden Files, #5))
Here are some suggestions. Do not bite, kick or hit, except in self-defence. Do not torture and bully other children, so you don’t end up in jail. Eat in a civilized and thankful manner, so that people are happy to have you at their house, and pleased to feed you. Learn to share, so other kids will play with you. Pay attention when spoken to by adults, so they don’t hate you and might therefore deign to teach you something. Go to sleep properly, and peaceably, so that your parents can have a private life and not resent your existence. Take care of your belongings, because you need to learn how and because you’re lucky to have them. Be good company when something fun is happening, so that you’re invited for the fun. Act so that other people are happy you’re around, so that people will want you around. A child who knows these rules will be welcome everywhere.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
I want you to sit on my face so I can eat your pussy until you come in my mouth, until the only thing you’re able to think about is how good my tongue feels when it’s sucking on your dripping wet clit. And the next time you get a break, you should invite me into your office so I can bend you over the desk and let your pussy feel just how hard my cock gets whenever I’m thinking about you.
Whitney G. (Two Weeks Notice)
Demons are real. Since I'm not religious, I think of them as metaphors for the evil desires and impulses all humans have. A religious person can think of them as separate evil beings that can possess you. Either way, I believe they exist, lurking patiently around and in us, whispering their twisted points of view, ever alert for an opportunity. The sudden chink in your armor when you're tired, frightened, or angry. The invitation you issue in that moment of vulnerability.
Nancy Werlin (The Rules of Survival)
If the scandal of Jesus was that He was always touching the wrong people and inviting the wrong people to the table—how on earth can we think the Communion meal now is for the extra holy or the super spiritual? To say we need to be completely cleaned up before Communion is like saying we need to get well so we can take our medication.
Jonathan Martin (Prototype: What Happens When You Discover You're More Like Jesus Than You Think?)
We invite compassion into our lives when we act compassionately toward ourselves and others, and we feel connected in our lives when we reach out and connect.
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
She angled her chin proudly. “Very well. If you insist. I’ve come to invite you to my wedding.” He shook his head sadly. “That I cannot do, my love.” “But it shall be the talk of London. I want you there. Desperately.” He gazed out to the sea. “I never thought you to be cruel, Tess. I can deny you nothing. But please don’t ask this of me.” “But if you’re not there, my dear, dear Leo, then however shall I marry you? She watched as the shock of her words rippled over his beloved features. “Me? But you always said no when I asked for your hand.” “I was a foolish woman. Lynnford was the love of my youth. And as we have talked these many weeks as we’ve not been able to talk in years, so we discovered that neither of us is the person that each of us fell in love with. We were holding onto someone who no longer exists.” She took a tentative step toward him. “You love me as I am now. And I shall love you always. Marry me, Leo. For God’s sake, marry me.
Lorraine Heath (Waking Up With the Duke (London's Greatest Lovers, #3))
Enthusiasm is the first step," she said. "Artfulness comes later." "I hope I didn't disappoint you." "I'm not displeased, Jovanno. Hells, having a lover that's new to the dance means you can train him properly. Give me a few nights and I'll have you whipped into proper form." "The Asino brothers ... they always, well, they always invited me to go with them when they went out. To buy it, you know." "There's no shame in doing that. And there's no shame in not having done it. But those two are hounds, Jovanno. Any woman could smell it a mile away. Sometimes a run with the hounds is just what you're in the mood for, but in the end they'll always roll around in muck and shit on your floor." "Oh, they've got an endearing side," said Jean. "It comes out once a month, when the first moon is full. They're like backwards werewolves.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
Goddamn it," he said, seething. "Goddamn you! No fear. Not an ounce of fucking fear. You invite - you invite - destruction. What's the world to you, huh? A place to die in? You aren't even a girl - you're a… you're a tragedy. There isn't a monster in the world - not a monster in the world till he meets an eager victim.
Joshua Gaylord (When We Were Animals)
I think we worship these stories of leaving it all behind and going somewhere new, but I’m beginning to see that every one of those stories has the same truth holding up this romantic idea of leaving: The stuff you’re not facing will follow you. It will get in the car too. It will pack a bag too. Leaving isn’t the key; changing is. I’m learning that life isn’t about the destinations we can boast about getting to; it’s about all the walking in between that feels pointless when you try to take a picture of it because no one will understand it like you do. It’s the in between stuff that fleshes out a story—gives it guts and transformation. It’s not about the scenery changing or the person you say good night to. The traveler must be the one to change. That’s what makes the story good.
Hannah Brencher (Come Matter Here: Your Invitation to Be Here in a Getting There World)
Just as you accumulate merit by going beyond hope and fear and saying, “Let it be,” the same with the dön; there’s some sense of “let it be.” There is even an incantation that says, “Not only do I not want you to go away, you can come back any time you like. And here, have some cake.” Personally, when I read that, I got sort of scared. The commentary said that you invite them back because they show you when you have lost your mindfulness. You invite them back because they remind you that you’ve spaced out. The döns wake you up. As long as you are mindful, no dön can arise. But they’re like cold germs, viruses; wherever there’s a gap—Boom!—in they come. The dön will refuse your invitation to come back as long as you’re awake and open, but the moment you start closing off, it will accept your invitation with pleasure and eat your cake anytime. That’s called feeding the ghosts.
Pema Chödrön (Start Where You Are: A Guide to Compassionate Living (Shambhala Classics))
It's not good for one's view of human nature, that's for sure. You begin to see, when invitations are coming from festivals and colleges to come read (for an hour for a hefty sum of money), that the institutions are head-hunting for trophy writers. Most don't particularly care about your writing or what you're trying to say. You're there as a human object, one that has won a prize.
Annie Proulx
But I took a deep breath, and she sat there listening to me across my dirty coffee table, and we talked about community and family and authenticity. It’s easy to talk about it, and really, really hard sometimes to practice it. This is why the door stays closed for so many of us, literally and figuratively. One friend promises she’ll start having people over when they finally have money to remodel. Another says she’d be too nervous that people wouldn’t eat the food she made, so she never makes the invitation. But it isn’t about perfection, and it isn’t about performance. You’ll miss the richest moments in life—the sacred moments when we feel God’s grace and presence through the actual faces and hands of the people we love—if you’re too scared or too ashamed to open the door. I know it’s scary, but throw open the door anyway, even though someone might see you in your terribly ugly half-zip.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
I always listen,” Ranger said. “I don’t always agree. I have a problem right now that I can’t seem to solve by myself. I need you to help me find my daughter. And there’s an even bigger problem involved. I feel a financial and moral obligation to my daughter. I send child support, I send birthday and Christmas presents, I visit when I’m invited. But I’ve kept myself emotionally distanced. I’m not emotionally distanced from you. I couldn’t live with myself if something happened to you because I was using you to find someone . . . even if that someone was my daughter. So I have to make every effort to keep you safe.” “You’re a little smothering.
Janet Evanovich (Twelve Sharp (Stephanie Plum, #12))
Cautious people say, "I'll do nothing until I can be sure." Merchants know better. If you do nothing, you lose. Don't be one of those merchants who won't risk the ocean! This is much more important than losing or making money. This is your connection to God! You must set fire to have light. Trust means you're ready to risk what you currently have. Think of your fear and hope about your livelihood. They make you go to work diligently every day. Now consider what the prophets have done. Abraham wore fire for an anklet. Moses spoke to the sea. David molded iron. Solomon rode the wind. Work in the invisible world at least as hard as you do in the visible. Be companions with the prophets even though no one here will know that you are, not even the helpers of the qutb, the abdals. You can't imagine what profit will come! When one of those generous ones invites you into his fire, go quickly! Don't say, "But will it burn me? Will it hurt?
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
When I meet kids who suffer, I want to teach them everything I know about the world, which isn’t a lot, and basically amounts to: Go to Harvard. Make hella money. Read contracts before you sign them. Bring two tiny bottles of Kahlúa and a tiny bottle of mouthwash when you have to go with your parents to their biopsy results. I follow my own advice while trying to hold off on the suicidal ideation while trying to be as socially fucking mobile as socially fucking possible and then these kids fucking find me, and what do I do, but invite them into my heart and tell them, babes, go to school, climb the ranks, kill the salutatorian, make it look like an accident, and in your valedictory address, remind your school that cops are pigs, and ICE are Nazis, and you are John at the foot of the cross, Jesus’s most loved apostle, maybe his lover, and you’re in the holy word, escape to my home for some chamomile tea and RuPaul, there will always be room for you, I love you and forever will.
Karla Cornejo Villavicencio (The Undocumented Americans)
Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed. "But what was wrong with the performance?" she asked. "I thought it was wonderful." "Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!" Shimamoto laughed. "I wouldn't exactly call that art appreciation." "This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!" "Maybe you're right," she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?" In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different." "You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched.
Haruki Murakami (South of the Border, West of the Sun)
What’s the truth in the story about vampires not being allowed inside without an invitation?” Having pressed him on his diet, I focused on the entrance protocols. “Humans are with us all the time. They just refuse to acknowledge our existence because we don’t make sense in their limited world. Once they allow us in—see us for who we really are—then we’re in to stay, just as someone you’ve invited into your home can be hard to get rid of. They can’t ignore us anymore.” “So it’s like the stories of sunlight,” I said slowly. “It’s not that you can’t be in sunlight, but when you are, it’s harder for humans to ignore you. Rather than admit that you’re walking among them, humans tell themselves you can’t survive the light.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I’m glad you could make it,” she quipped, her voice not quite as steady as she wished. “When you issue an invitation to your bedroom, it’s common practice to make sure the door is unlocked,” he returned without a pause. He looked beyond her and said, “It’s also common to wait until your partner’s here before you start getting the sheets hot.” [...] “Sorry,” she quipped lightly, “I’m not familiar with the etiquette required of a mistress. Next time I’ll make sure that you’re in the bed before I throw hot coals at it.
Patricia Briggs (When Demons Walk (Sianim, #3))
On Saturday Ben and I drove to Johns Island to see Skyfall.” “You did?” Hi asked sharply. “Thanks for the invite, jerks.” Shelton raised his palms. “You were at temple. We’re supposed to just wait around? Plus, you’ve seen that move like five times.” “You still could’ve asked,” Hi grumbled. “I don’t—” “Guys!” I clapped my hands once. “The story, please.” “An hour in, I go for a popcorn refill.” Shelton shuddered. “When I get back, Ben’s sitting in the dark, flaring away, and he’s not even wearing his sunglasses! I almost wet myself. He said he wanted to watch the movie in HD. Man, I don’t remember a single minute from the rest of the film.” “In a theater!?” My temper exploded. “That stupid mother—” “Hiram!” Our heads whipped. Ruth Stolowitski was standing on her front stoop. “Get back in here this instant! You’re not dressed.” Ruth wore a fuzzy pink bathrobe, her free hand vising the garment closed. Her eyes darted, as if worried that cagey perverts were surveilling our remote island, waiting for just this opportunity to get an eyeful.
Kathy Reichs (Exposure (Virals, #4))
Son, you've got this. You think Helena and I would have invited just anybody into our home? You're our family too. Helena loved you, and you know I do, too. Come back safe. Because you know there's no way I can handle Kady all on my own. I'll be on the radio the whole time, baby girl I'll be with Yulin in engineering. I have to say, when we used to have talk about your future, commanding a battle fleet isn't quite what I imagined, but I know you can do this. I'll be with you every step. I'll be in touch every minute, Ella. There's no way I'm letting anything happen to you, and I demand a rematch when this is over. If you think I'm letting a 15 year old beat me at cards you've got another thing coming. Nik, you are what your actions make you. Not what other people say you are. You've decided who you are, in the face of a world that wanted to tell you otherwise. I get the impression maybe nobody's ever told you they're proud of you. I am, Nik. I'm proud to know you. You have this, Hanna. Your father would be so damn proud of you right now. He knew exactly how incredible you were. We used to talk about it, late at night, these women we were raising. Just how far and fast our daughters would exceed us. He loved that.
Amie Kaufman (Obsidio (The Illuminae Files, #3))
I've always preferred the city at night. I believe that San Judas, or any city, belongs to the people who sleep there. Or maybe they don't sleep - some don't - but they live there. Everybody else is just a tourist. Venice, Italy, for instance, pulls in a millions tourists for their own Carnival season but the actual local population is only a couple of hundred thousand. Lots of empty canals and streets at night, especially when you get away from the big hotels, and the residents pretty much have it to themselves when tourist season slows during the winter. Jude has character - everybody agrees on that. It also has that thing I like best about a city: You can never own it, but it you treat it with respect it will eventually invite you in and make you one of its true citizens. But like I said, you've got to live there. If you're never around after the bars close, or at the other end of the night as the early workers get up to start another day and the coffee shops and news agents raise their security gates, then you don't really know the place, do you?
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
I’m tired of only being able to talk to you on the phone, Alyssa...”Silence. “I need to see you...” His voice was strained.  “I need to fuck you...”“Thoreau...” “No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.”A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear. “I’ve been very patient with you...” His voice trailed off. “Don’t you think?”“No...”“I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.”I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple.“I’m giving you two weeks to come to your fucking senses...”“What?”“Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.”“I can’t...I can’t agree to...that.”“You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
Now that you're an adult, you might still feel a pang of guilt when you decline a dinner invitation in favor of a good book. Or maybe you like to eat alone in restaurants and could do without the pitying looks from fellow diners. Or you're told that you're 'in your head too much,' a phrase that's often deployed against the quiet and cerebral. Of course, there's another word for such people: thinkers.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I need an audience with his furry Highness.” I can’t believe I’m saying this. “I can’t believe you’re saying this, after all the bitc—yelling you did when I called you for the Spring Meet. I distinctly remember ‘never see that arrogant asshole again’ and ‘over my dead body.’” “Spring Meet was optional.” After working with the Pack to dispatch the Red Point Stalker, I was granted the Friend of the Pack status, which apparently came with such benefits as being invited to ceremonies. Hell, if I transgressed in their territory, the shapeshifters might hesitate a couple of seconds before they shredded me into Kate sushi.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Sometimes it's hard because I don't like to hurt people's feelings. So there have been times when a friend will get a haircut and I will see it and my initial reaction is "Oh my God, you look like a streetwalker who got caught in a wind tunnel." But I obviously can't say that because that would be an insult to streetwalkers. So I have to say, "I love it! It looks great!" But when I say it my voice goes up about three octaves. "It looks greee-aaattt!" So I'm certain they know I'm lying. How come when we lie our voices go up so many octaves? It's a dead giveaway. It happens when we dole out compliments we don't mean and it happens when we say things like "You didn't have to get my anything!" or "What do you mean you weren't invited to my party? You're always invited!" Everyone knows what those mean. "You definitely had to get me something" and "You haven't been invited back to the house since the urn incident of '04." And it's a mathematical fact: the higher the octave, the bigger the lie. "I didn't even hear my phone ring!" is usually like a four on the scale. "You think I'm sleeping with someone else?" is off the charts. I can tell when people are lying to me when they start their sentence with "I have to be honest with you." They may as well say, "Listen, I'm about to lie straight to your face." Why do people need to clarify when they're being honest? Does that mean everything else they've ever said has been a lie? Yesterday they said they liked my sweater but they didn't say they were being honest. Does that mean they hated it? It's so strange to me. It almost feels like they're giving me the option to not hear the truth. As if when they say, "I have to be honest with you," I might say, "No, no. Please. Only lies right now.
Ellen DeGeneres (Seriously... I'm Kidding)
You scare me, Ryan Daley. Even more than those demons outside that scream for my death. How is it that I want what you want? I’ve spent an eternity feeling powerless. Love did that to me — robbed me of all control. I never expected to feel this way again. I don’t want to feel.’ ‘Neither did I,’ Ryan rasps, ‘because feeling anything at all was dangerous. If I let myself feel, then maybe I’d have to believe what everyone was saying — that Lauren was dead. But from the moment I laid eyes on “Carmen, you kept getting under my skin. At first, all you did was irritate the hell out of me, bailing me up that way outside my house, inviting yourself along for the ride when all I wanted was to be left alone. But that irritation turned into curiosity, which turned into something else, becoming this chain of, of … feeling that brought me here. I dropped everything for you. I veered left. And I’d do it again in a second. That’s what “feeling” does. It tells you you’re alive, it gives things … I don’t know, proper meaning. You’re still trying to maintain some veneer of independence? Toughness? Do words like that even apply to you? But I see through it, Mercy. I see through you. You’re not that different from me after all, under your armour. Crumbs, Mercy, that’s all I’m after. Just crumbs. It’s not a lot to ask for.
Rebecca Lim
We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns.
Jonathan Evison (The Revised Fundamentals of Caregiving)
I don’t remember when I stopped noticing—stopped noticing every mirror, every window, every scale, every fast-food restaurant, every diet ad, every horrifying model. And I don’t remember when I stopped counting, or when I stopped caring what size my pants were, or when I started ordering what I wanted to eat and not what seemed “safe,” or when I could sit comfortably reading a book in my kitchen without noticing I was in my kitchen until I got hungry—or when I started just eating when I got hungry, instead of questioning it, obsessing about it, dithering and freaking out, as I’d done for nearly my whole life. I don’t remember exactly when recovery took hold, and went from being something I both fought and wanted, to being simply a way of life. A way of life that is, let me tell you, infinitely more peaceful, infinitely happier, and infinitely more free than life with an eating disorder. And I wouldn’t give up this life of freedom for the world. What I know is this: I chose recovery. It was a conscious decision, and not an easy one. That’s the common denominator among people I know who have recovered: they chose recovery, and they worked like hell for it, and they didn’t give up. Recovery isn’t easy, at first. It takes time. It takes more work, sometimes, than you think you’re willing to do. But it is worth every hard day, every tear, every terrified moment. It’s worth it, because the trade-off is this: you let go of your eating disorder, and you get back your life. There are a couple of things I had to keep in mind in early recovery. One was that I was going to recover, even though I didn’t feel “ready.” I realized I was never going to feel ready—I was just going to jump in and do it, ready or not, and I am deeply glad that I did. Another was that symptoms were not an option. Symptoms, as critically necessary and automatic as they feel, are ultimately a choice. You can choose to let the fallacy that you must use symptoms kill you, or you can choose not to use symptoms. Easier said than done? Of course. But it can be done. I had to keep at the forefront of my mind the reasons I wanted to recover so badly, and the biggest one was this: I couldn’t believe in what I was doing anymore. I couldn’t justify committing my life to self-destruction, to appearance, to size, to weight, to food, to obsession, to self-harm. And that was what I had been doing for so long—dedicating all my strength, passion, energy, and intelligence to the pursuit of a warped and vanishing ideal. I just couldn’t believe in it anymore. As scared as I was to recover, to recover fully, to let go of every last symptom, to rid myself of the familiar and comforting compulsions, I wanted to know who I was without the demon of my eating disorder inhabiting my body and mind. And it turned out that I was all right. It turned out it was all right with me to be human, to have hungers, to have needs, to take space. It turned out that I had a self, a voice, a whole range of values and beliefs and passions and goals beyond what I had allowed myself to see when I was sick. There was a person in there, under the thick ice of the illness, a person I found I could respect. Recovery takes time, patience, enormous effort, and strength. We all have those things. It’s a matter of choosing to use them to save our own lives—to survive—but beyond that, to thrive. If you are still teetering on the brink of illness, I invite you to step firmly onto the solid ground of health. Walk back toward the world. Gather strength as you go. Listen to your own inner voice, not the voice of the eating disorder—as you recover, your voice will get clearer and louder, and eventually the voice of the eating disorder will recede. Give it time. Don’t give up. Love yourself absolutely. Take back your life. The value of freedom cannot be overestimated. It’s there for the taking. Find your way toward it, and set yourself free.
Marya Hornbacher
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
Christopher Hitchens (Mortality)
A girlfriend once shared with me the theory about the three buckets we hold in our lives. One bucket contains our connection, another our vitality, and a third our contribution. The theory goes like this: when one bucket is empty, the others need to be filled. When you’re feeling lonely, alienated, and low on connection, boost your vitality and contribution. Take a walk, cook a nutritious meal, volunteer to bake cookies for the blood drive. When you’re feeling spent and low on energy, on stamina, perhaps you’ve been neglecting connections and contributions. Invite a few friends over for takeout and brainstorm creative projects. When you’re feeling as if you have nothing to give, nothing to contribute, fill your connection and vitality buckets.
Erin Loechner (Chasing Slow: Courage to Journey Off the Beaten Path)
Do not bite, kick or hit, except in self-defence. Do not torture and bully other children, so you don’t end up in jail. Eat in a civilized and thankful manner, so that people are happy to have you at their house, and pleased to feed you. Learn to share, so other kids will play with you. Pay attention when spoken to by adults, so they don’t hate you and might therefore deign to teach you something. Go to sleep properly, and peaceably, so that your parents can have a private life and not resent your existence. Take care of your belongings, because you need to learn how and because you’re lucky to have them. Be good company when something fun is happening, so that you’re invited for the fun. Act so that other people are happy you’re around, so that people will want you around.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
You stand there all tan and glowing and wonder why I use Voice on you?” he bellowed. “Where the hell do you get off? You’ve been with V’lane again. How many slaps in the face do you think I’m going to take, Ms. Lane?” He grabbed my fist and held it when I tried to punch him again. I swung at him with the other. He caught that, too. “I warned you not to play us against each other.” “I’m not playing you! I’m trying to survive. And I don’t slap you when I go off with V’lane!” I tried to yank my fists from his hands. “It doesn’t have anything to do with you. I’m trying to get answers, and since you won’t give me any, you can’t blame me for going somewhere else.” “So, the man who doesn’t get laid at home has the right to go off and cheat?” “Huh?” “Which word didn’t you understand?” he sneered. “You’re the one who’s crippled by illogic. This isn’t home, it never will be, and nobody’s getting laid!” I practically shouted. “You think I don’t know that?” He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn’t my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn’t even bother trying. Savage Mac wants to invite it to come out and play. I think she’s nuts. Nuts, I tell you. “Let go of my hands.” “Make me,” he taunted. “Voice me, Ms. Lane. Come on, little girl, show me some power.” Little girl, my ass.
Karen Marie Moning (Faefever (Fever, #3))
Something Evil I said, "Ikstein stands outside the door for a long time before he knocks. Did you suspect that? Did you suspect that he stands there listening to what we say before he knocks?" She said, "Did you know you're crazy?" I said, "I'm not crazy. The expression on his face, when I open the door, is giddy and squirmy. As if he'd been doing something evil, like listening outside our door before he knocked." She said, "That's Ikstein's expression. Why do you invite him here? Leave the door open. He won't be able to listen to us. You won't make yourself crazy imagining it." I said, "Brilliant, but he isn't due for an hour and I won't sit here with the door open." She said, "I hate to listen to you talk this way. I won't be involved in your lunatic friendships." She opened the door. Ikstein stood there, giddy and squirmy.
Leonard Michaels (I Would Have Saved Them If I Could)
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant. “Mr. Kadam, wait. I don’t understand.” Dining companion? What is he talking about? Maybe he’s confused. Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.” I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell. I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.” A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry. “Ren.” He smiled. “Who else?” He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly. He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one. I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes. He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him. Nervous and impatient, I asked, “Are you finished?” “Almost.” He was now staring at my strappy shoes. “Well, hurry up!” His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.” I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.” He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.” “I was being sarcastic, Ren.” He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it. He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.” I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.” “Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.” He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I invite you to open your mind to new possibilities. Let’s fake it till we make it. Let’s create visions of an aspirational future. You don’t have to quit your job. But think about what might change your trajectory by half a degree. It could be that when you come home every night your first words are “I’m home! How can I help?” Try doing that. You may have a shitty job. You don’t like it. You do it for the money, even if the money isn’t great. Try to look at your work in a different way. Find something about your life that’s great. Follow that thread. Volunteer. Even if you’re in the worst possible situation, there’s hope. Challenge yourself. Set your own bar. Redefine your success metrics. Create opportunities for yourself. Reassess your situation. We are all marching together. We’re headed toward something big, and it’s going to be good.
Biz Stone (Things a Little Bird Told Me: Confessions of the Creative Mind)
Washington's all abstraction. It's about access to power and nothing else. I mean, I'm sure it's fun if you're living next door to Seinfeld, or To Wolfe, or Mike Bloomberg, but living next door to them isn't what New York is about, In Washington people literally talk about how many feet away from John Kerry's house their own house is. The neighborhoods are all so blah, the only thing that turns people on is proximity to power. It's a total fetish culture. People get this kind of orgasmic shiver when they tell you they sat next to Paul Wolfowitz at a conference or got invited to Grover Norquist's breakfast.
Jonathan Franzen (Freedom)
Yes, it’s too much to ask,” Alexander said when he returned with no ice (“Tomorrow”) but with an ax, a hammer and nails, a saw, a wood plane, and a kerosene-burning Primus stove. “I didn’t marry you so we could go over there every night.” He laughed. “You invited them inside? That’s very brave of you, my wife. Did you at least make the bed before they came in?” He laughed harder. Tatiana was sitting down on the cool iron hearth, shaking her head. “You’re just impossible.” “I’m impossible? I’m not going there for dinner, forget it. Why don’t you just invite them here afterward then, for the post-dinner vaudeville—” “Vaudeville?” “Never mind.” He dropped all of his goods on the floor in the corner of the cabin. “Invite them here for the entertainment hour. Go ahead. As I make love to you, they can walk around the hearth, clucking to their hearts’ content. Naira will say, ‘Tsk, tsk, tsk. I told her to go with my Vova. I know he could do it better.’ Raisa will want to say, ‘Oh, my, oh, my,’ but she’ll be shaking too much. Dusia will say, ‘Oh, dear Jesus, I prayed to You to spare her from the horrors of the marriage bed!’ And Axinya will say—” “‘Wait till I tell the whole village about his horrors,’” said Tatiana. Alexander laughed and then went to the water to swim.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Arthur said brightly, “Actually I quite liked it.” Ford turned and gaped. Here was an approach that had quite simply not occurred to him. The Vogon raised a surprised eyebrow that effectively obscured his nose and was therefore no bad thing. “Oh good …” he whirred, in considerable astonishment. “Oh yes,” said Arthur, “I thought that some of the metaphysical imagery was really particularly effective.” Ford continued to stare at him, slowly organizing his thoughts around this totally new concept. Were they really going to be able to bareface their way out of this? “Yes, do continue …” invited the Vogon. “Oh … and, er … interesting rhythmic devices too,” continued Arthur, “which seemed to counterpoint the … er … er …” he floundered. Ford leaped to his rescue, hazarding “… counterpoint the surrealism of the underlying metaphor of the … er …” He floundered too, but Arthur was ready again. “… humanity of the …” “Vogonity,” Ford hissed at him. “Ah yes, Vogonity—sorry—of the poet’s compassionate soul”—Arthur felt he was on the homestretch now—“which contrives through the medium of the verse structure to sublimate this, transcend that, and come to terms with the fundamental dichotomies of the other”—he was reaching a triumphant crescendo—“and one is left with a profound and vivid insight into … into … er …” (which suddenly gave out on him). Ford leaped in with the coup de grace: “Into whatever it was the poem was about!” he yelled. Out of the corner of his mouth: “Well done, Arthur, that was very good.” The Vogon perused them. For a moment his embittered racial soul had been touched, but he thought no—too little too late. His voice took on the quality of a cat snagging brushed nylon. “So what you’re saying is that I write poetry because underneath my mean callous heartless exterior I really just want to be loved,” he said. He paused, “Is that right?” Ford laughed a nervous laugh. “Well, I mean, yes,” he said, “don’t we all, deep down, you know … er …” The Vogon stood up. “No, well, you’re completely wrong,” he said, “I just write poetry to throw my mean callous heartless exterior into sharp relief. I’m going to throw you off the ship anyway. Guard! Take the prisoners to number three airlock and throw them out!” “What?” shouted Ford. A huge young Vogon guard stepped forward and yanked them out of their straps with his huge blubbery arms. “You can’t throw us into space,” yelled Ford, “we’re trying to write a book.” “Resistance is useless!” shouted the Vogon guard back at him. It was the first phrase he’d learned when he joined the Vogon Guard Corps.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
When people come to me upset and in need of advice the first thing I always suggest is to brew a nice cuppa tea. Not because this is easy advice to give, neither for lack of compassion nor understanding, but simply because I've not encountered a circumstance where tea was rendered futile. There's something concealed in the nature of tea that will consort you to a calm contemplation, a sense of purity and harmony, it lets you find your way through life's sordid deeds, and regain a sense of tranquillity, console enmity, and admire the beauty around you. I love my close friends and family so dearly that the first thing I wish upon them in a time of desperation is a nice cup of tea. So to my dearest friends, you're always invited; you, me and a cup of tea?
Georgia Barrett
If I could write an autobiography for fear, it would read like this: __________ Hi, my name is Fear. F-E-A-R. But you are going to call me a lot of other things as you start to get closer to me. I’m terribly unoriginal. I’m like every has-been out there, but you give me way more credit than I deserve. You should keep doing that. I like it when you make me bigger than I actually am. I’m going to make you feel alone, and I like it when you believe you’re the only one who’s ever felt this way. You think I’m custom-catered to fit you, but I’m really no different than the brand of me your best friend wears. I’m a ballad lurking in the hearts of a billion people, and I will do anything to keep you from realizing that I am just the same song on repeat. You all know all my words. I’m pretty jealous though. I want you alone with me at night. I’m not afraid to say I’m greedy or that I don’t want to share you. I’m a territorial lover, and I would rather you not have solid and deep conversations at dinner parties or find a community that doesn’t leave your side. I wrote you a story a long time ago, and I don’t want you to figure out that you’ve outgrown the plotline. I wonder why you don’t get over me sometimes, but then the realization hits me: You come back because you know I want you. You come back because you know the sound of my voice. You come back because you know the way I move and how I shut you down. You’ve stood face-to-face with me so many times and I have told you who you are. The crazy thing is, you’ve believed me.
Hannah Brencher (Come Matter Here: Your Invitation to Be Here in a Getting There World)
One time I sat down in a bath where there was a beautiful girl sitting with a guy who didn’t seem to know her. Right away I began thinking, “Gee! How am I gonna get started talking to this beautiful nude babe?” I’m trying to figure out what to say, when the guy says to her, “I’m, uh, studying massage. Could I practice on you?” “Sure,” she says. They get out of the bath and she lies down on a massage table nearby. I think to myself, “What a nifty line! I can never think of anything like that!” He starts to rub her big toe. “I think I feel it,” he says. “I feel a kind of dent—is that the pituitary?” I blurt out, “You’re a helluva long way from the pituitary, man!” They looked at me, horrified—I had blown my cover—and said, “It’s reflexology!” I quickly closed my eyes and appeared to be meditating. That’s just an example of the kind of things that overwhelm me. I also looked into extrasensory perception and PSI phenomena, and the latest craze there was Uri Geller, a man who is supposed to be able to bend keys by rubbing them with his finger. So I went to his hotel room, on his invitation, to see a demonstration of both mindreading and bending keys. He didn’t do any mindreading that succeeded; nobody can read my mind, I guess. And my boy held a key and Geller rubbed it, and nothing happened. Then he told us it works better under water, and so you can picture all of us standing in the bathroom with the water turned on and the key under it, and him rubbing the key with his finger. Nothing happened. So I was unable to investigate that phenomenon.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Five Poems" 1 Well now, hold on maybe I won't go to sleep at all and it'll be a beautiful white night or else I'll collapse completely from nerves and be calm as a rug or a bottle of pills or suddenly I'll be off Montauk swimming and loving it and not caring where 2 an invitation to lunch HOW DO YOU LIKE THAT? when I only have 16 cents and 2 packages of yoghurt there's a lesson in that, isn't there like in Chinese poetry when a leaf falls? hold off on the yoghurt till the very last, when everything may improve 3 at the Rond-Point they were eating an oyster, but here we were dropping by sculptures and seeing some paintings and the smasheroo-grates of Cadoret and music by Varese, too well Adolph Gottlieb I guess you are the hero of this day along with venison and Bill I'll sleep on the yoghurt and dream of the Persian Gulf 4 which I did it was wonderful to be in bed again and the knock on my door for once signified "hi there" and on the deafening walk through the ghettos where bombs have gone off lately left by subway violators I knew why I love taxis, yes subways are only fun when you're feeling sexy and who feels sexy after The Blue Angel well maybe a little bit 5 I seem to be defying fate, or am I avoiding it?
Frank O'Hara (Lunch Poems)
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…” A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…” When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment. “What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.” Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her. Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.” The image was so absurd that Elizabeth chuckled. Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped. Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“ Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I-“ she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant-“ He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
Judith McNaught (Almost Heaven (Sequels, #3))
That summer, in a small house near the beach, he began to write a book. He knew it would be the last thing he ever did, so he decided to write something advocating a crazy, preposterous idea—one so outlandish that nobody had ever written a book about it before. He was going to propose that gay people should be allowed to get married, just like straight people. He thought this would be the only way to free gay people from the self-hatred and shame that had trapped Andrew himself. It’s too late for me, he thought, but maybe it will help the people who come after me. When the book—Virtually Normal—came out a year later, Patrick died when it had only been in the bookstores for a few days, and Andrew was widely ridiculed for suggesting something so absurd as gay marriage. Andrew was attacked not just by right-wingers, but by many gay left-wingers, who said he was a sellout, a wannabe heterosexual, a freak, for believing in marriage. A group called the Lesbian Avengers turned up to protest at his events with his face in the crosshairs of a gun. Andrew looked out at the crowd and despaired. This mad idea—his last gesture before dying—was clearly going to come to nothing. When I hear people saying that the changes we need to make in order to deal with depression and anxiety can’t happen, I imagine going back in time, to the summer of 1993, to that beach house in Provincetown, and telling Andrew something: Okay, Andrew, you’re not going to believe me, but this is what’s going to happen next. Twenty-five years from now, you’ll be alive. I know; it’s amazing; but wait—that’s not the best part. This book you’ve written—it’s going to spark a movement. And this book—it’s going to be quoted in a key Supreme Court ruling declaring marriage equality for gay people. And I’m going to be with you and your future husband the day after you receive a letter from the president of the United States telling you that this fight for gay marriage that you started has succeeded in part because of you. He’s going to light up the White House like the rainbow flag that day. He’s going to invite you to have dinner there, to thank you for what you’ve done. Oh, and by the way—that president? He’s going to be black.
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
I’m tired of only being able to talk to you on the phone, Alyssa...” Silence. “I need to see you...” His voice was strained.  “I need to fuck you...” “Thoreau...” “No, listen to me.” His tone was a warning. “I need to be buried deep inside of you, feeling your pussy throb around my cock as you scream my name—my real name.” A hand trailed down past my stomach and between my thighs, and my fingers began to strum my clit. Slow at first, then faster, faster with every sound of his heavy breaths in my ear. “I’ve been very patient with you...” His voice trailed off. “Don’t you think?” “No...” “I have,” he said. “I’m tired of imagining how wet your pussy can get, how loudly you’ll scream when I suck your tits as you ride me...How hard I’ll pull your hair when I bend you over my desk and fuck you until you can’t breathe...Tired.” I shut my eyes, letting my other hand squeeze my breast, letting my thumb pinch my nipple. “I’m giving you two weeks to come to your fucking senses...” “What?” “Two weeks,” he whispered. “That’s when you and I are going to meet face to face, and I’m going to claim every inch of you.” “I can’t...I can’t agree to...that.” “You will.” His breathing was now in sync with mine. “And the second you do, you’re going to invite me over and I’m going to remind you of everything you’ve teased me with over the past six months.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
While you're alive it's shameful to worm your way into the Calendar of Saints. Disbelief in yourself is more saintly. It takes real talent not to dread being terrified by your own agonizing lack of talent. Disbelief in yourself is indispensable. Indispensable to us is the loneliness of being gripped in the vise, so that in the darkest night the sky will enter you and skin your temples with the stars, so that streetcars will crash into the room, wheels cutting across your face, so the dangling rope, terrible and alive, will float into the room and dance invitingly in the air. Indispensable is any mangy ghost in tattered, overplayed stage rags, and if even the ghosts are capricious, I swear, they are no more capricious than those who are alive. Indispensable amidst babbling boredom are the deadly fear of uttering the right words and the fear of shaving, because across your cheekbone graveyard grass already grows. It is indispensable to be sleeplessly delirious, to fail, to leap into emptiness. Probably, only in despair is it possible to speak all the truth to this age. It is indispensable, after throwing out dirty drafts, to explode yourself and crawl before ridicule, to reassemble your shattered hands from fingers that rolled under the dresser. Indispensable is the cowardice to be cruel and the observation of the small mercies, when a step toward falsely high goals makes the trampled stars squeal out. It's indispensable, with a misfit's hunger, to gnaw a verb right down to the bone. Only one who is by nature from the naked poor is neither naked nor poor before fastidious eternity. And if from out of the dirt, you have become a prince, but without principles, unprince yourself and consider how much less dirt there was before, when you were in the real, pure dirt. Our self-esteem is such baseness.... The Creator raises to the heights only those who, even with tiny movements, tremble with the fear of uncertainty. Better to cut open your veins with a can opener, to lie like a wino on a spit-spattered bench in the park, than to come to that very comfortable belief in your own special significance. Blessed is the madcap artist, who smashes his sculpture with relish- hungry and cold-but free from degrading belief in himself.
Yevgeny Yevtushenko
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
I would trust you with my life. I'm betting that something evil would appear pleasing but feel foul." Gregori's glittering silver eyes settled on his face, a glimmer of warmth in them, a hint of humor. "You are already trusting me with your life." Savannah leaned into Gregori. "I'm so proud of you. You're getting this humor thing down." She looked across the table at Gary, laughter dancing in her enormous blue eyes. "He has a little trouble with the concept of humor." Gary found himself laughing with her. "I can believe that." "Watch it,kid. There is no need to be disrespectful. Do not make the mistake of believing you can get away with it the way this one does." Gregori tugged at Savannah's long ebony hair. It hung to her waist, a fall of blue-black silk that moved with a life of its own, that tempted, invited men to touch it. "So,what are you going to do about me?" Gary ventured painfully. Savannah resisted the urge to touch him sympathetically. She was naturally demonstrative, naturally affectionate. When someone was upset, she needed to make things better.Gregori inhibited her normal tendency to comfort. I cannot change what I am, ma petite,he whispered softly in her mind, a slow,soothing black-velvet drawl. His voice wrapped her up and touched her with tenderness. I can only promise to keep you safe and to try to make you as happy as I can to make up for my deficiencies. I didn't say you had deficiencies, she returned softly, her voice a caress, fingers trailing over the back of his neck, down the muscles of his back. Need slammed into him, low and wicked. His skin crawled with fire. His silver eyes slid slowly, possessively over her, touching her body with tongues of flame. Touching. Caressing. His urgent need exploded in him like a volcano. In his head a dull roar began. Abruptly he wished Gary gone. The cafe gone. The world gone.He wasn't altogether certain he could wait until he was home with her. The riverbank as suddenly looking very inviting.
Christine Feehan (Dark Magic (Dark, #4))
So how, you might ask, do I exclude generously? This issue comes up a lot when I’m organizing large, complicated meetings for clients. These are some of the questions I ask them: Who not only fits but also helps fulfill the gathering’s purpose? Who threatens the purpose? Who, despite being irrelevant to the purpose, do you feel obliged to invite? When my clients answer the first two questions, they begin to grasp their gathering’s true purpose. Obviously people who fit and fulfill your gathering’s purpose need to be there. And, though this one is harder, people who manifestly threaten the purpose are easy to justify excluding. (That doesn’t mean they always end up being excluded. Politeness and habit often defeat the facilitator. But the hosts still know deep down who shouldn’t be there.) It is the third question where purpose begins to be tested. Someone threatens a gathering’s purpose? You can see why to keep him out. But what’s wrong with someone who’s irrelevant to the purpose? What’s wrong with inviting Bob? Every gathering has its Bobs. Bob in marketing. Bob your friend’s girlfriend’s brother. Bob your visiting aunt. Bob is perfectly pleasant and doesn’t actively sabotage your gathering. Most Bobs are grateful to be included. They sometimes bring extra effort or an extra bottle of wine. You’ve probably been a Bob. I certainly have. The crux of excluding thoughtfully and intentionally is mustering the courage to keep away your Bobs. It is to shift your perception so that you understand that people who aren’t fulfilling the purpose of your gathering are detracting from it, even if they do nothing to detract from it. This is because once they are actually in your presence, you (and other considerate guests) will want to welcome and include them, which takes time and attention away from what (and who) you’re actually there for. Particularly in smaller gatherings, every single person affects the dynamics of a group. Excluding well and purposefully is reframing who and what you are being generous to—your guests and your purpose.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Fly with those who lift you up and thrust you forward A pilot friend of mine told me there are four main principles to master when flying airplanes: lift, thrust, weight, and drag. You have to take all these into account to make sure the plane will fly. It struck me that these same principles apply to specific types of people. There are some who lift you, brighten your day, cheer you up, and make you feel better about yourself. You meet them and you have a spring in your step. They’re a lift. Then there are people who thrust you. They inspire you, motivate you, challenge you to move forward and pursue your dreams. The third group are weights. They pull you down, dump their problems on you, so that you leave feeling heavier, negative, discouraged, and worse than you did before. Finally, there are those who are a drag. They’ve always got a sad song. The dishwasher broke. The goldfish died. They didn’t get invited to a party. They’re stuck in a pit. They expect you to cheer them up, fix their problems, and carry their loads. We all encounter people from each of these four groups. You have to make sure you’re spending the majority of your time with lifters and thrusters. If you’re only hanging out with weights and drags, it will keep you from becoming everything you were created to be.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Has he invited you to dinner, dear? Gifts, flowers, the usual?” I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.” “He fed you?” Raphael stopped rubbing Andrea. “How did this happen?” Aunt B stared at me. “Be very specific, this is important.” “He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.” “Did you accept?” Aunt B asked. “Yes, I was starving. Why are the three of you looking at me like that?” “For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.” Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?” “No. He chased everyone out.” Raphael nodded. “At least he hasn’t gone public yet.” “He might never,” Andrea said. “It would jeopardize her position with the Order.” Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.” “If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . . “Food has a special significance,” Aunt D said. I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.” “There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.” “In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.” “If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.” “But I didn’t know what it meant!” Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.” “You’re scaring me.” “Scared might be too strong a word, but in your place, I would definitely be concerned.” I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency. As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire. “Feel better?” “It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I’m sipping cranberry-and-ginger-ale punch and talking to Aunt D. about her divorce when Peter Kavinsky walks in wearing a hunter-green sweater with a button-down shirt underneath, carrying a Christmas tin. I almost choke on my punch. Kitty spots him when I do. “You came!” she cries. She runs right into his arms, and he puts down the cookie tin and picks her up and throws her around. When he sets her down, she takes him by the hand and over to the buffet table, where I’m busying myself rearranging the cookie plate. “Look what Peter brought,” she says, pushing him forward. He hands me the cookie tin. “Here. Fruitcake cookies my mom made.” “What are you doing here?” I whisper accusingly. “The kid invited me.” He jerks his head toward Kitty, who has conveniently run back over to the puppy. Josh is standing up now, looking over at us with a frown on his face. “We need to talk.” So now he wants to talk. Well, too late. “We don’t have anything to talk about.” Peter takes me by the elbow and I try to shake him off, but he won’t let go. He steers me into the kitchen. “I want you to make up an excuse to Kitty and leave,” I say. “And you can take your fruitcake cookies with you.” “First tell me why you’re so pissed at me.” “Because!” I burst out. “Everyone is saying how we had sex in the hot tub and I’m a slut and you don’t even care!” “I told the guys we didn’t!” “Did you? Did you tell them that all we did was kiss and that’s all we’ve ever done?” Peter hesitates, and I go on. “Or did you say, ‘Guys, we didn’t have sex in the hot tub,’ wink wink, nudge nudge.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Well, what happened to your scruples in the woodcutter’s cottage? You knew I thought you’d already left when I went inside.” “Why did you stay,” he countered smoothly, “when you realized I was still there?” In confused distress Elizabeth raked her hair off her forehead. “I knew I shouldn’t do it,” she admitted. “I don’t know why I remained.” “You stayed for the same reason I did,” he informed her bluntly. “We wanted each other.” “I was wrong,” she protested a little wildly. “Dangerous and-foolish!” “Foolish or not,” he said grimly, “I wanted you. I want you now.” Elizabeth made the mistake of looking at him, and his amber eyes captured hers against her will, holding them imprisoned. The shawl she’d been clutching as if it was a lifeline to safety slid from her nerveless hand and dangled at her side, but Elizabeth didn’t notice. “Neither of us has anything to gain by continuing this pretense that the weekend in England is over and forgotten,” he said bluntly. “Yesterday proved that it wasn’t over, if it proved nothing else, and it’s never been forgotten-I’ve remembered you all this time, and I know damn well you’ve remembered me.” Elizabeth wanted to deny it; she sensed that if she did, he’d be so disgusted with her deceit that he’d turn on his heel and leave her. She lifted her chin, unable to tear her gaze from his, but she was too affected by the things he’d just admitted to her to lie to him. “All right,” she said shakily, “you win. I’ve never forgotten you or that weekend. How could I?” she added defensively. He smiled at her angry retort, and his voice gentled to the timbre of rough velvet. “Come here, Elizabeth.” “Why?” she whispered shakily. “So that we can finish what we began that weekend.” Elizabeth stared at him in paralyzed terror mixed with violet excitement and shook her head in a jerky refusal. “I’ll not force you,” he said quietly, “nor will I force you to do anything you don’t want to do once you’re in my arms. Think carefully about that,” he warned, “because if you come to me now, you won’t be able to tell yourself in the morning that I made you do this against your will-or that you didn’t know what was going to happen. Yesterday neither of us knew what was going to happen. Now we do.” Some small, insidious voice in her mind urged her to obey, reminded her that after the public punishment she’d taken for the last time they were together she was entitled to some stolen passionate kisses, if she wanted them. Another voice warned her not to break the rules again. “I-I can’t,” she said in a soft cry. “There are four steps separating us and a year and a half of wanting drawing us together,” he said. Elizabeth swallowed. “Couldn’t you meet me halfway?” The sweetness of the question was almost Ian’s undoing, but he managed to shake his head. “Not this time. I want you, but I’ll not have you looking at me like a monster in the morning. If you want me, all you have to do is walk into my arms.” “I don’t know what I want,” Elizabeth cried, looking a little wildly at the valley below, as if she were thinking of leaping off the path. “Come here,” he invited huskily, “and I’ll show you.” It was his tone, not his words, that conquered her. As if drawn by a will stronger than her own, Elizabeth walked forward and straight into his arms that closed around her with stunning force. “I didn’t think you were going to do it,” he whispered gruffly against her hair.
Judith McNaught (Almost Heaven (Sequels, #3))
Two seconds went by before I got a response. Lenny: The offer stands, bish. Lenny: You’re the best person I know, fyi. I smiled down at my phone. Me: I love you too Lenny: [eye rolling emoji] Lenny: I was texting you because Grandpa G is making margaritas and he was asking where you were. Me: Tell him I love him. Lenny: I will. You find Rip? Me: I’m watching him. Lenny: Stalker Me: He’s standing in front of me, I can’t help it. Lenny: Pretty sure that’s what every stalker thinks. I chanced another glance at the man and held back a sigh. Me: Sometimes I don’t understand why him. Lenny: Because he looks like he’s been in jail and that’s about as far away from what every jackass you’ve ever dated looks like? Lenny: Grandpa G says he loves you too and to come over and bring the girl with you if she’s around. I didn’t tell him you’re at the bar, otherwise he’d want to invite himself. You know how that man gets in public. I almost laughed at the first comment and definitely laughed at the second one. Rip did look like he’d done time. That was unfair, but it was the truth. For all I knew, he probably had. Then again, I was probably judging him by a face he had no say in. For all I knew, he had a marshmallow heart and rescued and rehabilitated small animals when he wasn’t at work. Deep down, he might have a caring and loving disposition that he only shared around very few people—people who had won his trust. You never knew. The idea of that put a small smile on my face and kept it there as I typed a message back, leaving the first comment alone. Me: I don’t know how much longer I’ll be here, but if I leave soon, I’ll drop by. Tell Grandpa G that the girl is working tonight. You’re all coming for the graduation, right? Lenny: Yes. I’m legit ready to cry this Saturday. Lenny: I’ve got the blow horn ready by the way. TOOT TOOT, bish. She wasn’t the only one preparing herself to cry this weekend, and that made me happy for some reason.
Mariana Zapata (Luna and the Lie)
Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world? Like your heart may be broken but your spirit is still rising? Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now. Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day? Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer? Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two? Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once? Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming? Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?
Jeanette LeBlanc
Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please—” Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I—” she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know—exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant—” He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, exactly as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, invited—brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight . . . wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking . . . teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quite the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
Judith McNaught (Almost Heaven (Sequels, #3))
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation. “Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part. The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?” “Do you want to make it into one?” Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.” “Why not?” “You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.” “They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.” His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape. “How do you remember it?” he teased as his lips came closer. “Show me.
Judith McNaught (Almost Heaven (Sequels, #3))
He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar. Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.” Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it. “Explain that,” she commanded, backing away and then waiting. “Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her. Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake. “Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?” When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!” Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.” “I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.” “Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously. With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.” “Do you deny you sent me a note?” she snapped. “Of course I deny it!” “Then what were you doing in the greenhouse?” she shot back at him. “I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.
Judith McNaught (Almost Heaven (Sequels, #3))
But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?" "Of course not. That's what I have you for." Her private lackey to jump at her commands. He was already regretting this. "Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys." "I wouldn't know." She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well." A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme." Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..." "Honest?" he prodded. "Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly." He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations. "I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this." She frowned. "Must you make it sound so sordid?" He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid." "Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself." "There isn't enough money in all the world for that." Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show. She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable." He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum." "Thank you." She thrust out her hand. "Shall we shake on it?" The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview. He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin. But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens. Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something." He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this. I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do. I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first. Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me. Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?" This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain. No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball. I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper? "You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically. I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it." Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I'm sorry.' I blinked. 'What do you possibly have to be sorry for?' 'His hands were shaking- as if in the aftermath of that fury at what Keir had called me, what he'd threatened. Perhaps he'd brought me here before heading home in order to have some privacy before his friends could interrupt. 'I shouldn't have let you go. Let you see that part of us. Of me.' I'd never seen him so raw, so... stumbling. 'I'm fine.' I didn't know what to make of what had been done. Both between us and to Keir. But it had been my choice. To play that role, to wear those clothes. To let him touch me. But... I said slowly, 'We knew what tonight would require of us. Please- please don't start protecting me. Not like that.' He knew what I meant. He'd protected me Under the Mountain, but that primal, male rage he'd just shown Keir... A shattered study splattered in paint flashed through my memory. Rhys rasped. 'I will never- never lock you up, force you to stay behind. But when he threatened you tonight, when he called you...' Whore. That's what they'd called him. For fifty years, they'd hissed it. I'd listened to Lucien spit the words in his face. Rhys released a jagged breath. 'It's hard to shut down my instincts.' Instincts. Just like... like someone else had instincts to protect, to hide me away. 'Then you should have prepared yourself better,' I snapped. 'You seemed to be going along just fine with it, until Keir said-' 'I will kill anyone who harms you,' Rhys snarled. 'I will kill them, and take a damn long time doing it.' He panted. 'Go ahead. Hate me- despise me for it.' 'You are my friend,' I said, and my voice broke on the word. I hated the tears that slipped down my face. I didn't even know why I was crying. Perhaps for the fact that it had felt real on that throne with him, even for a moment, and... and it likely hadn't been. Not for him. 'You're my friend- and I understand that you're High Lord. I understand that you will defend your true court, and punish threats against it. But I can't... I don't want you to stop telling me things, inviting me to do things, because of the threats against me.' Darkness rippled, and wings tore from his back. 'I am not him,' Rhys breathed. 'I will never be him, act like him. He locked you up and let you wither, and die.' 'He tried-' 'Stop comparing. Stop comparing me to him.' The words cut me short. I blinked. 'You think I don't know how stories get written- how this story will be written?' Rhys put his hands on his chest, his face more open, more anguished than I'd seen it. 'I am the dark lord, who stole away the bride of spring. I am a demon, and a nightmare, and I will meet a bad end. He is the golden prince- the hero who will get to keep you as his reward for not dying of stupidity and arrogance.' The things I love have a tendency to be taken from me. He'd admitted that to me Under the Mountain. But his words were kindling to my temper, to whatever pit of fear was yawning open inside of me. 'And what about my story?' I hissed. 'What about my reward? What about what I want?' 'What is it that you want, Feyre?' I had no answer. I didn't know. Not anymore. 'What is it that you want, Feyre?' I stayed silent. His laugh was bitter, soft. 'I thought so. Perhaps you should take some time to figure that out one of these days.' 'Perhaps I don't know what I want, but at least I don't hide what I am behind a mask,' I seethed. 'At least I let them see who I am, broken bits and all. Yes- it's to save your people. But what about the other masks, Rhys? What about letting your friends see your real face? But maybe it's easier not to. Because what if you did let someone in? And what if they saw everything, and still walked away? Who could blame them- who would want to bother with that sort of mess?' He flinched. The most powerful High Lord in history flinched. And I knew I'd hit hard- and deep. Too hard. Too deep. 'Rhys,' I said.
Sarah J. Maas