When The Past Comes Knocking Quotes

We've searched our database for all the quotes and captions related to When The Past Comes Knocking. Here they are! All 55 of them:

The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
Sabrina K
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home. By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy. She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it. She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him. "Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth." She didn't wait for him to say anything, just turned around and walked back to her house. He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it. But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her. He ate another cookie before getting up to make himself dinner.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
When we reach the wall, we can discuss your future,” Elian says. I clench my fists, appalled at his audacity and the fact that I’m being forced to tolerate it. Never the queen, always the minion. “Discuss it?” I repeat. “You said you wanted to come with us, and I want to make sure you’re useful. You can’t just be a prisoner taking up space on my deck.” “I was belowdecks,” I remind him. “In a cage.” “That was this morning,” he says, as though it’s far enough in the past to be forgotten. “Try not to hold a grudge.” The grin he gives me is beyond taunting and I sneer, not deigning to reply. Instead I breeze past and make sure to knock my shoulder as hard as I can into his. The sooner I have his heart, the better.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
When the gods look down and fuck up your world, when the map you have laid out for your life has been ripped out of your hands, you are left somehow impotent and abandoned. And with the knowledge that the nature of your mortality is not a given. That life is a process of cause and effect, and however much you might side-step the cracks, stay away from the edge, keep on walking past the open windows, no one can prepare you for the utter shock of the backflip, the left-field pitch, the curveball, that knocks all that you are, all that you have known, for shit. If it’s coming for you, it’s coming for you. No point trying to hide from it.
Abi Morgan (This Is Not a Pity Memoir)
The school year progressed slowly. I felt as if I had been in the sixth grade for years, yet it was only October. Halloween was approaching. Coming from Ireland, we had never thought of it as a big holiday, though Sarah and I usually went out trick-or treating. For the last couple of years I had been too sick to go out, but this year Halloween fell on a day when I felt quiet fine. My mother was the one who came up with the Eskimo idea. I put on a winter coat, made a fish out of paper, which I hung on the end of a stick, and wrapped my face up in a scarf. My hair was growing in, and I loved the way the top of the hood rubbed against it. By this time my hat had become part of me; I took it off only at home. Sometimes kids would make fun of me, run past me, knock my hat off, and call me Baldy. I hated this, but I assumed that one day my hair would grow in, and on that day the teasing would end. We walked around the neighborhood with our pillowcase sacks, running into other groups of kids and comparing notes: the house three doors down gave whole candy bars, while the house next to that gave only cheap mints. I felt wonderful. It was only as the night wore on and the moon came out and the older kids, the big kids, went on their rounds that I began to realize why I felt so good. No one could see me clearly. No one could see my face.
Lucy Grealy (Autobiography of a Face)
When people talk about the South being haunted, it's true. But it's not the places that are haunted, it's the people. They are trapped by all the stories of the past, wandering a long hallway lined with locked doors, knocking and knocking, with no one ever answering. No one ever will. That's the thing about the past. The closest you can get to it is stories, and stories don't even come close.
Lydia Peelle
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
The past is dangerous, not least because it cannot go away. It is simply there, never to change, and in its constancy it reflects the eternity of God. It presents to the young mind a vast field of fascination, of war and peace, loyalty and treason, invention and folly, bitter twists of fate and sweet poetic justice. When that past is the past of one's people or country or church, then the danger is terrible indeed, because then the past makes claims upon our honor and allegiance. Then it knocks at the door, saying softly, "I am still here." And then our plans for social control—for inducing the kind of amnesia that has people always hankering after what is supposed to be new, without asking inconvenient questions about where the desirable thing has come from and where it will take us—must fail. For a man with a past may be free; but a man without a past, never.
Anthony Esolen (Ten Ways to Destroy the Imagination of Your Child)
Nothing like being woken up after only a few hours of sleep by workmen wanting to come into your sanctuary to check water lines to put life into perspective. Wine glasses, dishes, yesterday’s ghosts, and a fucking mess everywhere. It’s not all about me, is it? Life moves around out there and sometimes it wants to come in and mess with me when all I want to do is turn over and hide. I am a fragile being, sometimes it takes almost nothing to knock me off my feet and make me tired of living. Sometimes I am so tired that everything is a gargantuan effort. But I'm strong, I always hang on and hold on. My emotions run from being elated and looking up to the sky and seeing all the infinite possibilities, to looking straight into the eyes of Hades. But you know me, I always come through with all my scars, all the love I carry in my heart, and my crooked tiara. Every single diamond in that tiara reflects all the light within me and within you. Indestructible
Riitta Klint
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ [...] ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman (Loveless)
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
Remember that once we were all the children of tomorrow's light and hope. Someone, somewhere dreamed of you even before you were born. We have already met in a thousand wishes or more. As the nights pass and the days turn into sand, Let us remember our gentleness and the beauty of our soul. Never forget that our faces have been kissed by a hundred Angels welcoming us into this world. A thousand moments have flown past our eyes and with each caress of the wind, it carries a prayer, whispering... Oh how I miss you. Many of our tears have fallen and we have all stood with regret holding our hand and loneliness laying beside us. Even when the distant memories come and knock at the doors of our heart, Each one remind us of the embraces we shared with those we love. But do not fear dear ones, True love never dies, it lives beyond time and space, it lives forever. Our souls will always be connected, We now have to rise to the frequency of a higher Divine love calling our name. And one day soon we will all be reunited in a far more beautiful and magnificent way that we could only have ever dreamed about. So my beloved ones, take a deep breath, put your hand on your heart and embrace this moment, with courage and faith. Turn your gaze towards the horizon of hope. We can do this magnificent journey together with love beneath our wings. Let us embrace love like never before and before you know it we will have flown towards each other realising that we had our wings of freedom all along. Until we meet again...We walk in dreams.
Mimi Novic (Brilliance of Dawn)
The loud banging on Himari’s door could only be one person, only one person in the world knocked like that, her neighbor Filippo ben Vincente. “I am not home,” Himari yelled, refusing to leave her nest on the couch. “I have your favorite… amaretti. Still warm from the oven,” Filippo coaxed. Himari looked at the junk food wrappers scattered on the coffee table and thought about her empty kitchen. Filippo’s cookies were divine. “Make me a cappuccino, too?” “Yes, I make you two cappuccino. Come on.” Himari rolled her eyes. She stopped correcting his English, especially when she found it charming. Shuffling to the door, she pulled it open and gave him a reluctant smile. He threw up his hands and said, “Mamma Mia, look at you, eh? What is this you are wearing? It’s the same clothes since two days ago, and they were disgusting then.” “Shut up and give me cookies.” Himari moved past him, seeing his studio door ajar.
Staci Morrison (M3-The Outsiders (Millennium))
Your marriage is a subtle politics of domination. Your fatherhood, motherhood, is a subtle politics. Look at mothers, just simply watch! -- and you will feel they are trying to dominate their small children. Their aggression, their anger, is thrown on them -- they have become objects of catharsis, and by this they are already burdened. They will move in life carrying mountains from the very beginning, and they will never know that life is possible without carrying such loaded heads; and they will never know the freedom that comes with an unloaded being. They will never know that when you are not loaded you have wings and you can fly into the sky and into the unknown. And God is available only when you are unburdened. But they will never know. They will knock at the doors of temples but they will never know where the real temple exists. The real temple is freedom: dying moment to moment to the past and living the present. And freedom to move, to move into the dark, into the unknown -- that is the door to the divine!
Osho (And The Flowers Showered Discourses On Zen)
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many." HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not." "How could you? You don't even know who it was, do you?" "No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all. "Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside." A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon. "Yes," he whispered. "A long list indeed." "So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice. "Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?" She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward. Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance." Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room. "Ah, there you are. Good evening, Grey. Rose, Lord Archer is here." Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?" Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Last night they stole the watchman’s rattle, and knocked the watchman down. Now they go rattling through the streets, proclaiming the ballad of Worse-was-it-Never. There was a former age, it seems, when wives were chaste and pedlars honest, when roses bloomed at Christmas and every pot bubbled with fat self-renewing capons. If these times are not those times, who is to blame? Londoners, probably. Members of Parliament. Reforming bishops. People who use English to talk to God. Word spreads. On the farms around, labourers see the chance of a holiday. Faces blackened, some wearing women’s attire, they set off to town, picking up any edged tool that could act as a weapon. From the marketplace you can see them coming, kicking up a cloud of dust. Old men anywhere in England will tell you about the drunken exploits of harvests past. Rebel ballads sung by our grandfathers need small adaptation now. We are taxed till we cry, we must live till we die, we be looted and swindled and cheated and dwindled … O, Worse was it Never! Farmers bolt their grain stores. The magistrates are alert. Burgers withdraw indoors, securing their warehouses. In the square some rascal sways on top of a husting, viewing the rural troops as they roll in. ‘Pledge yourselves to me—Captain Poverty is my name.’ The bell-ringers, elbowed and threatened, tumble into the parish church and ring the bells backward. At this signal, the world turns upside down.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
When the head of his cock sweeps past her sweet spot yet again, something explosive erupts out of nowhere. "Oh, fuuuuck," she whimpers. Her walls flutter around him as her whole body ignites into flames. The pleasure is all-consuming, knocking her thoughts from her mind. Alexander huffs, stunned. "Did you--- Just from me---" Eden covers her face with her hands, embarrassed. "I'm sorry. You just feel so good, I---" He chuckles, pushing her hands aside to pepper her face with kisses. "Don't be sorry, it's alright. Can I keep going?" "Yes. Yes, please. I want to make you come. Give it to me rough." "If you want it rough, you'd better hold on to me, sweetheart." She does so, circling his neck with her arms. He rolls his hips against her, pace picking up in rhythm. The slap of their skin combined with the sound of their filthy groans is music to her ears. He snaps his hips into her relentlessly, searching for more of that sweet friction. The bed creaks in protest beneath them, but they show no signs of slowing down. "Fucking God, your pussy feels so good." "Fuck, I--- Right there, oh God right there." "So nice and tight for me. Spread your legs wider--- that's it." Eden can feel herself growing tighter, hotter, brighter. She can hardly breathe, and her heart is racing a mile a minute. "I think--- Fuck, I think I'm going to come again. I'm gonna---" Alexander claims her mouth, tongue sweeping over hers as he pins both her wrists above her head against the pillow. He fucks her harder, claiming her, pushing her closer and closer toward climax. When it happens, she moans into his mouth, quaking beneath his weight. He finds release, too, his muscles tensing as he spills over.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
(Murmurs) The ghostly words that I hear from the ones that speak to me are saying something like- ‘Look out for the stars that shine for you in hope. But- be aware to not fall into the deception. Do not mistake a star for a black hole, in the days of days, and the times of time, where the banners will be the red blood your loved one will have to shed. This will show the light upon the fault line. When their vials break free upon you and them. This may pull you around while looking at the ground. If you see this coming it is already too late for them to run, your loved one will be under the rains of fire, with the fight of freedom, and honor, with dust and sun. Remember you will have some loss indoors, yet the footprints have been made, and the boots will bring you and them home. Think of keeping the angels near. Yet always look up even when you are knocked down by life. The stars that we know, and love may just fall to us in a cloud of white dust, and life as we know it may not be here, and surely nothing will be clear.’ I do not know what it means- do you? Should I be scared? What are they telling me? Is this in my future? (Spirit and evil life) It is interesting how you can find your Angel, and how they can find you. I still believe it is a blessing to be able to see an angel. However, the sisters must have heard the voices of hope and how they have spoken down on me, and they are going to try to reverse it and use it against me like a hex like they have been doing all these days in the past. This makes me believe, they have dark powers for themselves… for them to know my abilities, which come from the divine. They must have some kind of inkling or something. As I said, I think the sisters and the clan took things way too far, and it got out of hand. They were in the moment of high ecstasy with their erotic acts, they had complete authority over their meek victim.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.
Lauren Kate (Passion (Fallen, #3))
What’s going on?’ she said. ‘Talk to me.’ ‘I …’ I looked down. I didn’t want her to see me. But Rooney was looking at me, eyebrows furrowed, so many thoughts churning behind her eyes, and it was that look that made me start spilling everything out. ‘I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ ‘B-but … that’s not how the world works, people always put romance over friendships –’ ‘Says who?’ Rooney spluttered, smacking her hand on the ground in front of us. ‘The heteronormative rulebook? Fuck that, Georgia. Fuck that.’ She stood up, flailing her arms and pacing as she spoke. ‘I know you’ve been trying to help me with Pip,’ she began, ‘and I appreciate that, Georgia, I really do. I like her and I think she likes me and we like being around each other and, yep, I’m just gonna say it – I think we really, really want to have sex with each other.’ I just stared at her, my cheeks tear-stained, having no idea where this was going. ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
She looks to the sky watching the rain as it falls through space and there is nothing to see in the ruined yard but the world insisting on itself, the cement’s sedate crumbling giving way to the rising sap beneath, and when the yard is past there will remain the world’s insistence, the world insisting it is not a dream and yet to the looker there is no escaping the dream and the price of life that is suffering, and she sees her children delivered into a world of devotion and love and sees them damned to a world of terror, wishing for such a world to end, wishing for the world its destruction, and she looks at her infant son, this child who remains an innocent and she sees how she has fallen afoul of herself and grows aghast, seeing that out of terror comes pity and out of pity comes love and out of love the world can be redeemed again, and she can see that the world does not end, that it is vanity to think the world will end during your lifetime in some sudden event, that what ends is your life and only your life, that what is sung by the prophets is but the same song sung across time, the coming of the sword, the world devoured by fire, the sun gone down into the earth at noon and the world cast in darkness, the fury of some god incarnate in the mouth of the prophet raging at the wickedness that will be cast out of sight, and the prophet sings not of the end of the world but of what has been done and what will be done and what is being done to some but not others, that the world is always ending over and over again in one place but not another and that the end of the world is always a local event, it comes to your country and visits your town and knocks on the door of your house and becomes to others but some distant warning, a brief report on the news, an echo of events that has passed into folklore, Ben’s laughter behind her and she turns and sees Molly tickling him on her lap and she watches her son and sees in his eyes a radiant intensity that speaks of the world before the fall, and she is on her knees crying, taking hold of Molly’s hand.
Paul Lynch (Prophet Song)
Too anxious to sit still, she stood in the stirrups to stretch her legs, then moved her bottom back and forth in the saddle until she found a comfortable spot to settle. She dallied her reins loosely around the saddle horn and reached up to unbutton the top two buttons of her blouse, then leaned over and shook the cotton cloth back and forth to cool herself. Her Stetson hat came off next. She settled it on the saddle horn, so what little breeze there was could reach the sweat on her nape. “What the hell kind of strip show are you putting on?” Bay nearly fell out of the saddle at Owen’s angry outburst. She jerked upright, knocking her hat off the horn and onto the ground. Her horse saw the shadow when it fell, figured it for a dangerous, horse-eating jackrabbit, and shied violently toward Owen’s mount. His horse took exception to being bumped and kicked out with both hooves, striking Bay’s horse in the rump, which grabbed for the reins, but they fell loose from the horn, and she was helpless to restrain her mount when he began to run helter-skelter down the canyon, sunfishing and crowhopping. Bay was thrown up onto her mount’s neck, where she held on for dear life. She heard Owen galloping behind her and knew it was only a matter of time before he caught up to her. But a narrow passage was coming up, and there wasn’t room for both her and her horse. She was going to be scraped off. Unless she jumped first. From her precious perch, Bay stared down at the rocky soil racing past her nose and thought of all the movies she’d seen where cowboys leaped from their horses and got up and walked away. Surely it couldn’t be that difficult. In a moment, when they reached that narrow passage, the choice was going to be taken from her. Bay closed her eyes and launched herself as far as she could from her horse’s flashing hooves. And landed like a sack of wet cement. She skidded for maybe two feet along the rocky bed of the canyon. On her face. And her right hip. And her left hand. When she stopped, she lay there stunned for a moment, then gave a shaky laugh. “Oh, that was not at all like it is in the movies.
Joan Johnston (The Texan (Bitter Creek, #2))
I couldn’t feel guilty any longer for misdeeds committed by another incarnation. I wouldn’t. “I’m sorry for your past, Aric. I wish it had been different. I wish I had been. But I refuse to keep paying for what I did in past games.”“Do you, then?” “In our first meeting, you skewered me with your sword. In other words: you started it. You didn’t ask me to marry you, just ordered it. I played the hand I was dealt.” “I take your point.” “Let’s begin anew, Empress.” (He expects her to ‘forgive/forget’ for him but not Jack?) “The mortal can’t provide for you like I can. I offer you a home. Defensive, I said, “Jack plans to rebuild Haven House for me.” Anger flashed across Aric’s face. He schooled his reactions as quickly as he did everything else, leaving his emotions to seethe beneath the surface. “If you desire something, all you have to do is tell me. It will shortly be yours. You’ll see soon enough.” (Bribery for her to favor him?) What if Aric could straight-up end the game? Blow up the machine? “Deveaux will never understand you as I do. As only another Arcana can.” “Maybe not. But we have other ties.” I thought of the ribbon he’d kept all this time, the one now in my pocket. “As do we. We are wed.” (after Aric ordered her to do so.) “I think of you as mine. “When I recognized that you weren’t over your infatuation with the mortal, I might have been . . . testing you.” He’d tested me the other night as well! “What if I’d surrendered?” “Testing me doesn’t excuse what you did. Coercion is not cool.” “Then teach me what is! “I don’t think something like that can be taught. It’s part of your makeup, part of who you are.” “Aric, selfless acts might be beyond you. And even sex with you would come with strings. What if I hadn’t realized you were minus one condom?” The memory stoked my fury. “You were about to trick me—to betray me.” “You had my entire future mapped out—with me knocked up—and you never mentioned it to me.” (keeping secrets). “It’s been this way between husbands and wives for thousands of years. At the time, I thought if we were so blessed, then all the better.” Because his concepts about marriages and families were from a different epoch.
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
In an ideal world, a young man should not be an ironical person. At that age, irony prevents growth, stunts the imagination. It is best to start life in a cheerful and open state of mind, believing in others, being optimistic, being frank with everyone about everything. And then, as one comes to understand things and people better, to develop a sense of irony. The natural progression of human life is from optimism to pessimism; and a sense of irony helps temper pessimism, helps produce balance, harmony. But this was not an ideal world, and so irony grew in sudden and strange ways. Overnight, like a mushroom; disastrously, like a cancer. — Sarcasm was dangerous to its user, identifiable as the language of the wrecker and the saboteur. But irony—perhaps, sometimes, so he hoped—might enable you to preserve what you valued, even as the noise of time became loud enough to knock out windowpanes. What did he value? Music, his family, love. Love, his family, music. The order of importance was liable to change. Could irony protect his music? In so far as music remained a secret language which allowed you to smuggle things past the wrong ears. But it could not exist only as a code: sometimes you ached to say things straightforwardly. Could irony protect his children? Maxim, at school, aged ten, had been obliged publicly to vilify his father in the course of a music exam. In such circumstances, what use was irony to Galya and Maxim? As for love—not his own awkward, stumbling, blurting, annoying expressions of it, but love in general: he had always believed that love, as a force of nature, was indestructible; and that, when threatened, it could be protected, blanketed, swaddled in irony. Now he was less convinced. Tyranny had become so expert at destroying that why should it not destroy love as well, intentionally or not? Tyranny demanded that you love the Party, the State, the Great Leader and Helmsman, the People. But individual love—bourgeois and particularist—distracted from such grand, noble, meaningless, unthinking “loves.” And in these times, people were always in danger of becoming less than fully themselves. If you terrorised them enough, they became something else, something diminished and reduced: mere techniques for survival. And so, it was not just an anxiety, but often a brute fear that he experienced: the fear that love’s last days had come.
Julian Barnes (The Noise of Time)
I remember once, on a family skiing trip to the Alps, Dad’s practical joking got all of us into a particularly tight spot. I must have been about age ten at the time, and was quietly excited when Dad spotted a gag that was begging to be played out on the very serious-looking Swiss-German family in the room next door to us. Each morning their whole family would come downstairs, the mother dressed head to toe in furs, the father in a tight-fitting ski suit and white neck scarf, and their slightly overweight, rather snooty-looking thirteen-year-old son behind, often pulling faces at me. The hotel had the customary practice of having a breakfast form that you could hang on your door handle the night before if you wanted to eat in your room. Dad thought it would be fun to fill out our form, order 35 boiled eggs, 65 German sausages, and 17 kippers, then hang it on the Swiss-German family’s door. It was too good a gag to pass up. We didn’t tell Mum, who would have gone mad, but instead filled out the form with great hilarity, and sneaked out last thing before bed and hung it on their door handle. At 7:00 A.M. we heard the father angrily sending the order back. So we repeated the gag the next day. And the next. Each morning the father got more and more irate, until eventually Mum got wind of what we had been doing and made me go around to apologize. (I don’t know why I had to do the apologizing when the whole thing had been Dad’s idea, but I guess Mum thought I would be less likely to get in trouble, being so small.) Anyway, I sensed it was a bad idea to go and own up, and sure enough it was. From that moment onward, despite my apology, I was a marked man as far as their son was concerned. It all came to a head when I was walking down the corridor on the last evening, after a day’s skiing, and I was just wearing my ski thermal leggings and a T-shirt. The spotty, overweight teenager came out of his room and saw me walking past him in what were effectively ladies’ tights. He pointed at me, called me a sissy, started to laugh sarcastically, and put his hands on his hips in a very camp fashion. Despite the age and size gap between us, I leapt on him, knocked him to the ground, and hit him as hard as I could. His father heard the commotion and raced out of his room to find his son with a bloody nose and crying hysterically (and overdramatically). That really was the straw that broke the camel’s back, and I was hauled to my parents’ room by the boy’s father and made to explain my behavior to Mum and Dad. Dad was hiding a wry grin, but Mum was truly horrified, and I was grounded. So ended another cracking family holiday!
Bear Grylls (Mud, Sweat and Tears)
NOTE: Practice your most effective relaxation techniques before you begin these exercises (refer to Chapter 6 if necessary). People are better able to concentrate when they are relaxed. Listening -Pay attention to the sounds coming from outside: from the street, from above in the air, from as far away as possible. Then focus on one sound only. -Pay attention to the sounds coming from a nearby room—the kitchen, living room, etc. Identify each one, then focus on a single sound. -Pay attention to the sounds coming from the room you are in: the windows, the electrical appliances. Then focus on one sound only. -Listen to your breathing. -Hear a short tune and attempt to re-create it. -Listen to a sound, such as a ringing doorbell, a knock on the door, a telephone ringing, or a siren. How does it make you feel? -Listen to a voice on the telephone. Really focus on it. -Listen to the voices of family members, colleagues, or fellow students, paying close attention to their intonation, pacing, and accent. What mood are they conveying? Looking -Look around the room and differentiate colors or patterns, such as straight lines, circles, and squares. -Look at the architecture of the room. Now close your eyes. Can you describe it? Could you draw it? -Look at one object in the room: chair, desk, chest of drawers, whatever. Close your eyes and try to picture the shape, the material, and the colors. -Notice any changes in your environment at home, at school, or in your workplace. -Look at magazine photos and try to guess what emotions the subjects’ expressions show. -Observe the effect of light around you. How does it change shapes? Expressions? Moods? Touching -When shaking a person’s hand, notice the temperature of the hand. Then notice the temperature of your own hand. -Hold an object in your hands, such as a cup of coffee, a brick, a tennis ball, or anything else that is available. Then put it down. Close your eyes and remember the shape, size, and texture of the object. -Feel different objects and then, with your eyes closed, touch them again. Be aware of how the sensations change. -Explore different textures and surfaces with your eyes first open and then closed. Smelling and Tasting -Be aware of the smells around you; come up with words to describe them. -Try to remember the taste of a special meal that you enjoyed in the past. Use words to describe the flavors—not just the names of the dishes. -Search your memory for important smells or tastes. -Think of places with a strong tie to smell. These sensory exercises are an excellent way to boost your awareness and increase your ability to concentrate. What is learned in the fullest way—using all five senses—is unlikely to be forgotten. As you learn concentration, you will find that you are able to be more in tune with what is going on around you in a social situation, which in turn allows you to interact more fully.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ [...] ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman (Loveless)
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais- At Tamlin. The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me. My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it- And Red ones. Like drops of blood amongst the white, red petals had been sprayed across the path ahead. I forced my gaze up, to Tamlin, his shoulders back, head high. So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy. Everyone else was thinking it. They had to be. Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown. As if I were good- as if I hadn't murdered two of their kind. I was a murderer and a liar. A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet. Ten steps from the dais, at the edge of that splatter of red, I slowed. Then stopped. Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment. Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast. I was going to vomit. Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it. And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood- So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation- I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me. The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out- Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months- 'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air. If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't- I was going to fall apart, right there, right then- and they'd see precisely how ruined I was. Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this. Tamlin took a step toward me- concern shading those eyes. I retreated a step. No. Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us. Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.' Good. I was not good. I was nothing, and my soul, my eternal soul was damned- I tried to get my traitorous lungs to draw air so I could voice a word. No- no. But I didn't have to say it. Thunder crackled behind me, as if two boulders have been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. 'Hello, Feyre darkling,' he purred.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James (Dead at First Sight (Roy Grace, #15))
If a ship landed in my yard and LGMs stepped out, I’d push past their literature and try to find the cable that dropped the saucer on my roses. Lack of a cable or any significant burning to the flowers, I’d then grab a hammer and start knocking about in the ship till I was convinced that nothing said “Intel Inside.” Then when I discovered a “Flux Capacitor” type thing I would finally stop and say, “Hey, cool gadget!” Assuming the universal benevolence of the LGMs, I’d yank it out and demand from the nearest "Grey” (they are the tall nice ones), “where the hell did this come from?” Greys don’t talk, they communicate via telepathy, so I’d ignore the voice inside my head. Then stepping outside the saucer and sitting in a lawn chair, I’d throw pebbles at the aliens till I was sure they were solid. Then I’d look down at the “Flux Capacitor” and make sure it hadn’t morphed into my bird feeder. Finally, with proof in my hand and aliens sitting on my deck (they’d be offered beers, though I’ve heard that they absorb energy like a plant) I’d grab my cell phone and tell my doctor that I’m having a serious manic episode with full-blown visual hallucinations.
Peter K. Bertine
His presence is tangible, hanging heavy and hot in the air and you’re never very far from impressed when it comes to him – the glow illuminating from your phone tells you it’s just past midnight and its right around his hour, early enough to catch you awake but late enough to avoid the worst of your anger. It’s entertaining to hear him whine into your door, laughing and arguing with himself, plaguing the door with an annoying rhythm of knocking, an entire conversation held without you but only about you. ‘Sawamura, come on, let me in,’ You just barely stop yourself from laughing out loud. Let you in? How much further can I let you in? There’s nothing left to see, you’ve bared it all, with every month that passes with him you’ve wrenched open another rib, proving that there isn’t a cage, you aren’t a cage, this isn’t a trap, exposing every fibrous pull of muscle, every taunt curve of your heart, valves that were intended to pump for you but somewhere down the line starting pumping for him. The knocking on the door is nothing compared to the pounding in your chest, the beats persistently dependent on what whim he’s decided to throw your way next.
nee-saan (@tumblr)
Full of confidence, I jab at the ON button and wait for the machine to spring into action. When nothing happens, I flip the switch back and forth impatiently. Come on! What is wrong with the damn thing? As I try desperately to get the blender to work, Pearl carries on with her class regardless. Starting to panic that she has now moved on to caramelising the berries, I give the blender a hard whack on the side. For a split second, it begins to whirr before fizzling out into silence. Grabbing the rolling pin in frustration, I repeatedly hit the blender until my arm starts to throb. Suddenly it kicks into action, only my heavy bashing has knocked the lid clean off, resulting in sticky, butter soaked crumbs flying all over the kitchen. Letting out an alarmed squeal, I duck under the table to shield myself from the debris. Pieces of biscuit whiz past my eyes like a scene out of a cartoon. And to think this started so well. Tearing off my hairnet, I dig my mobile out of the pocket of my apron and hit speed dial before letting out an exasperated sigh. ‘Hi,
Lacey London (Clara at Christmas (Clara Andrews, #4))
She headed out into the hall and knocked quietly on his door. “Come in!” Megan took a deep breath and stepped inside. “Hey.” Finn looked up from his desk as if startled. “Hi,” he replied, pushing his hands against the thighs of his jeans. He glanced past her at the hallway, but when Megan turned around, she found they were alone. “What’s up?” Megan asked. “You really shouldn’t be in here,” Finn said. Megan’s heart dropped like a stone. “I know your parents are mad, but do you think they really expect us not to talk?” “Yeah…no…I don’t know,” Finn said, turning in his chair. “I just…Don’t you think we should let things calm down a little first?” “Yeah, like that’s ever going to happen in this house,” Megan joked lamely. Finn didn’t laugh. She swallowed against a lump in her throat and looked around uncertainly. She had come in here so that Finn could reassure her and make her feel better like he always did, but the evasive way he was acting was just making her feel worse. “Look, it’s just…being around you is…it’s not easy,” Finn said, looking everywhere but at her. He might as well have thrown cold water in her face. “Oh, well, I’m sorry,” Megan replied, backing out. “I guess that’s easily solved.” “No, Megan, wait,” Finn said. But she was dangerously close to tears and there was no way she was going to break down in front of him. “No, seriously, I’ll go,” Megan said. Finn swallowed and looked like he wanted to say something. For a split second, Megan’s heart dared to hope, but then he turned away and looked down at his notes again. “Yeah…okay,” he said. Finn focused pointedly on his work. This was really happening. Finn really didn’t want to have anything to do with her. Finally, feeling like the biggest idiot on earth, Megan made herself move.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
I knocked quickly, brushing my disordered hair back from my eyes. The door swung open and I was in the shadowy, warm kitchen, almost in Mrs. Klevity’s arms. “Oh!” I backed up, laughing breathlessly. “The wind blew—” “I was afraid you weren’t coming.” She turned away to the stove. “I fixed some hot cocoa.” I sat cuddling the warm cup in my hands, savoring the chocolate sip by sip. She had made it with milk instead of water, and it tasted rich and wonderful. But Mrs. Klevity was sharing my thoughts with the cocoa. In that brief moment when I had been so close to her, I had looked deep into her dim eyes and was feeling a vast astonishment. The dimness was only on top. Underneath—underneath— I took another sip of cocoa. Her eyes—almost I could have walked into them, it seemed like. Slip past the gray film, run down the shiny bright corridor, into the live young sparkle at the far end. I looked deep into my cup of cocoa. Were all grownups like that? If you could get behind their eyes, were they different too? Behind Mom’s eyes, was there a corridor leading back to youth and sparkle?
Zenna Henderson (Believing: The Other Stories of Zenna Henderson)
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James
The men are ready to ride,” Ioan said as he came up the stairs behind him. Christian nodded. “Knowing Adara, I’m sure we’re already packed as well. I just need to don my armor and I, too, will be ready.” Ioan was about to leave him when they heard something shatter inside Christian’s room. A heartbeat later, Adara screamed. Terror, panic, and anger descended on Christian as he swung open the door to find her in the room with two other men who were trying to hold her down. “I’ll make you pay for that, bitch,” the one holding her said as he tore open her gown. Christian flew across the room, ready to kill them both. He grabbed the one holding his wife and knocked him against the wall, then turned to knock the other one back. But when the one who had touched her came back to swing at him, he lost all control. All he could see was the man ripping Adara’s gown, the terror on her face. He slugged her assailant repeatedly, then grabbed his head and banged it against the floor until he felt Ioan pulling him back. “Christian, stop! You’re going to kill him.” Enraged beyond reason, he slammed the man’s head against the floor one last time, then turned on the other, who was pushing himself up from the floor. His lip was busted as he stared at Christian in disbelief. “Go see to Adara,” Ioan snapped, pulling him away from the other attacker. Needing to make sure she was all right, Christian went to her. She was huddled on the floor, weeping. “Shhh,” he said soothingly as he pulled her into his arms. She looked up at him, her lips quivering, to show him her battered face. It was more than he could stand. Rising, he went after her attackers again, only to find Ioan blocking his way. “Get out of my way, Ioan, or I’ll thrash you, too. I mean it.” Ioan refused to budge. “Let the sheriff handle this.” “Why are you so angry?” the taller attacker asked. “You are one of us. ’Tis only fair we take a Saracen whore—” Christian shoved Ioan away from him as he lunged for the man and cut his words off with a vicious backhand. “That is my wife you speak of, you bastard. My wife you attacked.” The color faded from the man’s face. Suddenly Phantom was there, pulling him back as Ioan came forward. “Let go of me!” Christian shouted. “I want justice.” “I can’t let you hurt them, Christian,” Ioan said apologetically. “They are the ones who have just come back with Agbert and Dagger. They spent the past seven years in a Saracen prison.” Still, he fought against Phantom’s hold. “It doesn’t give them the right to attack an innocent woman, and most especially not mine.” “Nay, it doesn’t,” Ioan agreed. “I will see them into the sheriff’s custody.” Far from appeased, Christian finally succeeded in shoving Phantom away from him to return to Adara’s side.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Nigel doesn’t speak of your father, dear. I learned about your father, as well as a good deal about your entire family, from a tracker I hired to look into your past. I thought he was well worth his exorbitant fee, what with the discovery of Nigel. But then . . . after I won you fair and square in that card game, you did the unthinkable and fled.” “You and I both know that you didn’t win anything fair and square.” When Silas sent her a wink, she almost choked on the small bite of bread she’d put in her mouth. “Come now, dear, surely you’ve figured out that all of this”—he gestured around the room, and at the meal—“as well as the money it took to track you down, was my way of proving to you once and for all that you and I are meant to be together.” Lucetta narrowed her eyes. “Rumor has it around town that you’ve been short of funds ever since you and Oliver Addleshaw parted ways.” Silas narrowed his eyes back at her until he, curiously enough, laughed. “Is that why you’ve given me such a difficult time, my girl? You think I’ll be unable to keep you in style?” Blinking, Lucetta found she had no response to that piece of ridiculousness, but she was spared the need to respond when Silas continued. “You’ll be relieved to learn that my wife, harridan that she is, has a great deal of money—although she can be tightfisted with it at times, which means I have to encourage her to send money my way when I’m short on funds.” His smile widened. “But she’s learned over the years it’s easier to simply hand me money rather than have me encourage her to hand it over. That means I’ll have no problem keeping you knee-deep in lovely gowns and whatever other frivolous items you may want.” His words had Lucetta setting down the rest of the bread, unable to eat another bite. For a man to speak so casually about encouraging his wife, which could only mean abusing her, made Lucetta physically ill. “And while I’m sure that you’ll miss the theater, dear, do know that after you’ve accustomed yourself to me and my . . . needs, I may return you to the theater—if only to allow all of those gentlemen who salivate over you, and have done so for years, to see you performing for me, and only for me as I sit in a private box and watch your every move, and . . .” Whatever else Silas intended to say was lost when there was another knock on the door. “Go
Jen Turano (Playing the Part (A Class of Their Own, #3))
You’re such an ass.” I growled and took another step back, “I just don’t understand why we can’t be friends all the time. I don’t want to be your friend on Sunday and the girl you don’t acknowledge every other day of the week. I want the same thing every day. So you decide what that is and let me know.” I moved to walk around him, but he put his arm up against the wall of the hallway, blocking me in. “I’ll tell you, if you tell me.” “Tell you what?” “I feel like I’m just one in a group of Harper’s many guys, but I’m not getting the benefits. So tell me, if I act like your friend, will I get to fuck you too?” My fist was aiming straight for that perfectly shaped nose but Chase was slammed into the wall before I could connect. Brandon’s forearm was pressed against Chase’s throat and his tan face was turning red with anger. “What the hell did you just say to her?” He growled and pressed Chase harder into the wall. Chase’s only response was to spit in Brandon’s face. Brandon’s other hand grabbed Chase’s shirt to bring him forward while the arm that had been against his throat delivered a hard blow to Chase’s stomach. Chase swung and hit the wall when Brandon moved, but he’d moved right into Chase’s left hook. I started yelling at them to stop and somehow they ended up on the floor with Chase on top. Just as the other housemates came out of their rooms, Brandon knocked Chase’s head to the side and Chase spit again on Brandon’s face, this time it was full of blood. “Shit, again?” Brad huffed as he ran past me and grabbed Chase’s arms to pin them back. Derek kept Brandon on the floor while Zach helped Brad haul Chase towards a hall on the opposite side of the living room. “Holy Crap Princess,” Drew slung his arm around my shoulders and I shook it off, “you really drive guys crazy don’t you? This has been the most entertaining two months we’ve ever had in this house, and it all seems to come back to you.” “Drew.” “Yeah Princess?” “If you want to have kids at some point in life, I suggest you leave.” He tsked at me, but wisely moved away, “So touchy. Hey B, you uh, got a little something on your face.” “I’m about to let him up.” Derek warned and Drew took off for the back yard. As soon as Derek let go, Brandon was up and stalking toward his bathroom, not saying a word to me. Derek handed me Brandon’s back pack and nodded toward his bedroom. “Wait for him in there, I’m gonna go talk to him though I’m positive I already know what he’s gonna say. Just give him a few minutes, and Harper?” “Hmm?” “Stay away from Chase. It’ll make all of this a lot easier.” I
Molly McAdams (Taking Chances (Taking Chances, #1))
The good news was that the newspaper he had ordered was right at his door as promised. The bad news was that he had forgotten to buy milk for his breakfast. So he dumped the cereal back into the box, swept the overflow into the sink, and put second best, a bagel, into the toaster while he read the paper. He was barely past the first page when the toaster started to smoke. He pushed up the handle; the bagel stayed down. Smoke continued to curl toward the ceiling, setting off the fire alarm. Swearing broadly, he silenced it by knocking it down with the handle of the mop that had come in so handy the night before.
Barbara Delinsky (More Than Friends)
When the past comes knocking, don't answer. It has nothing new to tell you.
Oscar Auliq-Ice
I’ve eaten about half the carton when a knock sounds on my door. I startle. I don’t go to the door. No one I know would come here. My phone bleeps. Matt: Answer your door. Me: No. Go away. My heart starts to trip. He’s here. Shit. I uncurl my feet from under me and perch my bottom on the edge of the couch. He’ll go away if I wait long enough. He knocks again, and I jerk, dropping my spoon to the floor. I get up and toss it in the sink as I walk past. It clatters loudly. I walk over to the door, press my ear against it, and listen. I don’t hear anything. Matt: I’m not leaving. Me: How did you find me? Matt: Your father felt sorry for me. Me: Traitor. I hear a chuckle through the door. Matt: He loves you. Me: What did you tell him? Matt: I told him that I’m an idiot. I wait. Matt: He agreed. A grin tugs at my lips. Matt: You’re laughing, right? I don’t respond. Matt: Please tell me you’re not crying. Me: Not anymore. You should go home, Matt. Matt: You first. I hear Matt speak softly through the crack in the door. “You should go home, Sky.” I sink down onto my bottom and lay the back of my head against the door. “I can’t go home,” I say. “Why not?” he asks, his voice soft, and I think he is sitting down now, too, just on the other side of the door. “Because you’ll go there.” He chuckles. “I’m here.” I sigh heavily. “Go home, Matt. My feelings are hurt, and I don’t want to see you right now.” “It wasn’t what you thought it was. I thought you knew who she was, and you obviously didn’t. I never meant to hurt you.” “You still love her, Matt,” I say. “No,” he protests. “I don’t. And I made that very clear when you forced me to dance with her tonight.” “You wrote her a fucking letter when you were dying,” I say. “Ugh!” he cries. “That letter will haunt me until the day I die.” “Only because it tells how you really feel.” He chuckles. “It does tell how I really felt when I wrote it.” I bang the back of my head against the door. I want to stop talking about it. “I want you to read it,” he says. “I don’t want to read it.” “Yes, you do.” I hear a rustle, and an envelope slides under my door. It has the word April written across the front. I push it back to him. He laughs and shoves it through again. “I need to tell you something,” he says. “What?” I ask. I don’t touch the letter. I just let it lie there on my carpet. “Seth and Mellie and Joey, they depend on you. They don’t deserve for you to leave them.” That hits me like he just kicked me in the chest. “I didn’t leave them.” “You’re here so you can avoid me, and they’re there.” I don’t say anything because he’s right. I did leave them. “I’ll go away if you’ll go home,” he says. “I won’t like it, but I love you, and I love them enough to give up for tonight so you can go back to them. They need you. And you need them.” Tears burn my eyes, and I blink them back. “Matt,” I say. “Will you read the letter?” he asks. “Maybe,” I grouse. He chuckles, and I hear a sniffle from his side. “Will you call me when you’re ready?” “Maybe,” I say again. “Go home to the kids, Sky. I promise to give you some space. Read the letter, though. It might help.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
February 5 On the Thin Ice When calamity comes, the wicked are brought down, but even in death the righteous have a refuge.—Proverbs 14:32 My husband had an harrowing experience a few weeks ago. As he was driving over a low overpass, a patch of “black ice” caught him by surprise. His truck spun around and headed for the concrete guardrail. All he could do was wait for the impact. As he told me about the incident, I thought about how often it seems that situations in our lives are just as far out of our control as a truck sliding around on ice. One moment things seem to be going smoothly; then all of a sudden there is a death, a diagnosis, a crisis, or something else that knocks the wind out of us. There is very rarely anything we can do to prevent these sorts of catastrophes; they seem to fall out of the sky. However, mental and spiritual preparation can keep us from being crushed. Remembering that nothing is impossible with God, and meditating on his faithfulness to me in the past, reminds me that there is good reason to trust him with the future (Luke 1:37; Psalm. 89:8). With this in mind, our first reaction to calamity can be to turn toward God, knowing that He will give us His peace (Philippians 4:6-7). We can calmly steer into the skid that life has thrown us, knowing that He is always there (Joshua 1:9). We may be bowed low by trouble and heartache but, by the grace of God, we will not be defeated (2 Corinthians 4:8)! By the way, I am thrilled to say that my husband arrived home without a scratch on him or his truck, thanks to the mighty hand of God that delivered him! Truly, nothing is too hard for the Lord (Jeremiah 32:27). Thank You, Lord, that You are my refuge in times of trouble (Psalm. 9:9). What a comfort to know that Your strong arms are there when the very ground I’m standing on seems to crumble beneath my feet!
The writers of Encouraging.com (God Moments: A Year in the Word)
But first a description: Clara Bowden was beautiful in all senses except maybe, by virtue of being black, the classical. Clara Bowden was magnificently tall, black as ebony and crushed sable, with hair plaited in a horseshoe which pointed up when she felt lucky, down when she didn’t. At this moment it was up. It is hard to know whether that was significant. She needed no bra – she was independent, even of gravity – she wore a red halterneck which stopped below her bust, underneath which she wore her belly button (beautifully) and underneath that some very tight yellow jeans. At the end of it all were some strappy heels of a light brown suede, and she came striding down the stairs on them like some kind of vision or, as it seemed to Archie as he turned to observe her, like a reared-up thoroughbred. Now, as Archie understood it, in movies and the like it is common for someone to be so striking that when they walk down the stairs the crowd goes silent. In life he had never seen it. But it happened with Clara Bowden. She walked down the stairs in slow motion, surrounded by afterglow and fuzzy lighting. And not only was she the most beautiful thing he had ever seen, she was also the most comforting woman he had ever met. Her beauty was not a sharp, cold commodity. She smelt musty, womanly, like a bundle of your favorite clothes. Though she was disorganized physically – legs and arms speaking a slightly different dialect from her central nervous system – even her gangly demeanour seemed to Archie exceptionally elegant. She wore her sexuality with an older woman’s ease, and not (as with most of the girls Archie had run with in the past) like an awkward purse, never knowing how to hold it, where to hang it or when to just put it down. ‘Cheer up, bwoy,’ she said in a lilting Caribbean accent that reminded Archie of That Jamaican Cricketer, ‘it might never happen.’ ‘I think it already has.’ Archie, who had just dropped a fag from his mouth which has been burning itself to death anyway, saw Clara quickly tread it underfoot. She gave him a wide grin that revealed possibly her one imperfection. A complete lack of teeth in the top of her mouth. ‘Man…dey get knock out,’ she lisped, seeing his surprise. ‘But I tink to myself: come de end of de world, d’Lord won’t mind if I have no toofs.’ She laughed softly.
Zadie Smith (White Teeth)
Who Failed to Pray? When my wife and I were first married, we lived temporarily in my parents’ home before beginning our pastorate in another state. One night each week my parents drove several miles to a country schoolhouse, where my father conducted a Bible study and prayer meeting. One evening, while they were away, my wife and I were alone in my parents’ home, praying on our knees, when a sudden premonition of terrible danger swept over me. I began to plead God’s mercy, lifting my hands in agony of prayer. I did not know what the danger was and thought perhaps a robber was outside our window. For ten minutes or more I could only plead the blood of Jesus and claim the name of Jesus. Then the burden lifted. My wife could not understand what had happened to me, and said my face was as white as a sheet. She asked me what I thought it was. I replied that I did not know, only that I was sure God had delivered from some great danger. About twenty minutes later there was a knock on our bedroom door. It was my mother. Her first words confirmed my earlier apprehension: “Oh, Wesley, God has been so merciful to us tonight! When Papa and I were driving home on the highway, the bright light of an oncoming car blinded our eyes. The car was coming at high speed straight at us. At the last moment it swerved and just missed us. When it was past, we realized that we were on the wrong side of the road!” Explain it as you will. Perhaps it was the hand of prayer that guided the steering wheel of the speeding car and swerved it to avoid a collision. Perhaps I had touched heaven’s throne, and God sent an angel to handle the situation. I do not know. But this I do know: God alerted us to intercede and at the very time of danger spared the lives of my parents to many more years of ministry. Thereafter, when I hear that a valuable servant of God has been killed in an accident, I ask myself: “Who failed to pray?
Wesley L. Duewel (Touch the World through Prayer)
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
My grandmother had died the night before; the funeral was tomorrow. I was in New York when my mother called with the news. “No one expects you. You don't need to come.” Hard to tell what this meant; after all these years I still don't speak her language. “You have your memories,” she said. I do? I thought, worried. I couldn't think of any memories. All I could think of were a lot of No Trespassing signs. Private. Keep Out. The woods were papered with them. The past is not such a good neighbor. It knocks when it wants, but it won't let you in. What good are memories?
Bette Howland (Blue in Chicago: And Other Stories)
Remember that once we were all the children of tomorrow's light and hope. Someone, somewhere dreamed of you even before you were born. We have already met in a thousand wishes or more. As the nights pass and the days turn into sand, Let us remember our gentleness and the beauty of our soul. Never forget that our faces have been kissed by a hundred Angels welcoming us into this world. A thousand moments have flown past our eyes and with each caress of the wind, it carries a prayer, whispering... Oh how I miss you. Many of our tears have fallen and we have all stood with regret holding our hand and loneliness laying beside us. Even when the distant memories come and knock at the doors of our heart, Each one remind us of the embraces we shared with those we love. But do not fear dear ones, True love never dies, it lives beyond time and space, it lives forever. Our souls will always be connected, We now have to rise to the frequency of a higher Divine love calling our name. And one day soon we will all be reunited in a far more beautiful and magnificent way that we could only have ever dreamed about. So my beloved ones, take a deep breath, put your hand on your heart and embrace this moment, with courage and faith. Turn your gaze towards the horizon of hope. We can do this magnificent journey together with love beneath our wings. Let us embrace love like never before and before you know it we will have flown towards each other realising that we had our wings of freedom all along. Until we meet again...Let us meet in dreams.
Mimi Novic (Brilliance of Dawn)
I headed straight for the half-bathroom I remembered seeing on my other visits over. I peed and started washing my hands, and it was when I reached for a towel that I happened to look down and saw something small and brown run across the floorboard. I froze. Leaning over just a little, I peeked around the toilet and saw it again. Two little eyes. One bare tail. About two inches long. It darted off, disappearing around the trash can. I wasn’t proud of myself… but I screamed. Not loud, but it was still a scream. And then I got the hell out of there. Honestly, I wasn’t sure I’d ever moved so fast going down the hall, thankful I’d seen him after I’d pulled my pants on and zipped them up, going as far away from the bathroom as possible. Which ended up being the kitchen. Rhodes was standing by the island, tearing paper towels off when he noticed me coming. A frown came over his face. “What’s—” “There’s a mouse in the bathroom!” I squeaked and went past him, pretty much leaping onto the stool beside the counter, then jumping from there to the back of the couch with a frantic look toward the floor to make sure I hadn’t been followed. Out of the corner of my eye, I noticed Amos stood up so fast the chair he was in fell backward, and the next thing I knew, he’d leaped onto the couch and ended up beside me, his butt propped up on the back of it, legs dangling inches off the floor in the air. Johnny and Jackie either didn’t care or were so stunned by Amos and me, that they hadn’t moved a single inch from the table. “A rat?” Rhodes asked from the exact same spot he’d been in. I shook my head at him, exhaling hard to try and bring my heart rate down. “No, a mouse.” His eyebrows crept up about a half-inch, but I noticed it. “You’re screaming because of a mouse?” Did he have to ask so slowly? I swallowed. “Yes!” He blinked. Beside me, Amos suddenly snorted deep in his throat like he hadn’t knocked his chair over. Then I noticed that Rhodes’s chest was shaking. “What?” I asked, eyeing the floor again. His chest was shaking even more, and he barely managed to wheeze out, both eyes squeezing closed, “I… I didn’t know you were into parkour.” Amos snorted again, lowering his legs and planting his feet. “You backflipped onto the table…,” Rhodes choked out. He was wheezing. The son of a bitch was wheezing. “No, I did not!” I argued, starting to feel just a little bit… foolish. I hadn’t. I didn’t know how to backflip. “You jumped from the island to the couch,” Rhodes kept going, raising a fist to hold it right in front of his nose. He could barely talk. “Your face… Ora, it was so white,” Am started, bottom lip starting to tremble. I pressed my lips together and stared at my favorite traitor. “My soul left my body for a second, Am. And you didn’t exactly walk over here either, okay.” Rhodes, who decided that this was what he was going to find hilarious, barely choked out, “You looked like you saw a ghost.” Amos burst out laughing. Then Rhodes burst out laughing. One quick glance confirmed that Johnny was chuckling too, Jackie was the only one giving me a smile. I was glad someone had a heart. They were cracking up, totally and completely cracking up. “You know, I hope it crawls into one of your mouths for being so mean to me,” I muttered, joking. Mostly. Rhodes grinned so wide, he came over and slapped his son on the back while they both kept laughing. At me. But together. And maybe I wasn’t going to be able to sleep tonight now, worried there might be a mouse next door, but it would be worth it.
Mariana Zapata (All Rhodes Lead Here)
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approach him in his home. By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy. She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it. She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him. "Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth." She didn't wait for him to say anything, just turned around and walked back to her house. He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it. But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what he could do for her. He ate another cookie before getting up to make himself dinner.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
You were made to take cock. I used to sit in class and dream about stuffing you so full you couldn’t live without it. I wanted you addicted to my cock.” “I was,” Cal said with a chuckle. “Not enough, you weren’t.” Eli shifted Cal’s wrists together so that he could imprison them with one hand, freeing his right one to grab Cal by the back of the thigh and crank his legs wide open. “I used to have this fantasy that you’d come knocking on my door in the middle of the night, and when my father answered, you’d just shove past him and barge into my room and beg for my cock. Then I’d fuck you, and you’d scream my name right there where he could hear you.” “Jesus,” Cal swore, breaking out in a sweat as the fantasy streaked across his feverish brain. “Is it too late to head over there?” Eli’s chuckle was sinister. “You aren’t going to be capable of walking when I’m done with you.
Parker St. John (Down Low (Down Home #1))
I write when I am happy, sad, sitting, walking, coming out of a dream and eating. It means you have to get past your mood swings; for inspiration doesn't care what you do and doesn't knock on the door before entering.
Mwanandeke Kindembo
Is this making your pussy wet?” he grinds out past his teeth, punctuating it with a harsh thrust. “Moaning like a whore while watching me fuck your tits. Does it make you wish it was your pussy instead?” “Yes,” I confess, riveted by the fierce look on his face. My heart ramps up, but I trust Zade. I trust that he knows how far to push me. “Rub your clit, I want you to come when I do,” he orders, knocking away my hands from my breasts and replacing them with his own, squeezing them tightly around his length. Reaching down, I swirl my finger across my clit, shuddering and grinding my hips against my hand harder. My head begins to tip back, eyes rolling as I circle faster. Zade’s hand sharply slaps the side of my breast, and I snap my head back down in response with a yelp. “Eyes on me, little mouse.” He thrusts his hips in quick, short thrusts, and I can only stare, intoxicated by the sight of a god coming undone. “Fuck, Addie. These tits are going to be covered in my cum. You ready for me, baby?
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))