When Reality Kicks In Quotes

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People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
Jodi Picoult (Handle with Care)
Love made us partners in narcissism, and we talked ceaselessly about how close we were, how perfect our connection was, like we were the first people in history to ever get it exactly right. We were that couple for a while, nauseatingly impervious assholes, busy staring into each other’s eyes while everyone else was trying to have a good time. When I think about how stupid we were, how obstinately clueless about the realities that awaited us, I just want to go back to that skinny, cocksure kid with his bloated heart and perennial erection, and kick his teeth in.
Jonathan Tropper (This is Where I Leave You)
when people say right person, wrong time, or wrong person, right time, it's usually a cop-out. They think that fate is playing with them. That we're all just participants in this romantic reality show that God gets a kick out of watching. But the universe doesn't decide what's right or not right. You do.
Rachel Cohn
When my sister was released from the mental hospital, she came to live with me in the tilting and crumbling one-bedroom house I'd bought with the small amount of money I inherited when our parents died. She arrived one afternoon unannounced in a taxi. She must have known instinctively that I'd take her in. I don't know how or why they released her. Probably due to overcrowding, and they had her scratch her name on a form then pushed her out the door. Or maybe she just slipped away when no one was looking (who'd notice in a place like that?)--she never did tell me and I didn't ask her. I was so happy to have her with me again that the last thing I wanted to do was break the spell by letting reality intrude. Ever since they'd dragged her away weeping with laughter and reaching out for me with our parents' blood still coating her hands with shiny red gloves, I'd felt amputated, like they'd pulled her kicking and screaming and insane out of my guts.
Michael Gira (The Consumer)
Reality is such pain. And for those of us who get fed up with that kind of reality, we simply choose to make a new one. We create little walls, and separate the trash from the stuff we like, and when that’s all done we keep the things we care about and kick the rest to the curb. You’d be amazed how well it works! A whole world made out of just moe, tsundere, and BL it’s the best discovery ever! If you ask me that really it the best way to separate reality, from fiction.
Ryohgo Narita
It’s like returning to a familiar room and noticing objects had been moved while you were gone—a chair here, a picture frame there. Items that were once brand new were suddenly broken in and worn from age. It was all very subtle, but enough to suspect paranormal activity or a cruel practical joke. When no one else saw what you saw, the freak factor really kicked in, because you were singled out and left questioning reality." ~Ellia
Jaime Reed (Keep Me In Mind)
when people say right person, wrong time, or wrong person, right time, it’s usually a cop-out. They think that fate is playing with them. That we’re all just participants in this romantic reality show that God gets a kick out of watching. But the universe doesn’t decide what’s right or not right. You do.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
A child, left to play alone, says of quite an easy thing, 'Now I am going to to do something very difficult'. Soon, out of vanity, fear and emptiness, he builds up a world of custom, convention and myth in which everything must be just so; certain doors are one-way streets, certain trees sacred, certain paths taboo. Then along comes a grown-up or a more robust child; they kick over the imaginary wall, climb the forbidden tree, regard the difficult as easy and the private world is destroyed. The instinct to create myth, to colonize reality with the emotions, remains. The myths become tyrannies until they are swept away, when we invent new tyrannies to hide our suddenly perceived nakedness. Like caddis-worms or like those crabs which dress themselves with seaweed, we wear belief and custom.
Cyril Connolly (The Unquiet Grave: A Word Cycle by Palinurus)
What I mean is that when people say right person, wrong time, or wrong person, right time, it's usually a cop-out. They think that fate is playing with them. That we’re all just participants in this romantic reality show that God gets a kick out of watching. But the universe doesn’t decide what’s right or not right. You do.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
What I mean,” Sofia said, “is that when people say right person, wrong time, or wrong person, right time, it’s usually a cop-out. They think that fate is playing with them. That we’re all just participants in this romantic reality show that God gets a kick out of watching. But the universe doesn’t decide what’s right or not right. You do. Yes, you can theorize until you’re blue in the face whether something might have worked at another time, or with someone else. But you know what that leaves you?
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
Life has a funny way of delivering a swift kick to the brain when you're not even paying attention.
Jeremy M. Wright (The Good Ship)
The reward is in the risk. I wanted so badly to believe, but the fear felt as great and overwhelming as the desire. I abruptly stood up from my chair so I could return to my room and feel terribly sorry for myself and eat away too much chocolate in private “Can we try to be wise with each other for a very long time??” -“You mean, can we share our fuckups and see if we can get any wisdom out of them?” “Yeah, that would be nice” They think that fate is playing with them. That we’re all just participants in this romantic reality show that God gets a kick our of watching. But the universe doesn’t decide what’s right or not right. You do Dullness is the spice of live. Which is why we must always use other spices I don’t know what I’m doing. Please don’t laugh at me. If I’m a disaster, please be kind and let me down gently Was it possible my heart was shaking as hard as my hands? I thought about the bigger picture of my life, and about the people I would encounter during my lifetime. How would I ever know when that moment was right, when expectation met anticipation and formed…connection?
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
Once, before I had you, I saw you. I know it sounds crazy, but it's true. I was pregnant and standing alone outside a party, and when you kicked, I shut my eyes and saw you on a beach we would arrive at almost five years later. You were facing the water and wearing your blue swimsuit and I knew, from the curve in your spine and the nut brown of your skin, that you were mine to protect like nothing else ever will be. So when you first started asking me hard questions, the ones about America and your place here, I wanted to find you the right answers - the kind that would make you feel good, welcome, and loved. I thought if I could just remember the country I'd been raised to believe in, the one I was sure I would eventually get to, I'd be able to get us back there. Here is the thing, though, the real, true thing I still have trouble admitting: I can't protect you from everything. I can't protect you from becoming a brown man in America. I can't protect you from spending a lifetime caught between the beautiful dream of a diverse nation and the complicated reality of one. I can't even protect you from the simple fact that sometimes, the people who love us will choose a world that doesn't. Even now, just writing that down, I want to say something that will make it okay, or even make it make sense, but I can't. Will they ever really understand it themselves? Will they ever change? I have no idea. Our burden is how much we might love them anyway. And this is maybe the part I worry about the most, how the weight of that will twist you into someone you don't want to be, or worse, make you ashamed of your own heart. I hope you will remember that you have nothing to be ashamed of. I hope you will remember that your heart is a good one, and that your capacity to feel love, in all its complexity, is a gift.
Mira Jacob (Good Talk: A Memoir in Conversations)
That was when reality kicked back in and reminded Xander that the woman he'd just spent the past fifteen minutes mentally undressing was going to be in his squad, and that he was going to be her supervisor. He was in so much trouble. There was no way he could be her boss. It wouldn't be fair to her or his team, and it sure as hell wasn't something he could handle. He'd end up spending all his time gazing at her like a lovesick puppy instead of training her on weapons and tactics.
Paige Tyler (Wolf Trouble (SWAT: Special Wolf Alpha Team, #2))
Love is funny thing. I don´t know if you can call it a "thing" precisely. It´s a force. An energy. A feeling. A moment. A look, a kiss, a smile. All those things in one. It sneaks up on you; you never see it coming. And when it does finally hit you, It isn´t a small little poke. It´s like a rhinoceros rammed itself against your chest. Or you just got run over by a car. It knocks the wind out of you. Slams you against wall. Kick-starts yout heart. You lose your apetite. You can´t sleep. Some can call love a sickness. Seriously, you´re sick over another human being. You belong to them. They control your feelings with the look in their eye. They change the way you see yourself, feel about yourself. You feel like your world shifted, and everything´s the same, but you aren´t. I say it´s funny because it seems to bend and twist every concept of reality you have. You can survive off nothing. The only thing sustaining you is the feeling, energy, force. You can go days without decent sleep. You´re not hungry for anything exept that one person who seems to occupy your every thought. Time slows down when you´re without them. Seconds feel like hours, minutes like days, And whenn you´re together, time moves at the spped of light. It´s alla blur, and when it´s over, you don´t remember half the things you were doing but you just remember this feeling. This bliss. And it is all over in a flash. And you´re back to counting the long, eternal minutes until you see him again.
Katy Evans (Legend (Real, #6))
when people say right person, wrong time, or wrong person, right time, it’s usually a cop-out. They think that fate is playing with them. That we’re all just participants in this romantic reality show that God gets a kick out of watching. But the universe doesn’t decide what’s right or not right. You do. Yes, you can theorize until you’re blue in the face whether something might have worked at another time, or with someone else. But you know what that leaves you?” “Blue in the face?” I asked. “Yup.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
He’d never played in Wrigley Field—the Cubs had still been out at old West Side Grounds when he came through as a catcher for the Cardinals before the First World War. But seeing the ballpark in ruins brought the reality of this war home to him like a kick in the teeth. Sometimes big things would do that, sometimes little ones; he remembered a doughboy breaking down and sobbing like a baby when he found some French kid’s dolly with its head blown off. Muldoon’s eyes slid over toward Wrigley for a moment. “Gonna be a long time before the Cubs win another pennant,” he said, as good an epitaph as any for the park—and the city.
Harry Turtledove (Striking the Balance (Worldwar, #4))
They would always be here, she realized. Always. Day in, day out. They had lives of their own, lives that would be the same day after day into perpetuity, and yet they’d chosen to make themselves into what was essentially the furniture of other people’s realities. These, she thought, were people without dreams, and she wondered what had happened to cut those dreams out and leave them hollow carriers of nothing but a feeble need to see something more in the mindless kick of a ball down the field. She’d once thought it was imaginary value, the way they watched this. But it wasn’t imaginary. It was real, when it was the only thing that let them feel like there was still some bright spark left in them. That had value, if only to them. That meant something.
Cole McCade (The Lost (Crow City, #1))
Beckett watched Cole closely. This had been some next level-bullshit. And Cole had already been through some caveman-brutal violence coming up with his horrible mother. A betrayal like that cut deep and hard. He watched as Cole’s eyes filled up, and he curled his hands into fists. His breath came in gasps. His brother’s reality might possibly be caving in. Who the fuck knew. Beckett put the safety on and set down his gun. He turned in his seat and leaned over, grabbing Cole’s shirt and twisting it hard at his chest, pulling the sobbing man closer to him. It was one of the ways he scared the shit out of people, this look he would give, but not now. “Look at me. Fucking look at me!” Cole’s hazel eyes finally locked on Beckett’s. “You are never alone. You will never be alone! We’re together. Do you understand? I will murder the whole world to keep you out of that shit! It will never happen to you again. Do you hear me? Do you fucking hear me?” Cole screamed back at Beckett. Not words, just a guttural noise. Pain. Pain vocalized. Blake careened the car to the side of the road and cut the lights. After it was in park, he turned and faced Cole as well. Cole screamed again. Anger. Hot tears, rage. Pain, so much pain. Beckett panicked. Was it something I said? Shit. Was I too late? Shit. Blake crawled over the seat, sat next to Cole, and he started screaming too. Jesus Christ. The two of them were fucking insane. And if they were going crazy, he would follow. Beckett crawled over too, sloppy and kicking his brothers as he planted himself in the backseat. It took a second before he could match them, before he could go to that place in his head and heart and scream. But he did. For a few heartbeats, three teenage boys raged at their childhood. They hollered at fate. They screamed out pure need. It was the sound of Peter Pan fucking dying, the ghost of dreams that would never be—until Cole started cough-sob-laughing. It was catching, the sliding from one emotion to another. Blake was next, holding his stomach and laughing. Finally Beckett held his head and did the same. They collapsed in a heap, slapping at each other in their hysteria. When they finally caught their breath, they didn’t need words. They didn’t need anything but each other. Cole put up his arm and Blake and Beckett grabbed on. Never alone.
Debra Anastasia (Poughkeepsie Begins (Poughkeepsie Brotherhood, #0))
A lot of the time, when we think about the past, there’s a slightly smug patronizing attitude that kicks in. We know so much more than our ancestors did. We make it a joke: can you believe that in Tang dynasty China they thought that ghosts of soldiers, if they weren’t buried, would live in some limbo forever, floating above the battlefield in their unburied bodies? There’s always the risk, or the reality, of that slight pulling back, for the modern reader, from connecting with or understanding the past. We always have this space between the foolishness, from our point of view, of what they thought of the world, and the correctness of our understanding of it. What the fantastic lets me do, along with the other things that we’ve discussed, is make the world be as my characters believe it to be. When I do that, when I make the reader understand it, the reader is there, the ghosts are there above that battlefield. They’re actually there. You read a book that takes that matter-of-factly. That’s one of the definitions of magic realism, by the way: the world is presented as the characters believe it to be, without any sense that the worldview is quaint. The strength of this, for me, is enormous, because it removes that smugness from the reader who’s willing to go there, to be immersed in it. You accept the way the world is, the way the characters do, because that’s what you’ve got. That’s one of the things the fantastic gives me. Or, I’ll put it differently. Anything that’s given to me is given to the reader. Any strength for the writer, from form, from craft, from technique, becomes a strength for the reader, because we’re in this together.
Guy Gavriel Kay
Beth: Dad? I feel like I've spent my life pretending you're a great guy and trying to be like you. And the ugly truth has always been- - Rick: That I'm not that great a guy and you're exactly like me. Beth: Am I evil? Rick: Worse. You're smart. When you know nothing matters, the universe is yours. And I've never met a universe that was into it. The universe is basically an animal. It grazes on the ordinary. It creates infinite idiots just to eat them, not unlike your friend Timmy. Beth: Tommy Rick: Yeah, hardly matters now, sweetie. You know, smart people get a chance to climb on top and take reality for a ride, but it'll never stop trying to throw you, and eventually it will. There's no other way off. Beth: Dad, I’m not out of excuses to not be who I am. So who am I? What do I do? Rick: My advice, take off. Put a saddle on your universe, let it kick itself out.
Justin Roiland (The Art of Rick and Morty)
Love is funny thing. I don´t kno if you can call it a "thing" precisely. It´s a force. An energy. A feeling. A moment. A look, a kiss, a smile. All those things in one. It sneaks up on you; you never see it coming. And when it does dinall< hit you, it isn´t a small little poke. It´s like a rhinoceros rammed itself against our chest. Or you just got run over by a car. It knocks the wind out of you. Slams you against wall. Kick-starts yout heart. You lose your apetite. You can´t sleep. Some can call love a sickness. Seriously, you´re sick over another human being. You belong to them. They control your feelings. with the look in their eye. They change the way you see yourself, feel about yourself. You feel like your world shifted, and everything´s the same, but you aren´t. I say it´s funny because it seems to bend and twist every concept of reality you have. You can survive off nothing. The only thing sustaining you is the feeling, energy, force. You can go days without decent sleep. You´re not hungry for anything exept that one person who seems to occupy your every thought. Time slows down when you´re without them. Seconds feel like hours, minutes like days, And whenn you´re together, time moves at the spped of light. It´s alla blur, and when it´s over, you don´t remember half the things you were doing but you just remember this feeling. This bliss. And it is all over in a flash. And you´re back to counting the long, eternal minutes until you see him again.
Katy Evans (Legend (Real, #6))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too.  Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go.  Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him.  Crunch! Crash!  The truck dropped by six inches. Tommy stopped screaming.  When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy.  Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail.  After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
Michael Robertson (Crash (Crash, #1))
Jak’ri nodded toward the cliff’s edge. “Shall we?” “Not if you give me time to think about it.” He flashed his teeth in a boyish grin. “One-two-three, jump!” he called and took off running, pulling her after him. Ava’s eyes widened and her heart thudded hard in her chest as she ran alongside him. Their feet hit the edge at the same time, and together they leapt off. Jak’ri whooped as they plummeted toward the ocean, the sound so wonderfully carefree and appealing that Ava found herself grinning big even as she shrieked and squeezed the hell out of his hand. He hit the water a split second before her. Cool liquid closed over their heads. Bubbles surrounded them as if they’d just jumped into a vat of club soda. Then he looped an arm around her waist and propelled them both to the surface. “That was crazy!” she blurted, unable to stop smiling as she swiped water from her face. “Crazy but fun?” he quipped, eyes sparkling with amusement. “Maybe,” she hedged. “But not as fun at this.” Propelling her upper body out of the water, she planted her hands atop his head and dunked him. As soon as she released him, she began a lazy backstroke. Jak’ri surfaced with a sputter and a laugh. When his silver eyes found her a few yards away, they acquired a devilish glint. “Oh, you’re going to regret that, little Earthling.” Ava shrieked when he dove for her. Rolling onto her stomach, she took off, swimming in earnest. Jak’ri’s fingers closed around one of her ankles. “Caught you!” She swam harder, getting absolutely nowhere, breaking into giggles as he issued dire threats in a villainous voice. When was the last time she had honest-to-goodness giggled? She yelped when he gave her ankle a yank. Then she was in his arms and he was grinning wickedly at her. “Think you can get the best of me, do you?” he taunted. Tucking his hands under her arms, he kicked his feet. Ava laughed as he tossed her up out of the water. Through the air she flew, landing on her back several yards away. The water again closed over her head. When she surfaced, she quickly bent her head to hide her smile and rubbed her eyes. “Hang on a sec,” she mumbled. Jak’ri immediately stopped laughing and swam toward her. “I’m sorry. Did you get something in your eye?” “No.” She grinned at him. “I just needed to lure you closer.” Then she swept her arm through the water in front of him, sending a cascade over his head. Sputtering, Jak’ri dove for her. Laughter abounded as they played, even more so when he started sharing tales of his exploits with his brother. Clunk. Ava jerked awake. Damn it! She really hated to wake up. She and Jak’ri had been romping and playing like children. Having to come back to the reality of this cell and the assholes who’d put her in it sucked.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
Dear, What’s the Point of it All? What is the point of being nice? When you do not know what you are going to get from it? Knowing eventually sooner rather than later someone and maybe that person you are being nice to will turn their back on you. I always have to stay grounded and focused. When I am there for people, I feel like I am always punished for it. I am always treated as if I committed a crime. I was there for my mom; however, she was killing me slowly but surely. Like my mom, I noticed that when people get themselves in some shit, they get stuck in their own mess. They are confident that they do not have to deal with the consequences—because they know the ‘kind’ person will bail them out. What’s the point of being kind? Like my mom and the officer, there are so many people in the world who are judgmental and tainted because of their selfish needs. What’s the point of my life? Here I am in a library filled with many books. I can read them and go anywhere I want to in my mind, but after I close the book, I will have to snap out of my fantasy world and welcome the cruel cold world, which is reality. If I was a book, I would be better off left on the shelf. There is no excitement in my life—only struggles. What’s the point of living and loving life when the only thing I do is read between the lines and tread carefully? Come to think about it, I am a book that nobody can understand or read. They think they know what is best for me, but if they only take the time to listen, I would be so happy to tell them about me and my needs and wants. My actions scream for attention, but time after time, I am ignored. Sadly, without a care, they were quick to rip out the pages. Yet, once again, nobody noticed me. What’s the point of it all when I never had an opportunity to make a mistake? If I did one thing wrong, they would give up on me and send me to one home after another. I’ve always been fully exposed and had to walk in a line filled with sharp curves from disappointment to disappointment. Sorrow is my aura, and sadness hugs me tightly. It is hard to cry when my eyes are closed shut by the barbed wire fence of my eyelashes as they prohibit tears from falling. What’s the point of complicating my life? I am always back to where I started, and then ... I relive the same patterns, but on a more difficult journey. I believe when you put yourself in your own mess that you should clean it up and start over. What’s wrong with that? Nothing. However, when someone else puts you in their mess, you do not know how to clean up the mess they’ve made. You do not know how to start over because you do not know where to begin. I look at it this way; it is like telling a dead person he/she can start over. How so, when that person’s life no longer exists? I know my life isn’t over. However, I am lost in a maze my mom set up for herself—and she too is lost in her own maze. When a person gets lost in their own maze, they are really fucked up. However, this maze shouldn’t be left for me to figure out. Unfortunately, I am in it, and I have to find my way out one way or another. What’s the point of taking Kace from me? He was safe and in good hands. Now he is worse off with people who are abusing him. He didn’t ask for this—I didn’t either. He deserves so much better. Again, what is the point of it all? What’s the point of making me suffer? Do you get a kick out of it? What are you trying to accomplish? I am trying to understand; what is the point of it all? What is the point? I don’t know why I am here.
Charlena E. Jackson (Pinwheels and Dandelions)
The nature of being at the correct distance from the opponent and of understanding the principle of reaction time does not give the attacker the luxury of completing more than one strike before being counterattacked by a skilled defender. Once you have created the distraction with your first strike, you need to continue and attack appropriately. Therefore, when you train, students need to gain a complete understanding of what they are drilling and the training drill should be designed accordingly. Be aware that the human mind is constantly trying to create imaginary connections between motion possibilities without always seeing the whole picture. Shortening the range from a kick to a hand strike cuts down on time between the first and subsequent attacks. Such an attempt does not recognize that a good defense against a kick eliminates the option for a continuous hand attack since that was already taken into account. Executing multiple attacks on the defense however would break the opponent’s train of thought and give the initiator another second to hit again. If you have reached the target through the first strike, with no obstacles, you are buying time for a more devastating attack. You must recognize that with less devastating strikes, you buy less time, and in a real fight it is measured in splits of a second. It should only take a few seconds to finish the opponent. Krav Maga principles dictate a perfect relationship in which a counterattack requires the same speed as the block, but sometimes the distance can be too close to accelerate the hand to a maximum speed—and then you are just buying another second and must follow up with a more devastating attack. If you deliver attacks of medium strength, your opponent might get the message and stop attacking you. However, while it is a good practice to change an attacker’s mind and habits, you may not want to risk your own life protecting your attacker from extensive harm. Finally, when executing a counterattack, please be as precise as possible, so you do not need to rework. I personally would not spend more than two seconds on one opponent, since it would occupy and distract me from other dangerous changes that might occur in the environment. If you break glass in a store, you would want to get out of there as quickly as possible instead of waiting around in the same spot. I’d like to remind the reader that the above paragraphs elaborate the dangers and safety in both training and in reality. By understanding safe training, you need to understand the dangers of reality. To master the process, you need to train in simulated scenarios that are as close as possible to a realistic fight for survival. Keep in mind that when you identify a threat, you should set your boundaries, and decide that if the opponent gets too close to you, you should attack him by kicking or punching according to the distance between you two. If however the attacker attacks you by surprise, not giving you enough time to think, your body instinctively defends itself. This means that if you are at the point where you notice an attack coming at you, your primary instinct is to defend as opposed to attack.
Boaz Aviram (Krav Maga: Use Your Body as a Weapon)
Next—according to John, of course—in one continuous motion, he “triple-kicked” a third man in the face, while shooting a fourth “right in his damned cock.” John, of course, knew that he couldn’t leave that man just lying there, screaming in pain. So he grasped him by the sides of his face and mercifully snapped his neck with a sharp twisting motion of his bare hands. At this point John says the rest of the hazard workers noticed what was going on and a chase ensued; he escaped by stealing a nearby horse. This is the first inconsistency in John’s account, because when the story picks up he is calmly driving his Caddie back down the road, past Amy’s house and away from the Rooter plant. I suspect that, in reality, either the men at the cleanup site didn’t see John at all or they merely gave him a dirty look until he turned around and drove away. Again, I wasn’t there and I do not wish to cast an unfavorable light on John’s personal credibility.
David Wong (John Dies at the End (John Dies at the End #1))
But that kind of critical thinking is anathema to your intuition, which is most comfortable when dealing with the concrete reality of “what is.” To handle a conceptual abstraction like “what is not,” you need your reflective system to kick in with the hard mental effort of comparing alternatives and evaluating evidence. That requires asking tough questions like “under what conditions would this no longer be true or fail to work?” And the human mind, which functions as what psychologists Susan Fiske of Princeton and Shelley Taylor of UCLA have called a “cognitive miser,” tends to shy away from that kind of effort. If the reflective system can’t readily find a solution, the reflexive brain will resume control, using sensory and emotional cues as shortcuts. That’s why even professional statisticians failed to solve Hogarth and Einhorn’s task correctly: Why go through the trouble of trying to test the logic of all four answers when answer No. 1 feels and sounds so right at first blush?
Jason Zweig (Your Money and Your Brain)
What makes them resist coming to class but enjoy it once they are here? The answer is Timing.  And this is linked to the physiological development and growth of their brain.  Quite frankly, children (and some adults) have not developed an understanding of the concept of scheduling and timing. That is to say that, once they have become involved in something, that is what they want to do. Anything else, regardless of how pleasurable or necessary, at that moment is seen as a hindrance to 'this moment's fun.' Whether it is watching TV or playing with their friends, or whatever, once a child becomes involved in something, anything, that "thing" gets ALL of their attention - period. Don't blame the child or think that you must be a bad parent or the only one dealing with this sort of thing. It is completely natural. The reality of the matter is that your child cannot do what you ask because: 1) He or she is NOT an adult in a smaller body. 2) The parts of the brain that process this type of information and data, quite literally, haven't developed yet, and... 3) He or she has been ALLOWED to get involved in something that you know will capture his or her attention before you need them to go to class. And, therein lies the secret for overcoming both the frustration and the confusion. Just don't allow your young martial artist to get into anything that you KNOW will make him or her not want to stop when it's time to go to martial arts or karate class. Won't they go stir-crazy? What's a child to do while waiting? Good question. And the answer is practice "preparing for class." This simple step will actually help your child to develop the skills you're looking for and promote brain growth in those areas. So, instead of letting them drift into TV Land or glued to the computer screen, at least for the hour or so before you'll be leaving for class have them "get ready." Make it a rule that they have to make sure that they have their uniform, belt, and equipment. Have them practice their moves by "showing you what they learned last class" or "what their favorite techniques are.
Jeff Thompson (Atlanta Kick Student Handbook)
The astronaut Edgar D. Mitchell said of his experience of viewing Earth from the moon: “You develop an instant global consciousness, a people orientation, an intense dissatisfaction with the state of the world, and a compulsion to do something about it. From out there on the moon, international politics look so petty. You want to grab a politician by the scruff of the neck and drag him a quarter of a million miles and say, ‘Look at that, you son of a bitch.’ ” I love this quote for many reasons. One, because it illustrates that all the well-meaning talk of oneness, such as you have found in this book, is built upon an empirical reality. We’re all one, the human family; when you pull back to outer space or dive within to inner space, that becomes clear. I like that traveling to the moon was such an emotional and spiritual experience for Edgar, as I have always thought that astronauts would be tough military types that wouldn’t be given to such profound pronouncements. Mostly, though, I love his violent conclusion that he’d like to grab a politician by the scruff of the neck and take him to the moon. Firstly because to grab anyone by the scruff of the neck is an animal and implausible thing to do. I just felt the back of my neck and there’s barely any scruff to grab. Unless this politician had a particularly fat neck, Edgar would have to be content with an inch of skin between his thumb and forefinger, like he was holding a teacup; he might as well have his pinkie finger extended. Then he’d have to kidnap the bloke, presumably from Washington, drag him all the way to Cape Canaveral, Florida, into the NASA HQ, presumably give him some basic space training, put him in a suit, a rocket, strap him in, spend a few days getting to the moon, then finally march him out and admonish him for his lack of perspective. I don’t think he could sustain his indignation for that long. I reckon he’d start to feel a connection to the terrified politician at some point during that journey, possibly in the training section, where they’d have to acclimatize to zero gravity in a swimming pool. Also, surely once Edgar got back to the moon and he looked back to Earth, his love of all the members of the human family would kick back in and he might feel too guilty to lay into the sobbing and vertiginous, undisclosed politician. Among the small number of people who have seen our planet from space this sense of enlightenment is seemingly common. There are loads of comparable quotes that illustrate this strong sense of connection and fraternity. I chose Edgar D. Mitchell’s one because he’s the only astronaut who saw his epiphany as an impetus to snatch a senator and beat him up on the moon like an intergalactic Vito Corleone.
Russell Brand (Revolution)
Our assumption that we are directly interacting with physical reality closely parallels the way we respond to the image on a computer screen. Moving a computer’s mouse appears to move the cursor around the screen. In reality, the mouse is sending a stream of data to the central processor, which calculates a new position for the cursor and then updates the image on the screen. In early computers there was a noticeable delay between issuing a command and seeing the effects on the screen. Today computers are so fast they can recalculate the image on a screen in a fraction of a second, and there is no visible delay between the movement of the mouse and the cursor on the screen. We experience moving the cursor across the screen. Our experience of daily life is similar. When I kick a stone, my intention to move my foot is communicated to my body, and my foot in the physical world moves to meet the physical stone. But I do not experience the interaction directly. The brain receives the information sent back by the eyes and body and updates my image of reality appropriately.
Peter Russell (From Science to God: A Physicist s Journey into the Mystery of Consciousness)
What I can say is that I have never met anyone who acted as though reality did not exist apart from our perceptions, who blithely strolled into oncoming traffic confident that his perceptions, the mere phenomena of his own consciousness, could do him no bodily harm. When asked his opinion of philosophical idealism, eighteenth-century British poet, playwright, literary critic, and inveterate wiseass Samuel Johnson famously kicked a stone and said, “I refute it thus.
Mark Goldblatt (I Feel, Therefore I Am: The Triumph of Woke Subjectivism)
Love! How many legends were organized for it? It was said that it is the most mysterious human feeling that pushes us to do things we are not ready for and heedless of us. Despite the reality, and the difficulties, we do the impossible, and in the name of love, we do miracles. Just legends but the truth is that history did not mention that any miracle has happened thanks to love. Myths, of which there is no use but our consolation, and the justification of our blind rush behind unjustified, incomprehensible feelings, to do what we were not ready to do, and then we pay the price with a reassuring conscience, and with a comfortable mind, in the name of love. If we analyze these feelings, love, anger, hate, tranquility, fear, we will find that they are another face of pain, just chemical reactions inside our bodies, and hormones controlled by our mind, it decides when to kindle the fire of love in us, and when to make hate blind us. If you know how to motivate the mind to produce the hormone needed to produce the desired emotions, then you do not have to talk about anything anymore. It is all your emotions, which are yours. This inevitably makes human feelings subject to causation in the universe, unless our feelings are from another world, not causal. Therefore, the most magical words remain, those that come out of the mouth of a lover describing his love for his lover, “I love you without reason.” This is the impossibility desired, and in the subconscious, these words have charm and glamour, and the tongue of the lover says, “My love for you is not from this causal world, neither the color of your hair, nor your eyes, nor your body, nor your sweet voice, nor your way of speaking, nor anything that you possess is a reason why I love you, because my love for you is not causal, does not belong to this world.” A lie loved by the mind of the lovers, a legend among the millions which says, that nothing in this world can anticipate the feelings and moods of human beings before they occur, and more precisely, the private feelings and fluctuations, of an individual, to be precise, and not just of a large group of people, the more we try to customize it, the more difficult it becomes. And where the indicators of the collective mind, the demagogue, can give us an idea of the general direction and the future fluctuations of a society or group of people, not because of a weakness in the lines of defense of feelings, but rather because we know that the mob, the collective mind, and the herd, will force many to follow it, even if it violates what they feel, what they want at their core. The mind is designed for survival, and you know that survival’s chances are stronger with the stronger group, the more number, it will secrete all the necessary hormones, to force you to follow the herd. However, the feelings assigned to a particular person remain an impossible task, so many people are able to deceive each other by showing signs of expected trends and fluctuations that contradict the reality of what they feel. Humans and scientists have treated it as something unpredictable, coming from another world, a curse on science, as if it were a whiff of a magical spell cast on us from the immemorial. But in fact, emotions are causal, and every cause has a causative. Like everything else in this world, the laws of chaos and randomness apply to them. They can be accurately predicted, formulated into mathematical equations, and even manipulated. All it takes is to have something that contains all the cosmic events, a number we did not imagine, starting with the flutter of a butterfly, a breath of air, temperatures across the universe, a word a man says to his son, a donkey’s kick, a rabbit’s jump, and ending with the movement of stars and planets, and cosmic explosions, and beyond, and able to deal with them, and with the hierarchical possibilities of their occurrence.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
Narcissism has a time and place, cold detachment has a time and place. Problem is, we've made a world out of narcissism and detachment, while hypocritically diagnosing them as clinical on one hand, and sugarcoating them as self-care or stoicism on the other. In reality, it's all nonsense. When people are upset at you, with no fault of your own, or when they come to take away your dream, that's when you gotta let detachment kick on. Likewise, when shallow nitwits commit harm in front of your eyes, that's when you gotta exercise your narcissism, and treat them like a parent would treat their child when they've done something wrong. Even the ugliest of animal faculty can be used for good, when wielded with conscience. It's about using the whole of your mind, rather than giving in to all the prehistoric intellectual dualities of narcissism and altruism, or attachment and detachment. When people are helpless, to them be a christ - but when they behave heartless instead, be the light to their lies.
Abhijit Naskar (Insan Himalayanoğlu: It's Time to Defect)
It is so easy to get frustrated and distracted, and in those small battles, it is tempting to feel like you are all alone and on your own. Then the fights, the holds, the kicks—they feel personal, and it’s hard to see past yourself. The trick is to see the bigger picture, the bigger message, even when it comes in a very little package, like a young girl.
Jen Welter (Play Big: Conquer Your Fears and Make Your Dreams a Reality - Lessons from the First Woman to Coach in the NFL)
If you are like a kicking, screaming child having a temper tantrum of sorts, He will hold you until you get it all out and finally fall limp and exhausted into His strong arms that never let you go. Even depression or suicidal thoughts and actions cannot keep Him at a distance. Do you think when you are at your worst and when you need Him the very most He would choose that time to pull away from you? It won’t happen, because Papa God is 100 percent committed to you and to loving you through every moment of your life. Whether you feel Him or not, the reality of His presence and His devotion to attending to you never changes.
Brent Lokker (Daddy, You Love Me: Living in the Approval of Your Heavenly Father)
Up until a few years ago, I'd never had any doubts about newspaper work, never thought I'd made the wrong choice. I went into the business not because I was looking to get beat up or training to be a novelist, because I wanted to be Bob Woodward or Sy Hersh, kicking butt on the front page. Reality slowly set in and I realized that I wasn't destined for Washington or New York or even Miami, but still there were good stories; good days when I brought grief and misery and the occasional felony indictment on lowlifes such as Orrin Van Gelder. I believed the job was important, a public service, and as a bonus it was unfailingly entertaining. Every new story was a fresh education in human guile and gullibility. The headlines made a large splash in a small pond, but the ripples didn't last long. That didn't bother me either, because usually I was already caught up in something new. It's the best job in the business, chasing crooks in Florida, because the well never runs dry.
Carl Hiaasen (Basket Case)
Reality has a way of kicking you when you’re down.
Jamie Sedgwick (Death in the Hallows (Hank Mossberg, Private Ogre #2))
My lord, you need to look beyond the surface." Zhao Yunlan looked up. "What constitutes fairness or equality? The reality is that what's fair for one person is always built upon someone else being treated unfairly. When someone is struggling to survive, 'equal' means being well fed and warmly dressed, like everyone else. Once they have a full belly and warm clothes, 'equal' means having dignity as everyone else. And once they have dignity, a sense of superiority kicks in and they won't be satisfied until they have more than other people. Nothing breaks the cycle but a coffin. Equality is in the eye of the beholder, isn't it?
Priest (Guardian: Zhen Hun (Novel) Vol. 1)
The Final Enigma (Sonnet 2002) Consciousness contains the cosmos, cosmos contains consciousness, all rooted in specks of jelly, firing in frenzy inside our head. When neurons fire, we see light, lack of oxygen conjures a tunnel. Nearing death, hallucinogens kick in, thus we experience kingdoms mythical. Neurons forge the fabric of reality, within neurons our paradise is born. Neurons concoct our fabled purgatory, thus our strong beliefs rule perception. Neurons are the birthplace of order, within neurons order comes to end. Neurons are the root of mindlessness, as well as the instrument of mend.
Abhijit Naskar (Neurosonnets: The Naskar Art of Neuroscience)
To better understand what is happening in a newly deceased person’s body, let’s go back to you, in the hospital, or wherever you had headed to death. No matter how it happens, your body—assuming it is still intact—is now in a desperate battle for life. Immediately, triggered by chemical signals released by the body, it enters a state of severe medical shock with unconsciousness—heralding entry into the proverbial ocean of death. This illustrates how the brain automatically attempts to optimize and derive the greatest meaning for the person. It switches from what can be called “life mode” to “death mode.” As this state of medical shock worsens and the person descends further into the ocean and the heart stops and the person dies, the total loss of blood pressure, down to zero, further activates tiny receptors, which in turn trigger the brain to release even higher—mega—doses of several potent and potentially lifesaving hormones into the bloodstream. The period immediately after death is when the highest levels of adrenaline (epinephrine) are released by the body: one thousand times more than the amounts normally found in the bloodstream. As well as adrenaline, the brain also spews out steroids and other potentially lifesaving hormones, including norepinephrine and vasopressin, which work synchronously to try to raise the blood pressure by tightening blood vessels, squeezing more blood toward the heart and brain. These potentially lifesaving responses start when the blood pressure drops with medical shock but become far more vigorous in death after the heart stops. Some of these hormones also act directly on the heart by trying to stimulate it to beat again. At the same time, after detecting low oxygen levels, the brain stimulates the lungs to initiate last gasp breaths. These are called agonal breaths and are an automatic reflexive response, seen in people as they die, that can help draw more oxygen into the body. But importantly, they create a vacuum in the chest that sucks blood away from the arms, legs, and abdomen and directly toward the heart and brain, where it is needed more. This is like an army calling up its reserves in the time of war. So, as mentioned, instead of an absolute loss of activity in a linear manner from 100 to zero across the whole brain in death, we see there is a dynamic process. There is dysfunction and loss of activity across much of the brain. This in turn facilitates activity in other normally dormant parts of the brain, which are better adapted to deal with the new reality of death. Even now, the brain strives to make meaning out of this situation and its efforts are focused on kick-starting the heart back to life through autoresuscitation.
Sam Parnia (Lucid Dying: The New Science Revolutionizing How We Understand Life and Death)
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