When People Yell At You Quotes

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The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.
David Foster Wallace
Shut up!" Eve yelled from somewhere upstairs. "Jackass!" "You know, when people say that, I just hear the word awesome,
Rachel Caine (Last Breath (The Morganville Vampires, #11))
Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really.
David Foster Wallace (Infinite Jest)
Then it don' matter. Then I'll be all aroun' in the dark. I'll be ever'where - wherever you look. Wherever they's a fight so hungry people can eat, I'll be there. Wherever they's a cop beatin' up a guy, I'll be there. If Casy knowed, why, I'll be in the way guys yell when they're mad an' - I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build, why, I'll be there.
John Steinbeck (The Grapes of Wrath)
Jackass!" Eve yelled. "You know, when people say that, I just hear the word awesome," Shane said.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
You’re too good for me.” He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?” She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.” “Wow,” Carmine said. “I’d like to meet that motherfucker.
J.M. Darhower (Sempre (Sempre, #1))
Shigure: "Lemme guess; you lost your temper and yelled at her again, right? You know, you shouldn't do that if you're just going to regret it. Not too bright, now is it?" Kyo: "Save your breath. I'm just not meant to get along with other people. Period. End of story." Shigure: "Oh sure, some people just aren't. But you're not one of them. You lack experience, that's all. For example, I'm sure you could smash this table to bits with your bare hands. But I'm equally sure you could punch the table without breaking it. And why is that? Because I know your training has taught you to control your fists... at least I should hope so, after four months of fighting bears and-" Kyo: "I didn't fight bears!" Shigure: "My point is, it takes just as much training to get along with people. Only, training by yourself in the mountains won't do you any good. You need to surround yourself with others. As you get to know them, of course you take the chance that you'll end up hurting them, or they'll end up hurting you. One of those things might very well happen. That's the only way we learn... about others, and about ourselves. You're a black-belt in martial arts, but I'd guess you still a white-belt in social skills. Someday, you're going to meet someone that truly wants to be your friend, and you, theirs. But it if you don't keep training, you won't be ready when that happens." Kyo: "It'll never happen, anyways!" Shigure: "Uh-uh! Never say never." Kyo: "Ok, fine. Maybe if I meet someone with brain-damage... or something." Shigure: "That's the spirit!
Natsuki Takaya (Fruits Basket, Vol. 1)
But then, Phillip reminded me of something that happened so long ago, I had completely forgotten it. He reminded of when we were ten, and he gave me my first kiss. We were on the swings out behind school, and right after he kissed me, he got up and ran away. Then all of a sudden, he stopped, turned around and yelled back, Will you marry me someday? And I yelled back to him, YES! And so he said that if people ask, I could tell them that we've been secretly engaged for the past twelve years. And so,.. you will probably all think I am very crazy, but I had to say YES again tonight!
Jillian Dodd (That Boy (That Boy, #1))
What’s the point of speaking up when no one hears you?” It broke my heart. I stepped closer to her. “The fucking point is for people to understand that you have opinions, that your voice counts, and if they don’t hear you then yell louder
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
Then it don't matter. I'll be all around in the dark - I'll be everywhere. Wherever you can look - wherever there's a fight, so hungry people can eat, I'll be there. Wherever there's a cop beatin' up a guy, I'll be there. I'll be in the way guys yell when they're mad. I'll be in the way kids laugh when they're hungry and they know supper's ready, and when the people are eatin' the stuff they raise and livin' in the houses they build - I'll be there, too. - Tom Joad
John Steinbeck (The Grapes of Wrath)
Sometimes I don't think I'm ready for the responsibility--I mean, I think my phone is asking too much of me when it wants me to install an update, and I find myself yelling: 'You're suffocating me.' You can't shout that at a child. And children have to be updated all the time, because they can kill themselves just crossing the street or eating a peanut! I've mislaid my phone three times already today, I don't know if I'm ready for a human being.
Fredrik Backman (Anxious People)
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force." "Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?" The man who'd spoken arched an eyebrow. "I wasn't talking to him." "You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics? "What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now. The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands. My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—" That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home. [...] Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away. Dimitri. "Don't touch her," he growled. There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me. "Stay back," he ordered me. "They aren't laying a hand on you.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE —” Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen. “— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —” Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb. “— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.” A ringing silence fell.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
One of the secrets of life is to find joy in the journey." But Grandma, you weren't on *this* journey. It was just crazy--" Grandma held up her hand. "You have six brothers. You got to spend a whole day in the car with them. You're all healthy, well fed, happy... Someday, when you're a little older, I'll bet you'd give anything to be back in that van of yours with all of your brothers, smelly diapers and all." I mulled that over. Well what about Dad?" I pointed out. "He didn't find any joy in the journey. He was yelling at trees." Grandma sat back, "Your father and mother are masters at finding joy in the journey." I didn't understand. Grandma continued, "Do you really think your parents would have had seven kids if they couldn't find joy in the journey?... I would be willing to wager that he'll be laughing about this trip on Monday morning with his friends at work." Grandma took my hands into hers. "There are a lot of people in this life that will try to convince you that they're selling something that will bring you joy. The simple fact of the matter is that *things* don't bring you joy. You have to find joy in life experience. And if you take along somebody you love, then that journey is going to be all the more enjoyable. I can promise you right now that both good and bad things are going to happen to you in your life. Good and bad things happen to everybody. Some people are good at finding the miserable things in life, and some are good at finding the joy. No matter what happens to you, what you remember is up to you.
Matthew Buckley (Chickens in the Headlights)
Shark!" I yelled as my feet hit the wet sand. "There's a shark out there! Everyone get out of the water!" Man, you want to see humans move fast? Scream that on a crowded beach and watch what happens. Its amazing the fear people have for a scaly, sharp toothed predator. I watched the water empty in seconds, parents scooping up their children and heading to shore, desperate to get out of the ocean, and found it a little ironic. They were so terrified of the big, nasty monster out in the water, when there was a bigger, nastier, deadlier one right here on the beach.
Julie Kagawa (Talon (Talon, #1))
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
The so-called 'psychotically depressed' person who tries to kill herself doesn't do so out of quote 'hopelessness' or any abstract conviction that life's assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really. You'd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
David Foster Wallace (Infinite Jest)
I don't yell back at my mother. When I'm angry or scared or upset, I don't yell. I stay quiet. I've seen how she is, how she would get with Kent and with me and with other people, life if someone at the pharmacy got in the wrong line or asked too long a question, or if someone on the bus accidentally bumped her. I've watched her my whole life, the way people react to her. It doesn't actually help you get what you want, yelling and being like that. It only makes people think bad of you.
Sara Zarr (How to Save a Life)
A lot of people think if they’re shouting the loudest, they’ll be heard, but most people lose respect for you when you lose your cool. You have to maintain everyone’s respect, especially as a woman in a position of power. It’s terrible to be at that kind of disadvantage, where if you yell, people will talk about you behind your back more than if you were a man. Because of those social injustices we face as women, you have to make sure that no one can call you a crazy bitch.
Taylor Swift
That's how oppression works. Thousands of otherwise decent people are persuaded to go along with an unfair system because changing it seems like too much bother. The appropriate response when somebody demands a change in that unfair system is to listen, rather than turn away or yell, as a child might, that it's not your fault. Of course it isn't your fault. I'm sure you're lovely. That doesn't mean you don't have a responsibility to do something about it.
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
Gray yells that he can't just let me go because you don't give up on the people you love, but maybe I need to lose someone in order to understand that. "You're dreaming," he says. "Call me when you decide to wake up.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
Words like “missing you” and “I didn’t think it was possible to be without you, and now there’s a huge wall between us” and “will you visit me? I’m sorry for yelling at court” and my least favorite, a very dark time for me, “I’m not comfortable around these people. They call me a weirdo like the kids at school did because I won’t talk. Please don’t leave me in here,” yet she didn’t reply, even when my letters grew more desperate. No reply.
Leigh Rivers (Little Stranger (The Web of Silence Duet, #1))
Okay, listen up, dudes. We have to book. Yesterday, when I find you guys are, like, AWOL? I, like, freak. Yelling at everybody–where are they, why did you let them leave–the hotel people are, like, whaaaa? Anyway, I pack up all your stuff, figuring I may never see the place again, and down in the lobby I find my man Arif. I'm, like, help me, and he takes all of our stuff to this launch–and then we're halfway across the sea when Arif gets this radio message, and he's all excited, but I don't know what he's saying until he's, like, 'POLICE!' in English. And we see these cop cars and somebody's getting a big old boat, so we're, like, sayonara, only in Indonesian, and we tool out into this boat-traffic jam to try to loose them, and I'm hearing these radio reports that are half English–there's been a fire and somebody's dead, yada yada, and I'm totally wigging out–Why did you do that? Why did you and your sister leave me in a hotel without even a note?
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
When she stepped back, she smiled at me and then turned. "What?" she yelled. I followed her gaze to find Zayne and Roth standing several feet away, watching us. "Nothing." Roth has hands in his pockets. "Just that you two getting all handsy was kind of hot." Zayne jerked his head toward Roth. The demon prince shrugged. "Look, I'm just being honest. I'm a demon. I don't know why any of you would expect anything less from me." "It's a good thing I love him," Layla muttered as she stalked forward, and I got moving. "And I do love him with every part of my being and then some, but he... he just doesn't people well.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
A bouquet of wonderful scents met my nose, and my heart leaped when I realized who I was smelling. 'Molly!' I heard someone call. I whipped my head around everywhere and there they were, the people I'd been smelling. Everyone I'd ever loved in my life, standing at the edge of the water, smiling and clapping. I saw Ethan and Hannah and Trent and CJ standing in front, along with Andi and Maya and Jakob and all the others. 'Bailey!' Ethan yelled waving. My names was Toby, and Buddy, and Molly and Max and Bailey and Ellie. I was a good dog, and this was my reward. Now I would get to be with the people I loved. I turned, whimpering with you, and swam toward those golden shores.
W. Bruce Cameron (A Dog's Journey (A Dog's Purpose, #2))
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
Jack Kerouac (Desolation Angels)
Who told you that?" I say. "Davy Prentiss?" He blinks. "What?" "What do you mean what?" My voice is harder now. "Your new best friend. The man who shot me, Todd, and who you ride to work with laughing every morning." He clenches his hands into fists. "You've been spying on me?" he says. "Three months I don't see you, three months I don't hear nothing from you and you been spying? Is that what yer doing in your spare time when yer not blowing people up?" "Yeah," I yell, my voice getting louder to match his. "Three months of defending you to people who'd only be too happy to call you enemy, Todd. Three months of wondering why the hell you're working so hard for the Mayor and how he knew to go right for the ocean the day after we spoke." He winces, but I keep going, thrusting out my arm and pulling up on the sleeve. "Three months wondering why you put these on women!" His face changes in an instant. He actually calls out as if he felt the pain himself. He puts a hand to his mouth to stifle it but his Noise is suddenly washed with blackness. He moves his fingertips of his other hand within reach of the band, hovering over my skin, over the band that'll never be removed unless I lose my arm. The skin is still red, and band 1391 still trobs, despite the healing of three mistresses. "Oh, no," he says. "Oh, no." The side door opens and the man who let me in leans out. "Everything all right out there, Lieutenant?" "Lieutenant?" I say. "We're fine," Todd chokes a little. "We're fine." The man waits for a second, then goes back inside. "Lieutenant?" I say again, lowering my voice. Todd's leant down, his hands on his knees, staring at the floor. "It wasn't me, was it?" he says, his voice quiet, too. "I didn't-" He gestures again at the band without looking up. "I didn't do it without knowing it was you, did I?
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
I guessed I’d been out of it when he’d (Hephaestus) showed. “I can’t believe Apollo hit me with a god bolt.” “I can’t believe Aiden punched him,” Marcus said, downing the rest of his wine. “What?” My mouth dropped open. “You did not.” The half-grin spread until a dimple appeared in his left cheek. “I did.” “All those times you yelled at me for hitting people, and you hit a god?” I couldn’t believe it. That half-grin turned into a full smile. “This was a different situation.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Nina continued staring at Carrie but didn’t say anything. How was it that this woman could shout out every thought running through her head? Why was it that Carrie Soto felt so entitled to scream? In that moment, Nina was not mad or jealous or embarrassed or anything else she might have expected. Nina was sad. Sad that she’d never lived a fraction of a second like Carrie Soto. What a world she must live in, Nina thought, where you can piss and moan and stomp your feet and cry in public and yell at the people who hurt you. That you can dictate what you will and will not accept. Nina, her entire life, had been programmed to accept. Accept that your father left. Accept that your mother is gone. Accept that you must take care of your siblings. Accept that the world wants to lust after you. Accept accept accept. For so long, Nina believed it was her greatest strength - that she could withstand, that she could endure, that she would accept it all and keep going. It was so foreign to her, the idea of declaring that something was unacceptable. Nina thought of herself driving to someone else’s house to scream on their front lawn while a whole party’s worth of people watched. It was so impossible that she couldn’t even summon a mental picture. But Carrie had this fire within her. Where was Nina’s fire? Had it ever been there? And if so, when did it go out? Her husband had slept with Carrie last night and then Nina had taken him back this evening. What was wrong with her? Was she just going to accept it all? Just accept every piece of bullshit thrown at her for the rest of her life?
Taylor Jenkins Reid (Malibu Rising)
Here’s what I’ve got, the reasons why our marriage might work: Because you wear pink but write poems about bullets and gravestones. Because you yell at your keys when you lose them, and laugh, loudly, at your own jokes. Because you can hold a pistol, gut a pig. Because you memorize songs, even commercials from thirty years back and sing them when vacuuming. You have soft hands. Because when we moved, the contents of what you packed were written inside the boxes. Because you think swans are overrated. Because you drove me to the train station. You drove me to Minneapolis. You drove me to Providence. Because you underline everything you read, and circle the things you think are important, and put stars next to the things you think I should think are important, and write notes in the margins about all the people you’re mad at and my name almost never appears there. Because you make that pork recipe you found in the Frida Khalo Cookbook. Because when you read that essay about Rilke, you underlined the whole thing except the part where Rilke says love means to deny the self and to be consumed in flames. Because when the lights are off, the curtains drawn, and an additional sheet is nailed over the windows, you still believe someone outside can see you. And one day five summers ago, when you couldn’t put gas in your car, when your fridge was so empty—not even leftovers or condiments— there was a single twenty-ounce bottle of Mountain Dew, which you paid for with your last damn dime because you once overheard me say that I liked it.
Matthew Olzmann
As miserable as Gregor felt about being dumped with a rat, his heart ached for Vikus. He wanted to scream at Luxa, "Say something! Don't let your granpa fly off like this! Four of us aren't coming back!" But the words caught in his throat. Part of him wasn't ready to forgive Vikus for abandoning them, either. "Fly you high, Gregor the Overlander," said Vikus. Gregor struggled with how to respond. Should he ignore Vikus? Let him know that none of them, not even an Overlander, could forgive him? Just as he had steeled himself against replying, Gregor thought of the last two years, seven months, and was it fifteen days now? There were so many things he wished he'd said to his dad when he'd had the chance. Things like how special it was when they went on the roof at night and tried to find the stars. Or how much he loved it when they took the subway out to the stadium to watch a baseball game. Or just that he felt lucky that out of all the people in the world, his dad was his dad. He didn't have room inside him for any more unspoken words. The bats were rising into the air. He only had a second. "Fly you high, Vikus!" he yelled. "Fly you high!" Vikus turned back, and Gregor could see tears shining on his cheeks. He lifted up a hand to Gregor in thanks. And then they were gone.
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
At this point, a faerie woman came twirling through. She had leaves in her updo and was swathed in ribbons and ivy and not much else. She tripped on a trailing line of ivy and Alec caught her. “Good reflexes!” she said brightly. “Also great arms. Would you be interested in a night of tumultuous forbidden passion, with an option to extend to seven years?” “Um, I am gay,” Alec said. He was not used to saying that casually, to any random person. It was strange to say it, and feel both relief and a shadow of his old fear, twined together. Of course, the declaration might not mean much to faeries. The faerie woman accepted it with a shrug, then looked over at Raphael and lit up. Something about the leather jacket or the scowl seemed to appeal to her strongly. “How about you, Vampire Without a Cause?” “I’m not gay,” said Raphael. “I’m not straight. I’m not interested.” “Your sexuality is ‘not interested’?” Alec asked curiously. Raphael said, “That’s right.” The faerie thought for a moment, then ventured, “I can also assume the appearance of a tree!” “I didn’t say, ‘not interested unless you’re a tree.’ ” “Wait,” said the faerie suddenly. “I recognize you. You’re Raphael Santiago! I’ve heard of you.” Raphael made a gesture of dismissal. “Have you heard I like it when people go away?” “You were one of the heroes in the Downworlder victory over Valentine.” “He was one of the heroes of the Downworlder and Shadowhunter alliance, which led to the victory,” Alec said. Raphael stopped looking annoyed and began to look nastily amused. “Oh, did the Shadowhunters help a little?” he asked. “You were there!” said Alec. “Can I have your autograph, Raphael?” asked the faerie lady. She produced a large, shiny green leaf and a quill. Raphael wrote LEAVE ME ALONE on the leaf. “I’ll cherish it,” said the faerie. She ran away, clutching the leaf to her bosom. “Don’t,” Raphael yelled after her.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Girlfriend? That's cute." Some people yelled when they got angry. Jason got sarcastic. Always. " Are you taking her to the dance next month? You should probably call ahead; I'm not sure if they let pets in-even ones that are house-trained.
Kathleen Peacock (Hemlock (Hemlock, #1))
Watching someone you love go through difficult times is like being trapped in your own body but paralyzed. You want to yell at them, scream, help them, but your body won’t move, and you know that no matter how hard you try, in the end, the path is theirs to choose. You can’t choose for them. What a terrifying concept, especially considering we hardly see every option when we’re stuck in our own self-defeat.
Rachel Van Dyken (Toxic (Ruin, #2))
When nothing bad happened, nobody even noticed. When nothing bad happened, it was just an ordinary day. Sometimes, when Dad was yelling his loudest at me, this was what he seemed to be saying: Do you people know how many ordinary days I’ve provided for you?
Alison Espach (Notes on Your Sudden Disappearance)
What would you know of struggle, perfect son? When have you fought against the mutilation of your mind? When have you had to do anything other than tally compliance's and polish your armor? The people of your world named you "Great One". The people of mine called me slave. Which one of us landed on a paradise of civilization to be raised by a foster father, Roboute? Which one of us was given armies to lead after training in the halls of the Macraggian High Riders? Which one of us inherited a strong, cultured kingdom? And which one of us had to rise up against a kingdom with nothing but a horde of starving slaves? Which one of us was a child enslaved on a world of monsters, with his brain cut up by carving knives? Listen to your blue clad wretches yelling courage and honor, courage and honor, courage and honor! Do you even know the meaning of those words? Courage is fighting the kingdom which enslaves you, no matter that their armies outnumber yours by ten-thousand to one. You know nothing of courage! Honor is resisting a tyrant when all others suckle and grow fat on the hypocrisy he feeds them. You know nothing of honor!
Angron, Wahammer 40K
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
When you leave your old neighborhood for your land, the city streets and businesses will almost instantly fade from your mind. The chirping of birds will replace the yelling of people.
Norm Geddis (Off the Grid Financed Land Online: The Ultimate Guide to Seller Financed Land Ownership for Homes, Cabins, Hunting, and Investment.)
This party is lame!" Braeden said loudly. "WOLVES, party at my dorm!" he yelled. People cheered. "Dude, how the fuck are you gonna fit all these people in your tiny-ass room?" He grinned. "Sure as hell will be fun to try." Out in front of the Omega house, there was hardly anyone around; they were all too busy in the back, checking out the drama. We were silent a moment. Then Braeden said, "You don't need them. You got more than enough talent to bring in the NFL on your own." "Fuck," I muttered. "When did everything get so damn complicated?" "When your life became about more than just football." "You sound like Yoda." I grinned. "It's the beer." - Braeden & Romeo
Cambria Hebert (#Nerd (Hashtag, #1))
People can immediately react in a sudden emergency, run away, yell, kick, and bite and try to protect themselves in some way. When the threat is quiet and remote or bearable in intensity, then they try to adapt to it.
Zoe McKey (Find Who You Were Born To Be: Explore Your Personality, Discover Your Strengths, Make Better Life Choices Than Suit Your True Needs (Pathfinder Book 2))
I’ll be all around in the dark – I’ll be everywhere. Wherever you can look – wherever there’s a fight, so hungry people can eat, I’ll be there. Wherever there’s a cop beatin’ up a guy, I’ll be there. I’ll be in the way guys yell when they’re mad. I’ll be in the way kids laugh when they’re hungry and they know supper’s ready, and when the people are eatin’ the stuff they raise and livin’ in the houses they build – I’ll be there, too.
John Steinbeck (The Grapes of Wrath)
He looked at me intently before speaking. “Why do you do that?” I frowned at him. “Do what?” “Push everyone away.” Danny told me simply. I was a little stunned and when I didn’t say anything, Danny continued on. “Darcie, what are you so afraid of? Why do you shut people out?” He looked at me searchingly. “Because it’s easier that way!” I yelled at him suddenly and he looked taken aback. I took a deep breath to calm down and added, “And I don’t like feeling vulnerable.” Danny stared at me. “Being vulnerable is nothing to be ashamed of Darcie …it’s what makes us human.” I shook my head furiously. “No! Being vulnerable makes you weak – just like every other emotion … if you allow yourself to care, you only end up getting hurt.” Danny threw me a consoling look. “But there’s nothing wrong with caring –” “No!” I interrupted angrily. “I don’t want to care! You only end up getting hurt … and it hurts so bad that you can’t breathe. I don’t want to feel like that. I don’t want to feel at all! It’s just easier to shut everyone out … if you don’t care about them – you won’t get hurt!
Joanne McClean (Learning to Breathe (Breathing, #1))
On summer nights when the windows are open, you can listen in on people's lives—babies crying, kids laughing, radios blaring, mothers yelling, couples fighting. Funny thing is, the sounds are always the same. Even though different people come and go, the sounds stay the same. I like that. It makes me feel a part of something big, something never ending, like the stars.
Jackie French Koller (Nothing to Fear (Gulliver Books))
In that seminar I attended at eighteen, the speaker asked, “What percentage of shared responsibility do you have in making a relationship work?” I was a teenager, so wise in the ways of true love. Of course I had all the answers. “Fifty/fifty!” I blurted out. It was so obvious; both people must be willing to share the responsibility evenly or someone’s getting ripped off. “Fifty-one/forty-nine,” yelled someone else, arguing that you’d have to be willing to do more than the other person. Aren’t relationships built on self-sacrifice and generosity? “Eighty/twenty,” yelled another. The instructor turned to the easel and wrote 100/0 on the paper in big black letters. “You have to be willing to give 100 percent with zero expectation of receiving anything in return,” he said. “Only when you’re willing to take 100 percent responsibility for making the relationship work will it work. Otherwise, a relationship left to chance will always be vulnerable to disaster.” Whoa. This wasn’t what I was expecting! But I quickly understood how this concept could transform every area of my life. If I always took 100 percent responsibility for everything I experienced—completely owning all of my choices and all the ways I responded to whatever happened to me—I held the power. Everything was up to me. I was responsible for everything I did, didn’t do, or how I responded to what was done to me.
Darren Hardy (The Compound Effect)
Ma Joad: How am I gonna know about ya, Tommy? Why they could kill ya and I'd never know. They could hurt ya. How am I gonna know? Tom Joad: Well, maybe it's like Casy says. A fellow ain't got a soul of his own, just a little piece of a big soul, the one big soul that belongs to everybody, then... Ma Joad: Then what, Tom? Tom Joad: Then it don't matter. I'll be around in the dark - I'll be everywhere. Wherever you can look - wherever there's a fight, so hungry people cant eat, I'll be there. Wherever there's a cop beatin' up a guy, I'll be there. I'll be in the way guys yell when they're mad. I'll be in the way kids laugh when they're hungry and they know supper's ready, and when the people are eatin' the stuff they raise and livin' in the houses they buid - I'll be there, too.
John Steinbeck (The Grapes of Wrath)
You just want to give up, he said when he was able to speak. Only you keep going. You still have to get up in the morning and pour the cereal in the bowls. You keep on breathing, whether you want to or not. Nobody's around to tell you how it's supposed to work. The usual rules just don't apply anymore. He was still talking, but she wasn't even sure if it was to her. When it started, he said, I thought nothing could be worse than those first days. And it wasn't only us, but everyone else you'd see, wandering around like they'd landed on a whole different planet. Instead of just dealing with your own heart getting ripped into pieces, wherever you looked you knew there were other people dealing with the same thing. You couldn't even be alone with it. Like you're out in the ocean and the undertow catches you and you start yelling for help, but then you look around, and all around you in the water for as far as you can see, there's all these other people flailing too. He sat there for a moment, shaking his head. You keep getting up in the morning and knowing this will continue maybe ten thousand more mornings. You wish you were the one who died. How much better would that be?
Joyce Maynard (The Usual Rules)
I break out laughing. I frown. I yell and scream. Sometimes, if one jokes and giggles, one causes war. So I hide how tickled I am. Tears well up in my eyes. My body is a large city. Much grieving in one sector. I live in another part. Lakewater. Something on fire over here. I am sour when you are sour, sweet when you are sweet. You are my face and my back. Only through you can I know this back-scratching pleasure. Now people the likes of you and I come clapping, inventing dances, climbing into this high meadow. I am a spoiled parrot who eats only candy. I have no interest in bitter food. Some have been given harsh knowledge. Not I. Some are lame and jerking along. I am smooth and glidingly quick. Their road is full of washed-out places and long inclines. Mine is royally level, effortless. The huge Jerusalem mosque stands inside me, and women full of light. Laughter leaps out. It is the nature of the rose to laugh. It cannot help but laugh.
Jalal ad-Din Muhammad ar-Rumi (Bridge to the Soul: Journeys Into the Music and Silence of the Heart)
I watch these kids. They don't seem entirely unhappy. A few times I've even circled the Free Clinic on foot, trying to catch a closer glimpse of these kids and their lives as they pop in and out of the clinic's Sputnik-era, gone-to-seed building--Lancaster's future trolls and Popeyes loitering out back having hushed paranoid conversations. And once I even went to have a look where they hang out in a big way, out in the delivery bay behind the now-closed Donut Hut, the delivery bay grotto out back with a floor spongy with pigeon shit, chewing gum, cigarette ashes, and throat oysters--dank and sunless. I went to visit this place once when all the druggies were away, having their druggy lives downtown doing their druggy things: yelling at parked cars and having conversations with amber lights. I visited this place and I was confused: confused and attracted. Who do these people think they are? How can they not care about the future or hot running water or clean sheets or cable TV? These people. And on the walls down at the delivery bay, do you know what they had written? Written in letters several hands high, letters built of IV needles attached to the cement with soiled bandages and wads of chewing gum? They had written the words WE LIKE IT.
Douglas Coupland
Someday decades from now, when you and Sabine are hobbling around in your old-people pants and orthopedic shoes, yelling at grandchildren and reminiscing about the days when you could still see your feet, unimpeded by the view of your gut, I will still be basking in the glow of eternal youth, forever young, forever golden, forever—” “In love with the face in the mirror and the sound of your own voice,” I finished for him, and Nash laughed.
Rachel Vincent
Word of my arrival spread as soon as I walked out of the ocean. Our beach is on the North Shore of Long Island, and it’s enchanted so most people can’t even see it. People don’t just appear on the beach unless they’re demigods or gods or really, really lost pizza delivery guys. (It’s happened—but that’s another story.) Anyway, that afternoon the lookout on duty was Connor Stoll from the Hermes cabin. When he spotted me, he got so excited he fell out of his tree. Then he blew the conch horn to signal the camp and ran to greet me. Connor had a crooked smile that matched his crooked sense of humor. He’s a pretty nice guy, but you should always keep one hand on your wallet when he’s around, and do not, under any circumstances, give him access to shaving cream unless you want to find your sleeping bag full of it. He’s got curly brown hair and is a little shorter than his brother, Travis, which is the only way I can tell them apart. They are both so unlike my old enemy Luke it’s hard to believe they’re all sons of Hermes. “Percy!” he yelled. “What happened? Where’s Beckendorf ?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The only bright point was when we stopped off at that fish market they got here before we went to the airport.” “Oh,” Jimmy said brightly, “the one where they throw those great big fish around?” “Yeah, that’s the one,” Agent Miller said, wearily. “How was it?” Jimmy asked. “It was a fish market. You’ve been to a fish market, haven’t you, Jimmy? It was exactly like that, only crowded, and with guys yelling and throwing around a big dead fish. Does that sound like fun, Jimmy? How they ever convinced people that that’s a tourist attraction is beyond me. It’s all a big sham. I’m pretty sure they kept throwing the same fish around no matter what anyone ordered.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
For the rest of the day Hubert couldn't stop grinning. He grinned in the lift on the way back down to the warehouse. He grinned as he passed Mr Coulthard yelling at the new lads. And he grinned all the more later when Kenneth told him a very odd story about being sent on a wild-goose chase to the fourth floor by a girl from Haberdashery.
Mike Gayle (All the Lonely People)
Change wears my sister’s moccasins. He stays up late and wakes up early. He likes to come up quietly and kiss me on the back of the neck when I am at my drawing table. He wants to amuse people, and it hurts him when they yell at him. Change is very musical, but sometimes you must listen for a long time before you hear the pattern in his music.
Ruth Gendler (The Book of Qualities)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
BOOK BEAUTY Here's the end of that story about the old woman who wanted to lure a man with strange cosmetics. She made a paste of pages from the Qur'an to fill the deep creases on her face and neck with. This is not about an old woman, dear reader. It's about you, or anyone who tries to use books to make themselves attractive. There she is, sticking scripture, thick with saliva, on her face. Of course, the bits keep falling off. "The devil," she yells, and he appears! "This is a trick I've never seen. You don't need me. You are yourself a troop of demons!" So people steal inspired words to get compliments. Don't bother. Death comes and all talking, stolen or not, stops. Pity anyone unfamiliar with silence when that happens. Polish your heart with mediation and quietness. Let the inner life grow generous and handsome like Joseph. Zuleika did that and her "old woman's spring cold snap" turned to mid-July. Dry lips wet from within. Ink is not rouge. Let language lie bygone. Now is where love breathes.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
When I asked the Reb, Why do bad things happen to good people?, he gave none of the standard answers. He quietly said, “No one knows.” I admired that. But when I asked if that ever shook his belief in God, he was firm. “I cannot waver,” he said. Well, you could, if you didn’t believe in something all-powerful. “An atheist,” he said. Yes. “And then I could explain why my prayers were not answered.” Right. He studied me carefully. He drew in his breath. “I had a doctor once who was an atheist. Did I ever tell you about him?” No. “This doctor, he liked to jab me and my beliefs. He used to schedule my appointments deliberately on Saturdays, so I would have to call the receptionist and explain why, because of my religion, that wouldn’t work.” Nice guy, I said. “Anyhow, one day, I read in the paper that his brother had died. So I made a condolence call.” After the way he treated you? “In this job,” the Reb said, “you don’t retaliate.” I laughed. “So I go to his house, and he sees me. I can tell he is upset. I tell him I am sorry for his loss. And he says, with an angry face, ‘I envy you.’ “‘Why do you envy me?’ I said. “‘Because when you lose someone you love, you can curse God. You can yell. You can blame him. You can demand to know why. But I don’t believe in God. I’m a doctor! And I couldn’t help my brother!’ “He was near tears. ‘Who do I blame?’ he kept asking me. ‘There is no God. I can only blame myself.’” The Reb’s face tightened, as if in pain. “That,” he said, softly, “is a terrible self-indictment.” Worse than an unanswered prayer? “Oh yes. It is far more comforting to think God listened and said no, than to think that nobody’s out there.
Mitch Albom (Have a Little Faith: A True Story)
One guy yelled at me, 'You stupid bitch, how do you live like that with nothing in your brain?' Well, that did it. I wasn't going to put up with that. OK, so I'm not so smart. I'm working class. But it's the working class that keeps the world running, and it's the working classes that get exploited. What kind of revolution is it that just throws out big words that working-class people can't understand? What kind of crap social revolution is that? I mean, I'd like to make the world a better place, too. If somebody's really being exploited, we've got to put a stop to it. That's what I believe, and that's why I ask questions. (...) So that's when it hit me. These guys are fakes. All they've got on their minds is impressing the new girls with the big words they're so proud of, while sticking their hands up their skirts.(...) They marry pretty wives who've never read Marx and have kids they give fancy new names to that are enough to make you puke. Smash what educational-industrial complex? Don't make me laugh! (...) They're scared to death somebody's gonna find out they don't know something. They all read the same books and they all spout the same slogans, and they love listening to John Coltrane and seeing Pasolini movies. You call that 'revolution'? (...) Revolution or not, the working class will just keep on scraping a living in the same old shitholes. And what is a revolution? It sure as hell isn't just changing the name on city hall. But those guys don't know that - those guys with their big words.
Haruki Murakami (Norwegian Wood)
As far as wanting to go places, I can’t believe people do it for fun. When I’m in airports, and I see people going on vacations, I think, ‘How horrible could your life be? How bad is your regular life, that you think, you know what would be fun? Let’s get the kids, go to the airport, with thousands of pieces of luggage, stand in these lines, be yelled at by a bunch of morons, leave late, be squished all together—and this is better than our actual life.
Fran Lebowitz
Then it don’ matter. Then I’ll be all aroun’ in the dark. I’ll be ever’where—wherever you look. Wherever they’s a fight so hungry people can eat, I’ll be there. Wherever they’s a cop beatin’ up a guy, I’ll be there. If Casy knowed, why, I’ll be in the way guys yell when they’re mad an’—I’ll be in the way kids laugh when they’re hungry an’ they know supper’s ready. An’ when our folks eat the stuff they raise an’ live in the houses they build—why, I’ll be there.
John Steinbeck (The Grapes of Wrath)
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
The man has a curious inborn conviction of his own superiority which is quite unshakeable. All his life he has bullied and browbeaten those around him by his high-and-mightiness and his atrocious temper. As a boy he terrorized his entire family by his tantrums, when, if thwarted, he would throw himself on the floor and yell till he went blue in the face. It has been much the same ever since. Everyone's terrified of his rages. He has only to start grinding his teeth, and people fall flat before him.
Anna Kavan (Who Are You?)
I like the disaster of the night sky, stars spilling this way and that as if they were upturned from a glass. I like the way good madness feels. I like the way laughter always spills. That's the word for it. It never just comes, it spills. I like the word 'again'. Again and again and again and again and again and again and again and again. I like the quiet sound a coffee cup makes when it's set down on a wooden table. So hushed. So inviting. Like morning light yawning through the window and stretching out onto the kitchen floor. I like the way girls' lips look like they're stained with berries. I like the way morning light breaks like a prism through the empty wine bottles on our dusty apartment floor. Glasses empty except for the midnight hour. I like the way blueberries stain my fingers during the summer. I like the way light hits your eyes and turns it into a color that doesn't exist anywhere else other than in this moment. I want it all. I want the breeze to call my name as it rushes down my street, looking for me. I want to feel grass underneath my bare feet and I want to feel the sun kiss freckles onto my cheeks. I want to hear you yell hello as you make your way towards me, not goodbye as you have to go. That's just a little bit about me.
Marlen Komar (Ugly People Beautiful Hearts)
We need to pull over now," she screeched as she gagged. "Paper is not supposed to be made out of poop.” "Did it taste like poop?" Hank inquired as he quickly pulled into a rest stop filled with church buses. "Since I don't eat poop," Dima snapped, "I wouldn't know." "But you do eat people?" "I do not eat people," she yelled. "But your people eat people?" I prodded nicely. "Occasionally," she hissed. "And your people sniff each other's asses when in animal form..." She had a point - and a foul one at that.
Robyn Peterman (Some Were In Time (Shift Happens #2))
One measure for whether or not you’re rested enough—besides falling asleep in board meetings—is to ask yourself this: How much do I care about the things I care about? When we lose concern for people, both the lost and the found, for the bride of Christ, for friendship, for truth and beauty and goodness; when we cease to laugh when our children laugh (and instead yell at them to quiet down) or weep when our spouses weep (and instead wish they didn’t get so emotional); when we hear news of trouble among our neighbors and our first thought is that we hope it isn’t going to involve us—when we stop caring about the things we care about—that’s a signal we’re too busy. We have let ourselves be consumed by the things that feed the ego but starve the soul. Busyness kills the heart.
Mark Buchanan (The Rest of God: Restoring Your Soul by Restoring Sabbath)
We will need to stay over two nights in a hotel on our trip home.” Momentarily alarmed, I glanced at Ren. “Okay. Umm, I was thinking that maybe this time if you don’t mind, we could check out one of those bigger hotels. You know, something that has more people around. With elevators and rooms that lock. Or even better, a nice high-rise hotel in a big city. Far, far, far away from the jungle?” Mr. Kadam chuckled. “I’ll see what I can do.” I graced Mr. Kadam with a beatific smile. “Good! Could we please go now? I can’t wait to take a shower.” I opened the door to the passenger side then turned and hissed in a whisper aimed at Ren, “In my nice, upper-floor, inaccessible-to-tigers hotel room.” He just looked at me with his innocent, blue-eyed tiger face again. I smiled wickedly at him and hopped in the Jeep, slamming the door behind me. My tiger just calmly trotted over to the back where Mr. Kadam was loading the last of his supplies and leapt up into the back seat. He leaned in the front, and before I could push him away, he gave me a big, wet, slobbery tiger kiss right on my face. I sputtered, “Ren! That is so disgusting!” I used my T-shirt to swipe the tiger saliva from my nose and cheek and turned to yell at him some more. He was already lying down in the back seat with his mouth hanging open, as if he were laughing. Before I could really lay into him, Mr. Kadam, who was the happiest I’d ever seen him, got into the Jeep, and we started the bumpy journey back to a civilized road. Mr. Kadam wanted to ask me questions. I knew he was itching for information, but I was still fuming at Ren, so I lied. I asked him if he could hold off for a while so I could sleep. I yawned big for dramatic effect, and he immediately agreed to let me have some peace, which made me feel guilty. I really liked Mr. Kadam, and I hated lying to people. I excused my actions by mentally blaming Ren for this uncharacteristic behavior. Convincing myself that it was his fault was easy. I turned to the side and closed my eyes. I slept for a while, and when I woke up, Mr. Kadam handed me a soda, a sandwich, and a banana. I raised my eyebrow at the banana and thought of several good monkey jokes I could annoy Ren with, but I kept quiet for Mr. Kadam’s sake.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
On Sunday, get ready to have two million people cheering you on,” Jessie said. “Laney is making you a shirt with your name on it so people will know to yell your name out.” Mr. Beiderman groaned. “I was hoping she had forgotten about that shirt.” “You’re going to love it,” Orlando said. “It will give you a boost when you’re running. And it will help the cross-country team find you when we join you on the course.” “I want to wear this,” Mr. Beiderman said, gesturing to his all-black workout clothes. “No, no,” Jessie said, wagging a finger at him. “Laney’s heart would be broken.” “C’mon,” Orlando said. “It’ll be fun. People wear all sorts of funny things when they run the marathon. Chicken costumes. Superhero outfits complete with fake muscles. Business suits. A T-shirt with your name on it will look tame in comparison.” “Laney has been excited about making your marathon shirt for weeks,” Jessie reminded him. “Fine,” Mr. B grumbled. “I’ll wear it.” Jessie smiled. “Good. Also, this might be a good time for me to warn you that she’s putting a lot of glitter on it.” Mr. Beiderman sighed, and Jessie and Orlando laughed.
Karina Yan Glaser (The Vanderbeekers Lost and Found)
So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop? Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. And then you just do it. You just dig in and write it. You use your body. you lean over the computer and stretch and pace. You write and then cook something and write some more. you put your hand on your heart and feel it beating and decide if what you wrote feels true. You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing. That is what I know. Writing the book is about writing the book. So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
Amy Poehler (Yes Please)
The porpoises and whale themselves, in their quests for entertainment, often created problems. One summer a fashion developed in the training tanks (I think Keiki started it) for leaning out over the tank wall and seeing how far you could balance without falling out. Several animals might be teetering on the tank edge at one time, and sometimes one or another did fall out. Nothing much happened to them, except maybe a cut or a scrape from the gravel around the tanks; but of course we had to run and pick them up and put them back in. Not a serious problem, if the animal that fell out was small, but if it was a 400-pound adult bottlenose, you had to find four strong people to get him back, and when it happened over and over again, the people got cross. We feared too, that some animal would fall out at night or when no one was around and dry out, overheat, and die. We yelled at the porpoises, and rushed over and pushed them back in when we saw them teetering, but that just seemed to add to the enjoyment of what I'm sure the porpoises thoguht of as a hilariously funny game. Fortunately they eventually tired of it by themselves.
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
A fellow ain’t got a soul of his own, just little piece of a big soul, the one big soul that belongs to everybody, then it don’t matter. I’ll be all around in the dark – I’ll be everywhere. Wherever you can look – wherever there’s a fight, so hungry people can eat, I’ll be there. Wherever there’s a cop beatin’ up a guy, I’ll be there. I’ll be in the way guys yell when they’re mad. I’ll be in the way kids laugh when they’re hungry and they know supper’s ready, and when the people are eatin’ the stuff they raise and livin’ in the houses they build – I’ll be there, too.
John Steinbeck (The Grapes of Wrath)
5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
But it’s not just that it’s not nice, and it’s not just that it’s weak, it’s that it’s impolite, we’re taught. When your cousin posts a misogynistic comment on Facebook, you could YELL AT HIM FOR REPEATING NONSENSE THAT IS NOT MERELY FACTUALLY INCORRECT BUT ALSO MORALLY WRONG OMFG I CAN’T BELIEVE I EVEN STILL HAVE TO SAY THESE THINGS. Then he—and probably several other people—will respond that you might have a point, but he can’t listen to you when you’re so shrill. So angry. You need to make your point more politely if you want to be taken seriously. Be nice, be strong, be polite. No feelings for you.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
So what are you thinking?" I asked. I meant about the case, obviously, but Cassie was in a giddy mood--she generates more energy than most people, and she'd been sitting indoors most of the day. "Will you listen to him? A woman asking a guy what he's thinking is the ultimate crime, she's clingy and needy and he runs a mile, but when it's the other--" "Behave yourself," I said, pulling her hood over her face. "Help! I'm being oppressed!" she yelled through it. "Call the Equality Commission." The stroller girl gave us a sour look. "You're overexcited," I told Cassie. "Calm down or I'll take you home with no ice cream.
Tana French (In the Woods)
It's okay to kiss people when you love them." "I don't love your mother," I tell her. "Not like that, anyway." "You give her all your french fries, even when she won't give you back onion rings," Sophie says. "And when you say her name it sounds different." "How?" Sophie thinks. "Like it's covered in blankets." "I do not say your mother's name like it's covered in blankets. And I don't always give her my french fries, because you're right, she doesn't share." "But you still don't yell at her when she's not being fair," Sophie points out. "Because you don't want to hurt her feelings." She slips her hand into mine and repeats, "You love her.
Jodi Picoult (Vanishing Acts)
The person who returns from living abroad isn't the same person who left originally... Your outlook changes. You don't take things for granted that you used to. For instance, I noticed in New York that when one cab cut off another, the driver who got cut off would always yell at the other driver... and I realized this was because Americans assume that the other person intended to do what he did, so they want to teach the person a lesson. But you know, in Japan, people almost never get upset in those situations. Japanese look at other people's mistakes more as something arbitrary, like the weather, I think, not so much as something to get angry about.
Barry Eisler (Rain Fall)
I'll kill you all," yelled Bill, and swore for three or four minutes, calling us every dirty name he could think of for being so chicken-hearted. When people talk about "leadership quality" I often think of Bill Unsworth; he had it. And like many people who have it, he could make you do things you didn't want to do by a kind of cunning urgency. We were ashamed before him. Here he was, a bold adventurer, who had put himself out to include us-- lily-livered wretches-- in a daring, dangerous, highly illegal exploit, and all we could do was worry about being hurt! We plucked up our spirits and swore and shouted filthy words, and set to work to wreck the house.
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
Dude, Kellan, I know you and Kiera are in there . . . people saw you two head that way. Open the door.” Cursing, Kellan separated from me. I instantly went for his mouth, but he pushed me back a little and unlocked the bathroom door right next to us. Cracking it open, he scowled at the person on the other side of it. “What, Matt?” I laid my head on Kellan’s chest and stared blankly at Matt looking at us through the slit in the door. He didn’t look happy. “Are you about to have sex in my bathroom?” Without missing a beat, Kellan responded with “Yes,” and started closing the door. My hazed mind found it funny, and I started laughing. Matt stopped the door with his hand. “Kell, we only have one bathroom. I don’t want people peeing in my kitchen sink.” Sighing in irritation, Kellan opened the door wider and glared at Matt. Matt looked down at Kellan’s bare chest, then my half-naked chest, then snapped his eyes up to Kellan’s eyes. Kellan shook his head and shrugged. “Bedroom or bathroom,” was all he said. Matt scrunched his brow and Kellan repeated himself, raising his eyebrows. “Bedroom or bathroom? You pick, Matt.” Sighing, Matt rolled his eyes. “Fine, but make it quick.” Grinning, Kellan slammed the door shut and locked it again. I giggled as my mind swam. On the other side I heard Matt slurringly yell, “And clean up when you’re done, damn it!
S.C. Stephens (Effortless (Thoughtless, #2))
When one of them yelled, “I can’t hear you,” Bush responded, “I can hear you. I can hear you. The rest of the world hears you. And the people—and the people who knocked these buildings down will hear all of us soon.” I thought that was an inspired, and inspiring, statement to those responders and to the nation, and I wanted to get to work.
James R. Clapper (Facts and Fears: Hard Truths from a Life in Intelligence)
Many men find themselves unable to cope with even minor frustration. They get angry over trivial things, such as a broken pencil lead or an overcooked hamburger. Their anger erupts and gets out of control. They feel as though they are constantly under attack, that everyone is out to get them, and that nobody understands or cares about them. They may even get superstitious and believe that fate has it in for them, or that God has turned against them. This feeling of having no control leads to a state of continual frustration and anger. This tendency to react with instant anger can be called rage. Rage is anger that never completely goes away. Unlike regular anger, it is not a response to a specific event; rather, it is a response set, or tendency. In other words, it is an automatic way of reacting to the world without much thought. When you react to more and more situations with anger, it becomes your habitual response. You may often find yourself furiously yelling or seething inside without even knowing what it was that made you so angry. Rage sees personal attack in every disagreement. Rage causes you to feel threatened when there is no threat. And rage causes you to viciously counter-attack even a minor threat. Rage is like a wounded animal. It attacks anything that moves. And as with a wounded animal, the attacks do nothing to ease the pain. Rage depersonalizes individual people and events into a faceless, nameless "them".
Thomas J. Harbin (Beyond Anger: A Guide for Men: How to Free Yourself from the Grip of Anger and Get More Out of Life)
Interestingly, adult narcissists often look like an infant, or, at least, a toddler: They “cry” (or yell) when they do not quickly get what they want, assume that people will come running when they cry, and become agitated when they don’t come running, don’t really care about the needs of the people around them, and believe that they are truly the center of the universe.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
When I look at him, I don’t see the cowardly young man who sold me out to Jeanine Matthews, and I don’t hear the excuses he gave afterward. When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is--smart and enthusiastic and observant, quiet and earnest and kind. He is a part of me, always will be, and I am a part of him, too. I don’t belong to Abnegation, or Dauntless, or even the Divergent. I don’t belong to the Bureau or the experiment or the fringe. I belong to the people I love, and they belong to me--they, and the love and loyalty I give them, form my identity far more than any word or group ever could. I love my brother. I love him, and he is quaking with terror at the thought of death. I love him and all I can think, all I can hear in my mind, are the words I said to him a few days ago: I would never deliver you to your own execution. “Caleb,” I say. “Give me the backpack.” “What?” he says. I slip my hand under the back of my shirt and grab my gun. I point it at him. “Give me the backpack.” “Tris, no.” He shakes his head. “No, I won’t let you do that.” “Put down your weapon!” the guard screams at the end of the hallway. “Put down your weapon or we will fire!” “I might survive the death serum,” I say. “I’m good at fighting off serums. There’s a chance I’ll survive. There’s no chance you would survive. Give me the backpack or I’ll shoot you in the leg and take it from you.” Then I raise my voice so the guards can hear me. “He’s my hostage! Come any closer and I’ll kill him!” In that moment he reminds me of our father. His eyes are tired and sad. There’s a shadow of a beard on his chin. His hands shake as he pulls the backpack to the front of his body and offers it to me. I take it and swing it over my shoulder. I keep my gun pointed at him and shift so he’s blocking my view of the soldiers at the end of the hallway. “Caleb,” I say, “I love you.” His eyes gleam with tears as he says, “I love you, too, Beatrice.” “Get down on the floor!” I yell, for the benefit of the guards. Caleb sinks to his knees. “If I don’t survive,” I say, “tell Tobias I didn’t want to leave him.
Veronica Roth (Allegiant (Divergent, #3))
The idea of you lynching anybody! It’s amusing. The idea of you thinking you had pluck enough to lynch a man! Because you’re brave enough to tar and feather poor friendless cast-out women that come along here, did that make you think you had grit enough to lay your hands on a man? Why, a man’s safe in the hands of ten thousand of your kind—as long as it’s day-time and you’re not behind him. “Do I know you? I know you clear through. I was born and raised in the South, and I’ve lived in the North; so I know the average all around. The average man’s a coward. In the North he lets anybody walk over him that wants to, and goes home and prays for a humble spirit to bear it. In the South one man, all by himself, has stopped a stage full of men, in the day-time, and robbed the lot. Your newspapers call you a brave people so much that you think you are braver than any other people—whereas you’re just as brave, and no braver. Why don’t your juries hang murderers? Because they’re afraid the man’s friends will shoot them in the back, in the dark—and it’s just what they would do. “So they always acquit; and then a man goes in the night, with a hundred masked cowards at his back, and lynches the rascal. Your mistake is, that you didn’t bring a man with you; that’s one mistake, and the other is that you didn’t come in the dark, and fetch your masks. You brought part of a man—Buck Harkness, there—and if you hadn’t had him to start you, you’d a taken it out in blowing. “You didn’t want to come. The average man don’t like trouble and danger. You don’t like trouble and danger. But if only half a man—like Buck Harkness, there—shouts ‘Lynch him, lynch him!’ you’re afraid to back down—afraid you’ll be found out to be what you are—cowards—and so you raise a yell, and hang yourselves onto that half-a-man’s coat tail, and come raging up here, swearing what big things you’re going to do. The pitifulest thing out is a mob; that’s what an army is—a mob; they don’t fight with courage that’s born in them, but with courage that’s borrowed from their mass, and from their officers. But a mob without any man at the head of it, is beneath pitifulness. Now the thing for you to do, is to droop your tails and go home and crawl in a hole. If any real lynching’s going to be done, it will be done in the dark, Southern fashion; and when they come they’ll bring their masks, and fetch a man along. Now leave—and take your half-a-man with you...
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
Lord,I love you truly with all my heart. Every moment with you is precious to me but I would give up even that if it meant peace between our peoples. Nothing else can be allowed to matter so much as that." Dragon did not reply. He was staring at her very oddly. Of the others, she had no awareness at all. Only he existed for her just then.She felt as though there was no ground beneath her but this time instead of falling as she had off the cliff, she soared frantically, desperately,not knowing if at any moment gravity might reclaim her but soaring all the same. "What did you say?" he demanded. "Nothing else can be allowed to matter so much as the peace between our peoples! I understand full well how angry you are. The insult done you was profound,but I beg you,think of what you do.Do you go against my father,he wins!" Slowly,Dragon shook his head as though trying to clear it. His gaze locked on Rycca's like a man holding fast to the rudder in a mighty storm. A dull flush crept over his high-boned cheeks. "Insult? You think I want to kill your father because he insulted me? For pity's sake, woman, I damn near lost you! Don't you have any idea what that means to me?" Her eyes widened, never leaving him as he stalked across the stone floor of the Saxon's king's great hall and took firm hold of her by her shoulders. He dragged her up against him even as he near yelled, "Dammit to hell, woman, I love you! What care I for insults? Nothing matters to me save keeping you safe and-" "Love?" Rycca repeated in a daze. "Loki take you, lady, you are not the easiet woman in the world to get along with, you know! You are strong, spirited, stubborn, not a meek bone in your body! Your body...Never mind that, the point is you have stolen into my heart and I lack any will to get you out, so do not dare you think of dying! I absolutely forbid it! Did you say you love me?" Oh,my,Rycca thought, she truly did have wings after all.Strong, sturdy wings that would carry her as high as she wanted to climb. And that was very high indeed. A smile crept over her clear to her toes.She cupped her husband's face between her hands and took his mouth with hers.Well and thoroughly did she kiss him right there in front of everyone. That took some time, and when she was done she was rather breathless. Yet she managed to say, "I love you, lord.More than life,more even than freedom.You are dearest to me above all." And for just a moment, there in the hall of the king,Rycca of Landsende saw the sheen of tears in her Viking's eyes.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
When I got back home Victor was all, “I’VE BEEN WORRIED SICK. WHERE HAVE YOU BEEN?” and I was like, “DON’T YELL AT ME. I WAS AT A SURPRISE FUNERAL AND I’M FEELING VERY VULNERABLE,” and then he said I wasn’t allowed to drive unsupervised anymore because apparently “normal people don’t allow themselves to get abducted by funerals.” It was exactly the sort of thing Victor would bring up in therapy without the proper context.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—
J.D. Salinger (The Catcher in the Rye)
...I was there when we opened the gates. Some of these poor wretches running out were so emaciated they actually died from the excitement of being liberated. I saw it happen several times. These people in the camps – they were like walking skeletons. You could see all their bones. The gates opened and the people ran out yelling, "I'm free! I'm free!" And some of them died right there. I was horrified to see what the SS had done to these people. - Roy Gates
Marcus Brotherton (We Who Are Alive and Remain: Untold Stories from the Band of Brothers)
How about that. My struggles with C-PTSD made me more empathetic. They made me more attuned to what people needed and uniquely skilled in comforting them. Even the negative parts of my C-PTSD had a silver lining. It was true that when Joey was angry or upset, I had a hard time sitting with his pain and never let him sulk in peace. Instead, I'd nag and badger him until he told me exactly what was up. Once, fed up with me pawing at him like a squirrel analyzing a nut, he yelled, "Can't you just say, 'Hear you, that sucks' instead of trying to solve all of my problems? Not everything needs solving!" But days afterward, once he was feeling better, Joey often thanked me. "In the end, because you pester me, I tell you things I don't tell anyone else. And then the talks we have about my feelings change me for the better," he told me. "Nobody makes me feel cared for as much as you do." I wasn't loved in spite of my C-PTSD--but in part, because of it.
Stephanie Foo (What My Bones Know)
I asked a nurse for dental floss and was told that I am not allowed dental floss. Apparently dental floss can be used for several functions besides the maintenance of healthy gums. These apparently include self-harm. When instructed that I was not permitted dental floss because of “risks it raises associated with suicide” I envisioned a noose made entirely of floss. Realizing such a noose would require a dramatic amount of floss to effectively uphold any human person, I brought it to the attention of a nurse. “I don’t believe that even the most practiced engineers could fashion any functioning noose out of a single container of floss,” I say. “People use it to cut themselves,” she explained. “Oh,” I replied. I had just about come to terms with the no-floss rule until the hospital, in a flagrant display of disrespect for its patients, chose to serve us corn on the cob for lunch. “Are you aware that we are not allowed dental floss?” I yelled at the nurse bringing me the corn. I then threw the corn violently from my plate into the nearest wall.
Emily R. Austin (Oh Honey)
It’s very hard for us to believe that people who loved us would intentionally hurt us, so we feel the need to excuse their behavior. But repressing that pain just makes us more likely to hit our own children. If you were willing to reach deep inside and really feel again the hurt you felt when you were physically punished as a child, you would never consider inflicting that pain on your own child. And the pain does not end in childhood, even if we repress and deny it. The scientific consensus of hundreds of studies shows that corporal punishment during childhood is associated with negative behaviors in adults, even when the adult says that the spanking did not affect them badly. Even a few instances of being hit as a child are associated with more depressive symptoms as an adult. While most of us who were spanked “turned out okay,” it is clear that not being spanked would have helped us turn out to be healthier. I suspect that one contributing factor to the epidemic of anxiety and depression among adults in our culture is that so many of us grew up with parents who hurt us.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
The core components of high EQ are the following: The ability to self-soothe. The key to managing emotion is to allow, acknowledge, and tolerate our intense emotions so that they evaporate, without getting stuck in them or taking actions we’ll later regret. Self-soothing is what enables us to manage our anxiety and upsets, which in turn allows us to work through emotionally charged issues in a constructive way. Emotional self-awareness and acceptance. If we don’t understand the emotions washing over us, they scare us, and we can’t tolerate them. We repress our hurt, fear, or disappointment. Those emotions, no longer regulated by our conscious mind, have a way of popping out unmodulated, as when a preschooler socks his sister or we (as adults) lose our tempers or eat a pint of ice cream. By contrast, children raised in a home in which there are limits on behavior but not on feelings grow up understanding that all emotions are acceptable, a part of being human. That understanding gives them more control over their emotions. Impulse control. Emotional intelligence liberates us from knee-jerk emotional reactions. A child (or adult) with high EQ will act rather than react and problem-solve rather than blame. It doesn’t mean you never get angry or anxious, only that you don’t fly off the handle. As a result, our lives and relationships work better. Empathy. Empathy is the ability to see and feel something from the other’s point of view. When you’re adept at understanding the mental and emotional states of other people, you resolve differences constructively and connect deeply with others. Naturally, empathy makes us better communicators.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
Needless to say, cooking for a man with such a delicate palate can be challenging and every once in a while I like to make something that isn't served with a glass of milk and a side of applesauce. This can be difficult with a husband with such discriminating taste buds. Difficult, but not impossible, if you're willing to lie. Which I am.   During the winter months I love to make soups and one of my favorites is taco soup. It has all of the basic food groups in one bowl; meat, veggies, beans, and Fritos. It's perfection. I've been warming bodies and cleaning colons with this recipe for years. However, when I met my husband he advised he didn't like beans, so he couldn't eat taco soup. This was not the response I hoped for.   I decided to make it for him anyway. The first time I did I debated whether to add beans. I knew he wouldn't eat it if I did, but I also knew the beans were what gave it the strong flavor. I decided the only way to maintain the integrity of the soup was to sacrifice mine. I lied to him about the ingredients. Because my husband is not only picky but also observant, I knew I couldn't just dump the beans into the soup undetected. Rather, I had to go incognito. For that, I implored the use of the food processor, who was happy to accommodate after sitting in the cabinet untouched for years.   I dumped the cans of beans in the processor and pureed them into a paste. I then dumped the paste into the taco soup mixture, returning the food processor to the cabinet where it would sit untouched for another six months.   When it came time to eat, I dished out a heaping bowl of soup and handed it to my husband. We sat down to eat and I anxiously awaited his verdict, knowing he was eating a heaping bowl of deceit.   “This is delicious. What's in it?” he asked, in between mouthfuls of soup.   “It's just a mixture of taco ingredients,” I innocently replied, focusing on the layer of Fritos covering my bowl.   “Whatever it is, it's amazing,” he responded, quickly devouring each bite.   At that moment I wanted nothing more than to slap the spoon out of his hand and yell “That's beans, bitch!” However, I refrained because I'm classy (and because I didn't want to clean up the mess).
Jen Mann (I Just Want to Be Alone (I Just Want to Pee Alone Book 2))
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played. There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know. As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes. A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye. He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone." Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found. Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end. "Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarden)
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
(Y)ou should never let yourself get swept away by the crowd. Sometimes everyone you know can be saying something or believing something and it can just be dead wrong. All around you there might be people getting all excited or panicked and yelling for you to do the wrong thing or believe the wrong thing. They can make it very hard for you to refuse them or even just disagree with them out loud. People get angry at you when you disagree with them—especially when they're wrong—and nobody likes to be unpopular or have people angry at them. Sometimes it takes a lot of courage to use your reason and your heart and stand up for what's true
Andrew Klavan (The Long Way Home (The Homelanders, #2))
Only date people who respect your standards and make you a better person when you’re with them. Consider the message of the movie A Walk to Remember. Landon Carter is the reckless leader who is skating through high school on his good looks and bravado. He and his popular friends at Beaufort High publicly ridicule everyone who doesn’t fit in, including the unfashionable Jamie Sullivan, who wears the same sweater day after day and gives free tutoring lessons to struggling students. By accident, events thrust Landon into Jamie’s world and he can’t help but notice that Jamie’s different. She doesn’t care about conforming and fitting in with the popular kids. Landon’s amazed at how sure of herself she seems and asks, “Don’t you care what people think about you?” As he spends more time with her, he realizes she has more freedom than he does because she isn’t controlled by the opinions of others, as he is. Soon, despite their intentions not to, they have fallen in love and Landon has to choose between his status at Beaufort...and Jamie. “This girl’s changed you,” his best friend yells, “and you don’t even know it.” Landon admits, “She has faith in me. She wants me to be better.” He chooses her. After high school graduation, Jamie reveals to Landon that she’s dying of leukemia. During her final months, Landon does all he can to make her dreams come true, including marrying her in the same church her mother and father were married in. They spend a wonderful summer together, truly in love. Despite Jamie’s dream for a miracle, she dies. Heartbroken, but inspired by Jamie’s belief in him, Landon works hard to go to medical school. But he laments to her father that he couldn’t fulfill her last desire, to see a miracle. Jamie’s father assures him that Jamie did see a miracle before she died, for someone’s heart had truly changed. And it was his. Now that’s a movie to remember! Never apologize for having high standards and don’t ever lower your standards to please someone else.
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance. The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But when he got closer, he was equally stunned to hear the shepherd’s prayer. “Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.” Moses inched toward the shepherd, listening attentively. “Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.” Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This is not prayer. It is sheer blasphemy.” Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did. Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with himself. But that night Moses heard a voice. It was God’s. “Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was pure and his intentions good. I was pleased with him. His words might have been blasphemy to your ears, but to Me they were sweet blasphemy.” Moses immediately understood his mistake. The next day, early in the morning, he went back to the mountains to see the shepherd. He found him praying again, except this time he was praying in the way he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way. That is more precious in God’s eyes.” The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught him. He had now found a new way of communicating with God. Though satisfied and blessed in his naïve devotion, he was now past that stage—beyond his sweet blasphemy. “So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Elif Shafak
Seeing people insult, scream, and sometimes physically fight was just a part of our life. After a while, you didn’t even notice it. I always thought it was how adults spoke to one another. When Lori married Dan, I learned of at least one exception. Mamaw told me that they never screamed at each other because Dan was different. As we got to know Dan’s entire family, I realized that they were just nicer to each other. They didn’t yell at each other in public. I got the distinct impression that they didn’t yell at each other much in private, either. I thought they were frauds. My aunt saw it differently. “I just assumed they were really weird. I knew they were genuine. I just figured they were genuinely odd.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Unspoken Truths (The Sonnet) Democracy is people-approved dictatorship, Military is people-approved genocide. Atom bombs are people-approved armageddon, In conscience-court all guilty of homicide. There is no time left, for there never was time, Time begins with the beginning of civilization. And civilization is something we are yet to find, Hence, there is no question of clock progression. Nationalist chimps sell war in the name of security, Stoneage civilians rush to bulk-buy graveyard plots. Merchant of murder, you, yell about peacekeeping, While you feast on nationalism like wet little cods! When cavemen take pride in their national glory of death, Sanctuary becomes asylum for the lunatic walking dead!
Abhijit Naskar (Tum Dunya Tek Millet: Greatest Country on Earth is Earth)
Why didn’t you run?” Lexi asked. “When you first saw the bomb, you could have just grabbed me and Dad and left and none of this would have happened.” Dotty didn’t yell, which was in itself a surprise. “You’re right,” she said. “I could have run, we could have escaped. But what if one of us was infected? What if we brought this flu out into the world? This is the deadliest flu virus anyone’s documented. Millions—and I’m not exaggerating, millions of people in the tri-state area alone would have died. Around the world, who knows? Billions? So I made a sacrifice. I made a very hard choice to choose the whole planet over the individual needs of myself and my family. I hope you can understand that, if not right now, then someday.” Lexi
Dayna Lorentz (No Easy Way Out (No Safety In Numbers, #2))
Things were about to get ugly when a waterspout erupted off the port bow. Atop the column of spume sat an old man with fins instead of arms, and a fish tail instead of legs. “It’s Poseidon!” yelled Zetes. “It’s Oceanus!” said Atalanta. “It’s that guy from The Little Mermaid!” said Orpheus. The merman sighed and flapped his arm-fins. “Actually, I’m Glaucus. But don’t worry. No one ever gets that right.” The Argonauts muttered among themselves, trying to figure out who Glaucus was. “Oh my gods!” the ship’s prow said. “You people are embarrassing me! Glaucus was a fisherman who ate some magic herbs and became immortal. Now he’s like the Delphic Oracle of the sea!” “Ohhhh.” The crew all nodded like they knew what the prow was talking about.
Rick Riordan (Percy Jackson's Greek Heroes)
When I woke up, sunlight was streaming through the windows in my suite. There was a lipstick-smeared drool stain on the Frette linens. And someone was . . . shouting. Wait, what? I turned my heavy head. The Vice President of Marketing was in my room—yelling at me! “AHHHHH!” I was nearly naked! I fumbled for the duvet. “You missed breakfast!” The Vice President of Marketing was bugging. Behind her was a male hotel employee with a key card. “We’ve been calling and calling!” “I overslept!” I cried. “Why are you in my room? Can you give me some fucking privacy? You can’t just bust in on people!” I knew I shouldn’t talk to one of Lucky’s biggest advertisers this way, but I was pissed. I may have been a drug addict, but I had my dignity! You know?
Cat Marnell (How to Murder Your Life)
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.' 'So that means if I do this...' Keefe tickled Sophie's neck. 'GAH--everything just went supersonic!' Fitz said. Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.' 'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?' 'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.' 'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked. 'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.' Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.' 'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.' 'Triggering how?' Sophie asked. 'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--' 'Uhhh, what are you going to do to me?' Fitz asked. 'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.' Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful. 'Tension?' she guessed. 'Kinda close,' Keefe told her. The laughter in his voice made her wonder what had happened to poor Fitz. She tried to think of other emotions as his mind turned electric blue. 'Shock?' she guessed. 'That counts,' Keefe said. 'Though the best answer would've been "surprise."' 'Is that an emotion?' she asked. 'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.' 'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!' Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp. 'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?' 'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.' Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign. 'Um...confusion,' Fitz guessed. 'That works,' Keefe said. 'It started as anticipation, but then it shifted.' 'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.' 'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?' 'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.' She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple. 'Pride?' she guessed. Keefe laughed. 'Wow, add more fail points to Sophitz.' 'Quiet,' Mr. Forkle told him.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Tell me this- if you could have a guarantee that your child would be a National Merit Scholar and get into a prestigious college, have good work habits and a successful career, but that your relationship with him would be destroyed in the process, would you do it? Why not? Because you are made to love, that's why. We care about our relationships more than about our accomplishments. That's the way God made us. Then why don't we live that way? Why, come a damp and gloomy day in March, do we yell over a  math lesson or lose our temper over a writing assignment? Why do we see the lessons left to finish and get lost in an anxiety-ridden haze? We forget that we are dealing with a soul, a precious child bearing the Image of God, and all we can see is that there are only a few months left to the school year and we are still only halfway through the math book. When you are performing mommy triage- that is, when you have a crisis moment and have to figure out which fire to put out first- always choose your child. It's just a math lesson. It's only a writing assignment. It's a Latin declension. Nothing more. But your child? He is God's. And the Almighty put him in your charge for relationship. Don't damage that relationship over something so trivial as an algebra problem. And when you do (because you will, and so will I), repent. We like to feed our egos. When our children perform well, we can puff up with satisfaction and pat ourselves on the back for a job well done. But as important as it is to give our children a solid education (and it is important, don't misunderstand me), it is far more important that we love them well.  Our children need to know that the most important thing about them is not whether they finished their science curriculum or score well on the SAT. Their worth is not bound up in a booklist or a test score. Take a moment. Take ten. Look deep into your child's eyes. Listen, even when you're bored. Break out a board game or an old picture book you haven't read in ages. Resting in Him means relaxing into the knowledge that He has put these children in our care to nurture. And nurturing looks different than charging through the checklist all angst-like. Your children are not ordinary kids or ordinary people, because there are no ordinary kids or ordinary people. They are little reflections of the
Sarah Mackenzie (Teaching from Rest: A Homeschooler's Guide to Unshakable Peace)
I heard a choking sound behind me. When I looked back, Cannoli was hanging from the backpack harness with her hind legs circling frantically in the air. She looked like she was riding a bike just above ground level. "Cannoli," I yelled. I unhooked her and made sure she was breathing on her own. When I tried to get her back in the backpack, she whimpered. I talked to her soothingly yet firmly, then tried again. This time she started howling like I was hurting her. People turned and stared as they walked by. "What are you looking at?" I said to one couple. I suddenly felt true remorse for every time I'd stared at a parent with a toddler throwing a tantrum. I made a vow to be a better aunt to Tulia's kids if I ever made it out of this parking garage. I pleaded with Cannoli one more time.
Claire Cook (Summer Blowout)
A covert narcissist is in some ways a more dangerous abuser. I say this delicately. All abusers are horrific, and all abuse is deplorable; all victims of all types of abuse have been through a tremendous amount. I don’t want to diminish anyone’s pain. The point I’m trying to make is when someone is hitting you or yelling at you it is clearly abuse. Covert abuse is hidden and so subtle, it is far from obvious. Manipulative, covert tactics not only hurt you, they also chip away at your identity, your self-worth, and make you feel like this is all your fault. Covert emotional and psychological abuse is what happens in cults. Leaders who make you feel loved can also talk you into committing suicide. These people are powerful. Do not diminish what you have experienced. You have been controlled and manipulated for years.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse)
You always have to keep pushing to innovate. Dylan could have sung protest songs forever and probably made a lot of money, but he didn’t. He had to move on, and when he did, by going electric in 1965, he alienated a lot of people. His 1966 Europe tour was his greatest. He would come on and do a set of acoustic guitar, and the audiences loved him. Then he brought out what became The Band, and they would all do an electric set, and the audience sometimes booed. There was one point where he was about to sing “Like a Rolling Stone” and someone from the audience yells “Judas!” And Dylan then says, “Play it fucking loud!” And they did. The Beatles were the same way. They kept evolving, moving, refining their art. That’s what I’ve always tried to do—keep moving. Otherwise, as Dylan says, if you’re not busy being born, you’re busy dying.
Walter Isaacson (Steve Jobs)
Well, when you miss me, you’ll go somewhere big and open, a place like our lake or any place where you can see the whole sky. Once you’re there, take a big, deep breath, and start to notice all the things we notice when we’re together.” “Like birds?” “Yes, notice the cardinals, the scissor-tailed flycatchers…” “And the hummingbirds, robins, and red-bellied woodpeckers?” “Yes, and the clouds, moon, and stars. And the sounds of things, like the breeze in the tall grass, the wind in the trees, the whir of cars passing on the interstate, people talking, yelling, laughing. Smell the campfire smoke, summer rain, wet leaves. But most of all, I want you to notice what’s inside you. Ask yourself, What do I need?” “Okay.” “Try it now. Close your eyes. Ask yourself—” “—what do I need?” Wren squeezed her eyes closed. “Prolly ice cream.” “You’re darn right. Always.” “Always.
Emily Habeck (Shark Heart)
The man drew his foot back and kicked Mark in the ribs. Pain exploded in his side and he cried out, unable to help himself. The man kicked him again, this time in the back, right in the kidney. A deep ache washed through Mark, and tears stung his eyes as he cried out even louder. Alec protested. “Stop it, you sorry son of a—” His words were cut off when one of his captors reached down and punched him in the face. “Why are you doing this?” Mark yelled. “We’re not demons! You people have lost your minds!” Another kick pierced him in the ribs, the pain unbearable. He balled up, wrapped his arms around himself. Prepared for the continued onslaught, knowing he had no chance of escape. “Stop.” The word rumbled through the air from the other side of the fire, the deep, bellowing voice of a man. The men beating Mark and Alec immediately jumped back from them and knelt down, their faces lowered.
James Dashner (The Kill Order (Maze Runner, #4))
Stepfather—January 6, 1980 In addition to imitation mayonnaise, fake fur, sugar substitutes and plastic that wears like iron, the nuclear family has added another synthetic to its life: step-people. There are stepmothers, stepfathers, stepsons and stepdaughters. The reception they get is varied. Some are looked upon as relief pitchers who are brought in late but are optimistic enough to try to win the game. Some are regarded as double agents, who in the end will pay for their crimes. There are few generalizations you can make about step-people, except they’re all locked into an awkward family unit none of them are too crazy about. I know. I’ve been there. Perhaps you’ve heard of me. I became a hyphenated child a few years after my “real” father died. I was the only stepchild in North America to have a stepfather who had the gall to make me go to bed when I was sleepy, do homework before I went to school, and who yelled at me for wearing bedroom slippers in the snow. My real father wouldn’t have said that. My stepfather punished me for sassing my mother, wouldn’t allow me to waste food and wouldn’t let me spend money I didn’t have. My real father wouldn’t have done that. My stepfather remained silent when I slammed doors in his face, patient when I insisted my mother take “my side” and emotionless when I informed him he had no rights. My real father wouldn’t have taken that. My stepfather paid for my needs and my whims, was there through all my pain of growing up...and checked himself out of the VA hospital to give me away at my wedding. My real father...was there all the time, and I didn’t know it. What is a “real” mother, father, son or daughter? “Real” translates to something authentic, genuine, permanent. Something that exists. It has nothing to do with labor pains, history, memories or beginnings. All love begins with one day and builds. “Step” in the dictionary translates to “a short distance.” It’s shorter than you think.
Erma Bombeck (Forever, Erma)
In that moment, I finally understood for the first time why -- throughout this journey -- I kept thinking about that day when I got terribly sick in rural Vietnam. When I yelled for drugs to stop my worst symptoms -- the extreme room-spinning nausea -- the doctor told me: "You need your nausea. It is a message, and we must listen to the message. It will tell us what is wrong with you." If i had ignored or silenced that symptom, my kidneys would have failed, and I would have died. You need your nausea. You need your pain. It is a message, and you must listen to the message. All these depressed and anxious people, all over the world -- they are giving us a message. They are telling us something has gone wrong with the way we live. We need to stop trying to muffle or silence or pathologize that pain. Instead, we need to listen to it, and honor it. It is only when we listen to our pain that we can follow it back to its source -- and only there, where we can see its true causes, can we begin to overcome it.
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
What we don’t say is: of course not all men hate women. But culture hates women, and men who grow up in a sexist culture have a tendency to do and say sexist things, often without meaning to. We aren’t judging you for who you are, but that doesn’t mean we’re not asking you to change your behaviour. What you feel about women in your heart is of less immediate importance than how you treat them on a daily basis. You can be the gentlest, sweetest man in the world and still benefit from sexism, still hesitate to speak up when you see women hurt and discriminated against. That’s how oppression works. Thousands of otherwise decent people are persuaded to go along with an unfair system because changing it seems like too much bother. The appropriate response when somebody demands a change in that unfair system is to listen, rather than turn away or yell, as a child might, that it’s not your fault. Of course it isn’t your fault. I’m sure you’re lovely. That doesn’t mean you don’t have a responsibility to do something about it.
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
PEOPLE FABRICATE ANGER YOUTH: Yesterday afternoon, I was reading a book in a coffee shop when a waiter passed by and spilled coffee on my jacket. I’d just bought it and it’s my nicest piece of clothing. I couldn’t help it; I just blew my top. I yelled at him at the top of my lungs. I’m not normally the type of person who speaks loudly in public places. But yesterday, the shop was ringing with the sound of my shouting because I flew into a rage and forgot what I was doing. So, how about that? Is there any room for a goal to be involved here? No matter how you look at it, isn’t this behaviour that originates from a cause? PHILOSOPHER: So, you were stimulated by the emotion of anger, and ended up shouting. Though you are normally mild-mannered, you couldn’t resist being angry. It was an unavoidable occurrence, and you couldn’t do anything about it. Is that what you are saying? YOUTH: Yes, because it happened so suddenly. The words just came out of my mouth before I had time to think. PHILOSOPHER: Then just suppose you happened to have had a knife on you yesterday, and when you blew up you just got carried away and stabbed him. Would you still be able to justify that by saying, ‘It was an unavoidable occurrence, and I couldn’t do anything about it’? YOUTH: That … Come on, that’s an extreme argument! PHILOSOPHER: It is not an extreme argument. If we proceed with your reasoning, any offence committed in anger can be blamed on anger, and will no longer be the responsibility of the person because, essentially, you are saying that people cannot control their emotions. YOUTH: Well, how do you explain my anger then? PHILOSOPHER: That’s easy. You did not fly into a rage and then start shouting. It is solely that you got angry so that you could shout. In other words, in order to fulfil the goal of shouting, you created the emotion of anger. YOUTH: What do you mean? PHILOSOPHER: The goal of shouting came before anything else. That is to say, by shouting, you wanted to make the waiter submit to you and listen to what you had to say. As a means to do that, you fabricated the emotion of anger.
Ichiro Kishimi (The Courage to Be Disliked: How to Free Yourself, Change Your Life and Achieve Real Happiness)
People with hearing loss are hard to live with. For one thing, they’re always telling you how to talk to them. Here are some tips. • Look at them when you speak—almost all hearing-impaired people read lips. Don’t lean into their ear when you talk—they need to see your lips. • Speak in a normal voice and articulate as clearly as possible. Shouting won’t help. Sylvia, the character in Nina Raine’s play Tribes who is going deaf, describes the efforts of the well-intentioned but badly informed: “People yelling in your ear however much you explain, so you literally have to grab their face and stick it in front of you.” • If the hearing-impaired person says “What?” or “Sorry?” don’t simply repeat what you’ve just said. Rephrase it. • If they don’t hear what you’ve said after you’ve repeated it two or three times, don’t say, “Never mind, it doesn’t matter.” To the person who can’t hear it, everything matters. • If you’re in a room with a bright window or bright lights, allow the hearing-impaired person to sit with their back to the light (for lipreading). • Most hearing-impaired people will have a very hard time distinguishing speech over a noisy air conditioner, a humming fish tank, a fan, or anything that whirs or murmurs or rumbles. Don’t try to talk to them when the TV is on, and turn off the background music when they come to visit. • Don’t talk to a hearing-impaired person unless you have their full attention. A hearing-impaired person can’t cook and hear at the same time, no matter how collegial it may seem to join her in the kitchen. • If you’re part of a small group, speak one at a time. At a dinner party or book group, where there may be eight or ten people present, try to have one general conversation, instead of several overlapping small ones. • If you’re at an event—a performance or a church service or a big meeting—give the hearing-impaired person a few moments after the event is over to readjust their hearing—either mentally or manually (changing the program on a hearing aid, for instance). • Never lean into a hearing-impaired person’s ear and whisper in the middle of a performance. They can’t hear you!
Katherine Bouton (Shouting Won't Help: Why I—and 50 Million Other Americans—Can't Hear You)
Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came. Obama didn’t talk about it much. Every now and then, he’d show flashes of dark humor in practicing the answer he could give on a particular topic. What do you think it will take for these protests to stop? “Cops need to stop shooting unarmed black folks.” Why do you think you have failed to bring the country together? “Because my being president appears to have literally driven some white people insane.” Do you think some of the opposition you face is about race? “Yes! Of course! Next question.” But he was guarded in public. When he was asked if racism informed the strident opposition to his presidency, he’d carefully ascribe it to other factors.
Ben Rhodes (The World As It Is: A Memoir of the Obama White House)
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Quanta. On Yom Kippur Eve, the quanta went to ask Einstein for his forgiveness. “I'm not home,” Einstein yelled at them from behind his locked door. On their way back, people swore loudly at them through the windows, and someone even threw a can. The quanta pretended not to care, but deep in their hearts they were really hurt. Nobody understands the quanta, everybody hates them. “You parasites,” people would shout at them as they walked down the road. “Go serve in the army.” “We wanted to, actually,” the quanta would try to explain, “but the army wouldn't take us because we're so tiny.” Not that anyone listened. Nobody listens to the quanta when they try to defend themselves, but when they say something that can be interpreted negatively, well, then everyone's all ears. The quanta can make the most innocent statement, like “Look, there's a cat!” and right away they're saying on the news how the quanta were stirring up trouble and they rush off to interview Schrödinger. All in all, the media hated the quanta worse than anybody, because once the quanta had spoken at an IBM press conference about how the very act of viewing had an effect on an event, and all the journalists thought the quanta were lobbying to keep them from covering the Intifada. The quanta could insist as much as they wanted that this wasn't at all what they meant and that they had no political agenda whatsoever, but nobody would believe them anyway. Everyone knew they were friends of the government's Chief Scientist. Loads of people think the quanta are indifferent, that they have no feelings, but it simply isn't true. On Friday, after the program about the bombing of Hiroshima, they were interviewed in the studio in Jerusalem. They could barely talk. They just sat there facing the open mike and sniffling, and all the viewers at home, who didn't know the quanta very well, thought they were avoiding the question and didn't realize the quanta were crying What's sad is that even if the quanta were to write dozens of letters to the editors of all the scientific journals in the world and prove beyond a doubt that people had taken advantage of their naiveté, and that they'd never ever imagined it would end that way, it wouldn't do them any good, because nobody understands the quanta. The physicists least of all.
Etgar Keret (The Bus Driver Who Wanted to be God and Other Stories)
He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
John Green (The Fault in Our Stars)
Imagine the following. Three groups of ten individuals are in a park at lunchtime with a rainstorm threatening. In the first group, someone says: “Get up and follow me.” When he starts walking and only a few others join in, he yells to those still seated: “Up, I said, and now!” In the second group, someone says: “We’re going to have to move. Here’s the plan. Each of us stands up and marches in the direction of the apple tree. Please stay at least two feet away from other group members and do not run. Do not leave any personal belongings on the ground here and be sure to stop at the base of the tree. When we are all there . . .” In the third group, someone tells the others: “It’s going to rain in a few minutes. Why don’t we go over there and sit under that huge apple tree. We’ll stay dry, and we can have fresh apples for lunch.” I am sometimes amazed at how many people try to transform organizations using methods that look like the first two scenarios: authoritarian decree and micromanagement. Both approaches have been applied widely in enterprises over the last century, but mostly for maintaining existing systems, not transforming those systems into something better. When the goal is behavior change, unless the boss is extremely powerful, authoritarian decree often works poorly even in simple situations, like the apple tree case. Increasingly, in complex organizations, this approach doesn’t work at all. Without the power of kings and queens behind it, authoritarianism is unlikely to break through all the forces of resistance. People will ignore you or pretend to cooperate while doing everything possible to undermine your efforts. Micromanagement tries to get around this problem by specifying what employees should do in detail and then monitoring compliance. This tactic can break through some of the barriers to change, but in an increasingly unacceptable amount of time. Because the creation and communication of detailed plans is deadly slow, the change produced this way tends to be highly incremental. Only the approach used in the third scenario above has the potential to break through all the forces that support the status quo and to encourage the kind of dramatic shifts found in successful transformations. (See figure 5–1.) This approach is based on vision—a central component of all great leadership.
John P. Kotter (Leading Change)
Ellie goes back to the kitchen . . . and screams bloody murder. “Nooooooo!” Adrenaline spikes through me and I dart to the kitchen, ready to fight. Until I see the cause of her screaming. “Bosco, noooooo!” It’s the rodent-dog. He got into the kitchen, somehow managed to hoist himself up onto the counter, and is in the process of demolishing his fourth pie. Fucking Christ, it’s impressive how fast he ate them. That a mutt his size could even eat that many. His stomach bulges with his ill-gotten gains—like a snake that ingested a monkey. A big one. “Thieving little bastard!” I yell. Ellie scoops him off the counter and I point my finger in his face. “Bad dog.” The little twat just snarls back. Ellie tosses the mongrel on the steps that lead up to the apartment and slams the door. Then we both turn and assess the damage. Two apple and a cherry are completely devoured, he nibbled at the edge of a peach and apple crumb and left tiny paw-prints in two lemon meringues. “We’re going to have re-bake all seven,” Ellie says. I fold my arms across my chest. “Looks that way.” “It’ll take hours,” she says. “Yeah.” “But we have to. There isn’t any other choice.” Silence follows. Heavy, meaningful silence. I glance sideways at Ellie, and she’s already peeking over at me. “Or . . . is there?” she asks slyly. I look at what remains of the damaged pastries, considering all the options. “If we slice off the chewed bits . . .” “And smooth out the meringue . . .” “Put the licked ones in the oven to dry out . . .” “Are you two out of your motherfucking minds?” I swing around to find Marty standing in the alley doorway behind us. Eavesdropping and horrified. Ellie tries to cover for us. But she’s bad at it. “Marty! When did you get here? We weren’t gonna do anything wrong.” Covert ops are not in her future. “Not anything wrong?” he mimics, stomping into the room. “Like getting us shut down by the goddamn health department? Like feeding people dog-drool pies—have you no couth?” “It was just a thought,” Ellie swears—starting to laugh. “A momentary lapse in judgment,” I say, backing her up. “We’re just really tired and—” “And you’ve been in this kitchen too long.” He points to the door. “Out you go.” When we don’t move, he goes for the broom. “Go on—get!” Ellie grabs her knapsack and I guide her out the back door as Marty sweeps at us like we’re vermin
Emma Chase (Royally Endowed (Royally, #3))
spontaneity begin to deteriorate. The goose gets sicker day by day. And what about a parent’s relationship with a child? When children are little, they are very dependent, very vulnerable. It becomes so easy to neglect the PC work—the training, the communicating, the relating, the listening. It’s easy to take advantage, to manipulate, to get what you want the way you want it—right now! You’re bigger, you’re smarter, and you’re right! So why not just tell them what to do? If necessary, yell at them, intimidate them, insist on your way. Or you can indulge them. You can go for the golden egg of popularity, of pleasing them, giving them their way all the time. Then they grow up without any internal sense of standards or expectations, without a personal commitment to being disciplined or responsible. Either way—authoritarian or permissive—you have the golden egg mentality. You want to have your way or you want to be liked. But what happens, meantime, to the goose? What sense of responsibility, of self-discipline, of confidence in the ability to make good choices or achieve important goals is a child going to have a few years down the road? And what about your relationship? When he reaches those critical teenage
Stephen R. Covey (The 7 Habits of Highly Effective People)
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
J.D. Salinger (The Catcher in the Rye)
Apply humor. Lightening up lends perspective to any situation. The following story, sent to me on the Internet, provides a good example of humor diffusing a tense situation: An irate crowd of air travelers stood in a long line at a United Airlines ticket counter after their flight had been canceled, when an angry man walked to the front of the line, threw his ticket on the counter, and yelled, “I want a first-class seat on the next flight out, now!” The harried ticket agent, brushing back a lock of hair, replied, “I'll be glad to help you, sir, as soon as I take care of the people in line.” “You want me to wait in line?“ he yelled even louder. “Do you know who I am?“ The ticket agent hesitated only a moment before picking up the microphone, turning up the PA system, and announcing to the waiting area, “Ladies and gentlemen, there is a man at gate seventeen who does not know who he is. If anyone can help him find his identity—” “Screw you, lady!” the man yelled, storming off. In a parting shot she added, “Sir, I'm afraid you'll have to wait in line for that, too.” Her humor didn't help improve his emotions, but it helped hers. And the previously irate people waiting in the line were now smiling or laughing. No one else complained.
Dan Millman (Everyday Enlightenment: The Twelve Gateways to Personal Growth)
You didn’t tell me,” he says. “Why not?” “Because I didn’t…” I shake my head. “I didn’t know how to.” He scowls. “It’s pretty easy, Tris--” “Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?” I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder. “Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.” I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine. “I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?” Just when I was about to apologize. I wipe my cheeks hard with my fingertips and stare at him. “Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.” He takes his hand from my shoulder. “Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.” “I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?” I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks. “God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?” “First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.” “I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.” “What are you talking about?” “I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.” “What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!” “Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?” Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before. “Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away. I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears. I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war? “I’m sorry,” I say, all my anger gone. “I should have been honest with you.” “That’s it? That’s all you have to say?” He frowns. “What else do you want me to say?” He just shakes his head. “Nothing, Tris. Nothing.” I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
Veronica Roth (Insurgent (Divergent, #2))
You didn’t tell me,” he says. “Why not?” “Because I didn’t…” I shake my head. “I didn’t know how to.” He scowls. “It’s pretty easy, Tris--” “Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?” I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder. “Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.” I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine. “I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?” Just when I was about to apologize. I wipe my cheeks hard with my fingertips and stare at him. “Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.” He takes his hand from my shoulder. “Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.” “I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?” I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks. “God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?” “First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.” “I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.” “What are you talking about?” “I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.” “What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!” “Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?” Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before. “Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away. I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears. I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war? “I’m sorry,” I say, all my anger gone. “I should have been honest with you.” “That’s it? That’s all you have to say?” He frowns. “What else do you want me to say?” He just shakes his head. “Nothing, Tris. Nothing.” I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
Veronica Roth (Allegiant (Divergent, #3))
People ask me, “Why don’t you call in the blind?” I ask them, “Would you call with Phil Robertson in your blind?” It’s like pinch-hitting for Albert Pujols. It doesn’t make sense when you have the best duck caller in the world in your blind. The benefits of not screwing up are better than those of taking a chance on doing something stupid. Believe me: if you mess up, you’re going to hear about it. I never will forget when we had about twenty-five mallards almost in the hole. They were on their third pass down when the text message alert on my phone went off. After my phone buzzed, the mallards decided not to come in. Phil looked down the row of guys with a look that was a mixture of craziness, agony, and Satan himself. “What was that?” he hollered. Now, there was no way I was gonna fess up. “I heard something!” Phil yelled again. I didn’t feel like trying to explain to him that there was no way the ducks heard my phone from sixty yards away, so I didn’t say a word. I’m glad waterboarding isn’t allowed in the blind, because ol’ Phil would have filled our faces with water to find the culprit. There is always a lot of pressure to have 100 percent success. If we get four out of six ducks, we’ll sit there and debate for the next two hours why we didn’t get all six.
Willie Robertson (The Duck Commander Family)
The Smiths were unable to conceive children and decided to use a surrogate father to start their family. On the day the surrogate father was to arrive, Mr. Smith kissed his wife and said, "I'm off. The man should be here soon" Half an hour later, just by chance a door-to-door baby photographer rang the doorbell, hoping to make a sale. "Good morning, madam. I've come to...." "Oh, no need to explain. I've been expecting you," Mrs. Smith cut in. "Really?" the photographer asked. "Well, good. I've made a specialty of babies" "That's what my husband and I had hoped. Please come in and have a seat" After a moment, she asked, blushing, "Well, where do we start?" "Leave everything to me. I usually try two in the bathtub, one on the couch and perhaps a couple on the bed. Sometimes the living room floor is fun too; you can really spread out!" "Bathtub, living room floor? No wonder it didn't work for Harry and me" "Well, madam, none of us can guarantee a good one every time. But, if we try several different positions and I shoot from six or seven different angles, I'm sure you'll be pleased with the results" "My, that's a lot of....." gasped Mrs. Smith. "Madam, in my line of work, a man must take his time. I'd love to be in and out in five minutes, but you'd be disappointed with that, I'm sure"  "Don't I know it," Mrs. Smith said quietly. The photographer opened his briefcase and pulled out a portfolio of his baby pictures. "This was done on the top of a bus in downtown London" "Oh my God!" Mrs. Smith exclaimed, tugging at her handkerchief. "And these twins turned out exceptionally well, when you consider their mother was so difficult to work with" "She was difficult?" asked Mrs. Smith. "Yes, I'm afraid so. I finally had to take her to Hyde Park to get the job done right. People were crowding around four and five deep, pushing to get a good look" "Four and five deep?" asked Mrs. Smith, eyes widened in amazement. "Yes," the photographer said, "And for more than three hours too. The mother was constantly squealing and yelling. I could hardly concentrate. Then darkness approached and I began to rush my shots. Finally, when the squirrels began nibbling on my equipment, I just packed it all in." Mrs. Smith leaned forward. "You mean squirrels actually chewed on your, um......equipment?" "That's right. Well, madam, if you're ready, I'll set up my tripod so we  can get to work." "Tripod?????" "Oh yes, I have to use a tripod to rest my Canon on. It's much too big for me to hold for very long. Madam? Madam? ....... Good Lord, she's fainted!!
Adam Kisiel (101 foolproof jokes to use in case of emergency)
Willow leaned forward and laid her head next to his on the pillow. "Is it too late to say I'm sorry, and that I love you more than anything else in this world?" "Oh God,no,love." With his good arm, he reached for the back of her head and brought her lips to his. They kissed as if they'd never get enough of each other, because they knew they never would. When Rider finally released her mouth, he smiled rakishly and pulled her hand under the covers. Willow smiled when he laid her hand over his throbbing desire. "Hmmm, you are feeling better." "Almost well enough to start Mr. Happy on his baby-making lessons again," he said in a deep sexy baritone. "Ah,Rider?" "Yes,love?" He was pulling her down for another stirring kiss. "About those lessons?" "Hmmm, I'm anxious to start practicing again, too,love. But at the moment Mr. Happy is a lot stronger than the rest of me." "Oh,I know,but...Rider, Mr. Happy must have learned his lessons real fast." Rider stilled. "What do you mean?" "I mean that I think Mr. Happy cooked something up in the kitchen." Forgetting his shoulder, Willow's husband sat straight up in bed. He winced, then asked, "You mean you're...going to have a baby?" "Of course I'm going to have a baby, you beefwit. Did you think I was baking another damn pie?" "Yahoooo!" he yelled at the top of his lungs, and hugged her with his good arm. Six men, Juan included, plus two women came pouring into the room. "What in the hell is going on in here?" Owen grumbled in mock irritation. Grinning like a Cheshire cat, Rider announced, "Owen, your daughter is about to make me a father and give you a second grandchild." "Oh,hell, I knew that." Nine people echoed, "You did?" "Hell, yes, all you gotta do is look at 'er face." Rider cocked his head and studied his wife's face. "She does have an extra glow about her, doesn't she?" "She sure does." Owen chuckled. "Her mama got the same glow with all five of her babies." "If I'm glowing, it's because all of you are staring at me like I just grew horns," Willow said, covering her flushed cheeks with her hands. "Dammit, I just thought of something," Owen said. "I s'pose this means I'll have to add another room to the house for when you come visiting." "Owen Vaughn," Miriam reprimanded, "stop that cursing. I swear every other word out of your mouth is a curse! I'm going to break you of that before your grandbabies get old enough to repeat that filth." "Break me of it?" Owen laughed and poked Nick in the ribs with his elbow. "Only one way for a woman to break a stallion, that's to ride 'im hard!" The man all guffawed loudly. Miriam's face turned ten shades of red. "Well,I never!" She turned on her heel and made an indignant exit.
Charlotte McPherren (Song of the Willow)
Hey, Sam,” Drake shouted. “I thought you’d like to know this isn’t my whole army.” Sam didn’t doubt it. “Your girl Brianna tried to stop us.” Drake waved a bowie knife in the air. “I took this from her. I whipped her, Sam.” He snapped his whip hand. The crack was like a pistol shot. “I broke her legs so she couldn’t run. Then . . .” Dekka was halfway over the side, ready to swim ashore. Jack grabbed her and held her. “Let me go!” Dekka yelled. “Hold her,” Sam ordered Jack. “Don’t be stupid, Dekka. He wants us to come rushing at him.” “I can beat him,” Jack said. “Dekka and me together, we can kill him.” Sam registered the fact that Jack was actually making a physical threat. He didn’t remember ever hearing that kind of thing from Jack. But Dekka was Sam’s greater concern. “I’m going to kill him,” Dekka said in a voice so deep in her throat she sounded like an animal. “I’ll kill him. I’ll kill him.” Then she shouted, “I’m going to kill you, Drake. I’m going to kill you!” Drake grinned. “I think she liked it. She was screaming, but she liked it.” “He’s lying,” Toto said. “Who?” Sam snapped. “Him.” He pointed at Drake. “He hasn’t killed that girl or hurt her.” Dekka relaxed and Sam and Jack let go of her. “Truth-teller Toto,” Sam whispered. “He can tell when people are lying.” “I just decided I like you,” Dekka said to Toto. “You might be useful.” Toto frowned. “It’s true: you just decided you like me.
Michael Grant (Plague (Gone, #4))
What do woman say to little boys? " Stop fighting. Stop being so rough. Stop rough housing." They're boys you know, that's kinda what they're sapossed to do. So, men are sapossed to overcome all these biological drives and I'm just really interested in helping women overcome theirs caus' I think the spotlight of " Outgrow your bestial nature." has been pointed just a little bit too long at men and I think it's time to swivel that motherfucker around and point it at woman and say stop making yourself look like fucking sex clowns to milk money out of men's dicks. Stop lying about who you are and what you're about. Stop being flirty, manipulative, and trying to be sexy. Just stop doing it. It's time for women to outgrow biology just as men have been instructed to for about the last 20,000 years to outgrow their biology. "Stop slamming doors. Stop yelling. Stop climbing trees. Stop being rude. Stop farting. Stop enjoying fart jokes. Just stop being men." Ok, Well; women stop being women. Be people. Be people who have sex, absolutely but, don't be caricatures. Don't aim to be like a woman who looks like the outline of some playboy mudflap on a trucker's rig. Just be people. Be sexual. Enjoy your sexuality and bodies but, stop trying to bury us in tits so that we pass out and you can rifle through our bank accounts. Just stop doing that shit. I won't enable it anymore. Why does your face have to look like some half rained on Picasso water color? I don't need rainbows on the face of a woman. I don't need these weird butterfly wing goth eyebrows and shit like that. Male sexuality is demonized and female sexuality is elevated. That's bullshit. Then women wonder why men prefer porn to them. It's caus' porn doesn't nag you for wanting stuff that's defined as "kinky" or "weird". Male sexuality is demonized and held in low esteem. Woman's sexuality is always beautiful. Woman's sexuality is unremitting shallow. I'm not saying men's isn't but, we know that about men, right? What turns women on? Women say confidence. Do you know what that means? Money. Do women say " He is really confident about his sidewalk art. He is really confident about his subway busking. That's such a turn on!" Why do men like looking at naked women and women get turned on looking at clothed men? Because if a man's clothes aren't on you don't know how expensive his wardrobe is. This is what Mohammad Ali said. I'm going to throw on some old jeans and a old t-shirt and I'm just gonna walk down into some little town and find some woman who doesn't know who the hell I am and then when she's fallen in love with me and we get married, I'm going to take her to my million dollar mansion and my yacht. This is the reality. Once you start having money, once you start having power, then the true nature of massive swaths of female sexuality becomes clear.
Stefan Molyneux
Chubby: A regular-size person who could lose a few, for whom you feel affection. Chubster: An overweight, adorable child. That kid from Two and a Half Men for the first couple of years. Fatso: An antiquated term, really. In the 1970s, mean sorority girls would call a pledge this. Probably most often used on people who aren’t even really fat, but who fear being fat. Fatass: Not usually used to describe weight, actually. This deceptive term is more a reflection of one’s laziness. In the writers’ room of The Office, an upper-level writer might get impatient and yell, “Eric, take your fat ass and those six fatasses and go write this B-story! I don’t want to hear any more excuses why the plot doesn’t make sense!” Jabba the Hutt: Star Wars villain. Also, something you can call yourself after a particularly filling Thanksgiving dinner that your aunts and uncles will all laugh really hard at. Obese: A serious, nonpejorative way to describe someone who is unhealthily overweight. Obeseotron: A nickname you give to someone you adore who has just stepped on your foot accidentally, and it hurts. Alternatively, a fat robot. Overweight: When someone is roughly thirty pounds too heavy for his or her frame. Pudgy: See “Chubby.” Pudgo: See “Chubster.” Tub o’ Lard: A huge compliment given by Depression-era people to other, less skinny people. Whale: A really, really mean way that teen boys target teen girls. See the following anecdote.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
The app is designed for reciprocity. You swipe right on the people you’re interested in but if they don’t swipe back, poof, you’ll never get a chance to talk. And apparently, the woman who lunches in Paris and regrets nothing doesn’t want to talk to me. Which is fine. That’s her right. Whatever. I’m fine. (I hope she regrets it.) When you have a match, there’s a ding (such a rush) and the app encourages you to send a message to ‘your future BFF’. Crucially, after you’ve matched, you only have twenty four hours to message each other before your potential friendship expires. And if they don’t reply to your message within twenty-four hours, they disappear for ever. There are so many areas for rejection with this app. A woman named Elizabeth appears. Her bio reads: ‘I’m into cooking, trying new restaurants, trash TV, theatre, reading, travelling, and exploring. Love a girls’ night in as much as a night out. Lived in New York for a few years. Looking for friends to explore the city with or maybe start or join a feminist book club.’ Yes! Yes, Elizabeth, yes! I send her a message about how I’d be up for her feminist book club and trying new restaurants. Safe. Solid. Not groundbreaking, but friendly enough. Elizabeth doesn’t reply. ‘Elizabeth, don’t do this to us!’ I yell at her photo. I watch the time dwindle away. And then, before we have even begun, our time is up. Her profile photo fades to grey, like she’s dead. Which she is. To me.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
Did you see how the ball bounced right off her head? That was great, and one of the best things I’ve . . .” “It was not great that I bounced a ball off of Miss Dixon’s head,” Millie interrupted, her words causing the grin to slide right off Elizabeth’s face. “Sure it was,” Elizabeth countered. “She deserved it because she only wanted to play tennis with you in order to embarrass you, but . . . that didn’t turn out how she wanted, did it?” “I don’t know about that. I was pretty embarrassed when all those people started wagging their fingers at me, and especially when Gertrude began yelling at me that I was unnatural and shouldn’t be allowed in public.” Millie shuddered. “But my embarrassment aside, you, Elizabeth, have some explaining to do regarding that nasty business with the croquet ball. You could have seriously injured Miss Dixon.” Elizabeth looked less than contrite. “I was hoping if I conked her in the head, she’d lose her memory and forget all about the boarding school plan.” She suddenly looked a little hopeful. “Do you think your conking her on the head might have rattled her memory a little?” “Miss Dixon seemed perfectly coherent, and that means logical, when she took to screaming at me, so no, I think her memory is still intact. I believe it might be easier all around though, if you’d just talk to Uncle Everett about your feelings regarding boarding school instead of thinking up dangerous plots that will certainly see you sent off to one.” “If
Jen Turano (In Good Company (A Class of Their Own Book #2))
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
A.E. Via
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine. “We should talk,” I say. “Fine,” she says, and I follow her into the hallway. We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t. Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic. “Do you think you’ll ever forgive me?” I say. She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.” “You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.” She’s tapping her foot, her body shifting with the movement. She nods. “I know that.” “I had to do something,” I say. “I had to.” “A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head. “I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.” “That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--” “That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.” “What’s that supposed to mean?” “It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.” “I can’t believe you would say that! You were wrong--” “Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!” “Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.” Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all. I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t. “I just need some time,” she says, choking on each word. “Okay?” “Okay,” I say. She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
Veronica Roth (Allegiant (Divergent, #3))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
What about childhood? What did you like to do?” I ask, fishing for any commonality now. “Take pictures of moss. Collect stickers. Pretend that the sticks I found were a wand, and I was Hermione Granger.” I pause and glance at her. “You’re a Potter head?” She grips the edge of the table. “Please, for the love of all that is holy, please tell me that you’re a Potter head as well.” “Eh, not so much.” She groans. “Ughhh, really?” “No, I actually am.” “Stop, are you?” she asks. “Yes, and I read some of the books when they were first released. That’s how old I am compared to you. I have some first editions.” “You’re a liar,” she yells, excitement bustling in her eyes. “Seriously?” “Yes, they’re my prized possessions. Have you been to Harry Potter World?” “No,” she bemoans. “But when I graduate, I plan on going. I’m assuming since you’re rich and can do whatever you want when you’re not playing, you’ve been?” “I have.” “Is the butter beer everything I think it would be?” “And then some,” I answer. “Harry Potter World is probably one of the best things that has ever happened to fandom. It feels so real.” “Urrghh, I’m so jealous. Did you get sorted into a house?” “Yeah, Gryffindor.” “Of course. You seem like an overachiever. I know I’m Hufflepuff through and through, and I’m damn proud of it.” “Do you ever feel bad for people who get Ravenclaw?” I ask. “No one ever talks about it. Gryffindor is clearly superior, Slytherin has its own merit because it’s evil, and then Hufflepuff is for all the fun-loving people. What about Ravenclaw?” “You know, now that you mentioned it, I don’t think I ever hear anyone claim they’re from Ravenclaw. That’s sad.” “It is.” She tilts her head to the side. “I think we figured out what we bonded over.
Meghan Quinn (Right Man, Right Time (The Vancouver Agitators, #3))
WE’RE GOOD AT WRONG SPOTTING If you’ve ever received feedback at work—or had an in-law—you are familiar with the many shapes and sizes of wrong: It’s 2 + 2 = 5 wrong: It is literally incorrect. I could not have been rude at that meeting because I was not at that meeting. And my name is not Mike. It’s different-planet wrong: Somewhere in the universe there may exist a carbon-based life form that would have taken offense at my e-mail, but here on Earth everyone knows it was a joke. It used to be right: Your critique of my marketing plan is based on how marketing worked when you were coming up. Before the Internet. And electricity. It’s right according to the wrong people: Some see me that way, but next time, talk to at least one person who is not on my Personal Enemies List. Your context is wrong: I do yell at my assistant. And he yells at me. That’s how our relationship works—key word being “works.” It’s right for you, but wrong for me: We have different body types. Armani suits flatter you. Hoodies flatter me. The feedback is right, but not right now: It’s true that I could lose a few pounds—which I will do as soon as the quintuplets are out of the house. Anyway, it’s unhelpful: Telling me to be a better mentor isn’t helping me to be a better mentor. What kind of mentor are you anyway? Why is wrong spotting so easy? Because there’s almost always something wrong—something the feedback giver is overlooking, shortchanging, or misunderstanding. About you, about the situation, about the constraints you’re under. And givers compound the problem by delivering feedback that is vague, making it easy for us to overlook, shortchange, and misunderstand what they are saying. But in the end, wrong spotting not only defeats wrong feedback, it defeats learning.
Douglas Stone (Thanks for the Feedback: The Science and Art of Receiving Feedback Well)
My stutter started soon after, and the doctors said it was from the head injury. My mom said that when I stuttered it looked like my brain and I were trying to say ten things at once. My voice just wouldn’t work. “You can’t focus on the one idea you need to talk about,” she told me. “Just say the one thing, Jess.” She is the youngest of three—the Drew girls of McGregor, Texas—and her middle sister Connie was a speech therapist. Aunt Connie advised her to get me to calm down. “Take a breath,” my mother would say, getting down to my level to look me in the eye. That only worked so well. If you want someone to calm down, try telling them “calm down” and see where it gets you. But Connie had another idea, something that worked with other people who stuttered. Singing. “What you’re trying to say,” Mom said to me one day, “sing it to me.” I turned the phrase over in my mind, smoothing the edges of its consonants and vowels until the words became the breaths of a song. A lyric I could control. “I want Cheeeeeeri-ohhhhs,” I sang. I can’t describe that release. The rush of simply being understood. “Yes, you can have Cheerios,” my mother yelled. “You can have whatever you want! You sound so beautiful.” For the next two years, singing was the only time I didn’t stutter. I sang for everything I wanted, like some Disney princess making a wish. Around four, the stutter became more pronounced and my parents took me to a therapist. He used art therapy and asked me to draw myself in the family. I drew my parents standing in front of our house, then put myself inside looking out from a window. He told my parents I had a fear of abandonment. Looking back, I know my parents never left me alone, and maybe I was even around them too much. But somehow, I still had a fear that they would leave me.
Jessica Simpson (Open Book)
The perplexing thing was that Elon seemed to drift off into a trance at times. People spoke to him, but nothing got through when he had a certain, distant look in his eyes. This happened so often that Elon’s parents and doctors thought he might be deaf. “Sometimes, he just didn’t hear you,” said Maye. Doctors ran a series of tests on Elon, and elected to remove his adenoid glands, which can improve hearing in children. “Well, it didn’t change,” said Maye. Elon’s condition had far more to do with the wiring of his mind than how his auditory system functioned. “He goes into his brain, and then you just see he is in another world,” Maye said. “He still does that. Now I just leave him be because I know he is designing a new rocket or something.” Other children did not respond well to these dreamlike states. You could do jumping jacks right beside Musk or yell at him, and he would not even notice. He kept right on thinking, and those around him judged that he was either rude or really weird. “I do think Elon was always a little different but in a nerdy way,” Maye said. “It didn’t endear him to his peers.” For Musk, these pensive moments were wonderful. At five and six, he had found a way to block out the world and dedicate all of his concentration to a single task. Part of this ability stemmed from the very visual way in which Musk’s mind worked. He could see images in his mind’s eye with a clarity and detail that we might associate today with an engineering drawing produced by computer software. “It seems as though the part of the brain that’s usually reserved for visual processing—the part that is used to process images coming in from my eyes—gets taken over by internal thought processes,” Musk said. “I can’t do this as much now because there are so many things demanding my attention but, as a kid, it happened a lot.
Ashlee Vance (Elon Musk: How the Billionaire CEO of SpaceX and Tesla is Shaping our Future)
I got back into my car and followed the trucks; at the end of the road, the Polizei unloaded the women and children, who rejoined the men arriving on foot. A number of Jews, as they walked, were singing religious songs; few tried to run away; the ones who did were soon stopped by the cordon or shot down. From the top, you could hear the gun bursts clearly, and the women especially were starting to panic. But there was nothing they could do. The condemned were divided into little groups and a noncom sitting at a table counted them; then our Askaris took them and led them over the brink of the ravine. After each volley, another group left, it went very quickly. I walked around the ravine by the west to join the other officers, who had taken up positions above the north slope. From there, the ravine stretched out in front of me: it must have been some fifty meters wide and maybe thirty meters deep, and went on for several kilometers; the little stream at the bottom ran into the Syrets, which gave its name to the neighborhood. Boards had been placed over this stream so the Jews and their shooters could cross easily; beyond, scattered pretty much everywhere on the bare sides of the ravine, the little white clusters were multiplying. The Ukrainian “packers” dragged their charges to these piles and forced them to lie down over them or next to them; the men from the firing squad then advanced and passed along the rows of people lying down almost naked, shooting each one with a submachine bullet in the neck; there were three firing squads in all. Between the executions some officers inspected the bodies and finished them off with a pistol. To one side, on a hill overlooking the scene, stood groups of officers from the SS and the Wehrmacht. Jeckeln was there with his entourage, flanked by Dr. Rasch; I also recognized some high-ranking officers of the Sixth Army. I saw Thomas, who noticed me but didn’t return my greeting. On the other side, the little groups tumbled down the flank of the ravine and joined the clusters of bodies that stretched farther and farther out. The cold was becoming biting, but some rum was being passed around, and I drank a little. Blobel emerged suddenly from a car on our side of the ravine, he must have driven around it; he was drinking from a little flask and shouting, complaining that things weren’t going fast enough. But the pace of the operations had been stepped up as much as possible. The shooters were relieved every hour, and those who weren’t shooting supplied them with rum and reloaded the clips. The officers weren’t talking much; some were trying to hide their distress. The Ortskommandantur had set up a field kitchen, and a military pastor was preparing some tea to warm up the Orpos and the members of the Sonderkommando. At lunchtime, the superior officers returned to the city, but the subalterns stayed to eat with the men. Since the executions had to continue without pause, the canteen had been set up farther down, in a hollow from which you couldn’t see the ravine. The Group was responsible for the food supplies; when the cases were broken open, the men, seeing rations of blood pudding, started raging and shouting violently. Häfner, who had just spent an hour administering deathshots, was yelling and throwing the open cans onto the ground: “What the hell is this shit?” Behind me, a Waffen-SS was noisily vomiting. I myself was livid, the sight of the pudding made my stomach turn. I went up to Hartl, the Group’s Verwaltungsführer, and asked him how he could have done that. But Hartl, standing there in his ridiculously wide riding breeches, remained indifferent. Then I shouted at him that it was a disgrace: “In this situation, we can do without such food!
Jonathan Littell (The Kindly Ones)
Now that you’ve fallen to that point, here comes the crème de la crème. Imagine that while you’re lost in the disturbed energy, you actually do one or more of the things that your mind is telling you to do. Imagine what would happen if you actually quit your job, or if you decide, “I’ve held this in long enough. I’m going to give him a piece of my mind.” You have no idea how big a step down that is. It’s one thing if the disturbance is going on inside of you. But the moment you allow it to express itself, the moment you let that energy move your body, you have descended to another level. Now it’s almost impossible to let go. If you start yelling at somebody, if you actually tell someone how you feel about them from this state of nonclarity, you have involved that person’s heart and mind in your stuff. Now both of your egos are involved. Once you externalize these energies, you will want to defend your actions and make them look appropriate. But the other person will never think they were appropriate. Now even more forces are keeping you down. First you fall into the darkness, and then you manifest that darkness. When you do this, you are literally taking the energy of the blockage and passing it on. When you dump your stuff into this world, it’s like painting the world with your stuff. You put more of that kind of energy into your environment and it comes back to you. You are now surrounded by people who will interact with you accordingly. It’s just another form of “environmental pollution,” and it will affect your life. That is how negative cycles happen. You actually take a piece of your stuff, which is nothing but deeply seated disturbance from your past, and you implant it in the hearts of those around you. At some point it will come back to you. Anything you put out comes back. Imagine if you got upset and fully released your disturbed energies onto another person. This is how people ruin relationships and destroy their lives.
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
Korie: Phil and Willie are so much alike. We went to a marriage seminar at our church one time, and Phil and Kay and Jase and Missy were there as well. Each of the couples took a personality test to see if their personalities were compatible. We all laughed because Phil and Willie scored high in the characteristics for having a dominant personality. They were almost identical in a lot of areas, but somewhat different in that Willie was high in the social category as well. I think Willie got that part of his personality from his mother. It’s funny because people look at the Robertsons and think Jase and Phil are just alike, and they are certainly similar in their love for ducks. But when we took the personality test, we saw that Jase’s personality is much more like his mother’s. So I guess it makes sense that Phil and Jase get along so well in the duck blind. They made a good team, just like Phil and Kay do at home. Kay has always said that Willie is a lot like Phil and even calls him “Phil Jr.” at times. While I wouldn’t go that far, I definitely saw the similarities. They both have strong, charismatic personalities. They are both big-picture guys with big ideas and deep beliefs. Whatever either of them is going in life, he does it all the way, and they are both very opinionated, which can sometimes be a challenge. Phil and Willie haven’t always been as close as they are now. As they grew, they recognized the attributes they have in common and learned to value one another’s differences and strengths. Willie says it couldn’t have happened until after he was thirty, though. He needed to grow up and mature, and Phil has gotten more relaxed as he’s gotten older. Willie loves to hunt with his dad and brothers, but there have been times when he’s had a hard time sitting in Phil’s blind. You can only have one leader in the duck blind, only one man who lines up the men and yells, “Cut ‘em!” when it’s time to shoot. Willie and Phil have both always been leaders, whether it’s in the blind or in business.
Willie Robertson (The Duck Commander Family)
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?” “You may,” I say. To John I warn, “Don’t you dare come close to me.” He throws his hands out like he’s warding me off. “Don’t you come close to me!” As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better. I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break. John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing. Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps. I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks. “Please!” John practically pushes Stormy into Mr. Morales’s arms. “Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her. John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name. “Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?” I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance. “I want to see the young people dance!” Normal yells. John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.” I feign hesitation and then nod. My pulse is racing. Target acquired.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Mom, she was a distraction. At least that's what I thought at the time. And she could have cost me my warlocks." "Is this my son standing in front of me, telling me he placed compulsion on my sheriff, a vice-director of the ASD and his warlocks, something he promised he would never do, just to cover his ass and destroy any affection anybody might have for Breanne?" Gavril sat heavily behind his desk. He didn't understand how his mother discovered what he'd done, but she had. "Mom, I don't know how to make this right," he began. "If I remove my compulsion, they'll know I made them forget." "And you see this as a problem because?" I snapped. "For starters, I'll lose my warlocks. Yeah, I deserve that," he held up a hand to hold off my immediate response. I was about to tell him he deserved to lose his warlocks. He'd promised them long ago that he'd never place compulsion. Mind cloud or not, he'd broken that promise. "Would you like me to tell Ildevar that you fucked with a vice-director of the ASD? Breanne has saved Ildevar's life twice. What reaction do you think you'll get if he learns of this? What I don't know, because your compulsion is still in place, is how much they cared about Breanne. Which of your warlocks cared about her, by the way? Gavin was too ashamed to explain any of this to me." I was getting wound up and my voice was getting louder. I'd yelled at this son more after he became an adult than I ever had when he was young. "Stell. Stellan." "The one who's never found anybody. The one who thinks he won't find anybody," I snapped. "His brothers have a mate or mates. Stellan, thanks to you, has nothing, and not only that, you cheated my sister, too. She won't even talk to me, because of you. And your father." "What do you want me to do?" "It shouldn't matter what I want. What should matter is what's right. Do you even know what that is anymore?" "You think I cheated Stell out of a mate." "Yes, I think you cheated Stellan out of a mate. Possibly Trevor and Kooper, too." I tossed up a hand in disbelief. "Hasn't that crossed your mind even once—that you mistreated people, or does that not matter to you?" "I worry about that in him—that he seems to no longer feel," Dee walked into the room. "I thought I taught you to have sympathy for all things deserving," I sighed. "I've failed." I folded away.
Connie Suttle (Blood Revolution (God Wars, #3))
It occurred to me, not for the first time, how much simpler our lives would be if we could date each other. That delousing kit cost eleven dollars! “Do you ever think it would be easier if we could go out with girls?” I said aloud. Svetlana didn’t answer right away. “I find most of the lesbians I know a bit intimidating,” she said, finally. “And I don’t really share their aesthetic sense—or they seem not to value aesthetics that much. I just don’t think I’d fit in. Especially since I’m always lusting after boys.” That was something I thought about, too: the physical response I felt to Ivan, the dull electric jolt, some heavy, slow machinery starting to turn in my chest and between my legs. I had never felt those things with relation to a girl. On the other hand, I usually hadn’t felt them in Ivan’s presence, either; it was more when he wasn’t there. And how much was that physical feeling worth? Was it really enough to counterbalance all the disadvantages? You couldn’t just talk to Ivan like he was a normal person; he didn’t hear, or he didn’t understand, or he went off somewhere and you couldn’t find him. Also, all his friends thought I was crazy. Instead of dealing with those people, how much more fun and relaxing it would be to pet Svetlana’s shining golden hair, to tell her how pretty she was and to watch her get more pretty, as she always did when someone complimented her. Her body wanted to be complimented, and I knew just what to tell her, so why couldn’t I? “But girls are more beautiful, and so much easier to sort of negotiate with. And the lust for boys never seems to work out well for me. So it just feels like girls are at least something to think about.” Again, Svetlana didn’t answer right away. “I would feel squeamish with anything beyond kissing and playing with each other’s breasts,” she said after a moment. I realized that I, too, had only been thinking about kissing and playing with each other’s breasts. What else did lesbians even do? Other than oral sex, which was apparently horrible. The way people talked about it on sit-coms: “Does he like . . . deep-sea diving?” You had to be altruistic to do it—a generous lover. That said, oral sex with a boy also seemed likely to be disgusting. Guys themselves seemed to think so. Wasn’t that why they went around yelling “cocksucker” at people who cut them off in traffic? “Do you not feel squeamish when you think about sex with a guy?” I asked. “I do, but it feels exciting. The idea of being penetrated and dominated.
Elif Batuman (Either/Or)
Korie’s parents came to the house to see me, and I sat on the couch with Johnny and Chrys. It was not pretty. The argument was so loud that Alan came out of his room. He looked at us and asked, “What in the world is going on?” Johnny was making all of his arguments, and I was acting like a little punk, twisting his words to put them in my favor, which only made him madder and madder. Johnny told me that according to studies he’d read, 50 percent of all marriages between young people ended in divorce. He had the articles with him to support his arguments. “So you’re calling that right now?” I asked him. “In all your wisdom, you know we’re going to get divorced?” “I’m not saying that,” Johnny told me. “You just said it,” I responded. “You just said half end in divorce. Well, what if we’re the good half?” Then Johnny went on to say that if we got married, he didn’t want me coming to him for advice. But then later on in the conversation, he told me I could ask him about anything. He was completely irrational, and I, of course, had to point that out to him. “You just said I couldn’t ask you for advice,” I told him. He was so mad, I thought he was going to leap off the couch and hit me. Before they left, Johnny looked at me and asked me one last question. “What’s your plan?” he asked. “What’s my plan?” I said to him. “What exactly is your plan?” he said. “Where are you going to work? Where are you going to live?” “Well, I reckon I’ll just buy a trailer and put it on the back property at Phil’s house,” I told him. That threw Johnny over the top. He and Chrys stormed out of Alan and Lisa’s house, and I was convinced there was no way they were going to give us their blessing to get married. I called Korie to tell her how the meeting went. “It went terrible,” I told her. “We were yelling at each other. It was pretty ugly.” Then Korie had to hang up because her parents were calling her phone. She called me back a few minutes later. Much to my surprise, her parents told her, “Okay, if you’re determined to do this, we’re going to support you.” Johnny didn’t say much to me for the next few months, during the planning of the wedding, and I knew Korie’s parents still didn’t like the idea of her getting married so young. I told Phil that Korie’s parents didn’t want us getting married and asked him what I should do. “Here’s what I’d do,” Phil said, while sitting back in his recliner. “I’d call them up and say, “Y’all missed that. The wedding was last week when we went to the justice of the peace and got married. Y’all missed the whole thing.
Willie Robertson (The Duck Commander Family)
She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’m mean? That’s the worst you can throw at me?” “Mean and self-pitying. Does that make it better?” “And what are you, Astrid?” he shouted. “A smug know-it-all! You point your finger at me and say, ‘Hey, Sam, you make the decisions, and you take all the heat.’” “Oh, it’s my fault? No way. I didn’t anoint you.” “Yeah, you did, Astrid. You guilted me into it. You think I don’t know what you’re all about? You used me to protect Little Pete. You use me to get your way. You manipulate me anytime you feel like it.” “You really are a jerk, you know that?” “No, I’m not a jerk, Astrid. You know what I am? I’m the guy getting people killed,” Sam said quietly. Then, “My head is exploding from it. I can’t get my brain around it. I can’t do this. I can’t be that guy, Astrid, I’m a kid, I should be studying algebra or whatever. I should be hanging out. I should be watching TV.” His voice rose, higher and louder till he was screaming. “What do you want from me? I’m not Little Pete’s father. I’m not everybody’s father. Do you ever stop to think what people are asking me to do? You know what they want me to do? Do you? They want me to kill my brother so the lights will come back on. They want me to kill kids! Kill Drake. Kill Diana. Get our own kids killed. “That’s what they ask. Why not, Sam? Why aren’t you doing what you have to do, Sam? Tell kids to get eaten alive by zekes, Sam. Tell Edilio to dig some more holes in the square, Sam.” He had gone from yelling to sobbing. “I’m fifteen years old. I’m fifteen.” He sat down hard on the edge of the bed. “Oh, my God, Astrid. It’s in my head, all these things. I can’t get rid of them. It’s like some filthy animal inside my head and I will never, ever, ever get rid of it. It makes me feel so bad. It’s disgusting. I want to throw up. I want to die. I want someone to shoot me in the head so I don’t have to think about everything.” Astrid was beside him, and her arms were around him. He was ashamed, but he couldn’t stop the tears. He was sobbing like he had when he was a little kid, like when he had a nightmare. Out of control. Sobbing. Gradually the spasms slowed. Then stopped. His breathing went from ragged to regular. “I’m really glad the lights weren’t on,” Sam said. “Bad enough you had to hear it.” “I’m falling apart,” he said. Astrid gave no answer, just held him close. And after what felt like a very long time, Sam moved away from her, gently putting distance between them again. “Listen. You won’t ever tell anyone…” “No. But, Sam…” “Please don’t tell me it’s okay,” Sam said. “Don’t be nice to me anymore. Don’t even tell me you love me. I’m about a millimeter from falling apart again.” “Okay.
Michael Grant (Hunger (Gone, #2))
I had the most powerful magic, and the need to use it.  Lifting my right hand, I summoned forth my Mana, converted it into magic, and spoke my own word of power.  Much to her surprise, I could still cast with my right hand, despite its missing digits.   “You aren’t really going to do this, are you?” Shart asked.  He was making his way over to me with only the barest hint of floundering. “Hoopie!” The spell pierced her barrier, turning the now useless boundary a bright blue.  Her expression was a mix of terror and amazement as the spell bypassed her defenses and impacted her.  Her ass exploded in an echoing cacophony of flatulence. It was literally the loudest fart I’d ever heard.  As someone whose mother-in-law used to regularly drive people from the room with her anal symphonies, I considered myself an expert.  I highly suspected Bashara was the kind of lady who didn’t fart in public; she must have been saving that one up all day.  She blinked several times, as she checked her status log.  It was time to execute the second part of my plan. Grabbing Shart, amidst his squawking protests, I yelled my battlecry. “Poke-Shart, Go!” Then, I flung the invisible demon straight at her head. Shart only weighed thirty pounds or so; I was more than strong enough to fling him at a pretty good clip.  His cry of “you bastard” slowly faded the further he flew.     I had hoped that being hit in the face would knock her off balance.  That would have given me a moment to pick up my sword and close.  Actually, I hoped it was possible to hit her at all; despite Shart’s ability to fly, he wasn’t very aerodynamic.  I couldn’t win a spell duel, considering I had only one good hand and didn’t know any good spells.  I was going to have to engage her in combat.  I sincerely hoped that my invisible familiar would give me an advantage. I hadn’t calculated on hitting the top of her head with Shart’s Belly Button of Holding.  Her head disappeared, completely buried down to the top of her shoulders.  Her body, however, still worked.  She was careening around, her hands furiously pushing on the demon.  The remaining bandit, coincidentally, looked at Bashara just as her head vanished.  Incorrectly assuming that I had some sort of head vanishing spell, he tried to break and run.   You can’t run away from a homicidal badger.   I managed to get within arms’ reach of Bashara, just as she had successfully begun pushing Shart off her head. She had freed her mouth and was screaming.  As she continued pushing, her nose popped free.  I felt only slightly bad when I grabbed the demon and pushed him all the way down.  In seconds, only her feet were exposed.  Then, I pushed those in as well.
Ryan Rimmel (Village of Noobtown (Noobtown, #2))
Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
Syn paid the bill and they headed to the door with lust so thick around them, Syn couldn’t help but wonder if anyone else could see it. Furi reached back for Syn’s hand and he gladly offered it. He looked over his shoulder and threw him a seductive wink when Syn crowded in close behind him. As soon as Syn made it out the door, he saw four members of his team walking up the sidewalk. Well fuck me. “Hey, Sarge.” Pendleton, his demolitions expert was the first to speak up. Syn threw down Furi’s hand and quickly put some distance between them. “Yeah, hey fellas.” They’d all stopped and were staring back and forth between him and Furi. Syn couldn’t even look Furious in his eye after what he’d just done. Detective Green cleared his throat and pointed at Furi. “Don’t I know you?” “Hardly,” Furi mumbled. “Um, this is ... uh, uh. He’s my ... uh.” Syn cursed under his breath. Obviously his team already knew who Furious was. They all had detailed lists of Illustra’s entertainers and Furious’ image was not easy to forget. “Sarge, who’s your friend?” Detective Ruxsburg asked, a sly smile playing on his handsome face. “He’s um.” “He’s leaving,” Furi’s deep voice cut in as he eased his way through and walked in the opposite direction of Syn’s truck. “Fuck,” Syn whispered as he watched Furi turn the corner. “You better go after him and be ready to do some serious groveling,” his IT Detective said in his calm, cool voice. Syn didn’t say anything. His guys walked around him and went into the bar, leaving him feeling ashamed. He thought about running after Furi but choose to get in his truck and cut him off at the corner. He sped around the block and pulled into an alley hoping to intercept his angry date. When Syn got out of the truck Furi was turning the corner coming toward him. Oh hell. Furi had his hands crammed into his pockets and if the scowl on his face didn’t indicate how angry Furious was, then his choice of words when he finally reached Syn sure as hell did. “Get the fuck away from me.” “Furious, I know you're upset.” Furi spun around and glared at him with midnight eyes. “Upset! Upset! Look at my face goddamnit! Does this just look upset to you?” Syn put his hands up in a calming gesture. “Alright, you’re angry, and you have every right to be. I reacted badly back there. I was just caught off guard.” Furi was in Syn’s face and people on the street had begun to stop and stare. “Can we please move this off the sidewalk?” Syn tried to usher Furi farther into the alley and away from the nosy fuckers on the street. “Don’t fuckin’ touch me!” “I’m not gonna touch you! Damn, calm down. I just want to explain,” Syn argued. It seemed every time he was around Furi he was apologizing for something. “I’m sorry, okay. I should have introduced you properly to my team.” “How would the–” “Please, Furious. Let me finish. I should’ve told them your name and introduced you as my friend at a minimum. I’m sorry. I told you I fuckin’ suck at this dating shit, and if you don’t tell me to go fuck myself and give me another–” “Go fuck yourself,” Furi interrupted. He tried to move around Syn but Syn grabbed him around the wrist and backed him against the side of his truck. “No! I will not go fuck myself. I would rather fuck you.” “Well you pretty much shot that chance all to hell,” Furi yelled right back at him. “Have I?” “What do you think?
A.E. Via
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
Just before the world ended, people hated the word moist. Poverty was still a problem. Terrorism was a big issue at the time. Genocide was always happening somewhere. But you had to be careful when using the word moist. It was acceptable if you were describing cake, but if you used it in any other sense you were sure to get a talking to. Most people didn’t know a terrorist personally. If we had, then maybe more of us would have told them off with stern words and clever slogans. You couldn’t yell at poor people at all. It wasn’t acceptable. You couldn’t even wonder out loud why they were poor without being an insensitive ass. You couldn’t even suggest a new solution to the problem without being labeled horrible things. Perhaps it was this lack of outlet that caused so much frustration regarding the word moist. We couldn’t do anything about international terror or rampant poverty, but we could always chastise a friend for using a word that made them uncomfortable. Maybe this is why so much effort was put into hating the word. They scorned their friends whenever it was used and followed the scorning with a two-minute rant about how much they hated the word. They spent time and creative resources developing flowcharts for when the word was appropriate and clever cartoons to express just how much it annoyed them when it was used outside of cake references. They shared all of this on social media and built a wall of criticism that kept people in check. We could shut out what we didn’t want to hear. We felt free to berate anyone who thought different than us. By doing this, we fought the good fight. We were activists despite our inactivity. Moist was a line drawn in the sand and we stood behind our walls daring anyone to cross it. It may seem silly now. It may seem that our outrage was misdirected, but it made us feel safe. We stood behind our walls fighting our own battles against the things that offended us most. Times were good as long as the real problems were well outside our walls.
Benjamin Wallace (Post-Apocalyptic Nomadic Warriors (Duck & Cover Adventure, #1))
Wounded" The guy who put his hands on you Has got nothing to do with me And the bruises that you feel will heal And I hope you'll come around 'Cause we're missing you And you used to speak so easy Now you're afraid to talk to me It's like walking with the wounded Carrying that weight way too far The concrete pulled you down so hard Out there with the wounded Missing you Well I never claimed to understand what happens after dark But my fingers catch sparks at the thought of touching you When you're wounded Let me break it down 'till I force the issue We miss your face and you know I wish you Would come back down the the Dalva Bar You tell 'em, that's just my battle scar I want to kiss you And knock 'em down like we used to You're the marigold Till you're walking down shaking that ass again And then you walk on, baby walk on, you walk on, on and on You're an angel in the pit with her hands in the air And we're missing you Now it's fall, and your shoulders get tighter Nervous flicks on the lighter, boots Your pissed off poets, your women's groups And the friends with you, we should have known this fool Well I guess we missed the mark Still my fingers catch the sparks at the thought of them touching you Now you're wounded Let me break it down 'till I force the issue You never come around, and you know we miss you Well nobody took your pride away I said, that's something people say Back down the bully to the back of the bus 'Cause it's time for them to be scared of us 'Till you're yelling, how we living cause you got the ball Then you rock on baby, rock on, you rock on, on and on You're a summer time hottie with her socks in the air You're screaming I don't care baby I don't care You say you don't know You say you can't grow All I know is we're missing you You say you don't know You say you can't grow All I know is we're missing you Show up, show up wounded Show up, show up wounded
Third Eye Blind (Third Eye Blind - Blue)
Hey!” It was Sukey, at the base of the tree. Others. Umbrellas and hooded ponchos and raincoats. Upturned faces. Rafe, Terry, Dee, Low, Juicy. “We’re moving out here!” shouted Sukey. “You don’t want to,” I called down. “It’s cold and wet!” “Don’t care!” yelled Low. “It’s vile in there!” THEY STRAPPED UP the tarps from the beach to extend our roof cover. They found a stash of paint-spattered groundsheets and swarmed over the canopy, lashing the bright-blue vinyl to the treehouse posts. They stretched them between platforms, over nets and ladders. I felt restless. If they didn’t want to go back to the house, whatever, but I did. I wanted the fireplace and the cabinets packed with snack cakes and miniature powdered donuts. The indoor plumbing. I asked Dee, then Terry, then Rafe what the deal was, but they refused to talk about it. It was only when Sukey finished setting up her sleeping bag, weighing it down with rocks, that I got a straight answer: during the night the older generation had dosed itself with Ecstasy. No one knew if it had been a plan or covert action, but they’d promptly ascended new heights of repulsive. It was true Juicy and Terry had watched them fool around from behind slatted doors at the beginning—even Low had done it. Out of a sense of desperate boredom, soon after the phones were taken away. Also vengeance. And scorn. Now they regretted it. Maybe they’d had had stronger stomachs, back then. “Plus that was just like, normal old-people sex,” said Juicy. “How would you know?” said Rafe. “Like, couples,” said Juicy. “This is . . . like, everything.” “They’re walking around butt naked,” said Low. “I saw two fathers and Dee’s mother in a three—” started Juicy.
Lydia Millet (A Children's Bible)
The best protection against attacks from others comes from a few people whose opinions you really care about. The yells of a horde of abusive banshees always fade away when you have the support of a few people that you respect.
Alex Ferguson (Leading: Learning from Life and My Years at Manchester United)
If you’re a parent, you already use this technique instinctively. What do you do when your kids won’t leave the house/park/mall? You say, “Fine. I’m leaving,” and you begin to walk away. I’m going to guess that well over half the time they yell, “No, wait!” and run to catch up. No one likes to be abandoned. Now, this may seem like a rude way to address someone in business, but you have to get over that. It’s not rude, and though it’s direct, it’s cloaked with the safety of “No.” Ignoring you is what’s rude. I can tell you that I’ve used this successfully not just in North America, but with people in two different cultures (Arabic and Chinese) famous for never saying “No.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
When you come down to it, alignment is about helping people understand what you want them to do. Most contributors will be motivated to ladder up to the top-line OKRs—assuming they know where to set the ladder. As our team got larger and more layered, we confronted new issues. One product manager was working on Premium, the enhanced subscription version of our app. Another focused on our API platform, to enable third parties like Fitbit to connect to MyFitnessPal and write data to it or applications on top of it. The third addressed our core login experience. All three had individual OKRs for what they hoped to accomplish—so far, so good. The problem was our shared engineering team, which got caught in the middle. The engineers weren’t aligned with the product managers’ objectives. They had their own infrastructure OKRs, to keep the plumbing going and the lights on. We assumed they could do it all—a big mistake. They got confused about what they should be working on, which could change without notice. (Sometimes it boiled down to which product manager yelled loudest.) As the engineers switched between projects from week to week, their efficiency dragged.
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
The Goblet of Fire now shone more brightly than anything in the whole Hall, the sparkling bright, bluey-whiteness of the flames almost painful on the eyes. Everyone watched, waiting. . . . A few people kept checking their watches. . . . “Any second,” Lee Jordan whispered, two seats away from Harry. The flames inside the goblet turned suddenly red again. Sparks began to fly from it. Next moment, a tongue of flame shot into the air, a charred piece of parchment fluttered out of it — the whole room gasped. Dumbledore caught the piece of parchment and held it at arm’s length, so that he could read it by the light of the flames, which had turned back to blue-white. “The champion for Durmstrang,” he read, in a strong, clear voice, “will be Viktor Krum.” “No surprises there!” yelled Ron as a storm of applause and cheering swept the Hall. Harry saw Viktor Krum rise from the Slytherin table and slouch up toward Dumbledore; he turned right, walked along the staff table, and disappeared through the door into the next chamber. “Bravo, Viktor!” boomed Karkaroff, so loudly that everyone could hear him, even over all the applause. “Knew you had it in you!” The clapping and chatting died down. Now everyone’s attention was focused again on the goblet, which, seconds later, turned red once more. A second piece of parchment shot out of it, propelled by the flames. “The champion for Beauxbatons,” said Dumbledore, “is Fleur Delacour!” “It’s her, Ron!” Harry shouted as the girl who so resembled a veela got gracefully to her feet, shook back her sheet of silvery blonde hair, and swept up between the Ravenclaw and Hufflepuff tables. “Oh look, they’re all disappointed,” Hermione said over the noise, nodding toward the remainder of the Beauxbatons party. “Disappointed” was a bit of an understatement, Harry thought. Two of the girls who had not been selected had dissolved into tears and were sobbing with their heads on their arms. When Fleur Delacour too had vanished into the side chamber, silence fell again, but this time it was a silence so stiff with excitement you could almost taste it. The Hogwarts champion next . . . And the Goblet of Fire turned red once more; sparks showered out of it; the tongue of flame shot high into the air, and from its tip Dumbledore pulled the third piece of parchment. “The Hogwarts champion,” he called, “is Cedric Diggory!” “No!” said Ron loudly, but nobody heard him except Harry; the uproar from the next table was too great. Every single Hufflepuff had jumped to his or her feet,
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
…After seventeen minutes of panicky crowds destroying everything in their path, Eric could distinguish, despite all the chaos and hellish noise, the slight buzz of a second plane. He started counting to himself, watching the blazing inferno at the North Tower: One, two, three, four, five, six, seven… The second Boeing glided into the South Tower, WTC-2, and it seemed to Eric that this plane was flying slowly, that its impact was a soft one… Due to the pandemonium all around, the impact itself seemed not to be as loud as the first hit. Still, in a moment the second twin was also blazing. Both skyscrapers were on fire now. Novack looked up again at what had happened a minute before: the terror attack of the century. Then he started walking fast down Church Street, away from the huge buildings that were now on fire. He knew that in about an hour, the South Tower was to collapse completely, and half an hour after that, the same was to happen to the North Tower, which was also weakened by the impact. He knew there were tons of powerful Thermate in both buildings. Over the course of the previous two months, some fake repairmen had brought loads of it into the towers and put them in designated places around the trusswork. It was meant to make buildings collapse like card towers, which would only happen when the flames reached a certain point. The planes had started an unstoppable countdown as soon as they hit the buildings: these were the last minutes of their existence. Next in line was the third building: 7 WTC, which stood north of the Twin Towers. It counted forty-seven floors, and it too was stuffed with Thermate. Novack started getting concerned, however, that the third plane seemed to be late. Where’s the third plane? Why is it late? It’s already fifty minutes after the first impact, and they were supposed to hit the three targets with a time lag of about twenty minutes. Where are you, birdie number three? You are no less important than the first two, and you were also promised to my clients… People were still running in all directions, shouting and bumping into each other. Sirens wailed loudly, heartrendingly; ambulances were rushing around, giving way only to firefighters and emergency rescue teams. Suddenly hundreds of policemen appeared on the streets, but it seemed that they didn’t really know what they were supposed to do. They mostly ran around, yelling into their walkie-talkies. At Thomas Street, Eric walked into a parking lot: the gate arm was up and the security guy must have left, for the door of his booth stood wide open…
Олег Лурье (A Mirror above the Abyss)
When people go on the attack it’s usually because they feel (rightly or wrongly) that they’ve been treated poorly. That’s especially true if you’re dealing with angry and frustrated customers. Often such people feel hurt in many areas of life but save their “road rage” for outbursts that they believe won’t get them fired, divorced, or arrested—like kicking the dog or yelling at you.
Mark Goulston (Just Listen: Discover the Secret to Getting Through to Absolutely Anyone)
Trying to get on welfare is like trying to get Rolling Stones tickets in the 1970s—you have to camp out in front of the entrance long before the ticket window opens. You go there, you take a number, then you sit all day long while people scream and yell all around you. If you have kids, you have to bring their lunches and you have to be careful about when you take them to the bathroom, because you might miss your call. “It’s worst in the afternoon,” says Anna Alvarez, a twenty-one-year-old with a newborn baby who applied for benefits with her husband, Diego. “The kids get hungry and they start screaming and acting out.
Matt Taibbi (The Divide: American Injustice in the Age of the Wealth Gap)
there was the sort of civility that was far worse than yelling and screaming. It was a cold curtain of mistrust. When people related by blood were so careful with each other, when they were so very polite, there was soon nothing left to say. Only niceties that meant so little they might as well have been spoken to a complete stranger. Pass the butter, open the door, see you after school, there’s rain again,
Alice Hoffman (The Probable Future)
A covert narcissist is in some ways a more dangerous abuser. I say this delicately. All abusers are horrific, and all abuse is deplorable; all victims of all types of abuse have been through a tremendous amount. I don’t want to diminish anyone’s pain. The point I’m trying to make is when someone is hitting you or yelling at you it is clearly abuse. Covert abuse is hidden and so subtle, it is far from obvious. Manipulative, covert tactics not only hurt you, they also chip away at your identity, your self-worth, and make you feel like this is all your fault. Covert emotional and psychological abuse is what happens in cults. Leaders who make you feel loved can also talk you into committing suicide. These people are powerful. Do not diminish what you have experienced. You have been controlled and manipulated for years. You are a victim of abuse.
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse)
line. “This is Ken,” it said. Ken Cuccinelli, the acting deputy secretary of homeland security and a member of Trump’s coronavirus task force. “He said, ‘Charity, you need to push these things through. You’re the only one who can do this.’ ” She was taken aback by his insistence. “He wasn’t pleading with me to do the right thing. He was yelling at me. He was basically implying that the White House is not going to do the right thing. The White House is not going to protect the country. So California needs to take the lead.” That was the moment she learned that the White House was listening in on the calls—and also the moment when she realized just how lost and desperate the people at the top were. “He’s
Michael Lewis (The Premonition: A Pandemic Story)
Two weeks before trial there’s something called a trial readiness conference; a meeting between judge, prosecutor, and defense to ensure they are ready. While this is happening, the victim is off somewhere, lying on her bed, peeling string cheese into limp shreds. No readiness conference exists for her; the witnesses do not gather into a room for a pep talk, putting hands into a pile, to yell out a team cheer. I was not allowed to attend other witnesses’ testimonies, which meant that for the next few weeks I’d spend most days waiting aimlessly at home. I would later learn eighteen people testified, but I had no idea most of them existed. We were like horses, lined up in separate stalls with our blinders on, unaware of those in our periphery. When you heard the bang, felt the smack, you ran for your life.
Chanel Miller (Know My Name: A Memoir)
You, who are half-rational, half-coward, have been playing a con game with reality, but the victim you have conned is yourself. When men reduce their virtues to the approximate, then evil acquires the force of an absolute, when loyalty to an unyielding purpose is dropped by the virtuous, it’s picked up by scoundrels—and you get the indecent spectacle of a cringing, bargaining, traitorous good and a self-righteously uncompromising evil. As you surrendered to the mystics of muscle when they told you that ignorance consists of claiming knowledge, so now you surrender to them when they shriek that immorality consists of pronouncing moral judgment. When they yell that it is selfish to be certain that you are right, you hasten to assure them that you’re certain of nothing. When they shout that it’s immoral to stand on your convictions, you assure them that you have no convictions whatever. When the thugs of Europe’s People’s States snarl that you are guilty of intolerance, because you don’t treat your desire to live and their desire to kill you as a difference of opinion—you cringe and hasten to assure them that you are not intolerant of any horror. When some barefoot bum in some pesthole of Asia yells at you: How dare you be rich—you apologize and beg him to be patient and promise him you’ll give it all away.
Ayn Rand (Atlas Shrugged)
Let’s not be angry at good people,” Seneca writes in “On Anger.” Today, when you find yourself getting upset at someone you love, remind yourself that their positive traits far outweigh whatever is bothering you in the moment. Remind yourself that yelling doesn’t make them hear you better. Remind yourself that they probably know they messed up and probably feel bad enough already. Remind yourself how small they are. Remind yourself how good they are.
Ryan Holiday (The Daily Dad: 366 Meditations on Parenting, Love, and Raising Great Kids)
You have food?” The sound of his chuckle did things to my insides, and I couldn’t wait to celebrate privately with him when we got home. “Yeah, we’ve got food.” Pulling me close, he grabbed a fistful of my ass. “Can’t have you wasting away. This ass is too delicious.” “Liam!” I whisper-yelled. “We have company.” “Let them stare.” “Later,” I promised. Confident, he responded, “Oh, sweetheart, you say that like you have a choice.” Hannah’s voice broke into our intimate moment. “You two know you’re not an exhibit in the zoo, right? People didn’t come here hoping to view a mating ritual.” Pausing, she added, “Well, some people.” Liam pulled back enough to glare at her. “What would we do without you, Hannah?” “Love you too, Liam.” She smirked up at him, not the least bit intimidated.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
I panic and get paranoid and sound grumpier and more intense than I am actually feeling. I may sound like I am yelling when in fact I am having an attack of fear and am scared, like I am lashing out. I can never be sure of others' motivations because so many people mask their uneasiness under a facade of niceness or they lie to make you feel better, and that makes me panic even more.
Karen McKibbin (Life on the Autism Spectrum - A Guide for Girls and Women)
I think it might be a good idea. Some things still need to be worked out, but I think it could benefit everyone.” She shrugged. “I suppose you lot should decide what you want to do and who you want to speak for you.” The man who had pushed himself to the front, Lukas Hass, turned to the crowd and raised his voice for all to hear. “You heard what the lady said, so what will it be? Work with this Smythe and his folks or not?” There were a few calls of no, but the majority of the people were swayed by Kelly’s willingness to try. When that died down, Lukas spoke again. “So, it seems most of you want to give it a try. Now, who do you want speaking for you?” This time there was no dissent; everyone yelled her name. “Lukas, what the fuck?” Kelly spluttered. He faced her. “Kel, you have kept this lot active and occupied since we got here. You had me and the boys help you organize shelters and then the distribution of food and water.” She shrugged, “So, what’s that got to do with me being the speaker? I’m just a young…” “Don’t you finish that Kelly O’Donnell. You and me both know it’s shite, so don’t you even think it.” He glared at her a moment, then his face broke into a grin. “Besides, I’ve known you all your life, and if you weren’t in charge, you would make life hell for whoever was if you didn’t agree with ’em. I’m just cutting out the middleman here.” “Lukas Hass, I never.” A
Charles Tillman (Retaliation (Akio Revelations #2))
said to expect such thoughts when I returned home, and that those thoughts would fade with time. I sure hoped she was right. I still had a shock every time I looked in the mirror, a pleasant shock mind you, but nevertheless a shock. Even though my life had immeasurably changed for the better, I was still having trouble coming to terms with the change itself. I had been told time and time again that this was normal, but that didn’t make it any easier to experience. I suppose I had been depressed before the accident. I looked around my cottage, surprised that this had been my taste. The curtains were hideous, and everything was dark. I suppose I had been trying to hide away from the world. Still, my job wouldn’t have helped. I had been the marketing manager for a local small art gallery. The boss had been a screaming banshee, and that was a polite description for her. She had been impossible to deal with and had a regular staff turnover. I had been there years longer than any other employee. Looking back, I wondered how I had taken her verbal abuse and yelling for years, but I suppose I had been used to being bullied since school. I shook myself. That was all behind me now, and my only connection with that was a desire to work in some way to help people who had been bullied. There was altogether way too much bullying in the world. Now I had enough money to buy a nice place, but first things first. I was going to concentrate on starting my business. I would simply buy some bright new cushions to make the place look a little better and make sure all the curtains were open. I’d buy some nice smelling incense and an oil burner, and burn lavender oil. I was craving nice fragrances, after being accustomed to the antiseptic smell of the hospital, a smell I am sure I will never forget.
Morgana Best (Sweet Revenge (Cocoa Narel Chocolate Shop, #1))
When some people borrow from you, they speak in an undertone. When they have to repay, they yell.
Charmaine J. Forde
1. Body Language: Have a confident body posture, but don’t look too aggressive. Pay close attention to your emotions, and be cautious to avoid tensing up your shoulders, neck, hands, or face. If you’re unable to compose your emotions, they can (and likely will) be felt by the aggravated person and may cause your de-escalation efforts to fail, despite using an appropriate tone and words. Stand relatively still, avoiding sudden jerky or excessive movements. Make sure to keep your hand gestures to a minimum. Basically, think similarly to how you would deal with an angry dog. 2. Voice: You generally want to keep your voice calm, firm, and low while speaking slowly and evenly. The tone, inflection, and volume of your voice can increase or decrease the other person’s anxiety and agitation. However, if the person is yelling, you may need to initially speak in a louder tone in order to be heard, and then guide them to a softer and slower pace. • Listen actively. Gather information by asking questions to develop a rapport, if possible under the circumstances, and gather information in order to begin to guide the communication in a less volatile direction. • Acknowledge their feelings. Some agitated people are unable to problem solve until their feelings are dealt with. By acknowledging their feelings, it often lets them know that they’re being heard. • Communicate clearly by explaining your intentions and conveying your expectations. Repeat yourself as much as necessary until you’re heard. Certain behaviors have been found to escalate agitated people: • Ignoring the person • Making threats • Hurtful remarks and/or name calling • Arguing • Commanding or shouting • Invading personal space • Threatening gestures with your arms or hands, such as finger wagging or pointing Keep in mind that our natural instincts when in an aggressive or potentially violent encounter are to fight, flight, or freeze. However, in using de-escalation, we can’t do any of these. We must appear centered and calm even when we’re terrified. Therefore, these techniques must be practiced before they’re needed, so that they can become second nature. But keep in mind: It’s always important that you trust your instincts. If you feel that de-escalation is not working, STOP! You’ll know within as little as a few minutes to sometimes only a few seconds if it’s beginning to work. If not, tell the person to leave, escort him/her to the door, call for help, walk away, and/or call the police.
Darren Levine (Krav Maga for Women: Your Ultimate Program for Self Defense)
And karaoke was such a weird scene, anyway. People got up there thinking the goal was to hit the right notes. You could tell how much time they’d spent practicing, trying to perfect the song the way the original sounded. But performing was about a point of view, about how you felt. It was better to get up and yell the whole way through a song and really mean it than to try to get all the notes right. You knew it when you heard it.
Kelly Link (The Book of Love)
The King's Perspective There's a story of a king And this story is very true Some say it's just a rumor Some say it's just a ruse They called the man King Flip But that wasn't really his name His name was Filipileetos But that's too hard to say King FLip had a penchant For really expensive things He liked anything shiny And anything with bling He had the nicest castle Out of all the lands But that didn't stop him From wanting one even more grand So he bought a town called perspective And made the people build him a castle At the top of their highest mountain He didn't care if it was a hassle When the work was finally done He decided to go inspect it But when he arrived in the town of Perspective It was exactly as he'd left it He couldn't find a castle It wasn't on the mountain It wasn't on the breach It wasn't on the mainland He immediately grew angry And sought his just revenge On all those who had fooled him On the town, his army did descend When the people were all dead A red cardinal then appeared "King Flip, what have you done? You killed good people, I do fear." King Flip tried to explain That the town deserved to die For his castle was never build Or he would see it with his own eyes The bird said, "But King, you merely assumed. You didn't even try Look from a different perspective, Don't just look from your own two eyes." The bird then led him over to where The castle should surely be He then moved aside a boulder And King Flip feel to his knees For inside the mountain was the castle The most magnificent one ever build King Flip couldn't believe his eyes He quickly became wracked with guilt He had killed so many people. People he should have protected Simply because he couldn't see the castle from their perspective "Hide their bodies!" King Flip yelled "Hide every last one! Put them inside the mountain And then close those doors for good!" The kings army hid the bodies And King Flip fled the land HE went back to his old castle And never spoke of Perspective again Some say this story isn't true Some say it never existed But look at any map and you'll see There is no longer a town called Perspective.
Colleen Hoover (Without Merit)
Stop treating it like it's something trivial!” I snapped. It wasn’t, not when it was still affecting me. “The reputation was clearly bad enough for people to try to hurt me!” “I know this isn’t fucking trivial!” Dominic yelled, his eyes dark with a crazed sort of fury. “You are not fucking trivial. You are not replaceable.
Rory L. Scott (For the Love of the Gods (Tempt the Gods #1))
Vulnerable narcissists are the victimized, anxious, socially awkward, sullen, broodingly angry, irritable, sad, and resentful narcissists. This type is sometimes termed the covert narcissist. The covert/overt distinction actually refers to the patterns we can and cannot see: overt behaviors, like yelling or manipulating, versus covert behaviors, meaning the narcissist’s thoughts and feelings. Some people also use the term covert narcissist to refer to the narcissistic person’s ability to pass as a nice person when there are people to impress—in essence they are hiding their narcissism from plain view (but behaving badly when there is no audience).
Ramani Durvasula (It's Not You: Identifying and Healing from Narcissistic People)
What the fuck were you doing?" Dean yells at me. "You let this motherfucker touch you when you're mine?" "Yours?" I repeat, releasing his arm. "Since fucking when? I'm not fucking yours." Dean storms up to me and grabs my elbows. "The hell you're not!" His head lifts and he glares at the people around us as I struggle in his grasp, turning my arms so that I twist out of his embrace. "Everybody listen the fuck up!" he yells.
Lucy Smoke (Pretty Little Savage (Sick Boys, #1))
That was diverse.” Poppy looks surprised as she slides down the wall like a bird that’s forgotten how to fly, landing in a crumpled heap on the curb. “Positively Dionysian,” I manage to slur. The world is a crazed kaleidoscope. Colors fight for space, desperate to steal each other’s names. “They’re just labels!” I yell at the untidy bundle of shades and bones near my foot. “Are you talking to me?” Patterns birthed by multiple reflections coalesce into Poppy’s face. “Maybe. I think other people’s musical chi has saturated my cells.” Myriad venues and tonal flavors are scattered through my memory, like broken harmonies. “Why did I feed on so many tunes?” “You wanted filtered sounds to rain down and seep clean through, beyond blood, to the soul.” A lone streetlight flickers behind her and for a few alienating seconds she shimmers in and out of existence. “Too much.” My stomach turns over, but I manage to keep everything down. If I throw up now, nothing will come out but music. “Tonight’s orgy of sound has left us in a pure, concentrated haze of other people’s emotions,” Poppy announces proudly, unperturbed by the fact I’m squatting in a gutter. She holds out her arms to me, palms turned up. “Look, I’m full of music.” I stare at the small woman, posed like a crazed Messiah. The cat mask is still caught in her hair. A cracking sound fills the air and her face starts to fracture into pieces, like shards of a broken mirror. Closing my eyes, I take deep breaths till my head calms down. When I open them again, Poppy is gone.
Gil Liane
so; I love helping others. I just don’t love being helped. For some reason it makes me feel embarrassed, nervous, and weak. I worry that I will be judged as a “not good enough mom” if I can’t do it all on my own when so many others seem to be doing it so gracefully. I worry that people will think, “Why did she have so many kids if she can’t do it on her own?” or “Why does she accept help when she is too busy to give back as much? That’s so selfish of her.” I couldn’t do it all, but what I could do was swallow my pride and realize that asking for help wasn’t a sign of weakness, but a sign of strength.
Sheila McCraith (Yell Less, Love More: How the Orange Rhino Mom Stopped Yelling at Her Kids - and How You Can Too!)
Dear Children, I am your dad. The father of all five of you pale creatures. Given how attractive and fertile your mother is, there may be more of you by the time you read this book. If you are reading this, I am probably dead. I would assume this because I can honestly foresee no other situation where you’d be interested in anything I’ve done. Right now, you are actually more interested in preventing me from doing things like working, sleeping, and smiling. I’m kidding, of course. Kind of. I love you with all of my heart, but you are probably the reason I’m dead. All right, you didn’t kill me. Your mother did. She kept getting pregnant! I don’t know how. Don’t think about it. It will give you the willies. At one point, I was afraid she got pregnant while she was pregnant. She was so fertile I didn’t even let her hold avocados. Anyway, this is a book all about what I observed being your dad when you were very young and I had some hair back in good old 2013. So why a book? Well, since you’ve come into my life, you’ve been a constant source of entertainment while simultaneously driving me insane. I felt I had to write down my observations about you in a book. And also for money, so you could eat and continue to break things. By the way, I’m sorry I yelled so much and did that loud clapping thing with my hands. I hated when my dad would do the loud clapping thing with his hands, so every time I do the loud clapping thing, it pains me in many ways. Most of the pain is because that loud clapping thing actually hurts my hands. You may be wondering how I wrote this book. From a very early age, you all instinctively knew I wasn’t that bright of a guy. Probably from all the times you had to correct me when I couldn’t read all the words in The Cat in the Hat. Hell, I find writing e-mails a chore. (Thank you, spell-check!) I wrote this book with the help of many people, but mostly your mother. Your mother is not only the only woman I’ve ever loved, but also the funniest person I know. When your mom was not in labor yelling at me, she made me laugh so hard. Love, Dad P.S. How did you get that hula hoop into that restaurant Easter 2011? Who’s Who in the Cast Jim Gaffigan (Dad).
Jim Gaffigan (Dad Is Fat)
Do you think you ever went too far with these stunts? I might have done things differently if I could do them over again. There was one time when Scott Adsit [the actor who later played Pete Hornberger on 30 Rock] and I and the rest of our group were performing in front of an audience. This was when Bill Clinton was president. Scott came out and said, “Ladies and gentlemen, I have some terrible news. President Clinton has just been assassinated.” Scott’s a really good actor and he played it very real. The whole crowd completely believed it. We then wheeled out a television to watch the most up-to-date news coverage. We turned it on and the audience saw NFL bloopers—we had already inserted a VHS tape. One of us yelled, “Wait, don’t change it!” The whole cast came out and hunkered down and just started laughing at these football bloopers. The people in the audience slowly began to file out, dazed. That was the end of our show. And you know, that’s the kind of thing you do when you’re twenty-five or twenty-six.
Mike Sacks (Poking a Dead Frog: Conversations with Today's Top Comedy Writers)
Furi narrowed his eyes again and stepped into Syn’s space. “Are you gay, Detective?” There it was. The million-dollar question. Was he gay? He’d never asked himself that. He’d only slept with women before, but had never felt anything more for them than an easy friends-with-benefits involvement. Rhodes was the only person that he’d ever felt a connection with. A man. Syn felt his mouth move, but no sound was coming out. Fuck. Furi looked at him skeptically. “Uh huh. Just like I thought. Who are you working for? Him. He send you? Did he hire you to find me? Are you a private detective?” That accusation cut through Syn's speechlessness. “Whoa. I work for the city of Atlanta. What are you talking about? Who is him? Is someone after you?” Syn didn’t realize he’d grabbed Furi’s shoulders, forcing him to look into his eyes until Furi threw his arms up and dislodged Syn’s grip. “Take your goddamn hands off of me! I’m sick of people thinking they can put their fucking hands on me! Stay the fuck away from me, Detective.” Furi shoved past him and reached for the door. Syn jumped in front of it before Furi could get it open. He yelled right back at Furi, “My name is Syn! I’m not here as a Detective! I don’t know who him is, nor do I work for him.” Syn put up air quotes for the word him. “I just wanted to talk to you!” “About what?” Furi yelled. They were in each other’s faces, chest bumping each other. “I don’t fucking know! About you. About me. About the damn Falcons' game last week. About the weather. About why there’s so many goddamn reality TV shows. About what-the-hell-ever! That’s what people do when they want to get to know someone!” Syn stepped back and gripped his hair blowing out a long frustrated breath. He felt so ridiculous, was so annoyed that he was seconds away from just walking away. “Fuck! I didn’t think dating was this damn hard.
A.E. Via
Day had fucked up big time. This was all his fault, all because he couldn’t keep his nosy ass out of other peoples private business. Day rushed to God’s side. “I’ll help you ba—” Day didn’t know how, but God had found enough strength after that beating to push him so hard that he flew into the dresser, knocking it and all of the items that were on top of it to the floor, including the television. Day rolled a few feet, the dresser just missing falling on top of him. “Cash, what the fuck!” Day cursed. He rolled to his side and winced at the sharp pain in his ribs from coming into contact with the dresser. “I was trying to help you get into bed.” “Get the fuck out, Leo.” God’s face was an unyielding mask. For the first time in four long years, Day couldn’t read what the hell was going through God’s mind. Day stood slowly. “God, I only called him because I needed to go—” “It doesn’t matter why you did it! You had no right! You have no clue what you just did!” God yelled. “Now get out!” “Cashel, please. Just hear me out,” Day pleaded. His eyes begged for God to see the sincerity in them. He really didn’t mean for any of this to happen. “Baby, I swear. I didn’t know any of this was happening between you and your family. You should’ve told me. Why was he calling you a murderer?” No matter what, Day couldn’t turn off his detective side. Day watched God squeeze his eyes shut. He went down on one knee and clutched his chest when the hard coughing started again. God’s eyes were full of water and pain. Day timidly eased over to God’s side but God cut his eyes at him, daring him to come any closer. Day had to fight the moisture in his own eyes. “I just want to help you into bed.” “Day, if you don’t get the fuck out of my house, I’m going to show you why he called me a murderer,” God said through clenched teeth. Day couldn’t stop the gasp that escaped his lips, or the pain that radiated through his chest, as if his rib cage had been torn open and his heart ripped out and thrown underneath the bed. Day kept his eyes on God as he knelt to pick up the dresser, then the television. God watched him as well. Day didn’t say anything as the rogue tear fell down his face without his permission. Day went around to the opposite side of the bed and pulled a pen and piece of scrap paper from the drawer, still watching God carefully. He really didn’t like the look on his best friend’s face. He’d seen the look before, but he’d never had it leveled on him. Day scribbled a couple of phone numbers on the paper.
A.E. Via
I’ve never ditched school before. Of course a boy I kissed has never been arrested before, either. This is about me being real. To myself. And now I’m going to be real to Alex, like he’s always wanted. It’s scary, and I’m not convinced I’m doing the right thing. But I can’t ignore this magnetic pull that Alex has over me. I plug in the address on my GPS. It leads me to the south side, to a place called Enrique’s Auto Body. A guy is standing in front. His mouth drops open the minute he sees me. “I’m looking for Alex Fuentes.” The guy doesn’t answer. “Is he here?” I ask, feeling awkward. Maybe he doesn’t speak English. “What do you want with Alejandro?” the guy finally asks. My heart is pumping so hard I can see my shirt move with each beat. “I need to talk to him.” “He’ll be better off if you leave him alone,” the guy says. “Está bien, Enrique,” a familiar voice booms. I turn to Alex, leaning against the auto body’s front door with a shop towel hanging out of his pocket and a wrench in his hand. The hair peeking out of his bandana is mussed and he looks more masculine than any guy I’ve ever seen. I want to hold him. I need him to tell me it’s okay, that he’s not going to jail ever again. Alex keeps his eyes fixed on mine. “I guess I’ll leave you two alone,” I think I hear Enrique say, but I’m too focused on Alex to hear clearly. My feet are glued to the same spot so it’s a good thing he saunters toward me. “Um,” I start. Please let me get through this. “I, uh, heard you got arrested. I had to see if you’re okay.” “You ditched school to see if I was okay?” I nod because my tongue won’t work. Alex steps back. “Well, then. Now that you’ve seen I’m okay, go back to school. I gotta, you know, get back to work. My bike was impounded last night and I need to make money to get it back.” “Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--” “Say it again,” he says. “That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again. He steps closer. “No. The part about you fallin’ for me.” My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.” The sides of his mouth turn up.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--” “Say it again,” he says. “That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again. He steps closer. “No. The part about you fallin’ for me.” My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.” The sides of his mouth turn up.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Alex whispers, “There’s a thin line between love and hate. Maybe you’re confusing your emotions.” I scoot away from him. “I wouldn’t bet on it.” “I would.” Alex’s gaze turns toward the door to the classroom. Through the window, his friend is waving to him. They’re probably going to ditch class. Alex grabs his books and stands. Mrs. Peterson turns around. “Alex, sit down.” “I got to piss.” The teacher’s eyebrows furrow and her hand goes to her hip. “Watch your language. And the last time I checked, you don’t need your books in order to go to the restroom. Put them back on the lab table.” Alex’s lips are tight, but he places the books back on the table. “I told you no gang-related items in my class,” Mrs. Peterson says, staring at the bandanna he’s holding in front of him. She holds out her hand. “Hand it over.” He glances at the door, then faces Mrs. Peterson. “What if I refuse?” “Alex, don’t test me. Zero tolerance. You want a suspension?” She wiggles her fingers, signaling to hand the bandana over immediately or else. Scowling, he slowly places the bandana in her hand. Mrs. Peterson sucks in her breath when she snatches the bandanna from his fingers. I screech, “Ohmygod!” at the sight of the big stain on his crotch. The students, one by one, start laughing. Colin laughs the loudest. “Don’t sweat it, Fuentes. My great-grandma has the same problem. Nothing a diaper won’t fix.” Now that hits home because at the mention of adult diapers, I immediately think of my sister. Making fun of adults who can’t help themselves isn’t funny because Shelley is one of those people. Alex sports a big, cocky grin and says to Colin, “Your girlfriend couldn’t keep her hands out of my pants. She was showin’ me a whole new definition of hand warmers, compa.” This time he’s gone too far. I stand up, my stool scraping the floor. “You wish,” I say. Alex is about to say something to me when Mrs. Peterson yells, “Alex!” She clears her throat. “Go to the nurse and…fix yourself. Take your books, because afterward you’ll be seeing Dr. Aguirre. I’ll meet you in his office with your friends Colin and Brittany.” Alex swipes his books off the table and exits the classroom while I ease back onto my stool. While Mrs. Peterson is trying to calm the rest of the class, I think about my short-lived success in avoiding Carmen Sanchez. If she thinks I’m a threat to her relationship with Alex, the rumors that are sure to spread today could prove deadly.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
You ditched school to see if I was okay?” I nod because my tongue won’t work. Alex steps back. “Well, then. Now that you’ve seen I’m okay, go back to school. I gotta, you know, get back to work. My bike was impounded last night and I need to make money to get it back.” “Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--” “Say it again,” he says. “That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again. He steps closer. “No. The part about you fallin’ for me.” My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.” The sides of his mouth turn up. Unable to face him, I look at the ground. “Don’t make fun of me.” I can take anything but that right about now. “Don’t turn away from me, mamacita. I’d never make fun of you.” “I didn’t want to like you,” I admit, looking back up at him. “I know.” “This probably won’t work,” I tell him. “Probably not.” “My home life’s not so perfect.” “That makes two of us,” he says. “I’m willing to find out what this thing is going on between us. Are you?” “If we weren’t outside,” he says, “I’d show you--” I cut him off by grabbing the thick hair at the base of his neck and pulling that gorgeous head of his down. If we can’t exactly have privacy right now, I’ll settle for being real. Besides, everyone who we need to keep this a secret is in school. Alex keeps his hands at his side, but when I part my lips, he groans against my mouth and his wrench drops to the ground with a loud clink.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Another time, the souls of a husband and wife came through to validate their presence to their daughter with a very specific shtick. The dad had me yell, “Bingo!” at which point Mom’s soul said, “They don’t have bingo on TV. It’s The Price Is Right!” The daughter laughed so hard and said that game show was her parents’ favorite. She used to call them when they were alive, and they’d say, “We need to call you back. The Big Deal is on right now!” When the daughter’s son was born, he came into the world right before the Big Deal aired, and the family joked that the baby was the Big Deal of the day. The mom’s soul also had me add that she likes Bob Barker better than Drew Carey as a host. Hey, that certainly wasn’t me talking! I think they’re both great. And though there’s a lot to be happy about in Heaven, people who were crabby or bossy here don’t seem to become unusually chipper. I’ll never forget when I channeled a woman’s parents, and I got a grumpy vibe from them. I asked the daughter, “Were your parents cranky?” And at the same time that the woman said, “No, my parents were wonderful,” her husband mouthed, “Hell yeah, they were cranky!” Grief can cause us to romanticize the deceased, so I took the husband’s word on this one.
Theresa Caputo (There's More to Life Than This)
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Joanna Kellogg, one of Joseph’s sisters, was stumbling. For Joanna, the world was blurred. Her eyes didn’t focus the way other people’s did. Leaves on trees were green blots against a blue sky. She couldn’t recognize people until they were within a dozen paces. When an Indian brave took Joanna’s hand, she had not seen her mother die and did not know this was the killer. She was only ten, but her pack was nearly as large as the ones grown men carried. Joanna did not complain or call out. She just walked more and more slowly. Ruth Catlin lost her temper. She flung the pack she had been given into the snow. She grabbed Joanna by the shoulders and ripped off Joanna’s pack, flinging that into the snow too. She hurled an iron frying pan across the snow and then a whole leg of lamb. Indian and captive alike were mesmerized. “You savages!” Ruth screamed. “Don’t you even think about hurting Joanna. She’s too little! You are vicious and mean! I hate you!” She dragged Joanna forward as if the two of them meant to reach Canada first, by God. “Go ahead and kill me!” she yelled, holding out her hair to be scalped. “I dare you!” She made a fist around her own hair, yanked it tight and waved the bristles in Indian faces. Nobody tomahawked Ruth. She stomped past Indian after Indian, calling them names. Ruth stormed right up to the front of the line, where the lead Indians were trampling out the path. She could go no farther. The Indians politely stepped back and gestured north, making it clear that Ruth was welcome to lead the way. Ruth kicked wildly at one of the braves, but he stepped back and Ruth’s burst of energy vanished. She wanted to lie down on her own soft bed, bury her face in her pillow and weep for the family that had died around her. Even more, she wanted to kill an Indian. Or ten of them. But she had no weapon and as for softness, even the snow was not soft today. Well, at least she would not give those Indians the satisfaction of seeing her cry. Glaring, dragging poor Joanna, she marched on.
Caroline B. Cooney (The Ransom of Mercy Carter)
I knew it was wrong after a week. I stayed for 10 months. Because that’s what you’re supposed to do at jobs – stay at them. I slowly, and not so slowly, developed hate in my heart. I had a client yell at me each time I talked to him. My superior would tell me things to say to him, and they would just make him yell more. And, honestly, I didn’t even know what we were talking about most of the time. I was scared of looking crazy or irrational. Like I couldn’t hold down a job, or didn’t know what I was doing. I wanted people to take me seriously and I thought having a job, paying rent, and acting like other functional members of society was how to do that. I “gave it a chance” because I didn’t know what to do other than quit. And quitting was shameful. My instincts were in direct conflict with society’s tenets, and I didn’t know at the time that you should always chose yourself over society. So
Sara Kravitz (Just Tell Me What I Want: How to Find Your Purpose When You Have No Idea What It Is)
You are a liar too, Jon, said a little voice inside him. The voice of his innocence. What have I lied about? he thought miserably. You’ve always known the truth. His head swimming, Jon watched Baltsaros stagger to his feet. The older man balled his hands at his sides, his eyes crackling with cold fire as he glared down at Jon; and then, as if a light went out, the captain’s posture turned to defeat, and Baltsaros let out a low sound. “Jon,” said the captain in a strange voice as he sat down slowly on the edge of the bed, “when I thought I had killed you, it was as if I had killed hope itself… I couldn’t bear it. I would never do anything to harm you. Never.” Jon closed his eyes tight and leaned his head back on the wall; he didn’t need his gift to know that the captain was speaking the truth. “I know,” he murmured. The craziest part of it all was the glowing feeling the captain’s words gave him. Baltsaros’s hand touched his calf, warm through his thin pants, and Jon shifted his leg away. “Then what is it?” asked Baltsaros. Frowning, Jon sat up. He looked at the captain, his eyes wide with chagrin. “What about the others?” he hissed. “You’re a murderer, Baltsaros. What about all the innocent people you murdered?” The captain’s graceful lips worked against each other for a second, the lines of his face taut and his eyes flinty. “Innocent? Were they innocents, Jon?” asked Baltsaros finally. He sounded angry. “They were guilty of what, then? The whore at the Rose Garden… tell me, what had she done except be born into poverty and sold into a life of prostitution? Or the one at the Jewel? Do you only kill whores? Is that some kind of sick shame for your total lack of self-restraint when it comes to shoving your cock into any willing hole?” Though Jon wanted to yell, he kept his voice down to a seething growl.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
The ride is nearly at an end, the operator is helping the people below us off and then it’s our turn, and Travis breathes a huge sigh of relief. “It wasn’t that bad was it?” I tease him. He looks over my face before grinning. “It could have been worse.” “Oh really?” I ask. The Ferris Wheel starts again, but the operator must have pressed the wrong key because our seat suddenly drops a foot down before smoothly coming to a stop in front of him. Travis is plastered all over me: his legs stretched across the floor, his left arm across my chest, and he has the most adorable, panicked look on his face. And I can’t help it, I throw my head back and laugh. It was a foot. He dropped a foot when he was five feet off the ground to begin with, and he now looks like a cat when you try and throw it in the bath. And he gave me a hard time about the spiders. “Smile!” I hear someone yell and see a bright flash. “I was worried about you,” Travis says, fighting the grin on his face. “My hero,” I say, putting my hand on his chest before standing up and getting off of the ride.
Emily Harper (My Sort-of, Kind-of Hero)
to the Piazzale Loreto and machine-gunned them to death. I saw . . .” He broke down. “Tullio was one of them.” Uncle Albert and his father looked gut-shot. Aunt Greta said, “That’s not true! You must have seen someone else.” Pino, crying, said, “It was him. Tullio was so brave. Yelling at the men who were about to shoot him, calling them cowards . . . and . . . oh God, it was . . . horrible.” He went to his father and hugged him while Uncle Albert held Aunt Greta, who had turned hysterical. “I hate them,” she said. “My own people and I hate them.” When she’d calmed down, Uncle Albert said, “I have to go tell his mother.” “She
Mark T. Sullivan (Beneath a Scarlet Sky)
If you are easily upset, don’t continue year after year that way. If you allow little things like long lines, the weather, a grumpy salesman, or an inconsiderate receptionist to steal your joy, draw a line in the sand. Say, “You know what? That’s it. I’m not giving away my power anymore. I’m staying calm, cool, and collected. David J. Pollay, author of The Law of the Garbage Truck, was in a New York City taxicab when a car jumped out from a parking place right in front of it. His cabbie had to slam on the brakes, the car skidded, and the tires squealed, but the taxi stopped an inch from the other car. The driver of the other car whipped his head around, and honked and screamed in anger. But David was surprised when his cabbie just smiled real big, and waved at him. David said, “That man almost totaled your cab and sent us to the hospital. I can’t believe you didn’t yell back at him. How were you able to keep your cool?” The cab driver’s response, which David calls, “The Law of the Garbage Truck,” was this: “Many people are like garbage trucks. They run around full of garbage, full of frustration, full of anger, and full of disappointment. As their garbage piles up, they look for a place to dump it. And if you let them, they’ll dump it on you. So when someone wants to dump on you, don’t take it personally. It doesn’t have anything to do with you. Just smile, wave, wish them well, and move on. Believe me, you’ll be happier.” Successful people don’t allow garbage trucks to unload on them. If somebody dumps a load on you, don’t be upset. Don’t be angry. Don’t be offended. If you make that mistake, you’ll end up carrying their loads around and eventually you’ll dump them on somebody else. Keep your lid on. Sometimes you may need to have a steel lid. These days, though, so many people are dumping out poison through criticism, bad news, and anger, you’ll need to keep that lid on tight. We can’t stop people from dumping their garbage, but by keeping our lids on, we can tell them to recycle instead!
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)