When It Doesn't Matter Anymore Quotes

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It hurts when they're gone. And it doesn't matter if it's slow or fast, whether it's a long drawn-out disease or an unexpected accident. When they're gone the world turns upside down and you're left holding on, trying not to fall off.
Walter Mosley (Debbie Doesn't Do It Anymore)
When I heard your organization was recording testimonies, I knew I had to come. She died in my arms, saying 'I don't want to die.' That is what death is like. It doesn't matter what uniforms the soldiers are wearing. It doesn't matter how good the weapons are. I thought if everyone could see what I saw, we would never have war anymore.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Am I awake or dreaming? It doesn’t matter anymore. When I close my eyes I dream of death and war. When I open my eyes I see death and war.
Michael Anthony (Mass Casualties: A Young Medic's True Story of Death, Deception, and Dishonor in Iraq)
The hole in my heart, I can’t even begin to describe. It’s hard when you open your heart and let someone in and then suddenly they’re not in it anymore. It doesn’t matter whose fault it is; that empty spot stings so bad that you want to find any kind of relief, or wrap yourself up so tight you can’t feel it anymore. I knew it might be there a little while. Or maybe even a long while. For both of us.
Bill Konigsberg (Openly Straight (Openly Straight, #1))
People use the word 'love' a lot of different ways. Take me, for instance. I am often heard saying that I love my mom and dad. I am also often heard saying that I love pizza. What am I saying when I say I love my mom and dad? I'm saying that I care about them. I'm saying that I love spending time with them and that I talk to them every chance I get. I'm saying that if they needed me, I would do every humanly possible to help them. I'm saying that I always want what's best for them. What am I saying when I say I love pizza? Am I saying that I care deeply about pizza? Am I saying that I have a relationship with pizza? Am I saying that if pizza had a problem, I would be there for the pizza? (What? Not enough pepperoni? I'll be right there!) Of course not. When I say I love pizza, I'm just saying that I enjoy eating pizza until I don't want any more pizza. Once I'm tired of the pizza, I don't care what happens to the rest of it. I'll throw it away. I'll feed it to the dog. I'll stick it in the back of the refrigerator until it gets all green and moldy. It doesn't matter to me anymore. These are two very different definition of the word 'love'. It gets confusing when people start talking about love, and especially about loving you. Which way do these people love you? Do they want what is best for you, or do they just want you around because it is good for them, and they don't really care what happens to you? Next time someone looks deeply into your eyes and says 'I love you', look very deeply right back and say, 'Would that be pizza love, or the real thing?
Mary Beth Bonacci (Real Love: Answers to Your Questions on Dating, Marriage and the Real Meaning of Sex)
There isn’t a permanent mark on me, Reed, not one. And you don’t know how many times he was there to hold me together when I was sure I was going to fall apart. He’s a monster,” she sobbed, “I know he is. I know, and…it doesn’t matter to me anymore.
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
Let me tell you something you haven't learnt yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn't matter who you are or what you do, it happens. Experience, time, events - they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn't have given a second thought to when you were young. It happens gradually, a chipping away that you don't even notice at first, and then one day it's there. You wake up and you just don't have the fire anymore...Then you have a choice. You can either give in to what you're feeling, just say "okay, enough is enough" and be done with it, or you can fight it. You can accept that every day you're alive you're going to have to face it down, that you're going to have to say to yourself that you don't care what you feel, that it doesn't matter what happens anyway, that you're going to do what you have to because otherwise you're defeated and life doesn't have any real pupose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn't matter all that much - that those in here mattered more. You know something? It's not so hard really. You just have to get past the fear.
Terry Brooks
The stark, pedestrian images used by filmmakers (probably out of financial necessity) expressed nothing, symbolically or metaphorically. The only purpose they served was to remind me that a huge chunk of my life is completely over, even though I will probably live 60 more years. There are so many things that will never happen to me again, and I never even noticed when those things stopped occurring. And this does not mean I wish I had my old life back, because I like my new life better; I was just shocked to discover how much of what used to be central to my existence doesn't even matter to me anymore.
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore. And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
Robert Penn Warren (All the King's Men)
Let me tell you something you haven’t learned yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn’t matter who you are or what you do, it happens. Experience, time, events—they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn’t have given a second thought to when you were young. It happens gradually, a chipping away that you don’t even notice at first, and then one day it’s there. You wake up and you just don’t have the fire anymore.” He smiled...
Terry Brooks (The Elf Queen of Shannara (Heritage of Shannara, #3))
...I don't need any explanation about what you do with your life. You and I...we grew up together,and that's it. Yeah, we shared a lot of stuff back then, and we were there for each other when it mattered. But neither one of us can fit into the clothes we used to wear , and this relationship between us is just the same. It doesn't fit in our lives any longer. We don't...fit anymore. And listen., I didn't mean to get pissy in the truck, but I think you need to be clear on this. You and I? We have a past. That's it. That's ...all we'll ever have" (Blay to Qhuinn)...
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
It doesn't matter if I think like a boy or a girl. It doesn't matter anymore if I'm either or both or neither. All that shit seems so petty and immaterial now. There's so little difference between one human being and the next, it's just hypotheses, human ideas about life and the world and words that mean nothing, about definitions that mean nothing to Earth, to nature, to the universe. Boys and girls and intersex people and me--we're just ideas, and when we're dead, the ideas will go with us. It all means nothing.
Abigail Tarttelin (Golden Boy)
SO WHAT" Harry shouted. "Don't you understand? If Snape gets hold of the Stone, Voldemort's coming back! Haven't you heard what it was like when he was trying to take over? There won't be any Hogwarts to get expelled from! He'll flatten it, or turn it into a school for the Dark Arts! Losing points doesn't matter anymore, can't you see? Do you think he'll leave you and your families alone if Gryffindor wins the house cup? If I get caught before I can get to the Stone, well, I'll have to go back to the Dursleys and wait for Voldemort to find me there, it's only dying a bit later than I would have, because I'm never going over to the Dark Side!
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
For a while, I thought I might be in a love story, but I hardly ever wake up next to anyone anymore. It still happens once in a while. When it does, the first thing I do, doesn't matter where I am, in the ocean, on the moon of some minor distant planet, doesn't matter where, doesn't matter if she knows who I am of if I know who she is or how strong gravity is or if I feel terrible or if the world is logically impossible, the first thing I do if she's there, is I tell her how nice it is to see her.
Charles Yu (Sorry Please Thank You)
Who knew?’ he says. ‘I had no idea that someone could be such a thorn in your foot during a death march and still be irresistibly attractive in some magical, undeniable way.’ ‘So is that what people call sweet nothings? Because somehow, I expected it to be a little more . . . complimentary.’ ‘Don’t you know a heartfelt declaration of love when you hear one?’ I blink dumbly at him with my heart pounding. He caresses a lock of my hair out of my face. ‘Look, I know that we’re from different worlds and different people. But I’ve realized that it doesn’t matter.’ ‘You don’t care about the angelic rules anymore?’ ‘My Watchers have helped me realize that angelic rules are for angels. Without our wings, we can never be fully accepted back into the fold. There will always be talk of taking a newly Fallen’s wings and transplanting them onto us. Angels are perfect. Even with transplanted wings, we’ll never again be perfect. You accept me just the way I am, regardless of whether or not I even have wings. Even when I had my demon wings, you’ve never looked at me with pity. You’ve never wavered in your loyalty. That’s who you are – my brave, loyal, lovable Daughter of Man.
Susan Ee (End of Days (Penryn & the End of Days, #3))
When you live in light of eternity, your values change. You use your time and money more wisely. You place a higher premium on relationships and character instead of fame or wealth or achievements or even fun. Your priorities are reordered. Keeping up with trends, fashions, and popular values just doesn’t matter as much anymore. Paul said, “I once thought all these things were so very important, but now I consider them worthless because of what Christ has done.”3
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
You already know I love you,” Park said, shaking his head impatiently. “So today I promise, I vow that I know you love me, too. I never doubt it. How could I when I feel it all the time? I feel it when you make me laugh and then watch with that pleased little look on your face. I feel it when you touch me like I’m special and when you can’t touch me anymore because you’re over-full of sensations, but let me stay by you anyway. I feel so safe in loving you, because I know you love me, too. And it’s the greatest gift of my life.” “You love me,” Cooper said. “Obviously.” And it was, wasn’t it? Park pulled Cooper closer, arms around his waist. “So if you’re the Moon, fine. I’m the sky. If you’re a human, I’m your wolf. If you’re a prickly, sarcastic, awkward, independent, randy-as-hell, secretly good-hearted porcupine, well, then I’m Oliver Park.” “I can’t believe I’m being slandered in my own vows.” “Whatever happens next, whoever we are or whoever they think we are, it doesn’t matter. Because the way we love is already the stuff of legends.” Cooper couldn’t help smiling. “Well. I guess if you say it like that, it doesn’t sound like such a bad life,” he said, leaning in to kiss him, and felt Park’s body sigh into his like it was coming home. No, not a bad life at all.
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
Is there a difference between happiness and inner peace? Yes. Happiness depends on conditions being perceived as positive; inner peace does not. Is it not possible to attract only positive conditions into our life? If our attitude and our thinking are always positive, we would manifest only positive events and situations, wouldn’t we? Do you truly know what is positive and what is negative? Do you have the total picture? There have been many people for whom limitation, failure, loss, illness, or pain in whatever form turned out to be their greatest teacher. It taught them to let go of false self-images and superficial ego-dictated goals and desires. It gave them depth, humility, and compassion. It made them more real. Whenever anything negative happens to you, there is a deep lesson concealed within it, although you may not see it at the time. Even a brief illness or an accident can show you what is real and unreal in your life, what ultimately matters and what doesn’t. Seen from a higher perspective, conditions are always positive. To be more precise: they are neither positive nor negative. They are as they are. And when you live in complete acceptance of what is — which is the only sane way to live — there is no “good” or “bad” in your life anymore. There is only a higher good — which includes the “bad.” Seen from the perspective of the mind, however, there is good-bad, like-dislike, love-hate. Hence, in the Book of Genesis, it is said that Adam and Eve were no longer allowed to dwell in “paradise” when they “ate of the tree of the knowledge of good and evil.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
My father has the irritating habit of saying the same thing whenever something bad happens. “This, too, shall pass,” he says. What annoys me is that he’s always right about it. What annoys me even more is that he always reminds me later when it does pass, as a smug “I told you so.” He doesn’t say it to me anymore because Mom told him it was trite. Maybe it is, but I find that I say it to myself now. No matter how bad I’m feeling, I make myself say it, even if I’m not ready to believe it. This, too, shall pass. It’s amazing how little things like that can make a big difference.
Neal Shusterman (Challenger Deep)
When a word is said so many times, it doesn’t even sound like a word anymore. It sounds like gibberish—a sound comprised of pitch and tones that hold no real meaning. A construct that humans have formed to communicate their wants and needs. But what do words fucking matter when no one listens?
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies. Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.” She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.” “No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me. Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited. Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.” “Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again. “Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?” I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives. Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.” “You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
But what can happen over time is this: You wake up one day and realize that you have put yourself back together completely differently. That you are whole, finally, and strong – but you are now a different shape, a different size. This sort of change — the change that occurs when you sit inside your own pain — it’s revolutionary. When you let yourself die, there is suddenly one day: new life. You are Different. New. And no matter how hard you try, you simply cannot fit into your old life anymore. You are like a snake trying to fit into old, dead skin, or a butterfly trying to crawl back into the cocoon, or new wine trying to pour itself back into an old wineskin. This new you is equal parts undeniable and terrifying. Because you just do not fit. And suddenly you know that. And you have become a woman who doesn’t ignore her knowing. Who doesn’t pretend she doesn’t know. Because pretending makes you sick. And because you never promised yourself an easy life, but you did promise yourself a true one. You did promise – back when you were putting yourself back together – that you’d never betray you again.
Glennon Doyle Melton
When you're a child, your best friend in the world is the kid who lives next door. It doesn't occur to you then that this is a matter of arbitrary circumstance. When you grow up you like to imagine that your friendships have a more substantial basis - common interests, like-mindedness, some genuine affinity. It's always a sad revelation that when a good friend acquires a girlfriend or a husband and disappears. You realize that,for them, your friendships was always only a matter of convenience, a fallback, and they simply don't need you anymore. There's nothing especially cynical about this; people are drawn to each other because they're giving each other something they both need, and they drift apart when they aren't getting it or don't need it anymore. Friendship have natural life spans, like love affairs or favorite songs.
Tim Kreider (We Learn Nothing)
One day, you're in a physical landscape you share with this bizarre and fundamentally alien creature, not alien because she's female but alien because you're a fool in love and there's nothing not alien about that. And then when she's gone, you're alone and all the strangeness and wonder have gone out of the landscape and you're still a fool but now nobody notices how many days in a row you wear the same socks and cleaning the shower doesn't make the girl smile anymore so everything smells a little worse and doesn't get fixed when it breaks. I missed the feminine touch—not just hers, but mine. I missed being half-boy, half-girl, part of a whole. Now that I was male in a male environment, it was harder to manifest her physical chick presence, no matter how many of her MAC lipsticks I set out on the coffee table in a basket like so many M&Ms.
Rob Sheffield
These ideas can be made more concrete with a parable, which I borrow from John Fowles’s wonderful novel, The Magus. Conchis, the principle character in the novel, finds himself Mayor of his home town in Greece when the Nazi occupation begins. One day, three Communist partisans who recently killed some German soldiers are caught. The Nazi commandant gives Conchis, as Mayor, a choice — either Conchis will execute the three partisans himself to set an example of loyalty to the new regime, or the Nazis will execute every male in the town. Should Conchis act as a collaborator with the Nazis and take on himself the direct guilt of killing three men? Or should he refuse and, by default, be responsible for the killing of over 300 men? I often use this moral riddle to determine the degree to which people are hypnotized by Ideology. The totally hypnotized, of course, have an answer at once; they know beyond doubt what is correct, because they have memorized the Rule Book. It doesn’t matter whose Rule Book they rely on — Ayn Rand’s or Joan Baez’s or the Pope’s or Lenin’s or Elephant Doody Comix — the hypnosis is indicated by lack of pause for thought, feeling and evaluation. The response is immediate because it is because mechanical. Those who are not totally hypnotized—those who have some awareness of concrete events of sensory space-time, outside their heads— find the problem terrible and terrifying and admit they don’t know any 'correct' answer. I don’t know the 'correct' answer either, and I doubt that there is one. The universe may not contain 'right' and 'wrong' answers to everything just because Ideologists want to have 'right' and 'wrong' answers in all cases, anymore than it provides hot and cold running water before humans start tinkering with it. I feel sure that, for those awakened from hypnosis, every hour of every day presents choices that are just as puzzling (although fortunately not as monstrous) as this parable. That is why it appears a terrible burden to be aware of who you are, where you are, and what is going on around you, and why most people would prefer to retreat into Ideology, abstraction, myth and self-hypnosis. To come out of our heads, then, also means to come to our senses, literally—to live with awareness of the bottle of beer on the table and the bleeding body in the street. Without polemic intent, I think this involves waking from hypnosis in a very literal sense. Only one individual can do it at a time, and nobody else can do it for you. You have to do it all alone.
Robert Anton Wilson (Natural Law: or Don't Put a Rubber on Your Willy)
When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
It’s been four years since Justin kissed his best friend Lucas when they were both just 12. Then Justin, afraid of what it meant, afraid of how he felt, afraid of what it made him, ran and has been running from and avoiding Lucas for these four years. The thing about running is that no matter how fast you run, the past always catches up with you, and when faced with his past and all the things he’s missed, Justin finds he doesn’t want to run anymore. Now Justin wants to try to make things right with Lucas; he wants his best friend back. But maybe it's too late. Maybe Lucas has moved on. Read the story to find out if Justin is successful. This story isn't only about internalized homophobia and the hurtful things it leads gay kids to do to themselves and others. It is much more about truth, love and hurt and coming to terms with those things, forgiving yourself, and loving yourself enough to hold yourself accountable.
JUVENALIUS
It doesn't get any easier. No matter what they say, time doesn't heal the wound. Time just unravels and shows you new and more painful ways to miss someone. The longer they've been gone, the worse it is. You start to forget their smile or the way they tilted their head when they were confused or the way they looked at you and knew exactly what you were thinking. You can look at them in photos, but it's not even close to the real thing, and pretty soon you feel like your real memories are being replaced by the photo memories - like the only way you can picture them anymore is in one of those photographs. They become two-dimensional, and it rips your heart out whenever you think about it so you really try not to.
Cat Clarke (Undone)
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
Singing is magic. When I sing, I own who I am. I can communicate purely. When you sing you stop using the language of “Hi, how are you…” You’re able to say things that are much more profound. Singing takes me to a mystical place where language doesn’t matter anymore, where anything is possible.
Britney Spears (The Woman in Me)
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
We can take things as slowly as you want, but you know it’s too late now to change your mind, Pierce,” he said, in a warning tone. “Of course,” I said. I could see I had approached this all wrong. Where, when you actually needed one, was one of those annoying women’s magazines with advice on how to handle your man? Although that advice probably didn’t apply to death deities. “Because the Furies are after me. And I promised you that I wouldn’t try to escape. That isn’t what I was-“ “No,” he said, with an abrupt shake of his head. “The Furies have no part in this. It doesn’t matter anymore whether or not you try to escape.” He was pacing the length of the room. A muscle had begun to twitch wildly in the side of his jaw. “I thought you knew. I thought you understood. Haven’t you read Homer?” Not again. Mr. Smith was obsessed with this Homer person, too. “No, John,” I said, with forced patience. “I’m afraid we don’t have time to study the ancient Greek poets in school anymore because we have so much stuff to learn that happened since you died, such as the Civil War and the Holocaust and making files in Excel-“ “Well, considering what they had to say about the Fates,” John interrupted, impatiently, “Homer might possibly have been of more use to you.” “The Fates?” The Fates were something I dimly remembered having been mentioned in the section we’d studied on Greek mythology. They were busybodies who presided over everyone’s destiny. “What did Homer have to say about them?” John dragged a hand through his hair. For some reason, he wouldn’t meet my gaze. “The Fates decreed that anyone who ate or drank in the realm of the dead had to remain there for all eternity.” I stared at him. “Right,” I said. “Only if they are pomegranate seeds, like Persephone. The fruit of the dead.” He stopped pacing suddenly and lifted his gaze to mine. His eyes seemed to burn through to my soul. “Pomegranate seeds are what Persephone happened to eat while she was in the Underworld,” he said. “That’s why they call them the fruit of the dead. But the rule is any food or drink.” A strange feeling of numbness had begun to spread across my body. My mouth became too dry for me to speak. “However you feel about me, Pierce,” he went on, relentlessly, “you’re stuck here with me for the rest of eternity.
Meg Cabot (Underworld (Abandon, #2))
It’s hard when you open your heart and let someone in and then suddenly they’re not in it anymore. It doesn’t matter whose fault it is; that empty spot stings so bad that you want to find any kind of relief, or wrap yourself up so tight you can’t feel it anymore. I knew it might be there a little while. Or maybe even a long while.
Bill Konigsberg (Openly Straight)
Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
I’m a jigsaw puzzle with plenty of missing pieces.  But it doesn’t matter anymore. The jigsaw puzzle is still an illusion. All pieces, no pieces, or half of them missing,  what does it matter when it’s all an illusion. It might help to find all the right pieces, but then what? I still have to wake up. It’s all a dream, masterly put together.
Nanne Nyander (The Struggle of Going Nowhere)
I pictured the world. I pictured the world millions of years ago, with crazy clouds of gas everywhere, and volcanoes, and the continents bumping into each other and then drifting apart. Okay. Now life begins. … There are animals, then humans, looking almost all alike. There are tiny differences in color, the shape of the face, the tone of the skin. But basically they are the same. They create shelters, grow food, experiment. They talk; they write things down. Now fast-forward. The earth is still making loops around the sun. There are humans all over the place, driving in cars and flying in airplanes. And then one day one human tells another human that he doesn’t want to walk to school with her anymore. 'Does it really matter?' I asked myself. It did.
Rebecca Stead (When You Reach Me)
Hi, Amy, it's mom. Well, by the time you see this, I won't be here anymore, and I know how much that sucks, for both of us. So seeing as how I won't be around to thoroughly annoy you, I thought I would give you a little list of the things that I wish for you. Well, there's the obvious. An education. Family. Friends. And a life that is full of the unexpected. Be sure to make mistakes. Make a lot of them, because there's no better way to learn and to grow, all right? And, um, I want you to spend a lot of time at the ocean, because the ocean forces you to dream, and I insist that you, my girl, be a dreamer. God. I've never really believed in God. In fact, I've spent a lot of time and energy trying to disprove that god exists. But I hope that you are able to believe in god, because the thing that I've come to realize, sweetheart... is that it just doesn't matter if god exists or not. The important thing is for you to believe in something, because I promise you that that belief will keep you warm at night, and I want you to feel safe always. And then there's love. I want you to love to the tips of your fingers, and when you find that love, wherever you find it, whoever you choose, don't run away from it. But you don't have to chase after it either. You just be patient, and it'll come to you, I promise, and when you least expect it, like you, like spending the best year of my life with the sweetest and the smartest and the most beautiful baby girl in the world. You don't be afraid, sweetheart. And remember, to love is to live.
Jen Dawson's Creek
You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.
Ned Beauman (Venomous Lumpsucker)
When did it all begin? he thought. When did I go under? A dark, vaguely familiar Aztec lake. The nightmare. How do I get away? How do I take control? And the questions kept coming: Was getting away what he really wanted? Did he really want to leave it all behind? And he also thought: the pain doesn’t matter anymore. And also: maybe it all began with my mother’s death. And also: the pain doesn’t matter, as long as it doesn’t get any worse, as long as it isn’t unbearable. And also: fuck, it hurts, fuck, it hurts. Pay it no mind, pay it no mind. And all around him, ghosts.
Roberto Bolaño (2666)
There's technically no solution for the problem of breaking up, no matter what side of the heart break you end up on. There's two rumors about breaking up I feel might be helpful to address here. One is that break-ups should be clean, the other is that you should only break-up when you’re not in love. The truth is break-ups are usually messy, the way people are messy, the way life is often messy. It’s okay for a break-up to feel like a disaster. It doesn’t often feel okay, but I assure you it is okay. It’s also true that you can break-up with someone you still love, because those two things are not distinct territories: love and not loving anymore
Mariko Tamaki
I find myself wrapped in his arms. His lips brushing the faded bruises on my neck, working their way to my mouth. Despite what I feel for Peeta, this is when I accept deep down that he’ll never come back to me. Or I’ll never go back to him. I’ll stay in 2 until it falls, go to the Capitol and kill Snow, and then die for my trouble. And he’ll die insane and hating me. So in the fading light I shut my eyes and kiss Gale to make up for all the kisses I’ve withheld, and because it doesn’t matter anymore, and because I’m so desperately lonely I can’t stand it. Gale’s touch and taste and heat remind me that at least my body’s still alive, and for the moment it’s a welcome feeling.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
That doesn’t make any sense.” “Nothing makes any sense anymore. Like, why am I talking to you? Why am I telling you this when you don’t care?” This question, at least, I knew the answer to. “But that’s why you’re telling me.” I knew it was true. If we’d had the opportunity to deliver our confessions to anyone who actually cared about their contents, there was no way either of us would’ve opened our mouths. Sharing revelations is easier when it doesn’t matter. She was quiet. I heard other girls’ voices in the background, high, wordless streams of conversation, followed by the hiss of running water, and then silence again. “Okay,” she said. “Okay, what?” I asked. “Okay, maybe you can call me. Sometime. Now you have my number.” I didn’t even have time to say bye before she hung up.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
It’s like one of those times where everything feels like too much — the world, the people, even the fucking air. It’s too strong, too potent, and you can’t escape it no matter how much you try. I run, but it follows. I sleep, but it perches over me like a constant weight. People say it’s just a phase and that it’ll eventually go away. It doesn’t. You breathe it in the air, drink it with water, and taste it with food. It doesn’t only become a part of you — it is you. If you somehow managed to remove it, you wouldn’t recognise yourself anymore. It’s not a fucking phase. It’s a state of being. And sometimes, it acts out. Sometimes, you can’t control it even with carefully developed coping mechanisms. I never let anyone see me when it’s about to come out. I run and hide. I purge. The moment I feel it coming close, I just leave.
Rina Kent (Vicious Prince (Royal Elite, #5))
- Yeah, this is it. This is war... it takes you away from your loved ones, takes you to places you had no idea about, takes you through suffering and deprivation, hunger, thirst, sickness and wounds. It forces you to see, do and live through terrible experiences that you wish you had never known, and once you have, to forget them as soon as possible. It takes your friends and comrades and, if it doesn't kill them, then it turns them into something they don't even know what they are. And in the end, if you get to live those moments, when peace is announced and you begin to believe that you will return home, to your life, to the family and community you left behind, to the state of normality you dreamed of when it was harder on the front, you will find that it is not like that at all. - Why, Sarge? College Boy asked... - Because, you see, College Boy, after the end of the war not only you changed, but also those back home. They too had their struggles, their deprivations, sufferings, illnesses, injuries. Whether you got hot food today depends only on the conditions at the front and how much the quartermaster and subsistence services cared. But, back home, they have to search, they have to struggle without being guaranteed that they will succeed in finding something to put on the table for their children, or their elders. And so, they can go for days on end, starving. You, if you are sick or wounded, the military hospital will treat you as best they can. But they, at home, a visit to the family doctor is an expense that most can't afford and so they end up in the hospital, which is overcrowded, when it's too late, often. So they are changed too, not just you. You, however, have something more than them. You, you've known the chaos of frontline combat, the cruelty of taking the lives of others like yourself. And, like the sheepdog who fights the wolf, when it returns to the fold it carries both it's own blood and the wolf's. And the sheep, they don't see the wolf anymore, but they don't see the dog that was guarding them either. They only see the fangs showing through the open, blood-stained snout. They smell the scent of the wolf that has been impregnated into the dog's fur in battle and then, at that very moment, they no longer recognize the one who stood by them, no matter what the weather. It's the same with you. They fear you, and no matter how much they smile at you or say words that make you think you are welcome, you actually see fear and distrust in their eyes.
Costi Boșneag
Suppose he really is in love. What about her? She never has anything good to say about him.” “Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?” “As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.” “I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?” But she doesn’t love him…If you’d just give her a chance- “I do not know,” Hetty said with a sigh. “I do not know anything anymore.” “Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.” “Oh?” she said archly. “Have I been stubborn with you?” He gazed down at her. “You haven’t agreed to marry me yet.” Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously. Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…” “Are you worried that I am a fortune hunter?” “Do not be absurd.” “Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.” The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?” His voice lowered. “Because I want to make you mine in every way.” A sweet shiver swept along her spine. “We do not need to marry for that.” “So all you want from me is an affair?” “No! But-“ “I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.” “But at our age, people will say-“ “Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.” She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool. But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering. “I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.” She bit back a smile. Thank God for that.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
While it has been clear that right and wrong is nonexistent, I can't say that the concept of 'right or wrong' isn't needed. Because of ignorance, we still need authorities to set up rules and say 'vandalism is wrong, killing is wrong, et cetera.' People ask, "So, vandalism isn't wrong? Killing isn't wrong?" I answer, "Uneducated people say that vandalism is wrong. More educated people say that vandalism destroys the things that many people have spent their lives making. Uneducated people say that killing is wrong. More educated people say that killing takes away the only thing that matters which is lives." The more educated people are, the freer they will be, and the words 'right or wrong' won't be needed anymore. There was a bomb again in Brussels yesterday. I laughed. In the past, we had tyrannies because people didn't know what they could do and what they couldn't do. Now, we have democracy. Do we deserve democracy? Do we deserve freedom? No, we don't deserve freedom. We certainly don't deserve democracy. People are still voting for Donald Trump. And people still bomb other people. And socioeconomic gap is still high. Ignorance is still prevalent, so, if you ask me, "Do we deserve democracy? Do we deserve freedom? Do we deserve the world without authority, the world of truth, the world of peace?" I answer, "No, we don't." So, when you hear your president shouting 'Peace!', your government speaking 'Freedom!', ask them 'Are you educated?' Someone asks, "So, instead of 'right or wrong', you will now set up the rules about what we can do and we can't do?" I answer, "No. When will you understand? I stand for the world without authority, the world of truth, the world of peace. OK, forget the truth, forget my book, forget my paper. Let me expand science for you. You will let your fellow humans who are more educated than you set up the rules for you. When all the people are finally educated, please come back and reread my book and my paper, and when you finally understand them, please live in the world of no authority, the world of truth, the world of peace. Me? I probably have been gone by then." There is, however, a problem with how many educated people there are in the world. In my paper, I prove that right and wrong is nonexistent by showing that everything that exists is not wrong and is not right because everything that exists is the result of the thing(s) that happened before it and everything that exists can’t be right because future doesn’t exist. I wrote that terrorism is caused by capitalism (democracy) and capitalism (democracy) is caused by death. This paper was rejected. When educated people fail, there goes all your hope in the world.
Andreas Laurencius (Genesis)
And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it. Nobody knows how to just shut the fuck up and look out the window anymore. The bathrooms are tiny and filthy and you have no choice but to piss all over yourself when the bus swerves, but the streetlights look like blurred stars exploding in the window when it rains at night, and you can sleep knowing that if there’s an accident and everyone on the bus dies it wasn’t your fault. Someone fat and snoring will sometimes sit beside you and sweat on your shoulder even though it’s twelve degrees outside, and someone else with a big head shaped like an onion and dirty hair that smells like fish sticks will sit in front of you and recline their seat into your lap. And you’ll be trapped and sleepless and sad for the entire ride. But then other times you get two whole seats to yourself, and when that becomes your idea of luxury you know you’ve found something that no one else is even looking for, and if you gave it to them for Christmas they’d return it the next morning as soon as the stores opened. And then you get to think of yourself like the little drummer boy, playing for Jesus even though he’s too young to understand, even though nobody in Bethlehem really likes percussion and they think you’re a cheap ass for not bringing gold or frankincense. And it’s a shame when you realize that you won’t get to be in the Bible, and it doesn’t seem right. But then nobody gets to be in the Bible anymore, no matter who they are or what they do, and the sooner you realize that the easier it all becomes. But it’s still a shame.
Paul Neilan (Apathy and Other Small Victories: A Novel)
Depression, that is,” I continue. “People who’ve never experienced it think it’s a mask, but it’s not. It’s a curtain. And when it falls, it shuts you off from your life, plunging you into complete darkness. There you stand, arms flailing around you, reaching for anything to find your way back. But after exhausting yourself, grasping at only more darkness, you give up and drop to the floor in resignation. “And so you sit. You and the blackness. You and the accusations. You and the self-hatred, the lies that become truth, the failure and pain and hopelessness and black thoughts that twist through you, impaling you to the floor. There you bleed, alone in your black hole, convinced the audience on the other side of the curtain has given up and gone home. The show is over. “Before you know it, you realize the curtain has turned into a cement wall, and you couldn’t escape the darkness even if you wanted to, but by now you don’t care anymore. What’s the point? There’s nothing waiting for you on the other side, and even if there was, you’re such a useless waste of space that you wouldn’t dare to contaminate the world outside with your cancer anyway.” I stop, my eyes burning, my voice heavy in my throat. “You feel like crying all the time but you rarely do. Depression isn’t sadness; it’s numbness. You don’t have the energy for sadness. You can’t sleep. You don’t eat. You have no desire for the things you used to love, but it doesn’t matter because you can’t love anyway. You feel nothing, just a dull, heavy ache that makes it hard to breathe sometimes, let alone get up to start the search again. You fantasize about disappearing, just erasing your pointless existence and sparing the Earth from your toxic presence. By now you’re so exhausted just from the effort of living that there’s nothing left to live it.” I
Alyson Santos (Night Shifts Black (The Hold Me NSB Series Book 1))
When an experience is so powerful that it motivates people to change the whole pattern of their lives, we call that a breakthrough, or an epiphany. The value of an epiphany doesn’t lie just in some new or exciting insight. You might be walking down the street and pass a stranger. Your eyes meet, and for some reason there is a connection. It isn’t sexual or romantic or even a suspicion that this person could mean something in your life. Instead, the epiphany is that you are that stranger—your experiencer merges with his. Call this a feeling or a thought, it doesn’t matter which—it’s the sudden expansion that counts. You are flung outside your narrow boundaries, if only for a moment, and that makes all the difference. You have tasted a hidden dimension. Compared to the habit of shutting yourself behind the walls of ego, this new dimension feels freer and lighter. You have a sense that your body can’t contain you anymore.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
i didn’t sign up to be part of a freak show. let’s just send him back north and be done with it.” “why do you hate him? why do you hate him so much, that you’d wish such a thing on him?” “because i’m sick of him getting everything he wants just because he’s kevin day. do you know what fame gets you, shitface? everything. all he has to do is ask for it, and someone will give it to him. doesn’t matter what. doesn’t matter who. the world is dying to give him everything he wants. when he broke his hand, his fans cried for him. they flooded our locker room with letters and flowers. the amazing kevin day can’t play anymore, they said. their lives were over. they’d grieve the loss forever. but tell me, when’s the last time anyone cried for you? never, right? they’re there for kevin every step of the way, but where were they when we needed them?” “so you’re jealous.” “his life is not more important than mine just because he’s more talented.” - seth & neil
Nora Sakavic (The Foxhole Court (All for the Game, #1))
The last encounter was one Ian enjoyed, because Elizabeth was with him after they’d had their second-and last permissible-dance. Viscount Mondevale had approached them with Valerie hanging on his arm, and the rest of their group fanned around them. The sight of the young woman who’d caused them both so much pain evoked almost as much ire in Ian as the sight of Mondevale watching Elizabeth like a lovelorn swain. “Mondevale,” Ian had said curtly, feeling the tension in Elizabeth’s fingers when she looked at Valerie, “I applaud your taste. I’m certain Miss Jamison will make you a fine wife, if you ever get up the spine to ask her. If you do, however, take my advice, and hire her a tutor, because she can’t write and she can’t spell.” Transferring his blistering gaze to the gaping young woman, Ian clipped, “’Greenhouse’ has a ‘u’ in it. Shall I spell ‘malice’ for you as well?” “Ian,” Elizabeth chided gently as they walked away. “It doesn’t matter anymore.” She looked up at him and smiled, and Ian grinned back at her. Suddenly he felt completely in harmony with the world. The feeling was so lasting that he managed to endure the remaining three weeks-with all the requisite social and courtship rituals and betrothal formalities-with equanimity while he mentally marked off each day before he could make her his and join his starving body with hers. With a polite smile on his face Ian appeared at teas and mentally composed letters to his secretary; he sat through the opera and slowly undressed her in his mind; he endured eleven Venetian breakfasts where he mentally designed an entirely new kind of mast for his fleet of ships; he escorted her to eighteen balls and politely refrained from acting our his recurring fantasy of dismembering the fops who clustered around her, eyeing her lush curves and mouthing platitudes to her. It was the longest three weeks of his life. It was the shortest three weeks of hers.
Judith McNaught (Almost Heaven (Sequels, #3))
All those years…I was so little…and I began to think that somehow, something I had done had made you go away.” “No,” said Grandfather quickly. “What I did was wrong. Your mother and I could not live together anymore. But what I did was wrong. It was my fault. All my fault.” “Fault,” said Papa very softly. “Sarah says fault doesn’t matter.” Grandfather handed Papa a small sheet of paper. “I started to write you a letter,” he said. Papa read what was written there, but didn’t speak. “It says ‘I love you, Jacob,’” said Grandfather. Papa looked at the paper for a long time. “Don’t go,” he said, his voice low. “Please don’t leave us again. You belong here. I don’t want to miss you again. Ever.” Grandfather put his arms around Papa, and they stood in the small room, holding on to each other. I turned and went downstairs, where Sarah still sat at the kitchen table. I sat across from her. “Remember when you asked me who I wanted to be like?” I said to Sarah. Sarah nodded. “It’s Papa. I want to be like Papa,” I said.
Patricia MacLachlan (Caleb's Story (Sarah, Plain and Tall #3))
I’m listening now, Kelly,” he forced out. “Tell me what happened. I’ll believe you. I swear.” But he knew. He already knew. So much of that day was replaying over and over in his head and suddenly he was able to see so clearly what he’d refused to see before. And it was killing him. His brother had lied to him after all. Not just lied but he’d carefully orchestrated the truth and twisted it so cleverly that Ryan had been completely deceived. Then she turned, her beautiful eyes haunted, defeated. “It doesn’t matter if you believe me anymore,” she whispered. “You wouldn’t believe me when it mattered. He tried to rape me. He assaulted me. He touched me. He hurt me. And when I fought him off and told him that I would tell you what he’d done, he told me he’d make sure you never believed a word of any of it. “And you know what the funny thing is? I told him he was wrong. I told him that you l-loved me and that you would make him pay for hurting me.” She broke off as another sob racked her. Oh God. Oh God. What had he done?
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))
having a hard time. Imagine it crying to itself, saying, “I don’t know what to do anymore! I don’t feel useful. I don’t feel beautiful. I just sit here in the darkness all the time with no purpose, no goals, no identity. I feel useless, adrift. No one cares about me or wants me to be anything special.” What if someone could say to the moon, “Look to the sun! Just do what you were made for! Reflect the glory! Look to the sun while you go on your journey and your face will be bright! You are beautiful when you are oriented to the sun. You are purposeful when you are oriented to the sun. You are needed when you are oriented to the sun. You were made to be oriented to the sun!” Now imagine the moon saying something like, “Oh, that? That seems sort of unrelated. Why would that help me? What does that have to do with anything? I mean, I know it is there, but it has always been there. It doesn’t have anything to do with the way I am feeling right now. It just seems like pointless platitudes. It doesn’t really feel like you are listening to me.” On a fundamental level, we were
Rachel Jankovic (You Who? Why You Matter and How to Deal with It)
Why?' Said Harry. 'For the big idea, Oliver. Someone comes up with the big idea - could be religion, could be politics, could be the race you belong to, or your clan, or philosophy, or economics, or your sex or just how many bleeding guineas you got stashed in the counting house. Doesn't matter, because the big idea is always the same - wouldn't it be good if only EVERYONE was the same as ME -if only everyone else thought and acted and worshipped and looked like me, everything would become a paradise on earth. 'But people are too different, too diverse to fit into one way of acting or thinking or looking. And that's where the trouble starts. That's when they show up at your door to make the ones who don't fit vanish, when, frustrated by the lack of progress and your stupidity and plain wrongness at not appreciating the perfection of the big idea, they start trying to to shave off the imperfections. Using knives and racks and axe-men and camps and Gideon's Collars. When you see a difference in a person and can find only wickedness in it - you and them - the THEM become fair game, not people anymore but obstacles to the greater good, and it's always open season on THEM.
Stephen Hunt (The Court of the Air (Jackelian, #1))
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
If you’re going to give me the third degree,” she tells him, “let’s get it over with. Best to withhold food or water; water is probably best. I’ll get thirsty before I get hungry.” He shakes his head in disbelief. “Do you really think I’m like that? Why would you think that?” “I was taken by force, and you’re keeping me here against my will,” she says, leaning across the table toward him. She considers spitting in his face, but decides to save that gesture as punctuation for a more appropriate moment. “Imprisonment is still imprisonment, no matter how many layers of cotton you wrap it in.” That makes him lean farther away, and she knows she’s pushed a button. She remembers seeing those pictures of him back when he was all over the news, wrapped in cotton and kept in a bombproof cell. “I really don’t get you,” he says, a bit of anger in his voice this time. “We saved your life. You could at least be a little grateful.” “You have robbed me, and everyone here, of their purpose. That’s not salvation, that’s damnation.” “I’m sorry you feel that way.” Now it’s her turn to get angry. “Yes, you’re sorry I feel that way, everyone’s sorry I feel that way. Are you going to keep this up until I don’t feel that way anymore?” He stands up suddenly, pushing his chair back, and paces, fern leaves brushing his clothes. She knows she’s gotten to him. He seems like he’s about to storm out, but instead takes a deep breath and turns back to her. “I know what you’re going through,” he says. “I was brainwashed by my family to actually want to be unwound—and not just by my family, but by my friends, my church, everyone I looked up to. The only voice who spoke sense was my brother Marcus, but I was too blind to hear him until the day I got kidnapped.” “You mean see,” she says, putting a nice speed bump in his way. “Huh?” “Too blind to see him, too deaf to hear him. Get your senses straight. Or maybe you can’t, because you’re senseless.” He smiles. “You’re good.” “And anyway, I don’t need to hear your life story. I already know it. You got caught in a freeway pileup, and the Akron AWOL used you as a human shield—very noble. Then he turned you, like cheese gone bad.” “He didn’t turn me. It was getting away from my tithing, and seeing unwinding for what it is. That’s what turned me.” “Because being a murderer is better than being a tithe, isn’t that right, clapper?” He sits back down again, calmer, and it frustrates her that he is becoming immune to her snipes. “When you live a life without questions, you’re unprepared for the questions when they come,” he says. “You get angry and you totally lack the skills to deal with the anger. So yes, I became a clapper, but only because I was too innocent to know how guilty I was becoming.” ... “You think I’m like you, but I’m not,” Miracolina says. “I’m not part of a religious order that tithes. My parents did it in spite of our beliefs, not because of ii.” “But you were still raised to believe it was your purpose, weren’t you?” “My purpose was to save my brother’s life by being a marrow donor, so my purpose was served before I was six months old.” “And doesn’t that make you angry that the only reason you’re here was to help someone else?” “Not at all,” she says a little too quickly. She purses her lips and leans back in her chair, squirming a bit. The chair feels a little too hard beneath her. “All right, so maybe I do feel angry once in a while, but I understand why they did it. If I were them, I would have done the same thing.” “Agreed,” he says. “But once your purpose was served, shouldn’t your life be your own?” “Miracles are the property of God,” she answers. “No,” he says, “miracles are gifts from God. To calthem his property insults the spirit in which they are given.” She opens her mouth to reply but finds she has no response, because he’s right. Damn him for being right—nothing about him should be right! “We’ll talk again when you’re over yourself,” he says.
Neal Shusterman (UnWholly (Unwind, #2))
When that happens, when you make 'eye contact', it kills you. It kills you and it kills anybody who thinks like you. Physical distance doesn't matter, it's about mental proximity. Anybody with the same ideas, anybody in the same head space. It kills your collaborators, your whole research team. It kills your parents; it kills your children. You become absent humans, human-shaped shells surrounding holes in reality. And when it's done, your project is a hole in the ground, and nobody knows what SCP-3125 is anymore. It is a black hole in antimemetic science, consuming unwary researchers and yielding no information, only detectable through indirect observation. A true description of what SCP-3125 is, or even an allusion to what it is, constitutes a containment breach and a lethal indirect cognitohazard. Do you see? It's a defense mechanism. This information-swallowing behaviour is just the outer layer, the poison coating. It protects the entity from discovery while it infests our reality. And as years pass, the manifestations will continue, growing denser and knitting together… until the whole world is drowning in them, and everybody will be screaming 'Why did nobody realise what was happening?' And nobody will answer, because everybody who realised was killed, by this system… Do you see it, Marion? See it now.
qntm (There Is No Antimemetics Division)
103. Magic Mantras and Latex Poodles My father has the irritating habit of saying the same thing whenever something bad happens. “This, too, shall pass,” he says. What annoys me is that he’s always right about it. What annoys me even more is that he always reminds me later when it does pass, as a smug “I told you so.” He doesn’t say it to me anymore because Mom told him it was trite. Maybe it is, but I find that I say it to myself now. No matter how bad I’m feeling, I make myself say it, even if I’m not ready to believe it. This, too, shall pass. It’s amazing how little things like that can make a big difference. It’s like that old Nike ad. “Just do it.” My mom likes to tell the story about how she had gained so much weight when Mackenzie was born, and exercise was so daunting, she didn’t know where to begin, so she just ate and got fatter. Finally she started telling herself “Just do it,” and it was the magic mantra to get her exercising regularly again. She dropped the weight before Mackenzie turned two. On the other hand, there was this bizarre cult that committed mass suicide wearing brand-new Nikes as their own warped homage to “Just do it.” I suppose even a simple slogan can be twisted into whatever shape we want, like a balloon animal—we can even make it loop back around on itself, becoming a noose. In the end, the measure of who we are can be seen in the shapes of our balloon animals.
Neal Shusterman
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
Anne Frank (The Diary Of a Young Girl)
A new wife is not a matter. She is my family. Their Graces have had thirty years to spend holidays with us, and this my first—” Westhaven sighed, took a sip of punch, and glanced over at Val. “It doesn’t get easier the longer you’re married. You still fret, more in fact, once the babies start coming.” Val’s head cocked, as if he’d just recalled his brother was also his friend. “Well, as to that…” Val smiled at his punch. Baby Brother sported a devastating smile when he wanted to, but this expression was… St. Just lifted his mug. “Congratulations, then. How’s Ellen faring?” “She’s in fine spirits, in glowing good health, and I’m a wreck. I think she sent me off to Peterborough with something like relief in her eye.” Westhaven was staring morosely at his grog. “Anna isn’t subtle about it anymore. She tells me to get on my horse and not come back until I’ve worked the fidgets out of us both. She’s quite glad to see me when I return, though. Quite glad.” For Westhaven, that was the equivalent of singing a bawdy song in the common. St. Just propped his mug on his stomach. “Emmie says I’m an old campaigner, and I get twitchy if I’m confined to headquarters too long. Winnie says I need to go on scouting patrol. The reunions are nice, though. You’re right about that.” Val took a considering sip of his drink then speared St. Just with a look. “I wouldn’t know about those reunions, but I intend to find out soon. Dev, you are the only one of us experienced at managing a marching army, and I’m not in any fit condition to be making decisions, or I’d be on my way back to Oxfordshire right now.” “Wouldn’t advise that,” Westhaven said, still looking glum. “Your wife will welcome you sweetly into her home and her bed, but you’ll know you didn’t quite follow orders—our wives are in sympathy with Her Grace—and they have their ways of expressing their…” Both brothers chimed in, “Disappointment.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Hey,” Keefe said, grabbing Sophie’s arm as she tried to stomp away. “I get it. You’re mad at me-” “No, you don’t get it,” Sophie interrupted. “You claim we’re a team, and then you change the rules the first chance you get and drag me into whatever insane plan you’ve come up with and expect me to just be okay with it. Well, I’m not okay with it.” “Yeah. I’m sensing that. But-” “There’s no ‘but’ with this. Either you swear that you’ll be honest with me from now on- and I mean actually honest. No more surprises. Or...I can’t trust you anymore.” “You can trust me,” he promised. “You heard Dimitar. My mom’s message told him to challenge me. So he would’ve done it whether I took the title of Mercadir or not, and things would’ve ended up exactly the same way.” “Maybe,” Sophie agreed quietly. “But you didn’t know that when you demanded the title, so it doesn’t count.” Keefe sighed. “I’m just trying to keep you safe. Is that really such a horrible thing?” “I’m not some damsel in distress who needs you to swoop in-” “I know that, Foster. Believe me, I’m super aware of how powerful you are. And brilliant. And special. And-” “The sucking ups’ getting a bit desperate,” Ro warned him. “I’m just saying she’s important,” Keefe insisted, before turning back to Sophie. “You’re the one who matters--I’m just some pawn in my mom’s creepy game. So if I see a way to take the hit and make sure you’re not the one covered in bandages, I’m going to do it. And I thought you of all people would understand that, considering how many times you’ve put yourself at risk, trying to protect your friends.” “There’s protecting and there’s steamrolling, Keefe. You’re preplanning ways to betray me. You went there today knowing exactly what you were going to say. You’d done research- which you didn’t bother sharing with me. That’s not teamwork. That’s the Keefe Show, and we’ve already seen how that ends.
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
It doesn’t feel right. Not now.” “But you’re the same, Jemma. You haven’t changed. This is what you want, remember?” “See, that’s where you’re wrong. I have changed. And”--I shake my head--“I don’t even know what I want anymore.” He opens his mouth as if he’s about to say something, but closes it just as quickly. A muscle in his haw flexes as he eyes me sharply, his brow furrowed. “I thought you were stronger than this,” he says at last. “Braver.” I start to protest, but he cuts me off. “When I get home, I’m going to e-mail you these video files. I don’t know anything about making films, but if you need any help, well…” He shrugs. “You know my number.” With that, he turns and walks away. I leap to the ground. “Ryder, wait!” He stops and turns to face me. “Yeah?” “I…about Patrick. And then…you and me. I feel awful about it. Things were so crazy during the storm, like it wasn’t real life or something.” I take a deep, gulping breath, my cheeks burning now. “I don’t want you think that I’m, you know, some kind of--” “Just stop right there.” He holds out one hand. “I don’t think anything like that, okay? It was…” He trails off, shaking his head. “Shit, Jemma. I’m not going to lie to you. It was nice. I’m glad I kissed you. I’m pretty sure I’ve been wanting to for…well, a long time now.” “You did a pretty good job hiding it, that’s for sure.” “It’s just that…well, I’ve had to listen to seventeen years’ worth of how you’re the perfect girl for me. And goddamn, Jem. My mom already controls enough in my life. What food I eat. What clothes I wear. Hell, even my underwear. You wouldn’t believe the fight she put up a few years back when I wanted to switch to boxer briefs instead of regular boxers.” I swallow hard, remembering the sight of him wearing the underwear in question. Yeah, I’m glad he won that particular battle. “Anyway, if my parents want it for me, it must be wrong. So I convinced myself that you were wrong for me. You had to be.” His gaze sweeps across my face, and I swear I feel it linger on my lips. “No matter what I felt every single time I looked at you.” Oh my God. I did the exact same thing--thinking he had to be wrong for me just because Mama insisted we were a perfect match. Now I don’t know what to think. What to feel. What’s real and what’s a trying-to-prove-something fabrication. But Ryder…he gets it. He’s lived it too. I let out a sigh. “Can you imagine how different things would be if our families hated each other? If they were feuding like the First Methodists and the Cavalry Baptists?” “I bet it’d be a whole lot less complicated, to tell you the truth. Heck, we probably would’ve already run off together or something by now.” “Probably so,” I say, a smile tugging at my lips.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Kestrel.” She discarded a tile and drew another. She didn’t look at him. He’d noticed--of course he had--how she avoided looking at him now. And no wonder. Arin’s face stung. The stitches itched. He was tempted to rip them out. “Look at me,” he said. She did, and Arin suddenly wished she hadn’t. He cleared his throat. He said, “I won’t try anymore to convince you not to marry him.” She slowly added the new tile to her hand. She stared at it, and said nothing. “I don’t understand your choice,” Arin said. “Or maybe I do. It doesn’t matter. You want it. That’s clear. You’ve always done exactly what you wanted.” “Have I.” Her voice was flat and dull. He plunged ahead. “I was wondering…” Arin had an idea. He’d had it for some time now. He didn’t like it. The words lay bitter on his tongue, but he had thought about it, and thought about it, and if he said nothing… Arin made himself study his tiles again. He tried to think which Sting tile would profit Kestrel least. He discarded a bee. The instant he set the tile down, he regretted it. He pulled a high Bite tile. This should have encouraged him, yet Arin had the sense of flying toward the inevitable moment when Kestrel won and he asked her what she wanted. “I thought…” “Arin?” She looked concerned. That decided him. Arin took a deep breath. His stomach changed to iron. His body was girding itself in a way he knew well. Arin was tightening the muscles needed before a plunge into deep water. A punch to the gut. The lift of the hardest, lowest, highest notes he could possibly sing. His stomach knew what he’d have to sustain. “Marry him,” Arin said, “but be mine in secret.” Her hand lifted from the tiles as if scorched. She sat back in her chair. She rubbed at her inner elbow. She drank the dregs of her wine and was silent. Finally, she said, “I can’t do that.” “Why?” Arin was hot with humiliation, hating himself for having asked. The cut burned in his cheek. “It’s not so different than what you would have chosen before. When you kissed me in your carriage on Firstwinter, you thought to keep me your secret. If you thought of anything. I would have been one of those special slaves, the ones called for at night when the rest of the house is sleeping. Well? Isn’t that how it was?” “No.” She spoke low. “It wasn’t.” “Then tell me.” Arin was damning himself with every word. “Tell me how it was.” Slowly, Kestrel said, “Things have changed.” Arin jerked his head to the side, chin up, stitched left cheek tilted to catch the light. “Because of this?” She replied as if the answer was obvious. “Yes.” He shoved back from the table. “I think I’ll have that drink.” Arin began to walk away, then glanced back over his shoulder. He made sure his words were an insult. “Don’t touch the tiles.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
only the dead keep secrets." "it is not easy. Taking a life, even when we knew it was required." "most people want only to be cared for. If I had no softness, I'd get nowhere at all." "a flaw of humanity. The compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness." "someone always gains, just like someone always loses." "most women are less in love with the partners they choose than they are simply desperate for their approval, starving for their devotion. They want most often to be touched as no one else can touch them, and most of them inaccurately assume this requires romance. But the moment we realize we can feel fulfilled without carrying the burdens of belonging to another, that we can experience rapture without being someone's other half, and therefore beholden to their weaknesses, to their faults and failures and their many insufferable fractures, then we're free, aren't we? " " enough, for once, to feel, and nothing else. " " there was no stopping what one person could believe. " " I noticed that if I did certain things, said things in certain way, or held her eye contact while I did them, I could make her... Soften toward me. " " I think I've already decided what I'm going to do, and I just hope it's the right thing. But it isn't, or maybe it is. But I suppose it doesn't matter, because I've already started, and looking back won't help. " " luck is a matter of probabilities. " "you want to believe that your hesitation makes you good, make you feel better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal, that we are ordinary. That we, like anything, can burn. " " ask yourself where power comes from, if you can't see the source, don't trust it. " " an assassin acting on his own internal compass. Whether he lived or died as a result of his own choice? Unimportant. He didn't raise an army didn't fight for good, didn't interfere much with the queen's other evils. It was whether or not he could live with his own decision because life was the only thing that truly matters. " " the truest truth : mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn't buy happiness, but nothing could buy happiness, so at least money could buy everything else. In term of finding satisfaction, all a person was capable of controlling was himself. " " humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. My intention is as same as others. Stand taller, think smarter, be better. " " she couldn't remember what version of her had put herself into that relationship, into that life, or somehow into this shape, which still looked and felt as it always had but wasn't anymore. " " conservative of energy meant that there must be dozens of people in the world who didn't exist because of she did. " " what replace feelings when there were none to be had? " " the absence of something was never as effective as the present of something. " "To be suspended in nothing, he said, was to lack all motivation, all desire. It was not numbness which was pleasurable in fits, but functional paralysis. Neither to want to live nor to die, but to never exist. Impossible to fight." "apology accepted. Forgiveness, however, declined." "there cannot be success without failure. No luck without unluck." "no life without death?" "Everything collapse, you will, too. You will, soon.
Olivie Blake (The Atlas Six (The Atlas, #1))
At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?” “Why does it matter?” His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.” “You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.” “Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?” How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?” “Then I won’t rest until you’re mine again.” The determination in his voice shocked her. Unsettled her. Thrilled her. No! “I don’t want that.” His fingers dug into her arm. “Because you love Blakeborough?” “Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.” He released a heavy breath. “So you don’t love him.” His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.” It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again? Eyes gleaming in the firelight, he said in a low voice, “You used to want love.” “I was practically a child. I didn’t know any better. But I do now.” “Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?” “What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room. “What part does passion play in your plan for a safe and loveless marriage?” She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.” He chuckled. “Does Blakeborough know that?” “Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.” “Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.” “Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.” With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.” “That doesn’t mean…anything.” “Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.” It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist. And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.” “People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.” She held her breath and waited for his attempt to kiss her, determined to refuse it this time. But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly. Devil take the man.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
First, he’s a billionaire, and a seventy-year-old man. Meaning, he doesn’t give a rat’s ass anymore about anything other than what matters. He’s lived a wild life already—so he doesn’t care who his casual comments offend. When he makes a joke it’s like when a baby farts. It’s nothing personal, the baby’s forgotten it, while everyone is choking out in the room. But the baby doesn’t care. I also had to admit that he’s never been in public office, so he doesn’t know how to be that particular kind of phony. I mean the phony that we all accept—which I call the “mandatory fake.” The mandatory fake is the married news anchor who condemns unseemly sexual behavior while banging Dalmatians in a nearby hotel. Being an old rich uncle who’s never been in politics, Trump has no familiarity with mandatory fake. There is, however, a different kind of fakery in Trump’s world of real estate fibbery. But such lies—salesman’s lies—are deliberately obvious by their excess. You know a salesman is lying when he tells you the car you’re buying from him was only driven by a little old lady once a week to church, which is great because she lives in the attic above the church! A salesman’s lie is done with a wink and an exaggeration (“This is the biggest crowd ever!”). A politician’s lie is a promise that could very well be true, but never is (“Read my lips, no new taxes”). You see the difference? Trump’s lies are common and do not insult us, because he assumes we’re all in on the joke. Politicians are daring you to go against your own innate skepticism (which is always a mistake). Am I “Trump-splaining”? Yes, I am. For now that he’s our president and up against so much, it’s no longer fealty to do so. It’s actually fairness. Anyway, as a Holmes, I’ve since reevaluated some positions that I’ve taken for granted. I’ve looked at the research on illegal immigration and its effects on unemployment. I’ve also looked harder at crime numbers, legal vs. illegal offenders. I’ve pretty much stuck to my original precepts, but I realize that ideology ultimately helps no one in that debate.
Greg Gutfeld (The Gutfeld Monologues: Classic Rants from the Five)
Actually, the real game of Bigger and Better that Jesus is playing with us usually isn’t about money or possessions or even our hopes. It’s about our pride. He asks if we’ll give up that thing we’re so proud of, that thing we believe causes us to matter in the eyes of the world, and give it up to follow Him. He’s asking us, “Will you take what you think defines you, leave it behind, and let Me define who you are instead?” The cool thing about taking Jesus up on His offer is that whatever controls you doesn’t anymore. People who used to be obsessed about becoming famous no longer care whether anybody knows their name. People who used to want power are willing to serve. People who used to chase money freely give it away. People who used to beg others for acceptance are now strong enough to give love. When we get our security from Christ, we no longer have to look for it in the world, and that’s a pretty good trade.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
You wrote that you wished away the time between us. Between our ages and between our bodies. Well, it’s gone now, Lottie. I’m back and all I want to do is be with you. I want you to be in my life. I want to raise this child with you,” he grazes his fingertips over my belly. “Those five years between us don’t mean a single thing now. The only thing that matters to me anymore, the only thing I wish for, is for you to give me another chance. Because I love you, Lottie and every day without you is like a day when the sun doesn’t rise. I need you.
Eddie Cleveland (Once Upon a Time (Navy SEAL Fairy Tale, #1))
Some of the dominant characteristics of a silent son are: He keeps things that bother him to himself. He denies that unpleasant events occur. He fears letting people know him. He has difficulty interacting with his parents, spouse, or children. He has a strong fear of criticism. He is angry. He can’t express his feelings. He disproportionately fears failure. He is obsessively driven to succeed. He desperately wants his life to be better but doesn’t know how to change. A silent son is a man in pain, but he doesn’t want to admit it or allow anyone to see it. The pain is always present. He tries to ignore it. He tries to forget it. He becomes so involved in his career that he becomes convinced that the pain doesn’t matter anymore. He surrounds himself with people whom he won’t let get close to him, and he pretends that he belongs. But when he is alone or alone with his thoughts, he realizes the pain is still there.
Robert J. Ackerman (Silent Sons: A Book for and About Men)
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Desirina Boskovich (2084)
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
Nalini Singh (Cherish Hard (Hard Play, #1))
Why?' Said Harry. 'For the big idea, Oliver. Someone comes up with the big idea - could be religion, could be politics, could be the race you belong to, or your clan, or philosophy, or economics, or your sex or just how many bleeding guineas you got stashed in the counting house. Doesn't matter, because the big idea is always the same - wouldn't it be good if only everyone was the same as me - if only everyone else thought and acted and worshipped and looked like me, everything would become a paradise on earth. 'But people are too different, too diverse to fit into one way of acting or thinking or looking. And that's where the trouble starts. That's when they show up at your door to make the ones who don't fit vanish, when, frustrated by the lack of progress and your stupidity and plain wrongness at not appreciating the perfection of the big idea, they start trying to to shave off the imperfections. Using knives and racks and axe-men and camps and Gideon's Collars. When you see a difference in a person and can find only wickedness in it - you and them - the them become fair game, not people anymore but obstacles to the greater good, and it's always open season on them.
Stephen Hunt (The Court of the Air (Jackelian, #1))
We strolled to the end of the platform. We came to a man with a signal lamp and I saw that as he passed us he looked at a conductor standing on another platform and made a drinking movement with his hand near his mouth. We stopped past the end of the roof and looked at the sun. "You see the sun, Koekebakker?" The sun was especially clear, right in front of us, close by, bigger and redder than I had ever seen it. It almost touched the rails, it didn't flash brightly on things anymore, there was a dull glow only on the frosted windowpanes of the train shed to the right of the track. "You think I'm drunk?" I did indeed. "It doesn't matter, Koekebakker, when I'm sober I don't understand anything anyway." "Do you understand what the sun wants from me? I have thirty-four setting suns leaning against the wall, one on top of the other, all facing the wall. But every evening it's there again." "Unless it's cloudy," I said. But he wouldn't let himself be distracted. "Koekebakker, you've always been my best friend. I've known you since--how long has it been?" "Thirteen years. That's a long time. You know what you need to do? Do me a favor. You have a hatbox?" I didn't say anything. "Put it in a hatbox, Koekebakker. In a hatbox. I want to be left alone. Put it in a hatbox, a plain old hatbox. That's all it's worth." Bavinck blubbered drunkard's tears. I looked around helplessly. A man in a uniform with a yellow stripe on his cap came up to us and spoke to me. "I think it would be better, sir, if you took the gentleman home.
Nescio (Titaantjes)
Ram, can't you see it doesn't matter anymore what I do, but you, you're still needed at home. You go. If my people are still there, tell them the truth. Let them rejoice that Fergox took me away before I could do any more damage to my country." "No, I refuse that mission, Princess. See, you are still ordering me around like a ruler--it's in you, it's what you are meant to be, no matter what others are telling you. I've given my word that I'll only escape with you by my side. So forget about yourself for a moment: if you care anything about me, about the fate of my country and yours, you are coming with me or I don't go." "But, Ram--" "You've got my little horse still?" She nodded. "I believe that in the Islands it is understood that when you accepted it, you took responsibility for my soul. I'm holding you to that, Tashi.
Julia Golding (Dragonfly (Dragonfly Trilogy, #1))
Sadhguru: Fundamentally, the very karmic walls are always like this. They are like sheets of glass. If they were like walls of brick, you could see them and you could break them, but they’re sheets of glass. Everything is open, but when you try to reach out, you are locked in; that’s how it is. Now, what can I do to break that? Why sadhana is always set up – apart from any teaching – is just because of this: any teaching, after a certain period of time, becomes a block by itself, in a certain sense. You will twist it to your convenience. You can twist all teachings in the world. Initially, a teaching has an impact on you because it’s new and you have no clue as to how it works, so it works; but over a period of time, as you begin to understand, then you will start twisting it to your convenience. You will see how the teaching supports you. The teaching is not about supporting you; the teaching is about demolishing you, but you will start using the teaching as a support for yourself. Once that happens, the teaching is no good anymore. That is why a Guru is constantly talking from different dimensions. It is Truth, but they are so contradictory that he does not allow you to settle anywhere, because the moment you settle, you start using it to your advantage. Apart from this process, the sadhana is always there – just the simple things. A kriya – in the morning you sit and breathe in a certain way – it can slowly decimate these blocks. If you don’t understand any teaching, it doesn’t matter. You just keep doing the practice; after some time, suddenly there is a new sense of openness and freedom in you. That’s always the bedrock that you can rely on, because you can always twist teachings.
Sadhguru (Mystic’s Musings)
Jesus didn't ask everybody to give up all their stuff. This is something He asked of the rich young ruler because He wanted to teach the young man that he wasn't as holy as he thought he was. He wanted to teach the young man that he still needed God's help, to look at what he had and decide whether he would rather have that, or trade up and have what Jesus is offering: a life with Him. Actually, the real game of Bigger and Better that Jesus is playing with us usually isn't about money or possessions or even our hopes. It's about our pride. He asks if we'll give up that thing that we're so proud of, that thing we believe causes us to matter in the eyes of the world, and give it up to follow Him. He's asking us, 'Will you take what you think defines you, leave it behind, and let Me define who you are instead?' The cool thing about taking Jesus up on His offer is that whatever controls you doesn't anymore. People who used to be obsessed about becoming famous no longer care whether anybody knows their name. People who used to want power are willing to serve. People who used to chase money freely give it away. People who used to beg others for acceptance are now strong enough to give love. When we get our security from Christ, we no longer have to look for it in the world, and that's a pretty good trade.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
Be good to everyone who becomes attached to us; cherish every friend who is by our side; 카톡☛vk369☚ 〓 라인☛dpp3w☚ 홈피는 친추로 연락주세요 #구구정구입 #구구정구매 *⁀➷♥ 카톡 : vk369 #구구정판매 *⁀➷♥ 라인 : dpp3w #구구정처방 #구구정가격 #구구정후기 #구구정약효 #구구정효과 #구구정효능 #구구정파는곳 #구구정팝니다 #구구정삽니다 #구구정사는곳 #구구정사용법 #구구정거래처 #구구정구입방법 #구구정구매방법 #구구정지속시간 #구구정정품구입 #구구정정품구매 #구구정정품판매 #구구정복용법 #구구정부작용 #구구정약국 구구정 인터넷구입 구구정 20mg 가격 구구정 구입방법 구구정 지속시간 구구정 5mg 효과 구구정 시알리스 구구정 처방 가격 구구정 매일복용 love everyone who walks into our life.It must be fate to get acquainted in a huge crowd of people... I feel, the love that Osho talks about, maybe is a kind of pure love beyond the mundane world, which is full of divinity and caritas, and overflows with Buddhist allegorical words and gestures, but, it seems that I cannot see through its true meaning forever... Maybe, I do not just “absorb” your love; but because the love overpowers me and I am unable to dispute and refuse it... Do you know? It’s you who light up my life! And I stubbornly believe that such love can only be experienced once in my life. Because of love, we won’t be lonely anymore; because of yearning, we taste more loneliness. Stay hungry, stay foolish. Innovation distinguishes between a leader and a follower. Your time is limited, so don't waste it living someone else's life. Design is not just what it looks like and feels like. Design is how it works. We're here to put a dent in the universe. Otherwise why else even be here? The only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. Being the richest man in the cemetery doesn't matter to me ... Going to bed at night saying we've done something wonderful... that's what matters to me. I want to put a ding in the universe. Quality is more important than quantity. One home run is better than two doubles. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. When I do well in the exam, I will show my paper to my parents, they are so happy to see me do well in the exam. I want to be happy all the time. But I have put so much pressure on myself. One day, my parents tell me that they don’t care how I do well in the exam, they just want me to be happy. I know I should relax myself and be happy.
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In The End It starts with one One thing I don't know why It doesn't even matter how hard you try Keep that in mind, I designed this rhyme To explain in due time All I know All I know time is a valuable thing Watch it fly by as the pendulum swings Watch it count down to the end of the day The clock ticks life away It's so unreal It's so unreal, didn't look out below Watch the time go right out the window Trying to hold on, did-didn't even know I wasted it all just to watch you go Watch you go I kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter One thing, I don't know why It doesn't even matter how hard you try Keep that in mind, I designed this rhyme To remind myself how I tried so hard I tried so hard In spite of the way you were mocking me Acting like I was part of your property Remembering all the times you fought with me I'm surprised it got so far Things aren't the way they were before You wouldn't even recognize me anymore Not that you knew me back then But it all comes back to me in the end In the end You kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter I've put my trust in you Pushed as far as I can go For all this There's only one thing you should know I've put my trust in you Pushed as far as I can go For all this There's only one thing you should know I tried so hard And got so far But in the end It doesn't even matter I had to fall To lose it all But in the end It doesn't even matter
Linkin Park (LINKIN PARK'S LYRICS BOOK)
I’m not belittling the trauma we hold from our childhoods. It’s so incredibly harmful to walk through trauma, particularly at a time in life when we’re so malleable to other people’s opinions. But here’s the deal. High school’s over. Junior high was a long time ago. You are not a little girl anymore, and you cannot keep living your life with a seventh grader’s mentality, no matter how painful seventh grade was. You have to decide right now that you’re going to take hold of your life, and you are going to let all of that other crap fall away because it doesn’t matter. Because whoever said the thing to you, your mom or your sister or the mean girl or the mean boy in high school or whoever it was, they don’t get an opinion on your life. They’re not in the ring. They’re not in the game. They’re not the one taking the punches. That’s you.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
They abuse mom, viciously, and only when eyes aren't watching. Forced to only sit or lay down. Banned from doing anything else. She doesn't even talk anymore. The training happened over years long period. I tried to do something about it before it got too bad and was arrested for it, along with a clear message from our so-called justice to comply or-else. The other is too scared to act-always relenting. They're buds with the PD and corrupt judge. After the things I've witnessed, and seeing mom's health decline after all the abuse, I am literally dead inside. I can't do it alone. No I can't function this way, not at all. Not after what I've seen and 'those' that help them do it. Worst of the worst. I'll be on the streets, dead, or in prison soon enough. My body won't function even for the penny workin, so I am fucked. Yes, you made everyone believe I am the bad one in the middle of all this- when I needed support the most. I already spent several grand toying around with games. Waste waste waste. Who does that shit. Not your people. There is nothing left of me for you to torment. It doesn't matter anyway, your priority is elsewhere, so just leave me alone. You showed me the land of Cthulhu, but I am already there. More of the same! I don't botha lookin. Why. For what. Not it. Not appreciated. Neva.
Anonymous
You give your heart to someone, hoping to Christ they take care of it, but you have no control. It doesn’t matter how much you love them, how much reassurance you give them, or how many promises they make you. Six months from now or an hour from now, they can leave. They can betray you, stomp all over that fragile thing you handed over to them, as many times as you let them, and convince you to forgive them just to hurt you again. They can look you straight in the eyes and tell you they love you, knowing damn well what they’re doing when you’re not around is anything but love. “Or, like Travis, they can walk away because they think it’s best, and there’s not a thing you can do about it … except cry. You just cry until it doesn’t hurt anymore. That’s love. You give your heart away over and over to be bruised and shattered until one day you find someone who finally—finally—protects it.
Jamie McGuire (Almost Beautiful (Beautiful, #3))
Two weeks. Will I be able to make it through two weeks of this? I am already so tired I’m finding it difficult to stand on my own. Even the rescue that Tobias is proposing barely appeals to me. I don’t want freedom. I want sleep. I want this to end. “I don’t…” I choke on the words and start to cry. “I can’t…make it…that long.” “Tris,” he says sternly. He never coddles me. I wish that, just this once, he would coddle me. “You have to. You have to survive this.” “Why?” The question forms in my stomach and launches from my throat like a moan. I feel like thumping my fists against his chest, like a child throwing a tantrum. Tears cover my cheeks, and I know I’m acting ridiculous but I can’t stop. “Why do I have to? Why can’t someone else do something for once? What if I don’t want to do this anymore?” And what this is, I realize, is life. I don’t want it. I want my parents and I have for weeks. I’ve been trying to claw my way back to them, and now I am so close and he is telling me not to. “I know.” I have never heard his voice sound so soft. “I know it’s hard. The hardest thing you’ve had to do.” I shake my head. “I can’t force you. I can’t make you want to survive this.” He pulls me against him and runs his hand over my hair, tucking it behind my ear. His fingers trail down my neck and over my shoulder, and he says, “But you will do it. It doesn’t matter if you believe you can or not. You will, because that’s who you are.” I pull back and fit my mouth to his, not gently, not hesitantly. I kiss him like I used to, when I felt sure of us, and run my hands over his back, down his arms, like I used to. I don’t want to tell him the truth: that he is wrong, and I do not want to survive this. The door opens. Dauntless traitors crowd into the supply closet. Tobias steps back, turns the gun in his hand, and offers it, handle first, to the nearest Dauntless traitor.
Veronica Roth (Insurgent (Divergent, #2))
It’s over between them.” “Seriously?” Jake shrugged. “She didn’t give me the details, but the ring’s gone, and she said it was over.” “Is she upset?” “Doesn’t seem to be.” That was good, right? “Hmm.” Wyatt handed him a plate. “You gonna make your move now?” Jake elbowed Wyatt in the ribs. “She just broke her engagement.” “Or he did.” Jake frowned. “I prefer to think of it the other way.” Wyatt shrugged. “Just saying. She doesn’t sound too distressed. Hey, maybe she broke up because she has the hots for you.” “Shut up.” The thought was too ludicrous to entertain. Meridith might be attracted to him, but that was a far cry from what Wyatt suggested. “It’s about the kids,” Jake said. “I’m sure of it. They spent the day together yesterday, and Max told me that Ben puked on Stephen.” Wyatt laughed. “Classic!” “Yeah, I enjoyed that little tidbit.” He was surprised the man hadn’t gone running home the day before. From what Max said, Stephen hadn’t been very friendly. They washed and dried in silence for a minute, and Jake’s thoughts turned to Meridith. She’d told him the engagement was broken so matter-of-factly. How could she love the guy and react so calmly? “You know,” Wyatt said, pulling him from his thoughts. “It’s pretty remarkable, what she’s doing. Not every chick would take on three kids at the expense of her engagement.” Wyatt was right, and it only deepened his feelings for Meridith. He hated that she was planning to take the children away, but there was no doubt she cared about them. And his suspicions about the bipolar illness had all but disappeared. He’d found no medications, seen no symptoms. “You guys would make a cute couple,” Wyatt said. “You could get married and have a ready-made family.” “You’re forgetting one little detail.” “Ah, yeah. You’re the uncle she called—what was it—self-absorbed and irresponsible?” Jake scowled and grabbed the plate from Wyatt. “So tell her the truth.” “Yeah, right. That’ll go over well.” She’d be furious. She’d kick him from Summer Place and might not let him see the kids anymore. His gut clenched. “Gotta tell her eventually.” “When the house is finished.” “The longer you wait, the worse it’ll be.” “Maybe not.” Maybe he could change her mind about staying. Maybe he could make her see that he cared for her. Maybe they really could be a family.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Sean winced inwardly. “I don’t think that’s anyone’s business, Hal. Not even yours,” he added defensively. A colossal mistake. Hal’s temper exploded. “What do you mean, not my business? Okay, McDermott, we’ll skip over the political repercussions for you as mayor if someone other than me caught you and Lily. I guess the phrase conflict of interest doesn’t ring a bell. To tell you the truth, I don’t give a rat’s ass about politics. I’ll go straight to what I do care about: you breaking Lily’s heart.” “What?!” Sean exclaimed. “Yeah, I know. You’re gonna tell me that what I interrupted just a few minutes ago was just a casual romp in the pool. That’s a load of crap, McDermott. You know as well as I that Lily’s never been casual about anything in her life. Especially not you. ’Sides, what I witnessed back there was not casual. Shit, I’m surprised the water wasn’t boiling with the heat you two were making.” “Christ, Hal.” Sean spread his hands, his palms up. “Things kind of exploded between us. But Lily’s not a girl anymore—” “If you’re stupid enough to believe that, then you don’t understand dick about Lily—no matter how hard you were trying back in my pool!” Sean opened his mouth, but Hal was in full rant. “I’ve known Lily since she was a lonely, awkward kid. Of all people, you, Sean, should remember what she was like, how it was for her.” “She ended up fine—” “Yeah, she did. Because of her brains and her heart, she’s accomplished everything she’s dreamed of. But accomplished as she is, with all that beauty, she’s as lonely, as vulnerable as she was at thirteen. She needs a home, McDermott. She needs to know she belongs. That there’s a place for her to care about above sea level.” “Hal—” “I’m warning you, Sean. I’ll have your ass if you go and hurt Lily and make her run away. Now, get out of here before I get really pissed.” Hal was wrong, and his protective impulse was way overblown. Thoroughly misguided, too, Sean thought, as he slammed the office door behind him. It was he—not Lily—who was in need of protection. Sean had an awful feeling he’d lost his heart back there in the pool, and that when Lily discovered she had it, she’d toss it away.
Laura Moore (Night Swimming: A Novel)
Baby, please say something.” He pleaded as he rubbed soothing circles into my back. “Brandon will be back in a couple hours.” I finally spoke. He hissed a curse through his teeth and sagged into the headboard with a thud. “I thought he wouldn’t be back ‘til tomorrow night.” “He got scared when I didn’t answer the phone. Bree told him I was sick and alone, and since no one could get a hold of me …” “Bree called me a few times, begging me to come check on you. Looks like they’re all heading home today too.” “Chase, what should I do?” I began to search his face for answers, but he looked so pained I had to stare at my hands instead. “I can’t answer that for you Princess. No one can.” After a few minutes of intense silence he continued hesitantly, “Who do you want?” “I don’t know!” I blurted out quickly, “I want you Chase, but I can’t hurt him. I won’t hurt him anymore than I have. I love him too much.” He flinched away like I’d slapped him. “No matter who I choose, people will get hurt. And then what happens if I leave him? He lives in your house Chase. He’ll have to see us together, it will kill him, I can’t do that to him! He loves me, he hopped the first flight he could because he was scared for me and wants to come back to take care of me. How am I supposed to tell him I’m in love with someone else after that?” I took three deep breaths in and out in an attempt to calm my shaking, “If I left him for you, it would be bad for us. He’d come after you, the guys in the house would take sides. We would be miserable. My body craves you Chase, but I feel like I’m being torn in two. I just – I need a few weeks to think about this. Can you please give me that?” His jaw was clenched so tightly I thought it might break, “Are you going to ask him to give you time too?” “No, I can’t.” Chase’s eyes turned to ice and his mouth popped open, “So you’re just going to go back to him? Pretend like last night never happened? You’re so worried about hurting everyone else, do you even realize you’ll be hurting me?” He shot up off the bed and started pacing back and forth, “Damn it Harper, don’t you see that? I’m the one that will have to watch you with your boyfriend while waiting for you to figure out what you want!” I flinched when the bedroom door slammed shut behind him. He was right, and I didn’t want to hurt him either, but I didn’t know what else to do at the moment. I was more in love with Chase than I’d realized, but I couldn’t live without Brandon. If I thought I’d hated myself for kissing Chase, I now felt like I was dying thinking about how I’d just betrayed the man I love more than my own life. Even if I thought it was too soon, I’d overheard him talking to his mom telling her he thought I was “the one”, and I couldn’t help but smile at thoughts of our future together. I briefly considered a future with Chase, it didn’t go far. There’s no way Chase felt the same way I did for him. I’m not saying he doesn’t love me, but it can’t mean the same as it does for me. If I were to choose him, would he go back to being hot and cold once I did, and would he want to be with me for any length of time? As much as I wanted to believe everything he said to me last night, deep down I was terrified he’d up and leave me like he has every other girl.
Molly McAdams (Taking Chances (Taking Chances, #1))
When I got closer I heard Brandon’s warm animated voice and slowed, trying to hear whatever he was telling our son. I was already smiling to myself when I peeked around the slightly ajar door, he was talking to him about one of his surfing days. No … he was talking to him about one of Chase’s surfing days. And he had the scrapbook of Chase’s life on the dresser below them, pointing to one of the pictures. A soft gasp escaped my chest and I tried to slow my breathing so I could continue to listen without Brandon knowing I was here. “… he was always doing crazy stuff like that, it’s why everyone loved him, but it got him in trouble more times than not. No one else would have continued to surf after that, and we were all trying to get him to come in. Brad and I rode out to force him to, since he had this huge cut on his eyebrow from where that guy punched him, but by the time we got out there he was already catching another wave and riding it in. I swear he knew how to piss us off too, because those guys weren’t happy we started coming back out. Your dad could out-surf those guys, and I could fight them, but just a warning son, don’t ever try to fight someone while on your surfboard out in the ocean. It doesn’t really work out for anyone, and you look stupid trying to throw punches while treading water. We ended up laughing too hard and inviting them to the party that night, calling a truce.” Brandon flipped to the next page and chuckled lightly, pointing at one of the pictures again, “Like I said, he was crazy and always doing stupid crap,” flipping the page again he pointed to one and said softly, “but your mom changed that.” I froze and tilted my head in even further. “The day I met your mom, I knew she would be in my life forever. There was something about her and I knew I was already falling in love with her that first day. She made you want to be better, to attempt to be worthy of her love. Unfortunately your dad felt the same way; no one understood why he drastically changed, except for me. Even though she was with me, he stopped drinking, stopped sleeping with other girls, it’s like she made him instantly mature into the guy he eventually wanted to be so he could have an opportunity with her. I was always afraid I’d lose her to him someday, it’s like I knew it was a matter of when, not if. But your mom was different, I’d dated plenty of girls, but I hadn’t really cared if they were there or not. It was just someone to try to fill the ache of losing my dad. So when I met her and realized my feelings, I fought to keep her as long as I could. Don’t tell your momma, but Chase and I were constantly fighting over her when she wasn’t around. Hell, we even fought over her when she was around. We knew either of us could have any girl we wanted, but we both only wanted Harper. So of course, being us, words were used and fists flew whenever we were alone. I didn’t tell her this, but I already knew what had happened with your dad before she told me. When I got home from break, and Chase never bothered me again, I knew something had happened. I just didn’t know what yet. But you know what little man? I can’t even be mad about it anymore, because if it hadn’t happened, you wouldn’t be here right now.” He gently kissed our three month old son who was completely enthralled in his stories and pointed to the last picture in the book. “And he loved you and your mom, so much. I’ll always remind you of that, but I wish you could have met him.” I
Molly McAdams (Taking Chances (Taking Chances, #1))
You what?” When I didn’t respond, he tilted my head back and searched my eyes. “What, Rach? You can tell me.” Wishing I’d kept my mouth shut, I smiled softly and internally cringed, hoping I wouldn’t ruin this night. “I was afraid I’d end up breaking down during. I was afraid he would find a way to ruin this for me.” “Did—” “No!” I cut him off quickly and tightened my hold on his waist. “No, everything with you is just—it’s perfect.” I shrugged and hoped he could see the sincerity in my eyes. “It was just you; I felt safe and cherished, like I always do with you.” He kissed me softly. “I do cherish you. I love you, Rachel.” My chest warmed as I whispered my love for him back. He held me close and I was almost asleep when he said softly, “You begin school again soon. He’ll be there, and I—I don’t know how to protect you if I don’t know who he is.” “It doesn’t matter. He won’t do anything at school, and you wouldn’t be able to protect me from him anyway. You can’t go to my classes with me. It just—it doesn’t matter. He won’t bother me there.” “I wish you would tell me.” “Why, Kash? So you can have a name? It won’t change anything.” He opened his mouth but then shut it and breathed heavily through his nose. “Okay, I’m sorry. You’re right. I shouldn’t have asked again. I don’t want this between us right now. I just want you.” I kissed his jaw and silently cursed myself for saying anything. Relaxing into his embrace and the pillows, I tried to go over every second that I’d just shared with Kash and attempted to push thoughts of Blake away. After a few minutes of my internal battling, Kash began humming “Fall into Me” by Brantley Gilbert and I felt my body fully relax into him. I hadn’t even realized I’d tensed up again. His lips brushed across my cheek and he broke off humming to whisper in my ear, “Sleep, Rach. I’ll keep you safe.” When he continued, he wasn’t humming anymore; he was whispering the words, and my heart swelled. Sleep came quickly in Kash’s arms as he softly sang to me. If I hadn’t been sure before, I was now. I wanted to spend forever with this man.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
I’m going to walk through my life being Shaun Mason, the Dude Who Copes. Copes with a world filled with stupid people. Copes with a life that doesn’t include the one person who ever really mattered. Copes with everyone asking him whether he’s “coping,” when the answer should be totally obvious to anyone with a brain. How am I coping? I miss George, and the goddamn world is still full of zombies, that’s how. Everything else… Everything else is just details. And those don’t really matter to me anymore.
Mira Grant (Deadline (Newsflesh Trilogy #2))
Why,” Jill asked. “What's in it for them?” “The Society for Human Enlightenment believes if they can get enough people going to Hell, God will blink,” Allison replied. “What?” “Like in a stare down,” Allison explained, “you know, who ever blinks first loses.” “Their goal is to have so many people go to Hell that God will give in. The idea is if God forgives everyone who didn’t accept Christ, then He has to forgive Satan as well,” Guzetti said. “Can that happened? Could Satan win somehow?” “No, it can’t happen. Satan should know this as well, but he doesn’t, not anymore. Remember, no matter how wise someone is, when the presence of God is withdrawn from them, they deteriorate. That’s what’s happening to Satan, his mind is going. Satan's plan can’t work, but he and The Society don’t know that. What’s in it for them? Power. Better to rule in Hell than serve in Heaven.
Joseph Max Lewis (The Diaries Of Pontius Pilate (Fellowship of the Essentials, #1))
Let me tell you something you haven’t learned yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn’t matter who you are or what you do, it happens. Experience, time, events — they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn’t have given a second thought to when you were young. It happens gradually, a chipping away that you don’t even notice at first, and then one day it’s there. You wake up and you just don’t have the fire anymore. Then you have a choice. You can either give in to what you’re feeling, just say ‘okay, enough is enough’ and be done with it, or you can fight it. You can accept that every day you’re alive you’re going to have to face it down, that you’re going to have to say to yourself that you don’t care what you feel, that it doesn’t matter what happens to you because sooner or later it is going to happen anyway, that you’re going to do what you have to because otherwise you’re defeated and life doesn’t have any real purpose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn’t matter all that much — that those in here mattered more. You know something? It’s not so hard really. You just have to get past the fear.
Terry Brooks (The Elf Queen of Shannara (Heritage of Shannara, #3))
Shelby is a wonderful young woman. You’re good together.” “Mother…” “It isn’t just her. Oh, it’s obvious she loves you. But it’s also you. The second she’s near you, all those tense lines in your face relax and you soften up. That grumpy, self-protective shield drops and you’re warm and affectionate. She’s good for you, she brings out your best, makes you fun. You have something special with her.” “She’s twenty-five.” Maureen shook her head. “I don’t think that’s relevant. It doesn’t seem to have anything to do with how you two communicate…” “There are things you don’t understand about Shelby,” he said. “She’s not just young, she hasn’t had many relationships. She’s been taking care of her mother and hasn’t really looked at the world. In a lot of ways, she’s a child.” “I know all about her mother, but she’s no child,” Maureen said. “It takes maturity and courage to do what she did. So she didn’t have a lot of relationships with young men, it doesn’t mean she lacks worldly experience. And your age doesn’t matter to her.” “It will. I’m too old. I’m not going to stand still while she gets older. She’ll be thirty-five and I’ll be almost fifty. She’d find herself with an old man.” “At fifty?” She laughed. “I liked fifty,” she said with a dismissive shrug. “Fifty was good. I was only twenty-three when I married your father and I never thought of him as too old for me. To the contrary, it made me feel better in so many ways, to be with a mature man, a man of experience who didn’t have doubts anymore. He was stable and solid. It brought me comfort. And he was awful good to me.” Luke straightened his shoulders. “I’m not getting married. Shelby will move on, Mom. She wants a career. A young husband. She wants a family.” “You know this?” Maureen asked. “Of course I know that,” he said. “You think we haven’t talked? I didn’t lead her on. And she didn’t lead me on. She knows I don’t want a wife, don’t want children…” Maureen was quiet for a long moment. Finally she said, “You did once.” Luke let go a short laugh that was tinged with his inner rage. “I’m cured of that.” “You have to think about this. The way you’ve managed your life since Felicia hasn’t exactly brought you peace. I suppose it’s normal when a man gets hurt to avoid anything risky for a while, but not for thirteen years, Luke. If the right person comes along, don’t assume it can’t work just because it didn’t work once, a long, long time ago. I know this young woman as well as I ever knew Felicia. Luke, Shelby is nothing like her. Nothing.” Luke pursed his lips, looked away for a second and then took a slow sip of coffee. “Thank you, Mom. I’ll remember that.” She stepped toward him. “It’s going to hurt just as much to let her go as it hurt you to be tossed away by Felicia. Remember that.” “You know, I don’t think I’m the one guilty of assumptions here,” he said impatiently. “What makes you think all people want a tidy little marriage and children? Huh? I’ve been damn happy the past dozen years. I’ve been challenged and successful in my own way, I’ve had a good time, good friends, a few relationships…” “You’ve been treading water,” she said. “You’re marking the years, not living them. There’s more to life, Luke. I hope you let yourself see—you’re in such a good place right now—you can have it all. You put in your army years and it left you with a pension while you’re still young. You’re healthy, smart, accomplished, and you have a good woman. She’s devoted to you. There’s no reason you have to be alone for the rest of your life. It’s not too late.” He’d
Robyn Carr (Temptation Ridge)
Every moment I have with you feels stolen,” he said. “Like God, or Satan, or whatever the fuck is out there is playing another trick on me. I don’t know if you’re ready to hear this yet. You probably aren’t, but I’ll regret it for the rest of my life if I don’t tell you. If you walk out of my life again…when the car is finished and the debt doesn’t matter anymore…if you choose to leave, I want you to know.
Harley Laroux (Losers: Part II (Losers, #2))
Just because you don’t feel it doesn’t mean it’s not true.” “Then how can you be sure?” “When you know the truth, your feelings don’t matter anymore.
Shawna Coleing (Samson: Contemporary Christian Romantic Suspense (Inspired by Judges Book 1))
There’s another level at which attention operates, this has to do with leadership, I argue that leaders need three kinds of focus, to be really effective, the first is an inner focus, let me tell you about a case that’s actually from the annals of neurology, there was a corporate lawyer, who unfortunately had a small prefrontal brain tumour, it was discovered early, operated successfully, after the surgery though it was a very puzzling picture, because he was absolutely as smart as he had been before, a very high IQ, no problem with attention or memory, but he couldn’t do his job anymore, he couldn’t do any job, in fact he ended up out of work, his wife left him, he lost his home, he’s living in his brother spare bedroom and in despair he went to see a famous neurologist named Antonio Damasio. Damasio specialized in the circuitry between the prefrontal area which is where we consciously pay attention to what matters now, where we make decisions, where we learn and the emotional centers in the midbrain, particularly the amygdala, which is our radar for danger, it triggers our strong emotions. They had cut the connection between the prefrontal area and emotional centers and Damasio at first was puzzled, he realized that this fellow on every neurological test was perfectly fine but something was wrong, then he got a clue, he asked the lawyer when should we have our next appointment and he realized the lawyer could give him the rational pros and cons of every hour for the next two weeks, but he didn’t know which is best. And Damasio says when we’re making a decision any decision, when to have the next appointment, should I leave my job for another one, what strategy should we follow, going into the future, should I marry this fellow compared to all the other fellows, those are decisions that require we draw on our entire life experience and the circuitry that collects that life experience is very base brain, it’s very ancient in the brain, and it has no direct connection to the part of the brain that thinks in words, it has very rich connectivity to the gastro- intestinal tract, to the gut, so we get a gut feeling, feels right, doesn’t feel right. Damasio calls them somatic markers, it’s a language of the body and the ability to tune into this is extremely important because this is valuable data too - they did a study of Californian entrepreneurs and asked them “how do you make your decisions?”, these are people who built a business from nothing to hundreds of millions or billions of dollars, and they more or less said the same strategy “I am a voracious gatherer of information, I want to see the numbers, but if it doesn’t feel right, I won’t go ahead with the deal”. They’re tuning into the gut feeling. I know someone, I grew up in farm region of California, the Central Valley and my high school had a rival high school in the next town and I met someone who went to the other high school, he was not a good student, he almost failed, came close to not graduating high school, he went to a two-year college, a community college, found his way into film, which he loved and got into a film school, in film school his student project caught the eye of a director, who asked him to become an assistant and he did so well at that the director arranged for him to direct his own film, someone else’s script, he did so well at that they let him direct a script that he had written and that film did surprisingly well, so the studio that financed that film said if you want to do another one, we will back you. And he, however, hated the way the studio edited the film, he felt he was a creative artist and they had butchered his art. He said I am gonna do the film on my own, I’m gonna finance it myself, everyone in the film business that he knew said this is a huge mistake, you shouldn’t do this, but he went ahead, then he ran out of money, had to go to eleven banks before he could get a loan, he managed to finish the film, you may have seen
Daniel Goleman
I can’t say exactly when things changed because it was quite gradual. Simply pointing to their divorce and saying, ‘That’s when it happened,’ doesn’t feel right. It happened over time, one incident after another. And at some point, I realised that I didn’t matter anymore. My mother would deny that. When she thought I was still listening she would shake her head and say, ‘That’s not what happened. You’re remembering it wrong.’ But I know the truth. Caught up in their own fascinating drama, my parents stopped seeing me.
Nicole Trope (The Family Across the Street)