When An Arrow Is Pulled Back Quotes

We've searched our database for all the quotes and captions related to When An Arrow Is Pulled Back. Here they are! All 33 of them:

It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
Wagons rattling and banging, horses neighing and snorting, conscripts marching, each with bow and arrows at his hip, fathers and mothers, wives and children, running to see them off-- so much dust kicked up you can't see Xian-yang Bridge! And the families pulling at their clothes, stamping feet in anger, blocking the way and weeping-- ah, the sound of their wailing rises straight up to assault heaven. And a passerby asks, "What's going on?" The soldier says simply, "This happens all the time. From age fifteen some are sent to guard the north, and even at forty some work the army farms in the west. When they leave home, the village headman has to wrap their turbans for them; when they come back, white-haired, they're still guarding the frontier. The frontier posts run with blood enough to fill an ocean, and the war-loving Emperor's dreams of conquest have still not ended.
Du Fu
Do not allow another person to set you back. Continue moving forward not backwards. When someone pulls you back, be like the arrow to a bow and spring forth greater than ever. And, what they thought would be your disadvantage, you turn it into your advantage.
Amaka Imani Nkosazana
An arrow can only be shot by pulling it backward. So, when life is dragging you back, it means it's going to launch you into something awesome!
Garth Callaghan (Napkin Notes: Make Lunch Meaningful, Life Will Follow)
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
Whether or not the historical Buddha actually suffered from the kind of primitive agonies Winnicott expounded upon, the meditations he taught in the aftermath of his awakening “hold” the mind just as Winnicott described a mother “holding” an infant. In making the observational posture of mindfulness central to his technique, the Buddha established another version of “an auxiliary ego-function” in the psyches of his followers, one that enabled them, to go back to his metaphor of pulling out an arrow, to tend to their own wounds with both their minds and their hearts. Far from eliminating the ego, as I naively believed I should when I first began to practice meditation, the Buddha encouraged a strengthening of the ego so that it could learn to hold primitive agonies without collapse.
Mark Epstein (The Trauma of Everyday Life)
Stop or I’ll kill him!” Sophia shouted at the angels as she tore out a fistful of arrows and leaped on Cam. Straddling him, she raised the silver shafts above his head. His dark hair was matted and greasy. His hands were pale and trembling. Miss Sophia studied these details with a smirk. “I do so love to see an angel die.” She cackled, holding the starshots high. “And such an arrogant one to kill.” She looked back down at Cam. “His death will be a beautiful thing to behold.” “Go ahead.” Cam’s voice came for the first time, low and even. Luce nearly cried out when she heard him mutter: “I never asked for a happy ending.” Luce had watched Sophia kill Penn with her bare hands and no remorse. It would not happen again. “No!” Luce shouted, struggling to break free from Daniel’s grip and dragging him with her into the chapel. Slowly Miss Sophia craned her body around toward Luce and Daniel, clutching her fistful of starshots. Her eyes gleamed silver and her thin lips curled in a ghastly smile as Luce tugged Daniel forward, pulling against his relentless grip. “We have to stop her, Daniel!” “No, Luce, it’s too dangerous.” “Oh, there you are, dear.” Miss Sophia beamed. “And Daniel Grigori! How nice. I’ve been waiting for you.” Then she winked and whipped the starshots over her head in a dense cluster aimed straight at Daniel and Luce.
Lauren Kate (Rapture (Fallen, #4))
She thought about his naked chest again. Her memory of it both fascinated and repelled her. Hair. It had been there again as they had argued in the bathroom. She shuddered. Who would have thought? Yet she had studied it with surreptitious care: a pattern of dark hair, two perfect swirls that converged to become a dense pattern in the crevice between chest muscles, then (when he pulled hi arms away to push back his hair) ran in a dark, ever-narrowing line, like an arrow pointing downward. Mick Tremore in the rude, as it were. This way to the widge. (hardcover, large print, page 78)
Judith Ivory (The Proposition)
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
For Cam grazed the easel by an inch; she would not stop for Mr. Bankes and Lily Briscoe; though Mr. Bankes, who would have liked a daughter of his own, held out his hand; she would not stop for her father, whom she grazed also by an inch; nor for her mother, who called "Cam! I want you a moment!" as she dashed past. She was off like a bird, bullet, or arrow, impelled by what desire, shot by whom, at what directed, who could say? What, what? Mrs. Ramsay pondered, watching her. It might be a vision--of a shell, of a wheelbarrow, of a fairy kingdom on the far side of the hedge; or it might be the glory of speed; no one knew. But when Mrs. Ramsay called "Cam!" a second time, the projectile dropped in mid career, and Cam came lagging back, pulling a leaf by the way, to her mother.
Virginia Woolf (To the Lighthouse)
Hey Porkins,” said Carl, “you reckon you could hit that cactus over there? You’re a good shot with an arrow, but how about pearl throwing?” “Watch and see,” grinned Porkins. “Your old pal Porkins is a terrific shot—even if I do say so myself!” He threw the pearl and, true to his word, it hit the cactus. Porkins grinned, but then suddenly he was gone—disappearing into thin air. “Where is he?!” said Dave. Then he heard a familiar voice nearby: “Owwww!” Somehow Porkins was on top of the cactus. He jumped off, clutching his behind. Carl was laughing hysterically. “What happened?” said Dave, feeling very confused. “Throwing the pearls makes you teleport,” said Carl, wiping away a tear of laughter. “I found out the other day when I accidentally dropped one.” “You little blighter,” said Porkins, coming back over. He was pulling cactus needles out of his back.
Dave Villager (The Legend of Dave the Villager 2: An Unofficial Minecraft Book)
When I burst into the terminal, my eyes swept around, bouncing from person to person in the crowded, bustling space. My stomach fell a little when I didn’t see him, but I knew he probably couldn’t come this far. He was probably at baggage claim. I looked around for a sign to point me in the right direction and finally saw one labeled Baggage Claim with an arrow pointing off to the left. But I didn’t follow the arrow. My eyes fixed on someone standing beneath the sign. His hands were jammed into the pockets of his well-worn slouchy jeans. The relaxed action pulled the waistband low, highlighting his flat, narrow waist his Henley tee molded to. As usual, he was wearing his varsity jacket and his blond hair was a mess. My gaze locked on his sapphire-blue eyes and didn’t let go. His eyes, ohmigod, his eyes. The blue was so intense it served as an emergency brake on everything in my life. The second I looked at him, everything else came to a screeching halt. I no longer noticed the huge crowd rushing around. The anxiety-causing flight was just a distant memory, and the two weeks I spent longing for his touch became something I would live through ten times over just to be in this moment with him again. His lips pulled into a smile and the charm that oozed from every pore in his body made me almost lightheaded. Romeo pulled his hands out of his pockets and straightened, motioning for me. I rushed across the space separating us, my bag slapping against my side as I, for once, gracefully maneuvered around the people in my path. His chuckle brushed over me when I was just steps away, and I threw myself at him with a little sigh of relief. My legs wrapped around his waist and his arms locked around my back. I burrowed my head into his shoulder and inhaled deep, taking in his distinctive scent. “Rim,” he murmured, his voice low. I pulled back and his lips were on mine instantly. The moment our lips touched, he stilled, his body and mouth pausing against mine. Before I could wonder why, he muttered a garbled curse against my mouth and then his lips began to move. He kissed me softly but fiercely. There was so much possession in the way he kissed me, in the way his arms locked around me that my heart stuttered. I parted my lips so his tongue could sweep inside, and when my tongue met his, desire, hot and heavy, unfurled within me. Someone chuckled as they walked by, and Romeo retreated slightly, still letting his mouth linger on mine before completely pulling away. He rested his forehead against mine and he smiled. “I really fucking missed you.” “Me too,” I whispered. -Romeo & Rimmel
Cambria Hebert (#Hater (Hashtag, #2))
He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?' I mumbled some noncommittal response. 'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me. I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant. 'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear. He cleared his throat and read the first poem. There once was a lady most beautiful Spirited, if a little unusual Her friends were few But how the men did queue But to all she gave a refusal. My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile. Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers. 'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands. Unusual. Queue. I looked at the second poem. Slaying. Conflagration. 'These are-' I stared. 'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.' I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all. When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Little Robin had been brought by Lord Orthallen—although he had the feeling that his lord did not realize it. The boy was a part of his household, though Orthallen seemed to have long since forgotten the fact; and when the order came to pack up the household and move to the Border, Robin found himself in the tail of the baggage train, with no small bewilderment. He'd been at a loss in the encampment, wandering about until someone had seen him and realized that a small child had no place in a camp preparing for warfare. So he was sent packing; first off with Elspeth, then pressed into service by the Healers. They'd set him to fetching and carrying for Dirk, thinking that the child was far too young to be able to pick anything up from the casual talk around him, and that Dirk wouldn't think to interrogate a child as young as he. They were wrong on both counts. Robin was very much aware of what was going on—not surprising, since it concerned his adored Talia. He was worried sick, and longing for an adult to talk to. And Dirk was kind and gentle with him—and had he but known it, desperate enough for news to have questioned the rats in the walls if he thought it would get him anywhere. Dirk knew all about Robin and his adoration of Talia. If anyone knew where she was being kept and what her condition was, that boy would. Dirk bided his time. Eventually the Healers stopped overseeing his every waking moment. Finally there came a point when they began leaving him alone for hours at a time. He waited then, until Robin was sent in alone with his lunch—alone, unsupervised, and more than willing to talk—and put the question to him. Dirk had no intention of frightening the boy, and his tone was gentle, "I need your help. The Healers won't answer my questions, and I need to know about Talia." Robin had turned back with his hand still on the doorknob; at the mention of Talia's name, his expression was one of distress. "I'll tell you what I know, sir," he replied, his voice quavering a little. "But she's hurt real bad and they won't let anybody but Healers see her." "Where is she? Do you have any idea who's taking care of her?" The boy not only knew where she was, but the names and seniority of every Healer caring for her—and the list nearly froze Dirk's heart. They'd even pulled old Farnherdt out of retirement—and he'd sworn that no case would ever be desperate enough for them to call on him.
Mercedes Lackey (Arrow's Fall (Heralds of Valdemar, #3))
He nodded against my neck and his hands came around to cup my breasts, grinding into me again from behind. I ground back. He moaned, slipping a hand down the front of my panties. “Tell me what you like,” he whispered against my ear, moving against me. Oh my fucking God… What didn’t I like? It had been so long and I was so deprived I was afraid he was going to finish me right there. My body began to tremble at the build. I couldn’t take it anymore. He seemed to sense it because he pulled his fingers back right before I disintegrated in his hand, and he laid me down on the bed, sliding over me. He hovered on his forearms and ran a thick, muscular thigh up between my legs until it hit my core and I sucked in air against his lips. Oh my God, he was so good at this… And he fucking knew it. He smiled and kissed me, his tongue darting in my mouth, his rough hands canvassing my skin like he wanted to feel every inch of me. I did the same. It felt so good to touch him. My eyes had spent so much time learning his body, and my hands wanted to map him. I ran fingers along his chest, over the curve of his broad freckled shoulders, down the muscles of his back, along the valley of his spine. I breathed in his scent as I grabbed his firm ass and pulled him into me and he groaned, rubbing hard against my leg. I couldn’t believe this was real, that I got to touch him, that he was kissing me, that there was nothing between us but my thin G-string. His bare skin pressing into mine was the most exquisite feeling of my life, a million nerve endings connecting with his, little electrical shocks that merged into one huge surge. He sat up and kneeled between my legs, picking up my foot and putting it on his shoulder. The view was fucking spectacular. The definition of his chest continued down with a line of hair into a V muscle that pointed at his divine penis like an arrow. I reached out and took him in my hand and his breathing went ragged. My gaze came back up to his hooded eyes. He kissed my ankle and I watched him do it, biting my lip, stroking him, my need unraveling into something so starved I wanted to beg him to have mercy on me and just fuck me already. I thought of the way he’d touched me in the car, his strong hands massaging my calf, and I couldn’t help but feel like he was continuing something he started earlier. He ran his palms from my ankle, behind my knee, up my thigh, and he hooked my panties in his thumbs and pulled them down and off. Then he balled them in his hand, shut his eyes, and put them to his nose, breathing in. When his eyes opened again, they’d gone primal. He came at me like a wild animal. He lowered onto me, his jaw clenched tight, every muscle of his body tense, and I lifted my hips. He held my gaze as he eased himself in, slow and deliberate, and I wrapped my legs around his waist, feral with need, frantically urging him deeper. One… Two… I wasn’t going to last a minute and it was all overload, his naked body pressed to mine, the feel of him inside me, rhythmically thrusting against my core, deeper and deeper, his quivering breath over my collarbone, his hips grinding between my legs, his scent, his sounds, the heat of his skin, the rocking of the bed, the moaning in my throat—my back arched and I fell apart at the same time he did, clutching at everything, pulling him into me, pulsing with his release. He collapsed on top of me and I was decimated. I lay there like a rag doll, twitching with aftershocks. He gasped for breath, his face by my ear. “Holy…fucking…shit,” he panted. I just nodded. I couldn’t even speak. I’d never had sex that good. Never in my life—and I’d had my share of good sex. It was like we’d been foreplaying for weeks and I’d been sexually malnourished, starving, waiting for him to feed me.
Abby Jimenez
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck. “Hmm...a Manhattan?” I teased and he cocked his head. “I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?” I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon. He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why. “Have I told you have exceptionally beautiful you look tonight, Darcy?” Darcy. He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment. Hell. I needed to get over this guy. Why was I so caught up on him? Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it. “That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder. “Don't do that,” he grunted, releasing the drink. I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me. “Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest. “You know what.” “You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye. He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt... “I have something for you,” he said and I turned, blinking out of my dark fantasy. “You do?” He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist. He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.” I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else. He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off. “Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god. “I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Where have you been, Milo?” I asked quietly. “It’s been three days.” “Working for Jason,” Milo replied, his voice low. I frowned, setting the arrow to the bow. Anyone watching us would think I was the world’s most cautious shot. “Doing what?” My muscles strained as I pulled the bowstring back. “Protecting you.” The bowstring released with a loud twang, and the arrow arced through the air, barely grazing the top of the target before falling to the earth beyond it. A few of the men practicing with javelins saw my miss and called out that I’d find a spindle easier to manage than a bow. I snatched up a second arrow and buried it fletch-deep in the core of the target. The jeering stopped. Only then did I return my attention to Milo. “That makes no sense,” I muttered. “In the first place, what protection do I need? And since when does Jason care about anyone’s skin but his own?” “There may be more to Jason than you think,” Milo said softly.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Did I test your patience, my father?” Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.” Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.” “Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.” Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?” “Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.” “And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
Catherine Anderson (Comanche Moon (Comanche, #1))
his attention to jerk up in a quick second. He stopped and searched around trying to spot the source. There, beyond a patch of Elderberry, something fat and filthy waddled down a muddy path. His heart pounded and jumped at the sight. This was it. Tensing his muscles, he bent low, stalking after the animal. He glanced at Mara, and sent her a victorious grin. It was a big, burly boar. He followed after the tromping creative until it reached the stream and grunted at a wallow surrounded by a circle of mossy rocks, finally settling into the mud. This was his first chance at hunting a boar. But when he really got a good look at the fat beast a jolt of fear shot through him. Those are some massive tusks, he thought. But by now Mara had already nocked an arrow. Their plan all along had been to weaken the boar at range and switch to spears and daggers to stop its advance. Seemed like a bloody stupid plan now staring at the powerful creature. Part of the plan always included dragging the boar back to Mother’s kitchen for a fine roast. And seeing Father’s proud eyes as he said, “You’re a fine hunter, son.” An unlikely dream. At Mara’s questioning look he quickly nocked an arrow and nodded at her. She turned back to face the boar, but her eyes remained wary and fearful. This would be a tricky shot. He leaned to the side and felt the tension strain his arms as he pulled the string back, aimed, and released the arrow straight at the boar. It was a good shot, but the arrow caught a thicket's branch and droned off past the creature. Damned! How could he miss? The boar jerked its head up and glared at Talis. He barely had a second to think before the beast sloshed in the stream, bounding towards him. He ducked as Mara’s arrow flew past him and slammed into the boar's chest. Why was he just stupidly standing instead of
John Forrester (Fire Mage (Blacklight Chronicles, #1))
The door to my father’s study swung open silently, thanks to new hinges. The entire office had been decimated, but Galen had painstakingly restored it, carefully putting the few things that had survived back in their rightful places. Papa’s desk had been destroyed, but it had been replaced with an almost identical one; other than the fact that the scent of my father--and the feel of years of joy--could never be returned, all was as it should be. Except for one bookcase. I hadn’t noticed because no one entered this room anymore, but Galen would have known where the replacement case belonged--on the inside wall, adjacent to the door. Now it was on an outside wall. My heart thudding, I curiously approached it. Setting the lantern on the floor, I took hold of the bookcase and pulled, but it would not shift. Odd-it had always been freestanding, but was now anchored to the wall. My excitement mounting, I grabbed armfuls of books, haphazardly strewing them on the floor. The back of the case was solid wood, but I pushed between the shelves, trying to make something budge. Nothing yielded. I paused, listening for movement from upstairs, then stuck my head and shoulders into each and every section to knock softly on the backing. With a tiny, exhilarated laugh, I realized the bottom section was hollow. Determination revived, I shoved with all my weight against the wood, kicking over some of the volumes piled behind me as I grappled for leverage. My hands slipped, and my shoulder hit the left side, earning a groan--not from me, but from the bookcase. The right edge shifted toward me, just enough for me to fit my fingers behind and force it open. The gap I had created was large enough for me to squirm through, and I found myself sitting on the dirt floor of a small room behind the wall. It was partially below ground, cool, but not drafty; in fact, it was difficult to breathe in the small, dark, dusty space. I leaned back through the opening in the bookcase and grabbed the lantern. When I could at last see what the room contained, I grinned. Before me were stacked weapons of every sort--daggers, long-knives, swords, bows and arrows, lances, whips--legions and legions of glorious weapons.
Cayla Kluver (Sacrifice (Legacy, #3))
An arrow can only be shot by pulling it backward. When you feel like you are being dragged back by difficulties, it means that you are torqueing up to launch forward.” – ANONYMOUS
Gordon Tredgold (Leadership: It's a Marathon, Not a Sprint)
All my children would be--” Hunter rolled his eyes. “Can you see me, surrounded by White Eyes?” “Ah, that is the trouble. She is a White Eyes.” Many Horses nodded and, in a teasing voice, said, “I don’t blame you there. No man could be proud of a son with white blood. He’d be weak and cowardly, a shame to any who claimed him.” Hunter froze and glanced up. The white blood in his own veins was an unspoken truth between him and his father. Never before had Many Horses alluded to it. Many Horses sniffed and rubbed the ash from his nose. “Of course, there are the rare exceptions. I suppose a man could raise a child of mixed blood and teach him to be one of the true People. It would take work, though.” The stiffness eased from Hunter’s shoulders. “Did I test your patience, my father?” Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.” Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.” “Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.” Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?” “Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.” “And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
Catherine Anderson (Comanche Moon (Comanche, #1))
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
had to pull back the string to get the right range. By noon, I felt ready to test my skills out on a live target. “You guys ready for this?” I asked my animal audience. “Witness the master at work!” As a vote of no confidence, they continued to graze with their backsides to me. “Just wait,” I said, walking out to the beach. “One calamari entrée comin’ right up!” I spotted the closest squid about a dozen or so blocks out to sea, drew back the bowstring, and took careful aim. WHP whistled the arrow, streaking in a shallow arc. “Ha!” I cried, as the missile struck its target. I watched the squid flash red, vanish in a puff of smoke, turn into a small black organ-looking thing, and then sink right out of sight. I won’t tell you the word I shouted. I’m not proud of it, but I should win some kind of prize for making one syllable last a good five seconds. “Frrph,” snorted Moo from behind my back as if to say, “What were you thinking? How did you not have a recovery plan?” “I don’t know,” I said, only now seeing solutions. “I should have tied something to the arrow, or found a way to make a net or…or even waited till a squid was closer to shore! But why didn’t I think of it till now?” I started pacing. “Idiot!” I grunted, wishing this world would let me hit myself. “Stupid, stupid idiot!” “Moo!” interrupted my stern friend, forcing me to stop and face her. “You’re right,” I said. “When looking for solutions, beating yourself up isn’t one.” “Moo,” replied the cow, as if to say, “That’s better.” “I know I’m not an idiot,” I said, calmly raising my hands, “but something is wrong with me, like my brain’s only working part-time.” I started pacing again, more out of contemplation than anger. “It’s not like panic or hunger. It’s something new. Well, not new, actually. I’ve felt it coming on for a while, but now that I’m well-fed and not scared out of my wits, I can see this mental mud for what it is.” I could feel anxiety rising, the last thing I needed right now. “Any ideas?” I asked the animals. “Any hints about what’s causing
Max Brooks (Minecraft: The Island)
All thought flew from my mind when he pulled the shirt from over his head, revealing the elegant sweep of his back, the hard-packed muscles rippling under smooth skin. Arms, chiseled like a god's, reached down and... "Oh, sweet baby Jesus," I murmured fervently. He pushed his jeans off and bared an ass that was, frankly, spectacular. Those tight globes flexed as he kicked the jeans away with one long leg. Turn away. Get out of here. I shouldn't look. I coveted my privacy, and I was blatantly watching Lucian strip naked. He deserved his privacy too. But I couldn't blink. I couldn't move. He was...glorious. My fingers gripped the railing, holding on tight. The light of the pool gave his skin an unworldly greenish cast. He rolled his shoulders...unf...and then dove in. The water rippled outward in his wake. I actually shivered with lust as I tracked him along the bottom of the pool, a pale arrow of flesh darting through the turquoise glow. Silently, he surfaced on the far side of the pool, then neatly turned to do laps. Perfect form. Long strong arms. Clean, steady strokes. Édith Piaf kept singing as Lucian set a steady but brutal pace. He went at it lap after lap. I grew fairly dizzy with rude thoughts about his stamina. The night was cool, but my flesh was hot. God, that water looked so good. I could practically feel it running over my fevered skin.
Kristen Callihan (Make It Sweet)
I want you too.” Her words are no more than a whisper “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief. With how close I am to her, the move has my face coming dangerously close to her own. “You want me?” “Why?” I ask. But I already know the answer. Because no one knows where Astarte’s arrow will strike, but when she aims, she strikes true. Because the gods are cruel and love to toy with their half-mortal children even more than they love to play with the mortals. Because Adrienne’s fate is somehow woven with mine and Jadi’s. Jadi told me that, he told me, and –fool that I am – I ignored him. “I’m sorry,” I say, trying to soften my voice. To curb the mocking, defensive bite in my words. “I just don’t see how you could. Not after how I’ve treated you.” Adrienne gives me a lopsided grin, then reaches over to lightly pat my shoulder. “You not that bad.” Her smile falls, expression growing serious. “I don’t know how explain it. I just feel… it feels…” she trails off, brow furrowing in frustration. She tucks her hands under her chin, and without thinking about it, I grasp them in my own. “I know.” The words come out in a low rumble. “I know. You don’t have to explain.” Because I feel it too. The pull towards her. It’s more than a physical attraction. More than desire – though that is certainly part of it. And now that I’m looking at her, with her mouth close to my own and her hands in mine and the heat of her body mixing with my own beneath the blankets. It feels right, and there’s no room for hesitation. Only action. I lean forward, slowly enough that she has time to object, my eyes never leaving her own. My nose brushes against hers for a brief moment, and then she’s pushing forward, her lips pressing against mine with a raw urgency that has fire racing through my veins and lust clouding my vision. It’s too much. Too much. I pull back, angling my body over hers, keeping my weight on my elbows as I cup her face in one hand, my thumb stroking the underside of her jaw, fingers tangling in her loose hair. I stare down at her – at her dilated pupils and sleep-mussed hair. At her parted lips and the delicate line of her throat. I can see her pulse thundering beneath the skin, and the rosy flush spreading down her neck. She’s so delicate. I’m torn between wanting to worship her and devour her. Carefully, I brush my mouth against hers, then trace the shape of her lips with my teeth and tongue. My hands tremble where they grip her face, keeping her from chasing my teasing kisses. It’s almost embarrassing, the way I’m quaking like an autumn leaf above her. She lets out a frustrated whimper, and I deepen the kiss, swallowing up the sound as I tangle my tongue with her own. When her own kisses become more insistent, I pull back, waiting for her to retreat before delving forward again. “Good,” I murmur, my thumb stroking her pulse point when she relaxes beneath me. “There’s no rush.” I’m speaking more to myself than to her. Because more than anything, I want to feel myself buried deep inside her. I want to push the fabric between us aside and feel her wet and clenching around me. I want to bury my head between her thighs and taste her, to turn those faint whimpers into wild, throaty cries. But now isn’t the time for that. I kiss her again, slowly this time. Deep. Controlled. I need to be controlled. Take this slow. Her thighs part, long limbs twining with mine, the heels of her feet pressing against the backs of my legs. Pulling me towards her, until my cock is pressed against her core and I can practically feel the heat of her, even with our clothes between us. She rocks against me, her faint mewling cry swallowed up by my mouth, and it’s like something in me snaps. Something primal and hungry and dark. Something that’s only come out with Jadi.
Elisha Kemp (Burn the Stars (Dying Gods, #2))
In her first major clash with the English before the walls of Orléans, Joan was injured by an arrow that penetrated the seams of her armor and drove through her chest so far that the point protruded out of her back. When the battlefield medics were debating how to best help her, she simply pulled the arrow out with her own hand. (Now there’s a leadership challenge!)
Peter Darcy (The 7 Leadership Virtues of Joan of Arc (Life Changing Classic, Volume 32) (Life-Changing Classic))
They had escaped only a short distance when they heard a soft thunk, followed by a string of cursing. In Wallachian. “Lada,” Radu whispered. Mehmed put a finger to his lips, and they crept forward with exaggerated stealth. Lada stood in the middle of a small clearing, her back to them, a quiver of arrows next to her. She had marked out targets on a tree some distance away, ambitious even for a practiced bowman. She pulled back the bowstring, then released it. The arrow flew wide of the tree, landing two arm lengths away. She stomped her foot, berating herself in meaner, more foul terms than any Radu had ever heard. Mehmed could not understand what she was saying, could not hear the hatred and recrimination Lada spat out on her own head. Radu could, though, and he wondered when his sister had decided that nothing less than perfection was acceptable. He stood, wanting to go to her, to hug her, to tell her that it was okay. She still had time to learn, and she was good at so many other things. He wanted her to stop saying those horrible things, to stop thinking them.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
Crip writing is a piece of driftwood I grabbed and hung on to that stopped me from going under, this pandemic two years when everyone died, my best, most-needed beloveds, the ones the world needed the most. By crip writing I mean the crip poetry and writing I read, from PDF online zines and Twitter and blogs and Instagram and more and more and more books every year we made with all our world-changing crip-lit labor. I mean writing it to make meaning out of the rage and empty, the crip bitter and fried of our friends being stolen from us. I mean writing that saves our lives and makes new ones. Every line I write is a nocked arrow, the string pulled back, the exhale of release, the deep c*nt feeling of yes as it hits the mark, as it goes farther than we have before, to the place we knew we needed named. Alexis Pauline Gumbs once wrote, "Our future deserves a present where our truths were written," and we are writing down our crip everyday, and out of that, writing our future.
Leah Lakshmi Piepzna-Samarasinha (The Future Is Disabled: Prophecies, Love Notes, and Mourning Songs)
An arrow can only be shot by pulling it backwards. So, when life is dragging you back with difficulties, it means that it’s going to launch you into something great. So, focus and keep aiming.
Paulo Coelho