When A Woman Argues Quotes

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Hard to argue with a woman, period. Only time a man wins with one of them is when the woman is either on TV or dead. (Jack)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
You know the worst thing about a man hitting you?” Margery said finally. “Ain’t the hurt. It’s that in that instant you realize the truth of what it is to be a woman. That it doesn’t matter how smart you are, how much better at arguing, how much better than them period. It’s when you realize they can always shut you up with a fist. Just like that.” She mulled over it for a Monet, then straightened up , and flashed Alice a tight smile. “Course, you know that only happens till you learn to hit back harder.
Jojo Moyes (The Giver of Stars)
I know that when I am dying, looking back, it will be women that I regret having argued with, women I sought to impress, to understand, was tortured by. Women I wish to see again, to see them smile and laugh and say, It was all as it should have been.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
I looked at her, with her hair spilled out on the pillows and the warmth of her body warming mine. And I thought, god-dang, if this ain't a heck of a way to be in bed with a pretty woman. The two of you arguing about murder, and threatening each other, when you're supposed to be in love and you could be doing something pretty nice. And then I thought, well, maybe it ain't so strange after all. Maybe it's like this with most people, everyone doing pretty much the same thing except in a different way. And all the time they're holding heaven in their hands.
Jim Thompson (Pop. 1280 (Crime Masterworks))
Roy received my comments with a forced smile. "Hardy, didn't I warn you not to date a woman who reads?" Hardy seemed amused by my outspokenness. "Keeps the arguing to a minimum," he replied. "No point in trying when I know she's going to win.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
And here, after all that, is what I have come to believe about beauty: Laughter is beautiful. Kindness is beautiful. Cellulite is beautiful. Softness and plumpness and roundness are beautiful. It's more important to be interesting, to be vivid, and to be adventurous, than to sit pretty for pictures. A woman's soft tummy is a miracle of nature. Beauty comes from tenderness. Beauty comes from variety, from specificity, from the fact that no person in the world looks exactly like anyone else. Beauty comes from the tragedy that each person's life is destined to be lost to time. I believe women are too hard on themselves. I believe that when you love someone, she becomes beautiful to you. I believe the eyes see everything through the heart - and nothing in the world feels as good as resting them on someone you love. I have trained my eyes to look for beauty, and I've gotten very good at finding it. You can argue and tell me it's not true, but I really don't care what anyone says. I have come, at last, to believe in the title I came up with for the book: Everyone Is Beautiful.
Katherine Center (Everyone is Beautiful)
Take my advice, gadjo… never argue with a woman when she's in this state. Tell her you were wrong and you're sorry as hell. And promise never to do it again." "I'm still not exactly certain what I did," Harry said. "That doesn't matter. Apologize anyway." Merripen paused and added in a whisper, "And whenever your wife is angry… for God's sake, don't try logic." "I heard that," Win said from the chaise.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Je suis ce que je suis.” – Death “Is that a spell?” – Nick “It’s French, Nick. Means ‘I am what I am.’ Sheez, kid. Get educated. Read a book. I promise you it’s not painful.” – Death “I would definitely argue that. Have you seen my summer reading list? It’s nothing but girl books about them getting body parts and girl things I don’t want to discuss in class with my female English teacher. Maybe in the boys’ locker room and maybe with a coach, but not with a woman teacher in front of other girls who already won’t go out with me. Or worse, they’re about how bad all of us men reek and how we need to be taken out and shot ‘cause we’re an affront to all social and natural orders. Again – thanks, Teach. Give the girls even more reason to kick us down when we talk to one. Not like it’s not hard enough to get up the nerve to ask one out. Can you say inappropriate content? And then they tell me my manga’s bad. Riiight…Is it too much to ask that we have one book, just one, on the required reading list that says, ‘Hey, girls. Guys are fun and we’re okay. Really. We’re not all mean psycho-killing, bloodsucking animals. Most of us are pretty darn decent, and if you’ll just give us a chance, you’ll find out we’re not so bad.’” – Nick
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
In this style, argue tyrants of every denomination, from the weak king to the weak father of a family; they are all eager to crush reason; yet always assert that they usurp its throne only to be useful. Do you not acta similar part, when you force all women, by denying them civil and political rights, to remain immured in their families groping in the dark?
Mary Wollstonecraft (A Vindication of the Rights of Woman)
It occurred to Anthony that when she wasn’t arguing with him, Kate Sheffield might bloody well be the finest woman in England.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
There you are," Hale told his mother when he found her. "Oh, darling, do you know Michael Calloway? His mother is the event chair. We've just been arguing over whether he is going to let me outbid him for this gorgeous antique clock," Mrs. Hale said, but her son didn't care. "Sorry," Hale told the man in the tux with the small bits of sweat gathering at his brow. "I need her," he said, pulling his mother from the table and toward the bank of elevators on the far sie of the room, the ones that appeared to be operational. "Mom, I need you to come with me," "But, darling," the woman protested, "its Swiss!" The elevator dinged and Hale pushed her inside it. "Sorry, Dad will meet you downstairs.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
You know the worst thing about a man hitting you?” Margery said finally. “Ain’t the hurt. It’s that in that instant you realize the truth of what it is to be a woman. That it doesn’t matter how smart you are, how much better at arguing, how much better than them period. It’s when you realize they can always shut you up with a fist. Just like that.” She mulled over it for a moment, then straightened up, and flashed Alice a tight smile. “Course, you know that only happens till you learn to hit back harder
Jojo Moyes (The Giver of Stars)
Everything, it seemed to Mma Ramotswe, had a waiting list—except the government taxman and the call, when it came, to leave this world. You could not argue with the agents of either of these: you paid, and you went. But I am just on the waiting list…No, there is no waiting list for these things…
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
There has been a recent rash of authors and individuals fudging evidence in an attempt to argue that women have a higher sex drive than men. We find it bizarre that someone would want to misrepresent data merely to assert that women are hornier than men. Do those concerned with this difference equate low sex drives with disempowerment? Are their missions to somehow prove that women are super frisky carried out in an effort to empower women? This would be odd, as the belief that women’s sex drives were higher than men’s sex drives used to be a mainstream opinion in Western society—during the Victorian period, an age in which women were clearly disempowered. At this time, women were seen as dominated by their sexuality as they were supposedly more irrational and sensitive—this was such a mainstream opinion that when Freud suggested a core drive behind female self-identity, he settled on a desire to have a penis, and that somehow seemed reasonable to people. (See Sex and Suffrage in Britain by Susan Kent for more information on this.) If the data doesn’t suggest that women have a higher sex drive, and if arguing that women have a higher sex drive doesn’t serve an ideological agenda, why are people so dead set on this idea that women are just as keen on sex—if not more—as male counterparts? In the abovementioned study, female variability in sex drive was found to be much greater than male variability. Hidden by the claim, “men have higher sex drives in general” is the fun reality that, in general, those with the very highest sex drives are women. To put it simply, some studies show that while the average woman has a much lower sex drive than the average man, a woman with a high sex drive has a much higher sex drive than a man with a high sex drive. Perhaps women who exist in the outlier group on this spectrum become so incensed by the normalization of the idea that women have low sex drives they feel driven to twist the facts to argue that all women have higher sex drives than men. “If I feel this high sex drive,” we imagine them reasoning, “it must mean most women secretly feel this high sex drive as well, but are socialized to hide it—I just need the data to show this to the world so they don’t have to be ashamed anymore.” We suppose we can understand this sentiment. It would be very hard to live in a world in which few people believe that someone like you exists and people always prefer to assume that everyone is secretly like them rather than think that they are atypical.
Malcolm Collins (The Pragmatist's Guide to Sexuality)
And here, after all that, is what I have come to believe about beauty: Laughter is beautiful. Kindness is beautiful. Cellulite is beautiful. Softness and plumpness and roundness are beautiful. It’s more important to be interesting, to be vivid, and to be adventurous than to sit pretty for pictures. The soft tummy of a woman is a miracle of nature. Beauty comes from tenderness. Beauty comes from variety, from specificity, from the fact that no person in the world looks exactly like anyone else. Beauty comes from the tragedy that each person’s life is destined to be lost to time. I believe women are too hard on themselves. I believe that when you love someone, she becomes beautiful to you. I believe the eyes see everything through the heart, that nothing in the world feels as good as resting them on someone you love. I have trained my eyes to look for beauty, and I’ve gotten very good at finding it. You can argue and tell me it’s not true, but I really don’t care what anyone says. I have come at last to believe in the title of the book: Everyone Is Beautiful.
Katherine Center (Everyone is Beautiful)
Abortion is often seen as a bad thing for society, a sign of hedonism, materialism, and hyperindividualism. I argue that, on the contrary, access to legal abortion is a good thing for society and helping a woman obtain one is a good deed. Instead of shaming women for ending a pregnancy, we should acknowledge their realism and self-knowledge. We should accept that it’s good for everyone if women have only the children they want and can raise well. Society benefits when women can commit to education and work and dreams without having at the back of their mind a concern that maybe it’s all provisional, because at any moment an accidental pregnancy could derail them for life.
Katha Pollitt (Pro: Reclaiming Abortion Rights)
Gabriel didn't have to look at his parents to know they were thoroughly charmed by Pandora. As for him... He hardly recognized himself in his reaction to her. She was full of life, burning like sunflowers in the rime of autumn frost. Compared to the languid and diffident girls of London's annual marriage mart, Pandora might have been another species altogether. She was just as beautiful as he'd remembered, and as unpredictable. Laughing after the dog had jumped on her in the front drive, when any other young woman in her place would have been angry or humiliated. As she'd stood there wanting to argue with him about carrots, all Gabriel had been able to think of was how much he wanted to carry her somewhere cool and dark and quiet, and have her all to himself.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path?
Martin Prechtel (Unlikely Peace at Cuchumaquic)
You probably know stories of couples who never fight or argue and then suddenly to everyone’s surprise they decide to get a divorce. In many of these cases, the woman has suppressed her negative feelings to avoid having fights. As a result she becomes numb and unable to feel her love. When negative feelings are suppressed positive feelings become suppressed as well, and love dies. Avoiding arguments and fights certainly is healthy but not by suppressing feelings.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
You know the worst thing about a man hitting you?” Margery said finally. “Ain’t the hurt. It’s that in that instant you realize the truth of what it is to be a woman. That it don’t matter how smart you are, how much better at arguing, how much better than them, period. It’s when you realize they can always just shut you up with a fist. Just like that.
Jojo Moyes (The Giver of Stars)
Gwen decided it was time to speak up. “Tell me, has any woman ever laughed when you made the obvious joke?” “No,” Sid said, “but that’s just because women don’t really have a sense of humor.” Gwen asked, “What makes you say that?” Sid said, “I tell a lot of jokes, jokes my male friends think are hilarious, but women almost never laugh.” Brit nodded, and said, “Well, we can’t argue with that. Your logic is as strong as your wit.” Sid bowed more deeply, and said, “Thank you.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
Don’t be a sore loser.’ ‘It’s hard to argue with a woman when she’s got her knee on my ego.’ ‘Good. Now I’m going to have my way with you.’ ‘Are you?’ ‘Damn right. I won.’ She cocked her head and reached down to strip off his shirt. ‘Cooperate and I won’t have to hurt you. Uh-uh.’ When he reached for her, she gripped his hands and pushed them back to the mat. ‘I’m in charge here. Don’t make me get out the cuffs.’ ‘Hmm. An interesting threat. Why don’t you—’ His words trailed off as her mouth came down on his, hard and hot. Instinctively, his hands flexed under hers, wanting to touch, to take. But he understood she wanted something else, something more. So he would let her find it. ‘I’m going to take you.’ She bit down on his lip, sending an edge of lust razoring through his gut. ‘Do whatever I want to you.’ His mind was already spinning, his breath clogging. ‘Be gentle with me,’ he managed, and felt warmth twine with the heat when she laughed. ‘Dream on.
J.D. Robb (Immortal in Death (In Death, #3))
People won’t see you as just another woman any more, but as a white woman who hangs with brownies, and you’ll lose a bit of your privilege, you should still check it, though, have you heard the expression, check your privilege, babe? Courtney replied that seeing as Yazz is the daughter of a professor and a very well-known theatre director, she’s hardly underprivileged herself, whereas she, Courtney, comes from a really poor community where it’s normal to be working in a factory at sixteen and have your first child as a single mother at seventeen, and that her father’s farm is effectively owned by the bank Yes but I’m black, Courts, which makes me more oppressed than anyone who isn’t, except Waris who is the most oppressed of all of them (although don’t tell her that) In five categories, black, Muslim, female, poor, hijab bed She’s the only one Yazz can’t tell to check her privilege Courtney replied that Roxane Gay warned against the idea of playing ‘privilege Olympics’ and wrote in Bad Feminist that privilege is relative and contextual, and I agree, Yazz, I mean, where does it all end? Is Obama less privileged than a white hillbilly growing up in a trailer park with a junkie single mother and a jailbird father? Is a severely disabled person more privileged than a Syrian asylum-seeker who’s been tortured? Roxane argues that we have to find a new discourse for discussing inequality Yazz doesn’t know what to say, when did Court read Roxane Gay - who’s amaaaazing? Was this a student outwitting the master moment? #whitegirltrumpsblackgirl
Bernardine Evaristo (Girl, Woman, Other)
Complaining, whether silently or aloud, is a major man repellant. When you complain, you are arguing with what is: you’re saying life is not how you think it should be. This victimizes you and creates stress and anxiety in your body. And that stress has a negative impact on your appearance: premature aging, a worsening of acne or psoriasis, and, my personal favorite, an increase in cortisol, the stress hormone that causes an increase in abdominal fat. That being said, men are attracted to more than looks in a woman. They are attracted to the way you make them feel. Women who are complaint-free make men feel good because they themselves feel good.
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.
Umberto Saba
Her stomach lurches. She fancies him sooo much - she is powerless to resist. How can she possibly? She knows it's wrong: he has a girlfriend - he lives with her, for goodness' sake - and what they're doing is unfair, cruel. She is not sure what he's said to his girlfriend to wangle a night away and she doesn't want to know. She would hate it if it was done to her - she has never seen herself as the kind of girl who would steal another woman's man. She and Anna have always been most disapproving about women who do that, arguing through college and beyond that there are plenty of available men out there, that it is quite unnecessary to go for those already spoken for. But she has liked Simon since day one, and he is the one who initiated this whole thing. He is the one who blew her away with a clandestine kiss just a week ago, who asked if he could come back and stay at hers afterwards; he is the one who doubtless made unconvincing excuses when he returned home the next day. And it only took that single night to open this Pandora's box of mutual passion, being together was far, far better than it should have been, were it only a one-night stand. Karen senses that he really likes her.
Sarah Rayner (One Moment, One Morning)
Driving and sex are both privileges granted at certain ages, both can do irreparable damage when done recklessly, but only driving requires tests, checkpoints and licences. I don’t understand why the government—at schools and through public education programs—doesn’t teach people about consent the way we teach them about drink-driving. After all, overconsumption of alcohol often leads to horrific consequences in both activities. Why can a man be charged with negligent, reckless driving after getting himself drunk, but he can argue that the same level of voluntary intoxication led him to honestly and mistakenly believe a woman consented to intercourse, and be acquitted of a rape charge accordingly?
Bri Lee (Eggshell Skull)
OLD WOMAN having lost the use of her eyes, called in a Physician to heal them, and made this bargain with him in the presence of witnesses: that if he should cure her blindness, he should receive from her a sum of money; but if her infirmity remained, she should give him nothing. This agreement being made, the Physician, time after time, applied his salve to her eyes, and on every visit took something away, stealing all her property little by little. And when he had got all she had, he healed her and demanded the promised payment. The Old Woman, when she recovered her sight and saw none of her goods in her house, would give him nothing. The Physician insisted on his claim, and, as she still refused, summoned her before the Judge. The Old Woman, standing up in the Court, argued: "This man here speaks the truth in what he says; for I did promise to give him a sum of money if I should recover my sight: but if I continued blind, I was to
Aesop (Aesop's Fables (Illustrated))
I know that when I am dying, looking back, it will be women that I regret having argued with, women I sought to impress, to understand...
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
An intelligent man only argues with his wife when she has lost her voice.
Matshona Dhliwayo
When I finally did confront Mr. Arcott, after my return to Falchester, he had the cheek to try and argue that his intellectual thievery had been a compliment and a favor. After all, it meant my work was good enough to be accepted into ibn Khattusi's series -- but of course they never would have taken a submission from a woman, so he submitted it on my behalf. What I said in reply is not fit to be printed here, as by then I had spent a good deal of time in the company of sailors, and had at my disposal a vocabulary not commonly available to ladies of quality.
Marie Brennan (The Voyage of the Basilisk (The Memoirs of Lady Trent, #3))
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?” Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.” As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!” “Oy,” says Peter, “another one - wait here.” He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten. “What is it, my son?” he asks. The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?” “Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ” Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?” “No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?” The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
You cannot kill or steal from a man while he is asleep and heartbroken. While it is said that everything is fair in love an war, the dictum is nullified when both love and war occur simultaneously; then, the rules of battle become more stringent. The politics that lead to war can always be argued, but there is an undeniable sympathy that must be extended when a woman leaves a man.
Salvador Plascencia (The People of Paper)
Gustavo Tiberius speaking." “It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.” “It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.” “Oh boy, there’s the Grumpy Gus I know. You miss me?” Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.” “Really.” “Yes.” “Gus.” “Casey.” “I miss you.” “I miss you too,” Gus mumbled into the phone, blushing fiercely. “Yeah? How much?” Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.” “I know what you mean,” Casey said. “The guys were saying the same thing about me.” Gus smiled. “How embarrassing for you.” “Completely. You have no idea.” “They’re going to get you packed up this week?” “Ah, yeah. Sure. Something like that.” “Casey.” “Yes, Gustavo.” “You’re being cagey.” “I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.” Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?” There was a knock on the window to the Emporium. Gus looked up. Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen. Casey wiggled his eyebrows at Gus. “Hey, man.” “Hi,” Gus croaked. “Come over here, but stay on the phone, okay?” Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal. Gus went to the window, and Casey smiled that lazy smile. He said, “Hi.” Gus said, “Hi.” “So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?” “I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close. The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.” Gus didn’t even try to stop the eye roll. “Oh my god.” “Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.” “What did?” Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?” “Yeah?” “I’m going to ask you a question, okay?” Gustavo’s throat felt very dry. “Okay.” “What was the Oscar winner for Best Song in 1984?” Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to— And then he could barely breathe. Casey’s smile wobbled a little bit. “Okay?” Gus blinked the burn away. He nodded as best he could. And Casey said, “Yeah, man. I love you too.” Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies." I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?" He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?" "Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances." "Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting." I closed my eyes. "What else would we do if we were regular teenagers?" "Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere." The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools." He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back." I chuckled. "You watch too many movies. Ooh, we could be lab partners!" "Isn't that kind of what we were in Defense?" "Yeah,but in a normal high school, there would be more science, less kicking each other in the face." "Nice." We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in. Which had probably been the point. Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?" He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you." "Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer." He grinned. "In that case, shut up, Mercer.
Rachel Hawkins (Demonglass (Hex Hall, #2))
It’s about protecting your wife, son. Your every decision should be about what’s best for her. You give a woman loyalty, and she’ll give you every piece of her. She’ll trust you, even when you’re leading her astray. She’ll follow you, even when you’re lost. But she’s got to be your partner, son. She’s got to know that you’re taking her to a place where no one else has been. Now if you got this one, that one, and Susie up the street all following behind you, she’s going to feel like a fool. You can’t be community property. Your wife is supposed to be exclusive. That bond is irreplaceable. If it’s you and her making sense out of this crazy world together, nobody else has to understand. It’s hard. You will argue and there will be days when you don’t like one another, but you will always love one another. She is your first priority. You don’t let the weight of the world even touch her shoulders. You carry it for her.
Ashley Antoinette (The Prada Plan 5)
If she never had any lovers, she kicks herself around when the change comes, thinking of all the fun she could have had, didn’t have, and now can’t have. If she had a lot of lovers, she argues herself into believing that she did wrong and she’s sorry now. She carries on that way because she knows that soon all her woman-ness will be lost…lost. And if she makes believe being with a man was never any good in the first place, she can get comfort out of her change.
Betty Smith (A Tree Grows in Brooklyn)
His mom realized, of course, that her son was shouting out of fear and concern, so she replied the way she often did: “Boats that stay in the harbor are safe, sweetheart, but that’s not what boats were built for.” Jack said something he instantly regretted: “Do you think God’s going to protect you against knives just because you’re a priest?” She may have been sitting in a hospital on the other side of the world, but she could still feel his bottomless terror. So her whispers were half washed away by tears when she replied: “God doesn’t protect people from knives, sweetheart. That’s why God gave us other people, so we can protect each other.” It was impossible to argue with such a stubborn woman. Jack hated how much he admired her sometimes. Jim, in turn, loved her so much he could hardly breathe. But she didn’t travel so much after that, and never went so far away again. Then she got sick, and they lost her, and the world lost a bit more of its protection.
Fredrik Backman
A useful education served women best, More thought. To ‘learn how to grow old gracefully is perhaps one of the rarest and most valuable arts which can be taught to a woman.’ Yet, when beauty is all that is expected or desired in a woman, she is left with nothing in its absence. It ‘is a most severe trail for those women to be called to lay down beauty, who have nothing else to take up. It is for this sober season of life that education should lay up its rich resources,’ she argued.
Karen Swallow Prior (Fierce Convictions: The Extraordinary Life of Hannah More—Poet, Reformer, Abolitionist)
Women have shown that they truly can do anything. But the statistics are strikingly different for women with children. When a woman has her first child, the wage gap between men and women opens. David Leonhardt of The Atlantic argues that the real problem in the workplace isn’t sexism, it’s momism, because women do great in the workplace until they have kids. Why? In a nutshell, when forced to choose between family and work, women choose family. And in the past, women were forced to make this choice.
Anne Bogel (How She Does It: An Everywoman's Guide to Breaking Old Rules, Getting Creative, and Making Time for Work in Your Actual, Everyday Life)
Merripen spoke in a low, not unsympathetic tone, as if compelled to guide a hapless fellow male away from danger. "Take my advice, gadjo... never argue with a woman when she's in this state. Tell her you were wrong and you're sorry as hell. And promise never to do it again." "I'm still not exactly certain what I did," Harry said. "That doesn't matter. Apologize anyway." Merripen paused and added in whisper, "And whenever your wife is angry... for God's sake, don't try logic." "I heard that," Win said from the chaise.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
See that guy over there?" I nod toward a man in jean shorts and a Budweiser T-shirt. "Am I that obvious?" St. Clair squints at him. "Obviously what? Balding? Overweight? Tasteless?" "American." He sighs melodramtically. "Honestly, Anna. You must get over this." "I just don't want to offend anyone. I hear they offend easily." "You're not offending anyone except me right now." "What about her?" I point to a middle-aged woman in khaki shorts and a knit top with stars and stripes on it.She has a camera strapped to her belt and is arguing with a man in a bucket hat. Her husband,I suppose. "Completely offensive." "I mean,am I as obvious as her?" "Considering she's wearing the American flag, I'd venture a no on that one." He bites his thumbnail. "Listen.I think I have a solution to your problem, but you'll have to wait for it. Just promise you'll stop asking me to compare you to fifty-year-old women,and I'll take care of everything." "How? With what? A French passport?" He snorts. "I didn't say I'd make you French." I open my mouth to protest, but he cuts me off. "Deal?" "Deal," I say uncomfortably. I don't care for surprises. "But it better be good." "Oh,it's good." And St. Clair looks so smug that I'm about to call him on it, when I realize I can't see our school anymore. I don't believe it.He's completely distracted me.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
It’s funny, but when I talk about this business of my father and Valentina with my women friends, they’re absolutely appalled. They see a vulnerable old man who’s being exploited. Yet all the men I talk to—without any exception, Mike” (I wag my finger) “they respond with these wry knowing smiles, these little admiring chuckles. Oh, what a lad he is. What an achievement, pulling this much younger bird. Best of luck to him. Let him have his bit of fun.” “You must admit, it’s done him good.” “I don’t admit anything.” (It’s much less satisfying arguing with Mike than with Vera or Pappa. He’s always so irritatingly reasonable.) “Are you sure you’re not just being a bit puritanical?” “Of course I’m not!” (So what if I am?) “It’s because he’s my father—I just want him to be grown up.” “He is being grown up, in his way.” “No he’s not, he’s being a lad. An eighty-four-year-old lad. You’re all being lads together. Wink wink. Nudge nudge. What a great pair of knockers. For goodness’ sake!” My voice has risen to a shriek. “But you can see it’s doing him good, this new relationship. It’s breathed new life into him. Just goes to show that you’re never too old for love.” “You mean for sex.” “Well, maybe that as well. Your Dad is just hoping to fulfil every man’s dream—to lie in the arms of a beautiful younger woman.” “Every man’s dream?” That night Mike and I sleep in separate beds.
Marina Lewycka (A Short History of Tractors in Ukrainian)
Many argue, pointing out that the majority of top chefs are male and while I accept that I could never hope to compete with their colourful turns of phrase, I maintain that when it comes to good, traditional, edible cuisine what you really need is a woman. And a can opener. And a microwave.
Mrs. Stephen Fry (How To Have An Almost Perfect Marriage)
They [heterosexual cis women] are accepted in the straight mainstream way more readily than I [trans woman] will ever be. But they are marginalized in their day-to-day lives because they are feminine. To argue that they are reinforcing the binary, or the patriarchy or the hegemonic gender system, because they are conventional feminine (as opposed to subversively feminine) essentially implies that they are enabling their own oppression. This is just another variation of the claim that rapists make when they insinuate that the woman in question was 'asking for it' because of what she was wearing or how she behaved.
Julia Serano (Excluded: Making Feminist and Queer Movements More Inclusive)
As far as I could tell, this movie was about parents who had two cute children they were determined to spend as little time with as possible. And so they hire a woman who constantly gaslights the kids and makes them doubt their own sanity; she takes them on fantastical trips, then says they never happened. She gives them the powers of flight and time travel, encourages them to surrender to the magic and enjoy themselves, then acts all affronted and accuses them of lying when they mention how fun the adventure was. The whole movie seemed to be introducing the concept of what a nanny was and, at the same time, arguing against ever employing one.
Jennifer Longo (What I Carry)
Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.
Adelaide Forrest (Bloodied Hands (Bellandi Crime Syndicate, #1))
He thought women were every bit as intelligent as men, every bit as capable of figuring out how long it would take for train A to crash into train B if the two were moving toward each other at an average speed of C. They were as capable of rational thought; they just didn’t appear to be as interested in it. They were happy to apply rational argument to defend what they already believed but unlikely to be swayed by it, not if it conflicted with inclination or, worse, intuition, not if it undercut a cherished opinion or nettled their self-esteem. So many times, when Nate had been arguing with a woman, a point was reached when it became clear that no argument would alter her thinking. Her position was one she “felt” to be true; it was, as a result, impermeable.
Adelle Waldman (The Love Affairs of Nathaniel P.)
This is madness,” he whispered against her ear. But he made no move to let her go. Her reply was an incoherent, confused moan, and her body became slightly more pliant in his arms, allowing him to mold her even closer to his form. He knew he should stop, knew he damned well shouldn’t have started, but his blood was racing with need, and she felt so . . .so . . . So good. He groaned, his lips leaving hers to taste the slightly salty skin of her neck. There was something about her that suited him like no woman ever had before, as if his body had discovered something his mind utterly refused to consider. Something about her was . . . right. She felt right. She smelled right. She tasted right. And he knew that if he stripped off all of her clothes and took her there on the carpet on the floor of his study, she would fit underneath him, fit around him— just right. It occurred to Anthony that when she wasn’t arguing with him, Kate Sheffield might bloody well be the finest woman in England. Her arms, which had been imprisoned in his embrace, slowly edged up, until her hands were hesitantly resting on his back. And then her lips moved. It was a tiny thing, actually, a movement barely felt on the thin skin of his forehead, but she was definitely kissing him back. A low, triumphant growl emerged from Anthony’s mouth as he moved his mouth back to hers, kissing her fiercely, daring her to continue what she’d begun. “Oh, Kate,” he moaned, nudging her back until she was leaning against the edge of the desk. “God, you taste so good.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Hush, Sonia! I am not laughing. I know myself that it was the devil leading me. Hush, Sonia, hush!” he repeated with gloomy insistence. “I know it all, I have thought it all over and over and whispered it all over to myself, lying there in the dark.… I've argued it all over with myself, every point of it, and I know it all, all! And how sick, how sick I was then of going over it all! I kept wanting to forget it and make a new beginning, Sonia, and leave off thinking. And you don’t suppose that I went into it headlong like a fool? I went into it like a wise man, and that was just my destruction. And you mustn't suppose that I didn't know, for instance, that if I began to question myself whether I had the right to gain power—I certainly hadn't the right—or that if I asked myself whether a human being is a louse it proved that it wasn't so for me, though it might be for a man who would go straight to his goal without asking questions.… If I worried myself all those days, wondering whether Napoleon would have done it or not, I felt clearly of course that I wasn't Napoleon. I had to endure all the agony of that battle of ideas, Sonia, and I longed to throw it off: I wanted to murder without casuistry, to murder for my own sake, for myself alone! I didn't want to lie about it even to myself. It wasn't to help my mother I did the murder—that’s nonsense—I didn't do the murder to gain wealth and power and to become a benefactor of mankind. Nonsense! I simply did it; I did the murder for myself, for myself alone, and whether I became a benefactor to others, or spent my life like a spider, catching men in my web and sucking the life out of men, I couldn't have cared at that moment.… And it was not the money I wanted, Sonia, when I did it. It was not so much the money I wanted, but something else.… I know it all now.… Understand me! Perhaps I should never have committed a murder again. I wanted to find out something else; it was something else led me on. I wanted to find out then and quickly whether I was a louse like everybody else or a man. Whether I can step over barriers or not, whether I dare stoop to pick up or not, whether I am a trembling creature or whether I have the right …” “To kill? Have the right to kill?” Sonia clasped her hands. “Ach, Sonia!” he cried irritably and seemed about to make some retort, but was contemptuously silent. “Don’t interrupt me, Sonia. I want to prove one thing only, that the devil led me on then and he has shown me since that I had not the right to take that path, because I am just such a louse as all the rest. He was mocking me and here I've come to you now! Welcome your guest! If I were not a louse, should I have come to you? Listen: when I went then to the old woman’s I only went to try. … You may be sure of that!” “And you murdered her!” “But how did I murder her? Is that how men do murders? Do men go to commit a murder as I went then? I will tell you some day how I went! Did I murder the old woman? I murdered myself, not her! I crushed myself once for all, for ever.… But it was the devil that killed that old woman, not I. Enough, enough, Sonia, enough! Let me be!” he cried in a sudden spasm of agony, “let me be!
Fyodor Dostoevsky (Crime and Punishment)
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
André Aciman (Out of Egypt: A Memoir)
When we think of an institution, we can usually see it as embodied in a building: the Vatican, the Pentagon, the Sorbonne, the Treasury, the Massachusetts Institute of Technology, the Kremlin, the Supreme Court. What we cannot see, until we become close students of the institution, are the ways in which power is maintained and transferred behind the walls and beneath the domes, the invisible understandings which guarantee that it shall reside in certain hands but not in others, that information shall be transmitted to this one but not to that one, the hidden collusions and connections with other institutions of which it is supposedly independent. When we think of the institution of motherhood, no symbolic architecture comes to mind, no visible embodiment of authority, power, or of potential or actual violence. Motherhood calls to mind the home, and we like to believe that the home is a private place. Perhaps we imagine row upon row of backyards, behind suburban or tenement houses, in each of which a woman hangs out the wash, or runs to pick up a tear-streaked two-year-old; or thousands of kitchens, in each of which children are being fed and sent off to school. Or we think of the house of our childhood, the woman who mothered us, or of ourselves. We do not think of the laws which determine how we got to these places, the penalties imposed on those of us who have tried to live our lives according to a different plan, the art which depicts us in an unnatural serenity or resignation, the medical establishment which has robbed so many women of the act of giving birth, the experts—almost all male—who have told us how, as mothers, we should behave and feel. We do not think of the Marxist intellectuals arguing as to whether we produce “surplus value” in a day of washing clothes, cooking food, and caring for children, or the psychoanalysts who are certain that the work of motherhood suits us by nature. We do not think of the power stolen from us and the power withheld from us, in the name of the institution of motherhood.
Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
Well, I just want you to know I’m coming to get you at five,” he said. “I’m having Ree withdrawals.” “You mean since midnight, when we last saw each other?” I joked. Actually, I knew exactly what he meant. “Yeah,” he said. “That’s way, way too long, and I’m not gonna put up with it anymore.” I loved it when he took charge. “Okay, then--fine,” I said, surrendering. “I don’t want to argue. I’ll see you at five.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Contemporary black women could not join together to fight for women’s rights because we did not see “womanhood” as an important aspect of our identity. Racist, sexist socialization had conditioned us to devalue our femaleness and to regard race as the only relevant label of identification. In other words, we were asked to deny a part of ourselves—and we did. Consequently, when the women’s movement raised the issue of sexist oppression, we argued that sexism was insignificant in light of the harsher, more brutal reality of racism. We were afraid to acknowledge that sexism could be just as oppressive as racism. We clung to the hope that liberation from racial oppression would be all that was necessary for us to be free. We were a new generation of black women who had been taught to submit, to accept sexual inferiority, and to be silent.
bell hooks (Ain't I a Woman: Black Women and Feminism)
For over a decade, I have defended the right of women to consume pornography and to be involved in its production. In 1984, when the Los Angeles City Council first debated whether or not to pass an anti-pornography ordinance, I was one of two people -and the only woman-who stood up and went on record against the measure. I argued that the right to work in pornography was a direct extension of the principle "A woman's body, a woman's right.
Wendy McElroy (XXX: A Woman's Right to Pornography)
If she never had any lovers, she kicks herself around when the change comes, thinking of all the fun she could have had, didn't have, and now can't have. If she had a lot of lovers, she argues herself into believing that she did wrong and she's sorry now. She carries on that way because she knows that soon all her woman-ness will be lost...lost. And if she makes believe being with a man was never any good in the first place, she can get comfort out of her change.
Betty Smith
A man whose wife has done everything he wishes for twenty years can never understand why she so suddenly changes. The woman who for twenty years has been silent, forgiving, smiling, patient, becomes in his eyes a rebel when in the twenty-first year she loses her patience and argues, accuses, demands explanations.Then she is a mutineer against whom every stratagem is permissible. Twenty years of patience have only given her the right to be patient also in the twenty-first.
Hans Fallada (Wolf Among Wolves)
One of my greatest concerns for the young women of the Church is that they will sell themselves short in dating and marriage by forgetting who they really are--daughters of a loving Heavenly Father. . . . Unfortunately, a young woman who lowers her standards far enough can always find temporary acceptance from immature and unworthy young men. . . . At their best, daughters of God are loving, caring, understanding, and sympathetic. This does not mean they are also gullible, unrealistic, or easily manipulated. If a young man does not measure up to the standards a young woman has set, he may promise her that he will change if she will marry him first. Wise daughters of God will insist that young men who seek their hand in marriage change before the wedding, not after. (I am referring here to the kind of change that will be part of the lifelong growth of every disciple.) He may argue that she doesn't really believe in repentance and forgiveness. But one of the hallmarks of repentance is forsaking sin. Especially when the sin involves addictive behaviors or a pattern of transgression, wise daughters of God insist on seeing a sustained effort to forsake sin over a long period of time as true evidence of repentance. They do not marry someone because they believe they can change him. Young women, please do not settle for someone unworthy of your gospel standards. On the other hand, young women should not refuse to settle down. There is no right age for young men or young women to marry, but there is a right attitude for them to have about marriage: "Thy will be done" . . . . The time to marry is when we are prepared to meet a suitable mate, not after we have done all the enjoyable things in life we hoped to do while we were single. . . . When I hear some young men and young women set plans in stone which do not include marriage until after age twenty-five or thirty or until a graduate degree has been obtained, I recall Jacob's warning, "Seek not to counsel the Lord, but to take counsel from his hand" (Jacob 4:10). . . . How we conduct ourselves in dating relationships is a good indication of how we will conduct ourselves in a marriage relationship. . . . Individuals considering marriage would be wise to conduct their own prayerful due diligence--long before they set their hearts on marriage. There is nothing wrong with making a T-square diagram and on either side of the vertical line listing the relative strengths and weaknesses of a potential mate. I sometimes wonder whether doing more homework when it comes to this critical decision would spare some Church members needless heartache. I fear too many fall in love with each other or even with the idea of marriage before doing the background research necessary to make a good decision. It is sad when a person who wants to be married never has the opportunity to marry. But it is much, much sadder to be married to the wrong person. If you do not believe me, talk with someone who has made that mistake. Think carefully about the person you are considering marrying, because marriage should last for time and for all eternity.
Robert D. Hales (Return: Four Phases of our Mortal Journey Home)
My Fellow Non-American Blacks: In America, You Are Black, Baby Dear Non-American Black, when you make the choice to come to America, you become black. Stop arguing. Stop saying I’m Jamaican or I’m Ghanaian. America doesn’t care. So what if you weren’t “black” in your country? You’re in America now. We all have our moments of initiation into the Society of Former Negroes. Mine was in a class in undergrad when I was asked to give the black perspective, only I had no idea what that was. So I just made something up. And admit it—you say “I’m not black” only because you know black is at the bottom of America’s race ladder. And you want none of that. Don’t deny now. What if being black had all the privileges of being white? Would you still say “Don’t call me black, I’m from Trinidad”? I didn’t think so. So you’re black, baby. And here’s the deal with becoming black: You must show that you are offended when such words as “watermelon” or “tar baby” are used in jokes, even if you don’t know what the hell is being talked about—and since you are a Non-American Black, the chances are that you won’t know. (In undergrad a white classmate asks if I like watermelon, I say yes, and another classmate says, Oh my God that is so racist, and I’m confused. “Wait, how?”) You must nod back when a black person nods at you in a heavily white area. It is called the black nod. It is a way for black people to say “You are not alone, I am here too.” In describing black women you admire, always use the word “STRONG” because that is what black women are supposed to be in America. If you are a woman, please do not speak your mind as you are used to doing in your country. Because in America, strong-minded black women are SCARY. And if you are a man, be hyper-mellow, never get too excited, or somebody will worry that you’re about to pull a gun. When you watch television and hear that a “racist slur” was used, you must immediately become offended. Even though you are thinking “But why won’t they tell me exactly what was said?” Even though you would like to be able to decide for yourself how offended to be, or whether to be offended at all, you must nevertheless be very offended. When a crime is reported, pray that it was not committed by a black person, and if it turns out to have been committed by a black person, stay well away from the crime area for weeks, or you might be stopped for fitting the profile. If a black cashier gives poor service to the non-black person in front of you, compliment that person’s shoes or something, to make up for the bad service, because you’re just as guilty for the cashier’s crimes. If you are in an Ivy League college and a Young Republican tells you that you got in only because of Affirmative Action, do not whip out your perfect grades from high school. Instead, gently point out that the biggest beneficiaries of Affirmative Action are white women. If you go to eat in a restaurant, please tip generously. Otherwise the next black person who comes in will get awful service, because waiters groan when they get a black table. You see, black people have a gene that makes them not tip, so please overpower that gene. If you’re telling a non-black person about something racist that happened to you, make sure you are not bitter. Don’t complain. Be forgiving. If possible, make it funny. Most of all, do not be angry. Black people are not supposed to be angry about racism. Otherwise you get no sympathy. This applies only for white liberals, by the way. Don’t even bother telling a white conservative about anything racist that happened to you. Because the conservative will tell you that YOU are the real racist and your mouth will hang open in confusion.
Chimamanda Ngozi Adichie (Americanah)
Those who do not believe that a woman can make a man happy through the twenty-four hours of the day have never possessed a woman like Henriette. The happiness which filled me, if I can express it in that manner, was much greater when I conversed with her even than when I held her in my arms. She had read much, she had great tact, and her taste was naturally excellent; her judgment was sane, and, without being learned, she could argue like a mathematician, easily and without pretension, and in everything she had that natural grace which is so charming. She never tried to be witty when she said something of importance, but accompanied her words with a smile which imparted to them an appearance of trifling, and brought them within the understanding of all. In that way she would give intelligence even to those who had none, and she won every heart. Beauty without wit offers love nothing but the material enjoyment of its physical charms, whilst witty ugliness captivates by the charms of the mind, and at last fulfils all the desires of the man it has captivated.
Giacomo Casanova (The Story of My Life)
Amelia furrowed her brow and said adamantly. "I'm not staying here tonight. No way!" Rick cleared his throat and was about to tell her there was no other hotel in town. They had no choice but to stay here. After a moment, he thought better of it. He made it his goal to never argue with an irate woman. If he had anything to say, it was better to wait until she was calm. He knew that much about women. When Rick was old enough to date, his father had warned him: "Any man who is not afraid of a woman's wrath is a fool. Wait until she's calmed down before talking with her." Rick gave a curt nod. He thought it best to do as his father had warned.
Linda Weaver Clarke (The Missing Heir (Amelia Moore Detective Series #3))
I needed them, sure, and we can all argue about the moment when the balance tipped and I needed them so much that I would hurt. But you can't pretend they didn't need me too, each in his or her way. They wouldn't necessarily have admitted it - except Reza - but you can't tell me they didn't love me. The heart knows. The body knows. When I was with Sirena, or Reza, or Skandar, the air moved differently between us; time passed differently; words or gestures meant more than themselves. If you've never had this experience-but who has not been visited by love, laughing?-then you can't understand. And if you have, you don't need me to say another word.
Claire Messud (The Woman Upstairs)
They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?
Steven Erikson
After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully. Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine. Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path? If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
Look, once you allow that the occupant of the womb is even potentially a life, it cuts athwart any glib invocation of “the woman’s right to choose.” If the unborn is a candidate member of the next generation, it means that it is society’s responsibility.  I used to argue that if this is denied, you might as well permit abortion in the third trimester. I wasn’t as surprised as perhaps I ought to have been when some feminists—only some, and partly to annoy—said yes to that. They at least were prepared to accept their own logic, and say that the unborn is nobody’s business but theirs. That is a very reactionary and selfish position, and it stems from this original evasion about the fetus being “merely” an appendage.
Christopher Hitchens
But we had made the decision—when we talked about who qualified as a woman of color, we came up with, after much discussion, that our definition of women of color was any woman who identified with the indigenous people of her respective nation or land. One of the reasons we put it that way is that there are people of European heritage in Argentina, for example, Jewish women. Are they Latinas or not? Well, I think we could argue that indeed they are, because of where they were born, and the language they speak, and the culture that they’re a part of. So, we made that decision that we were not looking for photographs of people. We just wanted to know if you identified with the indigenous people of your respective nation or country.
Keeanga-Yamahtta Taylor (How We Get Free: Black Feminism and the Combahee River Collective)
Vincent reserved the trick of seeming to argue against his own interests for large parties of eight to twelve people. His technique was veined with genius. When it was time for the first person, normally a woman, to order, he went into his act. No matter what she picked, Vincent reacted identically: his brow furrowed, his hand hovered above his order pad, and after looking quickly over his shoulder for the manager, he leaned conspiratorially toward the table to report in hushed tones for all to hear: “I’m afraid that is not as good tonight as it normally is. Might I recommend, instead, the . . . or the . . . ?” (At this point, Vincent suggested a pair of menu items that were slightly less expensive than the dish the patron had selected.) “They are both excellent tonight.
Robert B. Cialdini (Influence: The Psychology of Persuasion)
he always thinks of a dinner party as lasting all night; and he always thinks of a night as lasting forever. When the working women in the poor districts come to the doors of the public houses and try to get their husbands home, simple minded “social workers” always imagine that every husband is a tragic drunkard and every wife a broken-hearted saint. It never occurs to them that the poor woman is only doing under coarser conventions exactly what every fashionable hostess does when she tries to get the men from arguing over the cigars to come and gossip over the teacups. These women are not exasperated merely at the amount of money that is wasted in beer; they are exasperated also at the amount of time that is wasted in talk. It is not merely what goeth into the mouth but what cometh out the mouth that, in their opinion, defileth a man.
G.K. Chesterton
Anyway, there is an essential difference in gender that isn't politically correct to mention these days. Women are the ones to bear the children after all. They are the ones to nurse. They are the ones, traditionally, who care for the infants. That takes a huge amount of time.' He smiled, waiting for the applause, but something had gone wrong. There was a cold silence from the crowd... 'Did you just say that women aren't creative geniuses because they have babies?' 'No," he said, 'No. Not because. I wouldn't say that. I love women, and not all women have babies. My wife, for one, at least not yet. But listen, we're all given a finite amount of creativity, just like we;re given a finite amount of life, and if a woman continues to spend hers creating actual life and not imaginary life, that's a glorious choice. When a woman has a baby, she's creating so much more than just a world on the page, she's creating life itself, not just a simulacrum. No matter what Shakespeare did, it's so much less than your average illiterate woman of his age who had babies. Those babies were our ancestors, necessary to make everyone here today, and no one could seriously argue that any play is worth a single human wife. I mean the history of the stage supports me here. If women have historically demonstrated less creative genius than men, it's because they're making their creations internal, spending the energies on life itself. It's a kind of bodily genius. You can't tell me that isn't at least as worthy as genius of imagination. I think we can all agree that women are just as good as men, better in many ways. But the reason for the disparity in creation, is because women have turned their creative energies inward not outward.
Lauren Groff (Fates and Furies)
God created things which had free will. That means creatures which can go either wrong or right. Some people think they can imagine a creature which was free but had no possibility of going wrong; I cannot. If a thing is free to be good it is also free to be bad. And free will is what has made evil possible. Why, then, did God give them free will? Because free will though it makes evil possible, is also the only thing that makes possible any love or goodness or joy worth having. A world of automata—of creatures that worked like machines—would hardly be worth creating. The happiness which God designs for His higher creatures is the happiness of being freely, voluntarily united to Him and to each other in an ecstasy of love and delight compared with which the most rapturous love between a man and a woman on this earth is mere milk and water. And for that they must be free. Of course God knew what would happen if they used their freedom the wrong way: apparently He thought it worth the risk. Perhaps we feel inclined to disagree with Him. But there is a difficulty about disagreeing with God. He is the source from which all your reasoning power comes: you could not be right and He wrong any more than a stream can rise higher than its own source. When you are arguing against Him you are arguing against the very power that makes you able to argue at all: it is like cutting off the branch you are sitting on. If God thinks this state of war in the universe a price worth paying for free will—that is, for making a live world in which creatures can do real good or harm and something of real importance can happen, instead of a toy world which only moves when He pulls the strings—then we may take it it is worth paying.
C.S. Lewis (Mere Christianity)
Scared?" he asked a few minutes later. Willow glanced up in surprise. "Scared of what?" "Me." "Should I be?" "You're an attractive woman practically alone with a man who's reputation is questionable." When she didn't repsond, he moved out of the shadows to stand over her. He restated his question. "Are you worried?" His stance and narrow-eyed expression were almost menacing. Was his move meant to intimidate her? The thought miffed her. She abruptly stood and moved closer, staring up at him defiantly. "I don't scare easy. 'Sides, I can take care of myself." His smile was rueful. "Against a man my size?" "My brothers taught me tricks to make up for my smaller size-if you'll remember correctly." Rider scowled. "I was caught off guard that day. What you did wasn't a very ladylike thing to do, you know." Willow's ire flared. "You got a real thing about this ladylike stuff, don't you, mister?" She punctuated each word with a jab of her finger against his chest. "Well,let me tell you something. When a gentleman forgets to be a gentleman, I reckon a lady can forget to be a lady." Rider captured her finger in his hand, surprising her with his smile. "You know, you're absolutely right. I can't argue with the truth; it would't be gentlemanly. Shall we call a truce and agree to be friends?"" Willow tried to tug her finger out of his grasp but he held it tight. "Well?" he prodded. "We can call a truce, but I ain't ready to call you friend." He retained his hold on her finger. "Friendly acquaintances, perhaps?" His grin was infuriating, but her finger was going numb. "Maybe," she relented. "Well,that's better than nothing, I suppose." He released her stiff finger, and she shook it behind her back to restore the circulation.
Charlotte McPherren (Song of the Willow)
What happened?” Dallas asked immediately, his hand reaching out toward Louie. I didn’t miss how Lou took his hand instantly. “She called me a brat,” Louie blurted out, his other little hand coming up to meet with the one already clutching our neighbor’s. I blinked and told myself I was not going to look at Christy until I had the full story. “Why?” Dallas was the one who asked. “He spilled some of his hot chocolate on her purse,” it was Josh who explained. “He said sorry, but she called him a brat. I told her not to talk to my brother like that, and she told me I should have learned to respect my elders.” For the second time around this woman, I went to ten. Straight through ten, past Go, and collected two hundred dollars. “I tried to wipe it up,” Louie offered, those big blue eyes going back and forth between Dallas and me for support. “You should teach these boys to watch where they’re going,” Christy piped up, taking a step back. Be an adult. Be a role model, I tried telling myself. “It was an accident,” I choked out. “He said he was sorry… and your purse is leather and black, and it’ll be fine,” I managed to grind out like this whole thirty-second conversation was jabbing me in the kidneys with sharp knives. “I’d like an apology,” the woman, who had gotten me suspended and made me cry, added quickly. I stared at her long face. “For what?” “From Josh, for being so rude.” My hand started moving around the outside of my purse, trying to find the inner compartment when Louie suddenly yelled, “Mr. Dallas, don’t let her get her pepper spray!” The fuck? Oh my God. I glared at Louie. “I was looking for a baby wipe to offer her one, Lou. I wasn’t getting my pepper spray.” “Nuh-uh,” he argued, and out of the corner of my eye, I noticed Christy take a step back. “I heard you on the phone with Vanny. You said, you said if she made you mad again you were gonna pepper spray her and her mom and her mom’s mom in the—” “Holy sh—oot, Louie!” My face went red, and I opened my mouth to argue that he hadn’t heard me correctly. But… I had said those words. They had been a joke, but I’d said them. I glanced at Dallas, the serious, easygoing man who happened to look in that instant like he was holding back a fart but was hopefully just a laugh, and finally peeked at the woman who I’d like to think brought this upon herself. “Christy, I would never do that—” ... I cleared my throat and popped my lips. “Well, that was awkward.” “I’m not a brat.” Louie was still hung up and outraged. I pointed my finger at him. “You’re a tattletale, that’s what you are. Nosey Rosie. What did I tell you about snitches?” “You love them?
Mariana Zapata (Wait for It)
Brian Doyle about the Irish custom of “taking to the bed.” He says “In Irish culture, taking to the bed with a gray heart is not considered especially odd. People did and do it for understandable reasons—ill health, or the black dog, or, most horrifyingly, to die during An Gorta Mor, the great hunger, when whole families took to their beds to slowly starve…And in our time: I know a woman who took to her bed for a week after September eleventh, and people who have taken to their beds for days on end to recover from shattered love affairs, the death of a child, a physical injury that heals far faster than the psychic wound gaping under it. I’ve done it myself twice, once as a youth and once as a man, to think through a troubled time in my marriage. Something about the rectangularity of the bed, perhaps, or supinity, or silence, or timelessness; for when you are in bed but not asleep there is no time, as lovers and insomniacs know. Yet, anxious, heartsick, we take to the bed, saddled by despair and dissonance and disease, riddled by muddledness and madness, rattled by malaise and misadventure, and in the ancient culture of my forbears this was not so unusual….For from the bed we came and to it we shall return, and our nightly voyages there are nutritious and restorative, and we have taken to our beds for a thousand other reasons, loved and argued and eater and seethed there, and sang and sobbed and suckled, and burned with fevers and visions and lust, and huddled and howled and curled and prayed. As children we all, every one of us, pretended the bed was a boat; so now, when we are so patently and persistently and daily at sea, why not seek a ship? p. 119-20 Brian Doyle in The Wet Engine: Exploring the Mad Wild Miracle of the Heart, p. 90-91
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
Jane, I don’t care what capacity you let me have in your life. I just want to be there. And if that means I have to keep my distance, I’ll do that.” I sighed. If ever there was a time for me to lay all my cards on the table, this was it. Naked, wounded, and vulnerable. “So, here’s my basic problem with us, the reason I can’t seem to relax into a relationship with you, the reason I find problems where none exist and I push you away. I—I can’t figure out why you’re with me!” I exclaimed, clapping my hand over my mouth. I hadn’t meant for that part to come out. I had meant to say, “You lie and hide things from me.” Gabriel pried my fingers away from my lips. My hands trembled as stuff I’d been feeling for months tumbled from my tongue. “I know that makes me neurotic and sad, but I can’t figure out why you want to be with me. Every other woman in your life is exotic and beautiful and has all this history. And I’m just some drunk girl you followed home from a bar, some pathetic human you felt your usual need to protect, and you got stuck with a lifetime tie to her because she was dumb enough to get shot. I can’t stand the idea that you feel obligated to me. I know I’m insecure and pushy and spastic, desperately inappropriate at times and just plain odd at others. And I can’t help but wonder why you would want that when there are obviously so many other options. I can’t help but feel that I’m keeping you from someone better.” I let out a loud, long breath. It felt as if some tremendous weight on my chest had wiggled loose and then dropped away. No more running. No more floating along and waiting. My cards were on the table. If Gabriel and I couldn’t have a future after this, it wasn’t because I held back from him. Now I could only hope it didn’t blow up in my face in some horrible way. I wasn’t sure my face could handle much more. Gabriel sighed and cupped my chin, forcing me to look him in the eye. “I didn’t follow you that night because I wanted to protect you. I followed you that night because you were one of the most interesting people I’d met in decades. You had this light about you, this sweetness, this biting humor. After I’d only known you for an hour, you made me laugh harder than I had since before I was turned. You made me feel normal, at peace, for the first time in years. And I didn’t want to lose that yet. Even if it was just watching over you from a mile away, I didn’t want to leave your presence. I followed you because I didn’t want to let you go. Even then, I saw you were one of the most extraordinary, fascinating, maddening people I would ever know. Even then, I think I knew that I would love you. If you don’t love me, that’s one thing. But if you do, just stop arguing with me about it. It’s annoying. ” “Fair enough,” I conceded. “Why the hell couldn’t you have told me this a year ago?” “I’ve wanted to. You weren’t ready to hear it.
Molly Harper (Nice Girls Don't Live Forever (Jane Jameson, #3))
It’s not only working parents who are looking for more hours in the day; people without children are also overworked, maybe to an even greater extent. When I was in business school, I attended a Women in Consulting panel with three speakers: two married women with children and one single woman without children. After the married women spoke about how hard it was to balance their lives, the single woman interjected that she was tired of people not taking her need to have a life seriously. She felt that her colleagues were always rushing off to be with their families, leaving her to pick up the slack. She argued, “My coworkers should understand that I need to go to a party tonight—and this is just as legitimate as their kids’ soccer game—because going to a party is the only way I might actually meet someone and start a family so I can have a soccer game to go to one day!” I often quote this story to make sure single employees know that they, too, have every right to a full life.
Sheryl Sandberg (Lean In for Graduates)
Government Standing next to my old friend I sense that his soldiers have retreated. And mine? They’re resting their guns on their shoulders talking quietly. I’m hungry, one says. Cheeseburger, says another, and they all decide to go and find some dinner. But the next day, negotiating the too narrow aisles of The Health and Harmony Food Store—when I say, Excuse me, to the woman and her cart of organic chicken and green grapes she pulls the cart not quite far back enough for me to pass, and a small mob in me begins picking up the fruit to throw. So many kingdoms, and in each kingdom, so many people: the disinherited son, the corrupt counselor, the courtesan, the fool. And so many gods—arguing among themselves, over toast, through the lunch salad and on into the long hours of the mild spring afternoon—I’m the god. No, I’m the god. No, I’m the god. I can hardly hear myself over their muttering. How can I discipline my army? They’re exhausted and want more money. How can I disarm when my enemy seems so intent?
Marie Howe (The Kingdom of Ordinary Time: Poems)
We as a people have become so addicted to DYSFUNCTION that we don't recognize PEACE (man or woman) when it enters our energetic space. We call PEACE soft, too nice, pushover, doormat and other names because PEACE respects you. PEACE cares about & for you. PEACE doesn't want to argue, PEACE speaks it's mind with healthy discussion & at the end of the day, PEACE says I Love you. PEACE keeps their word. PEACE enjoys spending time with you & treating you better than anyone else ever has but because of our addiction, we say this is too good to be true. We wait for the other shoe to drop. We check PEACE phone, follow PEACE home or just dismiss PEACE altogether because something just ain't right!" LEAVE that phone alone, STOP looking for a reason, and CHANGE your mindset. "Once you have begun down this new path, your vibrations will change & PEACE will start to walk with you, YOU will attract his siblings-Love, Joy, Kindness, Happiness & your relationships will become everything you inwardly desired but secretly believed you were not worthy of attaining.
Sanjo Jendayi
We need to reclaim the word 'feminism'. We need the word 'feminism' back real bad. When statistics come in saying that only 29% of American women would describe themselves as feminist - and only 42% of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF THE SURVEY? These days, however, I am much calmer-since I realized that it's technically impossible for a woman to argue against feminism. Without feminism, you wouldn't be allowed to have a debate on a woman's place in society. You'd be too busy giving birth on the kitchen floor-biting down on a wooden spoon so as not to disturb the men's card game-before going back to hoeing the rutabaga field. This is why those female columnists in the Daily Mail-giving daily wail against feminism-amuse me. They paid you 1,600 pounds for that, dear, I think. And I bet it' going into your bank account and not your husband's. The more women argue, loudly, against feminism, the more they both prove it exists and that they enjoy its hard-won privileges. Because for all that people have tried to abuse it and disown it, "feminism" is still the word we need...We need the only word we have ever had to describe "making the world equal for men and women". Women's reluctance to use it sends out a really bad signal. Imagine if, in the 1960's, it had become fashionable for black people to say they "weren't into" civil rights. "No, I'm not into Civil Rights! That Martin Luther King is too shouty. He just needs to chill out, to be honest." But then, I do understand why women started to reject the word feminism. It ended up being invoked in so many baffling inappropriate contexts that you'd presume it was some spectacularly unappealing combination of misandry, misery, and hypocrisy, which stood for ugly clothes, constant anger, and, let's face it, no fucking...Feminism has had exactly the same problem that "political correctness" has had: people keep using the phrase without really knowing what it means.
Caitlin Moran
I have been envious of male characteristics, if not the men themselves. I'm jealous of the ease with which they seem to inhabit their professional pursuits: the lack of apologizing, of bending over backward to make sure the people around them are comfortable with what they're trying to do. The fact that they are so often free of the people-pleasing instincts I have considered to be a curse of my female existence. I have watched men order at dinner, ask for shitty wine and extra bread with a confidence I could never muster, and thought, What a treat that must be. But I also consider being female such a unique gift, such a sacred joy, in ways that run so deep I can't articulate them. It's a special kind of privilege to be born into the body you wanted, to embrace the essence of your gender even as you recognize what you are up against. Even as you seek to redefine it. "I know that when I am dying, looking back, it will be women that I regret having argued with, women I sought to impress, to understand, was tortured by. Women I wish to see again, to see them smile and laugh and say, It was all as it should have been.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
I walked slowly back home, breathing deeply and taking in all the sights and sounds of a private country club golf course: the beeping of a distant golf cart driving in reverse, the barking of the bird dogs Dr. Burris took hunting with him every fall and winter, millions of tiny birds in triumphant song. It was the closest thing to the country that I’d known until now. And my thoughts turned to Marlboro Man. I was thinking of him when I walked back into the house, imagining his gorgeous voice in my ear when I heard the phone ringing in my room. I ran up the stairs, skipping three steps at a time, and answered the phone, breathless. “Hello?” I gasped. “Hey there,” Marlboro Man said. “What are you doing?” “Oh, I just went for a run on the golf course,” I answered. As if I did it every day. “Well, I just want you to know I’m coming to get you at five,” he said. “I’m having Ree withdrawals.” “You mean since midnight, when we last saw each other?” I joked. Actually, I knew exactly what he meant. “Yeah,” he said. “That’s way, way too long, and I’m not gonna put up with it anymore.” I loved it when he took charge. “Okay, then--fine,” I said, surrendering. “I don’t want to argue. I’ll see you at five.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Abortion is often seen as a bad thing for society, a sign of hedonism, materialism, and hyperindividualism. I argue that, on the contrary, access to legal abortion is a good thing for society and helping a woman obtain one is a good deed. Instead of shaming women for ending a pregnancy, we should acknowledge their realism and self-knowledge. We should accept that it's good for everyone if women only have the children they want and can raise them well. Society benefits when women can commit to education and work and dreams without having at the back of their mind a concern that maybe it's all provisional, because at any moment an accidental pregnancy could derail them for life. It's good for children to be wanted, and to come into this life when their parents are ready for them. It's good for people to be able to have sexual experiences and know that birth-control failure need not be the last word. It would not make us a better country if more girls and women were nudged and bullied and cajoled and humiliated and frightened into bearing children they are ill-equipped to raise, even if more men could somehow be lassoed into marrying or supporting them. It would simply mean more lost hope, more bad marriages and family misery, more poverty and struggle for women, their partners, and their kids. Don't we have way too much of all that already?
Katha Pollitt (Pro: Reclaiming Abortion Rights)
ANITA, I KNEW THAT MOMENT IN THE CAVE THAT YOU WOULD THINK AS I DID. I FELT THAT YOU WOULD KNOW WHERE I WOULD GO TO HUNT. NOW HERE YOU ARE. I AM NEARBY. I HAVE WATCHED YOU COME TO THE GOOD PROFESSOR'S RESCUE. I WATCHED YOU TAKE THE ENVELOPE, AND I KNOW YOU ARE READING IT NOW. I BELITTLED EDWARD WHEN HE SPOKE OF SOUL MATES. I OWE HIM AN APOLOGY. WHEN I SAW YOU TAKE HIS HEART, SO PRACTICED, I KNEW THAT YOU WERE AS I AM. HOW MANY HAVE YOU KILLED? HOW MANY HEARTS HAVE YOU RIPPED OUT? HOW MANY HEADS HAVE YOU TAKEN? YOU'LL ARGUE WITH YOURSELF THAT YOU ARE NOT AS I AM. MAYBE YOU DON'T TAKE TROPHIES, BUT YOU STILL LIVE FOR THE KILL, ANITA. YOU WOULD WITHER AND DIE WITHOUT THE VIOLENCE. WHAT TRICK OF FATE HAS MADE YOU PHYSICALLY THE WOMAN I KILL OVER AND OVER AGAIN, AND YET PUT INSIDE THAT TINY BODY THE OTHER HALF OF MY SOUL? ARE MOST OF THE VAMPIRES YOU KILL MEN? DO YOU HAVE YOUR VICTIM PREFERENCE, ANITA? I WOULD LOVE TO HUNT WITH YOU AT MY SIDE. I WOULD HUNT YOUR VICTIMS BECAUSE I KNOW YOU WILL NOT HUNT MINE. BUT WE WOULD STILL KILL TOGETHER AND CUT THE BODIES UP, AND THAT WOULD BE MORE THAN I EVER DREAMED OF SHARING WITH A WOMAN. "What does the note say?" Bernardo asked. I handed it to him. Bernardo read faster than I would have thought, "Jesus, Anita, Olaf has a crush on you." "A crush," I said, "a crush, God, there's got to be another word for it.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
(a) A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very ‘deep’ things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published. (b) A writer has a duty and an obligation never to be understood by his own generation; convinced, as he is, that he has been born into an age of mediocrity, he believes that being understood would mean losing his chance of ever being considered a genius. A writer revises and rewrites each sentence many times. The vocabulary of the average man is made up of 3,000 words; a real writer never uses any of these, because there are another 189,000 in the dictionary, and he is not the average man. (c) Only other writers can understand what a writer is trying to say. Even so, he secretly hates all other writers, because they are always jockeying for the same vacancies left by the history of literature over the centuries. And so the writer and his peers compete for the prize of ‘most complicated book’: the one who wins will be the one who has succeeded in being the most difficult to read. (d) A writer understands about things with alarming names, like semiotics, epistemology, neoconcretism. When he wants to shock someone, he says things like: ‘Einstein is a fool’, or ‘Tolstoy was the clown of the bourgeoisie.’ Everyone is scandalized, but they nevertheless go and tell other people that the theory of relativity is bunk, and that Tolstoy was a defender of the Russian aristocracy. (e) When trying to seduce a woman, a writer says: ‘I’m a writer’, and scribbles a poem on a napkin. It always works. (f) Given his vast culture, a writer can always get work as a literary critic. In that role, he can show his generosity by writing about his friends’ books. Half of any such reviews are made up of quotations from foreign authors and the other half of analyses of sentences, always using expressions such as ‘the epistemological cut’, or ‘an integrated bi-dimensional vision of life’. Anyone reading the review will say: ‘What a cultivated person’, but he won’t buy the book because he’ll be afraid he might not know how to continue reading when the epistemological cut appears. (g) When invited to say what he is reading at the moment, a writer always mentions a book no one has ever heard of. (h) There is only one book that arouses the unanimous admiration of the writer and his peers: Ulysses by James Joyce. No writer will ever speak ill of this book, but when someone asks him what it’s about, he can’t quite explain, making one doubt that he has actually read it.
Paulo Coelho
Your belly’s getting big,” he said one night. “I know,” I answered, looking down. It was kind of hard to deny. “I love it,” he said, stroking it with the palm of his hand. I recoiled a little, remembering the black bikini I’d worn on our honeymoon and how comparatively concave my belly looked then, and hoping Marlboro Man had long since put the image out of his mind. “Hey, what are we naming this thing?” he asked, even as the “thing” fluttered and kicked in my womb. “Oh, man…” I sighed. “I have no idea. Zachary?” I pulled it out of my wazoo. “Eh,” he said, uninspired. “Shane?” Oh no. Here go the old movies. “I went to my senior prom with a Shane,” I answered, remembering dark and mysterious Shane Ballard. “Okay, scratch that,” he said. “How about…how about Ashley?” How far was he going to take this? I remembered a movie we’d watched on our fifteenth date or so. “How about Rooster Cogburn?” He chuckled. I loved it when he chuckled. It meant everything was okay and he wasn’t worried or stressed or preoccupied. It meant we were dating and sitting on his old porch and my parents weren’t divorcing. It meant my belly button wasn’t bulbous and deformed. His chuckles were like a drug to me. I tried to elicit them daily. “What if it’s a girl?” I said. “Oh, it’s a boy,” he said with confidence. “I’m positive.” I didn’t respond. How could I argue with that?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.” Pulled off balance, she fell across his chest. Squirming, but halfheartedly, she said, “There’s a time and a place for everything, and this isn’t it.” “No?” He ran a hand under her blouse. “I say it is a very good time.” She jerked when his fingers scaled her ribs. “That tickles.” Without warning he rolled with her, coming out on top. He kissed her lightly on the lips while he moved his hand from her ribs to her breast. The small mound of warm flesh fit perfectly in his hand, the crest springing taut against his palm. Scarlet flamed on her cheeks. Unable to resist, Hunter lifted her blouse and moved off her to look, one thigh slanted across both of hers to keep her still. He had guessed right; when she was shy, she grew pink all over. “Hunter!” She tried to shove the leather down. “Someone might come!” “No one comes.
Catherine Anderson (Comanche Moon (Comanche, #1))
Here’s how I’ve always pictured mitigated free will: There’s the brain—neurons, synapses, neurotransmitters, receptors, brainspecific transcription factors, epigenetic effects, gene transpositions during neurogenesis. Aspects of brain function can be influenced by someone’s prenatal environment, genes, and hormones, whether their parents were authoritative or their culture egalitarian, whether they witnessed violence in childhood, when they had breakfast. It’s the whole shebang, all of this book. And then, separate from that, in a concrete bunker tucked away in the brain, sits a little man (or woman, or agendered individual), a homunculus at a control panel. The homunculus is made of a mixture of nanochips, old vacuum tubes, crinkly ancient parchment, stalactites of your mother’s admonishing voice, streaks of brimstone, rivets made out of gumption. In other words, not squishy biological brain yuck. And the homunculus sits there controlling behavior. There are some things outside its purview—seizures blow the homunculus’s fuses, requiring it to reboot the system and check for damaged files. Same with alcohol, Alzheimer’s disease, a severed spinal cord, hypoglycemic shock. There are domains where the homunculus and that brain biology stuff have worked out a détente—for example, biology is usually automatically regulating your respiration, unless you must take a deep breath before singing an aria, in which case the homunculus briefly overrides the automatic pilot. But other than that, the homunculus makes decisions. Sure, it takes careful note of all the inputs and information from the brain, checks your hormone levels, skims the neurobiology journals, takes it all under advisement, and then, after reflecting and deliberating, decides what you do. A homunculus in your brain, but not of it, operating independently of the material rules of the universe that constitute modern science. That’s what mitigated free will is about. I see incredibly smart people recoil from this and attempt to argue against the extremity of this picture rather than accept its basic validity: “You’re setting up a straw homunculus, suggesting that I think that other than the likes of seizures or brain injuries, we are making all our decisions freely. No, no, my free will is much softer and lurks around the edges of biology, like when I freely decide which socks to wear.” But the frequency or significance with which free will exerts itself doesn’t matter. Even if 99.99 percent of your actions are biologically determined (in the broadest sense of this book), and it is only once a decade that you claim to have chosen out of “free will” to floss your teeth from left to right instead of the reverse, you’ve tacitly invoked a homunculus operating outside the rules of science. This is how most people accommodate the supposed coexistence of free will and biological influences on behavior. For them, nearly all discussions come down to figuring what our putative homunculus should and shouldn’t be expected to be capable of.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
In her eyes, he could see the fear, but also the love. The need. Time to show her, that to him, she meant everything. “Before you shower me with kisses for saving you –” “I think it could be argued that I played a part.” “Not when I retell the story you won’t. But we can argue about that later, naked. As I was saying, I have something for you.” Remy pulled the sheet of paper out of his back pocket and unfolded it. Initially he’d worried about it being too short. But as Lucifer assured him when he made the contract and binding, the less clauses he put in, the more his promise would stick out. Handing it to her, he waited. Fidgeted when she didn’t say a word. Almost tore it from her grasp. Then stumbled back as she threw herself at him. I, Remy, the most awesome demon in Hell, do declare to love the witch Ysabel, fiery temper and all, for an eternity. I will never stray. Never betray her trust. Never do anything to cause her pain upon penalty of permanent death. This I do swear in blood, Remy A simple contract, which in its very lack of clauses and sub items, awed her. “You love me that much?” He peered at her with incredulity on his face. “Of course I love you that much. Would I have done all the things I did if I didn’t?” “Well, you are related to a mad woman.” “Yes, and maybe it’s madness for me to love you, but I do. Do you think just any woman would inspire me enough to take on a bloody painful curse. Or put up with the fact you have a giant, demon eating cat. I know you have trust issues, and that I might not have led the kind of life that inspires confidence, but I will show you that you can believe in me. I want you to love me.” “I know you do. And I do love you. Only for you would I come to the rescue wearing nothing to cover my bottom.” His eyebrows shot up. “You came to battle in a skirt without any underwear?” A slow nod was her answer. He grinned, then scowled. “You will not do that again. Do you know how many demons live in the sewer and could have looked up your skirt? I won’t have them looking at what’s mine. On second thought. Throw out all your underwear. I’ll lead the purge on the sewers myself so you can stroll around with your girl parts unencumbered for my enjoyment.” “You’re insane,” she laughed. “Crazy in love with you,” he agreed. “But I do warn you, we’ll have to have dinner with my crazy mother at least once a month.” “Or more often. I quite like your mom. She’s got a refreshing way of viewing the world.” “Oh fuck. Don’t tell me she’s already rubbing off,” he groaned, as he pulled her into his arms. She snuggled against him. This was where she belonged. But she did have a question. “As my new… what should I call you anyway? Boyfriend? Demon I sleep with?” “The following terms are acceptable to me. Yours. Mate. Husband. Divine taster of your –” She slapped a hand over his mouth. “I’ll stick to mate.” “And I’m going with my super, sexy, touch her and die, fabulous cougar, ass kicking witch.” “I dare you shout that five times in a row without stumbling.” He did to her eye popping disbelief. “I told you, I have a very agile tongue.” “I remember.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Everyone around you is just doing their best to make it through today. Because tomorrow will come, and you have to repeat the same day over and over again.  As a kid, you go into the grocery store, and it feels like a never-ending castle filled with different rooms. You feel like every time you enter, there’s always something new to discover. But as an adult, you’ll start to get mad when they change the aisles around because now you can't find the damn oranges!  I never imagined that I would one day be employed in the magical grocery store my family and I went to every Saturday. I never imagined that the place I swore I’d never end up, would soon become the place where I was stuck. Emotionally and physically. As I watch customers trickle in and out, I create stories for each of them. The guy holding flowers and staring at his watch is probably late for a date. The young woman reading the get well soon greeting cards might have had someone close to her get hurt—or maybe they're sick.  All the stories I create for these people make me happy. They’re out in the world. They’re living whereas I’m only existing. I have nobody to share my oranges with. I have nobody to blow out candles in front of. I’m directionless and alone. This big magical place I once thought of is now holding me hostage. I had love once. I had people around me once. I had someone to grocery shop with on the weekends and laugh with when our groceries dropped through the bag. I once had someone to argue with over who was allowed to push the cart. I once had someone who would peel my oranges for me when we got home. Now, my oranges sit and rot in the bowl on my small kitchen table. I have to throw them away most of the time. Yet, I still buy them because it reminds me of something I once had. Is that all life is?
Emily Tudor (The Road Not Taken (Hart Sisters Book 1))
But the psychological change accompanying these technologies is more subtle, and perhaps more important. Consciously and unconsciously, we have gradually grown accustomed to experiencing the world through disembodied machines and instruments. As I stood in line to board an airplane recently, the young woman in front of me was primping in her mirror—straightening her hair, putting on lipstick, patting her checks with blush—a female ritual that has been repeated for several thousand years. In this case, however, her “mirror” was an iPhone in video mode, pointed at herself, and she was reacting to a digitized image of herself. I take walks in a federally protected wildlife preserve near my home in Massachusetts. A dirt trail winds for a mile around a lake teeming with beavers and fish, wild ducks and geese, aquatic frogs. Bulrushes and cattails wrap the perimeter of the pond, water lilies float here and there, rippling when a fish goes by. In the winter, the air is crisp and sharp, in the summer soft and aromatic. And a thick silence lies across the park, broken only by the honking of geese and the croaking of frogs. It is a place to smell, to see, to feel, to quietly let one’s mind wander where it wants. More and more commonly, I see people here talking on their cell phones as they walk around the trail. Their attention is focused not on the scene in front of them, but on a disembodied voice coming from a small box. And they are disembodied themselves. Where are their minds and bodies? Certainly not present in the park. Nor can they be located in the electromagnetic waves and digital signals flowing through cyberspace. Only their voices can be found at the other end of their conversations, in the offices and boardrooms and homes of the people they are talking to. They are attempting to be several places at once, like quantum waves. But I would argue that they are nowhere.
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
Are you an influencer? Are you in media? Do you run a conference? A business? A podcast? Are you a mom in the PTA? Are you a teller at the local bank? Are you a volunteer for Sunday school at church? Are you a high school student? Are you a grandma of seven? Great! I need you. We need you! We need you to live into your purpose. We need you to create and inspire and build and dream. We need you to blaze a trail and then turn around and light the way with your magic so other women can follow behind you. We need you to believe in the idea that every kind of woman deserves a chance to be who she was meant to be, and she may never realize it if you—yes, you—don’t speak that truth into her life. You’ll be able to do that if you first practice the idea of being made for more in your own life. After all, if you don’t see it, how do you know you can be it? If women in your community or your network marketing group or your Zumba class don’t ever see an example of a confident woman, how will they find the courage to be confident? If our daughters don’t see a daily practice of us feeling not only comfortable but truly fulfilled by the choice to be utterly ourselves, how will they learn that behavior? Pursuing your goals for yourself is so important, and I’d argue that it’s an essential factor in living a happy and fulfilled existence—but it’s not enough simply to give you permission to make your dream manifest. I want to challenge you to love the pursuit and openly celebrate who you become along the journey. When your light shines brighter, others won’t be harmed by the glare; they’ll be encouraged to become a more luminescent version of themselves. That’s what leadership looks like. Leaders are encouraging. Leaders share information. Leaders hold up a light to show you the way. Leaders hold your hand when it gets hard. True leaders are just as excited for your success as they are for their own, because they know that when one of us does well, all of us come up. When one of us succeeds, all of us succeed. You’ll be able to lead other women to that place if you truly believe that every woman is worthy and called to something sacred.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
There is a porter at the door and at the reception-desk a grey-haired woman and a sleek young man. 'I want a room for tonight.' 'A room? A room with bath?' I am still feeling ill and giddy. I say confidentially, leaning forward: 'I want a light room.' The young man lifts his eyebrows and stares at me. I try again. 'I don't want a room looking on the courtyard. I want a light room.' 'A light room?' the lady says pensively. She turns over the pages of her books, looking for a light room. 'We have number 219,' she says. 'A beautiful room with bath. Seventy-five francs a night.' (God, I can't afford that.) 'It's a very beautiful room with bath. Two windows. Very light,' she says persuasively. A girl is called to show me the room. As we are about to start for the lift, the young man says, speaking out of the side of his mouth: 'Of course you know that number 219 is occupied.' 'Oh no. Number 219 had his bill before yesterday.' the receptionist says. 'I remember. I gave it to him myself.' I listen anxiously to this conversation. Suddenly I feel that I must have number 219, with bath - number 219, with rose-coloured curtains, carpet and bath. I shall exist on a different planet at once if I can get this room, if only for a couple of nights. It will be an omen. Who says you can't escape from your faith? I'll escape from mine, into room number 219. Just try me, just give me a chance. 'He asked for his bill,' the young man says, in a voice which is a triumph of scorn and cynicism. 'He asked for his bill but that doesn't mean that he has gone.' The receptionist starts arguing. 'When people ask for their bills, it's because they are going, isn't it?' 'Yes,' he says, 'French' people. The others ask for their bills to see if we're going to cheat them.' 'My God,' says the receptionist, 'foreigners, foreigners, my God. ...' The young man turns his back, entirely dissociating himself from what is going on. Number 219 - well, now I know all about him. All the time they are talking I am seeing him - his trousers, his shoes, the way he brushes his hair, the sort of girls he likes. His hand-luggage is light yellow and he has a paunch. But I can't see his face. He wears a mask, number 219. ... 'Show the lady number 334.
Jean Rhys (Good Morning, Midnight)
They heard Hugo ask if the plan for the hors d'oeuvres was still in operation, and they heard Colette ask about plucking the feathers off crows, and they heard Kevin complain that he didn't know whether to hold the birdpaper in his right hand or his left hand, and they heard Mr. Lesko insult Mrs. Morrow, and the bearded man sing a song to the woman with the crow-shaped hat, and they heard a man call for Bruce and a woman call for her mother and dozens of people whisper to and shout at, argue with and agree upon, angrily accuse and meekly defend, furiously compliment and kindly insult dozens of other people, both inside and outside the Hotel Denouement, whose names the Baudelaires recognized, forgot, and had never heard before. Each story had its story, and each story's story was unfathomable in the Baudelaire orphans' short journey, and many of the stories' stories are unfathomable to me, even after all these lonely years and all this lonely research. Perhaps some of these stories are clearer to you, because you have spied upon the people involved. Perhaps Mrs. Bass has changed her name and lives near you, or perhaps Mr. Remora's name is the same, and he lives far away. Perhaps Nero now works as a grocery store clerk, or Geraldine Julienne now teaches arts and crafts. Perhaps Charles and Sir are no longer partners, and you have had the occasion to study one of them as he sat across from you on a bus, or perhaps Hugo, Colette, and Kevin are still comrades, and you have followed these unfathomable people after noticing that one of them used both hands equally. Perhaps Mr. Lesko is now your neighbor, or Mrs. Morrow is now your sister, or your mother, or your aunt or wife or even your husband. Perhaps the noise you hear outside your door is a bearded man trying to climb into your window, or perhaps it is a woman in a crow-shaped hat hailing a taxi. Perhaps you have spotted the managers of the Hotel Denouement, or the judges of the High Court, or the waiters of Cafe Salmonella or the Anxious Clown, or perhaps you have met an expert on injustice or become one yourself. Perhaps the people in your unfathomable life, and their unfathomable stories, are clear to you as you make your way in the world, but when the elevator stopped for the last time, and the doors slid open to reveal the tilted roof of the Hotel Denouement, the Baudelaires felt as if they were balancing very delicately on a mysterious and perplexing heap of unfathomable mysteries.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
He ought to be more clever in his murder attempt. Done properly, he could make a wealthy widow of you, and then you’d both have your happy ending.” Harry knew instantly that he shouldn’t have said it—the comment was the kind of cold-blooded sarcasm he had always resorted to when he felt the need to defend himself. He regretted it even before he saw Merripen out of the periphery of his vision. The Rom was giving him a warning shake of his head and drawing a finger across his throat. Poppy was red faced, her brows drawn in a scowl. “What a dreadful thing to say!” Harry cleared his throat. “I’m sorry,” he said brusquely. “I was joking. It was in poor—” He ducked as something came flying at him. “What the devil—” She had thrown something at him, a cushion. “I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?” “I’ll handle this,” Merripen told Win before she could reply. Standing, he slung a great arm across Harry’s shoulders and walked him to the side of the terrace. Poppy’s furious form could be seen in the distance. She was walking down the drive to the caretaker’s house, her skirts and shoes kicking up tiny dust storms. Merripen spoke in a low, not unsympathetic tone, as if compelled to guide a hapless fellow male away from danger. “Take my advice, gadjo . . . never argue with a woman when she’s in this state. Tell her you were wrong and you’re sorry as hell. And promise never to do it again.” “I’m still not exactly certain what I did,” Harry said. “That doesn’t matter. Apologize anyway.” Merripen paused and added in whisper, “And whenever your wife is angry . . . for God’s sake, don’t try logic.” “I heard that,” Win said from the chaise.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
I thought we were meeting by the field house,” I call out as I make my way over. He doesn’t even turn around. “Nah, I’m pretty sure I said the parking lot.” “You definitely said the field house,” I argue. Why can’t he ever just admit that he’s wrong? “Geez, field house, parking lot. What difference does it make?” Mason asks. “Give it a rest, why don’t you.” I shoot him a glare. “Oh, hey, Mason. Remember when your hair was long and everyone thought you were a girl?” Ryder chuckles as he releases a perfect spiral in Mason’s direction. “She’s got you there.” “Hey, whose side are you on, anyway?” Mason catches the ball and cradles it against his chest, then launches it toward Ben. I just stand there watching as they continue to toss it back and forth between the three of them. Haven’t they had enough football for one day? I pull out my cell to check the time. “We should probably get going.” “I guess,” Ryder says with an exaggerated sigh, like I’m putting him out or something. Which is particularly annoying since he’s the one who insisted on going with me. Ben jogs up beside me, the football tucked beneath his arm. “Where are you two off to? Whoa, you’re sweaty.” I fold my arms across my damp chest. “Hey, southern girls don’t sweat. We glow.” Ben snorts at that. “Says who?” “Says Ryder’s mom,” I say with a grin. It’s one of Laura Grace’s favorite sayings--one that always makes Ryder wince. “The hardware store,” Ryder answers, snatching the ball back from Ben. “Gotta pick up some things for the storm--sandbags and stuff like that. Y’all want to come?” “Nah, I think I’ll pass.” Mason wrinkles his nose. “Pretty sure I don’t want to be cooped up in the truck with Jemma glowing like she is right now.” “Everybody thought you and Morgan were identical twin girls,” I say with a smirk. “Remember, Mason? Isn’t that just so cute?” “I’ll go,” Ben chimes in. “If you’re getting sandbags, you’ll need some help carrying them out to the truck.” “Thanks, Ben. See, someone’s a gentleman.” “Don’t look now, Ryder, but your one-woman fan club is over there.” Mason tips his head toward the school building in the distance. “I think she’s scented you out. Quick. You better run.” I glance over my shoulder to find Rosie standing on the sidewalk by the building’s double doors, looking around hopefully. “Hey!” Mason calls out, waving both arms above his head. “He’s over here.” Ryder’s cheeks turn beet-red. He just stares at the ground, his jaw working furiously. “C’mon, man,” Ben says, throwing an elbow into Mason’s side. “Don’t be a dick.” He grabs the football and heads toward Ryder’s Durango. “We better get going. The hardware store probably closes at six.” Silently, Ryder and I hurry after him and hop inside the truck--Ben up front, me in the backseat. We don’t look back to see if Rosie’s following.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Alone, [Chamcha] all at once remembered that he and Pamela had once disagreed, as they disagreed on everything, on a short-story they’d both read, whose theme was precisely the nature of the unforgivable. Title and author eluded him, but the story came back vividly. A man and a woman had been intimate friends (never lovers) for all their adult lives. On his twenty-first birthday (they were both poor at the time) she had given him, as a joke, the most horrible, cheap glass vase she could find, in colours a garish parody of Venetian gaiety. Twenty years later, when they were both successful and greying, she visited his home and quarrelled with him over his treatment of a mutual friend. In the course of the quarrel her eye fell upon the old vase, which he still kept in pride of place on his sitting-room mantelpiece, and, without pausing in her tirade, she swept it to the floor, crushing it beyond hope of repair. He never spoke to her again; when she died, half a century later, he refused to visit her deathbed or attend her funeral, even though messengers were sent to tell him that these were her dearest wishes. ‘Tell her,’ he said to the emissaries, 'that she never knew how much I valued what she broke.’ The emissaries argued, pleaded, raged. If she had not known how much meaning he had invested in the trifle, how could she in all fairness be blamed? And had she not made countless attempts, over the years, to apologize and atone? And she was dying, for heaven’s sake; could not this ancient, childish rift be healed at last? They had lost a lifetime’s friendship; could they not even say goodbye? 'No,’ said the unforgiving man. – 'Really because of the vase? Or are you concealing some other, darker matter?’ – 'It was the vase,’ he answered, 'the vase, and nothing but.’ Pamela thought the man petty and cruel, but Chamcha had even then appreciated the curious privacy, the inexplicable inwardness of the issue. 'Nobody can judge an internal injury,’ he had said, 'by the size of the superficial wound, of the hole.
Salman Rushdie
Rhi stood in the doorway and watched Henry. He was a fighter. Maybe that’s why she saved him. There was also a slim chance it was because he helped the Kings. “It’s a good thing you called me,” Usaeil, Queen of the Light, said as she came to stand beside Rhi. Rhi could’ve brought Henry to Usaeil’s manor on the west coast of Ireland, but then it would reveal to one and all power she’s managed to keep hidden from them. That was something she wanted to keep to herself. So she got Henry out of the prison and to the outskirts of Dublin. From there, it was simply a matter of asking Usaeil for help. Now all Rhi had to worry about was finding out how much Henry remembered. If he recalled seeing her teleport him out, then she would need to convince him to lie for her. Although Usaeil would want to know how Henry got out of his prison and how Rhi found him. Usaeil hadn’t begun those questions yet. But they were coming. “I’m glad you agreed to help,” Rhi said. Usaeil shoved her black hair over her shoulders and adjusted the coral sheath dress she wore. “He’s aiding the Kings. Why wouldn’t I help him?” Rhi wanted to roll her eyes, but she didn’t. “We might be Light, but we also use humans as the Dark do.” “We don’t kill them.” “No, we sleep with them once and ruin them for any other mortal. We don’t hurt them at all,” she said sarcastically, giving Usaeil a cutting look. Usaeil slid her silver eyes to Rhi. “I can easily toss Henry North out on his ass.” “Do it. What do I care?” “I think you care more than you’re ready to admit. Why else would you want to help him?” Usaeil sighed. “Rhi, we all know you went through hell at Balladyn’s hands. We know it’s going to take time for you to heal, but you will heal.” Rhi wasn’t so sure. She could feel the darkness within her, coiling and shifting. She had to fight to remember what she should do, instead of what the darkness wanted her to do. “Henry is healing nicely,” Rhi said, changing the subject. Usaeil nodded slowly. “His injuries were extensive. Had you not found him when you did, the internal bleeding would’ve killed him in a few hours. By the way, how did you find him again?” This was what Rhi had been waiting for. Everyone knew she couldn’t lie without feeling tremendous pain. She sank her nails into her palms, held Usaeil’s gaze and lied. “I found him in Dublin. As I said, I don’t know how he got there.” “So very odd.” The pain was gut wrenching. It twisted her insides and squeezed her lungs so that she couldn’t breath. Pain exploded inside her head. She began to shake. It was time for Rhi to change the subject again. “You should tell Con we have him.” The queen twisted her lips. “If I do, Con will want to come here and finish healing Henry himself, or want us to bring Henry to him. I’m not in the mood for either.” “Henry will be finished healing soon. What then? You want him to remain? In a place full of Light Fae?” Thankfully, the pain began to dull enough that Rhi could breath easier. “No,” Usaeil said with a frown. “Already his appearance has sparked interest. They’re trying to get in to see him. He’s a mortal, so he’ll succumb to any Fae he encounters.” Rhi took exception to that. “He’s stronger than that.” “He’s human, Rhi. Not a single one can resist us. It’s a fact. Henry is no different.” Rhi didn’t argue, but she knew she was right. Henry was different. She’d seen it the first time she met him in Con’s office months ago. He took in the fact his friends at Dreagan were actually dragon shifters with a nod, his solemn hazel eyes seeing things anew. She bit back a grin as she recalled how he’d become a little flustered when he saw her and learned who she was. Henry’s smile was charming, sweet . . . honest. He looked at her as if she were the only woman on the realm. Even though Rhi understood that it was the fact she was Fae that intrigued him, enthralled him, she took an instant liking to the human who never backed down.
Donna Grant (Night's Blaze (Dark Kings, #5))
Suddenly thinking of that romantic comedy, "When Harry met Sally," Marcy giggled. While arguing in a Manhattan deli, the actress Meg Ryan asserts that a man can't recognize when a woman is faking orgasm. To prove her point, she fakes a climax as other diners watch. Then one patron says, "I'll have what she's having.
Nikki Sex (Karma)
Then ask me what you want to know and I’ll tell you.” “What?” I blurted, flabbergasted by what he was offering. “I cannot risk you getting hurt, Shaselle, and your curiosity cannot disrupt what we have planned. If giving you information will keep you from disrupting things, I will do so.” “How are you doing it? Where are the weapons coming from? How are you getting them into the city?” Questions tumbled from my mouth, in no particular order, for my mind was in chaos. Straightforward as ever, Cannan expounded. “When London regained consciousness in the spring, he and I recognized the need to move quickly if we were to establish a stash of weapons. As soon as he could travel, he left the city to entreat aid form the neighboring kingdoms. Men from Sarterad and Emotana began leaving weapons in the forest for us, and London’s men took them into the palace through the escape tunnel we used to remove the royal family at the time of the Cokyrian siege. The Cokyrians, other than Narian, do not know of the tunnel’s existence, and he has neither closed it nor been monitoring it. In the night, we used servants within the palace to move the armaments out in delivery boxes, whereupon they were taken to Steldor, Galen and Halias. Select Hytanicans on the work crews hid them inside the buildings during the reconstruction work. Everything has been put in place.” “What will you do now?” “We wait.” I stood up and paced, agitated. “What are you waiting for?” “The right time.” “To do what exactly? Tell me that.” “To take back our kingdom.” This was a non-answer, one that gave me no information I could not have deduced on my own. “When, Uncle? I want to know when. I can--” “You don’t need to know when, Shaselle. You’re not part of this.” He was watching me, arms still crossed, and I stopped pacing, pulling the cloak tighter around me. “But I could be. I’m not just a curious child, Uncle, I can do things. I could help. If you would just tell me what to do, I wouldn’t be a problem!” The wind rattled the barn door, and Alcander whinnied, making me jump. “You’re scared of the wind, Shaselle,” Cannan said, shaking his head. “You’re a young woman, and this is dangerous. This is a game you’ve not trained to play, a game you could never handle.” “That’s not true,” I argued, resentment bubbling inside me at his denigrating words. “I’m sorry, but it is. If we’re discovered, every one of us will be executed before we even have a chance to revolt. And if we do revolt, there’s a very strong possibility we will die in the fighting, whether we’re successful or not. In case you’ve forgotten, a number of good men have already died.” His words hit me hard, breaking through my bitterness. Forced to contemplate a hangman’s noose, my zeal faded. “I don’t want any of you to die,” I murmured, a tremble in my voice. He shrugged. “We’re not eager for that end, either. But someone has to take a stand. Someone has to speak for Hytanica before we let her die.
Cayla Kluver (Sacrifice (Legacy, #3))
Commander,” Saadi greeted him, but this was ignored by Narian, who instead issued orders. “There’s nothing to be gained by this. Free her.” “Rava will be displeased,” Saadi warned. “The High Priestess will be displeased.” “The longer you argue, the more displeased I will be. How do you think the Hytanicans will react to our making an example of a young woman? Release her. I will report the matter to the High Priestess.” This time when my Cokyrian captor glanced at me, I dared to look back, noticing his bronze hair and the freckles that danced across his nose. I shifted self-consciously, unable to believe that I was thinking of my appearance. Damn Cokyrians and their damn freckles.
Cayla Kluver (Sacrifice (Legacy, #3))