When A Snake Bites You Quotes

Someone has to pay. Somewhere, somehow, someone has to pay. When a snake bites your children, you don't go and look for the snake that has blood on it's jaws, any old snake will do. Any old snake will do!

I hate and fear snakes, because if you look into the eyes of any snake you will see that it knows all and more of the mystery of man's fall, and that it feels all the contempt that the Devil felt when Adam was evicted from Eden. Besides which its bite is generally fatal, and it twists up trouser legs. ("The Return Of Imray")

I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.

Me and the moon, the moon and me When all the world gives up on me When everyone thinks bad about me I still have the moon, it`s me and the moon It`s always the moon and me So I have to keep running, keep running Can`t stop in case I bite someone Keep running, keep running I thought I was good and then I looked down My shaggy coat, my wolfy paws I`m bad as a snake and meaner than grit Don`t try to stop me `cause you will get bit Let me keep running I`m running for the moon, up to the moon Where I can be good When all the world gives up on me When everyone thinks bad about me I still have the moon, it`s me and the moon Mostly it`s me and the moon

Imagine what it's like to be (untouchable) Better not take a chance on me (untouchable) I'm the bad boy your mama told you about I'm dangerous, without a doubt Even coming off a ten-year drought Untouchable I'm the rose with hidden thorns (untouchable) Don't tell me that you haven't been warned (untouchable) I'm pretty poison under the skin, The bite of the apple that's a mortal sin In a game of love you'll never win Untouchable My reputation's fairly earned (untouchable) If you play with fire, you will get burned (untouchable) Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end street Untouchable Fools rush in, that's what they say(untouchable) But angels fall, too, most every day (untouchable) I'm the snake in the garden, the siren on the reef I have the face of a saint and the heart of a thief I'll promise you love! And bring you nothing but grief Untouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.

Alberto taught him culling. You must wait until noon, when the snakes are asleep on the rocks, in the sun. You sneak up on them and then, crooking the index and middle finger, you grab them by the neck, close to the head, so that they can't slip away or bite; then, while the snake is hissing with despair, you quickly slip the hood over its head, tighten the noose, and put it into the box. Alberto wore a pair of corduroy trousers, leggings, and a gray shirt, the sleeves of which were rolled up to the elbows. He was good-looking–as are all the males in this book, powerful and lithe, and unaware of their grace. His hard, stubborn hair, which fell down over his eyes to his mouth, would have been enough to endow him with the glamor of a crown in the eyes of the frail, curly-haired child. They

After looking at the bite and seeing that the bleeding has already stopped, she asked, "How was making out with my leg?" "Pretty good," I said, which was true. She leaned her body into mine a little and I could feel her upper arm against my ribs. "I shaved this morning for precisely that reason. I was like, 'Well, you never know when someone is going to clamp down on your calf and try to suck out the snake poison.

In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

What's taking you so long in the privy, son?" "Nothing, mama." "If you stay in there much longer, a snake will come and bite you" "Yes, mama." I was thinking of you, Susana of the green hills. Of when we used to fly kites in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. "Help me, Susana." And soft hands would tighten on mine. "Let out more string." The wind made us laugh; our eyes followed the string running through our fingers after the wind until with a faint pop! it broke, as if it had been snapped by the wings of a bird. And high over head, the paper bird would tumble and somersault, trailing its rag tail, until it disappeared into the green earth. Your lips were moist, as if kissed by the dew. "I told you, son, come out of the privy now." "Yes, mama. I'm coming." I was thinking of you. Of the times you were there looking at me with your aquamarine eyes. He looked up and saw his mother in the doorway. "What's taking you so long? What are you doing in there?" "I'm thinking." "Can't you do it somewhere else? It's not good for you to stay in the privy so long. Besides, you should be doing something. Why don't you go help your grandmother shell corn?" "I'm going, mama. I'm going.

I wished Adam weren’t jumping in for his turn. Because watching Adam wakeboard was not relaxing. He wasn’t careful when wakeboarding. Or in general. He was the opposite of careful. His life was one big episode of Jackass. He would do anything on a dare, so the older boys dared him a lot. My role in this game was to run and tell their mom. If I’d been able to run faster when we were kids, I might have saved Adam from a broken arm, several cracked ribs, and a couple of snake bites. Knowing this, it might not make a lot of sense that Mr. Vader let us wakeboard for the marina. But we’d come to wakeboarding only gradually. When we first started out, it was more like, Look at the very young children on water skis! How adorable. One time the local newspaper ran a photo of me and Adam waterskiing double, each of us holding up an American flag. It’s okay for you to gag now. I can take it. But Mr. Vader was no fool. He understood things changed. After the second time Adam broke his collarbone, Mr. Vader put us under strict orders not to get hurt, because it was bad for business. Customers might not be so eager to buy a wakeboard and all the equipment if they witnessed our watery death. To enforce this rule, the punishment for bleeding in the boat was that we had to clean the boat. Adam cleaned the boat a lot last summer.

You can say whatever you want about me, but none of it's true. You just can't stand the fact that your career is stagnant and you don't have enough talent to climb your way up on your own. If calling me names and threatening me makes you feel like more of a man, fine. Knock yourself out." Eden yanks her hand away and jabs her forefinger against his chest hard enough that it makes him wince. "You have a problem with me? You tell me. I'll cook circles around you, you snake. You think you can get away with it because I look like an easy target? I've got news for you, asshole, I've got a lot more fight in me than you think. But don't for a second think you can get away with dragging Alexander's name through the mud. He's twice the man you will ever hope to be. You're nothing but a little boy throwing a tantrum. So go ahead, do your fucking worst. Just don't be surprised when karma comes around to bite you in the ass.

A soup dumpling is a little marvel of engineering. Called xiao long bao in Chinese, shōronpō in Japanese, and "soupies" by Iris, soup dumplings consist of silky dough wrapped around a minced pork or crab filling. The filling is mixed with chilled gelatinous broth which turns back into soup when the dumplings are steamed. Eating a soup dumpling requires practice. Pop the whole thing in your mouth and fry your tongue; bite it in the wrong place and watch the soup dribble onto your lap. The reason I thought about chocolate baklava is because Mago-chan pan-fries its soup dumplings. A steamed soup dumpling is perfect just the way it is. Must we pan-fry everything? Based on the available evidence, the answer is yes. Pan-fried soup dumplings are bigger and heartier than the steamed variety and more plump with hot soup. No, that's too understated. I'm exploding with love and soup and I have to tell the world: pan-fried soupies are amazing. The dumplings are served in groups of four, just enough for lunch for one adult or a growing eight-year-old. They're topped with a sprinkle of sesame and scallion. You can mix up a dipping sauce from the dispensers of soy sauce, black vinegar, and chile oil at the table, but I found it unnecessary. Like a slice of pizza, a pan-fried soup dumpling is a complete experience wrapped in dough. Lift a dumpling with your spoon, poke it with a chopstick, press your lips to the puncture wound, and slurp out the soup. (This will come in handy if I'm ever bitten by a soup snake.) No matter how much you extract, there always seems to be a little more broth pooling within as you eat your way through the meaty filling and crispy underside. Then you get to start again, until, too soon, your dumplings are gone.

While she was enjoying this heady control, she decided to test a few minor spells on the werewolf—because it would be good practice, and by good practice she meant amusing for her. She caused a root to hike up directly in front of his feet. When he tripped, she folded her lips in, biting back a laugh. Magick . . . good. For the next hour, whenever his boots came untied just in time for the laces to collect bullet ants, or limbs whacked him across the face, or he scarcely dodged bird and monkey droppings, he always regarded her with narrow-eyed suspicion. She would casually glance over at him with a “Whaaa . . . ?” expression. But he hadn’t said anything, and as for her, well, she could do this all day— Out of the corner of her eye she spied movement. What looked like a vine suddenly uncoiled from the ground and came flying toward her. With a shriek, she attempted a pulse of energy to ward it off. But MacRieve had already snatched the snake; her magick caught him and sent him flying, his body crashing through the brush, felling the trees in his way. After landing one hundred feet away and angrily tossing the snake, he shot to his feet, charging back to her, eyes ice blue with fury. “Goddamn it, witch, no’ again!” “It was an accident!” the witch cried, and she might have been truthful, but Bowe was beyond caring. “All morning you’ve toyed with me, have you no’?” He stalked closer to her, letting her see a good glimpse of the beast within. Yet after swallowing loudly and retreating several steps, she seemed to force herself to stand her ground. He was dumbfounded that she wasn’t cowering. Battle hardened vampires recoiled in the face of a Lykae’s werewolf form, but she’d planted her boots, and she hadn’t budged. She even raised her chin. Cade had started hurrying down the embankment as if to protect her. The very idea made Bowe draw his lips back from his fangs. No doubt thinking his renewed fury was for her, she pulled magick into her hands.

The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

lived in the house. There were aunts, uncles, cousins, grandparents, and friends. A grill was set up on the patio, and delicious smells wafted from platters of burgers on picnic tables in the yard. It was the perfect sort of day for Munchy to get her fill of people blood. Who would have thought that giving a person one tiny bite could result in such a delightful snack? Munchy was aware that most people thought she was a pest. They tried to swat her whenever she got near, but Munchy was fast and an expert at dodging humans’ flailing fingers. I don’t want to hurt anyone, Munchy thought. But a mosquito bite just takes a second, and then I fly off to find the next person. Satisfied at last, Munchy buzzed back to the garden where she lived with her best friends Wiggly Worm, Rattles Snake, and Snarky Snail. “I’m full!” she announced. “I don’t think I’ll eat for a week!” “There’s some kind of celebration going on over there,” remarked Wiggly, who was playing in the dirt. “I know!” smiled Munchy. “The family has so many guests over—so many guests with delicious blood.” Snarky made a face. “I think it’s the Fourth of July or something—but, Munchy, do you really have to do that to people? Mosquito bites make them awfully uncomfortable.” “Only for a second,” Munchy replied. “It’s just an itty-bitty sting.” “No, it isn’t,” protested Snarky, who ventured into the backyard more than any of his friends. “Mosquito bites are itchy and uncomfortable for a long time—sometimes several days. I’ve seen those two little kids scratching and complaining about bites you’ve given them.” “I think that’s true,” agreed Rattles, who also went into the yard more often, now that the humans knew he was a friendly rattlesnake. “Oh, no,” murmured Munchy. Mosquito bites hadn’t seemed like a big deal before—but they did now. She didn’t want to be responsible for making people feel itchy all the time! With a sigh, Munchy said, “I guess I’ve got to quit. From now on, I’ll stick to sugar-water shakes at the Garden Town soda fountain—but it isn’t going to be easy!” With some help from her friends, Munchy was able to stop biting people once and for all. And, when the other mosquitoes that lived in the garden heard about her new lifestyle, they decided to give it a shot, as well. In no time, the backyard was practically a mosquito-safe zone! The kids and their friends could now play in the yard for hours with no worries about being bitten. They had no more itchy skin and no more discomfort. Munchy felt like she had done a wonderful thing. And no one ever tried to swat her away again! Just for Fun Activity Make itty-bitty bugs using circles of Fun Foam for bodies, tissue paper cut-outs for wings, googly eyes (you can find them at craft stores), and shortened pipe cleaners for long, skinny noses and legs. Have fun!

We are in our own dark Eden where the snake is not selling the Tree of Knowledge. He is selling love, and if you take a bite of that apple, you will go the way of Abel when this is clearly the land of Cain.

Who has anguish? Who has sorrow?    Who is always fighting? Who is always complaining?    Who has unnecessary bruises? Who has bloodshot eyes? 29 ¿Quién tiene angustia? ¿Quién siente tristeza?    ¿Quién es el que siempre pelea? ¿Quién está siempre quejándose?    ¿Quién tiene moretones sin motivo? ¿Quién tiene los ojos rojos? 30 It is the one who spends long hours in the taverns,    trying out new drinks. 30 Es el que pasa muchas horas en las tabernas,    probando nuevos tragos. 31 Don’t gaze at the wine, seeing how red it is,    how it sparkles in the cup, how smoothly it goes down. 31 No te fijes en lo rojo que es el vino,    ni en cómo burbujea en la copa, ni en lo suave que se desliza. 32 For in the end it bites like a poisonous snake;    it stings like a viper. 32 Pues al final muerde como serpiente venenosa;    pica como una víbora. 33 You will see hallucinations,    and you will say crazy things. 33 Tendrás alucinaciones    y dirás disparates. 34 You will stagger like a sailor tossed at sea,    clinging to a swaying mast. 34 Te tambalearás como un marinero en alta mar,    aferrado a un mástil que se mueve. 35 And you will say, “They hit me, but I didn’t feel it.    I didn’t even know it when they beat me up.   When will I wake up    so I can look for another drink?” 35 Y entonces dirás: «Me golpearon pero no lo sentí.    Ni siquiera me di cuenta cuando me dieron la paliza.   ¿Cuándo despertaré    para ir en busca de otro trago?».

We have evolved with a tendency to link causality to things we can touch or feel, not to some distant or difficult phenomenon. We believe especially in near-term causes: a snake bites your friend, he screams with pain, and he dies. The snakebite, you conclude, must have killed him. Most of the time, such a reckoning is correct. But when it comes to cause and effect, there is often a trap in such open-and-shut thinking. We smirk now when we think of ancient cultures that embraced faulty causes—the warriors who believed, for instance, that it was their raping of a virgin that brought them victory on the battlefield. But we too embrace faulty causes, usually at the urging of an expert proclaiming a truth in which he has a vested interest.

It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet. As we traveled downstream in the boat, he spotted a large carpet python on an overhanging limb. We filmed as Steve held on to the python’s tree limb, keeping the boat steady. He talked about the snake, and how it might have been in that tree to hunt fruit bats. Suddenly the tree lamb snapped, and both the branch and snake crashed down into the boat. Everyone reacted, startled. I had been standing up, and I fell backward into the river. Splashing to the surface would only catch a crocodile’s attention, so I let myself sink and then gradually drift up to the surface again. As my head broke the surface, I could see the boat had drifted off. I can remember looking up from the murky water and seeing the spotlight get smaller and smaller. Don’t panic, I told myself, knowing we were right in front of a baited croc trap. I was trying to tread water without making any splashing or “hurt animal”--type movements that would attract a crocodile. I could feel my heart pounding. It was hard to breathe. I was absolutely fighting the panic. Steve and the film crew were wrangling branch and snake. The boat motor had quit. Steve frantically attempted to start it. I could hear him swearing in the darkness. The crew member holding the spotlight divided his attention between making sure I was okay and helping Steve see what he was doing. The boat continued to drift farther and farther down the river. Just be as motionless as possible, I told myself. I had my teeth clenched in anticipation of feeling a croc’s immense jaw pressure close around my leg. Suddenly I heard the engine roar back to life. Steve swung the boat around and gunned it. As soon as he got to me, he dragged me back in. I felt a little sick. I lay there for a moment, but the drama was not over. Our cameraman was deathly afraid of snakes, and the carpet python was still in the bottom of the boat. Steve scooped it up. The snake decided it didn’t appreciate the whole ordeal. It swung around and proceeded to grab Steve repeatedly on the forearm, bite after bite after bite. Looking back at the footage now, the whole ordeal seems a bit amusing. “Ah! Ah! Ah!” a male voice yells. You think it might be Steve, as he is the one being bitten, but actually it was John Stainton. He cries out in sympathy each time the python sinks its teeth into Steve’s arm. It sounds as though Steve himself is being terribly injured, when in fact the little tiny pinpricks form the carpet python’s hundreds of teeth were only minor wounds. Although the teeth go deep into the flesh and it bleeds quite readily, there was no permanent scarring, no venom, and no infection. “Are you okay, babe?” Steve asked. I told him I was. Shaken, but in one piece. Steve was okay, the python was okay, and even the cameraman seemed to have recovered. We returned the snake to its tree. “We might as well go back to camp,” Steve said, mock-sternly. “Thanks to you, we probably won’t catch that croc tonight. You probably scared the living daylights out of him, landing in the water like that.

The man who loves the rising sun must equally adore the darkest night. How else will the sun rise if not through the darkness? Who would enjoy the calm if they could not also embrace the storm? All greatness is born in the harshest conditions. It’s struggle, not having everything handed to you on a plate, which makes you great. If you’re afraid of struggle, you’re afraid of greatness. The Superman wants to march through hell. The Last Man wants to see only heaven. That’s why the Last Man does nothing of note, while everything done by the Superman is noteworthy. Are the masses taking a note of your life, or is there nothing to note? Most people vanish from their own lives. At the end, they realized they never lived at all. Most people impersonate being alive. It’s not a good impression. They don’t even convince themselves. But you always know when you have encountered one of the congregation of the Chapel of the Serpent. They always leave their mark … their bite.

It’s splendid to be always optimistic, magnificently positive, right up there on top of the world every minute of every day; it’s also impossible. But if you’ve got a lock on the world, when you know the bruise in the blood or dull ache in your gut is a temporary thing if only you can con yourself into believing it is, nine times out of ten you can tighten those loose ends and warm the chill wind sighing inside, turn the snake of sadness around until it bites its tail and things start spinning, livening up, getting right again.

A story came to mind of a guy who picked up a snake. He came upon a snake lying beside the road on a cold winter’s day. The snake, nearly frozen, asked if the man would be willing to place him inside his jacket until he was warm again. “Do you promise not to bite me?” the man asked. The snake promised. However, a short way down the road, he bit the man anyway. The man dropped the snake and yelled, “You promised not to bite me!” “Yes,” said the snake. “But, you knew what I was when you picked me up.” I

Outrage steamed her brain. "I've waited three days... Do you know what day it is?" He gave a one-sided shrug, his massive shoulder muscles shifting. "Who has time to check the calendar when people are shooting at you and snakes are biting you in the ass?

Do not gaze at wine when it is red, when it sparkles in the cup, when it goes down smoothly! In the end it bites like a snake and poisons like a viper. Your eyes will see strange sights and your mind imagine confusing things. You will be like one sleeping on the high seas, lying on top of the rigging. ‘They hit me’ you will say ‘but I’m not hurt! They beat me, but I don’t feel it! When will I wake up so I can find another drink?’” Proverbs 23:31-35

Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Mercy could not keep up the pace. Gradually the line passed her by, until she was walking with Eben Nims, and she must not fall farther behind than that, because the Indians behind Eben were the end of the line. Daniel held tight and sucked his thumb. But not only did Marah refuse to walk, she kept yelling that her feet were cold, and she wanted Stepmama, and she needed her mittens, and she was hungry. Mercy could walk, though not fast enough, and she could carry, though not easily. But she could not supply food, warmth or Stepmama. Mercy tried to believe that Stepmama was up ahead of her with the baby; that it was so crowded and chaotic Mercy could not spot her. But in her heart, she did not think Stepmama had left the stockade. “The savage put food in my pack, Mercy,” said Eben quietly. “If you slip your hand into the opening near my left shoulder, there’s a loaf of bread on top.” They walked on, considering whether the Indians would tomahawk her for stealing Eben’s own bread. Well, they’d shortly tomahawk Marah for whining, so Mercy might as well get on with it. She set the two children down, and Eben bent his knees so she could reach and Mercy fished around in the pack. She slid the loaf out. It was long and fat and crusty. Her Indian was watching. Mercy looked straight at him while she ripped off a chunk for Marah. He did nothing. Mercy decided to give some to Jemima too, which would give her something to do besides whine. She would give bread to Eliza and hope food would break Eliza’s grieving stupor. Marah didn’t take a single bite. She threw the bread across the snow. “I want Mama!” she said fiercely. She glared at Mercy, as if all this hiking and shivering were Mercy’s fault. Mercy could not abandon the bread out there in the snow. She was going to need that bread. It was all they had, and somehow Mercy had become responsible for Marah and Daniel and Ruth and Eliza and Jemima, and probably even for Eben. Mercy stepped off the trodden path to retrieve the crust, but her Indian stopped her, shaking his head. On his face was no expression but the one painted in black. His arms were tattooed with snakes that curled their fangs when he tightened his muscles. How could he go half bare in this weather? she thought, and then remembered that she wore his rabbit-lined cloak. Daniel, sitting happily on her hip, reached out from under the rabbit fur and patted the snake. The Indian tensed his upper arm to make the snake slither. Daniel giggled, so the Indian did it again, and it seemed to Mercy that he actually smiled at Daniel. Then, blessedly, he took Marah for her.

I couldn’t hear him anymore, but his mouth formed the words of a comforting coo: “You’ll be okay.” And then I watched him bite into my calf, first, where most of the pinpricks of blood were forming. I jerked, body arching as I hissed out, but then my vision turned this blinding white when a rush of euphoric pleasure crashed onto me. It forced me flat onto the soil and washed away the agonizing pain that had been snaking toward my chest. My cries faded to moans, pain to pleasure. I became distinctly aware of his tight hold on my thigh and hand, and the goosebumps that chased after his touch when a finger grazed the shape of my knee. He didn’t stop at my calf, though part of me wished he had. I was weak and vulnerable to a man twice my strength, and had been all but designed to kill me. He was a predator, one that grazed his lips to my thigh and pressed the most innocent kiss to the soft flesh.

As she spoke, she felt something move by her foot. She glanced down and saw a small kitten. It crouched by her foot, biting her shoelace, and lashing its tail from side to side. Laura did not like cats; but this creature, so small, so intent, and so ferocious, amused her into kindly feelings. “How did you come here? Did you come in through the keyhole?” she asked, and bent down to stroke it. Scarcely had she touched its hard little head when it writhed itself round her hand, noiselessly clawing and biting, and kicking with its hind legs. She felt frightened by an attack so fierce and irrational, and her fears increased as she tried to shake off the tiny weight. At last she freed her hand, and looked at it. It was covered with fast-reddening scratches, and as she looked she saw a bright round drop of blood ooze out from one of them. Her heart gave a violent leap, and seemed to drop dead in her bosom. She gripped the back of a chair to steady herself and stared at the kitten. Abruptly pacified, it had curled itself into a ball and fallen asleep. Its lean ribs heaved with a rhythmic tide of sleep. As she stared she saw its pink tongue flicker for one moment over its lips. It slept like a suckling. Not for a moment did she doubt. But so deadly, so complete was the certainty that it seemed to paralyze her powers of understanding, like a snake-bite in the brain. She continued to stare at the kitten, scarcely knowing what it was that she knew. Her heart had begun to beat once more, slowly, slowly; her ears were dizzied with a shrill wall of sound, and her flesh hung on her clammy and unreal. The animal smell that she had noticed when first she entered the room now seemed overwhelmingly rank. It smelt as if walls and floor and ceiling had been smeared with the juice of bruised fennel. She, Laura Willowes, in England, in the year 1922, had entered into a compact with the Devil. The compact was made, and affirmed, and sealed with the round red seal of her blood.

Don’t always open the door when annoying thoughts come to visit you; don't let them in, let them stay outside! Remember, if you don't bring a venomous snake near you, it can't bite you!

I swooned quietly with my first bite. The dish sang with the flavors of Spain and was packed with chunks of browned rabbit, chorizo, and mussels. It was spectacular and camaraderie crushing. "Who made this? Who possibly had time for this?" I was talking through a mouthful of Arboro rice. "I made this once in culinary school and it took an entire day of my life that I'll never get back." "Reza made it." Carlo used an empty mussel shell to pluck the meat out from another shell. "He said he cooked it over an open fire with orange and pine branches for kindling." Carlo grinned at me, a dribble of olive oil snaking its way down his chin. "According to Reza, it's the pine cones, though, that really do the trick. I'm sure you discovered that yourself when you made it on the day you'll never get back." I nibbled on a cut of caramelized chorizo but didn't have the chance to reply.

In my experience, there are, usually, only two types of people in the world. There are the ones who, if you will so kindly excuse the biblical reference, really do take the apple from the snake. And their bites are hearty. Their chin is always dripping with the juice. And that juice, over time, turns to blood. Yet, they keep on eating. They learn to like it. On the other hand, there are those who run from the snake. They never look back, and they never try anything that even remotely looks like an apple. They have no taste for it. They recognize a jug of blood when they see it. But every once in a while, I come across someone like you. Someone who, if they were set into the garden, and the snake came upon them, they would never eat, yet never run. Rather, they'd say to the snake, 'Keep talking, because this moment is the moment. I'll never say yes to you, I'll never say no. just let me sit here, right here. That is my pleasure.' Where you get pleasure is in the border that divides. Not many get it, get you, but I do.