When A Butterfly Lands On You Quotes

how come you're so ugly?" "my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall. sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them

You make me really happy, Alex, in ways I can’t explain,” he said. “You make me really happy, too, Rook,” she said. “One of the reasons I’m wearing butterflies tonight is to match the butterflies you give me when I think of you.

One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?' Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for. Poetry is the journal of a sea animal living on land, wanting to fly the air. Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams. Poetry is a type-font design for an alphabet of fun, hate, love, death. Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower. Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night. Poetry is a packsack of invisible keepsakes. Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters. Poetry is the achievement of the synthesis of hyacinths and biscuits.

VIII. White Bee" White bee, you buzz in my soul, drunk with honey, and your flight winds in slow spirals of smoke. I am the one without hope, the word without echoes, he who lost everything and he who had everything. Last hawser, in you creaks my last longing. In my barren land you are the final rose. Ah you who are silent! Let you deep eyes close, There the night flutters. Ah your body, a frightened statue, naked. You have deep eyes in which the night flails. Cool arms of flowers and a lap of rose. Your breasts seem like white snails. A butterfly of shadow has come to rest on your belly. Ah you who are silent! Here is the solitude from which you are absent. It is raining. The sea wind is hunting stray gulls. The water walks barefoot in the wet streets. From that tree the leaves complain as though they were sick. White bee, even when you are gone you buzz in my soul. You live again in time, slender and silent. Ah you who are silent!

In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]

Muhammad Ali has a lot to answer for. When he lit the flame at the Atlanta Olympics there wasn't a dry eye on the planet. Why were we crying? Because a great sportsman had been reduced to this-a shuffling, mumbling, twitching cripple. A man who once danced like a butterfly now shook like blancmange. We always remember sportsmen. When the body deserts a scientist like Stephan Hawking we figure that he'll be able to live in his mind, but a crippled athlete is like a bird with a broken wing. When you soar the heights the landing is harder.

39. Money Is Like A River: It Has To Flow We live in a society where success is often (and falsely) determined by how much money we earn. Our culture values money way too highly, and here’s why. The Rich List that gets published each year sends out the message that having more money than the next person is something to aspire to. This had led to a culture where - once we have grabbed hold of whatever money we can - we hold on to it as tightly as possible…or else! This same culture says that if you give it away then you will simply end up poorer. But the little-known secret of money is that it really works in reverse: it is only when a person starts to give away what he has that he begins to gain riches far beyond mere coins. Let me tell you, accumulating and clinging tightly on to money will never make you happy. In fact, if that is your focus and your reaction to money, it will eat you up and make your life a neurotic misery. I have seen it too often. Money is like a mirror: it reveals what sort of person we really are. That is where the real value of money lies - to distinguish the character of its owner. Money is also like a river, and rivers need to flow or they die. When you dam up a stream, the water soon becomes stagnant. Likewise with money: stop moving it along or giving it away and helping others, and the money starts to go stagnant. It first goes murky, then it dies. Money has to be shared lightly, given generously, and used to enrich not just your life, but those of all around you. Only then does money have power. Finally, money is like a butterfly: hold on to it too tightly and you kill it. Light hands, and a generous, free spirit, will make the butterfly soar, spreading joy and light wherever it lands. It’s not how much money you have that matters, it’s what you do with it. That’s how to become really rich.

His lips grazed her earlobe---deliberately, she was sure---his hand rested on the small of her back, and she was overwhelmed by having him so near. With all the attention leveled their way, they were awkwardly conspicuous in a fashion she hated, so she deigned to act as normally as possible. She gripped the mallet, but just when she would have attempted her initial swing, Mr. Stevens reached around her, effectively trapping her in the circle of his arms. "Permit me to instruct you," he said, and chills sped down her spine. "The game goes like this." Warm and magnetic, the entire front of his body was flattened against the back of hers, and she could feel the solid plane of his chest, the curve of his abdomen as he arched over her, the strength of his legs as he balanced her between them. His groin was directly against her posterior, and the sensation produced an exhilarating swirl of butterflies that cascaded through her stomach. Wrapping her small hands in his large ones, he controlled the arc of the stick as it landed with a firm thump, and their ball careened down the hillside. "Very nice," he murmured, though she was quite sure he wasn't referring to the ball or the swing at all.

Happiness is like a butterfly. You can chase it all day and never capture it. It’s only when you give up and sit down to rest and reflect that the butterfly lands gently on your shoulder, without you even noticing. Well, lark song is the musical equivalent. It’s always been in the background; you just need to stop, take a breath, and listen out for it.

was the only place he wanted to be right at this moment. Tossing his clothes into a pile on the floor, Jeffrey yanked his pajamas from the drawer, put them on, then climbed under his duvet and pulled it over his head. He just needed to sleep. He’d figure out what to do in the morning. He could hear a ticking sound, but not like the one his clock made. Jeffrey pulled the covers away from his head and looked around the dark room. There was an odd shadow in the chair in the corner. As he swallowed hard and screwed his eyes up to focus, he saw Agnes, her needles clacking as she knitted, her head lowered purposefully over her work. “Mum, what’re you doing?” he whispered. “I could ask you the same thing, laddie.” The little purple head tilted to the side, and his mother’s dark eyes connected with his. “I don’t understand ye, Jeffrey.” Jeffrey sat up in bed and turned on the bedside light. Meanwhile, Agnes carefully wrapped a long strand of wool around the bulk of what she was working on, stuck the needles through the bundle, and placed it behind her as she rose from the chair. He watched her familiar movements, afraid to move or breathe too deeply in case she wafted away. When she sat on the edge of his bed, Jeffrey noted that she made no impression on the duvet, like a butterfly landing on a flower. He leaned back against his pillow and tried

The Butterfly Story The wise old man of the village held a cocoon in the palm of his hand. “What’s that?” the young boy asked. “Why it’s a cocoon,” replied the wise man. “Inside is a caterpillar that spun this cocoon. And when he’s ready, he’ll turn into a wondrous butterfly and break out of the cocoon.” “Oh, can I have it?” asked the young boy. “Of course,” answered the wise man. “But first you must promise that you won’t open the cocoon for the butterfly when he begins to break out. The butterfly must do it all by himself. Can you promise me that?” The young boy agreed and took the cocoon home with him. The next day, the cocoon began to tremble, and the butterfly fought hard to escape it. The young boy couldn’t bear to watch the butterfly struggle, and after a short while, he broke open the cocoon to help the butterfly escape. The beautiful butterfly soared into the air and suddenly, and quite unexpectedly, plummeted to the ground … and died. The boy returned to the village wise man, crying and cradling the dead butterfly in his hand. “Did you help the butterfly escape from the cocoon?” the wise man asked. “Yes,” replied the child. “What you didn’t understand,” the wise man said, “was that the butterfly had to struggle in order to build strength in his wings. By working hard to get out, the butterfly was building muscles that he needed in order to fly. By trying to make it easier for him, you actually made it harder for him, in this case, impossible, to fly. You killed him with good intentions.

So when you experience a so-called failure, don’t view this as failure, but rather as a “character muscle-building” process. It’s a process that will strengthen your resolve to transform your career much the same way a caterpillar transforms itself into an elegant butterfly. The job campaign necessitates that you embrace struggle and constructively address adversity. When you do so, new opportunities will present themselves sooner than you’d think possible.

Her gaze lands on my chest, and she sees the butterfly. “When did you get that?” she asks. “Today.” “Why?” “Because I love you and want to keep you close to my heart.” “The butterfly is not broken.” “Neither are you.

At the same time you're also aware that upon attempting to re-enter normal life from "mom land" or "middle aged" land, or both - you'll be seen as a "weirdo" or "cranky" or "stubborn," or all of the above. Doesn't it make sense you'd think about just not going back? The end of the heroes journey is like the path of a rocket re-entering Earth's atmosphere. It must burn. Pieces blister and break off. You're not the same splashing down into the ocean as when you left. When you took off your boosters were ablaze, fueling the epic push of new life out of yourself and into Earth's orbit. Everyone at Mission Control stood and applauded. But the return is more like free-fall. The rocket that lands in the ocean doesn't look like the one that departed. It's a little pod-like thing, a charred husk of what took off. Instead of wings spreading, a parachute awkwardly collapses into the water. A butterfly in reverse. What's left is this metal shell, just a nub of what was there before. And yet, it's a nub that's been to space for f---'s sake. Just surviving is the success. So much of who I was - my daily habits, my identifying clothing - had to get thrown away in making room to become a mother. What's left of me is now sharing space with a little boy. And as a result, my mental capacity has been reduced from a decent three bed two bath apartment to at best a little tenement studio. While the tight space creates some cons, the pro is that what can come in and what cannot is pretty clear.

The great force! Few of us relate it with the dark, Many with the world unknown, A realm that erases every mark, Of every seed that in the farm of life was sown, Life fears it and hides at a place called nowhere, Yet it chases it and seeks it, Because its domain is everywhere, And life ultimately before it does submit, It rules over priests, emperors and paupers alike, A force that expects complete submission, It is not a feeling visceral that you may like, Because it enters every domain without any permission, Some say it even rules over time and its every moment, And it is not vindictive at all, Because even without the Sun its shadow is permanent, It has existed since the world witnessed the great fall, Its appearance is not due to serendipity, Because it is the final destiny of everything, It is an experience, felt just for a brevity, It appears from nothing and disappears into nothing, A force before which all kneel, Many incriminate it because it robs them entirely, Throughout one's life it seems unreal and in a moment becomes real, It leaves all sentimental and teary, It is death, the force all living shall experience one day, I wonder why flowers and butterflies do not dread it, I saw it capture and wilt a beautiful flower today, Yet the drooping and dead flower smiled as the hope of next Summer in its fading petals lit, Because death can wilt a summer flower, but it can't keep the Summer from returning again, It can kill a man and a woman, but it can never kill life’s spirit, Without life what shall it kill again and again, So you may despise it, but without it who shall renew life, if not it? There maybe no foreboding feeling about its arrival, But then it is the same about Summer’s advent too, Maybe life and death travel together for life’s continuous revival, And whose act is it who knows, because when a newly married couple says “We do!” We shower them with dead flowers, beautiful flowers, Who killed them, who hurled them, who ended their lives? Just for the sake of prolonging the romance of two lovers, I guess that is how death in mysterious ways strives, Killing all eventually but never taking the blame, So let me too pluck a beautiful rose and gift it to my beautiful lady, All for the sake of love and in the love’s name, Let me love her today and love her everyday, Because who knows when the dark force might strike, A rose too feels happier in her hands, Because it knows it makes her smile and in this act they are alike, Spreading happiness even in death forsaken lands, That is where all beautiful flowers go when they wilt here, To the land where there is everlasting Summer, And every form of beauty always looks the same everywhere, They go there to impart it colours and shades warmer, So when the flower fades and falls, Let us not blame death and curse it, Because it is the only way to climb and cross few walls, For it too ultimately before the mighty will of the Universe does submit!