Wheelchair Funny Quotes

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The downside of my celebrity is that I cannot go anywhere in the world without being recognized. It is not enough for me to wear dark sunglasses and a wig. The wheelchair gives me away.
Stephen Hawking
Some disabled people spend a significant amount of their energy on trying to come across as abled or as not that disabled.
Mokokoma Mokhonoana
Darling Daddy, This is Rose. Saffy says everyone says it is Indigo's fault that their Head has two black eyes and a swelled-up nose. Love from Rose. P.S. Sarah who is here says to tell you love from wheelchair woman too. Rose's father telephoned especially to tell Rose not to call Sarah Wheelchair Woman. "That's what she called herself," protested Rose. "She thought of it! Aren't you worried about what I told you about Indigo and the Head?" "What?" asked Bill. "Oh that! Two black eyes and a swollen nose! I don't think I can believe that one, Rose darling!
Hilary McKay (Indigo's Star (Casson Family, #2))
Being vulgar to be funny is a crutch, and I prefer wheelchairs.
Jarod Kintz (This Book Title is Invisible)
In the sudden silence, Andrew grabbed my hand and shook it. “I’ll miss you, Drew. You’ve been a regular gent.” It was hard not to cry, but I was determined to show Andrew I could be as tough as he was. “I’ll miss you too,” I admitted. “And Hannah and Theo and Mama and Papa. I never had a brother or a sister or a dog of my own before.” “But you won’t miss Edward. He’ll be there waiting for you.” Andrew meant it as a joke, but neither of us laughed. Suddenly serious, I gripped his shoulders tightly and stared into his eyes. “How will I know what happens to you?” “Look in the graveyard,” Andrew said in a melancholy voice. “If you don’t see my tombstone, you’ll know I didn’t die.” He laughed to show me he was joking again, but death was even less funny than the old man in the wheelchair.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Dawn’s afternoons at the Baker Institute for physically disabled kids sounded fascinating. She rode to Stamford in a specially equipped van with four children from Stoneybrook who went to Baker for physical therapy, classes in the arts, and a chance to make new friends. The bus driver was a woman who was going to college to learn to be a physical therapist. She drove the bus to earn some extra money, but the kids were more than just a job to her. She really enjoyed being with them. “Candace is so funny,” Dawn told me. “She jokes around with the kids, and they love her. She treats all of them the way you’d treat kids who aren’t in wheelchairs or wearing braces. She’ll say to them, ‘Hurry up! I haven’t got all day,’ and the kids just giggle. Most people tiptoe around the kids like they’re going to break. And never mention their braces or anything. But if a friend of yours got new clothes, you’d make a comment, right? So if a kid gets on the bus with decorations all over the back of his wheelchair, Candace will say, ‘Your chair looks great today! I think you should go into business as a decorator.
Ann M. Martin (Jessi's Wish (The Baby-Sitters Club, #48))
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
What?” says Kosgrov. “You think I won’t lay you out just because you’re stuck in a wheelchair, funny boy?” “Yeah,” I say. “Pretty much.” Turns out I’m pretty wrong.
James Patterson (The Worst Years of My Life (Middle School #1))
REALITY… Sometimes people in my dreams say crazy dumb stuff because they forget I’m in a wheelchair. Hey, I don’t blame ’em. I’d like to forget it, too. But I can’t. Of course, I keep hoping that one day I’ll see a commercial for a new wonder drug called something like Spinulax that will magically make me walk again. Unfortunately, it would probably come with a list of gross side effects like all those other pills they advertise on TV: “Spinulax may cause constipation and diarrhea. Not to mention projectile vomiting. And sudden death syndrome—as in, oops, sorry, you’re dead.
James Patterson (I Even Funnier (I Funny, #2))
Hey,” she says. “What’s the difference between this place and a nursing home?” “I don’t know.” “Everybody in a nursing home is waiting to die. We’re all waiting to live.” One of the girls playing chess turns in her wheelchair. “Layla, how many times do I have to tell you that joke isn’t funny?” “How many times have I got to tell you it isn’t a joke?” Layla shoots back, and the chess player huffs, returning to her game even though it looks like her opponent might have hit the painkillers a little hard and blacked out early. “What about, everybody here is waiting for someone else to die?” I suggest.
Mindy McGinnis (This Darkness Mine)