“
No! Please! I'll tell you whatever you want to know!" the man yelled.
"Really?" said Vimes. "What's the orbital velocity of the moon?"
"What?"
"Oh, you'd like something simpler?
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
I carry your heart with me (I carry it in my heart)I am never without it (anywhere
I go you go,my dear; and whatever is done by only me is your doing,my darling)
I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true)
and it's you are whatever a moon has always meant and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
I carry your heart (I carry it in my heart)
”
”
E.E. Cummings
“
If you stay, I'll do whatever you want. I'll quit the band, go with you to New York. But if you need me to go away, I'll do that, too. I was talking to Liz and she said maybe coming back to your old life would be too painful, that maybe it'd be easier for you to erase us. And that would suck, but I'd do it. I can lose you like that if I don't lose you today. I'll let you go. If you stay.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
and when nobody wakes you up in the morning, and when nobody waits for you at night, and when you can do whatever you want. what do you call it, freedom or loneliness?
”
”
Milan Kundera
“
In the dark you can feel really close to a person. You can say whatever you want.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Oh, Life, I am yours. Whatever it is you want of me, I am ready to give.
”
”
William Steig (Dominic)
“
And I would do it again. I love you, Jace Wayland-Herondale-Lightwood-whatever you want to call yourself. I don't care. I love you and I will always love you, and pretending it could be any other ways is just a waste of time.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
so whatever you want to do, just do it...Making a damn fool of yourself is absolutely essential.
”
”
Gloria Steinem
“
Stay,” she panted. Tears leaked from her eyes. “Stay till the end.”
“And after,” he said. “And always.”
“I want to feel safe again. I want to go home to Ravka.”
“Then I’ll take you there. We’ll set fire to raisins or whatever you heathens do for fun.”
“Zealot,” she said weakly.
“Witch.”
“Barbarian.”
“Nina,” he whispered, “little red bird. Don’t go.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Whatever you think, be sure it is what you think; whatever you want, be sure that is what you want; whatever you feel, be sure that is what you feel.
”
”
T.S. Eliot
“
People like to say love is unconditional, but it's not, and even if it was unconditional, it's still never free. There's always an expectation attached. They always want something in return. Like they want you to be happy or whatever and that makes you automatically responsible for their happiness because they won't be happy unless you are ... I just don't want that responsibility.
”
”
Katja Millay (The Sea of Tranquility)
“
I don't care if you say we can't be together. I don't care if you think I'm the most evil, unnatural creature walking on earth. You can think whatever you want, go whatever you want. I'm going to just go on loving you, even if it's hopeless.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
You are a volume in the divine book
A mirror to the power that created the universe
Whatever you want, ask it of yourself
Whatever you’re looking for can only be found
Inside of you
”
”
Jalal ad-Din Muhammad ar-Rumi (The Rubais of Rumi: Insane with Love)
“
You're supposed to say, 'All I want is your happiness. I'll do whatever it takes, even if it means being without you.'"
"Sorry," Noah said. "I'm just not that big of a person.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
We'll be there, Harry," said Ron
"What?"
"At your Aunt and Uncle's house," said Ron, "And then we'll go with you wherever you're going."
"No-" said Harry quickly; he hadn't counted on this, he had meant them to understand that he was undertaking the most dangerous journey alone.
"You said it once before," said Hermione quickly, "that there was time to turn back if we wanted to. We've had time, haven't we? We're with you whatever happens.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Fine. If I can't have you, then you do the taking. Have all of me, part of me, a small piece, whatever you want. Just please, have something.
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
You collect scars because you want proof that you are paying for whatever sins you've committed. And I know this because I've been doing the same damn thing for two hundred years. Tell me, do you think you will go to some blessed Afterworld, or do you expect a burning hell? You're hoping for hell--because how could you face them in the Afterworld? Better to suffer, to be damned for eternity and--
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
I say, “In the contract we said we wouldn’t break each other’s hearts. What if we do it again?” Fiercely he says, “What if we do? If we’re so guarded, it’s not going to be anything. Let’s do it fucking for real, Lara Jean. Let’s go all in. No more contract. No more safety net. You can break my heart. Do whatever you want with it.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
You want to see a very bad man? Make an ordinary man successful beyond his imagination. Let’s see how good he is when he can do whatever he wants.
”
”
Min Jin Lee (Pachinko)
“
Sex, whatever else it is, is an athletic skill. The more you practice, the more you can, the more you want to, the more you enjoy it, the less it tires you.
”
”
Robert A. Heinlein (The Cat Who Walks Through Walls)
“
No, I won’t help you. No, I won’t hear you explain why I should. It really is a magical word: no. You say whatever bullshit you want and I just say no.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Let's tell the truth to people. When people ask, 'How are you?' have the nerve sometimes to answer truthfully. You must know, however, that people will start avoiding you because, they, too, have knees that pain them and heads that hurt and they don't want to know about yours. But think of it this way: If people avoid you, you will have more time to meditate and do fine research on a cure for whatever truly afflicts you.
”
”
Maya Angelou (Letter to My Daughter)
“
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
”
”
Gillian Flynn (Gone Girl)
“
As for monkeys, I would have five, and they would be named: See No Evil, Hear No Evil, Speak No Evil, Do Pretty Much Whatever The Hell You Want, and Expensive Attorney.
”
”
Tad Williams
“
You speak of sacrifice, but it is not my sacrifice I offer. It is yours I ask of you," he went on. "I can offer you my life, but it is a short life; I can offer you my heart, though I have no idea how many more beats it shall sustain. But I love you enough to hope that you wil not care that I am being selfish in trying to make the rest of my life - whatever length - happy, by spending it with you. I want to be married to you, Tessa. I want it more than I have ever wanted anything else in my life." He looked up at her through the veil of silvery hair that fell over his eyes. "That is," he said shyly, "if you love me, too.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
That’s it. You’re doing great, Winnow.” “Shut up, Kitt.” “Absolutely. Whatever you want.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
Men of sense, whatever you may choose to say, do not want silly wives.
”
”
Jane Austen (Emma)
“
Claim whatever you want. Say you only want a happy family or a successful career or a big house. I say: no, that's not what you want. You'll settle for those things, but you really want a monkey that does your evil bidding. Pullman is a genius just for this.
”
”
Maureen Johnson (World of the Golden Compass: The Otherworldly Ride Continues [Paperback])
“
But whatever
However
Whenever this ends I want you to know
That right now
I love you forever
”
”
Andrea Gibson (How It Ends)
“
There is no pretending,” Jace said with absolute clarity. “I love you, and I will love you until I die and if there’s a life after that, I’ll love you then.”
“I love you, Jace Wayland—Herondale—Lightwood—whatever you want to call yourself. I don’t care. I love you and I will always love you, and pretending it could be any other way is just a waste of time.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I want to make you smile. For real. Always. We're going to go for dinners, and see movies, and walk on the beach. We'll go hang-gliding, or bungee jumping, or whatever you want to do. Whatever makes you smile and laugh more. Let me make you smile.
”
”
K.A. Tucker (Ten Tiny Breaths (Ten Tiny Breaths, #1))
“
THE SERUM WEARS off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. “Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to … smell flowers, or whatever you wanted to do while you were on that stuff.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
It’s about second chances, Neil. Second, third, fourth, whatever, as long as you get at least one more than what anyone else wanted to give you.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
You may be poor, but the one thing nobody can take away from you is the freedom to fuck up your life whatever way you want to.
”
”
Jonathan Franzen (Freedom)
“
Sure. Whatever. She’s all yours.”
Daemon grinned. “That she is.”
My hand was twitching to connect with his face. “I am not yours.” A small part of me wanted his to deny my words, though.
“Shush it,” he said, walking up to me.
“How about I shush it right up you—“
“Kitten, your language is so unladylike.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Whoever you are, or whatever it is that you do, when you really want something, it's because that desire originated in the soul of the universe. It's your mission on earth.
”
”
Paulo Coelho (The Alchemist)
“
Sometimes fate or life or whatever you want to call it, leaves a door a little open and you walk through it. But sometimes it locks the door and you have to find the key, or pick the lock, or knock the damn thing down. And sometimes, it doesn't even show you the door, and you have to build it yourself. But if you keep waiting for the doors to be opened for you... I think you'll have a hard time finding single happiness, let alone that double portion.
”
”
Gayle Forman (Just One Year (Just One Day, #2))
“
Baby," she says in a harsh whisper, "in this world, lots of people will try to grind you down. They need you to be small so they can be big. You let them think whatever they want, but you make sure you get yours. You get yours.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
Isabelle waved a hand. "No need to worry, big brother. Nothing happened. Of course," she added as Alex's shoulders relaxed, "I was totally passed-out drunk, so he could really have done whatever he wanted and I wouldn't have woken up."
"Oh, please," said Simon. "All I did was tell you the entire plot of Star Wars."
"I don't think I remember that," said Isabelle, taking a cookie from the plate on the table.
"Oh, yeah? Who was Luke Skywalker's best childhood friend?"
"Biggs Darklighter," Isabelle said immediately, and then hit the table with the flat of her hand."That is so cheating!
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I realize now how much courage it takes to choose the life you want, whatever that might be.
”
”
Ally Condie (Reached (Matched, #3))
“
I don't get scared very often," he said finally. "I was scared the first morning I woke up and you weren't here. I was scared when you left me after Vegas. I was scared when I thought I was going to have to tell my dad that Trent had died in that building. But when I saw you across the flames in the basement...I was terrified. I made it to the door, was a few feet from the exit, and I couldn't leave.
"What do you mean? Are you crazy?" I said, my head jerking up to look into his eyes.
"I've never been so clear about anything in my life. I turned around, made my way to that room you were in, and there you were. Nothing else mattered. I didn't even know if we would make it out or not, I just wanted to be where you were, whatever that meant. The only thing I'm afraid of is a life without you, Pigeon."
I leaned up, kissing his lips tenderly. When our mouths parted, I smiled. "Then you have nothing to be afraid of. We're forever.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Whatever obstacles you face, remember you can get through anything if you want to badly enough.
”
”
Aimee Carter (The Goddess Test (Goddess Test, #1))
“
Patch? Whatever happens, I love you." I wanted to say more, those three words painfully inadequate for the way I felt about him. And at the same time, so simple and accurate, nothing else would do.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
“No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.”
My mouth drops open. Fuck hard! Holy shit, that sounds so… hot. But why are we looking at a playroom? I am mystified.
“You want to play on your Xbox?” I ask. He laughs, loudly.
“No, Anastasia, no Xbox, no Playstation. Come.”… Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
“You can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. It’s fine whatever you decide.”
“Just open the damn door, Christian.”
He opens the door and stands back to let me in. I gaze at him once more. I so want to know what’s in here. Taking a deep breath I walk in.
And it feels like I’ve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Names are just words. I know that. But learning that the last name I’d used all my life was fake…
“So what should I call myself, then?” I asked. “Sophie Atherton? Sophie Brannick?” Both sounded weird and made me feel like I was wearing clothes that didn’t fit.
Mom smiled and brushed my hair away from my face. “You can call yourself whatever you want.”
“Okay. Sophie Awesome Sparkle-Princess it is.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I turned. “I was asking about Jurian, the king, the queens, and the Cauldron, but I’m glad to know I have so many options where our relationship stands. And that you’ll do whatever I want. I must have you wrapped completely around my finger.”
His eyes danced with feline amusement. “Cruel, beautiful thing.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
If you want to live your life in a creative way, as an artist, you have to not look back too much. You have to be willing to take whatever you’ve done and whoever you were and throw them away. The more the outside world tries to reinforce an image of you, the harder it is to continue to be an artist, which is why a lot of times, artists have to say, “Bye. I have to go. I’m going crazy and I’m getting out of here.” And they go and hibernate somewhere. Maybe later they re-emerge a little differently.
”
”
Walter Isaacson (Steve Jobs)
“
We all spend so much time not saying what we want, because we know we can't have it. And because it sounds ungracious, or ungrateful, or disloyal, or childish, or banal. Or because we're so desperate to pretend that things are OK, really, that confessing to ourselves they're not looks like a bad move. Go on, say what you want. ... Whatever it is, say it to yourself. The truth will set you free. Either that or it'll get you a punch in the nose. Surviving in whatever life you're living means lying, and lying corrodes the soul, so take a break from the lies for just one minute.
”
”
Nick Hornby (A Long Way Down)
“
I advise you to stop sharing your dreams with people who try to hold you back, even if they're your parents. Because, if you're the kind of person who senses there's something out there for you beyond whatever it is you're expected to do - if you want to be EXTRA-ordinary- you will not get there by hanging around a bunch of people who tell you you're not extraordinary. Instead, you will probably
become as ordinary as they expect you to be.
”
”
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
“
I’ll tell them,” she said. “I’ll tell them it was my fault.”
He looked at her, gold eyes incredulous. “You can’t lie to them.”
“I’m not. I brought you back,” she said. “You were dead, and I brought you back. I upset the balance, not you. I opened the door for Lilith and her stupid ritual. I could have asked for anything, and I asked for you.” She tightened her grip on his shirt, her fingers white with cold and pressure. “And I would do it again. I love you, Jace Wayland—Herondale—Lightwood—whatever you want to call yourself. I don’t care. I love you and I wil always love you, and pretending it could be any other way is just a waste of time.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
And, you know, politics aside, the success of Sarah Palin and women like her is good for all women - except, of course —those who will end up, you know, like, paying for their own rape ‘kit ‘n’ stuff, But for everybody else, it’s a win-win. Unless you’re a gay woman who wants to marry your partner of 20 years - whatever. But for most women, the success of conservative women is good for all of us. Unless you believe in evolution. You know - actually, I take it back. The whole thing’s a disaster.
”
”
Tina Fey
“
I'm here to tell you, though, ladies that the term "gold digger" is one of the traps we men set to keep you off our money trail; we created that term for you so that we can have all our money and still get everything we want from you without you asking for or expecting this very basic, instincual responsibility that men all over the world are obligated to assume and embrace. ... KNOW THIS: It is your right to expect that a man will pay for your dinner, your movie ticket, your club entry fee, or whatever else he has to pay for in exhange for your time.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
Sometimes...you can cry until there's nothing wet in you. You can scream and curse to where your throat rebels and ruptures. You can pray, all you want, to whatever god you think will listen. And, still it makes no difference. It goes on, with no sign as to when it might release you. And you know that if it ever did relent...it would not be because it cared.
”
”
Jhonen Vásquez (Johnny the Homicidal Maniac: Director's Cut)
“
When I was little and running on the race track at school, I always stopped and waited for all the other kids so we could run together even though I knew (and everybody else knew) that I could run much faster than all of them! I pretended to read slowly so I could "wait" for everyone else who couldn't read as fast as I could! When my friends were short I pretended that I was short too and if my friend was sad I pretended to be unhappy. I could go on and on about all the ways I have limited myself, my whole life, by "waiting" for people. And the only thing that I've ever received in return is people thinking that they are faster than me, people thinking that they can make me feel bad about myself just because I let them and people thinking that I have to do whatever they say I should do. My mother used to teach me "Cinderella is a perfect example to be" but I have learned that Cinderella can go fuck herself, I'm not waiting for anybody, anymore! I'm going to run as fast as I can, fly as high as I can, I am going to soar and if you want you can come with me! But I'm not waiting for you anymore.
”
”
C. JoyBell C.
“
You said you're done with me, and I accept that. I'm a different person since I met you. I've changed... for the better. But no matter how hard I try, I can't seem to do right by you. We were friends first, Pigeon. I will always love you, but if I can't make you happy, it doesn't make much sense for me to try to get you back. I can't imagine being with anyone else, but I'll be happy as long as we're friends.
"You want to be friends?" I asked, the words burning in my mouth.
"I want you to be happy. Whatever that takes.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Just answer me this. Is she worth it?" Ash's face went blank and cold, like a door slamming shut.
"Would this be considered payment for finding sweetfinger?" he replied in a voice dead of emotion.
The dwarf snorted. "Yeah, sure, whatever. But I want a serious answer, Prince."
Ash was still for a moment. "Yes," he murmured, his voice so low I barely caught it. "She's worth it."
"You know Mab will tear you apart for this."
"I know.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
How long are you going to wait before you demand the best for yourself and in no instance bypass the discriminations of reason? You have been given the principles that you ought to endorse, and you have endorsed them. What kind of teacher, then, are you still waiting for in order to refer your self-improvement to him? You are no longer a boy, but a full-grown man. If you are careless and lazy now and keep putting things off and always deferring the day after which you will attend to yourself, you will not notice that you are making no progress, but you will live and die as someone quite ordinary.
From now on, then, resolve to live as a grown-up who is making progress, and make whatever you think best a law that you never set aside. And whenever you encounter anything that is difficult or pleasurable, or highly or lowly regarded, remember that the contest is now: you are at the Olympic Games, you cannot wait any longer, and that your progress is wrecked or preserved by a single day and a single event. That is how Socrates fulfilled himself by attending to nothing except reason in everything he encountered. And you, although you are not yet a Socrates, should live as someone who at least wants to be a Socrates.
”
”
Epictetus
“
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
”
”
Elizabeth Wurtzel (Prozac Nation)
“
Look. I don’t want to push you into anything, but do you maybe want to —” “Call Magnus? Look, that’s a dead end, I know you’re trying to be helpful, but —”
“—kiss me?” Jace finished.
Alec looked as if he were about to fall off his chair. “WHAT? What? What?”
“Once what would do.” Jace did his best to look as if this were the sort of
suggestion one made all the time. “I think it might help.”
Alec looked at him with something like horror. “You don’t mean that.”
“Why wouldn’t I mean it?”
“Because you’re the straightest person I know. Possibly the straightest
person in the universe.”
“Exactly,” Jace said, and leaned forward, and kissed Alec on the mouth.
The kiss lasted approximately four seconds before Alec pulled forcefully
away, throwing his hands up as if to ward Jace off from coming at him again.
He looked as if he were about to throw up. “By the Angel,” he said. “Don’t
ever do that again.”
“Oh yeah?” Jace grinned, and almost meant it. “That bad?”
“Like kissing my brother,” said Alec, with a look of horror in his eyes.
“I thought you might feel that way.” Jace crossed his arms over his chest.
“Also, I’m hoping we can just gloss over all the irony in what you just said.”
“We can gloss over whatever you want to,” Alec said fervently. “Just don’t kiss me again.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
What is it the I'll want from you? Not love: that would be too much to ask. Not forgiveness, which isn't yours to bestow. Only a listener, perhaps; only someone who will see me. Don't prettify me though, whatever else you do: I have no wish to be a decorated skull.
But I leave myself in your hands. What choice do I have? By the time you read this last page, that- if anywhere- is the only place I will be.
”
”
Margaret Atwood (The Blind Assassin)
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Look, it's easy to outsmart a werewolf or a vampire," Jace said. "They're no smarter than anyone else. But faeries live for hundreds of years and they're as cunning as snakes. They can't lie, but they love to engage in creative truth-telling. They'll find out whatever it is you want most in the world and give it to you—with a sting in the tail of the gift that will make you regret you ever wanted it in the first place."
He sighed. "They're not really about helping people. More about harm disguised as help.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I opened my eyes and focused on his. “I’d be happier without you,” I lied as convincingly as I could. “Too bad.” Noah’s mouth curved into the half-smile I loved and hated so much, just inches from my navel. My head was foggy. “You’re supposed to say, ‘All I want is your happiness. I’ll do whatever it takes, even if it means being without you.’ “ “Sorry,” Noah said. “I’m just not that big of a person.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Whatever it is, Jacks, you won't feel the same in a minute."
He swalloved hard and clenched his jaw. "You have no idea what I'm feeling now."
He looked at her lips, and the most tortured expression she'd ever seen crossed his face.
When Jacks wanted something, it was with an intensity that could break worlds and build kingdoms. That was the energy pouring off him now, as if he wanted to destroy her and make her his queen all at once.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Find one thing. One thing that's beautiful. Anything. Anything that shows you you're not one of them."
His eyes were back on me studying my face silently. Panic raced through me. It wasn't working. I couldn't do this. We were going to have to get out of here, regardless of whatever state he was in. I knew he'd leave, too. If i had learned anything, it was that Dimitri's warrior instincts were still working. If I said danger was coming, he would respond instantly, no matter the self-torment he felt. I didn't want him to leave in despair. I wanted him to leave here one step closer to being the man I knew he could be. I wanted him to have one less nightmare.
It was beyond my abilities, though. I was no therapist. I was about to tell him we had to get out of there, about to make his soldier reflexes kick in, when he suddenly spoke. His voice was barley a whisper. "Your hair."
"What?" for a second, I wondered if it was on fire or somthing. I touched a stray lock. No, nothing was wrong exept that it was a mess. I'd bound it up for battle to prevent the strgoi from using it as a handhold, like Angeline had. Much of it had come undone in the struggle, though.
"Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "your hair is beautiful.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Look, I didnt want to be a half-blood.
If you're reading this because you think you might be one, my advice is: close this book right now. Believe whatever lie your mom and dad told you about your birth, and try to lead a normal life.
Being a half-blood is dangerous. It's scary. Most of the time, it gets you killed in painful nasty ways.
If you're a normal kid, reading this because you think it's fiction, great. Read on. I envy you for being able to believe none of this ever happened.
But if you recognize yourself in these pages-if you feel something stirring inside- stop reading immediately. You might be one of us. And once you know that, it's only a matter of time before THEY sense it too, and they'll come for you.
Don't say I didn't warn you.
”
”
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
“
I’m not an idiot, Kenji. I have reasons for the things I say.”
“Yeah, and maybe I’m just saying that you have no idea what you’re saying.”
“Whatever.”
“Don’t whatever me—”
“Whatever,” I say again.
“Oh my God,” Kenji says to no one in particular. “I think this girl wants to get her ass kicked.”
“You couldn’t kick my ass if I had ten of them.”
Kenji laughs out loud. “Is that a challenge?”
"It’s a warning,” I say to him.
“Ohhhhhh, so you’re threatening me now? Little crybaby knows how to make threats now?”
“Shut up, Kenji.”
“Shut up, Kenji,” he repeats in a whiny voice, mocking me.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else.
… “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.”
I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Can you think what the Mirror of Erised shows us all?" Harry shook his head.
"Let me explain. The happiest man on earth would be able to use the Mirror of Erised like a normal mirror, that is, he would look into it and see himself exactly as he is. Does that help."
Harry thought. Then he said slowly, "It shows us what we want... whatever we want..."
"Yes and no," said Dumbledore quietly.
"It shows us nothing more or less than the deepest, most desperate desire of our hearts. You, who have never known your family, see them standing around you. Ronald Weasley, who has always been overshadowed by his brothers, sees himself standing alone, the best of all of them. However, this mirror will give us neither knowledge or truth. Men have wasted away before it, entranced by what they have seen, or been driven mad, not knowing if what it shows is real or even possible.
"The Mirror will be moved to a new home tomorrow, Harry, and I ask you not to go looking for it again. If you ever do run across it, you will now be prepared. It does not do to dwell on dreams and forget to live, remember that. Now, why don't you put that admirable cloak back on and get off to bed.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
What difference does it make?" he says. "People can think whatever they like. I don't desire their validation."
"So you don't mind," I ask him, "that people judge you so harshly?"
"I have no one to impress," he says. "No one who cares about what happens to me. I'm not in the business of making friends, love. My job is to lead an army, and it's the only thing I'm good at. No one," he says, "would be proud of the things I've accomplished. My mother doesn't even know me anymore. My father thinks I'm weak and pathetic. My soldiers want me dead. The world is going to hell. And the conversations I have with you are the longest I've ever had.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
It's your call," he said softly, "but whatever you decide, I'll help you." He placed a soft, warm hand at the back of her neck and Laurel's breath caught in her chest. "Whatever you need, I'll be. If you need the science geek to give you answers from a textbook, I'm your guy; if you just want a friend to sit by you in bio and help you feel better when you're sad, I'm still your guy." His thumb slowly stroked across her earlobe and down her cheek. "And if you need someone to hold you and protect you from anyone in the world who might want to hurt you, then I am definitely your guy." His pale-blue eyes bore into hers, and for a second she couldn't breath. "But it's all up to you," he whispered.
”
”
Aprilynne Pike (Wings (Wings, #1))
“
You can be a pawn, be someone’s reward, and spend the rest of your immortal life bowing and scraping and pretending you’re less than him, than Ianthe, than any of us. If you want to pick that road, then fine. A shame, but it’s your choice.” The shadow of wings rippled again. “But I know you—more than you realize, I think—and I don’t believe for one damn minute that you’re remotely fine with being a pretty trophy for someone who sat on his ass for nearly fifty years, then sat on his ass while you were shredded apart—”
“Stop it—”
“Or,” he plowed ahead, “you’ve got another choice. You can master whatever powers we gave to you, and make it count. You can play a role in this war. Because war is coming one way or another, and do not try to delude yourself that any of the Fae will give a shit about your family across the wall when our whole territory is likely to become a charnel house.” I stared
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Once there was a young warrior. Her teacher told her that she had to do battle with fear. She didn’t want to do that. It seemed too aggressive; it was scary; it seemed unfriendly. But the teacher said she had to do it and gave her the instructions for the battle. The day arrived. The student warrior stood on one side, and fear stood on the other. The warrior was feeling very small, and fear was looking big and wrathful. They both had their weapons. The young warrior roused herself and went toward fear, prostrated three times, and asked, "May I have permission to go into battle with you?" Fear said, "Thank you for showing me so much respect that you ask permission." Then the young warrior said, "How can I defeat you?" Fear replied, "My weapons are that I talk fast, and I get very close to your face. Then you get completely unnerved, and you do whatever I say. If you don’t do what I tell you, I have no power. You can listen to me, and you can have respect for me. You can even be convinced by me. But if you don’t do what I say, I have no power." In that way, the student warrior learned how to defeat fear.
”
”
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
“
So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme….
There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string.
The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America.
When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented.
Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence.
”
”
Nicole Krauss (The History of Love)
“
You just, like, hate yourself? You hate being yourself?"
"There's no self to hate. It's like, when I look into myself, there's no actual me—just a bunch of thoughts and behaviors and circumstances. And a lot of them just don't feel like they're mine. They're not things I want to think or do or whatever. And when I do look for the, like, Real Me, I never find it. It's like those nesting dolls, you know? The ones that are hollow, and then when you open them up, there's a smaller doll inside, and you keep opening hollow dolls until eventually you get to the smallest one, and it's solid all the way through. But with me, I don't think there is one that is solid. They just keep getting smaller.
”
”
John Green (Turtles All the Way Down)
“
I love you so much, sweetheart. So, so much. And it's in part because of things like that. You're an idealist and a romantic, and you have a beautiful soul. And I wish the world was ready to be the way you see it. I wish that the rest of the people on earth with us were capable of living up to your expectations. But they aren't. The world is ugly, and no one wants to give anyone the benefit of the doubt about anything. When we lose our work and our reputations, when we lose our friends and, eventually, what money we have, we will be destitute. I've lived that life before. And I cannot let it happen to you. I will do whatever I can to prevent you from living that way. Do you hear me? I love you too much to let you live only for me.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Athena called, "Annabeth Chase, my own daughter."
Annabeth squeezed my arm, then walked forward and knelt at her mother's feet.
Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements."
Annabeth looked up, stunned. "My...my lady?"
Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?"
"You mean...I can design whatever I want?"
"As your heart desires," the goddess said. "Make us a city for the ages."
"As long as you have plenty of statues of me," Apollo added.
"And me," Aphrodite agreed.
"Hey, and me!" Ares said. "Big statues with huge wicked swords and-"
All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
If I had to tell you how humans made their way to Earth, it would go like this: In the beginning, there was nothing at all but the moon and the sun. And the moon wanted to come out during the day, but there was something so much brighter that seemed to fill up all those hours. The moon grew hungry, thinner and thinner, until she was just a slice of herself, and her tips were as sharp as a knife. By accident, because that is the way most things happen, she poked a hole in the night and out spilled a million stars, like a fountain of tears.
Horrified, the moon tried to swallow them up. And sometimes this worked, because she got fatter and rounder.. But mostly it didn't, because there were just so many. The stars kept coming, until they made the sky so bright that the sun got jealous. He invited the stars to his side of the world, where it was always bright. What he didn't tell them, though, was that in the daytime, they'd never be seen. So the stupid ones leaped from the sky to the ground, and they froze under the weight of their own foolishness.
The moon did her best. She carved each of these blocks of sorrow into a man or a woman. She spent the rest of her time watching out so that her other stars wouldn't fall. She spent the rest of her time holding onto whatever scraps she had left.
”
”
Jodi Picoult
“
I have been to many religious services over the years. Each one I go to only reinforces my general impression that religions have much, much more in common than they like to admit. The beliefs are almost always the same; it's just that the histories are different. Everybody wants to believe in a higher power. Everybody wants to belong to something bigger than themselves, and everybody wants company in doing that. They want there to be a force of good on earth, and they want an incentive to be a part of that force. They want to be able to prove their belief and their belonging, through rituals and devotion. They want to touch the enormity.
It's only in the finer points that it gets complicated and contentious, the inability to realize that no matter what our religion or gender or race or geographic background, we all have about 98 percent in common with each other. yes, the differences between male and female are biological, but if you look at the biology as a matter of percentage, there aren't a whole lot of things that are different. Race is different purely as a social construction, not as an inherent difference. And religion--whether you believe in God or Yahweh or Allah or something else, odds are that at heart you want the same things. For whatever reason, we like to focus on the 2 percent that's different, and most of the conflict in the world comes from that.
”
”
David Levithan (Every Day (Every Day, #1))
“
Addiction is a decision. An individual wants something, whatever that something is, and makes a desicion to get it. Once they have it, they make a decision to take it. If they take it too often, that process of decision making gets out of control, and if it gets far out of control, it becomes an addiction. At that point the decision is a difficult one to make, but it is still a decision. Do I or don't I. Am I going to take or am I not going to waste my life or am I going to say no and try and stay sober and be a decent person. It is a decision. Each and every time. A decision. String enough of those decisions together and you set a course and you set a standard of living. Addict or human. Genetics do not make that call. They are just an excuse. They allow people to say it wasn't my fault I am genetically predisposed. It wasn't my fault I was programmed from day one. It wasn't my fault I didn't have any say in the matter. Bullshit. Fuck that bullshit. There is always a decision. Take responsibility for it. Addict or human. It's a fucking decision. Each and every time.
”
”
James Frey (A Million Little Pieces)
“
Wanting to Die
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
”
”
Anne Sexton
“
Do you know when they say soul-mates? Everybody uses it in personal ads. "Soul-mate wanted". It doesn't mean too much now. But soul mates- think about it. When your soul-whatever that is anyway-something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape-when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to-even if you can't be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul's wedding must be too beautiful to even look at. It must be blinding. In must be like all the weddings in the world-gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets,showers of roses. And after that happens-that's it, this is it. But sometimes you have to let that person go. When you are little, people , movie and fairy tales all tell you that one day you're going to meet this person. So you keep waiting and it's a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your sould brother partner lover has other ideas about that.
”
”
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
“
... so this is for us.
This is for us who sing, write, dance, act, study, run and love
and this is for doing it even if no one will ever know
because the beauty is in the act of doing it.
Not what it can lead to.
This is for the times I lose myself while writing, singing, playing
and no one is around and they will never know
but I will forever remember
and that shines brighter than any praise or fame or glory I will ever have,
and this is for you who write or play or read or sing
by yourself with the light off and door closed
when the world is asleep and the stars are aligned
and maybe no one will ever hear it
or read your words
or know your thoughts
but it doesn’t make it less glorious.
It makes it ethereal. Mysterious.
Infinite.
For it belongs to you and whatever God or spirit you believe in
and only you can decide how much it meant
and means
and will forever mean
and other people will experience it too
through you.
Through your spirit. Through the way you talk.
Through the way you walk and love and laugh and care
and I never meant to write this long
but what I want to say is:
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself
and let your very existence be your song, your poem, your story.
Let your very identity be your book.
Let the way people say your name sound like the sweetest melody.
So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain
where no one will ever hear
and your very existence will be the most hypnotising scar.
Make your life be your art
and you will never be forgotten.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
My Name
“I guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you what you did was wrong—“Sorry for the mistake,”—and you had to do something else.
That is my name.
Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There as something near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened.
That is my name.
”
”
Richard Brautigan (In Watermelon Sugar)
“
So here's the truth - I love you. I love everything about you – the way you stick up for people even when it costs you. The way you keep trying to do the right thing even when you're not exactly sure what the right thing is. I love how you put words together. You're as skilled with words as any knife fighter with a blade. You can put an enemy down on his back, or you can raise people up so they find what's best in themselves. You've changed my life. You've given me the words I need to become whatever I want.
I love how you talk to lytlings. You don't talk down to them. You respect them, and anybody can tell you're actually interested in what they have to say.
I love the way you ride a horse – how you stick there like an upland thistle, whooping like a Demonai. I love the way you throw back your head and stomp your feet when you dance. I love how you go after what you want – whether it's kisses or a queendom.
I love your skin, like copper dusted over with gold. And your eyes – they're the color of a forest lake shaded by evergreens. One of the secret places that only the Demonai know about.
I love the scent of you – when you've been out in the fresh air, and that perfume you put behind your ears sometimes.
Believe it or not, I even love your road smell – of sweat and horses and leather and wool.
I want to breathe you in for the rest of my life.
”
”
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
“
Do not waste the precious moments of this, your present reality, seeking to unveil all of life's secrets. Those secrets are a secret for a reason. Grant your God the benefit of the doubt. Use your NOW moment for the Highest Purpose- the creation and the expression of WHO YOU REALLY ARE. Decide who you are- who you want to be-and then do everything in your power to be that.
It is not nearly so important how well a message is received as how well it is sent. You cannot take responsibility for how well another accepts your truth; you can only ensure how well it is communicated. And by how well, I don't mean merely how clearly; I mean how lovingly, how compassionately, how sensitively, how courageously, and how completely.
If you think your life is about DOINGNESS, you do not understand what you are about. Your soul doesn't care what you do for a living-and when your life is over, neither will you. Your soul cares only about what you're BEING while you're doing whatever you're doing. It is a state of BEINGNESS the soul is after, not a state of doingness.
”
”
Neale Donald Walsch
“
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand.
"Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..."
But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper.
"Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum."
His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life.
"Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..."
But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights.
When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
”
”
Jodi Picoult (Handle with Care)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning.
"Nice," he said. "As graceful as a falling snowflake."
"Was I screaming?" She asked, genuinely curious. "You know, on the way down."
He nodded. "Thankfully no one's home, or they would have assumed I was murdering you."
"Ha. You can't even reach me." She kicked out a leg and spun lazily in midair.
Jace's eyes glinted. "Want to bet?"
Clary knew that expression. "No," she said quickly. "Whatever you're going to do-"
But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her.
"Now," he said, "that was much better. You didn't scream at all."
"I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Whatever it is," I said, "the point is moot because as long as I'm on these pills, I can't make contact to ask."
Derek ... snapped, "Then you need to stop taking the pills."
Love to. If I could. But after what happened last night, they're giving me urine tests now."
Ugh. That's harsh." Simon went quiet, then snapped his fingers.
Hey, I've got an idea. It's kinda gross, but what if you take the pills, crush them and mix them with your, you know, urine."
Derek stared at him.
What?"
You did pass chem last year, didn't you?"
Simon flipped him the finger. "Okay, genius, what's your idea?"
I'll think about it. ..."
***
Here," Derek whispered, pressing an empty Mason jar into my hand. He'd pulled me aside after class and we were now standing at the base of the boy's staircase. "Take this up to your room and hide it."
It's a ... jar."
He grunted, exasperated that I was so dense I failed to see the critical importance of hiding an empty Mason jar in my room.
It's for your urine."
My what?"
He rolled his eyes, a growl-like sound sliding through his teeth as
he leaned down, closer to my ear. "Urine. Pee. Whatever. For the testing."
I lifted the jar to eye level. "I think they'll give me something
smaller."
...
You took your meds today, right?" he whispered.
I nodded.
Then use this jar to save it."
Save . . . ?"
Your urine. If you give them some of today's tomorrow, it'll seem like you're still taking your meds."
You want me to . . . dole it out? Into specimen jars?"
Got a better idea?"
Um, no, but ..." I lifted the jar and stared into it.
Oh, for God's sake. Save your piss. Don't save your piss. It's all the same to me."
Simon peeked around the corner, brows lifted. "I was going to ask what you guys were doing, but hearing that, I think I'll pass.
”
”
Kelley Armstrong (The Summoning (Darkest Powers, #1))
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
Time moves so fucking fast.
Blink, and you’re halfway through school, paralyzed by the idea that whatever you choose to do, it means choosing not to do a hundred other things, so you change your major half a dozen times before finally ending up in theology, and for a while it seems like the right path, but that’s really just a reflex to the pride on your parents’ faces, because they assume they’ve got a budding rabbi, but the truth is, you have no desire to practice, you see the holy texts as stories, sweeping epics, and the more you study, the less you believe in any of it.
Blink, and you’re twenty-four, and you travel through Europe, thinking—hoping—that the change will spark something in you, that a glimpse of the greater, grander world will bring your own into focus. And for a little while, it does. But there’s no job, no future, only an interlude, and when it’s over, your bank account is dry, and you’re not any closer to anything.
Blink, and you’re twenty-six, and you’re called into the dean’s office because he can tell that your heart’s not in it anymore, and he advises you to find another path, and he assures you that you’ll find your calling, but that’s the whole problem, you’ve never felt called to any one thing. There is no violent push in one direction, but a softer nudge a hundred different ways, and now all of them feel out of reach.
Blink and you’re twenty-eight, and everyone else is now a mile down the road, and you’re still trying to find it, and the irony is hardly lost on you that in wanting to live, to learn, to find yourself, you’ve gotten lost.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it.
I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting.
The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it.
I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look.
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted.
Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is.
You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural.
You are more than dust and bones.
You are spirit and power and image of God.
And you have been given Today.
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Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
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Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere.
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light.
The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite."
But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while?
That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
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Elizabeth Gilbert (Eat, Pray, Love)