“
No matter what he does, every person on earth plays a central role in the history of the world. And normally he doesn't know it.
”
”
Paulo Coelho (The Alchemist)
“
Normal is an illusion. What is normal for the spider is chaos for the fly.
”
”
Charles Addams
“
What is normal? Normal is only ordinary; mediocre. Life belongs to the rare, exceptional individual who dares to be different.
”
”
V.C. Andrews (My Sweet Audrina (Audrina, #1))
“
What makes us the most normal," said Reiko, "is knowing that we're not normal.
”
”
Haruki Murakami (Norwegian Wood)
“
You know, sometimes I wonder what things would be like if I just ... met you one day. Like normal people do. If I just walked by you on some street one sunny morning and thought you were cute, stopped, shook your hand, and said, "Hi, I'm Daniel.
”
”
Marie Lu (Prodigy (Legend, #2))
“
That's the problem. We let people say stuff, and they say it so much that it becomes okay to them and normal for us. What's the point of having a voice if you're gonna be silent in those moments you shouldn't be?
”
”
Angie Thomas (The Hate U Give (The Hate U Give, #1))
“
The Doctor: Doctor Song, you've got that face on again.
River: What face?
The Doctor: The "He's hot when he's clever" face.
River: This is my normal face.
The Doctor: Yes it is.
River: Oh, shut up.
The Doctor: Not a chance.
”
”
Steven Moffat
“
All through my life I've had this strange unaccountable feeling that something was going on in the world, something big, even sinister, and no one would tell me what it was."
"No," said the old man, "that's just perfectly normal paranoia. Everyone in the Universe has that.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
I don't know what's wrong with me, says Marianne. I don't know why I can't be like normal people.
”
”
Sally Rooney (Normal People)
“
She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.
You should go, she says. I’ll always be here. You know that.
”
”
Sally Rooney (Normal People)
“
The real hopeless victims of mental illness are to be found among those who appear to be most normal. "Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does." They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society. Their perfect adjustment to that abnormal society is a measure of their mental sickness. These millions of abnormally normal people, living without fuss in a society to which, if they were fully human beings, they ought not to be adjusted.
”
”
Aldous Huxley (Brave New World Revisited)
“
Okay," I said. "Just a normal afternoon and two normal people."
She nodded. "And so...hypothetically, if these to people likes each other, what would it take to get the stupid guy to kiss the girl, huh?"
"Oh..." I felt like one of Apollo's sacred cows-slow, dumb, and bright red. "Um...
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
It isn't normal to know what we want. It is a rare and difficult psychological achievement.
”
”
Abraham H. Maslow
“
Here’s what I think: the only reason I’m not ordinary is that no one else sees me that way.
”
”
R.J. Palacio (Wonder (Wonder, #1))
“
In normal life we hardly realize how much more we receive than we give, and life cannot be rich without such gratitude. It is so easy to overestimate the importance of our own achievements compared with what we owe to the help of others.
”
”
Dietrich Bonhoeffer (Letters and Papers from Prison)
“
Admit it. You aren’t like them. You’re not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the “normal people” as they go about their automatic existences. For every time you say club passwords like “Have a nice day” and “Weather’s awful today, eh?”, you yearn inside to say forbidden things like “Tell me something that makes you cry” or “What do you think deja vu is for?”. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others…
”
”
Timothy Leary
“
It's never been about trying to look well-behaved. It's just how I am. I guess it's a weird thing to be 19 and not ever have been drunk, but for me, it just feels normal because I don't really know any other way. I don't know if I'd be comfortable getting wasted and not knowing what I've said. That doesn't mean when I'm older I won't have a glass of wine. I just don't think it's such a strange thing for me not to be wasted all the time.
”
”
Taylor Swift
“
Look, Simon, Luke thinks you should tell your mom. You can't hide it from her forever."
"I can damn well try."
"Think about Luke," she said desperately. "You can still live a normal life."
"And what about us? Do you want a vampire boyfriend?" He laughed bitterly. "Because I foresee many romantic picnics in our future. You, drinking a virgin pina colada. Me, drinking the blood of a virgin.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
You seem to be under the impression that there is a special breed of bad humans. There is no such thing as a stereotype bad man in this world. Under normal conditions, everybody is more or less good, or, at least, ordinary. But tempt them, and they may suddenly change. That is what is so frightening about men.
”
”
Natsume Sōseki (Kokoro)
“
A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....
One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.
”
”
John Berger (Ways of Seeing)
“
When you don't fit in, you become superhuman. You can feel everyone else's eyes on you, stuck like Velcro. You can hear a whisper about you from a mile away. You can disappear, even when it looks like you're still standing right there. You can scream, and nobody hears a sound.
You become the mutant who fell into the vat of acid, the Joker who can't remove his mask, the bionic man who's missing all his limbs and none of his heart.
You are the thing that used to be normal, but that was so long ago, you can't even remember what it was like.
”
”
Jodi Picoult (Nineteen Minutes)
“
There'a a phrase, "the elephant in the living room", which purports to describe what it's like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, "How could you let such a business go on for so many years? Didn't you see the elephant in the living room?" And it's so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth; "I'm sorry, but it was there when I moved in. I didn't know it was an elephant; I thought it was part of the furniture." There comes an aha-moment for some folks - the lucky ones - when they suddenly recognize the difference.
”
”
Stephen King
“
Hate can be a deeply stimulating emotion. The world becomes easier to understand and much less terrifying if you divide everything and everyone into friends and enemies, we and they, good and evil. The easiest way to unite a group isn't through love, because love is hard, It makes demands. Hate is simple. So the first thing that happens in a conflict is that we choose a side, because that's easier than trying to hold two thoughts in our heads at the same time. The second thing that happens is that we seek out facts that confirm what we want to believe - comforting facts, ones that permit life to go on as normal. The third is that we dehumanize our enemy.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.
”
”
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
“
Don't wish to be normal. Wish to be yourself. To the hilt. Find out what you're best at, and develop it, and hopscotch your weaknesses. Wish to be great at whatever you are.
”
”
Lois McMaster Bujold (Labyrinth (Vorkosigan Saga, #5.2))
“
There is no evidence that we've been placed on this planet to be especially happy or especially normal. And in fact our unhappiness and our strangeness, our anxieties and compulsions, those least fashionable aspects of our personalities, are quite often what lead us to do rather interesting things.
”
”
Jon Ronson (The Psychopath Test: A Journey Through the Madness Industry)
“
People were buying milk, or filling their cars with petrol, or even posting letters. And what no one else knew was the appalling weight of the thing they were carrying inside. The superhuman effort it took sometimes to be normal, and a part of things that appeared both easy and everyday. The loneliness of that.
”
”
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
“
That is what literature offers—a language powerful enough to say how it is. It isn't a hiding place. It is a finding place.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt — his shirt —
“Jace.” She moved a little bit away. “I’m pretty sure people down there in the street can see us.”
“We could …” He gestured toward the bed. “Move…over there.”
She grinned. “You said that like it took you a while to come up with the idea.”
When he spoke, his voice was muffled against her neck. “What can I say, you make my thought processes slow down. Now I know what it’s like to be a normal person.”
“How … is it?” The things he was doing with his hands under the t-shirt were distracting.
“Terrible. I’m already way behind on my quota of witty comments for the day.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
The most important things are the hardest things to say. They are things you get ashamed of, because words make them smaller. When they were in your head they were limitless; but when they come out they seem to be no bigger than normal things. But that's not all. The most important things lie too close to wherever your secret heart is buried; they are clues that could guide your enemies to a prize they would love to steal. It's hard and painful for you to talk about these things ... and then people just look at you strangely. They haven't understood what you've said at all, or why you almost cried while you were saying it.
”
”
Stephen King (The Body)
“
Normal? What's that?"
"How you really look."
"Can you take off all your clothes?"
Okay weirdest thing ever-I just asked myself to take off all my clothes. It doesn't get much creepier. "Why on earth would I do that?"
"You asked me to be naked; I thought it was only fair.
”
”
Kiersten White (Paranormalcy (Paranormalcy, #1))
“
Pulling the chair out for me, he invited me to sit.
I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I'd never make it.
He leaned in close and whispered in my ear, "I know what you're thinking, and I'm not going to let you escape again. You can either take a seat and have dinner with me like a normal date," he grinned at his word choice, "or," he paused thoughtfully then threatened, "you can sit on my lap while I force-feed you.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Normally I hate people who whine all the time, but in your case, it would be okay to complain. Be selfish, say what you want once in a while. It's okay to let yourself be sad." -Kyo talking to Tohru
”
”
Natsuki Takaya (Fruits Basket, Vol. 1)
“
What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.
”
”
Gerard Way
“
You get lonely, is what it is. A person's not supposed to go through life with absolutely nobody. It's not normal. The longer you go by yourself the weirder you get, and the weirder you get the longer you go by yourself. It's a loop and you gotta do something to get out of it.
”
”
Jim Shepard
“
In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.
”
”
Jeffrey Eugenides (The Marriage Plot)
“
I love being a pavement artist; seriously, I do. It's like when guys who would normally hate being freakishly tall discover basketball, or when girls with abnormally long fingers sit down at a piano. Blending in, going unseen, being a shadow in the sun is what I'm good at. Seeing the shadows, it turns out, is not my natural gift.
”
”
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
“
… and so he tried to accept the ache in his heart as what Dr. Larch would call the common symptoms of normal life.
”
”
John Irving (The Cider House Rules)
“
I lost a horse today.'
'That sounds careless. What happened?'
'She jumped off a cliff.'
'A cliff! Is that normal?
”
”
Maggie Stiefvater (The Scorpio Races)
“
Hello, hello.” Magnus swept toward them..."Alec, my darling, Clary. And rat-boy." He swept a bow toward Simon, who looked annoyed. "To what do I owe the pleasure?"
"We came to see Jace," Clary said. "Is he all right?"
"I don’t know," Magnus said. "Does he normally just lie on the floor like that without moving?"
"What –," Alec began, and broke off as Magnus laughed. "That’s not funny."
"You’re so easy to tease. And yes, your friend is just fine. Well, except that he keeps putting all my things away and trying to clean up. Now I can’t find anything. He’s compulsive.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I'm sorry, I don't know what any of you want, or why guns and knives are being waved around, or why the girl has just been taken hostage, but everyone seems to be acting like having a TALKING SKELETON in the room is perfectly normal. And you, where are your eyes? How can you see? How come the only people with eyes in this room are me and her?
”
”
Derek Landy (The Faceless Ones (Skulduggery Pleasant, #3))
“
I had no one to help me, but the T. S. Eliot helped me.
So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is.
It isn’t a hiding place. It is a finding place.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
What are you doing here?" she asked as she slowed from a jog to a walk and placed her hands on her hips. It would take her a few minutes to get her breathing back to normal. Longer if he kept smiling at her like that.
He shrugged. "I couldn't sleep. What about you?"
She opted for the obvious and filled her voice with as much sarcasm as she could. "I live here, actually
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Everyone pretends to be normal and be your best friend, but underneath, everyone is living some other life you don't know about, and if only we had a camera on us at all times, we could go and watch each other's tapes and find out what each of us was really like.
”
”
James Franco (Palo Alto)
“
You know," he said, "under normal circumstances, you inviting me to the bedroom would be the highlight of my day."
I crossed my arms and sat on the bed. I did so out of simple fatigue, but a moment later, I was struck by what I was doing. This is where Adrian sleeps. I'm touching the covers he's wrapped in every night. What does he wear? Does he wear anything?
I jumped up.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Adrian Ivashkov wasn’t easy to surprise, but I surprised him then when I brought his mouth toward mine. I kissed him, and for a moment, he was too stunned to respond. That lasted for, oh, about a second. Then the intensity I’d come to know so well in him returned. He pushed me backward, lifting me so that I sat at the table. The tablecloth bunched up, knocking over some of the glasses. I heard what sounded like a china plate crash against the floor.
Whatever logic and reason I normally possessed had melted away. There was nothing but flesh and fire left, and I wasn’t going to lie to myself—at least not tonight.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
I rolled my eyes. "He's talking to himself. My vote is he's crazy."
He thought about this. "Maybe he's normal and we're the crazy ones. Maybe everyone should talk to themselves. Maybe we're all just afraid of what we'd say.
”
”
Katie Kacvinsky (Awaken (Awaken, #1))
“
For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth....Such are the autumn people.
”
”
Ray Bradbury
“
So, this is how it's become? This is how I've become? A walking contradiction? I'm surrounded by people and feel alone. I claim to crave a bit of normalcy but now that I have some, it's like I don't know what to do with it, I don't know how to be a normal person anymore.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
The thing about real life is, when you do something stupid, it normally costs you. In books the heroes can make as many mistakes as they like. It doesn't matter what they do, because everything works out in the end. They'll beat the bad guys and put things right and everything ends up cool.
In real life, vacuum cleaners kill spiders. If you cross a busy road without looking, you get whacked by a car. If you fall from a tree, you break some bones.
Real life's nasty. It's cruel. It doesn't care about heroes and happy endings and the way things should be. In real life, bad things happen. People die. Fights are lost. Evil often wins.
I just wanted to make that clear before I begun.
”
”
Darren Shan (Cirque du Freak: A Living Nightmare (Cirque du Freak, #1))
“
I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could.
I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you.
”
”
Amy Plum (Die for Me (Revenants, #1))
“
Some days I woke up and got out of bed and brushed my teeth like any normal human being; some days I woke up and lay in bed and looked at the ceiling and wondered what the hell the point was of getting out of bed and brushing my teeth like any normal human being.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
He often makes blithe remarks about things he 'wishes'. I wish you didn't have to go, he says when she's leaving, or: I wish you could stay the night. If he really wished any of those things, Marianne knows, then they would happen. Connell always gets what he wants, and then feels sorry for himself when what he wants doesn't make him happy.
”
”
Sally Rooney (Normal People)
“
Can you think what the Mirror of Erised shows us all?" Harry shook his head.
"Let me explain. The happiest man on earth would be able to use the Mirror of Erised like a normal mirror, that is, he would look into it and see himself exactly as he is. Does that help."
Harry thought. Then he said slowly, "It shows us what we want... whatever we want..."
"Yes and no," said Dumbledore quietly.
"It shows us nothing more or less than the deepest, most desperate desire of our hearts. You, who have never known your family, see them standing around you. Ronald Weasley, who has always been overshadowed by his brothers, sees himself standing alone, the best of all of them. However, this mirror will give us neither knowledge or truth. Men have wasted away before it, entranced by what they have seen, or been driven mad, not knowing if what it shows is real or even possible.
"The Mirror will be moved to a new home tomorrow, Harry, and I ask you not to go looking for it again. If you ever do run across it, you will now be prepared. It does not do to dwell on dreams and forget to live, remember that. Now, why don't you put that admirable cloak back on and get off to bed.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college “adult” person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person I’d become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because that’s when life will really begin.
And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin.
I love movies about “The Big Moment” – the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that wasn’t what it looked like in the movies.
John Lennon once said, “Life is what happens when you’re busy making other plans.” For me, life is what was happening while I was busy waiting for my big moment. I was ready for it and believed that the rest of my life would fade into the background, and that my big moment would carry me through life like a lifeboat.
The Big Moment, unfortunately, is an urban myth. Some people have them, in a sense, when they win the Heisman or become the next American Idol. But even that football player or that singer is living a life made up of more than that one moment. Life is a collection of a million, billion moments, tiny little moments and choices, like a handful of luminous, glowing pearl. It takes so much time, and so much work, and those beads and moments are so small, and so much less fabulous and dramatic than the movies.
But this is what I’m finding, in glimpses and flashes: this is it. This is it, in the best possible way. That thing I’m waiting for, that adventure, that move-score-worthy experience unfolding gracefully. This is it. Normal, daily life ticking by on our streets and sidewalks, in our houses and apartments, in our beds and at our dinner tables, in our dreams and prayers and fights and secrets – this pedestrian life is the most precious thing any of use will ever experience.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
Mark, looking beatific, took the dispenser of maple syrup off the table and upended it over his strawberries. He picked one up and put it in his mouth, stem and all. Julian stared at him.
"What?" Mark said. "This is a perfectly normal thing to eat."
"Sure it is," said Julian. "If you're a hummingbird.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Who's to say what's better or worse anyway? Who's to even say what's normal or average? We're all different people and we're allowed to be different from on another. If someone ever says you're weird, say thank you. And then curtsy. No, don't curtsy. That might be too weird. Bow. And tip your imaginary hate. That'll show them.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
The big difference between my mom and me-- besides the fact that she is dead normal and I'm a magic-handling freak-- is that she's the real thing. She may have a slight problem seeing other people's points of view, but she's honest about it. She's a brass-bound bitch because she believes she knows best. I'm a brass-bound bitch because I don't want anyone getting close enough to find out what a whiny little knot of naked nerve endings I really am.
”
”
Robin McKinley (Sunshine)
“
She sighed, annoyed at her restlessness. “So,” she said, disrupting Wolf in another backward glance.
“Who would win in a fight—you or a pack of wolves?”
He frowned at her, all seriousness. “Depends,” he said, slowly, like he was trying to figure out her motive for asking. “How big is the pack?”
“I don’t know, what’s normal? Six?”
“I could win against six,” he said. “Any more than that and it could be a close call.”
Scarlet smirked. “You’re not in danger of low self-esteem, at least.”
“What do you mean?”
“Nothing at all.” She kicked a stone from their path. “How about you and … a lion?”
“A cat? Don’t insult me.”
She laughed, the sound sharp and surprising. “How about a bear?”
“Why, do you see one out there?”
“Not yet, but I want to be prepared in case I have to rescue you.”
The smile she’d been waiting for warmed his face, a glint of white teeth flashing. “I’m not sure. I’ve never had to fight a bear before.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
It's despair at the lack of feeling, of love, of reason in the world. It's despair that anyone can even contemplate the idea of dropping a bomb or ordering that it should be dropped. It's despair that so few of us care. It's despair that there's so much brutality and callousness in the world. It's despair that perfectly normal young men can be made vicious and evil because they've won a lot of money. And then do what you've done to me.
”
”
John Fowles (The Collector)
“
That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space.
The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
So I stand on the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don't.
”
”
Carol Rifka Brunt (Tell the Wolves I'm Home)
“
If he silently decides not to say something when they’re talking, Marianne will ask ‘what?’ within one or two seconds. This ‘what?’ question seems to him to contain so much: not just the forensic attentiveness to his silences that allows her to ask in the first place, but a desire for total communication, a sense that anything unsaid is an unwelcome interruption between them.
”
”
Sally Rooney (Normal People)
“
Is it time for your period, or something?"
With unerring instinct, he'd found a great big red button, and pushed it. Wyatt fights to win, which means he fights dirty. I understand the concept because that's how I fight, too, but understanding it didn't stop me from reacting. I could practically feel my blood bubbling with steam. "What?"
He turned around, all controlled aggression, and damned if he didn't push the button again. "What is it about having a period that makes women so bitchy?"
... It was an effort, but I said as sweetly as possible, "It isn't that we're bitchier, it's that having a period makes us feel all tired and achy, so we have less tolerance for all the bullshit we normally SUFFER IN SILENCE." By the time the sentence ended the sweetness was long gone, my jaw was clenched, and I think my eyes were bugging out.
Wyatt took a step back, belatedly looking alarmed.
”
”
Linda Howard (Drop Dead Gorgeous (Blair Mallory, #2))
“
We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools."
He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back."
I chuckled. "You watch too many movies. Ooh, we could be lab partners!"
"Isn't that kind of what we were in Defense?"
"Yeah, but in normal high school, there would be more science, less kicking each other in the face."
"Nice.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Keenan was staring at her, too intently for comfort. "I don't know why certain people shine for others. I don't know why you and not someone else." He gently pulled her forward and whispered, "But it's you I think of when I wake each morning. It's your face in my dreams."
Aislinn swallowed. That would seem odd even if he were normal. And he wasn't. What he was-unfotunately-was completely serious.
”
”
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
“
Poor manners on my part. What is your name?"
"Ria."
"Ria, is that short for Rian?"
"Yes, it is," she smiled.
"Rian, would you please cross your legs?"
The request was made with such an earnest tone that not even a titter escaped the class. Looking puzzled, Rian crossed her legs.
"Now that the gates of hell are closed," Hemme said in his normal rougher tones. "We can begin.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Most problems of teaching are not problems of growth but helping cultivate growth. As far as I know, and this is only from personal experience in teaching, I think about ninety percent of the problem in teaching, or maybe ninety-eight percent, is just to help the students get interested. Or what it usually amounts to is to not prevent them from being interested. Typically they come in interested, and the process of education is a way of driving that defect out of their minds. But if children['s] ... normal interest is maintained or even aroused, they can do all kinds of things in ways we don't understand.
”
”
Noam Chomsky
“
When you live on your own for a long time, however, your personality changes because you go so much into yourself you lose the ability to be social, to understand what is and isn't normal behavior. There is an entire world inside yourself, and if you let yourself, you can get so deep inside it you will forget the way to the surface. Other people keep our souls alive, just like food and water does with our body.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
“
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time."
An hour later, he had his answer.
"Not practicing, huh?"
"Ow,” I groaned, momentarily incapable of normal speech.
He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times.
"I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow.
"You’d hate me more if I held back."
"Yeah, that’s true," I agreed, staggering along as the class put the equipment back.
"You actually did okay."
"What? I just had my ass handed to me."
"Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly.
"Did I mention I hate you?”
He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—"
"They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue.
"Extra sessions with who?"
"That tall guy. Dimitri."
Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?"
"Yeah, so what?"
"So the man is a god."
"Exaggerate much?" I asked.
"No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you."
Great. Something else to improve my day.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Our lives are mere flashes of light in an infinitely empty universe. In 12 years of education the most important lesson I have learned is that what we see as “normal” living is truly a travesty of our potential. In a society so governed by superficiality, appearances, and petty economics, dreams are more real than anything anything in the “real world”. Refuse normalcy. Beauty is everywhere, love is endless, and joy bleeds from our everyday existence. Embrace it. I love all of you, all my friends, family, and community. I am ceaselessly grateful from the bottom of my heart for everyone. The only thing I can ask of you is to stay free of materialism. Remember that every day contains a universe of potential; exhaust it. Live and love so immensely that when death comes there is nothing left for him to take. Wealth is love, music, sports, learning, family and freedom. Above all, stay gold.
”
”
Dominic Owen Mallary
“
And why are you so firmly, so triumphantly, convinced that only the normal and the positive--in other words, only what is conducive to welfare--is for the advantage of man? Is not reason in error as regards advantage? Does not man, perhaps, love something besides well-being? Perhaps he is just as fond of suffering? Perhaps suffering is just as great a benefit to him as well-being? Man is sometimes extraordinarily, passionately, in love with suffering, and that is a fact.
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
And this note was a jittery time bomb, ticking beneath my normal life, in my pocket all day firecely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.
I can’t stop thinking about you.
”
”
Daniel Handler (Why We Broke Up)
“
On how to make boys like you:
the third way is to be come something called "hot"
Now Katie I would argue that there are at least two
distinct definitions
of hot. There is the like normal
human definition which is that individual seems
suitable for mating. And then theirs the weird culturally
constructed definition of hot which is that individual is
malnourished and has probably had plastic bags inserted
into her breasts. Now boys might find that hot now but I don't think there's anything inherently hot about it like if you went back to the 18th century and ask a fifteen year old boy would you like to marry a woman who has had plastic bags needlessly inserted into her breasts that fifteen year old boy would probably be like: "What's plastic?
”
”
John Green
“
The only thing worth writing about is people. People. Human beings. Men and women whose individuality must be created, line by line, insight by insight. If you do not do it, the story is a failure. [...] There is no nobler chore in the universe than holding up the mirror of reality and turning it slightly, so we have a new and different perception of the commonplace, the everyday, the 'normal', the obvious. People are reflected in the glass. The fantasy situation into which you thrust them is the mirror itself. And what we are shown should illuminate and alter our perception of the world around us. Failing that, you have failed totally.
”
”
Harlan Ellison
“
Look, this is all very, very weird. Why are you focusing on rumours and urban legends? You haven’t even asked me any
normal questions.”
“Normal questions? Like what?”
“Like, I don’t know, like if Lynch had any enemies.”
“Did Lynch have any enemies?”
“Well, not that I know of, no.”
“Then there really was no point in me asking that, was there? Unless you wanted to distract me. You didn’t want to distract me, did you, Kenny?”
“No, that’s not—”
“Are you playing a game with me, Kenny?”
“I don’t know what you’re—”
Inspector Me leaned forward. “Did you kill him?”
“No!”
“It’d be OK if you did.”
Kenny recoiled, horrified. “How would that be OK?”
“Well,” Me said, “maybe not
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
Friends and family came and went, sometimes helping her with her tears, other times making her laugh. But even in her laughter there was something missing. She never seemed to be truly happy; she just seemed to be passing time while she waited for something else. She was tired of just existing; she wanted to live. But what was the point in living when there was no life in it? These questions went through her mind over and over until she reached the point of not wanting to wake up from her dreams--they were what felt real.
Deep down, she knew it was normal to feel like this, she didn't particularly think she was losing her mind. She knew that one day she would be happy again and that this feeling would just be a distant memory. It was getting to that day that was the hard part.
”
”
Cecelia Ahern
“
And when, after fifteen years of bingeing, barfing, starving, needles and tubes and terror and rage, and medical crises and personal failure and loss after loss - when, after all this, you are in your early twenties and staring down a vastly abbreviated life expectancy, and the eating disorder still takes up half your body, half your brain, with its invisible eroding force, when you have spent the majority of your life sick, when you do not yet know what it means to be 'well,' or 'normal,' when you doubt that those words even have meaning anymore, there are still no answers. You will die young, and you have no way to make sense of that fact.
You have this: You are thin.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
Claire was just coming down the stairs, humming and thinking about how nice it was to have things getting back to normal, and how she'd tell Shane about the January thing tonight, when Myrnin sent a message through the portal.
Well, more of a rock with a note tied to it, which rolled across the floor and scared Eve into a scream before the portal snapped shut. Eve kicked the rock resentfully with her thick black boots and glared at it, then at the wall.
Claire gave her a "What the hell?" kind of look.
"Your boss," Eve said, and reached down to grab the rock, "needs to figure out texting. Seriously. Who does this? Is he actually from the Stone Age?
”
”
Rachel Caine (Bite Club (The Morganville Vampires, #10))
“
Did you eat my Twinkies?"
She gulped. Keeping her eyes glued to the whip, she said, "Exactly what Twinkies are we talking about?"
"The Twinkies in the cupboard over the sink. The only Twinkies in the trailer." His fingers convulsed around the coils of leather.
Oh, Lord, she thought. Flayed to death for a Twinkle.
"Well?"
"It, uh — it won't happen again, I promise you. But they didn't have any special marking on them, so there was no way I could tell they were yours." Her eyes remained riveted on the whip. "And normally I wouldn't have eaten them— I never eat junk food-—but I was hungry last night, and, well, when you think about it, you'll have to admit I did you a favor because they're clogging my arteries now instead of yours."
His voice was quiet. Too quiet. In her mind she heard the howl of a rampaging Cossack baying at a Russian moon. "Don't touch my Twinkies. Ever. If you want Twinkies, buy your own.
”
”
Susan Elizabeth Phillips (Kiss an Angel)
“
Though I obviously have no proof of this, the one aspect of life that seems clear to me is that good people do whatever they believe is the right thing to do. Being virtuous is hard, not easy. The idea of doing good things simply because you're good seems like a zero-sum game; I'm not even sure those actions would still qualify as 'good,' since they'd merely be a function of normal behavior. Regardless of what kind of god you believe in--a loving god, a vengeful god, a capricious god, a snooty beret-wearing French god, or whatever--one has to assume that you can't be penalized for doing the things you believe to be truly righteous and just. Certainly, this creates some pretty glaring problems: Hitler may have thought he was serving God. Stalin may have thought he was serving God (or something vaguely similar). I'm certain Osama bin Laden was positive he was serving God. It's not hard to fathom that all of those maniacs were certain that what they were doing was right. Meanwhile, I constantly do things that I know are wrong; they're not on the same scale as incinerating Jews or blowing up skyscrapers, but my motivations might be worse. I have looked directly into the eyes of a woman I loved and told her lies for no reason, except that those lies would allow me to continue having sex with another woman I cared about less. This act did not kill 20 million Russian peasants, but it might be more 'diabolical' in a literal sense. If I died and found out I was going to hell and Stalin was in heaven, I would note the irony, but I couldn't complain. I don't make the fucking rules.
”
”
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
“
Well,” he said with an affected sigh, “you have my approval, at least.”
“Why?” Hyacinth asked suspiciously.
“It would be an excellent match,” he continued. “If nothing else, think of the children.”
She knew she’d regret it, but still she had to ask. “What children?”
He grinned. “The lovely lithping children you could have together. Garethhhh and Hyathinthhhh. Hyathinth and Gareth. And the thublime Thinclair tots.”
Hyacinth stared at him like he was an idiot.
Which he was, she was quite certain of it.
She shook her head. “How on earth Mother managed to give birth to seven perfectly normal children and one freak is beyond me."
"Thith way to the nurthery.” Gregory laughed as she
headed back into the room. “With the thcrumptious little
Tharah and Thamuel Thinclair. Oh, yeth, and don’t forget
wee little Thuthannah!
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
-BDB on the board-
VAMPIRES WITH ONE EYEBROW ARE SEXY
May 8, 2006
Vishous (Back in the Pit, posting in Rhage's room on the board)
Hi! My name is Rhage.....:)
I'm starting a new trend in facial hair.
Having one eyebrow is COOL.
Having one eyebrow is SEXY.
Having one eyebrow is very INTELLECTUAL.
Come. Join me.
Rhage: (In his bedroom) 1. He immobilized me, the motherfucker. Or I woud have gone to work on the goatee. AND IF HE WERE SO TOUGH HE WOULDN'T HAVE HAD TO PUT A WHAMMY ON MY ASS TO GET AT ME.
2. My hair grows back VERY fast. I should be BACK TO NORMAL in a couple of days.
3. Even if it takes me the rest of this month...he has SO got it coming for him.
Vishous: Rhage! What happened to your eyebrow?
Why...it's gone.
Did you slip while you were shaving?
Hey....lemme ask you something...Does your head feel off-kilter? You know, heavier on one side?
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
SEPTEMBER 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
”
”
W.H. Auden (Another Time)
“
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
Pursuing happiness, and I did, and still do, is not at all the same as being happy- which I think is fleeting, dependent on circumstances, and a bit bovine.
If the sun is shining, stand in it- yes, yes, yes. Happy times are great, but happy times pass- they have to- because time passes.
The pursuit of happiness is more elusive; it is lifelong, and it is not goal-centred.
What you are pursuing is meaning- a meaningful life. There's the hap- the fate, the draw that is yours, and it isn't fixed, but changing the course of the stream, or dealing new cards, whatever metaphor you want to use- that's going to take a lot of energy. There are times when it will go so wrong that you will barely be alive, and times when you realize that being barely alive, on your own terms, is better than living a bloated half-life on someone else's terms.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
Forget trying to pass for normal. Follow your geekdom. Embrace nerditude. In the immortal words of Lafcadio Hearn, a geek of incredible obscurity whose work is still in print after a hundred years, “Woo the muse of the odd.” You may be a geek. You may have geek written all over you. You should aim to be one geek they'll never forget. Don't aim to be civilized. Don’t hope that straight people will keep you on as some sort of pet. To hell with them. You should fully realize what society has made of you and take a terrible revenge. Get weird. Get way weird. Get dangerously weird. Get sophisticatedly, thoroughly weird, and don't do it halfway. Put every ounce of horsepower you have behind it. Don't become a well-rounded person. Well-rounded people are smooth and dull. Become a thoroughly spiky person. Grow spikes from every angle. Stick in their throats like a pufferfish.
”
”
Bruce Sterling
“
My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.
”
”
John Waters
“
In depression this faith in deliverance, in ultimate restoration, is absent. The pain is unrelenting, and what makes the condition intolerable is the foreknowledge that no remedy will come- not in a day, an hour, a month, or a minute. If there is mild relief, one knows that it is only temporary; more pain will follow. It is hopelessness even more than pain that crushes the soul. So the decision-making of daily life involves not, as in normal affairs, shifting from one annoying situation to another less annoying- or from discomfort to relative comfort, or from boredom to activity- but moving from pain to pain. One does not abandon, even briefly, one’s bed of nails, but is attached to it wherever one goes. And this results in a striking experience- one which I have called, borrowing military terminology, the situation of the walking wounded. For in virtually any other serious sickness, a patient who felt similar devistation would by lying flat in bed, possibly sedated and hooked up to the tubes and wires of life-support systems, but at the very least in a posture of repose and in an isolated setting. His invalidism would be necessary, unquestioned and honorably attained. However, the sufferer from depression has no such option and therefore finds himself, like a walking casualty of war, thrust into the most intolerable social and family situations. There he must, despite the anguish devouring his brain, present a face approximating the one that is associated with ordinary events and companionship. He must try to utter small talk, and be responsive to questions, and knowingly nod and frown and, God help him, even smile. But it is a fierce trial attempting to speak a few simple words.
”
”
William Styron (Darkness Visible: A Memoir of Madness)
“
BETRAYAL
No failure in Life, whether of love or money, is ever really that simple; it usually involves a type of a shadowy betrayal, buried in a secret, mass grave of shared hopes and dreams.
That universal mass grave exists in a private cemetery that most... both those suffering from the loss, but especially those committing the betrayal, refuse to acknowledge its existence.
When you realize you've been deeply betrayed, fear really hits you. That's what you feel first. And then it's anger and frustration. Then disspointment and disilussionment.
Part of the problem is how little we understand about the ultimate effects and consequences of betrayal on our hearts and spirits; and on trust and respect for our fellow brothers and sisters.
In writing, there are only really a few good stories to tell, and in the end, and betrayal and the failure of love is one of the most powerful stories to tell.
Tragedy in life normally comes with betrayal and compromise- by trading in our integrity and failing to treat life and others in our life, with respect and dignity. That's really where the truest and the most tragic failures comes from... they come making the choice to betray another soul, and in turn, giving up a peice of your own.
”
”
José N. Harris (Mi Vida)
“
Kate,
I'm not always the best at expressing myself to you, so I'm taking advantage of the fact that I will be completely unresponsive when you read this, and therefore incapable of messing things up.
I want to thank you for giving me a chance. When I first saw you, I knew I had found something incredible. And since then all I've wanted was to be with you as much as possible.
When I thought I had lost you, I was torn between wanting you back and wanting the best for you—wanting you to be happy. Seeing you so miserable during the weeks we were apart gave me the courage to fight for us . . . to find a way for things to work. And seeing you happy again in the days we've been back together makes me think I did the right thing.
I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you.
Thank you for being here, my beauty. Mon ange. My Kate.
Yours utterly,
Vincent
”
”
Amy Plum (Die for Me (Revenants, #1))
“
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale."
George W. Bush has gathered around him upper-crust C-students who know no history or geography, plus not-so-closeted white supremacists, aka Christians, and plus, most frighteningly, psychopathic personalities, or PPs, the medical term for smart, personable people who have no consciences.
To say somebody is a PP is to make a perfectly respectable diagnosis, like saying he or she has appendicitis or athlete's foot . . .
PPs are presentable, they know full well the suffering their actions may cause others, but they do not care. They cannot care because they are nuts. They have a screw loose! . . .
So many of these heartless PPs now hold big jobs in our federal government, as though they were leaders instead of sick. They have taken charge of communications and the schools, so we might as well be Poland under occupation.
They might have felt that taking our country into an endless war was simply something decisive to do. What has allowed so many PPs to rise so high in corporations, and now in government, is that they are so decisive. They are going to do something every fuckin' day and they are not afraid. Unlike normal people, they are never filled with doubts, for the simple reasons that they don't give a fuck what happens next. Simply can't. Do this! Do that! Mobilize the reserves! Privatize the public schools! Attack Iraq! Cut health care! Tap everybody's telephone! Cut taxes on the rich! Build a trillion-dollar missile shield! Fuck habeas corpus and the Sierra Club and In These Times, and kiss my ass!
There is a tragic flaw in our precious Constitution, and I don't know what can be done to fix it. This is it: Only nut cases want to be president.
”
”
Kurt Vonnegut Jr. (A Man Without a Country)
“
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing.
“Great, thanks, Big Josh. How You Doing?”
“Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug.
I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.”
We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives.
“Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.”
We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?”
Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force.
“Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.”
“It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
”
”
Sally Thorne (The Hating Game)
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Halt?" he said diffidently. He heard a deep sigh from the short, slightly built man riding beside him. Mentally he kicked himself.
I thought you must be coming down with some illness for a moment there," Halt said straight faced. "It must be two or three minutes since you've asked a question." Commited now, Horace continued.
One of those girls," he began, and immediately felt the Ranger's eyes on him. "She was wearing a very short skirt."
There was the slightest pause.
Yes?" Halt prompted, not sure where this conversation was leading. Horace shrugged uncomfortably. The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again.
Well," he said uncertainly, "I just wondered if that was normal over, that's all." Halt considered the serious young face beside him. He cleared his throat several times.
I believe that sometimes Gallican girls take jobs as couriers.
he said.
Couriers. They carry messages from one person to another. Or from one buisness to another, in towns and cities." Halt checked to see if Horace seemed to believe him so far. There seemed no reason to think otherwise, so he added: "Urgent messages."
Urgent messages," Horace replied, still not seeing the connection. But he seemed inclined to believe what Halt was saying, so the older man continued.
And I suppose for a really urgent message, one would have to run."
Now he saw a glimmer of understanding in the boy's eyes. Horace nodded several times as he made the connection.
So, the short skirts...they'd be to help them run more easily?" he suggested. Halt nodded in his turn.
It would be more sensible for of dress than long skirts, if you wanted to do a lot of runnig." He shot a quick look at Horace to see if his gentle teasing was not being turned back on himself-to see if, in fact, the boy realized Halt was talking nosense and was simply leading him on. Horace's face, however, was open and believing.
I suppose so," Horace replied finally, then added in a softer voice, "They certainly look a lot better that way too.
”
”
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot.
When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
”
”
Eric Roth (The Curious Case of Benjamin Button Screenplay)
“
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage...
The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything...
One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice.
Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy?
I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)